#Four-Laning

[paranormaljones]

Love and Attraction in My Adventures with Superman

As someone who has never been particularly drawn by superhero media, I wasn't really sure what to expect when I first started watching My Adventures with Superman about a week ago. I had seen a few posts here on Tumblr that had piqued my interest, but all I really knew about it was that it was well-loved and had an art style that I knew I liked.

I absolutely did not expect to fall head over heels for the show entirely, or to be moved to tears multiple times by the wildly sweet, revolutionary relationship between this adaptation's Clark Kent and Lois Lane.

I say "revolutionary" because this romance touches on a lot of things that I feel are lacking in most modern portrayals of romance, and it handles them masterfully.

Most of what I reference/talk about in this post will focus on the first four episodes of season one (with a particular focus on the fourth episode, Let's Go to Ivo Tower, You Say) , because they are my favorite episodes and I think I can communicate what I want to by pulling mainly from those episodes. But I will be pulling bits and pieces from the whole series so consider yourself spoiler-warned.

The main point is this: I absolutely adore the way that physical attraction and emotional attraction are balanced between Clark and Lois.

The fact that this is possible comes from how well-crafted the dynamic is between the two of them; Lois' raw passion and energy inspires confidence and a mutual passion in Clark, and Clark's gentleness and kind heart inspire a tenderness in Lois that she was never given an outlet to show or receive. From this dynamic, a wealth of physical and emotional intimacy is naturally born. But never in the series do the two aspects of attraction feel out of balance; rather, they play off each other effortlessly. When one is brought into focus, the other quickly follows.

From the first episode and onward, it's obvious that Clark and Lois are awed by each other's physical appearance. Lois outright describes Clark as "beautiful" (which, if you saw one of my earlier posts from not too long ago, is something that makes me so incredibly happy to see in mainstream media).

To be fair, she doesn't say that to his face and says it in a moment of extreme frustration. But I still count it.

Anyways.

Upon seeing Lois for the first time, Clark is practically frozen in wonder for a good few seconds.

Lois, too, experiences this initial moment of attraction and almost immediately makes contact, with a playful punch to Clark's chest as he holds the door open for her.

This is a detail I really love, because first of all wow, I aspire to have her level of confidence. But also, it becomes clear early on in the series that Lois expresses herself very physically. She has no qualms regarding physical affection. Clark, on the other hand, is much more reserved and, at first, generally only initiates contact after an invitation from Lois, or after enough time has passed in their friendship for him to know that Lois is very physical and wouldn't have a problem with it.

There is also an immediate emphasis on Clark's concern for Lois' physical well-being. Take a sip of water every time Clark asks Lois if she's okay just in the first episode alone and you will be well hydrated.

Later on in this first episode, while trying to infiltrate a warehouse, Lois confidently asks Clark to boost her up to a window so she can get inside the building. Clark is immediately flustered, showing how much he feels out of his depth even with physical contact that, on the surface, would have no romantic connotations. (But to be fair, Lois is asking him to put his hands around her waist and lift her up when they literally just met like maybe six hours ago. I would be flustered too.)

And when Lois loses her balance and Clark effortlessly catches her, his first response (after blushing, of course) is to ask her:

Even in moments where the romantic tension is thick enough to cut with a knife and Clark clearly knows it, his first priority is to make sure she's okay.

And thus begins one of the strongest underlying themes throughout the whole building-up of their relationship, which is trust.

I'm gonna jump ahead now to the scene that inspired this whole post: the stairwell scene in episode four.

A basic rundown: Clark, Lois, and Jimmy are given an assignment to attend a tech unveiling for the city's top investors at Amazotech headquarters. Lois, naturally, ignores the parameters of the assignment and tries to use it as an opportunity to expose corruption in the city and get her stop-the-presses story. Clark very reluctantly follows her lead, believing that she will get herself into trouble . . . until Dr. Ivo, head of Amazotech, makes a few rude comments about Lois' appearance (Lois doesn't hear these, only Clark). This deeply irritates Clark and prompts him into revealing how much he knows about Dr. Ivo's corrupt business dealings, in an attempt to intimidate the truth out of Dr. Ivo, who responds by having Clark thrown out of the building and into a pile of garbage in an adjacent alleyway. Lois comes to find Clark (who is unhurt) and teases him about whether or not she should let him back in the building, since he didn't follow the assignment. Clark jokes that he doesn't even meet the dress code anymore, revealing that his suit jacket was torn as he was tossed out of the building.

Lois then reveals that she came prepared for this, and tells Clark to "take it off."

Clark immediately becomes flustered again and begins stammering as Lois pulls him back into the building by his jacket, continuing to tease him.

It's in these moments, as you can see, that the lighting of the scene changes. As soon as Lois says "take it off", everything is bathed in a rosy light. This happens frequently between these two; often, when we the audience are seeing one of these characters through the perspective of the other, the lighting takes on a very dreamy quality. This will come up again momentarily.

As Lois and Clark ascend the stairs, Lois removes her jacket and pulls a sewing kit from her pocket, admitting that she carries one on her because she herself has torn a lot of her clothing on her escapades.

The two then sit down on the stairs, and Clark removes his jacket. The lighting changes again, and we see Clark from Lois' eyes. It's clear by the dreamy lighting and the way that Lois blushes and involuntarily chokes out a "Wow . . ." that she is once again awed by him and deeply attracted to him on a physical level.

And this scene represents so much about their growing dynamic. It honestly has me floored.

But before I explain fully, I have to go on a tangent about my beloved Clark.

Throughout the beginning of the series, I believe Clark shows several signs that indicate that he is insecure about his physical appearance. Which you wouldn't expect, right? I mean, look at him. He's objectively a dreamboat. He was designed to be that way.

But at this stage of knowing so little about where he really came from or who he is, I think Clark struggles with not having a way to explain his physique. He admits that he wasn't an athlete in school; he was in the chess club. He doesn't work out as an adult. And yet he has the muscles of a bodybuilder. But, like so many other aspects of himself, he doesn't have a way to explain it. This causes a disconnect in how he sees himself physically; he likely feels as though he doesn't deserve his naturally impressive physique. And you could argue that he even does his best to hide it. As a civilian, he generally wears bulky, layered clothing like sweatshirts and sweaters. He slouches and carries himself in a very inward direction; his shoulders are often forward and his arms close to his sides, as if he is habitually attempting to make himself smaller.

This is one thing that brought me to tears when I saw it. The idea that a person can feel insecure about having physical attributes that would normally be seen as positive (and that they can't explain and/or feel that they don't deserve) is not very well-explored in media, but it is experienced by quite a few people, myself being one of them. But often in the real world when someone attempts to express this kind of insecurity, they are shut down and mocked and told to "be grateful" for what they have because others would envy them. Which I can say from personal experience is unbelievably damaging to a person's self image. So seeing this possibly be represented in Clark Kent himself was incredibly moving to me.

But back to the scene itself.

In the most recent gif above, this is the most vulnerable Lois has seen Clark thus far. What I think is so beautiful is the way that she invites him into this vulnerability by making herself vulnerable first.

Rewind a bit. Outside the building, Lois tells Clark to take his jacket off. Not a big deal, right? It's not like he's not wearing an undershirt. But Clark becomes flustered, not outright expressing that he's uncomfortable with this, but certainly indicating that he's not exactly at ease with it either.

Next we see them climbing up the stairs, and as they do so, Lois removes her own jacket and reveals her bare back to Clark in the process.

I believe this was incredibly intentional. This scene would have carried a very different tone if Lois' outfit was revealing in any other way. But the fact that her back is exposed symbolizes that she trusts him, in a physical and emotional sense. It's like when my cat Penny rolls on her back and exposes her fluffy tummy. Lois revealing this part of herself was her saying "I trust you, I feel safe with you, and I'll be vulnerable with you if you'll be vulnerable with me."

And only after that does Clark remove his jacket.

Because there is the factor of attraction at play, there is a lot of blushing and stammering going on in the beginning of this scene. These are two incredibly attractive people who are incredibly attracted to each other, after all. But immediately after the initial romantic tension, there is emotional vulnerability as well. Lois confides in Clark about her relationship with her dad, and the crippling self-doubt that she has kept very close to her chest. Clark jumps to reassure her in earnest, telling her that she has "changed his life for the better, in every possible way."

And that is what I meant at the beginning of the post when I mentioned balance.

Every moment of physical attraction in this series is followed by or harmonized with a moment of emotional vulnerability. Clark and Lois both invite each other deeper into each aspect of connection, and thus their relationship builds in an incredibly natural and beautiful way.

At this point, I think this post is about five miles long as the crow scrolls and I should probably stop now before all my thoughts run away with me. I could go on forever about the impact that this series and these characters have had on me, though. I will forever be grateful to the creators for giving us such an incredible series, and such a beautiful romance.

[cleopatragirlie]

Anita Lane's voicemail, featured in 'O Wow, O Wow' by Nick Cave & The Bad Seeds from their latest album 'Wild God'

[brokendoor16]

There is a special space in hell for white men who post those ‘I hate it when white women ____’ things. Just say you hate women and go.

[devilat-thedoor]

so the bitch is back, huh?

(my gifs/video)

[mildmayfoxe]

the tuesday again dog always reminds me of this sign i did in 2019 referencing it for soup season at my old coffeeshop job

[banjjakbanjjak]

Redrawing art for what I call my 90s Rom-Com Collection (unofficial). Think I've come a long way.

When Baz Met Simon...

Can Baz and Simon ever be just friends?

In a city of ten million people, Baz and Simon constantly find themselves involved in each other’s lives. Navigating London, university, relationships and growing up, this is a story about two boys who somehow fell in love, and never realised it.

After all, they barely know each other.

Lonely in London

It's Christmas Eve and a mysterious caller only known as Lonely in London phones in on a radio show: To Be Loved or Not To Be Loved, with Dr. Wellbelove. He reminisces over a boy he fell in love with ten years ago. 

Simon listens to the broadcast, and he could only think of one person.

But it can't be Baz Pitch, right?

[sisaloofafump]

I love how consistent comics are in establishing the four people Clark cares about the most: Lois, Bruce, Pa Kent, and Ma Kent, (and Jon if he’s around). Even when Superman and Bats aren’t all buddy buddy, Batman is still the one used to show the JL side of his life.

[stardustinthesky]

How could I love you? I don't even know you!

[astrobei]

cried while trying to parallel park today who want me

[myloveforhergoeson]

look i know we all love bad boy kendall but i well and truly cannot believe he pissed in gustavo’s desk. guys. he pissed in a desk. whipped his shit out in the middle of rocque records and let it loose. oh my god his mom would KILL him if she knew he did that😭

[skyloftian-nutcase]

And now, an unscheduled trip into my brain…

Me, driving, thinking about exercising: *notices I’m in the turn lane to go to the gym* Ah yeah, exercise!

Me: Wait no I already exercised this morning, I should get in the other lane to go home.

Me: WAIT NO I’M DRIVING AN AMBULANCE WHERE AM I GOING

[sciderman]

Do you know any Loki lore?

I do know he fucked that horse

[cantsayidont]

August 1940. Perhaps the most important Superman story never published: In the summer of 1940, Jerry Siegel wrote a complete script for a 26-page Superman epic (the length of two normal Superman stories of this period) in which Superman is weakened by a passing meteor of radioactive metal from the destroyed planet Krypton, here called "K-Metal." That alone would have been noteworthy, but that's far from all. Later in the story, Superman reveals his true identity to the survivors of a mine cave-in, including Lois Lane!

The other three witnesses are subsequently killed, but Lois now knows the truth. She and Superman then have the following conversation:

LOIS: Now I begin to see. Your attitude of cowardliness as Clark Kent-- It was just a screen to keep the world from learning who you really are! But there's one thing I must know: Was your--er--affection for me, in your role as Clark, also a pretense? SUPERMAN: THAT was the genuine article, Lois! LOIS: How foolish you were not to let me in on the secret! You should have known you could trust me! Why-- Don't you realize-- I might even be of great help to you? SUPERMAN: You're right! There were many times when I could have used the assistance of a confederate. Why didn't I think of it before? LOIS: Then it's settled! We're to be--partners! SUPERMAN: Yes -- partners!

It isn't quite so easy, however. After returning to Metropolis, Lois tells Clark, "I just remembered how long you've secretly been laughing at me! I don't like to be laughed at, Clark Kent-- But-- I'll assist you… Only for the good of humanity, however!"

Most of the art for this story was completed, or nearly completed, by Joe Shuster's shop artists before National-DC pulled the plug. The exact reasons are now unknown, although the most likely explanation is that the story just seemed like too much of a shift in the established dynamics of the Superman strip, which was by then running in newspapers and on the radio as well as in the comics. K-Metal, renamed Kryptonite, resurfaced in a 1943 radio storyline, which borrows some elements from this script, but Kryptonite wouldn't appear in the comics until 1949, and it wouldn't be until decades later that Lois Lane really and truly learned the secret.

For background on this story, see Mark Waid's article in ALTER EGO #26 (July 2003). The Superman Through the Ages website has a nearly complete recreation of the full story, done by modern artists (in color) based on the surviving pages of original art and Siegel's script, which Waid had carefully retyped using the same kind of typewriter Siegel used.

[parasitoidism]

I got my drivers license today :D

[spinef0ryou]

the blind channel fandom @ the finnish music scene

[e-adlirez]

Thea Stilton Treasure Seekers Review/Ramble

Behold, an impulsive ramble about a possibly-obscure trilogy that's been translated to English during quarantine-ish, adding to the obscurity.

So the Treasure Seekers, huh? :3

Coming out a little prior but more or less over the course of quarantine and thus a lot of people not having ready access to it, the Treasure Seekers is what turned out to be a trilogy of what it says on the tin: the girls hunting down cool treasures as a result of going down the world's biggest and highest-stakes scavenger hunt written a hundred-ish years prior to the present time.

Gonna be giving MAJOR spoilers for the first book in the trilogy, and there'll (probably) be one post per book in the trilogy. If you haven't read the book, here's a copy on the Internet Archive you can read before skipping ahead to the review, enjoy, it's pretty good. If you've already read the book or don't care about spoilers, please proceed below the cut :3

The story begins with the girls on summer vacation in Scotland. Shenanigans get started when they meet this old hermit woman who has in her house a mysterious heirloom tapestry with a mysterious poem on it.

The tapestry has this poem that talks about a place with sweet winds, petals that will lead you to something beneath them, something about midnight and birds, and an alabaster garden created for the "jewel of the palace" (like me to you), that is guarded by a friend with deep feet. Sounds like a whole lotta cryptic shnit the theory heads would enjoy :D

Anyway so the girls go visit Beitris (the hermit woman) the next day to return something they borrowed from her only to walk into a holdup :D

Said holdup-ers are these two grunts led by this mysterious lady hiding her identity under a black fedora and thick-framed Ray Bans. The girls deal with that situation real quick and get the guys to scarper (if you're wondering how they did that, "the police are coming"), and once it all blows over, they find that the thugs only stole the tapestry despite ransacking the entire place like raccoons. Such a realization leads to a revelation on Beitris's end, so she entrusts the girls with the tapestry's backstory in a segment I will describe as LAAANNNEEEE LOOOORRRREEEEEE (said in a MatPat voice, we'll miss you king :'])

-

The tapestry was a family heirloom passed down to Beitris by her grandmother Petra, who got it from her older sister Aurora Beatrix Lane, who is basically British Amelia Earhart. Wasn't into girly shnit, liked being outside and also archaeology, studied in the University of Cambridge as an Archaeology major and learned how to fly a plane, all while punting early 1900s gender norms into oblivion with her pants and motorcycle. Motorcycle queen, plane queen, archaeology queen, but then everything changed when this British Amelia Earhart did a British Amelia Earhart.

The context behind Aurora Beatrix Lane's disappearance is something relating to her work with her mentor Jan Von Klawitz, who was doing archaeology things with her and probably got up to some wild shnit, but we would never know because Aurora is very secretive about her plans and her destinations, and she only came home to the UK once, after her first trip, and that was when she gave smol child Petra the tapestry to guard because it led to "a very precious treasure", but she can't show it yet for the time being. The vibe was Aurora was planning on using the tapestry to show the treasure it hides once she's done with her archaeology shenanigans.

But then she did an Amelia Earhart but completely untraceable since she never revealed her destinations, so uh there's that :D

-

Back to the present, this little storytime from Beitris has gotten the girls sucked into a rabbit hole. They are now hyperfixated like nobody's business and this Aurora Beatrix Lane is JUST LIKE THEM FR, and as a result they decide that y'know what they still have a few days before classes in Mouseford starts, and while they're at it, they're gonna find Beitris's tapestry and maaayyyybeeee find the alabaster garden. First destination: Girton College at the University of Cambridge, Aurora Beatrix Lane's alma mater.

The girls take a quick jaunt to Girton by train and then by bus to have a lil' chat with the dean, who reveals to them that they're looking for the central archive if they're gonna be looking for the deets on a student from a hundred years ago, but uh the archive is closed for the day, please come tomorrow. (Wonder why, maybe it's because they rode from Scotland to Girton by train which takes a shnitload of time. /nsrs but fr tho I wonder if the original Italian had them drive over there by car-- they did rent an SUV, and going by car would be way faster, like it'll only take a seven-hour drive faster) They come back the next day, are let into the archives, and oop, they find a well-preserved diary with Aurora's initials hidden in the Stanley Library.

Y'know what that means, LANE LOOORRRREEEEE

-

So two months into her accompanying Jan on his excavations, she notes that Jan's been acting a bit sus lately-- being very nervous, being extremely protective over his luggage, being weird about hiding some of the relics he's found, and also a weird-ass incident where while exploring a small village's old castle, Aurora found a hidden chamber with a tome inside that Jan immediately snatched and was like "I'll take care of it don't worry, don't worry about the protocol stuff I'll be fine I'll take care of it". And then he went back to "normal" after that. Hmmmm.

A month later, while Jan was talking with one of his collaborators on their train to England, Aurora stumbled into the tome again, suspiciously in Jan's personal luggage instead of being properly archived and catalogued like it should've been. She read it, saw a thing about the Seven Treasures of the World, and that caused her protagonist genes to kick in since now she's now very tempted to look into finding them and showing them to the world.

After that, she went to some libraries to investigate and eventually decided to confront Jan about the whole treasures thing and his first reaction was he was pissed, calling Aurora a snoop and everything poking into his things. Then after calming down he said "just pretend to not see", but oh no, dear reader, Aurora was not gonna pretend to not see. She ain't gonna pretend to not see the fact that her mentor was actually a treasure hunter and collector who'd been using his occupation as an excuse to snatch some nifty treasures and keep them to himself like every European country who's stolen artifacts from Asian countries ever, ohohohooooo noooo, she's gonna do something about it.

-

The girls scuttle on over back to Scotland and Beitris, to find that uh oh dear, the thugs came back again and this time they were asking about the girls specifically. Beitris pulled the same trick the girls pulled to get them to leave. So NOW the thugs are looking for the girls for whatever reason and wanna know their deal. Anyway, the girls show Beitris Aurora's diary, tell her about the summary, and also that unfortunately some of the pages are missing, and the diary doesn't say shnit about the tapestry so far. Beitris helps by giving them a letter that Aurora sent to Petra about the tapestry and its treasure, but interestingly mentions that she should "only trust Robert".

Since I haven't mentioned him before, Robert Neville was Aurora's flight tutor, a flying medic, and was toootttallllyyyyy just friends with Aurora you guys they were totally just frie--

He is dead in the present time, but his nephew John Neville is a (former) lighthouse keeper for the Ar-Men lighthouse in the IÎe de Sein, Brittany, France. So the girls head on over there, land in France, insert a thing where Vi feels like she's being watched but is like "maybe it's just a me thing, I dunno".

They head over to the Île de Sein, find an old man who turns out to be John, are invited to his house, tell him about their situation, and John mentions that he himself has been researching like crazy too about Aurora ever since hers and Jan's simultaneous disappearance over the same place at the same time in the same terrible storm. And also the fact that Robert was totally devastated when he got the news and spent years looking for her. He gives them his notes that he's accumulated over decades of researching in his pastime (which amounts to just Aurora's trip to Mexico), and tells them that since Aurora was looking for seven treasures, they'll need to find out where her seven trips took place, which will not be easy because Aurora was extremely secretive, and she only made her first trip even remotely public.

First place is Mexico so might as well head on over-- oh god the holdup-ers are back to holdup.

The thugs snatch Aurora's diary and book it before the girls can do much besides get an impromptu ocean bath, and oh dear, the thugs' boss has them now, and it's not the mafia cosplayer lookin' woman. But that's something I'll address later :3

Nonetheless, they carry on since the thugs never stole John's notebook, and they use it to go to the Puuc Route in Mérida, Yucatán (sounds very specific until you realize that Mérida is the capital of the Yucatán, and one thing everyone and their mother knows about the Mayan ruins there like Chichen Itza) to find more clues.

They do some more research on the Puuc Route, find some clues about "an invisible place, guarded by the chattiest of creatures", discover that it means they have to go to Uxmal, get a dub against the unfortunately acrophobic thugs, and realize that yes, Aurora did in fact sneak another one of her diaries in there.

This one doesn't have as much Lane Lore to contribute besides a clue that the girls find leads to Kannauj, Uttar Pradesh, India, a city known for its perfumes :3 sounds like "sweet winds", doesn't it? Oh and there's also something about a place with two lakes, which turns out to be Lakh Bahosi, a bird sanctuary about an hour's drive away from Kannauj. The girls head on over and try to do some investigating, but it doesn't take them that long to find a pair of grunts struggling under the weight of a very familiar tapestry while their boss was struggling to supervise them with her heels constantly digging into bird sanctuary dirt.

Anyway so the girls concoct a little scheme to steal the tapestry and the thugs fall for it like fish for a fishing lure, and they managed to scatter with the tapestry. After getting to a private space in the sanctuary, they find a clue that leads them to a set of coordinates that they find is a beeg tree. Oh and the treasure seems to be a present that was made for someone close to Mumtaz Mahal, as in "the jewel of the palace", the woman the Taj Mahal was made for; and the tapestry has a set of coordinates that is leading them to a beeg tree, with deep roots/feet. Oh hell yeah it's all comin' together.

They get to the tree, deal with the mafia lady for a little bit, find the treasure, and it turns out it's a very exquisite perfume bottle made of alabaster called "The Perfume of the Earth". They find a little note from Aurora explaining the treasure and its value and the significance of finding it, and now the girls have found the treasure Aurora had been searching for, and now's the time for a villain reveal?

So I haven't talked about him yet and have glossed over this guy for the entire ramble. See the mafia lady, Cassidy? Yeah she's not the big boss here. It's this guy who has a whole secret base in Denali National Park, Alaska, and has been overseeing everything behind the scenes. And by everything, I mean everything: He was alerted to the whole thing with Cassidy's first raid of Beitris's house, found out about the girls' involvement, and for a good half of the book, was trying to figure out what the girls' motives are for interfering with his line of work and what they might know about this whole thing he's looking for, which is the alabaster garden.

This guy has been keeping tabs on the girls through Cassidy and her thugs, who've been stalking the girls ever since France. He and Cassidy figured out in Paris that the girls are Mouseford students on vacation, and he was the one who gave the orders to snatch the journal from there. He was the one who told the goons to tail them to Mexico, and he was the one who managed to look up the girls' names, backgrounds, reasons for being in Scotland, all from the comfort of his base in Alaska. And only then, only then did he go to India himself to supervise and put a cap to his goons' buffoonery.

Who is this guy? Well, he is a treasure hunter who just wants to enjoy the treasures Aurora Beatrix Lane has hidden from his great-grandfather a hundred years ago. That's right, meet Luke Von Klawitz, the current heir to the Klawitz legacy and the treasure trove Jan Von Klawitz left behind in spite of his disappearance. Unfortunately Jan was better (and old enough) to secure a family legacy of greedy artifact hoarding.

So while the girls were in Lakh Bahosi, Luke was too with the goons and Cassidy (who is not his right-hand man and more just... a subordinate trying too hard to impress him), being the babysitter with these guys on leashes, as he tries to keep their stupidity under control. He intercepts the girls as they're about to leave Lakh Bahosi, blocking their path, and asks about the alabaster garden. The girls obviously don't spill and prolly would've gotten themselves blackbagged and interrogated had a friend they made prior to Lakh Bahosi not shown up in her dad's truck and came in clutch. (It sounds cliche and like it came out of nowhere but trust me it makes sense in-universe-- after the girls left the friend's family restaurant that they were hanging at, Luke's goons came over to interrogate them about the girls and where they went. Subtlety, who is she?)

The girls bring the perfume to a nearby university so it can be brought to a museum, send the tapestry back to Beitris, and return home to Whale Island, to read the last bits of Aurora's second journal and presumably to

So that's the book :D I put in a LOT of spoilers, but I'd say that reading the book is still worth it because you'll be able to get the connecting tissues that tie the organs of this story together. H-hopefully this all made sense . .'''

First things first, if you're not used to how Scholastic kids' novels are written, then uh, you might wanna get used to it, because the English translation of Thea Stilton is very... that. It's not beating the kids' book allegations in English, unfortunately. On the brighter side, though, it's pretty good for Scholastic standards! The pacing's very fast, but it feels about right-- gives me the same energy as diving deeper and deeper into a rabbit hole and going to all sorts of places because of the hyperfixation responsible for consuming their sanity for all of a week or so. The dialogue isn't nearly as atrocious as the worst it's capable of being (oh trust me we'll get to that). The tapestry puzzle and how the girls work towards solving it is very coherent and logical for the situation they are in at the beginning, and it's very satisfying to see everything come together and for things to slowly make more and more sense in the poem despite it being as vague and puzzle box-y as it was.

The Lane family lore is very well-thought-out, and Aurora Beatrix Lane is the perfect spiritual predecessor to the girls, what with her love for adventure, love for travel, strong moral compass, and the strong compulsion to elbow drop every single feminine social rule under the sun. I can totally buy her being someone the girls would totally hyperfixate on researching, because she feels like that kind of compelling character-- a passionate young archaeologist who decided to put her own safety on the line for the sake of what she believed in and to dunk on Klawitz and his selfish (and very illegal) goals of hoarding the treasures of the world to himself.

As for the villain, I'll be real gamers, Luke Von Klawitz is probably the most intimidating if not terrifying villain in the entire franchise. He has drones spying on every corner of the world for him, he has goons he can contact at any time and have them do his bidding (to mixed results it seems), he has cutting-edge technology that he uses for terrifying means, all in the safety and comfort of his secret underground base in Alaska where he has his little basement filled to the brim with historical artifacts he's kept all to himself to enjoy. Lemme run this through you again:

He was able to learn the girls names, the university they're studying in, and why they were in Scotland in the first place, all without ever meeting them face-to-face or having his goons interrogate them directly. All he needed to learn all of this was the (not very helpful) research by Cassidy, and a few commands put into his world-connected supercomputer.

Are you intimidated yet? I sure hope you are :D this guy's got a lotta potential is what I'm saying. He's a bit of a brat who wants what he wants and wants it immediately, but he's also a bit of a chess master who looks over things in the background while his minions do all the work for him. Really the only thing holding him back is the incompetency of his goons, and technically it's not even that they're very stupid-- Cassidy and her grunts Stan and Max are very good at swooping in out of nowhere to wreak havoc, dip in and get out before anyone can do anything about it. They're decent if not good at the job they're usually assigned: low-level grunt work. Unfortunately they're not good at much else, which drove Luke insane this entire book, haha.

The girls' dynamic with Cassidy, Stan and Max was refreshing in the sense that the girls aren't always getting punted by them, and the goons aren't always taking Ls just from physical contact with the girls. Cassidy and the goons always had the element of surprise on their side, being able to show up out of nowhere and do their thing before the girls have time to even blink; but once the girls figured out their whole shtick, it was easy to learn that they are easily outclass-able by five mouse Oxford students in braincell count and thus act accordingly. They force the girls to think fast and come up with some snappy plans on the spot, and the girls force Luke to realize he hired Tweedle Dee, Tweedle Dum, and Tweedle Dummy as goons :D

Now uh, I have been complimenting this thing the entire time, but there is one little thing I have an issue within this book, and that is the whole... Power of Friendship thing they've got going on throughout the book.

Yes, unfortunately, the Friendship Curse has claimed this hardcover series too, and while it's not the worst here, it's still... it's still a bit atrocious :D

For instance, the conclusion Cassidy and Luke come to for the girls' reasons for interference is "friendship". Literally, Cassidy literally says to Luke, "It seems they did it out of friendship, Sir", and then Luke responds with an evil cackle and is like "FRIENDSHIP? THE POWER OF FRIENDSHIP DOESN'T EXIST IN THIS WORLD! AIN'T NO WAAAAYYYYY THEY'RE NOT FIVE SCHEMERS WHO WANNA GET THE TREASURES THEMSELVES", which is like... I don't get that vibe from Luke anywhere else in the book? Luke values efficiency and getting what he wants-- he's not hired Cassidy to be all buddy-buddy with her, he hired her for a job and she has to work to fulfill said job. He just wants competent employees, and y'know what, that's valid. Not a single part in that have I seen "ew power of friendship". It's very villain for the sake of villainy kind of energy, which I don't think fits Luke with the other bits of information we get of him? He's following his great-granddad's footsteps-- not a single minute of that did that mean "the spirit of friendship doesn't exist get yo head outa the cotton candy"

Then there's... how this applies to the girls.

inhales

WHY DID THEY MAKE VIOLET THE GROUP'S FRIENDSHIP PROPHET GRAAAAHHHH

I probably would make a full-blown rant about this at some point, but one thing I never liked about any of the hardcovers was how Violet of all people is the group's assigned friendship prophet. She'd occasionally make a comment about how uh something something the power of love is the strongest of all, and every single time I don't like it :D

Sure fine you can chalk it up to character development since her early months in Mouseford, but in the earlier books it's heavily established that she's the pragmatic one, the braincell keeper, the one who keeps the girls' group ADHD on track or the one who reminds them that "hey we've been at this for a really long time and it's now 2AM, we should really turn in now". Being a friendship prophet is a Colette thing, not a Violet thing, and I'm not trying to insult Colette or anything like that. I would be far more okay with it if Colette was the one to go on about the "power of love" because she's literally the HOPELESS ROMANTIC! She's the one with her head in the clouds, the one most likely to fangirl about ships in movies, the one who chooses to ship Romeo and Juliet and pretend to not see the entire second act of said play for the sake of believing in love.

If Colette had a line where she gushed about the power of friendship, I would've just chalked it up to "that cheesy-ass statement is something she'd totally say ngl", as opposed to the jarring whiplash I get from seeing Violet of all people call upon the Power of Friendship.

Again, probably will rant about this at some point (lemme know if you're into that idea), but yeah -m-

Literally just chuck the power of friendship bits and replace them with something more practical/realistic/grounded/whateveryouwannacallit, and it's basically perfect! Even the bits where the girls make friends on their journey is believable! Those don't have to be altered at all! Geuh it drives me insane, almost to the point of wanting to do something about it....

Well, that's enough rambling for today. I can't use up all my steam on this first book-- I plan on making ramblings for the second and third books, after all.

See ya Stilton fans, and for the newcomers from Twitter, welcome :D I hope you enjoy your stay :D