#For a point of comparison:

[cellarspider]

3/30: Meet David

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We return to the movie I want to bite down on with all of my teeth, Prometheus.

This time, we meet a man so bored he has invented new solo sports and started doing his hair like his blorbo, T.E. Lawrence. 

Meet David (Michael Fassbender). He’s implied to be a little over two years old, and he’s been completely alone for the vast majority of his life.

Actually, I lied. The movie first wants to throw another small strain on our suspension of disbelief: David has a VR visor he can use to view the dreams of the human crew in suspended animation. This is technically a plot point, and thus it is delivered with all the grace of this deer.

I cannot emphasize enough how clunky the movie becomes when plot or deliberate character arcs are being communicated through dialog scenes. 

We find out from dream-peeping that Elizabeth Shaw’s father (horror actor Patrick Wilson) was a devout christian of some variety, possibly a missionary, and her mom  died when she was young. She was given a cross necklace, which we see in blurry montage-o-vision before David wanders off.

We see David’s routine: Pick up tiny specks of dust, send out first contact messages and receive no response, perfect the lonely sport of solo bicycle-riding shootout, eat android breakfast and take a Proto-Indo-European language lesson, watch Lawrence of Arabia (1962) while dying his roots, quote the most Definitely Not Suffering line to himself over and over again as he does his hair like Peter O’Toole and wanders the halls, waiting for something to happen. “The trick, William Potter, is not minding that it hurts.”

David is going to later profess to have no emotions, but I think that given the chance, he would at least admit his enclosure needs enrichment.

This is one of the strongest scenes in the movie. David is a novel creation of humanity, and he has been left alone, with only the memories and dreams of humans to extrapolate off of. He has been abandoned without thought for his needs, stuffed down into Plato's Cave. We don’t know yet whether the people on the ship see him as a person, but we know they’re thoughtless in how they’ve treated him. He’s bright, he’s inventive, he’s chosen a way he wants to be seen, but he’s seen by no one. 

I’m sure this is going to turn out great for everybody.

And as a side note, while I didn’t know it at the time, David’s language tutor is the actual historical linguist that they employed for the movie, Anil Biltoo. His and Fassbender’s pronunciations were strong enough that even a hobbyist in linguistics could tell that they were really, really trying to get it right. They even reference Schleicher’s fable, the first piece of text anyone ever created from reconstructed Proto-Indo-European. This level of nerdy detail made me excited.

Side note to the side note, Biltoo also has an introductory textbook on Sanskrit you can buy, if you’re a maniac like I am.

This scene kept part of me hopeful for the rest of the movie, because it’s so strong. The “not minding that it hurts” line is a little on the nose, but overall it has the feel of something that could be expanded into an extremely melancholy short film. Or, hell, a Tarkovsky-esque feature film. Moon (2009) could be another point of comparison. In any case, this scene gives you a little space to feel all the quiet suffering of David’s existence. 

But unfortunately for the movie as a whole, this sets David up as the most sympathetic character. I personally had already been drawn in by the promotional “advert” for the David-8 model android (see part 1). Now I was invested in this particular David’s story. The rest of the film didn’t manage to yank back much sympathy for anybody else. 

Because the general vibe I soon picked up from the rest of the crew was that they were absolute hooting jackasses.

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Sources alt-text facts:

1. https://www.denofgeek.com/movies/how-ron-perlman-nearly-ruined-the-alien-resurrection-basketball-shot/  2. https://www.imdb.com/name/nm0766970/?ref_=ttfc_fc_cl_t50

[fascinationstreetmp3]

"You've grown old, Daniel." 1973 -> 2022

INTERVIEW WITH THE VAMPIRE | 2.05 -> 1.01

[soosoosoup]

rewatched treasure planet

[inkskinned]

you were raised in comparison.

it wasn't always obvious (well. except for the times that it was), but you internalized it young. you had to eat what you didn't like, other people are going hungry, and you should be grateful. you had to suck it up and walk on the twisted ankle, it wasn't broken, you were just being a baby. you were never actually suffering, people obviously had it worse than you did.

you had a roof over your head - imagine! with the way you behaved, with how you talked back to your parents? you're lucky they didn't kick you out on your ass. they had friends who had to deal with that. hell, you have friends who had to deal with that. and how dare you imply your father isn't there for you - just because he doesn't ever actually talk to you and just because he's completely emotionally checked out of your life doesn't mean you're not fucking lucky. think about your cousins, who don't even get to speak to their dad. so what if yours has a mean streak; is aggressive and rude. at least you have a father to be rude to you.

you really think you're hurting? you were raised in a home! you had access to clean water! you never so much as came close to experiencing a real problem. sure, okay. you have this "mental illness" thing, but teenagers are always depressed, right. it's a phase, you'll move on with your life.

what do you mean you feel burnt out at work. what do you mean you mean you never "formed healthy coping mechanisms?" we raised you better than that. you were supposed to just shoulder through things. to hold yourself to high expectations. "burning out" is for people with real jobs and real stress. burnout is for people who have sick kids and people who have high-paying jobs and people who are actually experiencing something difficult. recently you almost cried because you couldn't find your fucking car keys. you just have lost your sense of gratitude, and honestly, we're kind of hurt. we tell you we love you, isn't that enough? if you want us to stick around, you need to be better about proving it. you need to shut up about how your mental health is ruined.

it could be worse! what if you were actually experiencing executive dysfunction. if you were really actually sick, would you even be able to look at things on the internet about it? you just spend too much time on webMD. you just like to freak yourself out and feel like you belong to something. you just like playing the victim. this is always how you have been - you've always been so fucking dramatic. you have no idea how good you have it - you're too fucking sensitive.

you were like, maybe too good of a kid. unwilling to make a real fuss. and the whole time - the little points, the little validations - they went unnoticed. it isn't that you were looking for love, specifically - more like you'd just wanted any one person to actually listen. that was all you'd really need. you just needed to be witnessed. it wasn't that you couldn't withstand the burden, but you did want to know that anyone was watching. these days, you are so accustomed to the idea of comparison - you don't even think you belong in your own communities. someone always fits better than you do. you're always the outlier. they made these places safe, and then you go in, and you are just not... quite the same way that would actually-fit.

you watch the little white ocean of your numbness lap at your ankles. the tide has been coming in for a while, you need to do something about it. what you want to do is take a nap. what you want to do is develop some kind of time machine - it's not like you want your life to stop, not completely, but it would really nice if you could just get everything to freeze, just for a little while, just until you're finished resting. but at least you're not the worst you've been. at least you have anything. you're so fucking lucky. do you have any concept of the amount of global suffering?

a little ant dies at the side of your kitchen sink. you look at its strange chitinous body and think - if you could just somehow convince yourself it is enough, it will finally be enough and you can be happy. no changes will have to be made. you just need to remember what you could lose. what is still precious to you.

you can't stop staring at the ant. you could be an ant instead of a person, that is how lucky you are. it's just - you didn't know the name of the ant, did you. it's just - ants spend their whole life working, and never complain. never pull the car over to weep.

it's just - when it died, it curled up into a tight little ball.

something kind of uncomfortable: you do that when you sleep.

[cerebrobullet]

First sight

[poorly-drawn-mdzs]

Gaslighter? I hardly know her!

[First] Prev <–-> Next

[elitesheepi]

No, Zuko did not lead Katara down a "Dark Path" in The Southern Raiders

Watching Southern Raiders again, and it's bizarre to me that people read that episode as, "Zuko leading Katara down a dark path." Zuko just wants her forgiveness. He fucked up with her severely and to a level that's different from the others. She feels betrayed by him--she was betrayed by him. She trusted him and he all but spat that back in her face so yeah, she's mad. Is it selfish using her desire for justice, closure, maybe revenge to get her to stop being mad at him? Idk perhaps, if you read it that way.

But the way I read it, I read it as him using his resources to give her what she wants most, and that's her mother's killer. Since he was the face of the enemy, since he lost her trust, let him earn that trust back by taking her to the real face of her enemy.

It's the literal least he can do.

Then he steps back. Zuko let's Katara lead the mission, let's her defend herself against Aang and sadly Sokka too while only playing support. Zuko got a comment in there or two, but for the most part it's Katara doing all the talking.

Also something important people forget is that, neither Katara nor Zuko brought up revenge, that was all Aang accusing them(meant to type her, but saying them fits more) of seeking revenge. Maybe that was her unconscious motivation, but Aang was the one who brought it to the forefront of their minds. Zuko states that this is about Justice and closure, Aang was the one who made this about revenge.

After all that back and forth is said and done, Zuko is largely quiet the rest of the episode save for like 3 lines, none of them involving him telling Katara what to do or what she should do.

Katara leads the mission, Katara makes the choice to bloodbend even when Zuko was already facing the SR general on the boat. He didn't tell her to do that, he wasn't in a pinch so she would've needed to do that, hell she didn't even have to do any of that at all considering there was still water on the ground.

These were all Katara's decisions, all Zuko did was stand by her side.

This isn't me trying to say that Katara's making bad decisions. Far from it actually, I heavily agree with Katara's decisions. This isn't even a "supporting woman's wrongs" scenario either. Katara's completely in the right in my mind.

This is a mission involving finding the man who killed her mother. Not kidnapped like Appa (comparison courtesy of Aang), not whatever the hell the comics are doing with Ursa, murdered. Kya is never coming back and it's because of Yon Ra. Little Katara had to see her mother's dead body after the act was done and has to live with the pain and guilt of it all knowing Kya died to protect her. She's traumatized, she's hurt, so she's very much justified in wanting revenge and it's disquieting how so many people make this about Zuko leading her down some dark path for saying "I want to find the man who killed my mother and took her away from me." Bryke included.

Again, Zuko stands back, adds support in the fight when needed, but ultimately is there as her backup and sources.

And yet, people see all of this as Zuko leading her down a dark path. Because he dared to stand back and not talk Katara down from wanting to merc the man who took her mother away from her. What a villain, she said sarcastically.

Realistically, why would he stop her?

If anything, the fact that Zuko was the only one in her corner for this says a lot because of everyone there, he gets it. Sokka should've gotten it too, but that's a separate point for separate post.

He too lost his mother to the Fire Nation. Whether she's dead or missing, the Fire Nation and, namely his Father to put a face to it, took his mother away from him. He lost her and he believed that she was never coming back. Katara and Zuko are the same in that regard. Something he verbally empathizes with her in the Crossroads of Destiny episode.

He knows she needs this because he's been there, is there, and very much wants to have done that. If facing the Fire Lord wasnt Aang's destiny (and this wasn't a kids show, along with other in meta perspective) it doesn't feel to far to say Zuko probably would've killed Ozai.

Revenge for his mother is a side goal, but it's out of reach as of this moment. He has no information on what happened to her or where she is, so he can't do a thing. He sees Katara, someone who badly wants to regain trust with, with a similar goal and mindset and he actually has the means of helping her. Of course he takes it, but this is her mission, not his. He just provides the information and helps her getting there. That's all, everything after the fact comes down to Katara's choices.

When the moment of revenge happens and Katara decides to not kill him, does Zuko say anything? Does he asks her "what are you doing? He's right there, get revenge!" No. He doesn't say anything. He lets her leave, stares down Yon Ra for a second and follows after her in silence. You cant apply headcannon like "maybe he tried to convince her after the fact," because that can easily be countered with the head canon of him comforting her telling her she did the right thing. Going soley off what we saw in canon, on screen, Zuko watches Katara spare him from skewering the man with ice.

He does have a shocked expression in the background but that can either be read as "wow she didn't do it," or "holy shit she probably could've killed me 10 times over." Again, nothing verbal from him, only expressions, so it's hard to say firmly what he's thinking.

I got away from my main point for a second, but I'm coming back to it to say, none of this is Zuko's doing. Zuko didn't lead Katara down any path, he didn't encourage her to enact a bloody revenge, what Katara does was all her own actions, all he did was point in the right direction. Kinda shit how by making it seem like Zuko's manipulating her, it takes away from Katara's agency in the situation. She made her decisions and no man influenced her.

The only who actively tried to was her brother and Aang into forgiving their mother's murderer for some insane reason that I still can't fathom. Maybe from doing something she'd regret, possibly, but the in canon reason we get is, "don't do it. It's a dark path, you should forgive him for your own sake. Insert the Appa comparison" I bring that up again, because Appa was kidnapped, and then found again and they were all reunited. Yet Aang compared that to Kya being murdered and left for her daughter and husband to find. There's a stark difference.

Aang's pain in that regard is understandable and dare I say more supported by the fandom and show, while Katara is pratically being told by everyone save for Zuko to sit down and forgive for some inane reason that rings hollow, feels insensitive at the absolute best and takes away her agency by turning it all on Zuko as him making her choices for her.

It's shit, and an absolute misread of what the episode showed us, something Bryke somehow missed too.

I'm gonna conclude this with a quick summary of the end of the episode. Katara doesn't forgive Yon Ra, yet spares his life because he's just pathetic. Aang's weirdly giddy telling her that he's glad she forgave Yon Ra, and Katara having to shut that shit down and tell him that no, she didn't forgive her mother's killer, she never will, and she's conflicted on letting him live. Then Katara gets a soft look and smile for the first time in a good long while in the episode as she tells Zuko that she does forgive him. We get a Zutara hug (iconic) and the episode ends on a happy-ish, bittersweet note for her. Zuko does tell Aang that he's right and violence isn't what she needed (an admittedly weird line considering seconds before she just said she doesn't know if she was too weak to kill him or too strong too, implying she probably would've gone through with killing him, but whatever) but that's when Katara is out of earshot.

Zuko didn't lead her down any dark path, he left himself be lead by her and was willing to let it happen. It being whatever Katara's decision was going to be. Good, bad, middle, whatever would have happened would have all been Katara's decision and her agency shouldn't be ignored because of a bad-take misread of a pretty clear cut episode with very little ambiguity.

[mebis-art-dump]

Attempted as best as I could to clean up Pure Vessel's collar

Also, while we're at it, have some "Pure Vessel's long cape is actually its natural cloak, which simply gets "trimmed" when violently tearing apart its harness"

[fiepige]

Compilation of EVERY single time they changed Hobie's filter in the digital version:

Left: Theatrical release Right: Digital release

You might have to click on some of them to get a better look at Hobie, sadly I don't have a video editor that allows me to make better edits than these :')

[flateric420]

[barksbog]

i swear i´m gonna start biting dog trainers if they don´t stop comparing dogs with behavioural issues to autistic people

[kooldewd123]

At the start of each Animorphs book, before the first chapter begins, there is a page. On it is a simple acknowledgement. Two names. The first name is Michael - Katherine Applegate's husband and co-writer on the series. The second name is that of a boy. This name belongs to their son. Or, should I say, belonged to their son. Because they don't have a son anymore. They have a daughter. Every time I pick up an Animorphs book, I can't help but linger on this page as I quite literally hold her deadname in my hands. It's a peculiarly beautiful feeling. Peculiar because the context behind that name makes it seem all the more personal. I feel like I've violated her privacy simply by knowing it, even though it's openly out there for anyone to read. But beautiful because dammit, doesn't this represent this series's relationship with the queer community so well? Animorphs is often regarded as a queer (and especially trans) narrative, despite the fact that such subtext was completely unintentional. Applegate did not write Animorphs to be queer media, but she's embraced the fact that it has became so in the hands of the fans. How perfectly fitting is it, then, that she unknowingly dedicated the entire series to a trans woman?

[screamingfromuz]

Listen. LISTEN, the longer I spend in the academic world, I am more convinced that describing Judaism and Jews as a religion/ethnic grope/ethnoreligion is unhelpful outside of Academic circles.

The best way to explain Judaism is using the tribe model. A lot of times Judaism is a community first and a religion second, i.e., your level of religiousness is rarely a thing that alienate you from the community.

Think of other tribes, like the Sámi, Aboriginal Australians, Māori, Yurok, Inuit ect. Each have their own unique religion, but we do not think of them as a religious group, because the tribal identity is more important, and the religion is considered part of the culture, not the opposite.

IMORTANT SIDENOTE: I am aware that many of those tribes, and other tribes have a big chunk of Christians in them, usually more Christians than those who follow the indigenous religion of the tribe. BUT for the sake of discussion, I am equating Judaism to the section that does follow the indigenous religion of the tribe.

So, despite the fact that the religious structures of Judaism is very integral to Judaism, it is partly because of the community based focus of Judaism. The most basic example is the Minyan, the fact that prayer is preferred to be done in a group. Or the fact that the Sader is meant to be a celebrated in a group. and so on.

SO, ethnoreligion is a great academic term, but for outside that world? A tribe is a much better term to explain Judaism.

[nattikay]

OC lineup! All the characters that currently exist in this "story"

[bigevildoeeyes]

rewatching 2x05 and thinking about louis' motivation in saving daniel. daniel who was in deaths embrace before louis intervened, and doesn't that sound familiar? louis does something careless, people get caught in the crossfire, and scrambling for absolution he cant find in himself he insists to his partner this innocent must be saved

depressed, suicidal, spiraling from the guilt and grief of deeply loving claudia yet not in the ways which counted, here is this boy. this boy who should be dead, this boy who is intertwined with louis at his worst and is in some form a reincarnation of the same hope that prompted louis to turn claudia.

drenched in guilt with low resolve to live, here is proof of redemption. in ruins of homes aflame and families dying because of me, here is a girl i can save. in this apartment of dozens dead in my get high, fuck and kill spree, here is a boy i can save.

"She asked if I was an angel! Me!"

"Listen as though I'm the voice of God or an angel, talking to you (...) youre not inconsequential or a junkie. Youre a bright young reporter with a point of view."

i like to think saving daniel was louis first attempt of transforming his love for claudia into something non-destructive after her death. it became guilt, became violence, became hatred but with daniel it returned to the beacon of hope she was originally

so let him live. let me save you without the harm of staying with me. live a long full life unburdened and with the joy and success i wasnt able to give her. 'as long as you walk the earth ill never taste the fire', then she stopped walking the earth, then i did taste the fire, and this is me trying to stay alive. trying to refamiliarize with love using her blueprint

[txttletale]

blasted, sarah kane / serious weakness, porpentine charity heartscape