#Film-co-production

[coffeebookslovegt]

-Si el mundo cree que un zorro sólo puede ser falso y deshonesto... de nada sirve tratar de ser otra cosa.

-Nick, tú eres mucho más que eso.

[rowanwillow06]

20th April 2024

I got my exam days wrong!! It’s fine it works in my favour it’s now 30 days until my exam! I have had a busy few days, written a lot of essays and done planning for exam prep. It feels weird how fast it’s all coming to an end. I had work today, and as I was an hour early I just decided to work in the woods before my shift started. I thought it was so pretty and although it was bloody freezing it was still a nice experience lol. I also thought I’d start posting things I do outside of study?? Just bc I think we need to incorporate a balance into our study routines so here’s the plan for today :3

Go to work

Complete a Wuthering Heights essay plan

Do conservatism study

Make flash cards for This Is England

Tidy my room!!

Organise my notes

Things I’ve been enjoying at the moment:

Sherlock & co (an amazinggg podcast pls take a listen, or lmk if you have!)

The Tortured Poets Department

Grand designs 😭

Animal crossing <333

I hope everyone is having a lovely day/ evening 🤍🤍🤍

[finchers-ipad]

photographer: okay guys we are going to get some good shots of the Propaganda Film Founders, so if you could just all stand against the wall and face the camera *click* okay great! now let’s do a silly one where you all put your hands on the wall to look like you are bing arrested, but no one do a cunty pose okay?

Fincher: haha okayyy (lying)

[i-am-trans-gwender]

One time I was messing around with ai (don't worry I don't use it anymore) and I asked it to write a Disney movie based on Princess Diana of Wales. The only part I remember is that it said that Queen Elizabeth II is a villain just like in real life.

[rwpohl]

zamok, aleksey balabanov 1994

[waltcrewlog]

A BLATANT LIE

[staying-elive]

I gotta stop getting into arguments with guys in youtube comment sections.

[marcovaleyeah]

07.11.23

#Mira-Marathon | Harry Potter

Film Name: Harry Potter and the Chamber of Secrets (2002); Production Studios: Warner Bros., Heyday Films, 1492 Pictures, MIRACLE Productions GmbH & Co. KG; Director by: Chris Columbus; Screenwriter: Steve Kloves; Starring: Daniel Radcliffe, Rupert Grint, Emma Watson, Tom Felton, Kenneth Branagh; Genres: Fantasy, Adventure, Family, Detective; Running Time: 2 hours 41 minutes;

In "Harry Potter and the Chamber of Secrets", Harry and his friends return to Hogwarts and encounter a chamber of secrets releasing an ancient evil. They have to fight this threat by adding new characters and an exciting plot to the film. Great acting, impressive special effects, and intense atmosphere make this movie worth watching for anyone who loves fantasy adventures.

My rating: 9/10

[kraniumet]

WHERE has sexual tension gone???

[porto-rosso]

we are failing this module ‼️🗣️

[kangaruined]

i need all these ppl in my house to leeeeeaaavvveeeee

[shioaoi]

Rundown of the more interesting parts from the Necrits live stream with Christian Linke (Creative Director and Co-Creator of Arcane) :

There was a longer version of the Caitvi sex scene but they got bonked by the ratings people, and because it would have raised Leagues rating to mature, it got brought down to what we got.

The entire Caitvi sex scene was directed and animated by Fortiche with zero input by Riot. Christian says, "That was French people being French."

Riot making Arcane canon didn't change where they were taking characters or the story, it just made them more aware of how it would affect other Riot projects.

Christian refused to confirm exactly when the events of Arcane take place in the existing timeline.

The Arcane doesn't originate from Hextech. It is just one - in universe - interpretation of magic.

Christian doesn't view Viktor and Jayce's love as romantic, and that romance wasn't the intention when writing their relationship. However, by the way he talks, it doesn't seem he's against people shipping them romantically - just as a creative team, they were more interested in exploring a close, complex male friendship / brotherhood.

The 250-million dollar show budget number is not accurate as marketing is included in that fund. Fortiche's goal from the beginning was to bring the level of animation found in feature animated films to serialised content. While the show was very expensive for an animated series, it was way cheaper than an animated feature film because they try and work efficiently. As an example, Christian says how often in Hollywood, it's not uncommon for sometimes 40-50% of what is animated to end up on the cutting room floor while with Fortiche they try and keep it around 5%

Ekko's hair was changed from a mohawk to dreads because the artist who worked on him told them that black hair doesn't work like that (in reference to the mohwak), and here's how it would actually work.

Legends of Runterra affected Arcane in terms of giving the team inspiration for how the everyday street life is for people in the regions.

Caitlyn's LOR Tactical design (2021) and Warwicks VGU Voicelines (2017) were made to reflect what was going to happen in Arcane - production of Arcane just took a long amount of time.

They've said from the beginning that the only person who could ever defeat Viktor at the height of his power was Viktor himself. His story is about the glorious evolution, the pursuit of that, and what it actually means to remove these human elements until there is nothing left.

All projects Riot is working on - whether the MMO, Games, Written or Animated projects - are in talks with one another at all times.

Christian comments on how very few games have remain in service as long as League has, and because of its ever growing and evolving story, it's hard to bring everything together cohesively since everything was made at different times, in different era's, by a multitude of different people. So, while many things may be very cool creatively, it makes it impossible to successfully bring it all together more often than not. So for new projects, they are more focused on making something good and successful with the team and talent they have, even if it retcons or replaces content made in the past.

Christian pitched singing Heimerdinger.

Arcane's scripts for S2 were locked in before S1 was released, so they were not impacted by fandoms or online reactions. Christian thinks maybe some animation choices were influenced by things the animators saw online, but not the story.

When watching the premier of the final arcane episodes in LA - the entire 4000 seat theatre cheered when Maddie died.

The butterfly motif shared between Jayce and Viktor specifically was used to represent transformation.

Christian talked about how they don't think about really whether people will like something or not, but whether it's the right consequence for the story (this is in discussion to Caitlyn losing an eye). What makes a character likeable to an audience in his eyes is their decisions in the story; the choices that they make.

Continuing on from this, he comments on how the choices Caitlyn makes now are so different now compared to the beginning of the show. She is now willing to take risks and sacrifice parts of herself for people, for Piltover and for what is right.

When asked about Caitlyn's signature hat, Christian says that the team saw it as somthing that didn't really fit this version of Caitlyn they were writing and the person she becomes and that's why it was never incorporated into her designs.

Back in the beginning, when they were first working on Arcane, Christian would constantly going back to Jinx and Vi's original design artists & Riot August who was their champion designer to make sure they weren't messing anything up with these characters.

Christian goes on to tell an anecdote of when Paul 'Zeronis' Kwon was drawing the first concepts for Vi. This was back when Christian was in music. She didn't have a name at the time, but when Christian looked over Paul's shoulder at the art, he comments "she kinda looks like a Violet to me." They never spoke about it, but months later, when she became a serious character concept internally, she was gifted the name Vi. To this day, Christian doesn't know if his comment resulted in her name or if it was just a coincidence, but Violet became stuck in Christian's brain as Vi's true name. Riot August (who was in chat) then confirms that her name came from her tattoo, which came from one of her key design elements, being that she had the number 6 on her face. So, just a happy coincidence.

Talking about the tattoo. The tattoo was shrunken in size so, from a distance, it would look more like a beauty mark and the brain can more easily disregard it. One of the many things that they had to think about when translating the designs over as, is animation, you would be looking at a characters face a lot more than you do in league where the camera is situated top down.

As they were wrapping up the stream, Christian talks about how there always needs to be a bit of space between what content creators / content consumers do (pointing at Necrit) and what Riot does. He thinks it's good that there is space for criticism and a critical view of the things Riot does. In order to succeed, he believes they need to listen to their audience but also that they need to have their own vision, take risks, and be bold. It's a delicate balance in his eyes, and projects tend to fail when these two sides are too in cahoots.

He iterates that they are not trying to shove anything down anyone's throats. They are just trying to find what makes these characters cool, tell their stories, and be true to the regions they come from. With taking the characters from League to Arcane, it was important that they translate these stories and characters so they can hold up with the best storytelling in the world.

This circles back to the earlier point about retconning things and replacing past stories and content. He comments on how some characters are very outdated or too archetypal, but they still have an essence that people love about them.

Arcane was something Christian worked on for 9 years, and he was getting clearly emotional near the end. He also adds they're just getting started and he wants to make sure they do a good job with this IP and the characters we really love.

To those who are not happy with certain decisions, he's sorry they didn't hit what you personally wanted, but there is simply no way they can please everybody. While they are trying to make as many of the Riot / Arcane audience happy, they as the creators and artists need to follow their own compass, be the shepherds of this IP; that being creative is hard. They will keep doing that even if they sometimes have to ruffle some feathers.

He closes the stream by confirming that they are investing quite a bit in Noxas, Ionia, and Demacia for the next regions they explore.

[felesrubrum]

The strike has been going for 100+ days and it has only hit the Post Production field like, early August. And even then, only somewhat.

The general public won't be affected by the strike till like, September of next year. The shows and movies in production now were in production LONG before the strikes BEGAN. Actors, especially WRITERS, are key proponents at the VERY START of a production.

Realistically, they just shifted the release date of many shows or movies that the public DOESN'T EVEN KNOW ABOUT BC THEY WEREN'T ANNOUNCED YET.

It's absolute horseshit that "this will delay your fave show". This will likely not affect the public AT ALL.

Source: I work in post production for one of the most prominent VFX studios.

You know, after a hundred days of strike, I have noticed absolutely no differences.

I mean, they say shows are canceled because of it, but they would cancel shows for any reason or no reason at all. They often wouldn't tell us one way or another for months or years. Functionally, the uncertainty is the same.

The same goes for delays. How the hell am I supposed to tell if some show or another was delayed? They were never released in any sort of timely fashion before. What does a delay even mean when there is nothing even resembling a schedule? I mean, there wasn't even something like "within the first two weeks of august we will put something up for you to watch."

Zero accountability means they got away with whatever bullshit practices they wanted to, but now its cutting both ways. Any claim that this strike is negatively impacting me is meaningless because Netflix and most the other entities like them have built a system where it is extremely difficult to hold anyone accountable for anything.

And now they seem to think they can just bring accountability back? If they had numbers they could point to maybe it would work, but that's half the battle here. They are desperate to avoid releasing anything that tells anyone outside the company what the hell is going on. So we are just supposed to take their word for it, no really bro, it's actually really bad for you and all the strikers fault if only you could see the numbers that we refuse to show you, you're just gonna have to trust us bro.

[ennaih]

Every Film I Watch In 2023:

208. Forgotten (2017)

[peridot-tears]

Truths that Co-Exist

Barbie (2023) is a giant product placement that profits off nostalgia.

The writing is profound and life-changing and understands why we seek nostalgia in a way most nostalgia-driven entertainment doesn’t.

The film is self-aware about how even now, Barbie dolls set incredibly unrealistic beauty standards. Their “body diversity” does not even scratch the surface of what that phrase really means. I don’t expect this to change.

The film still made a beautiful statement with the scene on the bench about how societal beauty standards are narrow and restrictive! And that beauty comes from experiencing life and the marks it leaves on you!

Its feminist statements are validating. Many of us see our reality onscreen, and the great thing is that it includes how cishet men fall down a pipeline of toxic hypermasculinity. It also shows the solution, and allows men to express themselves despite what society expects them to be.

The film is a capitalist venture.

The cast (aside from the leads) and crew were probably overworked and severely underpaid during filmmaking.

We can still appreciate that something fun was made, and we all made another wonderful memory where we and our loved ones went to the movies color-matching in pink.

We should not feel guilty about seeing ourselves in this film.

Meanwhile, support the WGA and SAG-Aftra strike.

[shesnake]

“Monkey Man” was shot and completed in 2021, and Netflix soon after acquired the rights for around $30 million, but it’s been on the shelf for three years and they‘ve all of a sudden decided to get rid of it? What gives? It turns out, according to an in-the-know source, that it was the portrayal of a fictional right-wing Hindu Nationalist character in the film that worried Netflix about their future dealings in India. And even though they had paid more than twice the production cost, they decided to give the film back to the producers, which is what caused the long delay. Universal and Peele eventually took a particular liking to the film, so much so that they suggested possible editing changes and delayed the release until what they thought would be the right date. It’s as simple as that. In the end, it was all about politics and optics for the streaming giant, especially since India has become the current top growth market for Netflix. Co-Founder Reed Hastings has mentioned that a majority of the service's next 100 million subscribers would most likely come from India.

Universal/Jordan Peele's "suggested possible editing changes" in question: