#Fallen Angel Carmilla

[ckducky]

Fallen Angel Carmilla Carmine

[petitereveusesblog]

Zestmilla week Day 1: History/ Early meeting

I think Carmilla used to be an exorcist. But the problem is that her daughters were sent to Hell, separating them. On one of the Extermination Days she recognized her daughters as the sinners she was about to kill. They soon reunited.

As a caring mother, Carmilla went to Hell more often, without Heaven knowing. Her visits became a routine. In the beginning, it didn't always go smoothly. Like one time, she hid her wings, but left her halo on. And as her luck had it, she bumped into Zestial. He could have done anything to her, but he was surprisingly understanding of her situation. He offered to help Carmilla.

Now the question is, why would an overlord like Zestial help someone who annually comes down to his home to kill souls then go back up and enjoy enthernal paradise? The answer is that he could see that Carmilla was different. She might have been an exorcist, but she was also a mother. And a good one. She could be up in heaven, enjoying her afterlife, instead, she is down there, looking for her daughters to keep them safe. This attracted Zestial.

Carmilla had every right to refuse, because still, Zestial was a stranger. But on the other hand, he could have hurt her or her daughters. But he offered to help. And he is a gentleman around her. Love at first sight.

Anyways, Carmilla trusted Zestial, and Zestial helped keeping Clara and Odette safe, while their mother was in Heaven, doing her job.

Years went by like this and Carmilla and Zestial started having more serious feelings for each other. They soon started dating, resulting in Carmilla spending more time in Hell then in Heaven which Heaven noticed.

When Carmilla returned to Heaven, she found herself on a trial. Heaven has eyes everywhere. And at the end of the trial, Carmilla was found guilty for going to Hell without permission (but that was forgiven because it was for her daughters) and for falling in love with not only a sinner, but an overlord. For this, her punishment was that her memories of Zestial were all removed, her wings were cut off and they took her halo. She was stripped from every of her traits that would indicate that she was an angel. Then she was cast out of Heaven, making her a fallen angel.

Some time after her fall, Carmilla finally found her daughters again, but not knowing who Zestial was, she didn't trust him then. Zestial soon realized that his girlfriend's memories of him were gone and thought it would be much easier to start again than rebuilding their relationship how it was. So he asked Odette and Clara not today anything about their past relationship to Carmilla.

Also, for this digital art, I used @fizzierolli's art as reference

[seramilla]

Chapters: 1/? Fandom: Hazbin Hotel (Cartoon) Rating: Teen And Up Audiences Warnings: Creator Chose Not To Use Archive Warnings Relationships: Carmilla Carmine/Sera (Hazbin Hotel), Carmilla Carmine & Sera (Hazbin Hotel) Characters: Sera (Hazbin Hotel), Emily (Hazbin Hotel), Carmilla Carmine (Hazbin Hotel), Sir Pentious (Hazbin Hotel), Lucifer Morningstar, Charlie Magne | Morningstar, Adam (Hazbin Hotel), Lute (Hazbin Hotel), Odette (Hazbin Hotel), Clara (Hazbin Hotel), Zestial (Hazbin Hotel), Vox (Hazbin Hotel) Additional Tags: Past Relationship(s), Fallen Angel Carmilla Carmine, Angst, Heavy Angst, Angst and Tragedy, Dark Past, Canon Divergence, Character Study, Enemies to Lovers, Internalized Homophobia, Secret Relationship, Eventual Smut, no beta - we die like adam, Sera and Carmilla were a THING once, Will they ever be again???, Rating will change Summary:

When Sera learns that Charlie Morningstar's redemption program actually works, she appeals to an old colleague, Carmilla, for answers. What this means for both Heaven and Hell, neither are certain. But in Sera's quest to find a solution, old flames are rekindled, and Sera begins to question her own place in Heaven's divine plan.

ME? POSTING ACTUAL FIC IN THIS ECONOMY? IT’S MORE LIKELY THAN YOU THINK!

[the-nerd-beast]

I believe Carmilla Carmine to be a fallen angel

As well as the fact that she has daughters when sinners can't reproduce there is an important detail I can't believe no one has brought up.

Look at her, I mean really look at her, what is something you might notice? Other than her stunning beauty

An amazing lack of features she has. She has no wings, no shark teeth, no monstrous/bestial features, no horns (I was surprised to learn that her buns weren't wrapped around horns), no inorganic parts like Vox or what have you and she shares this trait with her daughters Odette and Clara. The only arguably inhuman trait are her large hands, which are not exactly a very defining trait especially since they moved away from her pilot design of having claws.

Look at the denizens of Hell:

They are incredibly diverse in form, having taken on features influenced by personality, sin, time period and cause of death. Even most "basic" sinners still look like generic devils.

(I used Mrs. Mayberry from Helluva Boss because she is the best shot of a "devil" sinner but they are seen often as background characters in Hazbin Hotel as well).

Now there is an exception to this though: Velvette

Now with her, I believe that is less a lore reason and more an artistic design choice since it is apparent her outfit and hairstyle is going to be different in every appearance she has so they left out any extra features to make that easier for the animators.

She is essentially a blank canvas for the animators to play dress up doll with, but she does still lack a nose which makes her a little less human looking than Carmilla.

Now getting back to Carmilla's daughters, even if Odette and Clara also died at the same time as Carmilla which is why they are together in Hell, the chances that they wouldn't have enough variables to have any unique features of their own feels slim, did these three really have so little variation in personality and sin one of them wouldn't look a little more monstrous?

Some have pointed out the horns they have are probably fake, with Odette's being her hairband, which with Carmilla's hair buns seem to almost be an attempt to "fit in" with the sinners.

Overall as many have brought up, the Carmines have more in common with Vaggie design wise with how few unique features they have, and we all know what Vaggie's deal turned out to be.

Anyway that's my two cents and I'd love to know your thoughts if you have any.

[tanema123]

LOVE ON THE BATTLEFIELD

ZESTMILLA

Part 7 out of 12 for now. Probs more.

part 6

part 8

If someone wants the thing without the text.

[theslotherin18]

To add more fuel to the Carmilla is a fallen angel theory, when I first saw the pilot for hazbin god knows how many years ago, the first thing I thought when I saw this scene was wow, those look like wings, perhaps a fallen angel???

[celestiall0tus]

Late Night Theory

I happily admit I believe Carmilla Carmine to be a fallen angel. Namely a Seraphim.

Her design has a lot of similarities to Sera. The skin tone being in the same area ish, the eye shape, the face shape are very similar to Sera. However, there's parts of the exorcists in Sera too. The irises and pupils like Vaggie and Lute, the sorta pear shaped body she has, and the overall color palette.

also as intelligent as she is, I do find it a little curious she could tell Vaggie was an exorcist because of the X over her eye and the spear. It really leaves me wonder how Carmilla really knew and no one else did. Cause, let's be honest, if it was that easy, how come no one else pieced it together?

Last bit that's a stretch and shot in the dark, but is her going for angelic weaponry in her arms empire. It feels like she might have prior knowledge to them, how the exorcists really fight, all to obtain more weapons during the exterminations instead of just collecting the scattered weapons the exorcists leave behind.

Personally, I think Carmilla might have been the general before Adam, the exorcists made in her (and to the same extent Sera) image. The reason for her fall is her refusing to get blood on her hands/face, likely her refusal to go along with the exterminations. I'm not sure how her daughters factor into this theory other than them possibly being born in hell, being hellborn, but I'm not sure.

Anyway, that's all for tonight. Night/morning y'all

[gothamcitycentral]

I find the parallels between Vaggie/Charlie and Carmilla/Zestial to be really neat.

Vaggie and Carmilla both leapt to the defense of Charlie and Zestial. Both bite their tongue at danger and disrespect directed towards themselves, but when who they care about is the one being threatened, they react with no hesitation or composure to defend them.

In conjunction, Charlie and Zestial are both more powerful than Vaggie and Carmilla (even if this is more strongly implied in Zestial’s case). Yet they seem so much more hesitant to act on this power. Charlie explicitly hates using her royal status or fighting people, while Zestial just endures Velvette’s insults and questioning, only making small verbal defenses of his position. Not to mention how they’re both much older than Vaggie and Carmilla. Charlie is a slow aging immortal and Zestial is the oldest living Overlord and is on the regular described as ancient.

Charlie and Zestial both see themselves as someone Vaggie and Carmilla should confide in. Charlie isn’t upset that Vaggie was Exorcist, rather that she never told her. While Zestial “implores [Carmilla] to share the load.” He’s worried about this weight she’s carrying by herself, and wants to support her. I imagine Charlie felt similarly, Vaggie has been carrying her secret in silence for years, and with Charlie dedicating her life to helping others, it must her to know someone she’s so close to has been hurting this long.

“Ain’t you supposed to protect this place?”

“I’ll keep you safe, and keep this secret.”

There’s also how their ‘protector role’ seems completely self assigned. I highly doubt Charlie ever wanted Vaggie to be her personal guard, and Zestial reacts in surprise at being included with who Carmilla is ‘keeping safe.’ If you take Zestial’s reaction (or lack their of) to Velevette, you could make the point they do this because Charlie and him are unlikely to defend themselves (or at the very least hesitate to do so). Which I think speaks to the intrinsic sense of duty Vaggie and Carmilla have.

[thedevilsinferno]

For the people who believe in the Carmilla Carmine is an angel theory I noticed this frame during whatever it takes a real blink and you’ll miss it moment where her eyebrow has a white aura around it.

It looks very similar to sera’s aura we see in welcome to heaven and I haven’t seen a demon with a white aura yet just sayin.

For all my fallen angel Carmilla Carmine truthers.

[ilovecarmillia]

Emily wallpaper 😇💅🏼

[inkperch]

...see, I like my other two backstories for Carmilla, but like. The angst if I go with the 'also a fallen angel' idea for my Vaggie Carmine au-

[vylad243]

Fallen angel Vox AU: When hells skies are covered in thick clouds ready for heavy snow storms, Camilla and Vox will sometimes risk short flights. Eventually, after Adam is killed Lucifer joins them and they take longer flights, and they go out during days where the sun is shining and their mates and children are below watching--and that's when Vox smirks, and dives grabbing Alastor and flying away with him in his arms while Zestial is telling Camilla "No," but she doesn't listen while Lucifer shapeshifts and takes up all the children--Nifty and Velvette are on his shoulders, Camilla's girls are in his arms, and Charlie is Koala hanging onto his back. The kids love it, and Lucifer lives flying with them like this.

Vox is cooing to his pretty buck who is wonderingly looking at everything, eyes wide, his tail wagging wildly.

Zestial has convinced Carmilla to help him look for herbs he needs while in the air, and that's what they're both doing, each scouting a different area as Camilla flies.

Awww. All the angels are getting along! This is adorable

[petitereveusesblog]

Zestmilla week day 2: Comfort/Scars

I doubt I got the prompt right with this one

[seramilla]

For the FALL au can we see the reunion between Carmilla and Sera after Emily's stunt and kidnapping

Sera didn't want to go to Hell herself. In fact, she'd done everything in her power to avoid doing just that. Lucifer is amenable to her plight to get Emily back, but a non-fallen angel descending to Hell of her own volition is outside his wheelhouse. Emily is not his subject. He has no jurisdiction over her. Despite Sera requesting his aid, he can't force the young angel to leave.

The best he can do for Sera is tell her Emily's location. Carmilla had made Emily's presence known to him as soon as the girl revealed her identity. That she's Sera's...and Carmilla's daughter. Lucifer had let Sera know that Emily is safe in Carmilla's care. Sera fell to her knees at the news. Emily's alive. She's okay. She'd actually found Carmilla.

She should be happy. She should be joyful. That her daughter had found her other parent at last, and on her own, no less. The thing she'd wanted for them both, for Emily's entire life, had finally come to pass.

But she is the opposite of those things, because now the reunion between her and Carmilla is inevitable, and she isn't certain how she's going to face her beloved after 10,000 agonizing years apart.

There is nothing else to be done about it, though. Sera opens a portal, directly to the Heaven embassy, and meets Lucifer at the crossroads. He directs her to Carmilla's home on the edge of Pentagram City, a sprawling, heavily fortified compound protected on all sides by cameras and a fence forged of angelic steel. Sera and Lucifer dematerialize, reforming on the other side of the barrier, as easily as water flows around a log. Lucifer knocks on the tall, foreboding structure that is the front door of the Carmine estate. The sound of Lucifer's small knuckles hitting the hard surface seems foreboding.

The door opens, and the angels are greeted by a younger blond woman who, after laying eyes on Sera, nearly falls backward into the entryway in shock. Not surprising, given how she and Lucifer had just shown up out of the blue. She looks like she certainly hadn't been expecting Sera's presence at her door. Sera should chastise Lucifer for not announcing their arrival, at the very least.

Lucifer apologizes for showing up without calling first, and the woman, whom Sera learns is named Odette, gulps heavily. She doesn't even seem to hear anything Lucifer just said. She's still too busy looking up at Sera.

"Oh, no, it's...!" Odette starts. She shakes her head, tries again. "No, no, your majesty. It's fine! It's perfectly fine! Please, let me...you and your...guest can follow me. Mother's been expecting you."

Mother? Sera thinks, lips twisting up in confusion. Does she mean...certainly not...?

Odette leads the two to a large sitting room filled with comfortable couches. The room is dark and cast in an almost supernatural shadow, even with the fiery red hue that creeps into the interior from the sky outside. Nothing about the setting is welcoming or warm. Sera suspects one can only do so much to make a dwelling in Hell appear inviting.

But despite knowing where she is, Sera can see all of Carmilla's little touches about the place that make it most definitely hers. From the choice of artwork, images of dancers and majestic birds adorning the walls, and the pearly white color of the furniture that she's sitting on -- everything is very reminiscent of Heaven. Of home. It gives Carmilla's homesickness away, even if no one else but Sera could recognize it for what it is.

As if conjured up by the power of her thoughts alone, Sera, Lucifer, and Odette's attention is quickly drawn away by Carmilla suddenly entering the room. She's followed closely by another young woman with light hair and dark skin, named Clara, and then finally, Emily, bringing up the rear and poking her head around the corner as if to assess the safety of the space before entering.

Sera has to physically restrain her instinct to leap up and grab Emily into her arms. The only thing stopping her is the sight of Carmilla standing there, which is like a one-two punch straight to the processing centers of her brain. The mother in her wants to embrace her daughter. The lover in her is transfixed by this...person standing in front of her. One that very obviously resembles the Carmilla she remembers, but who is also so different; it's like she walked right out of a different spectrum of reality entirely.

The hair, the eyes, the expression, the outfit, the air of regret and aloofness floating around Carmilla's form like a heavy fog...all of it is unfamiliar. Where is her spirit? Where is her light? It's like every molecule of angelic essence has been sucked out of her, leaving behind a shell of the woman she used to know. What happened? After all this time...what has this place done to her beloved?

"Mom!" Emily screeches, eyes widening in delight at seeing Sera. Sera doesn't have to get up and greet her, after all. Emily launches herself into Sera's arms, drawing the Seraphim out of her mental evaluation of Carmilla, and hugs her tightly around the waist. Emily cries tears of relief and happiness into her birth mother's pure white robes. They soak into the fabric, but Sera can't bring herself to care.

"Emily! Oh, my girl! Don't ever make me worry like that again!"

Sera wraps her arms around Emily, in turn. But she can't be distracted by this reunion for long. Not at the overstimulation of seeing the two most precious people to her...in the same room together, as if it's just so normal. The weight of it is like an electric bolt to her psyche.

"Mom!" Emily shouts again, drawing Sera's attention back down to her, smiling a grin so wide that it nearly tears the girl's face in two. Emily gestures at Carmilla. "I found her, Mom! I found Carm--Mama! She's been here the whole time! Isn't that wonderful?!"

Carmilla barely shifts her eyes in their direction, appearing as if she'd been trying to ignore Sera's presence until now. She'd been noticeably avoiding eye contact, but now that Emily's acknowledged her presence, those unfamiliar red eyes bore directly into Sera's soul. They hold very little of the warmth or affection she's used to; none directed at her, anyway. When she looks at Emily, that protectiveness and sincerity shines through. Right then, she looks like Carmilla...her old self.

But upon meeting Sera's gaze, the fallen angel appears as if she'd rather be anywhere but here at that moment. Face stern and arms crossed. Posture firm and immobile. Unamused. Annoyed.

What's wrong with her? Sera asks herself. Why does she look like she doesn't recognize me? Like she doesn't even see me?

"Carmilla..."

Sera stands. She hesitates, wondering if she should really do what her body is desperately telling her to do. Rush to her. Embrace her. Make her see that it's her.

Sera doesn't do that. She's not sure how well that would go over. But against her better judgement, she allows herself an ounce of hope that she's not overstepping a boundary. Convinces herself to take a tentative step toward the other woman; the one she used to love with every part of her being. The one she hopes, despite all the mixed signals she's sending her, still loves her, even if her body language at the moment isn't showing it.

Maybe she's embarrassed, Sera thinks. Carmilla was never one for overt displays of affection. It's been so long...maybe she just doesn't know how to react to seeing her again...maybe if Sera just shows her...

Sera's hopes are dashed when Carmilla takes a very definitive step back as she approaches. Unable to stop herself, Sera advances again, taking a few more steps toward her, and then reeling when Carmilla violently wrenches her body away. Carmilla practically twirls away to avoid contact, right before the other woman can even think about touching her.

"Carmilla! What--? It's me! Sera! Don't you remember?"

The sound that comes out of Sera's mouth at her query resembles a strangled whine. Like a childish plea. Why is Carmilla rejecting her? What has she done wrong? Why won't she just answer her?

Carmilla just looks at Sera with an expression as cold and disheartened as ice. As if Sera has done something to personally slight her. But she hasn't...Sera just got here! What could she have possibly done in the last two minutes to garner this kind of reaction?

"Carmilla..." she pleads again. "I beg of you. Please tell me what's wrong. Whatever it is...we can work through this. Please, my love, I promise I can fix it."

Sera reaches for her again. One final time. Pleading. Begging without words. But Carmilla turns away. Directly away, so she's no longer even facing her or Emily now, in a true sign of repudiation.

"You can't fix this!"

The first direct sentence Sera has heard from Carmilla in 10,000 years is like a fire iron stabbed directly into the Seraphim's heart. Carmilla's voice is so deep and raspy in her throat, like she's been screaming for hours, and her voice is raw from the effort. It's miserable. It's unrecognizable.

"You can't fix this." Carmilla repeats, more calm and stoic now. "I know. I've tried. For years. It never works. You don't belong here. Neither of you do. Now please leave. Before it's too late."

"Mama?" Emily implores of Carmilla, confused by the sudden change in Carmilla's demeanor. But not even the girl can break through the wall Carmilla has erected around herself. Just like the empire she's built down here, it will take more than a girl and a lost lover to permanently tear that barrier down.

Without even facing the two of them, Carmilla starts sobbing heavily, shoulders shaking. It's the most sincere emotion Sera has seen from her during this entire encounter, and it makes her heart break all over again.

"It was wonderful getting to meet you, Emily," Carmilla says weakly through her tears. "I will cherish these last few days for the rest of my life. But I'm afraid there are some things that can't be fixed. Can't be made right, no matter how much you want it. It's best for all of us if both of you leave now. Please...I can't bear it any longer."

"Carmilla, what--just talk to me! You don't know what you're saying! My love, we can--"

Carmilla cuts Sera off short.

"NO! LEAVE!"

Before even Lucifer can stop her, Carmilla is out the door, and disappearing down the hallway. Everyone she leaves behind can hear the heavy doors of the mansion slam behind her as she exits; they all remain there in the sitting room, silent for a very long time, confusion permeating the space.

Sera hugs Emily tighter to her as the girl cries into her robes. Sera blames herself. This is all her fault. She wonders where in all the realms she went wrong.

[bunnyinfoxclothing]

Let's start a new ask game. Name your 5 top ships for the show you are currently obsessed with and send this message to 10 last people that interacted with your posts.

Current Obsession Harbin Hotel... obviously.

Chaggie. Always has been Always will be

Zestmilla. I think the kind of slow burn slow romance where it is quite literally more like courting than dating is the best shit ever. I don't think they'd ever get married or become official. Their territory would just combine overtime, without anyone actually taking notice until it was too late.

Fallen Wings. (Lute x Vaggie) Specifically only in the past. Current Vaggie would never. Too much trauma and she has Charlie. But i'm obsessed with the idea of their Mutual Toxic Yuri. They were both shit people to each other. But it makes for good smut. Hate sex hits different.

Carmilla x Sera. I blame @seramilla and their cute little crack theory that Sera is just the epitome of gay panic and passes out all the time. Chefs kiss.

Huskerdust. Honestly, I never really got into mlm ships but it's really cute if done right. I don't actively look for their ship content but I don't hate it LOL.

[tanema123]

Emily emo faze design, for @seramilla au.

With a bit of extra juice...

Why do I keep drawing, I'm on vacation... Eh, who cares. I love drawing, it calms me down. Now I'm extra calm.