"Anything you want." Sir, I made a puddle, and I'm swimming in it. I had to take a step outside and let the cold air hit my face before my uterus burns through my body. Thanks.
For once, he sleeps in. Not by much, only just as the sky starts getting lighter. The sheets are crumpled over the both of you, legs tangled together and arms sprawled. He pulls you closer subconsciously as he slowly opens his eyes, grunting at the sight of one of the dogs staring up at him from your side of the bed.
He tries his best to slip out of bed without waking you, bless his heart, but it's difficult when he's just pulling himself off the mattress and you paw over his side, eyebrows furrowing when you don't feel him near.
"Sorry, sweetheart," he leans back down to kiss your forehead. "You can go back t' sleep if you want."
You pull at his shirt, trying your best to pull him back to sweet slumber, but his chest rumbles with quiet laughter.
"C'mon, baby, y'know I gotta get up." He runs a hand through your hair, thumb brushing over your cheek before his hand settles on the nape of your neck. "I'll make y' some tea, alright?"
He pulls away hesitantly, tucking you back under the blanket before he pads out of the room to brush his teeth. You drag yourself up eventually, clutching one of the brightly coloured throws around your shoulders as you make your way to the kitchen.
Phil can't help but smile as you waddle in, and he hugs you until the kettle starts whistling.
Mugs of tea and coffee in hand as you two sit on the big rocking chairs on the front porch. It's serene; gentle breeze brushing through the grass, birds chirping, dogs resting by their feet. He sighs, sinking back into the rocker as the sun pulls itself up from over the horizon.
He decides to take an easy day, making up his mind after making his rounds to check up on and feed the animals. The kitchen is warm, low hum of the radio as you work over the stove. He smiles as he kicks off his boots and pulls his gloves off in the mudroom, and he slips into the washroom to scrub his hands.
"Phil?" Called from the kitchen.
"Yes, puddin'?" He says, pulling himself around to the kitchen, wiping his hands on the thighs of his jeans.
You turn you head to look at him over your shoulder, and you smile at him. His heart melts.
"Made us some breakfast."
"Little late for that, ain't it?"
He slides up behind you, strong arms snaking around your waist and his nose burying in the crane of your neck while he watches you twirl the handle of the spatula in your hand.
i’m actually so serious about ewan mcgregor’s filmography. no one else is serious enough abt it. there’s so many incredible movies and about 90 of them are underrated or cult classics. star wars is great but it’s almost one of the least interesting things he’s done. there’s trainspotting! there’s moulin rouge! shallow grave! down with love! i love you phillip morris! big fish! perfect sense (devastating movie)! birds of prey!!! not to mention his season of fargo!!! where he plays not one but TWO characters and blows it so far out of the water i was genuinely sobbing by the end of it. like on my knees. good stuff
"I'm nobody. I haven't done anything with my life like you have."
Todd Phillips, Scott Silver, Lady Gaga genuinely, lovingly, fuck you.
I will never forgive you. I hope every day your bones get softer and softer and then one day when you're not expecting it, I shall be there, and I will gnaw through your Achilles heel<3
“actually voting doesn’t matter because america is uniquely broken” no you just have a flawed democracy and you think that everywhere else is some perfect electoral utopia because you don’t have an understanding of politics outside your own country. it’s not any less america-centric that your perspective is entirely negative instead of entirely positive while you ignore the international community telling you to FUCKING VOTE
thinking about the reboot mw games collectively and it’s so sadly unfortunate because like. when put up against the other two, mwiii fails so visibly.
first of all you’ve got their thesis/emotional core, right. for mw19, it’s all about the personal motivation of being a solider, the cost of war on an individual. what it means to fight and discovering the importance of what you’re fighting for. for mwii, it’s about trust. the importance of knowing that your team has each others backs, the weight that it has between individuals. what happens when that trust is broken and how it’s found again through vulnerability, because that’s how you truly know you’re there for each other.
and then there’s mwiii..? you should let your sergeant kill a prisoner illegally so said prisoner, when he breaks out of maximum security prison, doesn’t kill your sergeant 4 years later? you should illegally kill people who piss you off (shepherd)? sure there’s the whole “never bury your enemies alive”, but where does that come in to play outside of the soap/makarov interaction? it’s definitely not a valid reason for price to kill an american general in his own office. they could’ve used it for graves if they wanted to take it a step further, but no— graves doesn’t betray the team again, for whatever reason. we’re expected to consider him just a much a member of the team as anyone else, and the narrative treats him as such outside of a few bristly reactions to his involvement.
secondly i take a huge issue with how characters were handled in mwiii. literally everyone is here, and there is no reason for several of them to be. alex felt like a cameo— you see him actually on screen for maybe 30 seconds. farah’s missions feel forced for the sake of her involvement. not that farah shouldn’t be in this game, but makarov’s flimsy reasoning for targeting the ulf is so clearly an excuse to involve her. it feels very random and transparent as a decision to reuse her character because she’s familiar. again with graves— why is he here? i still genuinely do not understand why they decided to retcon his death. it was a perfect arc for mwii to kill him, and him being alive adds absolutely nothing to the story. he has nothing to do in mwiii and there is zero reason for his involvement other than “people liked him in mwii and he has a cool accent.”
within the 141, it’s mostly rehashing of the growth/personality that each of them showed in previous games. none of them have an arc, except maybe price if you’re willing to call the *post credit scene* where he commits cold blooded murder a completion of an arc. gaz, soap, and ghost are static versions of themselves that simply are just … there for most of the plot. they’re not out of character or ruined, but none of them individually have anything going on that can’t be tied back to price.
i think a lot of it comes down to the way they tried to shoehorn mwiii into the original trilogy’s storyline. people loved those games, and nostalgia sells. i don’t think it’s a coincidence that makarov was a big marketing factor for this game— and that’s not to say that mw19 or mwii didn’t abuse that either, but in execution you can feel the difference. price, gaz, soap and ghost are all their own characters miles away from their original trilogy counterparts. makarov… isn’t. he’s a poorly written villain riding on the success of the original trilogy— he’s scary because he’s *makarov*, not because he’s a real threat. it’s cheap. the knockoff “no russian” mission felt insulting. it’s a callback with no real impact in the story, just simply “look! remember when we did this in 2009 and everyone loved it?”
and all of it culminates into a shit ending with shock factor that it tries to make you feel emotional. i’m not sad over this character death. i’m mad, because it’s unearned and lazy. i realize it’s a lot to ask a multi-billion dollar corporation to actually put effort into their stories, but… it’s such a let down when the previous games actually had at least an ounce of passion. i’m just still so disappointed with this game ruining what could’ve been a really interesting and unique story.