#FOIL BUT NOT REALLY

[im-here-homie]

a happy audience is the key to the academy's heart

shadow milk design by @catxolotlquoise

[poorly-drawn-mdzs]

The girls are here!!!

[novelconcepts]

Obviously next week could prove this all dead-wrong, but I don’t think the trial’s quite over. I don’t believe the end of that episode actually took place, because I’m pretty sure we’re still firmly in the “punish Agatha” phase. Rio’s suddenly gone. Alice seems to be dead by Agatha’s hand, and no one—including Teen, who has always been on her side—seems primed to believe she was out of control. The others have been sucked beneath the power of the surrogate son who not only just told Agatha to fuck off, but went full-Wanda to do it. It just all seems too tailored to cut up any of the character progress Agatha’s made on the Road thus far. Getting harassed by her ghost mother and hearing her son’s voice don’t feel like a complete tear-down. This does. It feels like more trial.

[girlbossvicvega]

ik it was intended primarily for funny show reasons but shassie is just a crazy dichotomy. Guy with commitment issues vs guy who commits too hard. Guy with no dad vs guy with too much dad. Guy with net negative social skills who desperately wants them vs guy with incredible insight into people who hates himself for having it. Guy who’s surly and mean to hide need to be loved vs guy who’s breezy and charming to hide need to be loved

[teenagenutant]

the last two 3-turtle fusions- van eyck (leo+mikey+raph) with the mystic mojo and kepler (donnie+leo+raph) the sci-fi guy! plus some doodles

[moonfireshadow]

Rewatched Saltburn and I'm obsessed with Farleigh and Oliver's tutoring scene. The essay specifically. For those who don't remember: Oliver did his homework and all his assignments and genuinely gave a well thought out essay for their summer assignments. Farleigh shows up hungover and late and didn't even read the books. But the teacher immediately loves Farleigh and is chatting him up with an interest he barely tried to show Oliver. Even after Oliver gives his presentation and shows that he's clearly a much better student than Farleigh. Obviously this is the real start of their rivalry. But it's also such a beautiful look into their characters and how they mirror eachother. Farleigh understands Oliver's essay, I believe. But like the teacher he's bored by it. The knowledge and work is there, but the presentation of it is boring and strange. Academic and correct, but lacking the appeal to the audience. (Which, can we talk about the fact Farleigh was genuinely listening at all? The teacher zoned out and switched channels, but Farleigh was interested and paying enough attention to know the exact number of times Oliver used the word "thus" in his essay. They respect each other truly even if they despise eachother at this point, and refuse to acknowledge the grudging respect.) So Farleigh does what he does best, he gloats over Oliver. He picks apart the style of the essay and it's presentation rather than addressing the central argument or topic. This delights the teacher and frustrates Oliver who is like, "so you're going to critique the style of my essay rather than it's substance? Seems a bit lazy" and that's the core component of these two characters.

Farleigh is ALL about presentation. He knows how fragile his pedistal is placed up and in view for everyone to see. He's a charity project, just like every other rando of the month. Sure he has some familiar connection, and that's given him a leg up in this world. But it's still shakey at best. He always has to give the correct performance, say the right words, keep his audience on HIS side. Unless he wants to get knocked down with the rest of the common rabal that he knows he's belongs with, but can't stand the idea of. So yes, of course he picks apart the one thing he knows Oliver is failing at. He takes his one advantage over Oliver and uses it mercilessly to both entertain and secure his audience on his side. (I wonder if the positions had been different some how, if Farleigh would have had anything to say about the substance of the essay itself. He was paying attention to it, did he want to have a real academic conversation? Did he possibly want to try and connect to Oliver in that way? A real and non performative way with someone who's so similar to him?)

As for Oliver, obviously his character is intelligent. He does the readings. He does the research. He puts the time and effort in to *learn* in the way Farleigh never does. And it must infuriate him that his essay is so easily pushed to the side for a cheep critique that doesn't even address the central argument of his essay. Of course he would hate Farleigh from the start for that. It's such a quick negation of all that Oliver has to offer and give just because it's not wrapped up in a pretty bow. And that's just his character. The substance is there, the intelligence is there. But it's not enough. It will never be enough. Because Oliver doesn't know how to translate it to his audience in a way they'll care about. He learns and tries to mimic, but it always falls short because he just can't seem to figure out the way to blend in and present himself so seamlessly as Farleigh.

And that's why they're such perfect mirrors of each other. They're both intelligent and clever. But they've found different ways of getting what they want and proving themselves. Farleigh is the face and the presentation, Oliver is the substance and body. In another world imagine what these two could have done and been if they hadn't been pitted against each other for the same prize. And the fact Oliver definitely deliberately shoved Farleigh out at the perfect time so he wouldn't get hurt and killed? Oliver and Farleigh respect and admire the other. But their tragedy is they can never be on the same page or team because the world they're in says there is only room for one. And they'd both do anything to get that title.

[dykedvonte]

I don't think any of the post crash Curly conversations have anything Curly would actually say after this point in time. They are not Curly nor his current sentiments

Not even the "I want to go home." Curly can't say what he wants or not. It's all Jimmy's perception of what Curly's desires were and are and Jimmy's himself. It's Jimmy entering the same but warped stagnating headspace Curly was stuck in at the beginning of the game.

An oppressive bright space with all the dead ends and burnouts you could foresee paired with a dark empty void of things that spark but are never quite as bright?

[a2zillustration]

Part 2 of 2

Thanks for tossing me the ball on this one Larian I am now running with it at mach speeds.

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[[ All Croissant Adventures (chronological, desktop) ]]

[[ All Croissant Adventures (app) ]]

[unwrathful]

tsuna's apathy towards his father, never mentioning him to the others and having them assume he's dead or that nana was a single mother, thinking of him as a deadbeat and actively avoiding him and trying to have nothing to do with him. xanxus's hatred towards his father, leading a coup against him, never letting go of his hatred and then stuffing his father in a tin can that sucks out his life and skipping the inheritance ceremony. the two show that the opposite of hate isn't love, it's apathy, acting as foils of each other. in this essay i will

[bbutterflies]

as much as I love the future au’s where adrien takes over the butterfly miraculous why is no one talking about the fact that adrien would become emilie and marinette would become gabriel. we’ve seen enough parallels to know it. marinette is the one who loses sight of everything else when she’s trying to pursue a goal, who loves hard and without question, who gets tunnel vision while working on a project and ignores contradictions. adrien is the one risking his life over and over for her. if she lost him and felt like it was her fault she would do anything to get him back. anything and everything, no matter the cost.

[isagrimorie]

Agatha All Along 1x04 - If I Can't Reach You / Let My Song Teach You Transcript

It's hilarious how Agatha is annoyed that Jen questions her about her own lyrics. Then she has to stand there while everyone claims Lorna Wu wrote the most popular version of the Ballad when Agatha was the one who originated the song in the first place.

But she can't say anything to preserve the con. Truly the only enemy Agatha seems to keep losing to is to herself.

(Also, when Agatha's really mad but can't say why, Agatha flips her hair back.)

[poorly-drawn-mdzs]

Parallel Lines and Brothers.

[First] Prev <–-> Next

[dreameroftheblue]

And guilty I may be But don't give up on me In the wake of the Odyssey We will still be thick as thieves You and me, still thick as thieves

[wishesofeternity]

The thing about HotD is that it while it absolutely minimizes the agency and ambition of both Rhaenyra and Alicent, this is specifically used to glorify Rhaenyra and frame her as righteous while condemning Alicent and framing her lacking. That's the key difference in both their textual portrayals that has directly led to 90% of the fandom hailing Rhaenyra as the second coming of Christ while spewing the most hateful vitriol at Alicent just for existing. But y'all are not prepared for that conversation.

[nyxofdemons]

okay so the main criticism i've been seeing against episode 8 is that beelzebub (among other things) is "too nice" to be the sin of gluttony, because she's an attentive hostess, because she expresses worry over blitz's excess drinking, etc., and i wanna talk about it.

the thing is, i feel like this complaint is rooted in the most basic, somewhat cliche idea of the sin of gluttony, and a somewhat boring approach to bee's character in general. the idea is that, as the sin of gluttony, bee should be encouraging over-indulgence, excess, and the self-destructive aspects of party culture and drinking.

but she's the queen bee. she clearly explains that she can feel the "energy" of everyone at her party, and i think that's very important to analyzing exactly what gluttony means to her. instead of indulging in food and alcohol and drugs and being selfish (as gluttony is generally expected to be about), bee feeds on the ENERGY of the demons around her. and in order to get the best energy she can, she needs to be making sure everyone is actually having FUN and having a good time. gluttony, in this sense, is about EXTRAVAGANCE, having the best quality of everything, rather than just everything in general.

i also think this is why she was so put-off by blitz's actions. when he chugs the entire barrel of alcohol and then is absolutely wasted beyond all reason for the rest of the party, he's NOT actually engaging in her sin. he's not being gluttonous; he's not drinking to have a good time or to indulge or to have fun - he's drowning himself in alcohol because he's trying to forget and ignore all his problems, which is a sin much more akin to pride. his energy feels bad to bee because he's not having fun, he's deeply hurt and trying to distract himself by being self-destructive, which is NOT what her sin is about.

(also, remember, this is supposed to be part TWO of the finale. meaning, this episode (and the introduction of bee's character) directly goes hand-in-hand with the introduction of asmodeus, who's entire club IS about indulgence and depravity and everything you'd expect from the sin of lust. bee and the gluttony party are meant to be a direct foil to the energy of ozzie's.)

[madbyer]

Steve getting a summer job at 18 bc his dad made him vs Jonathan working since he was really young to support his family. Steve having all of his needs met vs Jonathan having to help pay bills. Steve not going to college bc he didn’t get in vs Jonathan not going bc of his guilt and anxiety about leaving his family. Steve smoking weed for fun vs Jonathan smoking it to cope. Steve ‘babysitting’ Dustin vs Jonathan parenting Will. Steve’s ‘asshole’ Dad vs Jonathan‘s abusive Dad. Steve being excited about his future kids vs Jonathan‘s fear of turning into his Dad. Steve idealising Nancy as his wife vs Jonathan being terrified of holding her back. Steve getting to be a teenager while Jonathan had to be an adult. The audience forgiving Steve but not Jonathan. Steve running from the cops vs Jonathan getting arrested. The audience loving Steve but hating or ignoring Jonathan.