#Executive Decision Rewatch

[spockvarietyhour]

F-14 Tomcat from VF-84 "Jolly Roger" Squadron, Executive Decision (1996)

[sskk-manifesto]

Ep 10!

[tuiyla]

If you could rewrite Santana and Brittany’s wedding vows, what would you have them say.

Alright, god, getting to older asks before they get lost forever.

The wedding vows were only gonna be so good when intercut between two different couples and four people, you know. And that's clearly integral to what Glee was going for, even if the result is just sort of meh. I heard rumours about the original script and that rolling rock thing or whatever (someone will know lol) which admittedly would have been worse. IIRC only Naya could get through that one with a straight face.

I'm mostly happy with Brittany's part. By which I mean, the one sentence we get before all four have to say something that flows into one statement feels right for her. Brittany was very misunderstood before and was made to feel stupid because she saw things differently. One of, if not my singular favourite thing about Brittana is that they saw each beyond the stereotypes, beyond the bimbo and the bitch. So I would have liked Brittany to not only say how things used to be but highlight how things are now, with Santana by her side who's always believed in her. Say, "made me feel dumb ... but you knew I wasn't". Sure, the sentiment is there because then Kurt goes "and then you came along" but without giving Brittana any of that the impact is lost. And no wonder because the point of Klaine is not the point of Brittana or vice versa.

On Santana's part, honestly the proposal was a better speech and I don't think she was gonna top that. Which is part of why proposal haters can get fucked btw. I like that she mentions having been outed; oh, nice of Glee to notice 3 years too late. The "bullied" part feels a little tone deaf and I think I've touched on that like a year ago now. And it's random, too, because then everything else she says is just part of continuing others' thoughts or repeating the same line. Sure, she would have suffered it all just to be here with Britt and that's a nice sentiment, but what about something less generic? Come on Glee. You could have had a rephrased version of the Hurt Locker scene from Sexy. Where Santana says, "I've been hurt and hurt others, and I never thought anyone would see me for more than that. That I could see myself for more than that. But you always have." There you go, replace the bullied line for this and imo it makes much more sense.

I guess my answer is basically just that I would highlight them always having seen each other and believed in one another. That's their thing. When the world writes Santana off as a cold-hearted bitch and Brittany as a stupid airhead, they understand that they're more than that. Brittany sees Santana's heart, Santana sees Brittany's mind. That's what makes them special in face of a world so eager to put them down and make them seem like one dimensional sluts.

Damn watching them back the actual vows were very very short and apart from Kurt everyone only had a tiny nugget of a line that's actually tailored to their character. By making it an intercut scene it becomes nothing greater than the sum of its parts, if that, so it's a shame about the vows.

[sersi]

i’ve been rewatching the mcu in very rough timeline order on and off for the last couple months and i’ve finally hit exclusively phase four territory and, while the rewatch has overall been very good (new gif inspo, new parallels unlocked, black widow the movie finally in its proper immediately after civil war place, etc.), phase four also has me engaging in far too many mental conversations with myself over the strengths and weakness of individual mcu releases 🤦🏽‍♀️

[livvyofthelake]

can i say something. no that’s way too complimentary i could never give lucy such praise she’s insane and doesn’t deserve it. but i must say SOMETHING. oh god we should all kill ourselves i hate this episode. um that’s not what i meant to say i just was watching it and it made me want to scream and smash my head into a brick wall. well the thing i was going to say was that this episode kind of gives. shakespearean. maybe lucy could do a midsummer night’s dream. don’t tell anyone i said that that woman deserves a prison sentence for her crimes. but like. idk something about the love spells and miscommunication and undercurrent of real true love and merlin’s comic relief swag. it just evokes such a shakespearean whimsy… i can’t believe i forgot about this episode it’s kind of a massive slay. again lucy has committed horrible crimes and should be punished for them. but this is soooo crazy actually for real…. why don’t we talk about this episode ever. we need to talk about it more.

[abrahamvanhelsings]

#i can and will die on the hill that ned little - the actual lt. little of the show - is as far removed from the sad wet doormat of a man#that fanon likes to portray him as; as humanly possible#the closest correlation between fanon!ned and actual canon!ned is his prolonged misery and level of worry-induced distress#he's more than competent - we see it time and again throughout the first half of the show#but the biggest indication of this is crozier himself handing little his pistol when he goes into self-imposed rehab#HE WOULDN'T DO THAT IF HE DIDN'T THINK EDWARD WAS CAPABLE OF HANDLING THE SITUATION.#crozier's not a man to mince words or spare feelings - if he thought little unequal to the task he would've handed his pistol to fitzjames#instead; but no. he chooses edward precisely bc he knows edward is loyal and steadfast and capable of doing what needs to be done

#edward is the one who falters in that scene; not bc he's too overwhelmed to cope but because he knows exactly what is at stake if#anything goes wrong during crozier's convalescence; the lives of a hundred+ men turning on a dime should crozier not survive his withdrawal#and he's not wrong to feel daunted by the task! it's an immense amount of responsibility -#one crozier himself bowed and buckled under the second leadership of the expedition was thrust upon him! it's a terrifying situation;#but edward still steps up and in the wake of francis's seclusion; for once; things actually go somewhat smoothly!#the men are faring better without the black cloud of crozier's alcoholism and negativity hanging over them like a shroud;#he's gotten fitzjames off his back for the most part; other than for carnivale. and even here we see edward's diligence and commitment#to his position as first lieutenant of the expedition bc he's the one questioning using vital supplies for a party! he's the one#who agrees that the men need the distraction; but worries if they can afford to foot the bill later;#when things will be more difficult! that is the kind of mindset francis himself displays at the beginning#of the show when he's questioning sir john's decision to press forward despite every sign imaginable telling them not to!#EDWARD WORRIES FOR THE MEN THE SAME WAY CROZIER DOES

#what trips him up; what ends up driving a wedge between him and crozier; what causes little to fuck up the armory situation; is this:#crozier himself. bc francis was a mean drunk. and while in his cups he treated little as no better than a ship's boy; running menial errand#and very literally risking life and limb to indulge the vices of a man who treats him with open contempt (and let's be clear; that man isn'#the captain edward has come to know and respect since they set out from greenhithe - no; that is a stranger wearing his captain's face;#making choices that leave edward feeling frustrated and helpless and enraged)#what crozier's belittling of little's station and rank does during this time is make him deeply insecure of his own purpose and competence;via @boogiewoogieweeb

listen i don't think edward little was actually a bad first lieutenant. when we see him in the first episode he's calm and confident. he does not say much but he's amiable enough. crozier likes him, and i don't think crozier would like anyone he doesn't think capable in some way. generally he's dependable and knows what he's doing. however unfortunately for edward he has these qualities because he has a major case of eldest daughter syndrome, which means he both wants to please his mum (crozier) and has an overdeveloped sense of responsibility for his younger siblings (crew), so when they get stuck in the ice and crozier starts going (more) alcoholic, he enables his mum bc he doesn't want to disappoint her even if he doesn't agree with her, and he has to pick up the tasks and care for his siblings she's not doing, but he can't let his siblings know about their mum's situation because they'll get worried and restless. and like a true eldest daughter he has to bear the brunt of mummy's anger for being a disappointment but he also doesn't want to seek refuge with the man she divorced (fitzjames) because that feels like a betrayal. also while this is going on there is a giant bear who hunts his siblings for sport so they're dying left and right and also a changeling master manipulator who's making his siblings mad at their mum and who wants to fuck said mum before eating her like some sort of praying mantis. anyway i think i would start being miserable and anxious too.

[lenaellsi]

after my latest rewatch I am even more convinced that crowley really doesn't have the intense self-loathing issues he's commonly depicted with. like he has some regrets and bad memories and insecurities like everyone does, and he's under an insane amount of stress basically always, but he's very confident in who he is. he's not particularly happy about being a demon, but that isn't the same thing as hating himself for it. he hates hell, not himself.

like. he’s not upset about being called one of “the bad guys” because he agrees, he’s upset because he knows aziraphale is wrong, and because this is evidence that aziraphale still believes in a philosophy that has divided them since even before his fall. he has never once considered himself less than aziraphale or any other angel. I think it's clear that he's pretty offended by that implication, actually!

“crawly” as a name is too squirming-at-your-feet-ish for him because he knows who he is, and he sees value in that person. his depression and his worrying relationship with his own life and safety come from his feelings on god and predestination, not from self-loathing. crowley does not believe in the system. he doesn’t believe in the idea that people are purely good or evil, and he’s sure enough of himself to know that he's not either. that's why he's able to make the choices he does. he's able to act in the gray spaces between heaven and hell (see: job, the flood, the "virtues of poverty," armageddon, etc etc) because he is confident enough to make those decisions without worrying about what the powers that be say about what's "right" and "wrong."

that doesn’t mean that he’s not self-conscious. he’s very concerned with what humans think of him, what aziraphale thinks of him, and (out of self-preservation) what hell thinks of him. he hides his eyes and puts on a cool, flashy persona to hide the more vulnerable parts of himself. I think everyone does that, to a degree, but it's especially obvious in crowley because of how it manifests in his glasses. he's been burned (literally) before, and he knows better than to show weakness when he could be hurt like that again.

and re: the "I never meant to fall" thing--he's upset about being a demon, yeah, because the fall sounds like it sucked, and his job tortures him when he's Good or just Bad in the wrong way, and he's deeply lonely, and the love of his life has a complex about their relationship, and he's trapped in a system where he has to blindly follow one of two nearly-identical sets of bullshit morality rules or be executed. but again, he's mad at god, heaven, and hell for all of that. I'm sure he's angry at himself for all sorts of reasons often enough, because crowley is generally a pretty angry person, but he doesn't hate himself in any sort of existential "I am an unlovable monster" way.

maybe sometimes he regrets falling. maybe sometimes he thinks it would be easier if he never did. maybe sometimes he hates his fucking line manager and wishes he could do any other job for a while. but no part of crowley thinks that he is any worse of a person after the fall, or any less worthy of aziraphale's company. he just thinks aziraphale thinks that, because of the amount of times aziraphale has told him so.

[isagrimorie]

Because the whole Tuvix wank is rearing its head every week on Trek forums, I finally decided to rewatch this episode. I mostly avoided it because I am So Tired of the wank and how it's been relitigated for YEARS.

I was over it when it first popped up and I was even more over it with the way it's used as a bludgeon to promote 'psycho Janeway'.

But what's left out in the discussions is Kes's part in all of this, from the jump, Kes was troubled with the merging of Neelix and Tuvok, and anytime Tuvix tried to make advances, she just kept getting more uncomfortable.

(When Tuvix unconsciously touched Kes's shoulder, it looked like she had to consciously not flinch.)

To Tuvix's credit, he did give Kes space and respected her wishes but she was not happy with the whole merge because her relationship with Neelix and Tuvok is different.

We don't see the other people grieve but we see Kes's grief and confusion, which was shared by Janeway. But also, the moment the EMH had a solution to separate the two people in Tuvix, Harry jumped at the chance.

And he's already spent weeks with Tuvix.

The irony is that Janeway was coming around to thinking of Tuvix as an individual but the cure presented itself, but also as the Ship's Captain she has an obligation to care for her crew and absent or not that meant advocating for the two voices who couldn't speak up: Tuvok and Neelix.

Kes was the deciding factor. Kes made her plea to separate Neelix and Tuvok.

Kes was the biggest reason why Janeway decided to separate Tuvok from Neelix.

It was such a cop-out from the Doctor that he refused to do the procedure he made and pioneered. And forced Janeway to execute it instead.

Janeway is clearly not happy about the decision and she's caught between a rock and a hard place.

In Nothing Human Janeway verbalizes it.

"Any consequences of this decision will be my responsibility. Dismissed."

Janeway's constantly put into a wheelhouse of trolley problems, as the only high-ranking Starfleet officer, she is the final authority. In Nothing Human everyone is locked in an endless debate about the morality of using the Cardassians' methods to save B'Elanna's life. Meanwhile, the clock was running down to zero and B'Elanna could have died more.

(Honestly, the story should have been more B'Elanna, Doctor, and Janeway-centric than it was. Nothing Human is a weird episode. Especially since Seven was barely in it and seems to be the Acting Chief Engineer -- amusingly enough because the writers thought they killed Joe Carey between s2 and 3. Alas, poor Vorik, he's not getting any promotions either).

TLDR: Janeway is constantly living through what the Doctor of Doctor Who is living through. Or as the 12th Doctor once said: "Sometimes the only choices you have are bad ones, but you still have to choose."

[bibibbon]

You know? It's kinda of funny how LOV fans treat the whole "I want to be a hero for villains" of Shigaraki as something groundbreaking, when the same concept was already introduced in the series (and was done better) with Nine.

Unlike Shigaraki, Nine literally meet his team members when he saved their lives. In Chimera's case it was when a bunch of racists were about to execute him just for being a mutant.

Nine also was a hero for them in a more thematic level, as he not only save their lives but actually give his team mates a reason for live and fight. He offered them the chance to fight for create a better world. For me it's quite remarkable how Nine despite being a homeless and chronically ill person, go for save people he view as equally oppressed by the world.

He was selfless enough to sacrifice his own health using his quirk to save Chimera despite it was destroying his body, and without expecting nothing in exchange for share a dream Nine a hand to people at their lowest point.

That's much more of an "All Might for the villains" or whatever Horikoshi tried to make Shigaraki in the final moments. Or hell Nine even acts better as a foil to Deku in the sense both are selfless individuals who fight despite their bodies are crumbling, just for the save of the persons who are important to them.

How ironic is that Nine, the original movie villain that was supposed to be just a prototype for the "final villain" of MHA, ended executing the same themes way better than Shigaraki.

Hi @nyc3 👋

A main reason as to why people treat shigaraki's I want to be a hero for the villains ideology better than nine's is simply because I assume a lot of people forgot the plot of the 2nd movie or haven't read the one shot manga chapter mha leauge of villains undercover. All of this is a shame because I heavily agree that nine's version of I want to be a hero and hope for the villains is executed and built up 10000x times better than shigarakis and nine had a fraction of the screentime that shigaraki got which is saying a lot.

Actually rewatching the film and rereading the manga one-shot has showed me that nine and shigarakis arcs are pretty similar with nine's having a better execution and shigaraki having more wasted potential.

The movie sets it clear that nine and shigaraki are supposed to be foils for one another so it makes sense that they would share parallels. However, you would expect that by the time nine is defeated that shigaraki would naraatively prove to us that he is ultimately the better character but in truth he doesn't and nine's downfall by shigaraki ends up being quite disappointing to me.

Another problem within the narrative is also the lack of interactions that nine and shigaraki have. I think that nine is essential to helping shigaraki and start to infulence him to realise that he is just a puppet and should develop a goal outside of just destruction. If shigarakis goal stays as destruction then the destruction of what? Everything? And how would that benefit anyone including him?

Nine like you said meets his teammates and saves them. He sees his teammates suffer like him and chooses to help them and they choose to help him. There is a clear relationship being developed and all the characters come together for the same goal, with similar backgrounds and varying styles yet they work.

When nines team see him in distress they run to help him and vice versa. The team has trust and overall everything that a lot of the leauges dynamics and development lacks.

Nine seeks destruction but his path is clear. He seeks to liberate and let nature flow its course with the strong overtaking the weak and finally being leaders instead of feared and abused because they don't fit into the small little box that is the mha's status quo. Nine plans to get stronger while being fully conscious and knowing the consequences. He makes a logical and heroic decision where we see him realise that he is trading his own autonomy and agency in becoming a lab rat all in exchange for power and a slim chance at achieving his goal.

This is all contrasted with shigaraki and his actions. We don't see his goal of destruction develop into a much more consistent and precise idea like destroying the giver and status quo. We don't see shigaraki fully conscious to come to the conclusion that yes the doctor is evil but he needs power. We lack everything from shigaraki and the information of chapter 419 just makes his character worse as shigaraki was a lab rat through and through.

Horikoshi tries to make shigaraki the better character but nine outclassed him in every way possible from the traumatic beginnings, to the developed flawed goal and to the final bitter end where we see nine crumble due to various factors 1)shigarakis decay and 2) his illness whereas shigaraki dies due to afo still being a lab rat that fulfills his purpose.

All of this reminds me of the ask that said mha's manga ending is a sloppy edited 2nd movie ending (except I was only looking at it from a hero perspective but it even applies to the villains)

Nine deserved better!

[misguidedasgardian]

Wild Cats (Part XIII)

XIII. The promised land

MASTERLIST

Summary: The light at the end of the tunnel… you don’t know if that is good or bad 

Pairing: Daryl Dixon x Fem!Reader

Warnings: Zombie apocalypse AU, living dead, zombies, guts, blood, guns, injures, cannibalism, mentions of rape, might miss some warnings 

+18, MINORS DNI

Notes: I was planning on rewatching (I’m on season 6), to write this, but like I said, I want to separate a bit from this, so… I’m narrating with a bit of mistakes, but, since I got three more people playing here that weren’t here before (Tyresse, Beth and Reader), things are bound to be different, right?.

This was surreal

You were on the way to a community that had walls, 800.000 dollar houses on it, running water, facilities, dance groups, families, you name it.

After being on the road for months, after executing a man that was trying to rape Carl and then another who was going to beat up Daryl to death, after being offered Sanctuary only to be a trap set by literal living cannibals, only to be throw back in the wild, making your group turn completely feral you believed

(the turning point being when you ate those dogs)

If this was another trap, you didn’t think you’d survive it.

You were so tired, not only physically, but also mentally, your brain had gone into survival mode too many times already that you were exhausted, a type of exhaustion that didn’t went away with a good night's sleep.

And now it was worse, not because you wanted to prove yourself for the team, but because now you cared so much for them that you were terribly stressed not only for yourself but for Daryl, Judith, Carl, Rick, and all the others.

But if this was real…

Gods please let it be real

You needed this, you deserve it

Well, did you?

You felt a light squeeze on your shoulder, you looked up at Carl, who smiled at you

“We are going to be fine”, you chuckled, ruffling his hair and wrapping an arm around him

“I should be the one telling YOU that, little dude”, you said with a soft smile

“Why do you always walk behind the group?”, he asked softly when you released him, you realized you didn’t quite have a good chat with Carl since the first days of you meeting him

“Well…”, you started, “It’s a position from where I can assist if someone needs me, and have a complete view of what is happening…”, he only hummed, “I can make sure nobody is left behind…”

“Well except you”, he said

“Right”, you conceded, “also from there I can…”

“Take care of everybody”, he said, you only nodded

You were concerned, to say the least, when things seemed too good to be true, they probably were, they probably were a lie, and you were betting your lives on this one

Well, you weren’t gonna last anyways if you kept going out there in the wild, and you had two kids to think about, so, for Judith and Carl was worth to try…. But Rick… was a bit mad… 

itw as understandable, after everything that happened, whatever you felt he felt it ten times more, as he had kids, and he was the ringleader, the one that made decisions 

So yeah, you could understand him… how he reacted when you met the man who was going to take you to Alexandria. 

Maggie and you had to coerce Daryl to get a good sleep after spending most hours of the night fighting against the strength of walkers and a storm, and then he stood watch for the lot of you to sleep

You stood on each side of the archer until he leaned into you and sneaked a couple of hours of sleep, Maggie smiled at you, nodding and leaving the two of you, you cuddled him against you, under your arm as he had done, and once he had closed his eyes, you took the liberty of actually, caressing his hair softly, lulling him to sleep

“I’ll keep watch for a couple of hours”, you promised, him only humming in response.

This is the second time he slept this close to you, and he realized, he never slept more comfortable since this shit show started.

He was the hunter and main protector of the group, and he deserved his rest more than anybody. Maggie looked at you and nodded, and accompanied Sasha outside of the barn, to see what was going on out there.

You catched Rick staring at the both of you, and you shared looks, he only smiled at you, it was a smirk more like it, he barely nodded at you, like giving you permission. And with a subtle smile he took Judith from Carl and cradled her against his chest.

You felt his calm breath on the side of your face, and you thought about how nice it felt, how nice he was. How much you liked him

You barely knew him, but at the same time, you felt like you knew him for forever, how he accepted you and took you in, how he always made sure you were alright, trough being a bit mean, and frustrated, but Maggie was right, he cared for you… his soft demeanor of the past days, his pretty eyes… and you wondered if you could ever… if he would… if he would like you as much as you liked him…

Your thoughts were interrupted, when Maggie entered the barn back

“Hey guys…”, she said, Daryl stirred awake. Behind Maggie came a man you didn’t know, “This is Aaron, we met him outside…”, in a second, everybody was standing to attention, and guns were being unlocked. Daryl grabbed his crossbow and pointed right at the unknown man. “He’s by himself, we took his weapons and we took his gear”

“Hi!”, he greeted. “It’s nice to meet you”, he was weirdly clean, he looked like he was out here for a trekking experience in a easy path, not in the middle of the apocalypse

“You said he had a weapon?”, asked Rick, Maggie passed him his gun, he checked the ammo on it and then he looked up at him, “There’s something you need?”

The group became hostile towards this guy, he looked all too well kept and you didn’t buy it either, that he was alone, this might be a trap

“He had a camp nearby”, said Sasha, the look in her eyes told you he wasn’t buying it either, “he wants us to audition for a membership”

“I wish there was another word”, he said, raising his hands, proving he meant no harm, “Audition makes it seem like we are a dance group, that is only friday nights”, he was terribly nervous, perhaps because all of the guns pointed at him at the moment, “and it’s not a camp, it’s a community”, you looked at Rick, who did not seemed impressed, “... i think you all would make valuable additions, but it’s not my call, my job its to convince you all to follow me home”, he saw the faces of the group, you were not buying it, and Rick seemed positively rabid with the look he had going on 

You were all weary of this stranger, sharing concerned looks amongst yourselves, he was weirdly calm, like he was some sort of messiah 

“I know, if I were you, I wouldn’t go either…”, he explained softly, he seemed weirdly nice, if anything, “Not until I knew exactly what I was getting into. Sasha, can you hand Rick my pack? Front pocket, there's an envelope”, Sasha weirdly did as he told her, “There's no way I could convince you to come with me just by talking about our community. That's why I brought those. I apologize in advance for the picture quality. We just found an old camera store last…”

“Nobody gives a shit”, interrupted Daryl

“ You're absolutely 100% right. That's the first picture I wanted to show you because nothing I say about our community will matter unless you know you'll be safe. If you join us, you will be. Each panel in that wall is a 15-foot-high, 12-foot-wide slab of solid steel framed by cold-rolled steel beams and square tubing. Nothing alive or dead gets through that without our say-so…. Like I said, security is obviously important. In fact, there's only one resource more critical to our community's survival. The people. Together we're strong. You can make us even stronger. The next picture, you'll see inside the gates. Our community was first construc…”, Rick had walked over to him and punched him in the face so hard he left him on the ground 

“So we're clear, that look wasn't a "let's attack that man" look. It was a "he seems like an okay guy to me" look”, protected Michonne

“This wasn't a very good start”, you muttered, watching him 

“We got to secure him. Dump his pack. Let's see what this guy really is”, commanded Rick, Daryl took his pack and turn it over into the ground, many items fell out

“Everybody else, we need eyes in every direction, They're coming for us… We might not know how or when, but they are”, you didn’t know who he was talking about, but you took your gun out of your holster and walked to the back of the barn towards a small window to see outside 

“Me and Sasha, we didn't see him. If he had wanted to hurt us, he could've”, Maggie tried to explain, and you were glad you weren't the only one who thought Rick was taking things a bit… cray cray

“Anybody see anything?”, he asked, ignoring Maggie, and Michonne for that matter

“Just a lot of places to hide”, said Glenn, that, as Daryl was right there with Rick, checking the other glassless window of the barn

“All right, keep looking. What did you find?”, Rick asked Carl

“Never seen a gun like that before”

“It’s a flare gun”, he said back, the man who identified as Aaron groaned, waking up

“That's a hell of a right cross there, Rick”, he smiled, he actually smiled 

“Sit him up”, you walked towards the man

“You’ll have to forgive us”, you said more calmly, Rick looked back at you, “the last time someone offered us sanctuary, they tried to eat us”, Aaron frowned, not really getting the main gist of it.

“You're being cautious. I completely understand”, he said lightly, he was good at his job, if it was in fact recruiting people 

“How many of your people are out there? You have a flare gun. You have it to signal your people. How many of them are there?”, asked Rick

“Does it matter?”, you could tell he was getting frustrated 

“Yes. Yes, it does”

“I mean, of course, it matters how many people are actually out there, but does it matter how many people I tell you are out there? Because I'm pretty sure no matter what number I say... eight, 32, 444, zero... No matter what I say, you're not going to trust me”

“Well, it's hard to trust anyone who smiles after getting punched in the face”, said Sasha

“How about a guy who leaves bottles of water for you on the road?”, he tried then

“How long have you been following us?”, asked Daryl

“Long enough to see that you practically ignore a pack of roamers on your trail. Long enough to see that despite a lack of food and water, you never turned on each other. You're survivors and you're people. Like I said, and I hope you won't punch me for saying it again, that is the most important resource in the world”

“How many others are out there?”, asked Rick

“One”, Rick didn’t buy it, neither did you, “I knew you wouldn't believe me. If it's not words, if it's not pictures, what would it take to convince you that this is for real? What if I drove you to the community? All of you? We leave now, we'll get there by lunch”

“I'm not sure how the 18 of us are going to fit in the car you and your one friend drove down here in”

‘We drove separately. If we found a group, we wanted to be able to bring them all home. There's enough room for all of us”

“And you're parked just a couple miles away, right?”, asked Carol, who, as the rest, was not convinced.

“East on Ridge Road, just after you hit Route 16. We wanted to get them closer, but then the storm came, blocked the road. We couldn't clear it.”

“Yeah, you've really thought this through”

“Rick, if I wanted to ambush you, I'd do it here. You know, light the barn on fire while you slept, pick you off as you ran out the only exit. You can trust me”, it amde sense, what he said, but Rick, again wasn’t buying it, who were though, was Maggie, Sasha, Tyresse, and Michonne 

“I'll check out the cars”, Michonne said softly

“There aren't any cars!”, insisted Rick

“There's only one way to find out”, she said softly

“We don't need to find out”, he said, and your stomach growled on protest 

“We do… You know what you know and you're sure of it, but I'm not”, she said

“Me neither”, Rick then looked at you, and you nodded, accepting Maggie’s words 

“Your way is dangerous, mine isn't”, insisted Rick

“Passing up someplace where we can live? Where Judith can live? That's pretty dangerous. We need to find out what this is. We can handle ourselves. So that's what we're gonna do”, said Michonne 

“Then I will, too. I'll go”, said Glenn. Rick then seemed to see reason

“Abraham”, he called, the ginger understood inmediatly

“Yeah. I'll walk with them”, he said firmly

“Rosita?”, he asked then

“Okay”, she said softly

“If there's trouble, you got enough firepower?”, he asked Glenn 

“We got what we got”

“The walkies are out of juice. If you're not back in 60 minutes, we'll come. Which might be just what they want. If we're all in here, we're a target”. He insisted, as the selected group exited the barn to go to their mission

“I've got the area covered”, said Daryl heading out as well, you followed im closely 

“All right, groups of two, find somewhere safe within eyeshot”, Rick commanded as the rest of you followed you to take a lap around the barm. Tyresse and Beth stayed back, Noah, Carl and Carol went one way, youw ent with Daryl

“Was that necessary?”, you asked him, “the hostility?”, he turned towards you, he seemed on edge

“Remember what I told ya’ in Atlanta?”, you thought long and hard, and you nodded

“That I’m part of the family, and that I can’t go around trusting people”, you said softly

“That’s right”, he said, “so you tell me what’s goin’ on in ‘ere”

“He seems nice”, you reasoned

“Yeah, that knocked up lady from Terminus seem’ alright too!”, he said quickly, you chuckled

“I know we have been through hell, he just… seems nice, you now, there are still good people out there”, you said softly

“I know”

“What if you had pulled a gun on me?”, you asked, “or you would have liked Rick to do it to me?”

“He did”

“Well yeah”, you said with another chuckle, “but… you get what I mean…”

“Those in there”, he said, pointing at the barn, “are the only ones that matter”

“I agree”, you said softly, you grabbed onto his hand, “you and our group, is the best thing that has happened to me since this started”, you said convincingly, “and I will do anything in my power to take care of you, alright?”

“You don’t need to…”

“I know”, you said with a soft smile, “we are badasses”

“It’s badass”, he said, you looked at him, “we are badass”

“Alright”, you laughed, “eyes on the treeline”, you mocked, as you kept watching the surrounding of the barn.

You returned to the barn shortly after, after making sure there was nobody out there. 

“This, this is ours now”, said Rick, pointing at the little 

“There's more than enough. It's ours whether or not we go to your camp”

“What do you mean? Why wouldn't we go?”, asked Carl

“If he were lying or if he wanted to hurt us... but he isn't, and he doesn't. We need this. So we're going, all of us”, said Michonne

“Somebody say something if they feel differently”, said Rick, talking to all of the group 

“I don't know, man. This barn smells like horse shit”, said Daryl

“Yeah. We're going”, said Abraham

“So where are we going? Where's your camp?”, Rick looked at each and every one of you, and you all silently agreed, so he only nodded, turning to Aaron, who was grinning happily

“Well, every time I've done this, I've been behind the wheel driving recruits back. I believe you're good people. I've bet my life on it. I'm just not ready to bet my friends' lives just yet”, he explained softly

“You're not driving. So if you want to get home, you'll have to tell us how”, every step of the way was going to be a discussion, a struggle, you could already see that

“Go north on Route 16”, he said simply

“And then?”

“ I'll tell you when we get there”

“We'll take 23 north”, sometimes, Rick was a prick, “You'll give us directions from there”

“That's... I don't know how else to say it... That's a bad idea. We've cleared 16. It'll be faster”

“We'll take 23. We leave at sundown”, he sentenced 

“We're doing this at night?”, you asked, Michone got close to Rick again

“Look, I know it's dangerous. But it's better than riding up to the gates during the day”, insisted Michonne

“If it isn't safe, we need to get gone before they know we're there”, said Rick, and he had a point, but it only makes sense if you knew the area you were going, otherwise… you only had the element of surprise on your side.

“No one is going to hurt you. You're trying to protect your group, but you're putting them in danger”, said Aaron, he was not making himself any favors

You didn’t look the best, if anything, you look like mercenaries who had deserted their army, turn roge and forced to roam over in a dessert for the last months, and you had proven to be anything but friendly to this guy, and yet… he insisted, if I were him and saw us coming, I would have run in the opposite direction.

Was this a trap? a group sent this guy to make us fall in their trap, but why? to protect their territory? to eliminate possible threats? made sense. You caught Rick staring at you, and you realized you must have looked concerned. 

“Tell me where the camp is, we'll leave right now”, insisted Rick, but Aaron got quiet, he didn’t say anything, only looked down “It's going to be a long night Eat. Get some rest if you can”, he said to the group.

You felt cooped up in that barn, you wanted some fresh air, and Daryl was right, it did smell like shit in here, so you stepped out of the barn.

Michonne and Maggie followed you, surprisingly

“What are your thoughts on this?”, asked Michonne, and you cursed yourself, because your face was sometimes really transparent

“I don’t know”, you confessed, “I wanted to believe him, I do, but then… Why us? we look like shit, and we have treated him as such”

“He said it, he said he was watching”, said Maggie carefully

“Look, it adds up, but still…”, you said, “if it is a trap, I’m not sure we can fight it, we are so tired… dehydrated”

“Rick listens to you”, said Michonne, “we want to know what you think”

“I think it's worth the risk”, you assured them both, “because if it's real… it sounds pretty damn awesome”, they smiled, and left you alone.

You sat on a fallen tree, and looked at the beautiful day ahead of you, you took a deep breath, these moments, where you could actually take a breath and not smell the dead… were appreciated.

Nightfall came pretty quickly, and soon, you were walking towards a couple of cars, one of them was a big RV, the other… an old thing, cadillac maybe?

“Michonne, Glenn and I will drive with him”, said Rick, “you go on the RV”

“Where's your partner?”, you asked Aaron, he looked everywhere frantically, but there was nobody out there.

“He probably went back when you took the cars”, he said with a nervous smile, “let’s go”

They got in one car, you all entered the RV, Abraham drive, nobody fought it on it

You opened the emergency gate on the roof, and you managed to stand on what was supposed to be a kitchen table, to look ahead from above, and that way, see possible threats, you grabbed a rifle with a silencer and a telescope. You felt pretty cool, like some sort of sniper

You started the journey when it was already late, and the car was in front of you. As you took the road Rick had said you would, Abraham got a little behind them, as he should, keeping distance in case of an emergency, or if they hit the breaks for any reason 

“HEY!”, you slammed the roof, as the signal you had agreed and Abraham stopped. You saw a huge herd of walkers and the car in front of you crashing against them

“I saw it too!”, Abraham said, he turned the camper away and returned

“We need to go get them!”, fought Carol

“That is not what we agreed on!”, said Abraham, who had received clear instructions from Rick, you had his kids, so homemade sure they were going to get out of this safely

Abraham returned to an intersection, and took the road Aaron first told him to take, you were mounting guard again, as you took the new street, the night sky was lit up with a red light

“Who fired that?”, you asked, slapping the roof again

“It’s them!”, said Rosita, from inside. 

“We’re going!”, demanded Abraham, and the RV took speed down the road.

It was a small town, the bengal was set off by a water tank. From your oint of view, you saw a small herd of roamers, surrounding a car, they had definitely found something… or someone, from there, you took out a bunch of them, before Abraham hit the breaks and everyone got out, you jumped out of the RV, landing dangerously close to broke something, but you didn’t

A man was hiding under the car

“Help!”, he asked, once he saw the threat had been diminished pretty quickly, “I’m Eric, I’m with Aaron!”, you took out your ax, and took out the rest of them, as ROoita and Daryl helped you 

Maggie slipped in and help the man to get out of under the car

“I think I broke my ankle!”, he said. Like Aaron, he looked like he was just out on a hike near a fancy town, he looked clean, and well kept.

You helped him up, and towards an old supply store, where Maggie tended to him. Daryl waited outside for the rest of them. Eric had been the one to fire the flare, so, it was a matter of time until they saw it and came too.

Because they were sure to be back, soon

You kept Carl company, as he was terribly nervous, in an alley, waiting for Rick with Daryl and you, and soon, they came in, running down the street, on foot. 

Daryl whistled, and they whistled back, that is how you knew it was them. 

Aaron came running looking for Eric, you guessed he was his partner, and not only for this run. 

“Is everyone alright?”, asked Rick

“Yes”, said Maggie, “everything is fine”, it had been a good scare, but you were all fine, and that is what mattered. Aaron came out of the room where Eric was soon after

“Excuse me. Everyone”, he called your attention, he looked at you quickly, and nodded, “Thank you”, he said, “You saved Eric. I owe you. All of you. And I will make sure that debt is paid in full when we get to our community. When we get to Alexandria. Now, I'm not sure about you, but I'd rather not do any more driving tonight. Maybe we can hit the road tomorrow morning”

“That sounds fine, but if we're staying here for the night, you're sleeping over there”, demanded RIck, and you resisted the urge to roll your eyes

“You really think we got to do that?”, asked Glenn

“It's a safe play. We don't know you”

“The only way you're gonna stop me from being with him right now is by shooting me”, said Aaron, you smiled. Glenn grabbed Rick, and whispered some things to him. 

“All right”, he said relented.

You didn’t realize how tired you were until everybody started to look for places to sleep for a couple of hours. You went to the second floor, the whole building was crappy, but from there, you could keep watch.

Daryl followed you

“It seems that if I want to sleep I need to be close to you”, he said, surprising you

The night was calm, a bit warm, and the skies were clear.

One of the best things about the apocalypse, if it was any, is that there was no more “pollution” of any kind, not light, or noise pollution. So you could see the stars

“I’m flattered”, you said softly

“You are a good lookout”

“I’m just trying to play my part”, you said softly, he stood by your side, in a kind of balcony, made of steel tubing, like emergency stairs from the old buildings of cities

“Yeah, me too”, he said, you felt his gaze on you, and you tried to look away

“This community…”, you started, “sounds great”

“Yeah”, he said, “if its real”

“I think it is”, you said surely, “and if it's not, we can keep going”, you assured him, “as long as we are together… we will be fine”, you really believed that

“I dunno why…”, he said slowly, “I keep coming back to ya”, you looked at him, Daryl was a man of short words, and despite it sounded a bit bad, he said it so gently, that you understood what he meant, you were drawn to him too, in a way you couldn’t began to understand

“I like it”, you confessed with a shy smile. You shared smiled and looked away immediately, feeling a bit embarrassed, “Whatever happens tomorrow, or any day”, you said, “you can come back to me”, he only hummed approvingly

You both took turns to sleep, without saying much else, sometimes with Daryl, you didn’t need to say anything. 

The very next day you woke up and were ready to leave, you ate canned beans as breakfast, as Aaron was telling everybody that they had manage to have chickens and ate fresh eggs everyday, that sounded amazing, and most of you climbed into the RV, to start the journey to Alexandria

It was a ride for a couple of hours, that wasn’t the issue, you liked road trips, or at least, you used to like them…

You got seated in an area that was supposed to be for eating, and Daryl had gotten inside just behind you, he was going to follow you

“Daryl”, Carol called him, signaling for him to sit with her on the other side of the camper and he did, so you just smiled at Eugene and Tara, who got seated by you side

“Have you ever played Seven-card stud?”, he asked you both, and you immediately engaged with him

“Stack ‘em”, you mocked

“You don’t say it like that, you say rack ‘em when you want to play pool”, teased Tara, you laughed

“So what do I say when I want my cards dealt”

“Deal me in”, says Eugene

“Yeah, if you are from the south”, and a fun argument ensued while you started playing cards 

“Stares and squares. It's aces, cuatros, neeners, and two-eyed jacks”, you chuckled as you tried to understand what he meant

“So there's 14 wild cards? Are you serious?”, asked Tara, who was not impressed, you also believed Eugene was teaching you something where only he could win

“Serious as two copulating dogs”

“Copulating dogs are serious?”, you giggled, and you started laughing again, it looked like you were drunk, laughing at anything funny you said. 

“Look! DC!”, you jumped at the window like a simple tourist, you had never gotten to see the capital of the United States, and even from afar, and in the middle of the apocalypse, it looked great. 

You kept driving, amongst giggles and nervous laughs, the three of you tried to keep it light, but you could tell the environment inside the RV was a bit tense, nobody knew what to expect. 

“We are here”, the camper went to a stop and you came back to your senses, watching over the window. There were some abandoned buildings, you got out of it, to see the promised land, the big walls, and a huge gate.

When you saw the gates and the people there to open them, your social anxiety of old came back, quicker than you expected, and you felt dread… and suddenly it hit you… not because they might kill you, or try to eat you, but because you didn’t really wanted to meet more people, or talk to them… or care for them… you took one last look at your group, and wished you could stay the same as you were now, all eighteen of you.

18, such a nice, round number, could be divided by 9, 6, 3 or 2, you liked those numbers, even. 

You sometimes were certain that you had an undiagnosed OCD to some degree. 

When all of you walked towards those gates, you took a step back, Rick noticed, immediately, as did Daryl

“Hey”, he said softly, “what’s going on?”

“I dunno”, you muttered, you didn’t want things to change, you didn’t want to meet new people, you were getting so tired by this point… 

“It’s fine”, he said softly, “it’s gonna be fine”, you nodded. And took a step forwards, signaling that you were fine, you just had a bit of cold feet.

As you stood there, waiting for them to open the gates, you heard a loud noise that made all of you jump and point your guns, but it was only a possum. Daryl shot it, killing it instantly. You all turned to the man who opened the gates, who seemed… horrified, to say the least.

“We brought diner”, said Daryl, raising up the dead possum, you chuckled

Post chapter notes: I realized… because I rewatched… that I really downplayed those weeks on the road, they were completely feral by the point they met poor Aaron. I would have liked to have a couple more chapters with my eighteen, but… this story must go on, I already had them jumping through hoops, jejeje

taglist! @crazyunsexycool

[spockvarietyhour]

Various computer graphics, Executive Decision (1996)

[theotterpenguin]

I really like the nuanced take about Zutara and why it makes some people uncomfortable and I can see both sides of it. I ship Zutara now but at first I didn’t and it made me really uncomfortable but I think it was just because of certain fan content I was coming across. Some people do portray Zutara in an extremely fetishized & creepy Stockholm syndrome way that makes Katara come off like some helpless damsel stereotype. It made me feel really gross thinking about as a young WOC but rewatching the show and seeing the true dynamic of these characters made me fall in love with them again. So I guess my feeling is that in canon i really love the dynamic but I hate the way *certain fans* twist it and refuse to acknowledge the racism & misogyny in what they’re doing

this is a complicated topic with many layers to it but first - i am sorry if you have ever felt unwelcome in the zutara fandom due to experiences with racism/misogyny.

it would be ignorant to claim that the zutara fandom is somehow uniquely unaffected by systemic racism or sexism, but it would also be disingenuous to claim that these issues only exist in certain parts of the atla fandom. racism, sexism, and general bigotry exist in every fandom due to institutionalized inequality in social structures. and to make it clear, i'm not directing this criticism towards you, anon, you are entitled to your own personal experiences, but i have seen a broader trend of people attempting to use fandom racism to moralize their position in ship wars, which is diminishing from the actual problem - the focus should be on acknowledging the existence of fandom racism/sexism, combatting implicit biases, and creating spaces that can uplift marginalized voices, rather than focusing only on optics in an attempt to gain moral high ground in a silly *fictional* ship war.

however, given all this, the reason that i am still in the zutara fandom is because i appreciate how many people in the fandom are dedicated to unpacking issues of racism and sexism and cultural insensitivity in atla's source material, which i personally haven't seen in many other sides of the fandom (that often sanitize what actually happened in the text to avoid acknowledging these issues in their favorite show). of course this is a broad generalization, but that's generally why i stick with the non-canon shipping side of the fandom because fans that are willing to stray away from canon are often less afraid to engage in critical analysis.

i also do think the zutara fandom has come a long way from the early 2000s when the show first aired. for example, when i first joined the fandom i had mixed feelings on fire lady katara, but i have since read some fanfics that have done an excellent job deconstructing some of the problematic ways that this trope could be interpreted and balancing respect for katara's cultural heritage and autonomy with the political and personal difficulties of being involved with an imperialist/colonialist nation. the fire lady katara trope, capture!fic, and other complicated topics/tropes are almost never inherently racist/sexist, but rather, their execution is what matters. and all this is not to say that issues of systemic racism/sexism do not still exist in this fandom, but it personally has not significantly negatively impacted my experience in the zutara fandom due to the wonderful content that so many other fantastic people produce, though everyone's mileage may differ with what they are comfortable with. anon, i hope that you are able to find a place in the zutara fandom for you! but i also know many people that have stepped back from other fandoms due to experiences with racism/misogyny, so i understand that decision as well.

on a final note, i think it's important to acknowledge that fandom doesn't exist in a vacuum and broader issues of racism and sexism are rooted in the media, the entertainment industry, and mainstream societal norms. while i do sometimes focus on fandom dynamics/discourse in my criticisms, i think it is equally as important to acknowledge how issues of prejudice and inequality are perpetuated through larger social structures, which is why it frustrates me when the atla fandom refuses to acknowledge the flaws of the original show, which has far more influence and social power over the general public than discourse over fandom tropes ever will. personally, i don't understand the phenomenon of holding fan-made material to a higher standard than mainstream media.

[captainuranium543]

My thoughts on gruvia

So I wanted to make this post because I've been rewatching gmg recently and I wanna talk about it a bit.

Before I begin I know gruvia is a very polarizing ship so I'll make my own opinion clear, I don't hate gruvia but I also don't think it was very well executed in cannon. If you love gruvia this isn't against you at all, my intention with this isn't a hate post just to look at a weird decision made in gmg for gruvia from a writing standpoint and talk a little about it.

The biggest issue most people have with gruvia is that juvias obsession with gray is taken WAY to far sometimes and ends up feeling more creepy then funny or romantic. I agree with that point but also I do try to keep in mind that gags aren't really meant to be taken seriously. There is a limit to what I can write off as a gag but for the most part early on juvia fell within that limit, from my perspective I tend to take things as seriously as the characters around do meaning if their reaction is mild annoyance, I won't take it to seriously. While their reaction is genuine discomfort, I will. Early on, all of juvias romantic advances/creepy moments had been gags that where within the reasonable range that I could laugh off. This changed though in gmg.

Ok so starting off mid gmg gray has a very serious talk with erza. I disagree with a lot of people on this conversation because a lot of people seem to think this is her tell gray to love juvia. Gruvia lovers and haters alike seem to think this but I really don't see it that way. I think she's quite literally just telling gray to be direct with her about how he feels.

Up until this point because everything has been gags we've never really taken juvia seriously, gray has never had a moment where he has actually acknowledged and confronted her feelings for him and told her how he feels in return. Erza is basically telling him to stop just brushing off or avoiding her advances and just be direct with her, whether you like someone back or just want them to leave you alone being direct is good advice.

It's advice that gray takes to heart as we see here in the final episode of gmg

I really don't understand where people get the idea that erza was saying he needs to accept juvias love because this scene is literally him taking her advice and his answer is "no I don't like this leave me alone please". This would be fine but what happens next is just downright confusing

She just, doesn't care?? I genuinely don't understand why this scene was added in at all if it wasn't gonna matter. Like I said I can write off most gags but this was NOT a gag. Gray had a very serious talk with a close friend where he got the advice to be direct, he had a very serious moment where he very seriously took that advice and told juvia exactly how he feels, why does she just ignore it??? It's such a weird decision to make because it makes all of juvias future advances come off WAY creepier then they did before even when they are just gags because gray has already very seriously told her to stop.

I've heard some argue that gray actually does like juvia he's just afraid to admit it and he's forcing himself to say he doesn't like her in this scene, but regardless of whether he secretly feels something for her a no is a no and it's reaaalllyyy creepy to just not accept that. Hear me out here, what if right after gray did this juvia listened.

She did back off of him and gave him his space, then if you still wanted them to have a relationship maybe gray starts to miss her? Give him some autonomy and room for us to actually see him develop genuine feelings for her rather then having her force them onto him because without seeing Gray's side it just feels one sidedly obsessive. I know people argue he's just afraid to confront his feelings but you need to actually show us that, give him a scene where he's thinking about her or actually missing her in some way when she's not around if you want to show us that gray isn't just being forced into things he doesnt want. If juvia had backed off here I would have probably liked the ship a lot more A) because it would give gray room to develop on his own and B) it would show that juvia has restraint and genuine respect for Gray's feelings even if he doesn't like her the way she likes him.

Rant over, again no hate to gruvia fans. It's fiction I don't actually take it to seriously if you love gruvia live your truth🙏🙏. I like gruvia in theory it's just poorly executed sometimes and I could fix it fr fr

[goddessxdivine]

SYDCARMY RANTING (this is ridiculously long, im sorry, and you’ve been warned)

so this started out with thinking about a SydCarmy scene in S3Ep9 that went something along the lines of:

S: “it’s hard to keep up with you sometimes”

C: “yeah well I’ve been this a lot longer so…”

S: “…I didn’t mean on a skill level”

[some in between conversation]

C: “i don’t want it to be hard to keep up with me”

S: “… okay …. then goodnight”

i always go into some kind of spiral with them because they give so much but so little lol when I first watched that scene I always interpreted it as Carmy telling Syd that he wants to be better about his behavior so he’s not hard to keep up with & Syd not thinking that was “enough” (as in “what are you gonna do so i can see those changes”) which led to their awkward goodbye/goodnight. but, and forgive if im super late to this realization, now im seeing how maybe Syd interpreted Carmy’s words to mean that she needs to change how she executes her duties so that she can keep up with him, essentially telling her to step her game up.

either way im sure there are many interpretations of that scene and what they each meant with their words/looks. because one thing about Sydney and Carmen, is they will have full conversations with just their eyes. however, their communication is off. when it comes to really fleshing out those deep conversations that help people become closer, they often shy away from it. this is not to say that they don’t get deep with each other. but to me, there are many opportunities where they could deepen their relationship as friends and co-owners but then they stop before it can get too heavy. i think this is both a character trait for Syd & Carmy but also a choice of the creators to not include those scenes. if you’ve experienced anything similar to what happened to westallen then you may be familiar with a creator/showrunner excluding necessary conversations that provide context to a character’s decision. or tptb just straight up deleting scenes vital to the characters. so i think Syd and Carmy keep misunderstanding each other for many reasons.

back to the S3Ep9 scene. i went from thinking about it to realizing i needed to rewatch the entire scene. and in doing so i feel like im able to see certain things in a different light. so the conversation goes

C: “tonight was off”

S: “been off”

C: “im sorry”

then Syd brings up it being hard to keep up him as i mentioned about before. i think, in that moment of Carmy apologizing for his energy that contributes to “been off”, Syd starts to approach mentioning how his behavior has affected her and their work environment (by telling him “it’s hard to keep up with you”). but Carmy, who is much too focused on perfecting this dish, isn’t really paying attention to what Syd is trying to softly communicate causing him to respond badly. which then annoys Syd, making her feel like maybe it’s time to broach the much dreaded Shapiro offer. however, she stops herself. i think in classic Syd-form, she took a step back to look at the bigger picture. she and Carmy know each other well; she knows he’s stressed out causing him to obsess and he knows when she has something that’s bothering her to say.

even when he annoys her, they’ve built something greater than her just wanting to further her career and flippantly tell him that she’s considering another job offer. there are many relationships in that kitchen that they formed together. if im not mistaken, Carmy had been working at The Beef for about 2 months when Syd came in to stage. when she started Richie and Tina were still very anti. Carmy and Syd wrangled everyone to be a real restaurant with close friendships together. dare i say, Syd coming into the beef gave Carmy hope that he could actually prove what he’d always wanted to Mikey.

there are times where Syd and Carmy give those two people (romantic or platonic) who become so close so quickly and when they’re at odds with one another, mending that is difficult for them. at some point they realize that they have yet to figure out how best to communicate with each other. they’ve created a space where things that could be discussed, met with compromise, and quickly put to bed, ends up with both parties feeling unheard. which goes back to what im saying about them needing to know each other more deeply because they already know each other well. for example, Carmy’s “im right here” when Syd says “[the Shapiro thing] can wait.” they know each other well enough for her to know (outside of personal avoidance) maybe he doesn’t need to hear this right now and he knows her well enough to know that she probably really needs to talk about something.

after this, Carmy invites Syd to the Ever funeral. while i do think that he invited her because, as he said, it’d be her “last chance to eat there” and “it’s Ever”, it might have also been personal for him. i think that he knew there was a chance of angry-mean-NY chef being there and other people/situations that may make him anxious. and as we know, a fancam of Syd helps him calm down. but that wouldn’t have been enough, he needed Syd there in real time. idk I’ve just always felt like Syd empowered (for lack of a better term) Carmy.

then finally we’re back to Carmy saying “I don’t want it to be so hard to keep up with me” and Syd leaves seemingly upset which further exemplifies their miscommunication

okay done now :))

[mumpsetc]

Genuinely Asking, (Not sarcastically! This ask comes across as bitchy unintentionally But Im genuinely asking) what do you think the themes of ii are. What the purpose of the story is. Im utterly confused by what you take from each episode. What You analyze and what you don't. Even more so how you think this obvious trick 'ending' Is good at all for the story theyre telling.

Because It feels as though you deeply misunderstand What ii is going for. What its supposed to be. Especially since you called the Relationships petty and useless? Or how you call s3 unimportant (I dont prefer s3 at all, i dislike it in fact. im a huge s1 fan. But to call it uninteresting Is confusing Now that we know what we know.)

So Im curious, What Do You think ii IS about. Why you think adam and justin and brian spent 13 years on this passion project. Because if it was for money, like you've said, why not animate for a Youtube Content farm. Why bother working on this and keeping a plot twist hidden since 2013. Why Would you go into the animation industry specifically siting II as inspiriation for it.

Not what YOU think ii should be about. You've talked about that plenty of times. What IS ii about. What Is the story trying to tell. What is the common Story beats between every single ii contestant, Civilian, and Host.

Now This is an Interesting Ask, and Thank You for Asking It I Enjoy Thinking About Stuff Like This. I Will Be Getting Personal in Response Because I Think This Ask Deserves as Much

To Address a Few Things Off the Bat: I Am a Very VERY Biased Source for a Multitude of Reasons. I Have Been Watching the Show For 8 Years and In That Time Have Picked Up a Lot of Personal and Fandom Related Baggage So I Have a Hard Time Looking at a Character Like Fan Without 8 Years of Feelings Towards Him. Also @ Your S3 Point, I've Actually Been Rewatching Recently to Properly Contextualize It in the Story as Well as View It as a Finished Product. I'm Only 3 Episodes Into That So I Can't Say Much on That Front Currently Other Than a Lot of My Older Opinions on It are Outdated and Also Made When I Was Very Very Angry Haha!

Finally on the General Disclaimers Thing, My Taste in Media is Really Weird in Part Because Inanimate Insanity. I Was Into ii From 13-15 and Then 17-Now. When I Got Back Into it at 17 I Made the Decision to Start Watching Movies and Reading More Books Because I Didn't Want to Limit Myself to ii and Stagnate in My Tastes. This Resulted in Me Seeing a Lot of Things Professionally Known as "Huge Fucking Bummers" and Generally Preferring Bittersweet or Unhappy Endings.

I Like the Fake Ending Because That's What I Typically Enjoy Across the Board. ii Having an Everyone Dies and Mephone Loses Everything End is What Appeals to Me and My Own Interpretation of the Series So I'm Happy. It Might Be Vapid and Emotionally Base But ¯\_(ツ)_/¯ I Think I'm Allowed As Much.

To Answer Your Actual Question Though, I Think The Themes of ii are

Existing in a Place Like ii is Damaging for Yourself and Others and Takes a Toll on Your Interpersonal Relationships

An Allegory for Being an Artist in General

There's a Few Others Floating Around Like "Forgiveness" and "What's Real on ii?" But These are the Two I Think are the Most Present and Effect Everything, and I Vastly Prefer the First Over the Second. I Think The First Encourages Interesting Character Dynamics and is At Play With Several of My Favorite Characters (Suitcase, Cabby, Apple, Marshmallow, Paintbrush). The Artist Thing Was Always There But I Just Never Really Cared for How They Executed It.

I Get What the Story Is Going For and Can Probably Atleast Make a Ballpark Swing at It's Ending. Its Steven Universe/Pixar Influences are Worn On Its Sleeve and I Get the Point I Do I Do I Do I Promise But I Just Don't Care for That Sort of Thing Anyways. Is That Unfair Towards ii? Yeah.

On Why I Think ABJ Made This? I Can't Say. I Try to Avoid Speculating on Them or Their Intentions Anymore Because I Think the OSC Treats the 3 of Them Very Strangely and I Don't Want to Be Involved With That. I Disagree With Your Sentiment That You Can't Milk a Passion Project for Money and I'll Leave It at That.

Finally, You Asked Why I Cite ii as an Artistic Inspiration Despite How Much I Dislike It. This is Funny Timing Actually, It's My Senior Year in College And We Had to Do an Assignment Breaking Down Why We Animate At All and I Did Talk About Inanimate Insanity for Mine (For 20 Minutes Too). It's a Show That Means a Lot to Me Because It Has Had an Immense Influence on the Direction My Life Has Taken. It's a Very Right Place Right Time Situation for Me and No Amount of Logic Can Override My Very Emotional Outlook on ii.

I've Been Such a Long Time Fan and I Got So Much Wrapped Up in This Goddamn Cartoon and That's Why I Talk About It, I Got a Lotta Thoughts After 8 Years. I Can Admit a Warped Perspective But This is a Casual Thing I Do for Fun, and I Trust Everyone Reading My Blog to Be Smart Enough to Come to Their Own Conclusions.

[shebeafancyflapjack]

Gonna critique the finale again so feel free to scroll on if you're sick of that...

Just wish the Coda scene hadn't been set so far in the future. I know it got a lot of people emotional but it did nothing for me and again I think a huge part of it was how little it gave Charlotte especially to work with in her own show, in an episode that already treated her like a minor character.

Again I'll say how the episode was depressing and frustrating enough, and I just would have liked more of an upbeat and positive note to go out on because the plague ghosts just wasn't enough for me. I love them but they're not our main guys. They're not who we're most concerned for.

Just think it would have been great to set the epilogue like two or three years later. Have it be the opening day of the hotel. Have it be Mia's third birthday. But basically don't have it be that Mike and Alison are old so we have to hide their faces because we don't want people to be "distracted" by the make up not being great. That's not a problem if you just don't age them up! Let us see them in their prime, let us see Alison no longer bogged down in post-partum exhaustion. Let us see Mia running about excited to see her "magic" aunts and uncles. Let us see Mike greeting them and trying to chat to them in his own way. Let us see the ghosts happy in the hotel because the decision to make them invisible to the audience is mean imo no matter how you dress it up.

Basically leave us with an actual happy family Christmas moment, an actual high note, an assurance that the Coopers will keep the ghosts in Mia's life. Show the audience the ghosts as a way to say "you are still welcome here to think of them and imagine what they will be up to" rather than keeping them from us and literally shutting us out the room. Leave us with something that's keeping in the fun and silly spirit of the show.

I think I come down so hard on it because as I rewatch the show it's pretty much perfect and it baffles me how they botched the ending - again, not in concept, but the execution.