#Everything about this fit is fire
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We won with this photoshoot but at what cost?
#agatha all along#agatha harkness#kathryn hahn#marvel#marvel mcu#photoshoot#fashion photography#fashion#kathryn hahn the woman that you are#marvel cinematic universe#your honor i love her#modeling#Everything about this fit is fire#she looks so good#mother is mothering#wlw post#wlw
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Idk if this is just me, but does it seem like the Hunger Games movies left out most of the stuff about food in general?
Maybe I just noticed this because in my first read I was worried that all of them were cannibals, but like… in the movies it seems like they were never actually that hungry. Like, we know that Katniss and Gale have to hunt, and that Peeta gave Katniss the bread, but a lot of the details about just how hungry they were to get to those choices were just… gone. And when they’re in the Capitol on the Victory Tour, they mention the vomit-inducer but it was more of an offhand thing. What got me especially though is that in Mockingjay Pt. 2, their time with Tigris appears to be much shorter, but also… she doesn’t feed them! And from what I remember that was fairly significant in the books, especially considering the position they were in.
In the books, hunger was the driving force of the vast majority of decisions they made. Katniss literally spent a good chunk of her first games desperately searching for water—Haymitch rewarded their performances with food—Katniss described every single thing she eats and primarily characterizes new places based on their food (the Capitol and District 13 especially). TBOSAS supports this even further when you see how even people in the Capitol were starving in the aftermath of the war—that’s why sponsors were added to the game!
I just—the whole series is literally about starvation and what it means to be human, but the movies just focused on love and war.
#don’t get me wrong#I did enjoy the movies#but I’m seeing all these posts about what scenes/details that people wished were in the movies and quite a few of them have to do with food#I understand that you can’t fit everything into movie adaptations#this isn’t meant to bash the movies#it was just interesting to me considering hunger is literally in the title#the hunger games#thg#hunger games#catching fire#mockingjay#katniss everdeen#tbosas#the ballad of songbirds and snakes
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In the Ichigo & Starrk time travel 'verse I'm just picturing Ichigo registering for the academy like "I'm Ichigo. From the rukongai. No last name" and then kaien popping up like "he's a Shiba!!!" And the people there looking at each other and whispering like "ohhhh he wants to be independent and not rely on his family name!! How sweet!!!" and then Ichigo just sighing. XD
LMAO with his luck, this is exactly what happened.
Meanwhile Starrk's over there in the corner filling out his application forms and thanking every god he wants to beat up I find it rly funny to imagine he has this passive-aggressive grudge against Mimihagi for a variety of reasons that he in no way, shape, or form resembles any of the five big clans. But it would also be really funny to me if people at the admin desk looked at him, and then looked twice, and then looked thrice, and then be like "You sure you're not a Kyouraku?", because let's face it, he really does look a bit like Shunsui. Like it's not immediately noticeable the way Ichigo is with the Shibas, but if Starrk and Shunsui showed up and claimed they were blood-related, probably no one would doubt it.
And at any other time, people might not think of the possibility, but there just so happens to be a Kyouraku relative - even if she's just a bastard - attending the Academy at the moment, and all the teachers and staff are always made aware of any clan children in their halls. The Kyouraku Family isn't one of the Big Five, they're a Lower Noble House and also not a Shinigami-oriented clan, more politicians and scholars and even artisans than soldiers, but they're old and prestigious and the highest-ranked out of all the Lower Noble Houses, so the Academy paid attention when one of them decided to become a Shinigami for the first time in centuries. She ends up being a disappointment with none of her cousin's talent or charisma or wit, and the Eighth Division captain hasn't pushed hard enough for them to really show her any favouritism, but they've still kept an eye on her to make sure the bullying doesn't get too bad and she doesn't fall too far behind, lest they bring her family's wrath down on them, because it doesn't seem like most of her clan cares about her but who even knows with nobles and the things that set off their sense of pride.
But that means Starrk's looks immediately ring a few bells when he shows up. Of course, he denies it; unlike Ichigo, he really doesn't have any relation to the Kyourakus, although even back in their own timeline, a few people had made that mistake when they didn't know he was a Hollow, had thought he was some Kyouraku relative Shunsui had dug up to help out, because not everyone who goes through the Academy becomes a Shinigami, sometimes they're clan members who go home afterwards to guard the family and continue their own training there, plus with Starrk's strength and skill set - 1) powerful, and 2) sharing quite a few similarities to Shunsui's so it's not even just their looks - it had actually been more far-fetched to a lot of people for him to have just been some random nobody than to be a member of this powerful clan.
But no, no blood relation, just a quirk of fate. Still, the Academy notes his name down and makes sure to keep more tabs on his progress than they would an average Rukongai student. And alright, the teachers can be overly biased or overly indifferent depending on the student but they're not actually stupid, and yeah, for a while, it's Shiba Ichigo who takes up all their attention because Ichigo blows all the other students out of the water and skyrockets straight up to a category of genius nobody's ever seen before, even more impressive than his lieutenant cousin and slated to graduate in a year. It helps (Ichigo: "No it fucking doesn't.") that Kaien is constantly buzzing around making sure Ichigo is treated like a prince befitting of a Great Noble House so no one dares make his life difficult. Well, Koyonagi would probably dare, but fortunately (Ichigo: "No it fucking isn't."), he likes Ichigo enough to not hamper him in any way, even if he does come up with all sorts of annoying tasks to heap on Ichigo "for extra credit" (Ichigo: "For his own entertainment.").
Starrk in the meantime is about as entertained by all this as a passively suicidal grieving widow war vet can get, and he makes no effort to hide it every time Ichigo comes to hide in his room and bitch to him about it, because really, it's partly the kid's own fault for not knowing subtlety even if it shoots him in the face. It's harmless enough anyway so long as Ichigo doesn't stand out more than he already has, so Starrk doesn't see a problem with kicking back and enjoying the show. Right up until the novelty of a prodigal Shiba starts wearing off on the Academy teachers because it's not like they've never seen geniuses before even if this one is a little more unique. So the turn their attentions elsewhere and suddenly realize that the guy who might be another bastard Kyouraku and spends more time asleep than awake have some really interesting grades when they look at them altogether at the end of term. Average in everything—so average it's suspicious, meaning Starrk either has the weirdest luck in the universe or he's literally calculating everything he's doing in class to make sure he always falls within a very specific range. Koyonagi had already noticed of course, and he's checked all the boxes that would jump Starrk up to sixth year starting next semester, but the other teachers catch on quickly enough too, and then they also start taking a fourth and fifth look at him.
Now it's Ichigo's turn to be Very Amused. Shouldn't have laughed at his suffering, huh? Karma's a real bitch.
Starrk is Not Amused, but also he can be just as stubborn as Ichigo, even if it's in the opposite direction. Ichigo very stubbornly isn't willing to be held back, he can do more as an official member of the Gotei, and slogging through six years at the Academy is just wasting time. If he has to graduate in the least amount of time possible and thereby be seen as a genius anyway, he might as well put himself out of his misery early and get that out of the way right off the bat. At least then, by the time he graduates, some of the shine will have hopefully worn off for the masses after they've gotten used to him.
Likewise, Starrk very stubbornly isn't willing to be anyone's show pony. Ichigo isn't either, but Ichigo's solution is to just ignore the fact that he sort of is, for the sake of exempting himself from fatal boredom. In contrast, Starrk 100% doesn't mind going to lectures when nobody can stop him from sleeping through them anyway, and he always turns in his homework on time and never fails his tests either so the teachers can't complain. The training sessions in the practical courses are more annoying but he doesn't usually have to do much there either, especially once he's jumped to the sixth-year courses where the teachers teach less and more often pair them up for spars or take them to fight very low-level Hollows they've captured instead. And since he's been noticed now, he doesn't care about maintaining average scores anymore because once you finish your spar or kill your assigned Hollow, you get to sit around and do nothing until everybody else is done, which suits Starrk just fine.
Koyonagi calls him to his office a couple more times, but as Starrk expects, the man grows increasingly bored with Starrk's lack of a reaction to anything he says. He even pokes at him from the "bastard Kyouraku abandoned in the Rukongai" angle, which almost makes Starrk laugh, because from a hierarchical standpoint, and to all these proudly intolerant Shinigami, even an unwanted bastard disowned from a noble clan would already be several steps up from what Starrk actually is.
There's no substance to this insult anyway, because Starrk really isn't a Kyouraku, and what does a Hollow care about noble blood or lack thereof? Koyonagi takes his shot in the dark and misses, and maybe he sees the amused pity that even Starrk can't quite hide this time, because the man's own eyes go flat with displeasure, for once probably aimed more at himself than Starrk because men like Koyonagi don't like making such crude mistakes. He dismisses Starrk and never calls him back again, although Starrk thinks that might have something to do with Ichigo, who hasn't been best pleased for a while now about Koyonagi harassing Starrk in a way that's completely different from his own harassment, and everyone knows - or will soon discover once again - that it's all fun and games until Ichigo puts his foot down. Either way, Koyonagi gives up trying to make Starrk prey, and Starrk chats his way past the Academy chefs one evening to make a spicy mentaiko udon just for Ichigo as thanks.
So in the end, they both think that's the end of that. Ichigo still has his fair share of secret admirers and envious onlookers and background sycophants looking for an easy ride into the Gotei, but his prickly disposition wards off most of them, and Starrk's flat, indifferent gaze from over Ichigo's shoulder - like he could bury you tomorrow and forget you ever existed the moment it's done - scares away the rest.
And Starrk is likewise acknowledged as another genius, but he's so unmotivated about doing anything with that genius that most of the other students don't really notice, and it's hard for even the teachers to make a big deal out of it. Eventually, they stop trying to galvanize him into displaying more of his abilities, if only to catch a squad's attention, and just let him do what he wants. Geniuses, what can you do? Each one is quirkier than the last.
So that's the end of that.
Except-
Quietly, in the background, possibly Koyonagi's roundabout way of revenge, possibly just the Shinigami's inexplicable attachment to all things bloodlines and pedigrees, the Academy comes to the enlightened conclusion that Starrk must be a Kyouraku. Maybe a branch member who doesn't want attention - seems very Starrk - or he really had been disowned, or there's some other circumstance they're not aware of, but nobility is full of drama so it could be anything. Whatever it is, they collectively agree that this assumption must be true, and over the course of the passing months, it becomes an acknowledged fact that nobody really talks about.
Starrk is lazy, but he's not unpleasant to be around. Who doesn't like an intelligent student? He's also polite, always patient when teachers flag him down for yet another chat despite refusing all opportunities to show off a little, and the Academy chefs adore him because that man can cook - his future wife will be very lucky - and he always has time to trade recipes with them. And on the occasions where some of the youngest students who'd shared classes with Starrk back in the first term approach him with questions on one subject or another, Starrk would frown and sigh a lot, but he would also sit down and answer them one by one, indulgent in a way people wouldn't expect just by looking at him.
If he really is a disowned bastard, well, privately they think that's the Kyourakus' loss, but it also means that it's probably a pretty sensitive topic to Starrk, as these things tend to be, so it's better not to throw it in his face. They're not Koyonagi after all.
(They don't understand for quite a while to come why Koyonagi always rolls his eyes and leaves the room whenever they talk about it amongst themselves.)
To be fair, they really can't be wholly blamed for coming to this conclusion despite all lack of solid evidence and testimony.
First of all, Starrk really does share a physical likeness with the Gotei 13's very well-known Eighth Division captain. Their builds are different - one broad, the other lean - but they're both tall with high cheekbones, and they share the same colouring, grey eyes and brown hair and light skin. In that, Fujiwara's the exact same way, and she is a Kyouraku branch member. It's just even more obvious with Starrk because he's male, plus a few of the Academy teachers have been around long enough to still remember Shunsui before he'd grown his hair out, and Starrk resembles that version even more.
Secondly, and this was less conspicuous, but the teachers had even dug out some of Kyouraku Shunsui's very old, very dusty papers from his Academy days for comparison.
In terms of personality, the two are almost complete opposites. One flamboyant, the other solemn. One outgoing, the other reserved. One a flirt who socializes enough for ten, the other would rather stay in bed and sleep the day away. It's just that Starrk is surprisingly good with people when he tries, and some can recall that even Kyouraku Shunsui had had his moments of quiet contemplation, which only puts more stock in the familial tie theory.
But it's in terms of mindset that really drives it home for them, because when it comes to the way they look at the world, they sync up to an almost frightening degree.
They unearth the captain's old papers from the library archives, and it's been years, centuries, but Shinigami don't tend to change much. If anything, Kyouraku Shunsui’s essays read more immaturely than Starrk’s, but the foundational reasoning from both men is solid.
They review them, and then they look at Starrk's again, and Starrk might leave questions blank on homework and tests but he's never skimped on answers when he does turn them in, and a lot of those questions are essay topics - similar enough even between Kyouraku Shunsui's generation and the current one to make a fair comparison - about hypothetical situations on the battlefield, in a fight, if you meet an ally, if you meet an enemy, if you have to choose who to save, if you have to choose who to let die—what would you do?
The respective responses are evidently written by two different people, well-debated and well-presented, but at the same time, even hundreds of years apart, their opinions and strategies and perspectives and choices on almost every single topic are near-interchangeable.
(They can't have known that Starrk had spent seven years at Shunsui's side, watching him lead, watching him fight, watching him wage a war and command his soldiers and protect his people to the best of his ability... and ultimately fail. They can't have known that he'd spent one final year leading the gutted remains of a Gotei in Shunsui's name to the best of his own ability... and also fail in all the ways that had mattered. They can't have known that even before those years, the two of them had met across a battlefield and crossed minds as much as blades, and even then, they hadn't felt like strangers to each other.)
[AUTHOR INTERRUPTS TO SAY I actually didn't want to mention Starrk's Zanpakutou like this because I have a whole thing planned out for it, as in I was insane enough one day and spent an entire afternoon creating a Bankai for him, but I also think some of you guys have probably guessed at least a bit of what his Zanpakutou looks like since I've dropped a few hints in previous snippets, so whatever, I'll just confirm its sealed form now. I guess this officially makes this snippet not part of the AU though cuz I originally had him not revealing his Zanpakutou until like a year after he graduates, post-time travel reveal. And going forward, he'd be meeting Shunsui differently here since originally their first meeting is at one of Asuka's tutoring sessions. But whatever, you can just go with whichever version you like best. Anyway, let's get on with my increasingly off-topic snippet lmao, sorry Anon.]
And last but most definitely not least, even disregarding everything else, Starrk's Zanpakutou alone is simply a Glaringly Obvious Sign From The Heavens. It's not that people from the same family always share similar Zanpakutou, but it's not exactly uncommon either—just look at the Shibas, they all have elemental Zanpakutou, and the newest one will probably go the same way; the Kuchikis have katanas with identical guards and always a white hilt or sheath; and not a single member of the Feng family that's passed through the Academy has ever left with anything but a wakizashi.
It's especially hard not to make certain connections that lead to the most obvious conclusion when everybody knows that Kyouraku Shunsui is the only Shinigami in living memory to wield a Zanpakutou that exists as two separate blades in its sealed form.
And now there is another.
The first time Starrk had finally removed his Zanpakutou - his entire Zanpakutou - from that wooden case he always carries around over one shoulder for a Zanjutsu assessment compulsory for graduation, the entire room had first gone dead silent, then burst into an uproar. Thankfully, it was a private assessment so there'd only been Starrk and several teachers inside.
They'd all thought they'd seen his Zanpakutou before - after all, he has to use a weapon in his Zanjutsu classes - but apparently, he'd always only taken one blade out for training.
A katana and a wakizashi, a daishou pair, each with a pale gold hilt, a darker gold sheath, and a blue-grey rectangular guard decorated by a sun design. Almost exactly like Kyouraku Shunsui's tachi and wakizashi, with their dark blue hilts and gold rectangular guards decorated by cherry blossom petals.
The meaning of it all could not possibly be clearer. At this point, if they're not family, they would have to be the kind of soulmates you would only find in one of those ridiculously sappy unrealistic romance novels.
(They can't have known that sometimes fate likes its jokes a little too much, and its favourites have always been the butt of them.)
Miracle of miracles, the pseudo-secret of Starrk's Zanpakutou doesn't leak right away. Starrk obviously doesn't want the attention for one reason or another, and the teachers have no real cause to spread it around so they don't. For one, they like him enough to cater to his very simple wishes, and for another, this man is clearly going to be a very powerful Shinigami one day, very likely to snag a captaincy sooner or later, and every noble clan is the same—if Starrk really is disowned, once the Kyouraku Family gets wind of what he can do, he won't be for much longer. And on top of all that, Starrk seems to be friends with the Shibas' most recent pride and joy; that's a connection that will get him far even without his own clan's backing. The Academy doesn't have much to do with the goings-on in the Gotei 13 or the government or the courts of aristocracy, but there's no need to make enemies when they don't have to.
Then comes the day Kyouraku Shunsui himself comes around for a visit.
This in itself is not new. The only career Shinigami from the Kyouraku Family isn't one to throw his weight around too much the way a lot of the other clans like to do for their kin, but he still checks up on his cousin two or three times a year, which in their opinion is already pretty admirable considering Fujiwara is not only from about as distant a branch as one can get, but also illegitimate, out of favour with her clan, and... well, painfully average in a way that means they all have to wrack their brains for compliments every time the captain shows up to ask about her.
Fortunately, for the first time since he'd taken up a position at the school, Koyonagi had done them all a favour and assigned her a tutor capable of working miracles, and so they can very happily and very honestly tell Kyouraku Shunsui all about the leaps in progress Fujiwara has made over the past several months.
The captain listens with a smile that's equal parts amicable and unfathomable, nodding in all the right places. He thanks them for their hard work even as he rakes a discerning eye over them that has them all sweating internally, but at least he also seems willing enough to not make things difficult for them now that Fujiwara is thriving under Shiba Ichigo's protection.
And that should've been it. That would've been it if Akabane Shiina, head of the Kidou department and arguably Starrk's favourite because he actually stays awake in her classes - he's certainly her favourite if the way she gushes about his gloriously tricky projects to a very resentful audience in the staffroom is anything to go by - suddenly bursts out just as the captain is making to leave:
"Are you not going to ask about your other relative?" She demands, her voice gone strident with righteous indignation. "Is it because he really was disowned and cast out into the Rukongai? But he is still better than Fujiwara!"
Shiina has no eyes for anyone without talent in Kidou. She doesn't have a problem with Fujiwara, and in fact, out of the four combat forms, Fujiwara is best at Kidou, although that might not last with the way she's catching up in all the other fields under Shiba Ichigo's tutelage, and Shiba Ichigo is notoriously slow at Kidou so he can't teach her anything in that area. But even on her own, Fujiwara's competency in Kidou is enough to meet all graduation requirements, and she'd even done fairly well in the fourth-year course Shiina had taught last year, certainly better than all her other subjects. However, she doesn't have the kind of flair for it that Shiina values.
Starrk does. And Shiina apparently does not appreciate her favourite pupil being dismissed out of hand just because he's considered one step lower on the social ladder than Fujiwara. Sure, Starrk is far more talented than Fujiwara; he's the last person anybody needs to worry about when it comes to graduating. But that's just all the more reason he deserves at least passing acknowledgement from a captain. And yet Kyouraku Shunsui can show concern for a neglected bastard but not a disowned bastard? Don't make her laugh.
Her temper has always been a straightforward creature, and so she ignores her colleagues' frantic squinting and meets Kyouraku Shunsui's gaze head-on when he pauses and then turns back, except he looks... entirely puzzled.
"Other relative?" The man echoes, looking genuinely baffled. "Did my clan send another child to the Academy? Maa, I wasn't informed. And Asuka-chan hasn't mentioned anything to me either."
A moment of silence follows. Shiina glares suspiciously at the pink-clad captain, who waits her out with the same unflappable calm Starrk pulls out whenever Shiina gets too excited about a Kidou seal and babbles for half an hour straight.
And she's supposed to believe these two have no relation to each other?
"He is not a child," She finally says. She doesn't know how old Starrk is, but it's very obvious he has at least several hundred years under his belt. He makes her feel young sometimes, and she's almost four hundred years old. "He came here from the Rukongai, with Shiba Ichigo."
She watches the way Kyouraku's eyes flicker as he takes in this information, but he doesn't emote anything except mild curiosity.
"Ah, I think I've heard a few things about Ichigo-kun's companion," Kyouraku muses. "Coyote Starrk, wasn't it? Also slated to graduate by the end of the year? But I'm afraid my clan definitely doesn't have a branch family by that name."
Well obviously, if he'd been disowned. He'd probably picked it for himself.
Kyouraku smiles a bit at whatever expression has crossed Shiina's face. It should be a scathing one. It feels scathing.
"But now I'm curious," Kyouraku continues, one hand reaching up to tilt his hat up. "For everybody-" His gaze sweeps the room, making everyone straighten in their seats. "-to think he's related to me of all people—we must be very obviously alike in some way."
Shiina scoffs, unimpressed. In some way? Try in every way.
But, at least he hasn't been ignoring Starrk on purpose. Mentally, Shiina grudgingly returns the 50 points she'd docked from him earlier.
She's about to interrogate him about what he's going to do about his curiosity - so help her, if he finds out Starrk really is family, then lets Starrk know that he knows now, and then rejects him for being disowned, captain or no, she's going to make him pay - when one of her colleagues, Koyonagi's gopher actually, because the man himself couldn't be bothered to show up, so as always, he'd sent his nominal vice-department head, interrupts.
"Are you certain you’ve never met?" The man blurts out like he can’t help himself. Especially now that Shiina’s fielded the hard part, and Kyouraku hasn’t taken offense. "Surely you've discussed his essays at least!"
Kyouraku arches an eyebrow. "I can't say I have. But what makes you say that?"
The Zanjutsu teacher flounders. The sixth-year Philosophy teacher is less unprepared and simply pulls out a folder, only about a third full, but they still have a little over a month to go. At least it lets the teachers spread them out a bit instead of having to read them all at once at the end. It was the original reason for the meeting today before Kyouraku had dropped by—going through some of these papers while their workload is still relatively light.
There is an essay question assigned to every student at the beginning of their final year at the Academy. Unlike all other assignments, this one must be completed in order to graduate whether or not your grades are up to par. Students have the whole year to finish it, but it can be handed in anytime.
It's long been said that the the essay question is something Yamamoto Genryuusai himself had come up with, originally posed to his two personal students hundreds of years ago, and unlike all other topics where the details would at least be switched up from year to year, this one has never changed since it had first been included in the curriculum.
To defend honour or to protect life—which should a Shinigami of the Gotei 13 choose to uphold? Why? Which would you choose? Why?
There is actually no correct answer. So long as the paper is written with some thought put in, it’s an automatic pass. But every year without fail, the lieutenant of the First will come by and cart the whole pile away. Nobody can say for sure what happens to them.
Nevertheless, most students choose honour for both parts of the question. Whether they believe it or not, they at least know the politically correct answer, the safe one. Some of the more outspoken students - usually Rukon stock - might choose honour for the first part but argue life for the second part.
Kyouraku Shunsui had been the only one in Academy history to have chosen life for both parts, and now, Coyote Starrk and Shiba Ichigo have joined him.
Shiina watches as Kyouraku wanders back over to peer down at the two essays the Philosophy teacher lays out on the table. She watches as the captain smiles, appreciative and a little amused, as he scans Shiba Ichigo's paper—a fierce discourse on the importance of friends and family, of prioritizing comrades even if it means breaking the law, of doing right by them even if it means discarding the honour of the Gotei or your own honour as a Shinigami because there's no honour in abandoning your loved ones.
And then she watches his gaze move to the other paper, and she watches as his smile fades and his expression goes still. His hand comes up again to tug down the brim of his hat but he never looks up from the essay—a succinct dissertation on doing everything possible to preserve the lives of those in your care, because the duty of a Shinigami to the Gotei 13 is first and foremost to protect the people who depend on them, to shield the world they all reside in, to stand between danger and the realms they have been charged with safeguarding.
—What does honour matter when you cannot protect what you have sworn to protect?
—When you make the choice to step on a battlefield, you are choosing to do all in your power to seize victory, because anything less is an insult to those who have placed their trust in you, a threat to those who rely on you, and a broken oath to those you gave your word to protect.
—When you make the choice to kill, because taking a life is in itself an evil act, you are choosing to carry the necessary sins that will be demanded of you in battle so that others will not have to.
—When you make the choice to protect, you are choosing to discard your honour, because honour will not protect your people. It will not protect the world. It will not protect anything save your own sense of righteousness, and what is that worth if all you care for is gone?
—To be a Shinigami means to shoulder the weight of countless souls. In essence, it is a promise to protect life to the very end, and if honour is the cost, then it is a small price to pay.
Shiina has read Starrk's paper several times already. She had even made her own copy.
She thinks he will make an exceptional Shinigami.
Nobody says a word even after enough time has passed for Kyouraku to have read the paper twice over. What little Shiina can still see of his shadowed face is utterly inscrutable.
When he finally stirs, straightening up to look around, there's something new in his eyes, some emotion Shiina can't place that remains even as he murmurs, "I don't suppose you know where-"
He stops when - as if on cue - a familiar reiatsu signature in the distance rounds the corner of the hallway leading to this room.
It isn't Starrk's reiatsu. He's hard to sense on a good day. But everyone has felt Shiba Ichigo's reiatsu at least once. Boy isn't subtle. He has the skill to hide most of it, but spikes of emotion or even just when he's distracted can bring it out sometimes, and his reiatsu - like that first shocking plunge into ice water that robs you of all breath right before any other sensation hits - isn't one people tend to forget.
And where Shiba Ichigo goes, more often than not, Starrk is there as well.
Shiina checks the time. Classes are out. It's Friday. Chances are good they're together.
Several feet beyond the door, the reiatsu signature comes to an abrupt halt. A few seconds pass, two muffled voices murmur something back and forth, and then footsteps resume, heavier this time, before three brisk knocks are heard.
The head of administration - the one with the highest rank in the room, bar the Shinigami captain - clears his throat, glances at her glower, glances at Kyouraku's perfectly genial expression, and then calls out like a coward, "Come in!"
The door swings open, Shiba Ichigo stalks in, and sure enough, Coyote Starrk shuffles in after him, hands in his pockets, and his bag and the wooden case containing his Zanpakutou slung over one shoulder. His face is so impassive it could've been carved out of marble.
Shiina docks 100 points from everyone in the room. Except Starrk of course.
But even she can't help staring at this meeting that somehow feels like it's been a long time coming.
Starrk's gaze rises. Kyouraku's gaze jumps straight past Ichigo. Their eyes meet, and for just a moment, all of time seems to shudder to a halt.
Silence stretches... and snaps.
"Hey, what's everyone staring at?" Ichigo cuts in irritably, waving the sheaf of papers he's holding in one hand. "We're supposed to hand in our waivers for the assessment on Monday, right? What's the hold up?"
He shoots a look to his left where Starrk and Kyouraku are still standing there staring at each other like the rest of the world has ceased to exist. He's already scowling, but he scowls even harder at the sight.
"Good afternoon, Kyouraku-taichou," He greets very pointedly.
Kyouraku blinks, and Starrk turns away, busying himself with digging out his own papers from his bag. The moment passes, and Kyouraku turns to Ichigo as if nothing out of the ordinary had happened, "Ichigo-kun, what a coincidence. What are you here for?"
Ichigo's gaze bobs between Kyouraku and Starrk again before he shakes the papers in his hand once more. "Starrk-san and I have our second Hohou assessment on Monday. It's the one where they drop us off in an arena full of Hollows, and we have to get out using only Hohou. But we have to assure the school we won't blame them if we get killed, so-"
He brandishes the waivers again and finally looks back at the teachers in the room. "I actually don't know why we have to do this. I asked Matsumoto, and she said she doesn't have to fill out any of this stuff."
The admin head coughs delicately. "It's for clan members, Shiba-san."
Three things happen at once:
Shiba Ichigo, predictably at this point, snaps, "I'm not a clan member!"
Coyote Starrk stops halfway through pulling out his own waivers.
And Kyouraku Shunsui goes back to staring at Starrk, although Shiina thinks he doesn't quite know he's doing it so blatantly.
"Shiba-san, your cousin has already had your name changed to indicate official entry into the clan," The admin head says placatingly. "And he assured us that it was with your approval."
Ichigo glares, clearly all set to spend the next hour fighting this new information tooth and nail. "That doesn't mean-"
"Ichigo," Starrk finally speaks up, but he doesn't say more than that. It doesn't seem like he needs to though because Ichigo breaks off, still scowling, but he also glances back at Starrk, who only arches an eyebrow in return.
Ichigo grumbles something under his breath before slapping his papers down on the desk in front of the admin head. "Fine, whatever, I'll go beat him up later. Starrk-san?"
Starrk meanders over, his own waivers already tucked away again. There's a slight slouch to his frame, his gloved hands are back in his pockets, and he doesn't loom, even stopping a foot behind Ichigo, but when he turns his attention on the admin head, the man almost visibly squirms under that blue-grey gaze.
"I'm not from a clan," He says mildly.
As one, the entire room sans the students and the Shinigami captain turn to look at said captain. A moment later, even the students turn to follow their line of sight.
Kyouraku stares back. Or rather, he meets Starrk's gaze again, dark and intent, searching.
Ichigo snorts. The tension breaks.
"This again?" Ichigo glances at Starrk again. "I thought that rumour went away months ago."
"I thought so too," Starrk agrees in bland tones. He looks from one teacher to the next, and even Shiina ducks her head a little when his gaze sweeps over her.
Another beat of silence ensues before it's Starrk's turn to heave a sigh.
"I'm not from a clan," He repeats in that quietly implacable way of his, and even though there's nothing threatening about him, not in his voice, not on his face, not in his posture, not even in his reiatsu, something in their hindbrains stills like cornered prey anyway.
"I am not a branch member," Starrk continues without much inflection. "Or an illegitimate child, I have never been disowned, and whatever else your... very healthy imagination has come up with," For a split second, he looks almost amused. "I can assure you, I am not that either."
He stops. He needn't have gone on because Shiina definitely believes him this time, or at the very least, she believes he genuinely believes he isn't a Kyouraku.
Except then Starrk also turns to the side where Kyouraku is observing everything in silence. Grey meets grey once more.
"This Taichou-san," Starrk says, looking at the captain in question. His face is unreadable. "Is Kyouraku Shunsui of the Eighth Division, right? Then he should be able to confirm—I am not a part of his clan."
Another moment of silence passes. Shiina catches the way Ichigo's expression has gone grim, although for what reason, she doesn't know.
There's been something off about this whole situation from the start. Why those two couldn't have gone away and come back later is beyond her. They'd clearly sensed Kyouraku inside even before knocking.
"It's true, as far as I'm aware, we really aren't related," Kyouraku says after a few seconds of studying Starrk some more. His eyes don't move away even as he speaks, and his tone is... strangely gentle. "And this should be our first time meeting."
Starrk's gaze slides away at almost the exact same time Ichigo reaches out and snags the sleeve of Starrk's Shihakushou, tugging him forward and around, which just so happens to plant him between Starrk and Kyouraku.
"So is there anything else?" Ichigo says loudly. "Or can we go?"
There's a moment where most of the teachers seem to have forgotten why they're there in the first place. Shiina huffs and decisively takes over.
If she could have her way, she would've already ejected Kyouraku from the room. Maybe they really aren't blood-related - what are the odds though? - but she's pretty sure there's something going on between them anyway. Them and Ichigo.
Whatever, it's not her business. Since both parties have said so, everyone else will just have to accept it.
But now that they've reached this point...
"Come here, I need to tag your Zanpakutou," She says briskly, taking out a box as she beckons them over. "The second Hohou assessment bans the use of Zanpakutou. You'd be surprised how many Zanjutsu-focused students try to cheat anyway, so all Zanpakutou have these attached to them before the assessment begins."
She shows them the tags with seals inscribed across the surface. They're nothing fancy, akin to nametags, but they do their job.
"We don't like separating Zanpakutou from their wielders once students reach their fifth year," She explains. "And all Shinigami are encouraged to get used to carrying their Zanpakutou with them at all times anyway. This way, you'll be able to take them in with you, but we'll know if you unsheathe them."
She takes out three tags and flares her reiatsu, watching half the seals light up before holding them out. "There. Loop the string around the sheath before tying it over the hilt, and then I'll finish locking them. They won't affect your Zanpakutou in any way, and you can still unsheathe your swords anytime. Try not to do that until after the assessment though. There's not much time on Monday to redo the tags, and you'll get marks docked off if you use them during the test."
Ichigo nods and grabs a tag first, head dipping as he reaches for the katana at his waist. Then he jerks back up again, wide-eyed, but Shiina isn't paying any attention to him anymore as she looks up at Starrk.
Starrk blinks at her once, slowly. His expression doesn't shift from its indifferent lines, but after a few seconds, something about his eyes thaws, the corners crinkling briefly with the faintest of mirth.
"You're a bit... petty, Sensei-san," He murmurs in a voice pitched so low only she and Ichigo can hear.
Shiina shrugs unrepentantly. She still can't be 100% sure Starrk isn't a Kyouraku no matter what the man himself believes, but she is sure that either way, it's the Kyouraku Family's loss.
If Starrk isn't a Kyouraku, then it doesn't matter, although knowing nobles, they'll probably be at least a little disgruntled that their unique dual-wielding Shinigami is unique no longer, and it's even someone from Rukongai who's manifested a daishou pair.
And if he is a Kyouraku, an ugly secret the clan had erased so thoroughly that even the only remaining heir of the main branch wasn't told, then Shiina wants them to know, wants to rub it in their faces, wants to shout, Look what you missed out on! Look what you lost! He's no less special than the only Shinigami you've produced!
So sue her. Maybe she's been a little bitter about Starrk receiving no offers from the Gotei divisions beyond the generic ones most students get because there are always unseated cannon fodder positions needing to be filled. Technically, it's Starrk's own fault for utterly failing to stand out in any way, but Shiina doesn't mind blaming everyone else for being blind.
She doesn't know what all Starrk can do, but she is absolutely certain he is far, far more powerful than he's let on. His Kidou work alone is magnificent, and someone like that can't possibly remain in obscurity. Anyone who looks down on him for his circumstance of birth or lack of background will regret it. This is just the first step.
Starrk huffs out an exasperated breath but doesn't refuse her little scheme because obviously she's his favourite teacher. He takes the tags, and then reaches up to twist off the cap of the wooden case.
One could hear a pin drop in the subsequent silence as Starrk retrieves his katana and wakizashi in one fluid motion and lays them out on the desk in front of him. The nearby lamp light catches on the katana's hilt for a moment, making it shine, like sun on sand. With deft steady hands, he attaches a tag to each blade, calm even with a sea of eyes on him.
Shiina slants a look to the side through her eyelashes and suppresses a very satisfied smile.
Kyouraku Shunsui looks like he's been hit over the head with a hammer. She's willing to bet it's a rare look on him, even for someone with a reputation for making a bit of a fool of himself in public whenever he drinks.
He looks stunned now, stunned and... and something else, the same something he'd shown after reading Starrk's paper, except in his distraction, it's far more noticeable now, even if just for a few seconds.
Wonder, Shiina thinks, and doesn't know what to think of it.
"Sensei-san?" Starrk prompts, tilting his blades towards her.
Shiina gives herself a mental shake before finishing up with the tags, Starrk's first, then Ichigo's.
"That's done then, you can go," Shiina tells them. "Have a good weekend. Don't be late on Monday."
Ichigo breathes a sigh of relief, looking reenergized, while Starrk nods at her, nods at the other teachers, and even inclines his head in Kyouraku's direction, before they both turn to go.
"I should get going too then," Kyouraku says, smiling once more and as affably composed again as ever. "Wouldn't want to overstay my welcome."
Shiina stoops down to put the box of tags away just so nobody will see her roll her eyes. By the time she sits up again, her colleagues have seen the captain off, and she silently wishes Starrk good luck with that one. Still, she doesn't regret waving his Zanpakutou in the man's face. She does dock off another 20 points though because she's decided she doesn't much like Kyouraku, especially when he's in Starrk's vicinity.
"Hey!" The Philosophy teacher suddenly calls out, flipping through the papers on the desk. "Where did Coyote-san's essay go?"
Everyone spends a minute looking for it. Shiba Ichigo's is still on the table.
Shiina glances at the door and lets her lip curl. Minus 100 points. She's never met anyone who's hit the negative hundreds so quickly in her life.
The others realize it too soon enough, and the admin head eventually sighs. "It's fine, we have a few copies anyway, and it's not the first time we've lost an essay."
"So... he's not a Kyouraku then?" Someone else pipes up.
An uncertain hush falls over the room. No one is convinced, Shiina included.
"Just..." The admin head waves a weary hand. "Treat him as we always have. It doesn't hurt to be cordial to a future captain, noble or otherwise."
Everybody agrees, and that's that.
-0-
Ichigo has never felt so awkward in his life. He finally understands what being a light bulb means, and these two aren't even dating anymore. Yet. Again. Whatever.
Still, he obstinately makes sure he walks between them. It's not much, but it's probably better than inflicting all of... Kyouraku on Starrk right away. The past twenty minutes had been awful enough. Not many had noticed, or if they had, they probably hadn't been able to pinpoint exactly what was wrong, but Ichigo knows Starrk.
Knows him well enough to tell that the man isn't in any way as put-together as he seems on the surface. Knows too that he's probably thinking about crawling into bed or walking into a lake or disappearing into the sands of Hueco Mundo and just never coming out again.
Ichigo doesn't know how to fix it though, doesn't know if this can even be fixed. The last year in their own timeline had answered him with a resounding no. So all he can do for now is stay close and make sure Starrk is never alone in these moments.
No one is talking. Ichigo wouldn’t usually mind, but the silence this time is tense. It’s also rare to have Kyouraku around and not have any conversation going. The man isn’t actually that chatty most of the time, even if he is a people person, but for there to be something interesting in his immediate vicinity - and Kyouraku is interested in Starrk, even Ichigo can tell that much - and yet choose to remain silent? Ichigo doesn’t like it.
They get all the way to the entrance of the staff building before Ichigo cracks.
“So what were you here for today, Taichou?” Ichigo asks. “Uh, if you can say, I guess.”
Shunsui glances over at him, glances past him, then back. “Maa, it wasn’t anything special. I was just asking about Asuka-chan's progress. You’ve done a good job with her.”
Ichigo flushes a little. “I didn’t do much. She just needed some confidence.”
Kyouraku hums, amused but warm somehow. He's always been good at that. “We’ll agree to disagree then. I’m grateful either way.”
Ugh, this was not what Ichigo had wanted. But he ends up nodding stiffly, and thankfully, Kyouraku gets the hint and drops the subject with a chuckle.
But that also means he has time to glance at Starrk again, like he's checking for a reaction. Unfortunately for him, Starrk is currently impersonating a statue, and he hasn't looked at Kyouraku once since they'd left the meeting room.
It's only when they step outside that Starrk finally stirs. He turns to face them, eyes on Ichigo, features carved from stone. "I turn off here."
Ichigo blinks. Oh, right, but- "You're already going back to the dorms? Fujiwara and Matsumoto want to go out for dinner."
Starrk nods. "I know, you mentioned it yesterday. I won't go. Give me your bag, I'll take it back for you."
Reflexively, Ichigo hands him his bag, but he also tacks on, "You can come too, they're definitely expecting you to."
Starrk shakes his head. "I'm tired, I'll probably just turn in early."
Ichigo opens his mouth to argue, but... to be honest, in Starrk's place, he probably wouldn't want to be inflicted with Matsumoto's energy either. Fujiwara's taking after her a little too much for comfort these days, and Gin is probably going to be there too, and nobody wants to put up with Gin when they're already feeling bad. Of course, Gin always looks sour-faced around Starrk instead of the other way around. Ichigo is pretty sure it's because Starrk has a way about him that makes the suspicious brat feel like the man's constantly catching him red-handed or something every time Starrk so much as looks at him, which is hilarious, but it also means Gin tends to either avoid Starrk whenever possible or needle him when it isn't. Starrk doesn't usually care, but it isn't exactly what anyone would call a good time.
"Okay," Ichigo says instead. "Just make sure you eat something first."
"Mm," Starrk says, very obviously not agreeing to anything. God, Ichigo is surrounded by people who are going to worry him into an early grave. On the other hand, can it be called an early grave when he probably should've died something like ten years ago?
...Wow, that's depressing. Best not to think about it too hard.
"Go have fun," Starrk says before Ichigo can press on the point about food. Sometimes, it's like Starrk forgets he's not just a Hollow anymore. Ichigo had heard that Starrk had transcended hunger even as an Adjuchas because his reiatsu had done the "eating" for him—and then some. And even after reaching the peak of a Hollow's evolution, he's still never needed as much of any kind of food as regular Shinigami, but that doesn't mean it's healthy either for him to eat nothing.
"Don't stay out too late, don't drink too much," Starrk continues, and Ichigo is distracted enough by this to drop the previous subject.
He rolls his eyes. "Okay, Dad. You know it's a Friday, right?"
Also he's not a teenager anymore, he doesn't say, because he's still mindful of Kyouraku's presence behind him.
(His human body had died as a teenager though, at the ripe old age of seventeen. Some days, it feels like he's still aging at the pace of a human, all grown up and as jaded as an adult can get. Other days, when Kaien acts like an annoying big brother around him, or when Starrk fusses over him in that weary, gentle way of his, Ichigo feels exactly like the kid he would be if he'd been born in Soul Society.
He's still not sure how to feel about that. It's weird, always, but... not always bad.)
Starrk raises his eyebrows. "Matsumoto has a makeup test at noon tomorrow. Ichimaru has an early shift in the morning. Fujiwara has an appointment with her advisor at nine, and you-" A wisp of amusement actually makes it all the way onto his face for a moment. "-have remedial Kidou lessons with Koyonagi at ten."
Ichigo immediately scowls. "It's not remedial lessons! That bastard just doesn't know how to butt out of my business!"
Starrk hums noncommittally, but Ichigo's on to him. That's his I'm laughing at you on the inside because I'm secretly an asshole hum.
"How do you even know all these things?" Ichigo grumbles, because honestly, even when Starrk comes to hang out with them, he spends at least two-thirds of the time napping instead of paying attention to anything going on around him. Ichigo hadn't known they'd all be so busy tomorrow.
Starrk just gives him a blank look like he doesn't understand the question. Ichigo rolls his eyes again and gives up.
"It's not like I was planning on staying out that late anyway," He huffs. "We'll be fine for tomorrow."
Starrk nods and says nothing else. Ichigo doesn't have the words to describe how much he likes that about the guy. Unlike Kaien, Starrk says his piece when he feels strong enough about something to actually make his opinion known, but the rest is up to the other party to decide for themselves, for better or for worse. Unless of course you're bleeding a river with your insides hanging outside and trying to insist you can totally still fight.
Healers. They're somehow all carved from the same terrifying, unbending mold. The day Starrk meets Unohana, the Gotei 13 may never know peace again.
Starrk slings Ichigo's bag over his shoulder as well, and then his gaze finally skates past Ichigo to the man waiting patiently on the side while listening with shameless interest.
"Kyouraku-taichou, I'll be taking my leave," Starrk says, polite and formal as he bows his head, as an Academy student should before a captain, and it's- it's wrong, it's all wrong.
Ichigo doesn't really count the first time he'd met Starrk as their first meeting, which means that for as long as he's known this man, it has always been as a package deal with Kyouraku, right up until that final year. To this day, he has no idea how those two had happened, but it's not like 80% of the people he'd known and befriended hadn't been his enemies once upon a time too, so he has no room to judge.
The point is though, from Ichigo's perspective, Starrk had always followed faithfully in Kyouraku's wake, in his shadow, at his shoulder, hunched over the same desk and working long into the night or decimating a battlefield on Kyouraku's command, with eyes for no one else, even when - in the early days - enemy Quincy had mocked him as the Captain-Commander's tamed mutt, and their own allies had disdained him for being Ukitake's substitute. But likewise, while Kyouraku had forged ahead to pave a bloody road through the enemy ranks because there was no one else to do it for them anymore so he'd had to do it for everyone else, it was always Starrk he'd looked back at, always certain that he would only ever have to reach out and there Starrk would be, and no matter what anyone had said about lingering loyalty to Aizen or potential spy for the Quincy or even a Captain-Commander with such an unsightly weakness, Starrk had been the only thing Kyouraku had refused to hear a single dissenting word about.
They'd orbited each other and stood as a unit at the helm of the Gotei 13, and to see them like this now - separated by death and time and memory - even Ichigo aches at the sight. There's barely five feet between them but it might as well be a canyon.
Maybe Kyouraku can sense something of it too, because he tilts his hat down until it casts a shadow over his eyes, like he can't bear to look, but at the same time, his gaze remains glued to Starrk like he can't bear to look away either.
"Aa, I'm glad to have met Ichigo-kun's most mysterious friend at last," Kyouraku says, voice as laidback as ever, eyes anything but. "You've never come along with the others when Ichigo-kun is training Asuka-chan in my backyard."
It isn't quite a question, but Starrk blinks slowly and replies, "That's usually late afternoon. I prefer taking a nap."
Kyouraku smiles a little, and the curve of it is almost sly. "My division grows the most beautiful cherry blossom trees in all of the Seireitei, and they're just starting to bloom. It's a good place for a nap while you wait for your friends to finish up."
Starrk's brow furrows faintly. "...It would be disrespectful to intrude. I'm just a student."
Kyouraku waves a dismissive hand. "And I'm the captain. I can do what I want. And letting someone sleep under a tree is hardly an earth-shattering allowance."
Starrk blinks again before giving the impression of a shrug without actually moving his shoulders. "Thank you for the offer. I'll keep it in mind."
Even Ichigo has to hide a wince at the flat tone. But Kyouraku only smiles some more. "Good. You can come by anytime."
Starrk nods, a graceful dip of his head that lets his gaze fall away as he directs his next words at Ichigo, "I'll see you when you get back then." Then once more at Kyouraku, "Have a good evening, Kyouraku-taichou."
And then he's gone without so much as a blur left behind. Ichigo doesn't understand why they don't just give Starrk an automatic pass for Hohou when the guy uses Shunpou like he's teleporting, and then he remembers that most likely no one else has actually seen him use it yet with this kind of proficiency.
He turns back to Kyouraku, then falters. The man is staring after Starrk, smile nowhere to be found, which Ichigo had expected, but there's also an unsettling air of loss about him, heavy as a funeral shroud. And then, in the next second, Ichigo suddenly finds himself on the receiving end of a dark, ruthless, calculating gaze that Ichigo's only ever seen on the future Kyouraku, on the Captain-Commander at his best, at his worst, his blades stained with lifeblood, his shadows come alive with abyssal hunger.
All the hairs on the back of Ichigo's neck stand up, and a chill runs down his spine. He will honestly never understand how Starrk could look at this particular monster time and time again and never even seem to notice the threat, had always walked in Kyouraku's shadows like they were an embrace and not a bottomless void of remorseless avarice. But Ichigo's also faced down plenty of things just as scary as Kyouraku Shunsui, so he only needs a moment to re-center himself and beat back the instinctive lurch of alarm in his gut.
It's easy to forget, most of the time, just what this man is capable of.
They end up staring at each other in silence, and for a moment, it almost seems like Kyouraku might finally push for some answers. Ichigo knows he hasn't been the most subtle, and there are a handful of people out there nowadays who have their suspicions about him, but so far, none of them have approached him about it.
Kyouraku looks like he's about to. For a split second, he looks like he dearly wants an explanation, and he won't much care either what he might have to do to get it.
Figures, a part of Ichigo thinks wryly even as the rest of him goes tense with a guarded sort of apprehension. It would be Starrk-san who brings this out in him.
But between one breath and the next, Kyouraku blinks, blinks again, and the strained tension pops like a balloon as the monster disappears back into the shadows, and Kyouraku is casually adjusting his hat like the whole stare-down hadn't happened at all.
Ichigo feels his eye twitch.
"Well then, I should be heading off too," Kyouraku declares, and his gaze is feather-light when he glances at Ichigo once more. "I suppose I'll see you at Asuka-chan's next tutoring session. Perhaps I might see some of your friends too, hm? The more the merrier of course, so don't worry about any noise complaints. It's good to be livelier when you're young."
"Uh-huh," Ichigo says very dryly. Internally, he sighs and makes a mental note to do his best to convince Starrk to come with him next time.
Of course, he'll be first in line to beat Kyouraku up if this all turns into (more) heartbreak and (more) tragedy, but...
He's not actually so oblivious that he doesn't know Starrk might still only see a cliff's edge that he'll be more than happy to take a swan dive off of at the end of all this. He talks a good game, and after a year of practice, he's gotten a lot better at hiding his grief. At the very least, ever since they'd come back in time, Ichigo hasn't been able to pick up much more than a haze of melancholy from Starrk that comes and goes at irregular intervals.
He doesn't know how to fix it, doesn't know if it can even be fixed. But he does know that if anyone can pull Starrk back from that cliff, it's this man in front of him.
And Ichigo's lost enough people. He doesn't want to lose Starrk too.
So he'll keep an eye on this relationship, make sure Kyouraku doesn't overstep, and make sure Starrk isn't letting Kyouraku overstep, but otherwise, he doesn't think it's a bad idea to help it along a little.
He fervently hopes he's making the right choice.
Kyouraku takes off with a last friendly nod, and Ichigo also hurries away to meet up with Fujiwara and Matsumoto.
For now, everything will keep another day.
#bleach#kurosaki ichigo#coyote starrk#kyouraku shunsui#shunstarrk#myscrap#ichigo & starrk time travel verse#ok lbr out of the entire bleach cast who else would make the most sense to have two blades for their Zanpakutou in sealed form?#like even in canon Starrk was a dual wielder from the start (Kubo sure understood his audience when he threw him and Shunsui together lmao)#technically you could argue that even as an arrancar the “sealed state” of his Zanpakutou was already two “blades” him and Lilynette#because his power was never sealed in the swords that either of them had those were basically just decoration#so in this AU once he evolved enough and his soul was whole enough to produce a real Zanpakutou ofc it would manifest as a daishou pair#anyway this was fun to think about#and again it doesn't exactly fit with what i've written so far for this AU but you can just go with whichever version you feel like lol#also did i create yet another OC out of the blue? yes yes i did. i suppose we'll see if i do anything with her. fingers crossed for no lmao#i was going to make her a katori but then i was like cross be a little less obsessed with shunsui not everything has to tie back to him#so i just made up a name but who she is and what's her background idk tell me wat you think of her i guess#i do headcanon starrk is a natural at kidou because both kidou and ceros are basically reiatsu manipulation when it comes down to it#and starrk could fire ceros instantaneously all damn day from any part of his body without moving a single finger#i think that that control and skill would translate to kidou
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One day I’m going to finish that essay or whatever it was in my drafts that’s about the themes of womanhood/relationships/thirtysomething stuff and TTPD but since part of this discussion has been revived on the dash but also it’s Saturday so this won’t ruffle as many feathers, I think one thing that sometimes gets lost in the shuffle in the conversation about the muses and stories in the lyrics is just why the recurring theme of the broken dreams pops up all over the album, and why they permeate the discussion of both muses, if not *all* the muses in the album.
Not to project things on Taylor, but it feels pretty clear to me* that the dreams she’s talking about specifically are about having a family, and that is the through line in the album, and why the successive blows devastated her. (*I don’t want to presume that anyone else feels this way and this is just my interpretation etc.)
The suburban gothic allegory in Fortnight depicting a miserable, lonely marriage. The ring on the ring finger in TTPD making her explode with joy because it was a shorthand for lifelong commitment. “He saw forever so he smashed it up” in My Boy. “I’m pissed off you let me give you all that youth for free” and dying on the sacrificial altar in So Long London. Marrying her wild boy in But Daddy. “Get the matches, toss the ashes off the ledge” in Fresh Out the Slammer (as in, she burned her life down). “You shit-talked me under the table talking rings and talking cradles” in loml. “The deflation of our dreaming leaving me bereft and reeling” in How Did It End. “Promises ocean deep and never to keep” in Peter. The allusion in The Manuscript that the man in question made her think he was in it for the potential of a serious commitment only for her to feel used when he moved on. And there are probably more examples I’m not thinking of off the top of my head here.
But what I’m trying to get at delicately is that from what she’s put down in TTPD, as well as what she’s put down in previous albums (“give you my wild, give you my child,” Paper Rings, Lover, renegade, YLM, etc.) building a life and a family with this person (Joe) was not only something she wanted, but seemingly deliberately planning and working towards. So in the death throes of the relationship, her grief was not just about things like losing someone she once loved, the breakdown of this relationship that was once comforting to her, what she gave up to make their life work, etc. but about this important thing she had dreamed of and what she seemed to feel was on the horizon. What I think I’m trying to say is that it had likely shifted at some point (even just based on the album pipeline) from a hypothetical “one day we’ll have ten kids and teach them how to dream” thing you wonder about with a partner to something that felt a lot more… tangible. (Again trying to be sensitive in my word choice/not project or assume things etc.)
I don’t want to make any accusations or assumptions on main, but I think those kind of life plans feeling within reach not only makes it understandable as to why someone would stay in a relationship whose cracks were turning into fault lines, but on the flip side why giving up on something that felt like it was on their doorstep would be so wholly devastating.
But it’s also why what happened in the two successive relationships *was* so devastating in the songs on the album, and why the Matty thing specifically was so twisted. He’d reentered her life and he’d insinuated himself back into her circle and gained her confidence which in turn led her to confide things in him (the “hostile takeovers” of it all, the whole bridge of The Smallest Man with its honey pot spy mission imagery in which like a mark he sweet talked her into sharing her most vulnerable, compromising “secrets” only to then turn it around to use her and ghost her like a trained operative). And given the way the family thing appears in both presumed storylines, it’s again because Muse #2 used the info gleaned about the life with Muse #1 to sell her a con about an alternate path to what she was mourning so deeply. (And why it’s such an unconscionable act because it’s manipulation, at least going by her own words about her experience of it. It’s as cavalier as the organ donor line in The Manuscript, with the same effect.)
The shittalking about rings and cradles is both of them (if not all of them) because in all cases, they ended up raising her hopes only to not plan on following through. One because he maybe couldn’t commit, one because maybe he was never serious about it. (And the one who did it first who was both 🥴.)
If I had to guess (because I am not Taylor so I will obviously never know any of this for sure besides picking up context clues), the dream was like a carrot dangling in her mind, feeling like this is what the “agony” to quote another one of her songs was for — like, things may be hard, but life is hard, and at least they were building towards *something* she felt they both wanted. And as that dream slipped through her fingers, it created a cascading series of events that crippled her emotionally for a time. So when she mourns that life in her songs, it’s almost like it’s the same dream, just in shifting contexts. The conman selling her dream back to her is comforting at first, but hits doubly hard and leaves her broke when it disappears.
The story throughout the muses on the album isn’t “she jumps to the person who promises her these things,” it’s that it’s a whole life she’s built that crumbles under the weight of reality knocking at the door and a foundation that shifts until it disintegrates. And losing that foundation and the dreams built upon it leaves her searching for answers in the wreckage — and looking elsewhere for clarity for a time. And it’s why it’s so hard to remove one muse from the other (or again, all of them), because that central driving force is used by each of them in different ways to build her up and take her down. And why working through the pain of one situation bleeds into that of another.
It’s hard to delve into this more without crossing boundaries or whatever, but it’s just such a palpable open wound in the album, but also why working through the pain in different contexts on TTPD brings to light all these different kinds of hurt but also the emotions that go along with them.
Anyway. That other essay will write itself at some point idk.
#I’m trying to word this very delicately and sensitively#without making it seem like I’m prying or speculating#which is why I’m trying to base this off the music#but it’s a fine line to tread because I think there’s probably a deeper discussion to be had but probably not fit for main#the starting a family thing is like. one of the main if not the main thing that jumps out at me in the album#and i think is what drives a lot of the themes on the album#that is such a powerful thing in a relationship *especially* for women in some contexts#and to me that is the like… inciting incident of the whole chain of events#and I could say more about what that makes me think but that may veer too much into speculation and parasocialism so i shan’t#writing letters addressed to the fire#the tortured poets department#the talking rings and talking cradles thing is just like… the centre of it all i think#because it’s woven through everything
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the hunger games
catching fire
mockingjay
every mention of haymitch's physical state throughout the hunger games trilogy
#haymitch abernathy#the hunger games#thg#catching fire#mockingjay#the hunger games trilogy#unfit -> fit -> significant weight loss pipeline#:(#this is what being autistic looks like btw#i compiled EVERYTHING.#should i talk about how every description is mainly related to his detriment/of his detriment or do we want to chill#this 40 YEAR OLD HAS BEEN THROUGH TOO MUCH!!!!!!!!!!!!!!
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the locket, motherhood, & marriage.
139 / 139 / 136 / 136 / 191 / 191 / 191 / 142 / 134 / 143 / 143 / 144 / 144 / 139 script / 144 / 280 / 144 / 144 / 192 / 279 / 279 / 279 / 279 / 143
#compilation tag#➤ victoria winters. ┊ because she’s lost and lonely. because she looks in shadows.#➤ roger collins. ┊ I and my ghosts want a drink.#➤ re: david collins. ┊ he's just been afflicted with the family disease. he's been seeing ghosts.#➤ josette dupres. ┊ it was a scent,not just any,it was hers: jasmine,seabreeze mixed.#➤ re: laura murdoch collins. ┊ I want to watch a girl on fire with ruin on her lips. I want to see everything burn.#➤ elizabeth collins stoddard. ┊ I belong to the house. the house belongs to me.#➤ re: carolyn stoddard. ┊ never the same girl twice.#GOD OKAY. the fact that burke gives vicki the locket after laura's death is EVERYTHING to me.#burke — twin to jeremiah both physically and psychologically — giving it to vicki —#the stranger brought inside the collins family; much like josette.#(which. according to much much later dialogue laura *was* jeremiah's first wife before josette.#it's an old song. it's an old tale from way back when. and we're gonna sing it again and again and again.)#that vicki; by saving david's life; is preserving the collins line — providing the heir (literally; though not biologically)#david turns away from laura and chooses vicki; replacing laura as mother-figure permanently;#as he's granted new life after the fire; born again into vicki's arms; not laura's.#the new woman in the collins fold — after the previous wife has been defeated and fire has cleansed the memory (à la jane eyre; or rebecca)#positioning her naturally as roger's wife. the mother of his child. the inheritor of the collins bridal locket.#the locket that distinctly belongs to roger's wedding *night* — tied up fundamentally with sex & childbirth & the provision of heirs.#(fitting then that the madonna and child serves as the vicki-as-mother equivalent to the painting of laura: the virginal birth)#and yet! simultaneously! the cri du sang — david's blood calling out to burke's.#roger notably absent during the fire; unaware of david's danger; unable to help him. burke drawn to him when his life is at risk —#and the one who carries him home; over the threshold; at vicki's side. delivers her the locket from the ash.#of course she is drawn to him — david's symbolic mother; his biological father —#jeremiah & josette; the empire-builder and the lost and lonely bride.#and. the vampire-figure; the parasitic lover. meeting her at the cliffs; joking about her falling from them —#who can give josette belonging by bringing her to the family tomb.
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fell asleep at 5 am after literal hours of desperate, uncontrollable sneezing fits and woke up this morning with a twitchy, allergic nose…
it’s already a sneezy day and i haven’t even gotten out of bed…lord help us all
#until my entire face stops itching and i can stop wiggling my nose around and muffling sneezes into my sweatshirt#y’all will have to hear me complain endlessly about it#god i’m so itchy#i dump out bleach everyday at work and it’s started making me sneeze recently but yesterday it just added fuel to the allergic fire#and i pretty much started and couldn’t stop#everything is setting me off my nose is so sensitive right now#i’m so glad it’s my day off so i can just rub at it as carelessly as j want i’m so itchy#the amount of hitching and false starts i’ve had just typing these tags omg#yeah it’s going to be a day#my nose is driving me crazy#i ended up muffling my desperate rapid allergic fits into blankets and my sweatshirt for over an hour last night#and god it felt good to just sneeze and sneeze and sneeze even if i was basically suffocating myself trying to muffle them#they were so harsh my voice is raspy this morning#yeah. GOOD MORNING LMAO#self obs
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@remylong :
#newest broken telephone installment#the remy renaissance#or rather standard avvycc dms. broken telephone elements include ccsims designs of my old designs plus prev hp art plus the general sepia#of everything on fire. bonus to the chromatic aberration on hp it feels quite fitting (yknow bc the chorus behind his lines..) idk vibes#this colouring style is actl terribly fun i'm quite !!! about it. i'm also glad that I made reference sheets for them all long ago bc#otherwise i would have gone insane rrying to rmb them from scratch. lately despite the rainbow hp seems to overall be turquoise blue? which#is so fun compared to the more purple/ neutral blues and greys i have in mind for mark...#anyways doing well! getting back slowly into Making things again! having fun etc etc#have been in OC-land lately but nothing i'm ready to share yet haha#so occassional bit of fanart it is. i inexplicably want to draw hands now though i was walking back home#pondering my adamandi era (mad the most insane fanart i've ever made; no recollection of it now) and after enough mulling it over#it would be nice to return to it. don't think i'm as obsessed anymore but it's certainly not lacking in inspiration#ideas are there just havent reached the sweet spot where you get so taken by an idea you're compelled to turn it to reality#and i think itwould be fun. perhaps even gratifying to set wips to rest#so maybe. in the meantime px11 brokentelephone is sustaining my urge to make miscellaneous fanart haha#melliotverse so true. wonder why despite watching taopp i haven't been compelled to draw it but i get the inkling it's just that specific#aesthetic that doesn't do it for me. <blinks> it was very good and i enjoyed it immensely! i think i just surprised myself by being normal#about a musical for once. i think also bc irl i've been more Good Busy the drive to engage in fandom has dissipated somewhat..#so overall i think it's a good thing. just different. but then again this stretch of time is a transitory period for me so changing ought to#to be expected. ah well tldr don't overthink just do what sparks joy be happy? literally so lucky to be spoiled for choice wrt things#i want to do. so much to do and see and learn and time still to get to figure it all out!
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nooo like reading maria janion's such comprehensive overview of vampires and what defines a vampire and how the myth changes through times and authors, as entirely expected, has contributed to my regis brainrot.
because though it's obvious how many tropes regis subverts as he literally talks about himself, it's more overwhelming when they're all summarized focused on examples from across history and the literature canon, and pretty much hitting none of them or fucking with all of them. because it's not that he just doesn't fit in within his own fantasy universe, but that he doesn't fit in within the broader canonical definition...
"my personal vision of fantasy (...) he is not the typical vampire bloodsucker, according to the dictates of the canon" ... uggghhhh sapkowski, in his witcher, by challenging all genre expectations and tropes, creates all of these characters that don't fit in anywhere, neither in their universe or in the broader canon. and thus, can only find fraternity with each other
i was just reading like 'so... so he doesn't fit in *anywhere*... 🥺'. regis in baptism of fire explaining how he doesn't conform to either vampiric expectations of vampires (socially, for his personal principles) nor of human expectations of vampires (biologically, for his literal existence). but it even goes farther when you look beyond the witcher and to the broader literary and mythological canon. in practically every understanding of a vampire he would not be recognized as one of them... and does he even want to.
#> not a vampire by the majority of definitions#> born a vampire#> doesnt live as a vampire#> when people find out they are curious and apprehensive abojt him being a vampire#imagine some bullshit question like ‘but do you FEEL like a vampire’#honestly. this is how i feel about my gender <3#'and then people fetishize me and it's weird' - he literally understood everything there is to understand. regis honorary lgbt#'honorary' ... im jk lol#isn't this most of the heroes of the witcher though#milva: 'i just feel like i dont even fit the definition of a woman' | regis (not-vampire): 'felt' | cahir (not-nilfgaardian): 'felt'#the elbow-high diaries#i would stop thinking about regis but also i cant sorry :p#c: regis#everyone in the hanza and their duality... they're all half-one thing half-another#call my favorite characters coffee... because you know you put that half-and-half into them#me: biracial and nonbinary crying 'idk why i relate to these witcher characters so much'#witcher characters: cannot be defined by one half and live inbetween two worlds not fitting in either#WE UNDERSTANDED !#every time i start thinking abt this again i start humming 'here on the island of misfit toys...'#witcher/baptism of fire is like: moreso than how you personally identity your identity is determined by your social group views and actions#and that is why i love it sm. on top of being anti-war and also being funny and introspective and beautiful
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seetttthing scalding hot take but honestly i feel no sympathy or theoretical sadness about altea being blown to bits. the few alteans we DO know are all assholes. clearly the universe isn't missing much. in fact, if you look at the only canon universe that DOES still have altea--- they go on to be just as bad as the galran empire if not even worse.
so yeah. maybe zarkon did the universe a small favor before he went truly off the deep end.
edit; just found out alteans destroyed Diabaazal long before zarkon destroyed altea. nothing ANYONE says can convince me alteans are anything *but* the real villain of the show. they got what they deserved.
#calling coran an asshole only bc he's... well. kind of an asshole.#and honestly speciesist.#the first episode always makes me seeth mad over that one line 'look at your synapses firing away in their primitive brain cage!' bc#apparently only alteans can make observations and only alteans have 'evolved' brains#what pidge said wasnt even that ground breeaking of an observation. anyone who wasnt actually blind would be able to see the lions together#that one line was the perfect glimpse into how alteans ACTUALLY behaved and how they ACTUALLY viewed all the planets they colonized.#bc i do not believe for a second that they were actually a 'diplomatic race'.#that's just sparkly language for space colonizers.#and all the times he rambles on about altea while the paladins are stressed. he doesn't even consider their feelings or notice.#their constant dismissal and even insulting of the humans' biological needs and social behaviors. aint no fucking way a diplomatic species#that has traveled the universe and seen and allied with billions of species would behave like that. and it isn't just allura. it's coran to#they constantly compare everything the humans do to what the alteans COULD do. again; first episode allura gets mad at these teenage kids#for not being able to fiht a gladiator 'fit for an altean child'. she gets mad at them for laughing and bonding (the ENOUGH! scene at dinne#allura is self explanatory.#honerva is self explanatory (she was a major asshole long before she became haggar)#lotor is self explanatory#i havent watched past se 6 bc i refuse to but the small bit i have seen from romelle? also an asshole.#and again. alllllll of the comet au alteans.#even alfor is kind of douchey at times. i mean clearly he raised his daughter to do nothing other than kiss his ass.#vld#anti allura
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Oooh, you’ve also seen Nirvana in Fire?!? That was SO good. And as inspiration for PF?? That, explains some things, dang! It works
My friend. My dear. My lovely Cimi—
WHAT in the world—
Have I seen the drama that bloody changed my life; my favourite comfort c-drama; the series that I rewatch yearly the way I rewatch lotr every Christmastime; that exquisite story with the most incredible breadth and variety of characters with impeccable character work and amazing themes and an ending that respects its viewers which however tragic is thoroughly earned and identity porn and politics and pride and grief, god, so much grief—and an Emperor who is shakespearean in his tragedy and—
Okay. Okay, no, you could not have known, tis a failure of my part if I have not spoken enough about it—I probably mostly reply to other people's posts as they liveblog their watching but. BUT. God when I saw your ask it felt like you came up to me to remark "hey wow so you also ship PF?" that's how gobsmacked I was lol!!!
I have dragged everyone in my life into watching this show! I have mutuals on here who can testify to my introducing them to it omg. I just checked and the earliest NIF post I reblogged was in 2016 so I have been watching it every year since 2016 hahaha!!! Although it's pretty complex chinese, and since so much of the show is made up of characters sitting around talking the intricate plot into existence, it's not really a beginner-friendly c-drama either!!!
NOW I DIDN'T KNOW YOU'VE WATCHED IT TOO???!!!
I. have. been. going. UTTERLY MENTAL. at the lack of anyone with whom I could talk about it? OR SO I THOUGHT. So many times I thought of going into our discord to be like "has anyone ever heard of NIF because hhhhhhh the phoenixflare resonance" or like "so is anyone into TGCF perhaps perchance mayhap???"——because heh. hehehehe. heheheh??? My fic is practically a NIF/TGCF mashup, it's a Lin Shu+Xie Lian!Joshua Rosfield & Jingyan+Hua Cheng!Dion Lesage——and I CANNOT TELL YOU HOW MANY TIMES I wanted to ask god please does anyone else see my vision please god does anyone?? but no one would even understand the references, and I couldn't even ask in areas (asian fandom) where there would be a higher chance of people knowing what crack I'm on because asian fandom is all about that...you know...that I loathe—and I have been in pain and I thought right well fine I'm writing the fic anyway it's fine if I have no one to scream about it with because I'm writing it and then I'll find fellow competence porn+politics enjoyers if they find my fic and—and.
God. What an earth-shattering message to receive in my askbox! You are some sort of miracle <3
Do you see it??? Do you see it? A boy who burned to death in an inferno as an innocent betrayed youth in a catastrophic event caused by his own family, his father slain, his entire clan (and all the troops under his banner) wiped out or scattered. A boy reborn after extensive and horrific injuries after an agonisingly long period of recovery: a ghost who crawled his way out of the gates of hell, the last of his broken once-noble house.
That boy's transformation into his new identity of Mei Changsu/Margrace. His off-screen discovery of the truth that led to Meiling/Phoenix Gate and his continued on-screen quest to learn more. His determination to hold the true culprits accountable at immense personal cost and suffering. His dogged persistence despite incredible odds and visibly failing health. Being surrounded by people who love him and want to protect him, and himself constantly undermining their efforts because his goals are more important than his health. (Because in truth he knows perfectly well that he won't survive, but he can make a difference while he is alive.)
Something that amuses me hugely is how Lin Shu and Joshua literally both come back as 宗主? I love it so much! They come back with the same title! Both of them come back as clan leaders of an organisation that obeys their every command! Margrace is the 不死鳥教団の宗主(=leader of the cult of the undying bird) and Mei Changsu is 江左盟的宗主(=leader of the Jiangzuo alliance).
AND. Hooooo yea this PF fic is just JingSu at this point because oh, a handsome, principled, prideful, and stubborn prince who is a decorated warrior famed for his numerous military accomplishments and the man who is essential to the success of Lin Shu's/Joshua's plans? The resurrected boy barging into his prince's life: no matter how insane it is to choose your side, still "I choose you, Your Highness Prince Jing"??? The fact that the undervalued prince has a history with our secretive ghost protagonist? And (arguably) frequently thought about and missed the bright boy he knew once upon a time in happier days—"I know you," says Dion Lesage without a shadow of a doubt, extremely normal of him to instantly recognise a dead boy he met 20 years ago?
Mutual admiration of each other's integrity and capabilities? Reciprocal faith and remembrance? The foundation of deep respect and enduring friendship, their shared goals and shared family??? I froth at the mouth. JingSu are cousins, PF are stepsiblings by their parents' marriage. Each pair is bound by destiny and by choice—other people have made choices that permanently entangled each pair's lives together forevermore (Joshua+Dion and Jingyan+Xiaoshu), and the choice they themselves personally made to choose each other—
DO YOU SEE THE VISION.
How difficult it is to pursue justice when everyone involved is family and how impossible it is for Lin Shu the nigh-extinguished Chiyan fire for Joshua, the guttering flame, to indict Jingyan's father the Emperor of Liang Dion's father the Emperor of Sanbreque of his crimes against Joshua's family without opening old wounds and hurting many loved ones in the process including Dion himself. The people directly responsible for the tragedies are related to the protagonists in one way or another! If Lin Shu Joshua ever wants resolution for his grief unending, he has to strike at his beloved's father, and plot meticulously to avoid all of the dangers of attacking such a powerful enemy.
(Of course, I acknowledge the critical difference in Jingyan's versus Dion's feelings about their respective fathers.)
Now if only Joshua had done the famous blizzard scene with Dion instead of letting him go off to carry out his ill-advised coup—"Xiao Jingyan! You stand where you are! If I don't stop you today, what are you going to do? What do you think you can possibly accomplish if you charge in to challenge imperial power like this? Do you think you can simply force the Emperor [to do what you want/change his mind about Anabella Wei Zheng]? You have honour and valour but why do you just not have brains! How many more people must be hurt, you tell me!"
Anyway Joshy doesn't have the insufferable smugness of Xiaoshu but he does absolutely have Xiaoshu's pride, the sort of pride that is not just personal pride but familial pride too (after all Joshua comes from extremely prestigious lineage)—just look at how he speaks to Ultima in every scene, his lordly manner. Joshua I think has more Consort Jing to him, and Consort Jing is only my favourite character in all of NIF, in a drama where I love every character to bits—steel in softness, ever gentle ever polite yet not to be bullied and not to be underestimated and also extremely perceptive and learned and patient. Extra sweet bonus that Consort Jing is also a healer. Elegant, restrained, and very repressed. Who knows the depths of Joshua's Consort Jing's grief and loss?
But you know, Jingyan, near the end he is completely in charge—the prince who was always a great and respected general on the battlefield is now more than that, he's directly taking responsibility for all of his people as their future ruler—that means thinking on multiple fronts and exerting control over all of the key governing officials, not merely his military officers. He's leading with confidence, and there's that little scene where he apologises to Xiaoshu for taking action on several plans without consulting him, and Xiaoshu says no, this is the way it should be, this is the correct state of affairs: you are the crown prince, and this is rightfully your arena. You lead, you decide, you command.
Jingyan now sees clearly, he's found out and accepted the truths of his father's role in the atrocity at Meiling and everything that happened back then. He rightly perceives the failings of his family and seeks to redress past wrongs and avoid repetition of past mistakes, he weeds his court of the corrupt and the cowardly, he's become the best possible version of himself: stronger than ever, not just a powerful wartime commander-in-chief but an inspiring leader in the imperial court, careful, thoughtful and politically up-to-speed, finally stable in his sense of self instead of being permanently stuck as that angry and lost and hurting child. He has renewed purpose, he possesses hope for the future, he is able to dedicate himself fully to what he truly believes to be right and act in furtherance of righteous causes—
Critically, this is the man he becomes only because Xiaoshu came back into his life to shake it up. Without Xiaoshu he wouldn't even have the opportunity or means or knowledge. The radiant and fiery boy who Jingyan missed all his life came back to save him. From the outsider prince without contacts or support within the imperial court->to the crown prince who has the court subdued within the palm of his hand. From his pitiful existence as a neglected, unfavoured prince, his lowkey constant simmering resentment, his half-dutiful half-forced obedience of paternal orders that chafe at his conscience->into the steadfast and self-assured prince who is capable of fighting for the betterment of his country and the rallying point for virtuous officials who share those aspirations. The drama shows the audience that Jingyan is unquestionably ready to assume rulership, and together with the person he loves most, they achieve their goals, they save each other and their country (by arresting its downward slide due to the rotten state of its governance).
It's just a strong headcanon of mine (albeit one that I can absolutely present extensive arguments for) but to me Joshua Rosfield is the one and only character able to perform that same abovementioned function for Dion Lesage. Catalyst, turning point, spark that ignites the fire—whatever you call it, this is salvation. It is beautifully poetic that both Lin Shu and Joshua are characterised by fire. They are the fires of change that burn away the old life: before their arrival, the two war princes exist in a state of wearying routine, long-suffering and almost hopeless. Both Jingyan and Dion are shackled by their stations and duties, both are unloved sons with virtually no chance of their circumstances improving without drastic action, and both are trapped in precarious situations where they are subject to the whims of their father (if their imperial fathers turn on them, it will result in irrevocable loss of their status).
Dion's position is weak in the Oriflamme imperial court—pretty sure this point isn't up for debate, since no one ever speaks up in support of him despite the obvious injustice of his ill-treatment. His degree of influence in the court is much, much, so much less than any reasonable person might expect someone who is literally Bahamut and crown prince to have. The Council of Elders and other officials stand by haplessly while he is progressively stripped of power in favour of Olivier. Nobody defends him, nobody objects. (Or maybe some did, and were eliminated.) Even Dion himself submits to the abuse despite inherently superior abilities. Career politicians know which direction the winds blow—they don't defy their Empress, meaning they are either her cronies or too fearful of her to make themselves a target by any raising any opposition. Added to that is the implication that Dion was often away for long periods—and as Xiaoshu explicitly tells Jingyan in the drama, the crown prince cannot leave the imperial capital untended because that is the surest way to lose power. Dion may be Sanbreque's mightiest weapon and revered by the populace, but in practice his political sway is almost negligible. He is not able to leverage himself effectively.
Don't get me wrong, for these reasons I extra extra love the canon portrayal of J*** obeying Joshua against her wishes and T****** obeying Dion against his wishes—I absolutely think their obedience is, to them, the truest and highest and final demonstration of their love and understanding of their respective masters. And both Joshua and Dion expected no less from them. [I've not typed the names out just in case the search function ends up capturing the post and putting it in their tags, not because I hate those characters; I just don't want to be uncivil within fandom.]
But the very point here is that, you know, sometimes you aren't supposed to leave someone just because they say so. Sometimes it is the worst possible course of action to obey someone just because they command it. Sometimes it is undesirable at best and disastrous at worst to support someone's every decision out of unchanging (if uncharitable, one might even say unthinking) loyalty. That is a fundamentally unequal relationship, and while beautiful in its own way, is also uniquely doomed. The truth is, Joshua was always going to pull that trigger, and Dion was always going to pull that trigger: the master was always going to sever the relationship. Those pairs were doomed as soon as they began, because one party can only ever say yes, and yes means the end, you see? That is The End, that is the final break. By their very subordinate nature and by their established personalities within the game, "yes" is the one and only answer J*** and T****** can ever or will ever give. Their master will say, "Leave me", meaning it is over, and they will reply, "Yes, I obey". Because this is the only answer that proves their devotion, leaving them totally incapable of changing the script. Both J*** and T****** knew it and played their parts to perfection, and my heart hurts for them.
In NIF terms, I reckon J*** is Gong Yu, and T****** is Lie Zhanying. Zhanying will follow Jingyan to the end, whatever it may be—in fact in one episode he explicitly says so, and his loyalty is never in doubt. He will go to his death if Jingyan orders it. He will always support Jingyan's decisions. He and the rest of Jingyan's men have been following Jingyan even when the prince was out of favour and cold-shouldered and constantly dispatched to safeguard the country's frontiers—inconvenient places where comfort is low and the environment harsh. Jingyan's favoured brothers live in the lap of luxury within their palaces (like Olivier), while Jingyan himself (like Dion) has always been at war. And as with Zhanying, T****** will never be able to change this status quo on behalf of Jingyan (Dion). For all his boundless dedication to his lord, Zhanying will never be able to improve his prince's standing in the court, never be able to secure more political power for his prince (unless his prince decides to revolt/coup), never be able to make his prince's father love or prize his prince.
It is not a problem of character or willpower or desire. It is, simply put, a problem of power. It is a problem of class. The servant rises as their master rises, and falls as their master falls. In other words, the servant's status is determined by their master's status. Zhanying is Jingyan's deputy. When Jingyan's status was elevated, Zhanying naturally also assumed commandership over more troop divisions because those were allocated to the prince by the Liang Emperor. (There is no doubt in my mind that T******'s status as second-in-command is because of Prince Dion. He's too young to have earned that position by gradual promotion through meritorious accomplishment. Unless you're telling me that the knights dragoon don't have a single officer above age 30.) Zhanying is invaluable to Prince Jing in security, in warcraft, and in a variety of generic daily tasks. However, he is part of the rigid imperial system and lower in the hierarchy. He may persuade his lord, but he cannot order him. He may disagree, but he cannot defy. He may privately despise the Emperor/Empress, but he cannot show it and cannot act on it (literally treason). His role is to follow and obey. If he does not perform that role for whatever reason, he fundamentally negates his utility to his lord.
Ergo, endgame Jingyan is only possible because his true equal and soulmate, his real zhiji, came back to challenge the status quo. In fact, came back to challenge him. It is not merely the fact that this person understands him above all, it is also the fact that this person has the ability to act on that understanding. Jingyan is technically also Xiaoshu's prince, master, and eventual Emperor—so where is the difference?
The difference is, Lin Shu is comparable in nobility. Lin Shu is the cousin of princes and the incumbent Emperor's nephew, Lin Shu was raised amongst the imperial household, and played and studied and fought and hung out with them as peers of roughly equal rank. In this respect Joshua actually outstrips Lin Shu: Joshua is a prince by blood, and had Rosaria not fallen (especially if Sylvestre had not risen to the throne), would have been higher status than Dion. It's a massive pet peeve of mine that so many fans in XVI fandom don't seem to realise that Joshua was crown prince? Everybody knows Dion is crown prince, but do they realise Joshua is the original? In the English version prologue, the knights do call him "prince" and "your highness". The Rosarian throne is Joshua's by right of birth. At the time of their meeting as children, Joshua outranked Dion. They were equals as Dominants of their nation, but Dion back then was the child of a Cardinal and not the child of Sanbreque's ruler at that time; i.e. he was not a prince and not in line for the Sanbrequois throne.
The other wonderful similarity is Lin Shu's and Joshua's statuses as outsiders to the system when they reintroduce themselves to Jingyan/Dion. As Jingyan's strategist, Lin Shu has more leeway with regards to making his prince listen to him and take his advice. But importantly, he is now Mei Changsu, and that means he is able to play outside of the system. The imperial system effectively cast him out when it killed him. The strict codes of imperial conduct no longer chain him as they chain those confined within its structure. As a free agent unlike Zhanying, he has the right and privilege of choosing his own master. That includes the right to leave or to change his mind. And although the prince's strategist is supposed to be subordinate too, Xiaoshu would never truly be subordinate in the same fashion no matter how many times he bows his head, because at his core he is still high nobility and it still shines through despite everything. His manners are still perfect. He still navigates life with the easy expectation that people will serve him. He grabs the Duchess' hand and yells at Prince Jing and gloats at Marquis Ning. It's all the little ways that remind the audience, over and over, that this man was raised as a posh lordling. You can remove the boy from the upper class but you can't remove the upper class from the boy. It's the same with Joshua. His manners are still court-perfect. He still moves through life accepting that he will be served. He may bow his head to Dion and call him "your highness" but he also takes the liberty of throwing himself at Dion for a hug. Because to him, the prince is not some lofty and untouchable figure to be addressed with unfailing deference, he's just a friend.
(I know T****** is minor nobility, to be honest Zhanying definitely is too. The deputies of high level royals aren't going to be commoners. But I don't think I have to explain the gulf between ruling class/a close blood relative of the monarch versus lower nobility.)
Joshua too is an outsider that isn't beholden to Sanbreque's Emperor in the way that all of Dion and his knights owe their fealty. Again in this respect Joshua has it better than Xiaoshu—Joshua is his own sovereign master, and that should impact his perspective, his sense of self, and therefore his behaviour with others and how he navigates the world.
Gong Yu... I think anyone who's watched NIF will know exactly why I say that J***'s counterpart is Gong Yu lol. I think the s/h/u/a/t/e/s want her counterpart to be Princess (Duchess) Nihuang and they certainly produce fanwork in that vein, and I respect them for it because fans be doing what they love and hooray for that. But..... she's Gong Yu.
For all these reasons I am utterly obsessed with a Joshua that pushes back at Dion. The person able to challenge the status quo and challenge Dion. An equal who listens to Dion's absurd speech in the palace at Twinside and calls utter bullshit, who says, "A matter for the imperial family? are you joking? that's my mother, that's my younger brother. an imperial matter for you to resolve? say rather, our family, OUR problem to resolve. You don't get to go off half-cooked to arrest or kill my mother without actual political strategies, notwithstanding your military capability to launch a coup. And also, what about your dad? However much I love you, my darling Dion, we have to talk about the way that you insist on poor little meow meowing your awful father because my dear old mum didn't do Phoenix Gate alone and she for sure didn't immaculately conceive Olivier."
Endgame Dion isn't satisfactory in several glaring ways and it annoys me hugely that even unto the end he never grapples with and confronts the truth of his father instead of the idealised version that lives in his head. It's a little bizarre how Dion's arc is often praised by fans, since it feels very incomplete to me. Or, well, fine, perhaps just unsatisfying (since XVI simply isn't his story). His deep-seated need to be loved by his father prevents him from seeing anything clearly, which is so ironic for the only character to possess a third eye in canon? His honour and his might have been squandered in service to a selfish, uncaring, and objectively bad monarch, yet despite how earnestly Dion wants to be a good prince to his people he seems wholly incapable of recognising this fact? His mind repeatedly shies away from his father's shortcomings. In one scene he calls his father out for words befitting a tyrant, yet ultimately he persists in the belief that his father simply needs to be saved from Anabella's evil influence as if Sylvestre Lesage isn't a 50-year-old adult man who schemed his way to the throne and killed a woman's whole family and happily married that woman to beget legitimate offspring with her.
Soooo....... I've just spoiled the whole plot of my fic but it's really just NIF nonsense as usual and that is actually extremely predictable of me. But honestly the spoiling is not a big deal, because as with NIF, fundamentally my story is not meant to be plot-twisty and suspenseful—the real storytelling skill of the NIF drama is that the audience should be able to quickly grasp the overarching plot with no difficulty because the pleasure of this particular type of story is to watch the protagonist achieve their heart's desire, step by delicious step. The objective of this type of story is to properly pay off what it promises. NIF=the wronged protagonist seeks justice. We already know Lin Shu will obtain justice by the end of the tale, what we are here to enjoy is the journey! Same really for IEM I reckon; by the end of chapter 1 Joshua's goals should be really obvious, and since my little fic will have the happy ending tag because I only ever write happy endings, the audience basically knows he'll succeed—it's very much a journey not destination kind of story.
Ooof the post is crazy long and took me 3 nights to compose an answer and I haven't even managed to go into any TGCF elements but that work mainly contributes to characterisation instead of plot. One of the craziest XVI scenes was the Hideaway's sickbay after Twinside, the genuine regret Joshua expressed and how he blamed himself for not reaching out to Dion sooner; now the Empire and her prince lie in ruins etc. Surely he remembers this is the country that destroyed his own? Surely??? What kind of person, robbed of home and throne, can find it in himself to respond with so much empathy and kindness? Sanbreque has now experienced pretty much the same tragedy they inflicted on Rosaria two decades ago, and isn't that just the funniest parody of divine retribution? Instead of viewing this as Sanbreque's just deserts, Joshua Rosfield pities them and wishes he could have helped them avert this disaster.
!!!!!!!!!!!!!!!!!!!!!
Wonderfully Xie Lian-coded. Something something someone who has been through the worst and nevertheless chooses goodness and kindness. Someone who intimately understands the ugliest and lowest depths that people sink to, yet refuse to lose themselves in that temptation even when vengeance would seem perfectly justified.
You've known for a long time now that I love a Joshua who is very similar to his mother. This is why lol. It's about that delicious, delicious contrasting foil. It is the difference between Jun Wu & Xie Lian, as it is the difference between Anabella & Joshua. That the indestructible integrity we see from Xie Lian or Joshua didn't come easy, they weren't born perfect, their ethics were tested and forged and earned through suffering the likes of which most people will never know. The person that they have each become is the sum of their choices actively made. In the canon of TGCF and XVI, both of these ex-crown-princes live on in disgrace, in circumstances best described as reduced and humiliating, their respective kingdoms fallen, their wealth and glory spent—but they are better and braver human beings than everyone around them, they are beautiful and noble souls, quiet and unacknowledged, and only Hua Cheng and Dion truly see and fully understand that (and therefore cannot help but love them utterly).
I've a few more thoughts regarding Joshua swirling around as captured in other Xie Lian posts: here, here, here, and here. Not sure if you know TGCF or are into it as well, but just leaving links to those posts here for my own benefit too. I've been gravitating towards phoenixflare comparisons in various hualian meta posts since early 2024 so clearly these concepts have been stewing in my head for some duration, but I haven't fully teased out what it is about these two ships that gives me that niggling sense of connecting similarities.
^ Whereas I clearly know exactly what it is about JingSu that makes me point and holler "THEM!"
#that was a whopper of an answer#THANK YOU KATIE for giving me the opportunity to gush about this <3 <3 <3#i didn't even say everything i wanted to#brain is pretty cooked i can't wait to sleep in every day between christmas and new year#i hope my thoughts and concepts will actually come through in my fic but to be honest i am worried about the skill issue LOL#also nirvana in fire has a huge cast because political stories require a lot of moving parts and i'm worried about introducing too many ocs#literally the ocs are only there to support the plot they are extremely secondary to joshua and dion#but one simply needs more undying and more rosarians and more sanbrequois persons to work with for such a story you know?!?!?!#also this doesn't fit in the main post but the servant saying no to the master is possible and would herald a significant change#'no' is a shock to the system and sometimes that's exactly what is needed#saying yes to the status quo reaffirms it and solidifies any imbalance#it is precisely the narrative importance of elizabeth rejecting darcy's first proposal in p&p#acceptance from her would be tantamount to condoning his insult of her and her family#it'd have the effect of saying “i agree and/or i am prepared to overlook everything in submission to you”#and each time this occurs it reinforces the imbalance until it reaches a state of permanence#until it becomes the default that neither party can deviate from#no might be the very thing that prompts him to reconsider himself and his assumptions and reflect on his conduct and values#prompts him to consider exactly how he views [] and relearn how to appreciate [] in a new and different light#it's extra tricky when yes=love and devotion while no=shakes the boat and unpredictable and adds stress in already trying times#but!!! in an equal relationship partners must be able to impose on each other! rightfully take up time and space in another's life!#to never ever ever be an inconvenience is not healthy love it's servitude it's shrinking oneself it's being secondfiddle in one's own rship#look it's practically a whole chapter of my pf manifesto ahahahaha#it's not all social class there are other chapters like long slim legs are best slung over strong broad shoulders#and prince with obedience kink requires a partner in whose moral character he has absolute faith#iem#potion’s periodical
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Came to the realization that Robin is everything Grima wishes they were and I'm gonna spend an indefinite amount of time obsessing over it
#fire emblem#fire emblem awakening#fe13#robin#grima#my rambles#i know this sounds insane but hear me out#grima has a line in their main heroes form where they ponder how their life would have been if they were human#and while its a reference to robin wishing they were fully human and able to live with the shepherds from future past 3 it still fits great#robin spends their new life in a friendly environment with people who care deeply about them and trust them with their life#while grima was viewed solely has as a threat to be destroyed or a weapon to made use of ever since they were born#robin gets to forge so many bonds with so many people while grima spent aeons trapped alone in a labyrinth after their creator#tried to kill them#and even after robin proves to be a genuine potential threat to the world the shepherds still stick by them and believe in them#while grima has always been viewed as a menace simply for existing#robin gets to be caring snarky silly and have genuine interest in things and most of all hope#while grima by the time of awakening has been so consumed by hatred and cynicism they wish everything including themselves to end#i know some of this stuff is hc but that won't stop me from obsessing over these two#should i have put this ramble on the actual post and not on tags? probably
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one of the (admittedly many) reasons i love love love LOVE my uf and ht self inserts i think is because all the shit i hate about myself is amplified with them and i LOVE them for it. theyre weird gross perverted overbearing annoying creeps who nobody really feels comfortable around. and its the BEST!!!!!!!!! like yeah they suck shit. they dont know anything and theyre genuinely disturbing and disgusting people. arent they just the BEST
#cherry chats#i happen to love girls who are the worst ever. is the thing#when my ht/uf inserts make everyone around them uncomfortable and gross people out and when nobody likes them i think its so awesome and fun#they both suck so bad. theyre awesome#they dont KNOW shit they cant DO shit theyre weird nasty FREAKS#theyre overbearing and clingy and creepy and selfish and completely fucked in the head. and theyre everythinf 2 me#^____^#i love my fucked up little self inserts. they are so not okay over there#had a visual image of my uf self insert lighting they and sans’ bed on fire cause he annoyed them. lmfao#blame kiss with a fist That song is everything in the world to me Ok#btw speaking of which i should really give my most common self inserts nicknames#because going ‘my uf and ht self inserts’ every time is a pain#like. my trollsona although i dont talk about them much is a favorite too and their name is zairku Cuz troll names etc#and in my head i nicknames my horrortale guy 207 for. some fuckin reason#ermm. whadda hell do i call that underfell freak then.#……………… cherry???? bc thats qhat i used to go by way way WAY back in the day???#and it. SORTA fits the general uf aesthetic…..???#well. just like how 207 was a placeholder that just became their nickname i guess cherry would be the same#if i called them that as a temporary placeholder while i think of something else itd just end up being their name anyway. lol#okie dokie hehehee thats good then ^__^ i think ill add that 2 my pages when i get out of bed#which is. very soon bcuz i wanna smoke. so im goin outside. its -4° out
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found my ancient mp3 player recently. finally found a charger for it and plugged it in. and remembered i found a yt playlist of the whole httyd movie chopped up into like 20 videos and i downloaded the mp3s of all of them to listen to on the school bus. which is why i can effortlessly quote the whole first movie now
#i was. unhealthily obsessed with that whole franchise#oh my god i just remembered i used to write rise of the brave tangled dragons fanfic oh my god 😭#i didn't publish much but i had an irl friend also in the fandom and we shared a quotev account to publish stuff together#i still remember the full name she used online#we both used our main characters names online- Rosa and Sara#though i sometimes went by Jenny bc canonically Jenny was Sara's name before she changed it the second she wasn't on earth anymore#(<- EGG. EGG. EGG. EGG.)#(like legit the second she got isekaid she cut her hair super short and changed her name-)#also sara canonically had the ability to absorb others' souls when they died and then shapeshift into them majoras mask style#(<- EGG CARTON. EGG CARTON. EGG CARTON. EGG CA#sara was dating jack frost bc of fucking course she was. also she had fire magic#Rosa was with Hiccup#and then we had another fic with Kate and Billie who were sisters#years after me and the irl friend stopped talking and i reworked the characters into their own original stories#Billie ended up in a lesbian relationship with a girl named Raven#and they ended up finding Billie's long lost infant sister and raising her like their own kid almost#also i say i wrote RoTBTG fanfic but honestly. i did not care much for tangled back then#i included Rapunzel because i didn't want to seem petty like i was just cutting out the girl i didn't like#bc i did like her just not enough to write her#but she never like. Did Anything#if anything she was usually stuck talking about politics with Stoick and meridas parents and couldn't adventure much#such is the life of a royal i reasoned . so i do not have to have her there and be bored by her#usually i replaced her in the quartet with fucking Melody from little mermaid 2 bc i was unreasonably obsessed with that since childhood#i watched little mermaid 2 before the actual first film because we owned the vhs and i was SO obsessed with melody i LOVED her#i also wanted to become a mermaid and loved singing#so i just. found ways to shoehorn her in#i do not remember everything that i posted and everything that stayed in the vault#bc when me and that irl stopped talking we both deleted Everything in a fit of 14 year old rage and pettiness#I've long since deleted the quotev account- she actually kept using it for years and i let her cause i wasn't THAT petty#but it was under my email and since i noticed she seemed to have abandoned it and i needed to delete the email. it is now gone
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Two hours. I got two hours of sleep. I’m so frustrated with myself.
Went to the ER. Everyone was very nice. They gave me an IV bag of fluids (I was dehydrated! Sad cactus!) and a little ativan (teeny dose), which was nice at the time! Just a little amount, but the (mostly) quiet room, fluids, and meds managed to relax me a lot. Could have fallen asleep if the bed was actually comfortable. Then they packed me up, gave me another little Ativan to take home for tonight, and said they’d contact my primary. Cool cool. Got some much needed food on the way home, then took the pill and got comfy. Again, smallest dosage they make, so no feeling too good. Managed to muscle past my anxiety to fall asleep, and… 2 hours. Woke up. Tried to go back to sleep. Too frustrated and anxious and I feel like crap. What should I do? Just eat a whole gummy and hope that knocks me out? For me, that feels like playing roulette. Could work, yeah. Could make me sleepy and pliable. Could also backfire and make me feel sick and extra anxious for another 5 or 6 hours. What do I do? Roll back up to the ER? “Hewwo, I woke up and I need more benzos 👉👈🥺” haha funny, but I’ve seriously been thinking about it 😑
God, I’m miserable. Been sitting outside on the porch for a bit. Not quite an hour. Needed to get out of the apartment, but tbh, nearly 4am outside isn’t doing much for me. I just feel alone. It wouldn’t help with sleeping, per se, but just someone, I dunno, hugging or holding me for a few minutes would honestly save me a little. What a mess. Oh yeah, and apparently my kidneys are going 👎👎👎 down. Bad meat. Not great test results. Not what I’m focusing on tonight. I’m a mess. Anyway, this was my update. Sorry for all the walls of text. Suppose this is mainly for me to look back on in the future, but can’t pretend it’s not at least a little validating to put this all out into the world and knowing that maybe one or two people read this and I didn’t suffer completely without recognition. Yeah…
#this is a lot of text#not really a casual read#ok ok… I can’t sit outside forever#gonna go back inside and I dunno make a hot chocolatey drink. grab some snacks#TRY to feel good even though I don’t#YES will probably get a little high#hoping that the combo of sugar. salt. and thc will give me the sleepy tools to just pass out for awhile#just a few more hours! please!#omg I was so pissed when I woke up and thought I’d slept for awhile but realized I hadn’t#’ what do you mean the last text I sent was only two hours ago? ‘#seriously. I thought I fell asleep around 11 pm but it was closer to 1am.#stupid sexy ativan. messing with my sense of time#it really wasn’t that big of a dose! I was basically a little buzzed for an hour or so each time#but the doctor was nice and straightforward with me. I just dunno tho. I’m a big guy with a history of anxiety. .5mg is weaksauce#god I’m getting anxious just sitting here thinking about trying to sleep again#it’s feeding on itself. I’m trying to rationalize this but it’s just this feedback loop.#is this my life now? I’m outside. I feel so alone. I feel like I could die any moment. in a sword of Damocles way. it’s there and waiting.#ok sitting outside isn’t helping#after 4am and yes I see cars driving by. I hear the occasional siren. but I still feel alone in the world#please tell me life goes on? please tell me we’re not really at the end here.#I always feel like I’m staring at our final days. that we’re all barely here. fucking ghost planet. waiting to die.#there’s war and hate and everything is expensive and I can’t.. I’m not a part of this world. I’m too poor and sickly and so it all seems…#like we’re on our last leg. like the final days of a fire sale. this body feels fit for the grave. this world is the grave.#I’m scared#ok like I said sitting out here isn’t helping. Ian. please stop.#yes. yes. ok. snacks and drinks and distracting tv. let’s try this again.#sorry this is a lot#I spent the last 20 minutes writing these tags and getting progressively more anxious 😬#you can ignore this#text
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i get so wrapped up in my head and overthink everything until it wraps right back around to berhaps not overthinking and is actually plausible yaaayyy its ok
#like idk but the tone shift at work today was so. like i cant really take that any other way sorry#either theyre mad or annoyed with me. even the girk that came in just before i left seemed different when i said bye to her#and she had been talking with the person i opened with who was unusually quiet from the get go#like its either im about to get fired or im just not generally liked where i am and am at best an inconvenience to everyone officially -_-#which is annoying at best and scary at worst considering i NEED a paycheck dude#ive never been fired before but theres a first for everything right#and honestly i just really dont think im ever going to fit in here socially or work wise#like my very best is still nowhere near good enough soooooo. 👍 cool#agh.
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