#Designer wear on budget

[thegreatyin]

scoundrel?? what scoundrel???? the magnificent mr cards (who ironically has more of a flower aesthetic going on) is completely unrelated to any "bandaged scoundrels" running around the neath. in fact it's never heard of the word scoundrel ever in its entire definitely long definitely ancient life. but yknow, hypothetically, if it did know the scoundrel, it's confident that they're really really really handsome and cool and epic and they're almost just as amazing as it is and you should totally donate all your valuables to them and stuff

aaand because i like them too much, have a transparent version. the Creachure. the Thing, even.

[olessan]

It's a bit wild that the War of the Rohirrim design leads thought that this sort of blatant plagiarism was a normal thing to do. 🤔

On the left (and the boots on the right) you have Helm (and Hera's) clothes from one of the newer pieces of art released from WotR. The other images are screenshots from LotRO.

Specifically, the breastplate is the Armour of the Eastemnet and the Armour of the Elite Rider. The boots are Westemnet Boots of x (multiple kinds). Helm's vambraces and faulds, and Haleth's tunic (in the group shot) also look very familiar.

They claim to be following the designs from the trilogy but oh boy did they just google "Rohan armour" and lift whatever they found.

[waffliesinyoface]

watching the lotr bonus documentary on youtube (why the fuck wasnt it on the 4k collection warner brothers, you hacks) and feeling a deep sadness and longing that that level of meticulous detail and craftsmanship and love just simply likely won't exist on that scale ever again.

you know, much like how the elves feel in lotr. the light has faded.

it especially kills me because i'm training to be a carpenter who can make quality furniture. and i live someplace with lots and lots of studios. making real-ass wood furniture specifically designed to be fancy setpieces would be incredible. but lol no the industry doesnt care about artisans anymore, get fucked

[whatudottu]

When you have 6 5 different people to dress but only one body to style-

Thinking about a Mike Squad redesign... at least for ROTI specifically haha

Their asses are not fashion designers-

In order we have Mike (the two-tone 3/4 sleeve shirt), Chester (old man sweater tied around waist), Svetlana (gymnastics leotard under everything), Manitoba Smith (outback pants which apparently exist), and of course Vito (large button up shirt and cornicello).

[dazesanddoodles]

the original menaces to society

[ardentpoop]

really annoyed by how delighted this made me

[edwardshundredyearoldspunk]

looking at doctor who series 14 episode 6 rogue and wishing bridgerton, the show that is set in regency england full time, actually had the nerve to look that damn beautiful. I'm not complaining about the historical inaccuracies of the bridgerton costumes, I just wish that if they were going to be historically inaccurate they at least didn't make two thirds of the costumes godawful, absolutely atrocious, so fucking ugly it makes me wish fabric was never invented

[wongkarwine]

from an merit increase thread at work

is it me or does this sound like a threat

[icharchivist]

Is Sakyo like a Lu Woh type who's such an annoying uppity twink that you just want to dig your teeth into like a chew toy and then shake your head a bunch?

THAT DESCRIPTIONS PLEASE.

a3 is such a wholesome series but after what YOU GUYS did to Lu Woh in particular i feel fearful bringing this on Sakyo 😭

and i think it's not an *unfair* comparaison tho.... Like they're both more on the reserved side, they try to take things seriously even if no one around them do, they can resort to threat of violence to motivate people while actually they care too much to really carry through with it, they're both surrounded by groups who tend to want them to loosen it up, they both tend to lecture people over what should be done, reminding them of their duty and everything....

so they do have a lot in common. I would say on the difference is that Sakyo is much more likely to actually get angry (Lu Woh, despite threatening to be, tends to be pretty lowkey), and Sakyo also doesn't hesitate to be soft when the time is right (Lu Woh, so far, has kept the Tsundere energy through everything). Sakyo is also more passionate in general i'd say, he's more in contact with his own feelings and shortcomings than Lu Woh.

So they are pretty similar i'd say, not fully obviously, especially due to the fantasy vs down-to-earth distinctions of their arcs, but they do have major draws in common here and there.

now whether it means you want to dig your teeth into him and bite him like a chew toy........ i do know people who would do that to him.

just don't hesitate i guess?

[marsixm]

i know part of what was holding me back was ocd but man i want LOTS of tats so bad i feel like the only reason i ever thought i didnt was bc i fucking hate the way sleeves look

[fingertipsmp3]

Signing up to a perfume sample service is all well and good until you get one that smells absolutely incredible, that smells exactly how you want to smell every day for the rest of your life, and the full size bottle is fucking £90

[toychest321]

I cannot stress enough that this might be the most important doll I've posted about.

Meet Jafra, the Palestinian fashion doll.

Information on her took a bit of digging, but as far as I can tell she debuted in either December 2015 or January 2016. She was initially available for purchase through her website, and after a year began to be (and still is as) sold at Hamleys in Jordan, UAE, Dubai, and Abu Dhabi. In 2021 the Palestine Museum began selling her for $49.99 each, and is now completely sold out.

Each doll wears a detailed thobe, the longer one in front for their bridal collection. The thobe is a traditional Palestinian dress with tatreez (embroidery) which uses color to indicate what region the wearer is from. During the First Intifada in the 80s, it became a symbol of resistance against Israeli Apartheid, and of Palestinians' connection to their land. (Credit to Handmade Palestine and @nickysfacts for this information)

As far as I can tell based on discrepancy in stock photos, the dolls with embroidered thobes were considered collectors items with a higher price. Meanwhile the details might have been printed for playline/budget releases, likely to lower the price for better availability.

Jafra's dream is to "empower all the beautiful girls from the Middle East". She lives away from her homeland, but hopes to design and build her own house in Palestine. She grows Chamomile and Thyme in her garden, studies architectural design in college, and always tries to volunteer and help others. Her thobe binds her to her home country, passed down from her ancestors.

"Jafra is beyond a doll... beyond an idea. It's a deep-rooted tradition mixed with history and memories"

I hope I have made it abundantly clear that I do and always will support Palestine, and encourage anyone who considers this genocide a "war against Hamas" to unfollow and block me immediately. You have been given every opportunity to educate yourself and sympathize with the innocent Palestinians suffering at the hands of Israel, and your ignorance does not deserve a listening ear over them.

To my followers, I implore you to do your daily click. Contact your representatives. Attend protests. Donate or buy an e-sim if you can. We need to let our government know we are not going to fucking stand for this, and support Palestinians however remotely possible.

A ceasefire WILL be reached. Palestine WILL be free. No matter what actions Israel and its disgusting supporters commit Palestine WILL NEVER DIE.

Ramadan Kareem, and Free Palestine.

[orobeori]

Just started watching the Netflix ATLA live action (currently on the third ep!) and I especially love the lil hat Iroh got to wear, decided to draw them with the og art designs :]]

Also really loved the scene with the woman who defends Aang by scolding Zuko mid-fight 😭 She’s the realest auntie

I just try to imagine the whole live action as a super high budget ATLA au. My sister does a better job at it though lmao. BUT it is entertaining! The dialogue is so funny sometimes with how odd it sounds, and Aang’s actor is so adorable.

My thoughts are blasting at random so do bear with me. While watching I was telling my sister that it’s a fun live action but as much as I try not to compare it too much to the og show, I just don’t enjoy live actions very much in general. I will admit that “real gritty dark” live actions do tend to attract more people, so if anything I’m glad that at least it will invite people to the wonderful story that is ATLA, and maybe even get them to watch the original :]

Would love to hear your thoughts though because from what I’m seeing its a very defined 50-50 split between people who loved and it people who absolutely despise it 💀

[libraryofgage]

Been watching sooooo much say yes to the dress so.....

Steve and Robin are consultants and co-designers at Kleinsfeld. Robin especially loves designing and Steve really loves that moment brides find The Dress because they light up and he helped make that happen and it just makes him smile

Enter Eddie Munson, rockstar and definitely not in a relationship but at Kleinsfeld to find a dress he can wear for an upcoming music video that's a little corpse bride vibes re revenge and murder (dead bride raised by necromancer and given opportunity to get revenge on her killer ex)

Eddie shows up with the guys and Steve/Robin are their consultants (they can't be separated bad things happen like Robin knocking over a rack of dresses bc Steve isn't there to pull her back in time) and when Steve (knows who Eddie is, doesn't care that much, they get celebrities all the time) asks who the bride is neither blink at Eddie raising his hand with a shit eating grin

They just go right into the design/style/budget questions and Eddie is almost disappointed he didn't get to cause more of a scene lmao

Anyway Steve is the one helping in the dressing room and he's getting Eddie into this big dramatic ballgown when Eddie asks why he's a consultant

Steve inadvertently just rambles about helping brides and making them feel the center of attention and cared for and special during their appointments. He also talks about designing affordable but fashionable dresses with Robin since he has experience with high fashion and general design and she knows best about keeping costs down without making things ugly

Obviously Eddie Munson is immediately heart eyes listening to this guy describe all of this while expertly lacing a ballgown corset and getting clips in place so it fits right and before he knows it Steve is leading him to where Robin and the band are waiting

The guys are immediately all giving Looks (derogatory) but can't describe what's wrong until Robin looks at Eddie and asks if he's adverse to negative feedback

Eddie is like "???? No, I guess???"

And is just even more confused when Robin goes, "No. Really, think about it."

So when he says it's fine Robin pushes Steve forward and tells him to let loose. Eddie is surprised cuz Steve is so sweet? How could he possibly be mean? And then Steve just holds nothing back like "the color washes you out, that beading makes your chest look uneven, the ballgown is actually a horrible silhouette on you because you just look uncomfortable having so much dress hanging off you"

And he says it all with this little popped out hip and slightly pursed mouth and raised eyebrow and it's so so bitchy and Eddie is fucking in love okay, he's gone, he needs to make fun of other people with Steve immediately

But also he's a gremlin so he's like "can a guy even look good in a wedding dress tho, like, does it matter?"

And Robin immediately jumps in like "of course it does you plebian especially if you want the music video to be any good"

This leads to Eddie and the guys not believing them so Robin and Steve share A Look and they do love proving people wrong so they're both like "bet" and tell Eddie to wait there

Cue them grabbing a sample dress (click to see what I'm thinking literally this is such a pretty dress holy shit) from their collection, putting Steve in it, and then showing it off

Eddie is dead. Immediately. Steve's arms? His legs? His chest? His confident little smirk as he spins in front of them?? 4 braincells dead and 28 injured in Eddie’s head

Anyway he literally ends up on his knees begging Steve to be in the music video, Steve agrees cuz he thinks Eddie is hot and funny, and CC fans lose their shit over the bride and his dress in the music video, especially when he and Eddie kiss at the end after the revenge murdering

[blogtumble]

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[thesiltverses]

A very big thank you

I posted this on Patreon, but really wanted to share it here as well:

Post-show life begins

For a long while now I’ve been getting up at 4.30 or 5am, grabbing myself the first coffee of four, and then coming to sit at my desk.

I open up the assembly cut of the newest TSV episode.

I listen to it, I try and pin down which scenes I need to be going back over today. I try and push through the entire morning without a break because when the momentum stalls, that’s what kills your release schedule. (I also worry endlessly about just how much of my hair is falling out, and how spending 12 hours a day wearing headphones could be contributing to that.)

Today was different. I still woke up early - it’s a hard habit to shake off, and probably a useful one going forward. But I didn’t go to my desk, and I didn’t put my headphones on.

I went to the rocking chair we bought for our son when he comes, and I sat there - gently swaying and trying not to spill my coffee all over it, because for some reason it’s fucking beige - and looked out over the city skyline. 

I slugged back my coffee surrounded by all the stuff we’ve panic-bought for the baby, and I got to take all of it in - washcloths and the changing table and romper suits - with a sudden focus and a clarity and a rising excitement that I really hadn’t allowed myself to feel until today, because until today the work was still unfinished and there was still much left to be done.

All at once I felt very free, and fully sated, and happy and proud for everything that’s coming next.

There’s so much to feel grateful for from the past three years of working on this show. But what’s probably going to sit with me the most is being able to arrive at that moment and those feelings today, - and we have all of you incredible people to thank for that.

Not just in terms of listenership or financial support, although that’s been truly invaluable and a lifeline for us that’s enabled us to actually make the show - but also your enthusiasm, your passion, your jokes and comments and everything that’s helped to keep us motivated and working on it.

So - with as much feeling as words can convey, thank you so, so much for everything.

What’s coming next, in rough order

#1: Parentdom is going to take over our lives for a while! I also want to write the final Patreon episode commentaries in the next few days, while I have the time and the clear memories. #2: The next thing we’ll organise will be the post-season Q&A (we’d also like to do some kind of off-camera cast party if we can make schedules work, just to say thank you to our amazing VAs and celebrate with them). Please do ask us questions! #3: We have long-unfinished commitments to the Patreon which I need to complete: the last two episodes of So Long, Good Luck, and rounding off Sid Wright’s story. As ever, huge thank-yous for your patience with these; they’ve just been impossible to polish off while also working on the main show so much. #4: Something I’ve been thinking about for a long time is the possibility of going back to Season 1 and redesigning it from scratch to try and bring it closer in style to S2 and S3. We have the raw audio files - some of the mic quality will just be rough no matter what, but we can certainly try.  This is something I want to be conscientious and careful about; I very much want to respect the sound design work that’s already taken place, and ensure we’re not overriding anything. But I do know that the initial quality still sometimes puts new listeners off; we were learning a lot about direction and mastering from scratch, and our designers were working with limited budget and a total lack of plugins, so there’s simply a lot more we can achieve now. (This would also be a good opportunity for me to finally rework the transcripts, another fallen hurdle). #5: A few months back, we were contacted by a literary agent in NYC who was interested in us adapting the show into a series of novels. There’s a long road ahead to actually get published, but I'm thrilled to say that I have signed with them and I’m really excited to hopefully start work on the first book once I’ve settled into dad-dom. I’ll need to check what’s possible, but if it doesn’t interfere with any contract condition I’d obviously love to share excerpts on here as it’s written. #6: Then there’ll also be another larger audiodrama project - we’ve spoken about the different possibilities before! Excited to get started on our final choice.

Just one last word about endings

God, endings are scary. Because endings are impossible.

How many serialised stories actually end in a way that’s received unequivocally well?  People yelled at The Sopranos for its ambiguity and open-endedness. People criticised Breaking Bad for treating Walt too sympathetically at the end and relying on a generic mob of snarling Nazis to act as his final foe.

Endings are either too pat and neat, or too inconclusive to be satisfying, or too surreal and dreamlike, or they simply make what feels like the wrong choices for the characters we care about. We’re all caught in that barbed wire, creators and audience alike, weighed down by the baggage of what’s come before and we've already spent so much time anticipating the infinite possibilities of how it could all turn out - it’s like we can’t get free of the story that’s trying to end. 

And the beautiful thing about these longform, iterative works is that they insist upon becoming completely ungovernable. No matter how much of a planner the creator claims to be, how much prepwork they carry out - they were never really in control. There’s spontaneity and surprises and dead ends and beautiful distractions that come spilling out along the way (I was baffled and delighted to learn that people really - at the end of the show, with such limited time to spare - wanted to find out what had happened to Eddie*). 

So they can’t end. Not really. There’s too much wonderful mess in them to ever be reasonably disentangled.

And, of course, for every ending people remember with frustration or dissatisfaction, there’s another hundred endings that nobody remembers at all, because we lost our enthusiasm along the way and it feels better to keep going back to the start and avoiding the slow decline. (Who the fuck remembers how the umpteenth X-Files reboot ended? What increasingly tired post-modern antics was Alan Moore getting up to in the final League of Extraordinary Gentlemen books?). I really just didn’t want the show to end up in that latter category.

All of that probably sounds like I’m warding off criticism about the show's ending, but for me it’s actually been the opposite. 

For an ending which is all about narrative dissatisfaction, and failed potential and missed opportunities, and how we need to come to terms with the lack of existential fairness and certainty and narrative control in our lives and keep ploughing forward all the same for as long as we possibly can, I’m massively stunned at just how positive the reception has been on here and elsewhere, and that’s something I’m actively having to process, because I think I was fearfully anticipating much more pushback.

But, look - the Eskew finale was originally quite poorly-received and then people came back around to it over time. So I’m not going to pat myself on the back too hard, because maybe it’ll ultimately be the opposite with this show, and that’s OK. For 200 years everyone was convinced King Lear was improved by having everyone survive at the end and get married. Endings take time to settle into their final condition.

For now, I am incredibly relieved that the ending we chose seems to have landed for most people, and I’m incredibly grateful for the lovely messages we’ve got about it and for the trust in us that you’ve all shown throughout the story.

So, yeah, let’s end with another thank you, because that’s what I feel so deeply and so forcefully at this point.

Thank you so much again, and speak soon.

Jon

*My take? We’ve established that the guy is in some kind of blue-collar job and has been pushed into constant overtime due to the reduced workforce. We’ve seen that the so-called ‘national holiday’ doesn’t actually rescue workers from their commitments. So I personally imagine that Eddie was working during the parade somewhere on the city outskirts, and is alive and well.