#Defy All Limits

[torteen]

This advertisement is for Infinity Alchemist, a dark academia fantasy about a quest that leads three young alchemists toward dangerous truth, legendary love, and extraordinary power from the bestselling and award-winning author of Felix Ever After, Kacen Callender.

The art featured in this image is by Chris Sack. 

WHAT’S IT ABOUT

Defy All Limits.

For Ash Woods, practicing alchemy is a crime. Only an elite few are legally permitted to study the science of magic—so when Ash is rejected by Lancaster College of Alchemic Science, he takes a job as the school’s groundskeeper instead, forced to learn alchemy in secret. When he’s discovered by the condescending and brilliant apprentice Ramsay Thorne, Ash is sure he's about to be arrested—but instead of calling the reds, Ramsay surprises Ash by making him an offer: Ramsay will keep Ash's secret if he helps her find the legendary Book of Source, a sacred text that gives its reader extraordinary power. As Ash and Ramsay work together and their feelings for each other grow, Ash discovers their mission is more dangerous than he imagined, pitting them against influential and powerful alchemists—Ash’s estranged father included. Ash’s journey takes him through the cities and wilds across New Anglia, forcing him to discover his own definition of true power and how far he and other alchemists will go to seize it.

[energeticpoltergeist]

FE Secret Santa (10/10)

Robin(male) for @silversongmsp

My final submission of the year for the @feshippingpolls secret santa event

[mizumuu]

>Laughs Out Loud

I thought that piece was just about people focusing too hard on labelling Mizuki instead of letting them be themselves like they ask, not that it was transphobia ._ .

its ok to have ur own interpretation of that piece but its very clear to me that that wasnt ame's intention

[sableprince]

i really want to sit down and make a proper Real lore doc for these goobers and not just the paragraphs of shtuff from whatever-ago, but like....... (buries myself underneath the dirt) lazy!!!!!!!

[weaponsdrawn]

I gen can't go to sleep I'm losing my shit over this comic in the best way imaginable thank you Toontown wiki for having all the storyline Twitter comics now I'm losing my mind why is this actually kind of adorable in that way that two nuclear bombs holding hands and spinning and frolicking off into the sunset is adorable this shit is making me go insane I hope they both explode

[yuelun]

As I'm finally writing more, I needed to just note how much I love Guizhong of Liyue, again.

I cannot describe how much it thrills me to my very core to write a character that is so otherworldly and divine, but is so absolutely humanly curious about seriously everything and honestly, even the little, trivial things that one would think don't matter. And it's the latter that gives me such serotonin to write, to witness in these mental images in my head.

[variousqueerthings]

I'm interested in the fact that many of the cultural genders that historically have allowed a crossing from man-to-woman or woman-to-man, have still maintained boundaries on what the actions of man and woman are (that is, a woman-to-man goes through the actions of manhood as dictated within x culture, and vice versa), which includes modern-day-terminology heterosexuality

want to do a deep dive at some point into

genders that exist outside of or in conversation with man-or-woman (so perhaps fluid or situational, as well as full-time something else)

genders that exist alongside something we may call homo- or bisexuality

[freefallintothevoid]

Dick Grayson's unmatched success as a child vigilante makes a lot more sense when you remember the Court of Owls was a thing and that Dick was meant to be the next Grey Son.

There is no way that someone at Haly's Circus wasn't there keeping an eye on him while he grew up. A future weapon needs to be trained and monitored after all, and a circus, a place where weird skills are completely normal, is actually a great place to secretly train a child.

You know, just some knife tricks that translated really well into actual fighting. How to get out of restraints and pick locks while under a time limit. Death defying acrobatic stunts that coincidentally do wonders for parkouring. That sort of thing. Nothing that seems out of place for a boy growing up around circus performers to learn, but would literally any where else.

I mean, while I fully believe that most kids would want to kill the man responsible for their parents deaths, Dick was weirdly prepared to go through it. He tracked down Zucco with way more ease than any normal child should have too. He became the first child vigilante, for goodness sake. The first Robin! He only started getting formal training after he basically forced Bruce into it!

Bruce himself has no idea that this kind of competency in a child is unusual, considering he was much too blinded by the similarities between his and Dick's tragic orphanhoods.

Alfred is in a similar boat because he’s desensitized to weird children after he somehow managed to successfully raise Bruce 'The Batman' Wayne, so he doesn't clock the hyper-competency as abnormal either.

By the time the other batkids start popping up (Jason 'The Audacity' Todd, borderline-street rat with no fear) (Tim 'the greatest stalker in Gotham history' Drake, child genius, also bullied his way into becoming Robin) (Barbara 'raised by the only uncorrupt cop in gotham' Gordon) (Stephanie 'daddy issues and spite' Brown) (Duke 'Pretends he's the normal one and people believe him' Thomas) it's too late.

It would also explain how Dick got along so well with Damian out of all of them. Similar childhood with different approaches and all that. On some subconscious level, Dick recognises and resonates with the murderous ten year old assassin with strong familial ties to a secret elite assassin organization.

It isn't until after the whole Court of Owls and Grey Son reveal that suddenly Dick realises a whole lot of things about his childhood that suddenly make a lot more sense.

[torteen]

This advertisement is for Infinity Alchemist, a dark academia fantasy about a quest that leads three young alchemists toward dangerous truth, legendary love, and extraordinary power from the bestselling and award-winning author of Felix Ever After, Kacen Callender.

The art featured in this image is by Chris Sack. 

WHAT’S IT ABOUT

“Magic was once thought to only be gifted to the unique or special, the chosen ones. Now it was commonly known that every single person in the world had the capability to become an alchemist.”

For Ash Woods, practicing alchemy is a crime. Only an elite few are legally permitted to study the science of magic—so when Ash is rejected by Lancaster College of Alchemic Science, he takes a job as the school’s groundskeeper instead, forced to learn alchemy in secret. When he’s discovered by the condescending and brilliant apprentice Ramsay Thorne, Ash is sure he's about to be arrested—but instead of calling the reds, Ramsay surprises Ash by making him an offer: Ramsay will keep Ash's secret if he helps her find the legendary Book of Source, a sacred text that gives its reader extraordinary power. As Ash and Ramsay work together and their feelings for each other grow, Ash discovers their mission is more dangerous than he imagined, pitting them against influential and powerful alchemists—Ash’s estranged father included. Ash’s journey takes him through the cities and wilds across New Anglia, forcing him to discover his own definition of true power and how far he and other alchemists will go to seize it.

[rugessnome]

Jedi/most people:

Me: no, give me an ε of good and I will find a Koom Valley CaCO3 dejarik stalagmite of a Δ in him with which to get it

[bitegore]

I'd imagine it has something to do with the differences involved in learning in a peer-to-peer space vs subordinate-from-authority space, particularly in terms of what is transformed and what is left unchanged. Because of how thoroughly children are treated as subordinate by anyone who isn't around their age or younger, learning basically anything from anyone who isn't a child carries a particular weight to it that things learned from peers doesn't. It makes sense to make the distinction to me.

Also concepts of what is "appropriate for children" as seen by adults vs what is appropriate for children as seen by themselves vary widely - most adults will not teach a child to play Mercy or the arm burn games or anything, but a good handful of kids looooove playing torture games and will go out of their way to teach them to everyone around them. Likewise, when I was young, my friends and I loved to compete to jump off the highest structures, and my dad - who had done similar and was known for climbing buildings up to third- and fourth-story floors, which he would tell me and my siblings about occasionally - would work OVERTIME to discourage us from doing the same, because as far as he was concerned, we were too young to be doing that sort of thing, even though at my then-age he was, obviously, doing it just as much himself. And now that I am an adult... well, if I saw a seven-year-old climbing onto a roof and excitedly going "Guys, watch this, I'm going to jump off!" I'd be lining up to tel them to stop TOO! The childlore of "climbing onto tall structures and jumping off"-games would be filtered through a lens of appropriate behavior as seen by an adult and not reflect a child's perspective on the subject, if you follow me?

Haunted and excited by this being a field of study

[sapphicslut777]

Never perform a death defying act

And I won't fall

I am brave, I can save the very small

I am everything

But I'm nothing at all

You compare my light to the sky

Why do you try to make me

Better than the divine?

It isn't the same

Don't give it a name

Let me remain

Let me remain

I'm everything I've ever been

I'm everything I've ever seen

I'm everything that slowly falls

I'm everything and I'm nothing at all

I will perform a death-defying miracle

For someone with the chemicals to believe

I am brave, but I've gravely understated

I can't save you from what you've taken and leave

You compare our love to the sun

What have you done?

There's a limit to the prizes we've won

It isn't the same

Don't give it a name

Let me remain

Let me remain

I am everything I have ever been

I am everything I've ever seen

I'm everything that slowly falls

I'm everything and I'm nothing at all

I'm nothing at all

I will perform a death-defying magic show

For those of you that want to go someplace else

I'm brave, but I can't save you

From the things you won't change for yourself

You compare my light to the moon

What are you doing?

What are you doing?

It isn't the same

Don't give it a name

Let me remain

Let me remain

I am everything I have ever been

I am everything I have ever seen

I am everything that slowly falls

I am everything and I am nothing at all

I am nothing at all

[firefistjaigio]

I wish I could show those dumbass one piece fans who think luffy operates on a basis that if someone like kaido asked for his help then he would join him, LIKE NO HE WOULDN'T

[psychotrenny]

The thing with 9/11 is that no one cares that much about the death and destruction itself. Buildings fall down and people die all the time, including in the US. Like at the height of the COVID-19 pandemic you had entire 9/11s worth of USamericans dying on a regular basis. If all that damage was caused by an earthquake or faulty building practices or whatever, there wouldn't have been nearly as much fuss about it. It's not as if the insane response from US population was a matter of "two building fall down"

The reason why 9/11 was so upsetting to the US population was their widespread feelings of Imperialist Chauvinism and the subsequent outrage at seeing it so openly and violently defied. The US was at the height of its Imperialist power at the turn of the millennium, a hegemonic superpower that was dominant in some way over more or less the entire world. Whether they'd phrase it in such a way or not, most people in the US were very well aware of this; as far as they were concerned the US was truly the greatest country on the Earth. For some this was a point of pride, for others it was a simple fact of the world. This made them feel secure; bombings and mass killings might happen in those "shithole nations" of the earth but it couldn't happen over there. The US military could wipe entire cities off the map and like maybe that was good, maybe that was unfortunate and maybe it meant nothing at all. Either way that was normal; the violence flowed from the Core to the Periphery.

Until one day it didn't. One day a group of people from that Periphery, from some shithole group of nations, struck back. Now the sorts of destruction they'd seen on TV were happening right outside their window; the US got the smallest taste of the sort of brutality they had long inflicted on the rest of the world. And they did not like that taste at all. The US people as a whole went mad with grief and rage, not at the death of any people but the death of their sense of unquestionable safety and superiority. And the only hope of getting that feeling back was to inflict a revenge so terrible that no one would dare resist or retaliate again.

If bloodshed was how they'd built their empire, only more bloodshed could keep it safe. And this time they didn't even have to feel bad about it. It's not as if the US empire had ever given the world any peace, but now they had the perfect pretense to escalate it to levels not seen in decades. If they talked about this isolated and comparatively limited attack as though it was some great invasion, the US government and its supporters could take all the moral high ground of "self defence" even as they slaughtered impoverished peoples on the other side of the world. So it made sense to treat the 11 September attacks as though they were the greatest tragedy of all time. 9/11 didn't break the US psyche, it just made them express it in a more shameless way. It's not as though genocidal Imperialist violence was anything new to the USA. Afghans were just the new Apaches; the "Middle East" a new "Wild West"

[seresinhangmanjake]

Don't Touch What’s His

Feyd-Rautha Harkonnen x reader

Summary: Feyd's harpies attack you while you're both asleep in his bed and he gets real mad.

Notes/Warnings: mention of blood and mutilation, inflicted wounds, and possessiveness. Related to the fic titled His, but this can be read alone. Typos (just being real)

Words: 1100

Feyd-Rautha Masterlist

You’re screaming for him before you’re even fully awake, shrieking his name before you can begin to grasp what’s happening to you. All you know is that you’re no longer warm, no longer safe as you’re yanked from his arms and dragged to the bottom edge of the bed. Claws are digging into your calf as primal grumbles and growls and the distinct sound of lips smacking in anticipation reach your ears. Your body is being pulled further and further away, and no pawing at the sheets helps to keep you on the mattress.

Another plea for him is on the tip of your tongue, but then a hand wraps around your arm, engaging in a tug-of-war with whatever monster has a hold on you. Scrapes make lines down your leg as you dig your heels into the bed and back yourself away from the clawed being. You take a few deep breaths and blink, your eyes adjusting to the darkness.

“I told you she’s off limits!” Feyd shouts in a terrifying tone. A tone most commonly reserved for those who inconvenience him: servants and prisoners and his brother. It’s not his low timbre; it’s much more powerful. So powerful that you half-expect a crack to split open the floor.

You blink again and crane your neck to peer over the foot of the bed at who he scolds. Feyd’s harpies are on their hands and knees, staring a hole into your head. It’s a daring choice. When Feyd speaks, those around must be attentive with eyes and ears, but the harpies don’t so much as glance in his direction. They’re here for you, they want you, and clearly nothing else.

“But she looks so yummy,” one of them says, a pout forming on her lips.

“And she smells even better,” the second adds. Her tongue swipes over a sharpened fang.

All three of them begin to crawl across the floor until they’re at your side of the bed. Feyd’s fingers tighten around your arm, his eyes narrowing, and you lean back against his chest just in case they get the idea to lunge at you.

“We won’t eat very much of her,” the third purrs as her hand slithers over the silky sheets, inching toward your body. “Just a few little bites. Plenty left over for our lord na-baron to enjoy.”

When her pointed nails graze your ankle, Feyd leans around you, grabs her wrist, and sharply twists until there's a snap. She yelps. Your body jolts. Tears build in the corners of her eyes. Your jaw drops.

Immediately, they appear to sober up. Their hunger, if still there, doesn’t lust for you so intensely now that fear has taken over.

“You will not sink your filthy fangs into her,” Feyd spits, baring his teeth. “She’s mine. Her flesh, her blood, all of her—mine.” The other two harpies shrink and skitter away from their injured sister. “If I wanted to share, I would have.”

Feyd releases his harpy. She cradles her broken wrist, whimpers emitting from her throat as she scoots back to join the others. They feel safer in a pack. Though you don’t think that will aid them in this case.

“W-We just thought she wouldn’t matter to you,” one of them mutters, her chin tucked to her chest. “We thought you could find another plaything.”

Feyd’s face darkens. The icy blue of his glare wavers under the force of a burning red. As he moves to stand, he jerks you to his side of the bed, separating you from the beastly women by a few more feet.

“What did you just say to me?” he grits out, rounding the mattress and stopping in front of them.

The harpies glance at each other in panic before looking back at their master. “W-We didn't mean–”

“It appears I’ve treated you too well,” he says decisively. “If you’re bold enough to defy my orders, then perhaps you need to be reminded of your place.”

You gulp. You’ve heard that tone. You’ve heard those words. But you have a feeling Feyd’s threats toward his harpies are not as empty as the ones he throws at you, and it makes your stomach squeeze.

Your presence in Giedi Prime’s fortress being the indirect cause of their harm is nothing less than unjust. It’s not their fault their master brought fresh meat home. They cannot control what they are, and Feyd routinely encourages their behavior, excluding only you from the list of bodies they are allowed to feast upon. If anything, this is his fault.

“Get up!” he shouts, and they scramble to their feet.

You rise up on your knees as he turns and yanks open the bedroom door. “Feyd, wait, you don’t have to–”

“Stay!” he snaps, pointing a finger at you.

Your mouth snaps shut and you sit, watching as his harpies obediently follow him out the door. Within the minute, you hear the screams and squeals of pain, and you wince, pressing your hands over your ears.

You don’t know how long you stay in that position. It’s Feyd’s touch that jolts you back into the present.

You look up.

Red is speckled across his torso. You feel a slickness on your face from where he is cupping your cheek, and when he pulls his hand away, you notice the rivers of blood running through the spaces between his fingers.

Without a word, Feyd pushes you down onto the bed, rearranges the covers so they drape appropriately across your body, and crawls under the sheets to settle in beside you.

“What did you do to them?” you ask.

His eyes are already closed by the time the question fully leaves your lips. He blows out a heavy breath through his nose and turns on his side to wrap his arm around your waist. “Removed a few fingers,” he says. “Now go back to sleep.”

“But–”

“Go. To. Sleep,” he grumbles in demand. “Unless you’d rather I change my mind and toss you into their feeding pit…”

It's one of those empty threats, but you don’t press him further. Not for tonight. Tonight he is tired and grumpy and nothing about you pushing him will do you any good. So instead, you allow him to do as he wants. And what he wants is to tuck your head under his chin, eliminate all space between you, and hold you in a grip that is just short of suffocating.

[sirfrogsworth]

Smartphone cameras are NOT getting worse. (See below for phone photography tips)

I've now seen 3 pro photographers reviewing the iPhone 16 and complaining the cameras are "worse" and blaming Apple for not including revolutionary new camera technology.

And I suppose this is partly Apple's fault. Their marketing and hype machine always goes overboard. But also, that's just how marketing works. Samsung has a "200 megapixel" sensor and Sony has a "Zeiss" lens. And I think it is unrealistic to expect smartphone companies to say "This product has entered the iterative phase and each new model will only be marginally improved over the last one."

Smartphones (from any brand) have become an appliance. You don't buy a new model of microwave every year. And you don't expect every new model of microwave to have new revolutionary technology. And that is pretty much the expectation you should have with most computer hardware from here on out.

And in some ways, that is a good thing. That means the design of the phone has pretty much been perfected and it will last you a long time if you take care of it. You will not be left behind and your phone will be able to handle any new software for most of its lifespan.

So, is Apple getting lazy or is there a reason their hardware is stagnating?

It seems that neither money nor marketing can change the laws of physics.

They cannot make transistors much smaller. Phones and computers are about as fast as current hardware designs can make them (unless there is a shocking scientific breakthrough). From here on out, heavy compute tasks that are beyond your phone or computer will be done in the cloud on giant computer clusters. Thankfully computers and phones seem to be plenty fast for the majority of tasks we ask of them.

I remember Katrina telling me her new computer didn't seem any faster. And I explained the computing tasks she does regularly were not really affected by the increased power and speed of her new computer. If something took 0.1 seconds before and now it takes 0.05 seconds, that is twice as fast. An increase in speed that looks fantastic in advertisements. But it is hard for our brains to perceive. She just didn't do anything on her computer that took it long enough for her to notice. But having a faster and more powerful computer/phone will increase its lifespan and resale value, so it is still prudent to get the best things you can afford at time of purchase.

And I'm afraid smartphone cameras are hitting their own hardware limitations. They can't make the sensors much larger to get better depth of field and low light performance. And cramming in more megapixels doesn't actually add much more detail, if any.

It's physics.

Again.

You cannot get any more performance out of a small plastic lens. Why do you think pro photographers haul around 10 pound lenses still?

There is a formula for detail that never seems to be explained in any camera marketing.

Here is the simplified version...

Detail = Sensor x Lens

Let's say 1 is perfection. You have a sensor that performs at 0.5 and a lens that performs at 0.2.

The total detail will be 0.1.

But in the new model you increase the performance of the sensor to 0.8. WOW! That's so close to 1!

The total detail will be... 0.16.

Now let's imagine we've discovered a magic, physics-defying tiny plastic lens that performs at 0.8 as well.

The total detail jumps to 0.64!

But we all get sucked into a wormhole because we violated the laws of the universe.

Even if you were to design a near perfect (perfect is impossible) sensor that scores 0.99.

Without that magic plastic lens... 0.198

This is why I put Samsung's "200 megapixel" sensors in quotes. Because when paired with the same tiny plastic lens, there isn't much improvement. And that's why a 12 megapixel DSLR from 10 years ago with a giant honking lens can still capture more detail.

Most of the quality from smartphone cameras comes from the computational software processing. Phones actually take many photos at once and combine them to get you a decent image.

While that is still improving a little bit each generation, those improvements are stagnating as well. Until image processing can do a better job of inventing more detail realistically, smartphones are going to have to obey the laws of physics.

So... why are photographers saying the iPhone cameras are worse?

First, the ultra wide angle lens looks softer in low light.

And if you zoom between 1x and 5x, the images look less detailed.

But neither of those things make the cameras *worse*. In fact, the cameras are better for the most part. It's just that Apple decided to compromise on one aspect to improve another. Probably due to market research telling them most people prioritize certain things over others when taking photos.

They increased the resolution of the ultra wide angle sensor to match the detail of the main sensor, but that seems to have lowered the low light performance of the ultra wide. So in good light, you will see an improvement in sharpness. But they could not increase the sensor size to compensate and smaller pixels can have trouble with dim conditions. They probably discovered that people mostly use that lens in good light and they would appreciate the bump in detail more.

But pro photographers often photograph in more challenging lighting conditions because you can capture a more artistic shot. I don't think I could have gotten this shot on a smartphone.

But photo normies are just taking pics of their kids doing weird kid shit.

They aren't really trying to push the limits of their ultra wide angle lenses.

And they increased the zoom of the telephoto lens to 5x from 3x because most people never used the 3x. So images at 5x look great now, but unfortunately if you use anything between 1x and 5x, your image will be *digitally* zoomed. Which is never as good as optical zoom. They basically crop the photo, zoom in, and add sharpening.

So they prioritized people having longer reach and more zoom at the expense of that middle zoom range. Every camera system makes tradeoffs and compromises.

And I hate that I always feel like I am defending Apple, because they do have misleading and dishonest marketing regarding a lot of aspects of their tech. But hating on Apple gets more clicks so content creators also make misleading and dishonest claims.

And so we are just surrounded in a circle of hyperbole from all sides.

Now, if you know these limitations, you can change your approach to photographing stuff to keep them from being an issue. You can reap the benefits without dealing with the new compromises.

Here are some tips to help owners of the new iPhone, but also everyone else too.

Smartphone Photography Tips

Whenever possible, try to use the main 1x camera at only 1x zoom. This has the largest sensor with the most detail and works best in the lowest light. Only use the ultra wide or telephoto if you cannot get the photo otherwise. If you aren't sure you have enough light for ultra wide, take the photo, and then as a safety, take two photos with the main camera side by side and stitch them later with a pano app.

"Zoom with your feet" and don't use "in-between" zooms. Let's say your lenses do 0.5x, 1x, and 5x zoom. Even though you have the option to use other zooms, like 2x or 3x, that is going to compromise your picture quality. It is essentially going to crop your photo and enlarge it, which causes a loss of detail. If fact, if you use 4.5x instead of 5x, your picture will probably look like trash. You are always going to get better results if you can move closer or step back so that you are using the native focal length of your chosen lens. For example, let's say you are taking a photo and you judge the best framing to be at 4x. But you still have 10 feet of space behind you. If you back up and then zoom in to 5x, the phone will switch to that lens and you will get a much clearer picture.

Rule of thumb...

1 to 3x... try to move closer.

4 to 5x... try to move back.

If you hit a wall and end up at 4.5x, you might see if you have a panorama mode and try that instead. Switch to your 5x and do the pano. Or you can take two photos and then stitch them together with software later on. (Stitching panos with an app later will give better quality than pano mode, especially in low light.)

Low light needs stability. Get some sort of stabilizing device for low light photos. Either a phone case that lets you stand up the phone on its own or a mini tripod.

This thing folds to the size of a credit card.

Your phone will detect when it is stable and not being handheld. It will then automatically extend its shutter speed allowing it to drink in more light and give you a better picture.

Tripods are photography magic and will improve your low light photos quite a bit. Motion blur of moving subjects can still be an issue, but photos of a cityscape or landscape will look great.

For selfies, shoot a little bit wide and then crop in. This goes a little contrary to my earlier advice saying cropping lowers detail, but this is specifically for shooting a face. The 0.5x and 1x lenses on smartphone cameras are fairly wide angle. This can cause unflattering proportions with human faces. Wide angle lenses exaggerate distance. Near things look very near and far things look very far. To a wide angle lens, the tip of your nose looks like it is super close but your ears seem like they are a mile away. And that's why you may look a bit "alien" in your selfies.

People's natural instinct is to "fill the frame" with a face. The outer edges of a wide angle lens are more distorted than the very center. So try to keep faces away from the edges of the frame.

And one other trick you can do for selfies and pictures of faces is step back a few feet. Sometimes this is hard, especially with selfies, as your arm is only so long... but if you can take your face photos from just a little bit farther back, you will almost entirely eliminate unflattering distortion. In some cases, just stretching out your arm as far as it will go is enough.

Then you just crop the image with the framing you originally wanted, and your facial proportions will look great.

An example...

Here the distortion is bad because I am not in the center and the lens is too close to my face. The lens thinks my nose is really close and my ears are in Canada.

But when the lens is farther back the edge distortion is less prevalent and my nose and ears (relative to the lens) seem roughly the same distance away. So my proportions look great, but I don't quite have the framing I want.

But with a little cropping...

For social media there is still plenty of resolution to crop in. Cropping isn't bad, it's just always better to use it as a last resort or in a special circumstance like this. I get roughly the same framing as in my wide angle shot, but I don't look like I'm behind a door's peephole trying to sell you the Good News.

I wish they made a "mini" selfie stick that only extended a foot or so. With the main camera that is usually all people need to undo any wide angle issues. I have one of those mini tripods and that works well, but there is no activation button so I have to do a timer. Mirrors work great to help you get some selfie distance.

In any case, all cameras have limitations and compromises. Clickbait titles saying something is WORSE THAN THE OLD ONE are frustrating and wrong.

And people upgrading phones every year are silly. All current name brand smartphones have promised at least 5 years of software updates. I think Google and Samsung are offering 7 years on some models. And Apple has always just let you use your phone until it literally will not work with new software. Which has worked out to 8 years in some cases (with a battery swap).

Phones are now appliances. For now, hardware will improve 10 to 15% from generation to generation until physics breaks. So if you want a 50% improvement, wait 5 years and you'll think your new phone is awesome. If you upgrade every year, it is going to be difficult to see the change.

I hope to be starting a little course on smartphone photography in the near future. All modern phones are capable of taking amazing pictures. And as long as you understand their limitations you can mitigate or avoid them. And that is what I plan to teach.