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davidmann95 · 4 years ago

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So... Morrison’s 10 part interview on All-Star Superman, along with all other older Newsarama articles, just seem to have ceased to exist. One does not simply live without having those interviews available to reread... Can I find them anywhere else?

Rejoice! I finally borrowed a computer I could put my flash drive into, and emailed myself my copy of the Morrison interview. Here it is below the cut, copied and pasted direct from the source way back when, available again at last:

Three years, 12 issues, Eisners and countless accolades later, All Star Superman is finally finished. The out-of-continuity look at Superman’s struggle with his inevitable death was widely embraced by fans and pros as one of the best stories to feature the Man of Steel, and was a showcase for the talents of the creative team of Grant Morrison, Frank Quitely and Jamie Grant.

Now, Newsarama is proud to present an exclusive look back with Morrison at the series that took Superman to, pun intended, new heights. We had a lot of questions about the series...and Morrison delivered with an in-depth look into the themes, characters and ideas throughout the 12 issues. In fact, there was so much that we’re running this as an unprecedented 10-part series over the next two weeks – sort of an unofficial All Star Superman companion. It’s everything about All Star Superman you ever wanted to know, but were afraid to ask.

And of course there’s plenty of SPOILERS, so back away if you haven’t read the entire series.

Newsarama: Grant, tell us a little about the origin of the project.

Grant Morrison: Some of it has its roots in the DC One Million project from 1999. So much so, that some readers have come to consider this a prequel to DC One Million, which is fine if it shifts a few more copies! I’ve tried to give my own DC books an overarching continuity intended to make them all read as a more coherent body of work when I’m done.

Luthor’s “enlightenment” – when he peaks on super–senses and sees the world as it appears through Superman’s eyes – was an element I’d included in the Superman Now pitch I prepared along with Mark Millar, Tom Peyer and Mark Waid back in 1999. There were one or two of ideas of mine that I wanted to preserve from Superman Now and Luthor’s heart–stopping moment of understanding was a favorite part of the original ending for that story, so I decided to use it again here.

My specific take on Superman’s physicality was inspired by the “shamanic” meeting my JLA editor Dan Raspler and I had in the wee hours of the morning outside the San Diego comic book convention in whenever it was, ‘98 or ‘99.

I’ve told this story in more detail elsewhere but basically, we were trying to figure out how to “reboot” Superman without splitting up his marriage to Lois, which seemed like a cop–out. It was the beginning of the conversations which ultimately led to Superman Now, with Dan and I restlessly pacing around trying to figure out a new way into the character of Superman and coming up short...

Until we looked up to see a guy dressed as Superman crossing the train tracks. Not just any skinny convention guy in an ill–fitting suit, this guy actually looked like Superman. It was too good a moment to let pass, so I ran over to him, told him what we’d been trying to do and asked if he wouldn’t mind indulging us by answering some questions about Superman, which he did...in the persona and voice of Superman!

We talked for an hour and a half and he walked off into the night with his friend (no, it wasn’t Jimmy Olsen, sadly). I sat up the rest of the night, scribbling page after page of Superman notes as the sun came up over the naval yards.

My entire approach to Superman had come from the way that guy had been sitting; so easy, so confident, as if, invulnerable to all physical harm, he could relax completely and be spontaneous and warm. That pose, sitting hunched on the bollard, with one knee up, the cape just hanging there, talking to us seemed to me to be the opposite of the clenched, muscle-bound look the character sometimes sports and that was the key to Superman for me.

I met the same Superman a couple of times afterwards but he wasn’t Superman, just a nice guy dressed as Superman, whose name I didn’t save but who has entered into my own personal mythology (a picture has from that time has survived showing me and Mark Waid posing alongside this guy and a couple of young readers dressed as Superboy and Supergirl – it’s in the “Gallery” section at my website for anybody who can be bothered looking. This is the guy who lit the fuse that led to All Star Superman).

After the 1999 pitch was rejected, I didn’t expect to be doing any further work on Superman but sometime in 2002, while I was going into my last year on New X–Men, Dan DiDio called and asked if I wanted to come back to DC to work on a Superman book with Jim Lee.

Jim was flexing his artistic muscles again to great effect, and he wanted to do 12 issues on Superman to complement the work he was doing with Jeph Loeb on “Batman: Hush.” At the time, I wasn’t able to make my own commitments dovetail with Jim’s availability, but by then I’d become obsessed with the idea of doing a big Superman story and I’d already started working out the details.

Jim, of course, went on to do his 12 Superman issues as “For Tomorrow” with Brian Azzarello, so I found myself looking for an artist for what was rapidly turning into my own Man of Steel magnum opus, and I already knew the book had to be drawn by my friend and collaborator, Frank Quitely.

We were already talking about We3 and Superman seemed like a good meaty project to get our teeth into when that was done. I completely scaled up my expectations of what might be possible once Frank was on board and decided to make this thing as ambitious as possible.

Usually, I prefer to write poppy, throwaway “live performance” type superhero books, but this time, I felt compelled to make something for the ages – a big definitive statement about superheroes and life and all that, not only drawn by my favorite artist but starring the first and greatest superhero of them all.

The fact that it could be a non–continuity recreation made the idea even more attractive and more achievable. I also felt ready for it, in a way I don’t think I would have been in 1999; I finally felt “grown–up” enough to do Superman justice.

I plotted the whole story in 2002 and drew tiny colored sketches for all 12 covers. The entire book was very tightly constructed before we started – except that I’d left the ending open for the inevitable better and more focused ideas I knew would arise as the project grew into its own shape...and I left an empty space for issue 10. That one was intended from the start to be the single issue of the 12–issue run that would condense and amplify the themes of all the others. #10 was set aside to be the one–off story that would sum up anything anyone needed to know about Superman in 22 pages.

Not quite as concise an origin as Superman’s, but that’s how we got started.

NRAMA: When you were devising the series, what challenges did you have in building up this version of the Superman universe?

GM: I couldn’t say there were any particular challenges. It was fun. Nobody was telling me what I could or couldn’t do with the characters. I didn’t have to worry about upsetting continuity or annoying people who care about stuff like that.

I don’t have a lot of old comics, so my knowledge of Superman was based on memory, some tattered “70s books from the remains of my teenage collection, a bunch of DC “Best Of...” reprint editions and two brilliant little handbooks – “Superman in Action Comics” Volumes 1 and 2 – which reprint every single Action Comics cover from 1938 to 1988.

I read various accounts of Superman’s creation and development as a brand. I read every Superman story and watched every Superman movie I could lay my hands on, from the Golden Age to the present day. From the Socialist scrapper Superman of the Depression years, through the Super–Cop of the 40s, the mythic Hyper–Dad of the 50s and 60s, the questioning, liberal Superman of the early 70s, the bland “superhero” of the late 70s, the confident yuppie of the 80s, the over–compensating Chippendale Superman of the 90s etc. I read takes on Superman by Mark Waid, Mark Millar, Geoff Johns, Denny O’Neil, Jeph Loeb, Alan Moore, Paul Dini and Alex Ross, Joe Casey, Steve Seagle, Garth Ennis, Jim Steranko and many others.

I looked at the Fleischer cartoons, the Chris Reeve movies and the animated series, and read Alvin Schwartz’s (he wrote the first ever Bizarro story among many others) fascinating book – “An Unlikely Prophet” – where he talks about his notion of Superman as a tulpa, (a Tibetan word for a living thought form which has an independent existence beyond its creator) and claims he actually met the Man of Steel in the back of a taxi.

I immersed myself in Superman and I tried to find in all of these very diverse approaches the essential “Superman–ness” that powered the engine. I then extracted, purified and refined that essence and drained it into All Star’s tank, recreating characters as my own dream versions, without the baggage of strict continuity.

In the end, I saw Superman not as a superhero or even a science fiction character, but as a story of Everyman. We’re all Superman in our own adventures. We have our own Fortresses of Solitude we retreat to, with our own special collections of valued stuff, our own super–pets, our own “Bottle Cities” that we feel guilty for neglecting. We have our own peers and rivals and bizarre emotional or moral tangles to deal with.

I felt I’d really grasped the concept when I saw him as Everyman, or rather as the dreamself of Everyman. That “S” is the radiant emblem of divinity we reveal when we rip off our stuffy shirts, our social masks, our neuroses, our constructed selves, and become who we truly are.

Batman is obviously much cooler, but that’s because he’s a very energetic and adolescent fantasy character: a handsome billionaire playboy in black leather with a butler at this beck and call, better cars and gadgetry than James Bond, a horde of fetish femme fatales baying around his heels and no boss. That guy’s Superman day and night.

Superman grew up baling hay on a farm. He goes to work, for a boss, in an office. He pines after a hard–working gal. Only when he tears off his shirt does that heroic, ideal inner self come to life. That’s actually a much more adult fantasy than the one Batman’s peddling but it also makes Superman a little harder to sell. He’s much more of a working class superhero, which is why we ended the whole book with the image of a laboring Superman.

He’s Everyman operating on a sci–fi Paul Bunyan scale. His worries and emotional problems are the same as ours... except that when he falls out with his girlfriend, the world trembles.

Newsarama: Grant, what are some of your favorite moments from the 12 issues?

Grant Morrison: The first shot of Superman flying over the sun. The Cosmic Anvil. Samson and Atlas. The kiss on the moon. The first three pages of the Olsen story which, I think, add up to the best character intro I’ve ever written.

Everything Lex Luthor says in issue #5. Everything Clark does. The whole says/does Luthor/Superman dynamic as played out through Frank Quitely’s absolute mastery and understanding of how space, movement and expression combine to tell a story.

Superboy and his dog on the moon – that perfect teenage moment of infinite possibility, introspection and hope for the future. He’s every young man on the verge of adulthood, Krypto is every dog with his boy (it seemed a shame to us that Krypto’s most memorable moment prior to this was his death scene in “Whatever Happened To The Man of Tomorrow.” Quitely’s scampering, leaping, eager and alive little creature is how I’d prefer to imagine Krypto the Superdog and conjures finer and more subtle emotions).

Bizarro–Home, with all of Earth’s continental and ocean shapes but reversed. The page with the first appearance of Zibarro that Frank has designed so the eye is pulled down in a swirling motion into the drain at the heart of the image, to make us feel that we’re being flushed in a cloacal spiral down into a nihilistic, existential sink. Frank gave me that page as a gift, and it became weirdly emblematic of a strange, dark time in both our lives.

The story with Bar–El and Lilo has a genuine chill off ammonia and antiseptic off it, which makes it my least favorite issue of the series, although I know a lot of people who love it. It’s about dying relatives, obligations, the overlit overheated corridors between terminal wards, the thin metallic odors of chemicals, bad food and fear. Preparation for the Phantom Zone.

Superman hugging the poor, hopeless girl on the roof and telling us all we’re stronger than we think we are.

Joe Shuster drawing us all into the story forever and never–ending.

Nasthalthia Luthor. Frank and Jamie’s final tour of the Fortress, referencing every previous issue on the way, in two pages.

All of issue #10 (there’s a single typo in there where the time on the last page was screwed up – but when we fix that detail for the trade I’ll be able to regard this as the most perfectly composed superhero story I’ve ever written).

I don’t think I’ve ever had a smoother, more seamless collaborative process.

NRAMA: The story is very complete unto itself, but are there any new or classic characters you’d like to explore further? If so, which ones and why?

GM: I’d happily write more Atlas and Samson. I really like Krull, the Dino–Czar’s wayward son, and his Stalinist underground empire of “Subterranosauri.” I could write a Superman Squad comic forever. I’d love to write the “Son of Superman” sequel about Lois and Clark’s super test tube baby.

But...I think All Star is already complete, without sequels. You read that last issue and it works because you know you’re never going to see All Star Superman again. You’ll be able to pick up Superman books, but they won’t be about this guy and they won’t feel the same. He really is going away. Our Superman is actually “dying” in that sense, and that adds the whole series a deeper poignancy.

NRAMA: Aside from the Bizarro League, you never really introduce other DC superheroes into the story. Why did you make this choice?

GM: I wanted the story to be about the mythic Superman at the end of his time. It’s clear from the references that he has or more likely has had a few super–powered allies, but that they’re no longer around or relevant any more.

For the context of this story I wanted the super–friends to be peripheral, like they were in the old comics. The Flash? Green Lantern? They represent Superman’s “old army buddies,” or your dad’s school friends. Guys you’ve sort of heard of, who used to be more important in the old man’s life than they are now.

NRAMA: Some readers were confused as to how the “Twelve Labors” broke down, though others have pointed out that Superman’s actions are more reflective of the Stations of the Cross (I note there’s a “Station Café” in the background of issue #12). Could you break down the Twelve Labors, or, if the cross theory is true, how the storyline reflects the Stations?

GM: The 12 Labors of Superman were never intended as an isomorphic mapping onto the 12 Labors of Hercules, or for that matter, the specific Stations of the Cross, of which there are 14, I believe. I didn’t even want to do one Labor per issue, so it deliberately breaks down quite erratically through the series for reasons I’ll go into (later).

Yes, there are correspondences, but that’s mostly because we tried to create for our Superman the contemporary “superhero” version of an archetypal solar hero journey, which naturally echoes numerous myths, legends and religious parables.

At the same time, we didn’t want to do an update or a direct copy of any myth you’d seen before, so it won’t work if you try to find one specific mythological or religious “plan” to hang the series on; James Joyce’s honorable and heroic refutation of the rule aside, there’s nothing more dead and dull than an attempt to retell the Odyssey or the Norse sagas scene by scene, but in a modern and/or superhero setting.

For future historians and mythologizers, however, the 12 Labors of Superman may be enumerated as follows:

1. Superman saves the first manned mission to the sun. 2. Superman brews the Super–Elixir. 3. Superman answers the Unanswerable Question. 4. Superman chains the Chronovore.  5. Superman saves Earth from Bizarro–Home. 6. Superman returns from the Underverse. 7. Superman creates Life. 8. Superman liberates Kandor/cures cancer. 9. Superman defeats Solaris. 10. Superman conquers Death. 11. Superman builds an artificial Heart for the Sun. 12.Superman leaves the recipe/formula to make Superman 2.

And one final feat, which typically no–one really notices, is that Lex Luthor delivers his own version of the unified field haiku – explaining the underlying principles of the universe in fourteen syllables – which the P.R.O.J.E.C.T. G–Type philosopher from issue 4 had dedicated his entire life to composing!

You may notice also that the Labors take place over a year – with the solar hero’s descent into the darkness and cold of the Underverse occurring at midwinter/Christmas time (that’s also the only point in the story where we ever see Metropolis at night).

It can also be seen as the sun’s journey over the course of a day – we open in blazing sunshine but halfway through the book, at the end of issue #5, in fact, the solar hero dips below the horizon and begins the night–journey through the hours of darkness and death, before his triumphant resurrection at dawn. That’s why issue 5 ends with the boat to the Underworld and 6 begins with the moon. Clark Kent is crossing the threshold into the subconscious world of memory, shadows, death and deep emotions.

Although they can often have bizarre resonances, specific elements, like the Station Café, are usually put there by Frank Quitely, and are not necessarily secret Dan Brown–style keys to unlocking the mysteries. I think there might be a Station Café opposite the studio where Frank Quitely works and the “SAPIEN” sign on another storefront is a reference to Frank’s studio mate, Dave Sapien. At least he’s not filling the background with dirty words like he used to, given any opportunity

NRAMA: For that matter, do the Twelve Labors matter at all? They seem so purposely ill–defined. They seem more like misdirection or a MacGuffin than anything that needs to be clearly delineated.

GM: They matter, of course, but the 12 Labors idea is there to show that, as with all myth, the systematic ordering of current events into stories, tales, or legends occurs after the fact.

I’m trying to suggest that only in the future will these particular 12 feats, out of all the others ever, be mythologized as 12 Labors. I suppose I was trying to say something about how people impose meaning upon events in retrospect, and that’s how myth is born. It’s hindsight that provides narrative, structure, meaning and significance to the simple unfolding of events. It’s the backward glance that adds all the capital letters to the list above.

Even Superman isn”t sure how many Labors he’s performed when we see him mulling it over in issue 10.  When you watched it happening, it seemed to be Superman just doing his thing. In the future it’s become THE 12 LABORS OF SUPERMAN!

NRAMA: And on a completely ridiculous note: All–Star Superman is perhaps the most difficult–to–abbreviate comic title since Preacher: Tall in the Saddle. Did you realize this going in?

GM: Going into what? Going into ASS itself? In the sense of how did I feel as I slowly entered ASS for the first time?

It never crossed my mind...

Newsarama: I’d like to know a little more about Leo Quintum and his role in the story. He seems like a bit of an outgrowth of the likes of Project Cadmus and Emil Hamilton, but in a more fantastical, Willy Wonka sense.

Grant Morrison: Yeah, he was exactly as you say, my attempt to create an updated take on the character of “Superman’s scientist friend” – in the vein of Emil Hamilton from the animated show and the ‘90s stories. Science so often goes wrong in Superman stories, and I thought it was important to show the potential for science to go right or to be elevated by contact with Superman’s shining positive spirit.

I was thinking of Quintum as a kind of “Man Who Fell To Earth” character with a mysterious unearthly background. For a while I toyed with the notion that he was some kind of avatar of Lightray of the New Gods, but as All Star developed, that didn’t fit the tone, and he was allowed to simply be himself.

Eventually it just came down to simplicity. Leo Quintum represents the “good” scientific spirit – the rational, enlightened, progressive, utopian kind of scientist I figured Superman might inspire to greatness. It was interesting to me how so many people expected Quintum to turn out bad at the end. It shows how conditioned we are in our miserable, self–loathing, suspicious society to expect the worst of everyone, rather than hope for the best. Or maybe it’s just what we expect from stories.

Having said that, there is indeed a necessary whiff of Lucifer about Quintum. His name, Leo Quintum, conjures images of solar force, lions and lightbringers and he has elements of the classic Trickster figure about him. He even refers to himself as “The Devil Himself” in issue #10.

What he’s doing at the end of the story should, for all its gee–whiz futurity, feel slightly ambiguous, slightly fake, slightly “Hollywood.” Yes, he’s fulfilling Superman’s wishes by cloning an heir to Superman and Lois and inaugurating a Superman dynasty that will last until the end of time – but he’s also commodifying Superman, figuring out how it’s done, turning him into a brand, a franchise, a bigger–and–better “revamp,” the ultimate coming attraction, fresher than fresh, newer than new but familiar too. Quintum has figured out the “formula” for Superman and improved upon it.

And then you can go back to the start of All Star Superman issue #1 and read the “formula” for yourself, condensed into eight words on the first page and then expanded upon throughout the story! The solar journey is an endless circle naturally. A perfect puzzle that is its own solution.

In one way, Quintum could be seen to represent the creative team, simultaneously re–empowering a pure myth with the honest fire of Art...while at the same time shooting a jolt of juice through a concept that sells more “S” logo underpants and towels than it does comic books. All tastes catered!

I have to say that the Willy Wonka thing never crossed my mind until I saw people online make the comparison, which seems quite obvious now. Quintum dresses how I would dress if I was the world’s coolest super–scientist. What’s up with that?

NRAMA: Was Zibarro inspired by the Bizarro World story where the Bizarro–Neanderthal becomes this unappreciated Casanova–type?

GM: Don’t know that one, but it sounds like a scenario I could definitely endorse!

Zibarro started out as a daft name sicked–up by my subconscious mind, which flowered within moments into the must–write idea of an Imperfect Bizarro. What would an imperfect version of an already imperfect being be like?

Zibarro.

NRAMA: I’d like to know more about Zibarro – what’s the significance of his chronicling Bizarro World through poetry?

GM: It’s up to you. I see Zibarro partly as the sensitive teenager inside us all. He’s moody, horribly self–aware and uncomfortable, yet filled with thoughts of omnipotence and agency. He’s the absolute center of his tiny, disorganized universe. He’s playing the role of sensitive, empathic poet but at the same time, he’s completely self–absorbed.

When he says to Superman “Can you even imagine what it’s like to be so different. So unique. So unlike everyone else?” he doesn’t even wait for Superman’s reply. He doesn’t care about anyone’s feelings but his own, ultimately.

NRAMA: The character is very close to Superman, so what does it say that a nonpowered version on a savage world would focus his energy through that medium? Also, does Zibarro’s existence show how Superman is able to elevate even the backwards Bizarros through his very nature?

GM: All of the above. And maybe he writes his totally subjective poetry as a reflection of Clark Kent’s objective reporter role. The suppressed, lyrical, wounded side of Superman perhaps? The Super–Morrissey? Bizarro With The Thorn In His Side?

But he’s also Bizarro–Home’s “mistake” (or so it seems to him, even though he’s as natural an expression of the place as any of the other Bizarro creatures who grow like mold across the surface of their living planet). He feels excluded, a despised outsider, and yet that position is what defines his cherished self–image. He expresses himself through poetry because to him the regular Bizarro language is barbaric, barely articulate and guttural. And they all think he’s talking crap anyway.

It seemed to make sense that an interesting opposite of Bizarro speech might be flowery “woe is me” school Poetry Society odes to the sunset in a misunderstood heart. He’s still a Bizarro though, which makes him ineffectual. His tragedy is that he knows he’s fated to be useless and pointless but craves so much more.

NRAMA: Zibarro also represents a recurrent theme in the story, of Superman constantly facing alternate versions of himself – Bar–El, Samson and Atlas, the Superman Squad, even Luthor by the end. Notably, Hercules is absent, though Superman’s doing his Twelve Labors. With the mythological adventurers in particular, was this designed to equate Superman with their legend, to show how his character is greater than theirs, or both?

GM: In a way, I suppose. He did arm–wrestle them both, proving once and for all Superman’s stronger than anybody! And remember, these characters, along with Hercules, used to appear regularly in Superman books as his rivals. I thought they made better rivals than, say, Majestic or Ultraman because people who don’t read comics have heard of Hercules, Samson and Atlas and understand what they represent.

For that particular story, I wanted to see Superman doing tough guy shit again, like he did in the early days and then again in the 70s, when he was written as a supremely cocky macho bastard for a while. I thought a little bit of that would be an antidote to the slightly soppy, Super–Christ portrayal that was starting to gain ground.

Hence Samson’s broken arm, twisted in two directions beyond all repair. And Atlas in the hospital. And then Superman’s got his hot girlfriend dressed like a girl from Krypton and they’re making out on the moon (the original panel description was of something more like the famous shot of Burt Lancaster and Deborah Kerr kissing in the surf from “From Here To Eternity.” Frank’s final choice of composition is much more classically pulp–romantic and iconic than my down and dirty rumble in the moondirt would have been, I’m glad to say).

Newsarama: Tell us about some of the thinking behind the new antagonists you created for this series (at least the ones you want to talk about...): First up: Krull and the Subterranosaurs...

Grant Morrison: We wanted to create some throwaway new characters which would be designed to look as if they were convincing long–term elements of the Superman legend.

We were trying to create a few foes who had a classic feel and a solid backstory that could be explored again or in depth. Even if we never went back to these characters, we wanted them to seem rich enough to carry their own stories.

With Krull, we figured a superhuman character like Superman can always use a powerful “sub–human” opponent: a beast, a monster, a savage with the power to destroy civilization. For years I’ve had the idea that the familiar “gray aliens” might “actually” be evolved biped dinosaur descendants, the offspring of smart–thinking lizards which made their way to the warm regions at the Earth’s core.

I imagined these brutes developing their own technology, their own civilization, and then finally coming to the surface to declare bloody war on the mammalian usurpers! It seemed like we could develop this idea into the Krull backstory and suggest a whole epic conflict in a few panels.

Dom Regan, the Glasgow artist and DC colorist, saw the original green skin Jamie Grant had done for Krull, and suggested we make him red instead. Jamie reset his color filters and that was the moment Krull suddenly looked like a real Superman foe.

The red skin marked him out as unique, different and dangerous, even among his own species. It had echoes of Jack Kirby’s Devil Dinosaur that played right into the heart of the concept. A good design became a great design and the whole story of who Krull was – his twisted relationship with his father the Dino–Czar, his monstrous ambitions – came together in that first picture.

The society was fleshed out in the script even though we see only one panel of it – a gloomy, heavy, “Soviet” underworld of walled iron cities, cold blood and deadly intrigue. War–Barges that could sail on the oceans of heated steam at the center of the Earth. A Stalinist authoritarian lizard world where missing person cases were being taken to work and die as slaves in hellish underworld conditions.

NRAMA: Mechano–Man?

GM: An attempt to pre–imagine a classic, archetypal Superman foe, which started with another simple premise – how about a giant robot villain? But not just any giant robot – this is a rampaging machine with a raging little man inside.

Giving him a bitter, angry, scrawny loser as a pilot turned Mechano–Man into a much more extreme and pathological expression of the Man of Steel/Mild–Mannered Reporter dynamic, and added a few interesting layers onto an 8–panel appearance.

NRAMA: The Chronovore – a very disturbing creation, that one.

GM: The Chronovore was mentioned in passing in DC 1,000,000 and would have been the monster in my aborted Hypercrisis series idea. It took a long time to get the right design for the beast because it’s meant to be a 5–D being that we only ever see in 4–D sections. It had to work as a convincing representation of something much bigger that we’re seeing only where it interpenetrates our 4–D space-time continuum.

Imagine you’re walking along with a song in your teenage heart, then suddenly the Chronovore appears, takes bite out of your life, and you arrive at your girlfriend’s house aged 76, clutching a cell phone and a wilted bouquet.

NRAMA: One more obscure run that I was happy to see referenced in this was the use of Nasty from the old Mike Sekowsky Supergirl stories. What made you want to use this character?

GM: I remembered her from the old comics, and felt her fashion–y look could be updated very easily into the kind of fetish club thing I’ve always been partial to.

She seemed a cool and sexy addition to the Luthor plot. The set–up, where Lex has a fairly normal sister who hates how her wayward brother is such a bad influence on her brilliant daughter, is explosive with character potential.

They need to bring Nasty back to mainstream continuity. Geoff! They all want it and you know you never let them down!

NRAMA: Speaking of Mike Sekowsky, I’m curious about his influence on your work. I have an odd fascination with all the ideas and stories he was tossing around in the late 1960s and early 1970s – Jason’s Quest, Manhunter 2070, the I–Ching tales – and many of the characters he worked on, from the B”Wana Beast to the Inferior Five to Yankee Doodle (in Doom Patrol), have shown up in your work. The Bizarro Zoo in issue #10 is even slightly reminiscent of the Beast’s merged animals.

GM: Those were all comics that were around when I was a normal kid, prior to the obsessive collecting fan phase of my isolated teenage years. They clearly inspired me in some way, as you say, but certainly not consciously. I’d never have considered myself a particular fan of Mike Sekowsky’s work, but as you say, I’ve incorporated a lot of his ideas into the DC Universe work I’ve done. Hmm. Interesting.

While I’m at it, I should also say something about Samson and Atlas, halfway between old characters and new.

Samson, Atlas and Hercules were classical mainstays of old Superman covers, tangling with Superman in all those Silver Age stories that happened before he learned from his friends at Marvel that it was possible to fight other superheroes for fun and profit, so I decided to completely “re–vamp” the characters in the manner of superhero franchises. Marvel has the definitive Hercules for me, so I left him out of the mix and concentrated on Atlas and Samson.

Atlas was re–imagined as a mighty but restless and reckless young prince of the New Mythos – a society of mega–beings playing out their archetypal dramas between New Elysium and Hadia, with ordinary people caught in the middle – and Superman.

Essentially good–hearted, Atlas would have been the newbie in a “team” with Skyfather Xaoz!, Heroina, Marzak and the others. He has a bullish, adolescent approach to life. He drinks and plunges himself into ill–advised adventures to ease his naturally gloomy “weighed down by the world” temperament.

You can see it all now. The backstory suggested an unseen, Empyrean New Gods–type series from a parallel universe. What if, when Jack Kirby came to DC from Marvel in 1971, he’d followed up his sci–fi Viking Gods saga at Marvel, with a dimension–spanning epic rooted in Greek mythology? New Gods meets Eternals drawn by Curt Swan/Murphy Anderson? That was Atlas.

Samson, I decided would be a callback to the British newspaper strip “Garth.” Although you may already be imagining a daily strip about the exploits of time–tossed The Boys writer, Garth Ennis, it was actually about a blonde Adonis type who bounced around the ages having mildly horny, racy adventures.

(Go look him up then return the wiser before reading on, so I don’t have to explain anymore about this bastard – he’s often described as “the British Superman,” but oh...my arse! I hated meathead, personality–singularity Garth...but we all grew up with his meandering, inexplicable yet incredibly–drawn adventures and some of it was quite good when you were a little lad because he was always shagging ON PANEL with the likes of a bare–breasted cave girl or gauze–draped Helen of Troy.

(Unlike Superman, you see, the top British strongman liked to get naked. Lots naked. Naked in every time period he could get naked in, which was all of them thanks to the miracle of his bullshit powers.

(Imagine Doctor Who buff, dumb and naked all the time – Russell, I’ve had an idea!!!! – and that’s Garth in a nutshell.

(Sorry, I know I’m going on and the average attention span of anyone reading stuff on the Internet amounts to no more than a few paragraphs, but basically, Garth was always getting naked. In public, in family newspapers. Bollock naked. Let’s face it, patriotic Americans, have you ever seen Superman’s arse?

Newsarama Note: Well, there was Baby Kal-El in the 1978 film...

(Brits, hands up who still remember the man, and have you ever not seen Garth’s arse? Do you not, in fact, have a very clear image of it in your head, as drawn by Martin Asbury perhaps? In mine, Garth’s pulling aside a flimsy curtain to gaze at the pyramids with Cleopatra buck naked in foreground ogling his rock hard glutes...).

Anyway, Samson, I decided, was the Hebrew version of Garth and he would have his own mad comic that was like an American version of Garth. I saw the Bible hero plucked from the desert sands by time–travelling buffoons in search of a savior. Introduced to all the worst aspects of future culture and, using his stolen, erratic Chrono–Mobile, Samson became a time–(and space) traveling Soldier of Fortune, writing wrongs, humping princesses, accumulating and losing treasure etc. Like a science fiction Conan. Meets Garth.

Fortunately, you’ll never see any of these men ever again.

Newsarama: How have your perceptions of Superman and his supporting characters evolved since the Superman 2000 pitch you did with Mark Waid, Mark Millar and Tom Peyer? The Superman notions seem almost identical, but Luthor is very different here than in that pitch, and so is Clark Kent. Did you use some aspects of your original pitch, or have you just changed his mind on how to portray these characters since?

Grant Morrison: A little of both. I wanted to approach All Star Superman as something new, but there were a couple of specific aspects from the Superman 2000 pitch (as I mentioned earlier, it was actually called Superman Now, at least in my notebooks, which is where the bulk of the material came from) that I felt were definitely worth keeping and exploring.

I can’t remember much about Luthor from Superman Now, except for the ending. By the time I got to All Star Superman, I’d developed a few new insights into Luthor’s character that seemed to flesh him out more. Luthor’s really human and charismatic and hateful all the same time. He’s the brilliant, deluded egotist in all of us. The key for me was the idea that he draws his eyebrows on. The weird vanity of that told me everything I needed to know about Luthor.

I thought the real key to him was the fact that, brilliant as he is, Luthor is nowhere near as brilliant as he wants to be or thinks he is. For Luthor, no praise, no success, no achievement is ever enough, because there’s a big hungry hole in his soul. His need for acknowledgement and validation is superhuman in scale. Superman needs no thanks; he does what he does because he’s made that way. Luthor constantly rails against his own sense of failure and inadequacy...and Superman’s to blame, of course.

I’ve recently been re–thinking Luthor again for a different project, and there’s always a new aspect of the character to unearth and develop.

NRAMA: This story makes Superman and Lois’ relationship seem much more romantic and epic than usual, but this one also makes Superman more of the pursuer. Lois seems like more of an equal, but also more wary of his affections, particularly in the black–and–white sequence in issue #2.

She becomes this great beacon of support for him over the course of the series, but there is a sense that she’s a bit jaded from years of trickery and uncomfortable with letting him in now that he’s being honest. How, overall, do you see the relationship between Superman and Lois?

GM: The black-and-white panels shows Lois paranoid and under the influence of an alien chemical, but yes, she’s articulating many of her very real concerns in that scene.

I wanted her to finally respond to all those years of being tricked and duped and led to believe Superman and Clark Kent were two different people. I wanted her to get her revenge by finally refusing to accept the truth.

It also exposed that brilliant central paradox in the Superman/Lois relationship. The perfect man who never tells a lie has to lie to the woman he loves to keep her safe. And he lives with that every day. It’s that little human kink that really drives their relationship.

NRAMA: Jimmy Olsen is extremely cool in this series – it’s the old “Mr. Action” idea taken to a new level. It’s often easy to write Jimmy as a victim or sycophant, but in this series, he comes off as someone worthy of being “Superman’s Pal” – he implicitly trusts Superman, and will take any risk to get his story. Do you see this version of Jimmy as sort of a natural evolution of the version often seen in the comics?

GM: It was a total rethink based on the aspects of Olsen I liked, and playing down the whole wet–behind–the–ears “cub reporter” thing. I borrowed a little from the “Mr. Action” idea of a more daredevil, pro–active Jimmy, added a little bit of Nathan Barley, some Abercrombie & Fitch style, a bit of Tintin, and a cool Quitely haircut.

Jimmy was renowned for his “disguises” and bizarre transformations (my favorite is the transvestite Olsen epic “Miss Jimmy Olsen” from Jimmy Olsen #95, which gets a nod on the first page of our Jimmy story we did), so I wanted to take that aspect of his appeal and make it part of his job.

I don’t like victim Jimmy or dumb Jimmy, because those takes on the character don’t make any sense in their context. It seemed more interesting see what a young man would be like who could convincingly be Superman’s “pal.” Someone whose company a Superman might actually enjoy. That meant making Jimmy a much bigger character: swaggering but ingenuous. Innocent yet worldly. Enthusiastic but not stupid.

My favorite Jimmy moment is in issue #7 when he comes up with the way to defeat the Bizarro invasion by using the seas of the Bizarro planet itself as giant mirrors to reflect toxic – to Bizarros – sunlight onto the night side of the Earth. He knows Superman can actually take crazy lateral thinking like this and put it into practice.

NRAMA: Perry White has a few small–but–key scenes, particularly his address to his staff in issue #1 and standing up to Luthor in issue #12. I’d like to hear more about your thoughts on this character.

GM: As with the others, my feelings are there on the page. Perry is Clark’s boss and need only be that and not much more to play his role perfectly well within the stories. He’s a good reminder that Superman has a job and a boss, unlike that good–for–nothing work-shy bastard Batman. Perry’s another of the series’ older male role models of integrity and steadfastness, like Pa Kent.

NRAMA: There’s a sense in the Daily Planet scenes and with Lois’s spotlight issues that everyone knows Clark is Superman, but they play along to humor him. The Clark disguise comes off as very obvious in this story. Do you feel that the Planet staff knows the truth, or are just in a very deep case of denial, like Lex?

GM: If I had to say for sure, I think Jimmy Olsen worked it out a long time ago, and simply presumes that if Superman has a good reason for what he’s doing, that’s good enough for Jimmy.

Lois has guessed, but refuses to acknowledge it because it exposes her darkest flaw – she could never love Clark Kent the way she loves Superman.

NRAMA: Also, the Planet staff seems awfully nonchalant at Luthor’s threats. Are they simply used to being attacked by now?

GM: Yes. They’re a tough group. They also know that Superman makes a point of looking out for them, so they naturally try to keep Luthor talking. They know he loves to talk about himself and about Superman. In that scene, he’s almost forgotten he even has powers, he’s so busy arguing and making points. He keeps doing ordinary things instead of extraordinary things.

NRAMA: The running gag of Clark subtly using his powers to protect unknowing people is well done, but I have to admit I was confused by the sequence near the end of issue #1. Was that an el–train, and if so, why was it so close to the ground?

GM: It’s a MagLev hover–train. Look again, and you’ll see it’s not supported by anything. Hover–trains help ease congestion in busy city streets! Metropolis is the City of Tomorrow, after all.

NRAMA: And there’s the death of Pa Kent. Why do you feel it’s particularly important to have Pa and not both of the Kents pass away?

GM: I imagined they had both passed away fairly early in Superman’s career, but Ma went a few years after Pa. Also, because the book was about men or man, it seemed important to stress the father/son relationships. That circle of life, the king is dead, long live the king thing that Superman is ultimately too big and too timeless to succumb to.

NRAMA: There is a real touch of Elliott S! Maggin’s novels in your depiction of Luthor – someone who is just so obsessive–compulsive about showing up Superman that he accomplishes nothing in his own life. He comes across as a showman, from his rehearsed speech in issue #1 to his garish costume in the last two issues, and it becomes painfully apparent that he wants to usurp Superman because he just can’t be happy with himself. What defeats him is actually a beautiful gift, getting to see the world as Superman does, and finally understanding his enemy.

That’s all a lead–in to: What previous stories that defined Luthor for you, and how did you define his character? What appeals to you about writing him?

GM: The Marks Waid and Millar were big fans of the Maggin books, and may have persuaded me to read at least the first one but I’m ashamed to say can’t remember anything about it, other than the vague recollection of a very humane, humanist take on Superman that seemed in general accord with the pacifist, hedonistic, between–the–wars spirit of the ‘90s when I read it. It was the ‘90s; I had other things on my mind and in my mind.

I like Maggin’s “Must There Be A Superman?” from Superman #247, which ultimately poses questions traditional superhero comic books are not equipped to answer and is one of the first paving stones in the Yellow Brick Road that leads to Watchmen and beyond, to The Authority, The Ultimates etc. Everyone still awake, still reading this, should make themselves familiar with “Must There Be A Superman?” – it’s a milestone in the development of the superhero concept.

However, the story that most defines Luthor for me turns out to be, as usual, a Len Wein piece with Curt Swan/Murphy Anderson– Superman #248. This blew me away when I was a kid. Lex Luthor cares about humanity? He’s sorry we all got blown up? The villain loves us too? It’s only Superman he really hates? Genius. Big, cool adult stuff.

The divine Len makes Lex almost too human, but it was amazing to see this kind of depth in a character I’d taken for granted as a music hall villain.

I also love the brutish Satanic, Crowley–esque, Golden Age Luthor in the brilliant “Powerstone” Action Comics #47 (the opening of All Star #11 is a shameless lift from “Powerstone”, as I soon realised when I went back to look. Blame my...er...photographic memory...cough).

And I like the Silver Age Luthor who only hates Superman because he thinks it’s Superboy’s fault he went bald. That was the most genuinely human motivation for Luthor’s career of villainy of all; it was Superman’s fault he went bald! I can get behind that.

In the Silver Age, baldness, like obesity, old age and poverty, was seen quite rightly as a crippling disease and a challenge which Superman and his supporting cast would be compelled to overcome at every opportunity! Suburban “50s America versus Communist degeneracy? You tell me.

I like elements of the Marv Wolfman/John Byrne ultra–cruel and rapacious businessman, although he somewhat lacks the human dimension (ultimately there’s something brilliant about Luthor being a failed inventor, a product of Smallville/Dullsville – the genius who went unnoticed in his lifetime, and resorted to death robots in chilly basements and cellars. Luthor as geek versus world). I thought Alan Moore’s ruthlessly self–assured “consultant” Luthor in Swamp Thing was an inspired take on the character as was Mark Waid’s rage–driven prodigy from Birthright.

I tried to fold them all into one portrayal. I see him as a very human character – Superman is us at our best, Luthor is us when we’re being mean, vindictive, petty, deluded and angry. Among other things. It’s like a bipolar manic/depressive personality – with optimistic, loving Superman smiling at one end of the scale and paranoid, petty Luthor cringing on the other.

I think any writer of Superman has to love these two enemies equally. We have to recognize them both as potentials within ourselves. I think it’s important to find yourself agreeing with Luthor a bit about Superman’s “smug superiority” – we all of us, except for Superman, know what it’s like to have mean–spirited thoughts like that about someone else’s happiness. It’s essential to find yourself rooting for Lex, at least a little bit, when he goes up against a man–god armed only with his bloody–minded arrogance and cleverness.

Even if you just wish you could just give him a hug and help him channel his energies in the right direction, Luthor speaks for something in all of us, I like to think.

However he’s played, Luthor is the male power fantasy gone wrong and turned sour. You’ve got everything you want but it’s not enough because someone has more, someone is better, someone is cleverer or more handsome.

Newsarama: Grant, a recurring theme throughout the book is the effect of small kindness – how even the likes of Steve Lombard are capable of decency. And Superman gets the key to saving himself by doing something that any human being could do, offering sympathy to a person about to end it all.

Grant Morrison: Completely...the person you help today could be the person who saves your life tomorrow.

NRAMA: The character actions that make the biggest difference, from Zibarro’s sacrifice to Pa’s influence on Superman, are really things that any normal, non-powered person could do if they embrace the best part of their humanity. The last page of issue #12 teases the idea that Superman’s powers could be given to all mankind, but it seems as though the greatest gift he has given them is his humanity. How do you view Superman’s fate in the context of where humanity could go as a species?

GM: I see Superman in this series as an Enlightenment figure, a Renaissance idea of the ideal man, perfect in mind, body and intention.

A key text in all of this is Pico’s ‘Oration On The Dignity of Man’ (15c), generally regarded as the ‘manifesto’ of Renaissance thought, in which Giovanni Pico Della Mirandola laid out the fundamentals of what we tend to refer to as ’Humanist’ thinking.

(The ‘Oratorio’ also turns up in my British superhero series Zenith from 1987, which may indicate how long I’ve been working towards a Pico/Superman team-up!)

At its most basic, the ‘Oratorio’ is telling us that human beings have the unique ability, even the responsibility, to live up to their ‘ideals’. It would be unusual for a dog to aspire to be a horse, a bird to bark like a dog, or a horse to want to wear a diving suit and explore the Barrier Reef, but people have a particular gift for and inclination towards imitation, mimicry and self-transformation. We fly by watching birds and then making metal carriers that can outdo birds, we travel underwater by imitating fish, we constantly look to role models and behavioral templates for guidance, even when those role models are fictional TV or, comic, novel or movie heroes, just like the soft, quick, shapeshifty little things we are. We can alter the clothes we wear, the temperature around us, and change even our own bodies, in order to colonize or occupy previously hostile environments. We are, in short, a distinctively malleable and adaptable bunch.

So, Pico is saying, if we live by imitation, does it not make sense that we might choose to imitate the angels, the gods, the very highest form of being that we can imagine? Instead of indulging the most brutish, vicious, greedy and ignorant aspects of the human experience, we can, with a little applied effort, elevate the better part of our natures and work to express those elements through our behavior. To do so would probably make us all feel a whole lot better too. Doing good deeds and making other people happy makes you feel totally brilliant, let’s face it.

So we can choose to the astronaut or the gangster. The superhero or the super villain. The angel or the devil. It’s entirely up to us, particularly in the privileged West, how we choose to imagine ourselves and conduct our lives.

We live in the stories we tell ourselves. It’s really simple. We can continue to tell ourselves and our children that the species we belong to is a crawling, diseased, viral cancer smear, only fit for extinction, and let’s see where that leads us.

We can continue to project our self-loathing and narcissistic terror of personal mortality onto our culture, our civilization, our planet, until we wreck the promise of the world for future generations in a fit of sheer self-induced panic...

...or we can own up to the scientific fact that we are all physically connected as parts of a single giant organism, imagine better ways to live and grow...and then put them into practice. We can stop pissing about, start building starships, and get on with the business of being adults.

The ’Oratorio’ is nothing less than the Shazam!, the Kimota! for Western Culture and we would do well to remember it in our currently trying times.

The key theme of the ‘Dark Age’ of comics was loss and recovery of wonder - McGregor’s Killraven trawling through the apocalyptic wreckage of culture in his search for poetry, meaning and fellowship, Captain Mantra, amnesiac in Robert Mayer’s Superfolks, Alan Moore’s Mike Maxwell trudging through the black and white streets of Thatcher’s Britain, with the magic word of transformation burning on the tip of his tongue.

My own work has been an ongoing attempt to repeat the magic word over and over until we all become the kind of superheroes we’d all like to be. Ha hah ha.

Newsarama: The structure of the 12 issues involves both Superman’s 12 labors and his impending death. Do you feel the threat of his demise brings out the best in Superman’s already–high character, or did you intend it more as a window for the audience to understand how he sees the world?

Grant Morrison: In trying to do the “big,” ultimate Superman story, we wanted to hit on all the major beats that define the character – the “death of Superman” story has been told again and again and had to be incorporated into any definitive take. Superman’s death and rebirth fit the sun god myth we were establishing, and, as you say, it added a very terminal ticking clock to the story.

NRAMA: When we talked earlier this year, we discussed the neurotic quality of the Silver Age stories. Looking at the series as a whole, you consistently invert this formula. Superman is faced with all these crises that could be seen as personifying his neuroses, but for the most part he handles them with a level head and comes across as being very at peace with himself. You talked about your discussion with an in–character Superman fan at a convention years ago, but I am curious as to how you determined Superman’s mindset.

GM: I felt we had to live up to the big ideas behind Superman. I don’t take my daft job lightly. It’s all I’ve got.

As the project got going, I wasn’t thinking about Silver Ages or Dark Ages or anything about the comics I’d read, so much as the big shared idea of “Superman” and that “S” logo I see on T–shirts everywhere I go, on girls and boys. That communal Superman. I wanted us to get the precise energy of Platonic Superman down on the page.

The “S” hieroglyph, the super–sigil, stands for the very best kind of man we can imagine, so the subject dictated the methodical, perfectionist approach. As I’ve mentioned before, I keep this aspect of my job fresh for myself by changing my writing style to suit the project, the character or the artist.

With something like Batman R.I.P., I’m aiming for a frenzied Goth Pulp-Noir; punk-psych, expressionist shadows and jagged nightmare scene shifts, inspired by Batman’s roots and by the snapping, fluttering of his uncanny cape. Final Crisis was written, with the Norse Ragnarok and Biblical Revelations in mind, as a story about events more than characters. A doom-laden, Death Metal myth for the wonderful world of Fina(ncia)l Crisis/Eco-breakdown/Terror Trauma we all have to live in.

The subject matter drives the execution. And then, of course, the artists add their own vision and nuance. With All Star Superman, “Frank” and I were able to spend a lot of time together talking it through, and we agreed it had to be about grids, structure, storybook panel layouts, an elegance of form, a clarity of delivery. “Classical” in every sense of the word. The medium, the message, the story, the character, all working together as one simple equation.

Frank Quitely, a Glasgow Art School boy, completely understood without much explanation, the deep structural underpinnings of the series and how to embody them in his layouts. There’s a scene in issue # 8, set on the Bizarro world, where we see Le Roj handing Superman his rocket plans. Look at the arrangement of the figures of Zibarro, Le Roj, Superman and Bizaro–Superman and you’ll see one attempt to make us of Renaissance compositions.

The sense of sunlit Zen calm we tried to get into All Star is how I imagine it might feel to think the way Superman thinks all the time - a thought process that is direct, clean, precise, mathematical, ordered. A mind capable of fantastical imagination but grounded in the everyday of his farm upbringing with nice decent folks. Rich with humour and tears and deep human significance, yet tuned to a higher key. We tried to hum along for a little while, that’s all.

In honor of the character’s primal position in the development of the superhero narrative, I hoped we could create an “ultimate” hero story, starring the ultimate superhero.

Basically, I suppose I felt Superman deserved the utmost application of our craft and intelligence in order to truly do him justice.

Otherwise, I couldn’t have written this book if I hadn’t watched my big, brilliant dad decline into incoherence and death. I couldn’t have written it if I’d never had my heart broken, or mended. I couldn’t have written it if I hadn’t known what it felt like to be idolized, misunderstood, hated for no clear reason, loved for all my faults, forgotten, remembered...

Writing All Star Superman was, in retrospect, also a way of keeping my mind in the clean sunshine while plumbing the murkiest depths of the imagination with that old pair of c****s Darkseid and Doctor Hurt. Good riddance.

Newsarama: This is touched on in other questions, but how much of the Silver/Bronze Age backstory matters here? What do you see as Superman's life prior to All-Star Superman? (What was going on with this Superman while the Byrne revamp took hold?)

Grant Morrison: When I introduced the series in an interview online, I suggested that All Star Superman could be read as the adventures of the ‘original’ Pre-Crisis on Infinite Earths Superman, returning after 20 plus years of adventures we never got to see because we were watching John Byrne‘s New Superman on the other channel. If ‘Whatever Happened To The Man of Tomorrow?’ and the Byrne reboot had never happened, where would that guy be now?

This was more to provide a sense, probably limited and ill-considered, of what the tone of the book might be like. I never intended All Star Superman as a direct continuation of the Weisinger or Julius Schwartz-era Superman stories. The idea was always to create another new version of Superman using all my favorite elements of past stories, not something ‘Age’ specific.

I didn’t collect Superman comics until the ‘70s and I’m not interested enough in pastiche or nostalgia to spend 6 years of my life playing post-modern games with Superman. All Star isn’t written, drawn or colored to look or read like a Silver Age comic book.

All Star Superman is not intended as arch commentary on continuity or how trends in storytelling have changed over the decades. It’s not retro or meta or anything other than its own simple self; a piece of drawing and writing that is intended by its makers to capture the spirit of its subject to the best of their capabilities, wisdom and talent.

Which is to say, we wanted our Superman story be about life, not about comics or superheroes, current events or politics. It’s about how it feels, specifically to be a man...in our dreams! Hopefully that means our 12 issues are also capable of wide interpretation.

So as much as we may have used a few recognizable Silver Age elements like Van-Zee and Sylv(i)a and the Bottle City of Kandor, the ensemble Daily Planet cast embodies all the generations of Superman. Perry White is from 1940, Steve Lombard is from the Schwartz-era ‘70s, Ron Troupe - the only black man in Metropolis - appeared in 1991. Cat Grant is from 1987 and so on.

P.R.O.J.E.C.T. refers back to Jack Kirby’s DNA Project from his ‘70s Jimmy Olsen stories, as well as to The Cadmus Project from ’90s Superboy and Superman stories. Doomsday is ‘90s. Kal Kent, Solaris and the Infant Universe of Qwewq all come from my own work on Superman in the same decade. Pa Kent’s heart attack is from ‘Superman the Movie‘. We didn’t use Brainiac because he’d been the big bad in Earth 2 but if we had, we’d have used Brainiac’s Kryptonian origin from the animated series and so on.

I also used quite a few elements of John Byrne’s approach. Byrne made a lot of good decisions when he rebooted the whole franchise in 1986 and I wanted to incorporate as much as I could of those too.

Our Superman in All Star was never Superboy, for instance. All Star Superman landed on Earth as a normal, if slightly stronger and fitter infant, and only began to manifest powers in adolescence when he’d finally soaked up enough yellow solar radiation to trigger his metamorphosis.

The Byrne logic seemed to me a better way to explain how his powers had developed across the decades, from the skyscraper leaps of the early days to the speed-of-light space flight of the high Silver Age. And more importantly, it made the Superman myth more poignant - the story of a farm boy who turned into an alien as he reached adolescence. I felt that was something that really enriched Superman. He grew away from his home, his family, his adopted species as he became Superman. His teenage years are a record of his transformation from normal boy to super-being.

As you say, there are more than just Silver Age influences in the book. Basically we tried to create a perfect synthesis of every Superman era. So much so, that it should just be taken as representative of an ‘age’ all its own.

In the end, however, I do think that the Silver Age type stories, with their focus on human problems and foibles, have a much wider appeal than a lot of the work which followed. They’re more like fables or folk tales than the later ‘comic book superhero’ stories of Superman when he became just another colorful costume in the crowd...and perhaps that’s why All Star seemed to resemble those books more than it does a typical modern Marvel or DC comic. It was our intention to present a more universal, mainstream Superman.

NRAMA: In your depiction of Krypton and the Kryptonians, you show the complexity of Superman’s relationship between humanity and Earth even further. Krypton has that scientific paradise quality to it, but the Kryptonians are also portrayed as slightly aloof and detached, even Jor-El. But from Bar-El to the people of Kandor, they’re touched by Superman’s goodness. What do you see as the fundamental difference between Kryptonians and Earthlings, and how has Superman’s character been shaped by each?

GM: My version of Krypton was, again, synthesized from a number of different approaches over the decades.  In mythic terms, if Superman is the story of a young king, found and raised by common people, then Krypton is the far distant kingdom he lost. It’s the secret bloodline, the aristocratic heritage that makes him special, and a hero. At the same time, Krypton is something that must be left behind for Superman to become who he is - i.e. one of us. Krypton gives him his scientific clarity of mind, Earth makes his heart blaze.

I liked the very early Jerry Siegel descriptions where Krypton is a planet of advanced supermen and women (I already played with that a little in Marvel Boy where Noh-Varr was written to be the Marvel Superboy basically). To that, I added the rich, science fiction detailing of the Silver Age Krypton stories and the slightly detached coolness that characterized John Byrne’s Krypton, which I re-interpreted through the lens of Dzogchen Buddhist thought, probably the most pragmatic, chilly and rational philosophic system on the planet and the closest, I felt, to how Kryptonians might see things.

We also took some time to redesign the crazy, multicolored Kryptonian flag (you can see our version in Kandor in issue #10). The flag, as originally imagined, seemed like the last thing Kryptonians would endorse, so we took the multicolored-rays-around-a-circle design and recreated it - the central circle is now red, representing Krypton’s star, Rao, while the rays, rather than arbitrary colors, become representations of the spectrum of visible light pouring from Rao into the inky black of space. In this way, the flag, that bizarre emblem of nationalism becomes a scientific hieroglyph.

Showing Krypton and Kryptonians was also important as a way of stressing why Superman wears that costume and why it makes absolute sense that he looks the way he does. I don’t see the red and blue suit as a flag or as rewoven baby blankets. There’s no need for Superman to dress the way he does but it made sense to think of his outfit as his ‘national costume‘.

The way I see it, the standard superhero outfit, the familiar Superman suit with the pants on the outside, is what everyone wore on Krypton, give or take a few fashion accessories like hoods and headbands, chest crests and variant colors. In fact, all other superheroes are just copying the fashions on Krypton, lost planet of the super-people.

Superman wears his ’action-suit’ the way a patriotic Scotsman would wear a kilt. It’s a sign of his pride in his alien heritage.

Newsarama: Although All–Star Superman ties in with DC One Million, you style of writing has changed dramatically since then. How do you feel about One Million now?

Grant Morrison: I just read it again and liked it a lot. Comics were definitely happier, breezier and more confident in their own strengths before Hollywood and the Internet turned the business of writing superhero stories into the production of low budget storyboards or, worse, into conformist, fruitless attempts to impress or entertain a small group of people who appear to hate comics and their creators.

NRAMA: Obviously, this book is the most explicit SF–Christ story since Behold the Man, only...happy. Superman/Christ parallels have existed for decades, but this story makes it absolutely explicit, from laying his hands on the sick and dying to...well, most of issue #12. You’ve dealt with Christ themes before, particularly in The Mystery Play, but outside of the comics, how do you see Superman as a Christ figure for the “real” world?

GM: The “Superman as Christ” thing is a little too reductive for me, and tends to overlook the fact that Superman is by no means a pacifist in the Christ sense. Superman would never turn the other cheek; Superman punches out the bully. Superman is a fighter.

When did Christ ever batter the Devil through a mountain?

The thing I disliked about the Superman Returns movie was the American Christ angle, which reduced Superman to a sniveling, masochistic wreck, crawling around on the floor, taking a kicking from everyone. This approach had an odd and slightly disturbing S&M flavor, which didn’t play well to the character’s strengths at all and seemed to derive entirely from a kind of Catholic vision of the suffering, martyred Jesus.

It’s not that he’s based on Jesus, but simply that a lot of the mythical sun god elements that have been layered onto the Christ story also appear in the story of Superman. I suppose I see Superman more as pagan sci–fi. He’s a secular messiah, a science redeemer with tough guy muscles and a very direct and clear morality.

NRAMA: Continuing the religious themes, in issue #10, you have Superman literally giving birth to himself, both philosophically and as a character – a nice little meta–moment showing how Superman inspires a world where he is only fiction. How did that idea come about?

GM: It came from the challenge we’d set ourselves: as I said, issue #10 had been left as a blank space into which the single most coherent condensation of all our ideas about Superman were destined to fit.

I wanted to do a “day in the life” story. So much of All Star had been about this threat to Superman himself, so we wanted to show him going about a typical day saving people and doing good.

Then came the title “Neverending,” which comes from the opening announcement – “Faster than a speeding bullet!...” of the Superman radio show from 1940, and seemed to me to be as good a title for a Superman story as any I could think of. It seemed to distil everything about Superman’s battle and his legend into a single word. And the story structure itself was designed to loop endlessly, so it went well with that.

On top of that went the idea of the Last Will and Testament of Superman. A dying god writing his will seemed like an interesting structure to use. Then came the idea to fit all of human history into that single 24 hours. And then to show the development of the Superman idea through human culture from the earliest Australian Aboriginal notions of super–beings ‘descended” from the sky, through the complex philosophical system of Hinduism, onto the Renaissance concept of the ideal man, via the refinements of Nietzche and finally, down to that smiling, hopeful Joe Shuster sketch; the final embodiment of humanity’s glorious, uplifting notion of the superman become reduced to a drawing, a story for kids, a worthless comic book.

And also what that could mean in a holographic fractal universe, where the smallest part contains and reflects the whole.

Of course the next panel in that sequence is happening in the real world and would show you, the reader, sitting with the latest Superman issue in your hands, deep within the Infant Universe of Qwewq in the Fortress of Solitude, today, wherever you are. In “Neverending,” the reader becomes wrapped in a self–referential loop of story and reality. If you actually, seriously think about what is happening at this point in the story, if you meditate upon the curious entanglement of the real and the fictional, you will become enlightened in this life apparently. According to some texts.

NRAMA: On a personal level, you’ve explored all types of religions and philosophies in your work. What is your take on religion and how it influences humanity, and the Christian take on Jesus Christ in particular?

GM: I think religion per se, is a ghastly blight on the progress of the human species towards the stars. At the same time, it, or something like it, has been an undeniable source of comfort, meaning and hope for the majority of poor bastards who have ever lived on Earth, so I’m not trying to write it off completely. I just wish that more people were educated to a standard where they could understand what religion is and how it works. Yes, it got us through the night for a while, but ultimately, it’s one of those ugly, stupid arse–over–backwards things we could probably do without now, here on the Planet of the Apes.

Religion is to spirituality what porn is to sex. It’s what the Hollywood 3–act story template is to real creative writing.

Religion creates a structure which places “special,” privileged people (priests) between ordinary people and the divine, as if there could even be any separation: as if every moment, every thought, every action was not already an expression of dynamic ‘divinity” at work.

As I’ve said before, the solid world is just the part of heaven we’re privileged to touch and play with. You don’t need a priest or a holy man to talk to “god” on your behalf: just close your eyes and say hello. “God” is no more, no less, than the sum total of all matter, all energy, all consciousness, as experienced or conceptualized from a timeless perspective where everything ever seems to present all at once. “God” is in everything, all the time and can be found there by looking carefully. The entire universe, including the scary, evil bits, is a thought “God” is thinking, right now.

As far as I can figure it out from my own reading and my own experience of how the spiritual world works, Jesus was, as they say, way cool: a man who achieved a state of consciousness, which nowadays would get him a diagnosis of temporal lobe epilepsy (in the days of the Emperor Tiberius, he was crucified for his ideas, today he’d be laughed at, mocked or medicated).

This “holistic” mode of consciousness (which Luthor experiences briefly at the end of All Star Superman) announces itself as a heartbreaking connection, a oneness, with everything that exists...but you don’t have to be Superman to know what that feeling is like. There are a ton of meditation techniques which can take you to this place. I don’t see it as anything supernatural or religious, in fact, I think it’s nothing more than a developmental level of human consciousness, like the ability to see perspective – which children of 4 cannot do but children of 6 can.

Everyone who’s familiar with this upgrade will tell you the same thing: it feels as if “alien” or “angelic” voices – far more intelligent, coherent and kindly than the voices you normally hear in your head – are explaining the structure of time and space and your place in it.  This identification with a timeless supermind containing and resolving within itself all possible thoughts and contradictions, is what many people, unsurprisingly, mistake for an encounter with “God.” However, given that this totality must logically include and resolve all possible thoughts and concepts, it can also be interpreted as an actual encounter with God, so I’m not here to give anyone a hard time over interpretation.

Some people have the experience and believe the God of their particular culture has chosen them personally to have a chat with. These people may become born–again Christians, fundamentalist Muslims, devotees of Shiva, or misunderstood lunatics. Some “contactees” interpret the voices they hear erroneously as communications from an otherworldly, alien intelligence, hence the proliferation of “abduction” accounts in recent decades, which share most of their basic details with similar accounts, from earlier centuries, of people being taken away by “fairies” or “little people”.

Some, who like to describe themselves as magicians, will recognize the “alien” voice as the “Holy Guardian Angel”.

In timeless, spaceless consciousness, the singular human mind blurs into a direct experience of the totality of all consciousness that has ever been or will ever be. It feels like talking with God but I see that as an aspect of science, not religion.

As Peter Barnes wrote in “The Ruling Class”, “I know I must be God because when I pray to Him, I find I’m talking to myself.”

Newsarama: When we spoke earlier this year, you talked about some of your ideas for future All Star stories. Are you moving forward on those, or have you started working on different ideas since then?

Grant Morrison: I haven’t had time to think about them for a while. I did have the stories worked out, and I’d like to do more, but right now it feels like Frank and Jamie and I have said all there is to be said. I don’t know if I’m ready to do All Star Superman with anyone else right now. I have other plans.

NRAMA: You end the book with Superman having uplifted humanity – having inspired them through his sacrifice and great deeds, and with the potential to pass his powers on to humanity still there. Do you plan to explore this concept further, or would you prefer to leave it open–ended?

GM: I may go back to the Son of Superman in some way. At the same time, it’s best left open–ended. I like the idea that Superman gets to have his cake and eat it; he becomes golden and mythical and lives forever as a dream. Yet, he also is able to sire a child who will carry his legacy into the future. He kicks ass in both the spiritual and the temporal spheres!

NRAMA: The notion of transcendence – always a big part of your work. But the debate about All Star Superman is whether or not it "transcends its genre." Superman becomes transcendent within the series itself, and inspires the beings on Qwewq, but does the work aspire to more than that? Is it simply the greatest version of a Superman story, and that’s enough?

GM: That would certainly be enough if it were true.

It’s a pretty high–level attempt by some smart people to do the Superman concept some justice, is all I can say. It’s intended to work as a set of sci–fi fables that can be read by children and adults alike. I’d like to think you can go to it if you’re feeling suicidal, if you miss your dad, if you’ve had to take care of a difficult, ailing relative, if you’ve ever lost control and needed a good friend to put you straight, if you love your pets, if you wish your partner could see the real you...All Star is about how Superman deals with all of that.

It’s a big old Paul Bunyan style mythologizing of human - and in particular male - experience. In that sense I’d like to think All Star Superman does transcend genre in that it’s intended to be read on its own terms and needs absolutely no understanding of genre conventions or history around it to grasp what’s going on.

In today’s world, in today’s media climate designed to foster the fear our leaders like us to feel because it makes us easier to push around. In a world where limp, wimpy men are forced to talk tough and act ‘badass’ even though we all know they’re shitting it inside. In a world where the measure of our moral strength has come to lie in the extremity of the images we’re able to look at and stomach. In a world, I’m reliably told, that’s going to the dogs, the real mischief, the real punk rock rebellion, is a snarling, ‘fuck you’ positivity and optimism. Violent optimism in the face of all evidence to the contrary is the Alpha form of outrage these days. It really freaks people out.

I have a desire not to see my culture and my fellow human beings fall helplessly into step with a middle class media narrative that promises only planetary catastrophe, as engineered by an intrinsically evil and corrupt species which, in fact, deserves everything it gets.

Is this relentless, downbeat insistence that the future has been cancelled really the best we can come up with? Are we so fucked up we get off on terrifying our children? It’s not funny or ironic anymore and that’s why we wrote All Star Superman the way we did. Everything has changed. ‘Dark’ entertainment now looks like hysterical, adolescent, ‘Zibarro’ crap. That’s what my Final Crisis series is about too.

NRAMA (aka Tim Callahan): Continuing with the theme of transcendence: The words "ineffectual" and "surrender" are repeated throughout the book. Discuss.

GM: Discuss yourself, Callahan! I know you have the facilities and I should think it’s all rather obvious.  

NRAMA: What was the inspiration for the image of Superman in the sun at the end? (I confess this question comes as the result of much unsuccessful Googling)

GM: I didn’t have any specific reference in mind - just that one we‘ve all sort of got in our heads. I drew the figure as a sketch, intended to be reminiscent of William Blake’s cosmic figures, Russian Constructivist Soviet Socialist Worker type posters, and Leonardo’s ‘Proportions of the Human Figure‘. The position of the legs hints at the Buddhist swastika, the clockwise sun symbol. It was to me, the essence of that working class superheroic ideal I mentioned, condensed into a final image of mythic Superman, - our eternal, internal, guiding, selfless, tireless, loving superstar. The daft All Star Superman title of the comic is literalized in this last picture. It’s the ‘fearful symmetry’ of the Enlightenment project - an image of genius, toil, and our need to make things, to fashion art and artifacts, as a form of superhuman, divine imitation.

It was Superman as this fusion of Renaissance/Enlightenment ideas about Man and Cosmos, an impossible union of Blake and Newton. A Pop Art ‘Vitruvian Man‘. The inspiration for the first letter of the new future alphabet!

As you can see, we spent a lot of time thinking about all this and purifying it down to our own version of the gold. I’m glad it’s over.

NRAMA: Finally: What, above all else, would you like people to take away from All Star Superman?

GM: That we spent a lot of time thinking about this!

No. What I hope is that people take from it the unlikelihood that a piece of paper, with little ink drawings of figures, with little written words, can make you cry, can make your heart soar, can make you scared, sad, or thrilled. How mental is that?

That piece of paper is inert material, the corpse of some tree, pulped and poured, then given new meaning and new life when the real hours and real emotions that the writer and the artist, the colorist, the letter the editor translated onto the physical page, meet with the real hours and emotions of a reader, of all readers at once, across time, generations and distance.

And think about how that experience, the simple experience of interacting with a paper comic book, along with hundreds of thousands of others across time and space, is an actual doorway onto the beating heart of the imminent, timeless world of “Myth” as defined above. Not just a drawing of it but an actual doorway into timelessness and the immortal world where we are all one together.

My grief over the loss of my dad can be Superman’s grief, can trigger your own grief, for your own dad, for all our dads. The timeless grief that’s felt by Muslims and Christians and Agnostics alike. My personal moments of great and romantic love, untainted by the everyday, can become Superman’s and may resonate with your own experience of these simple human feelings.

In the one Mythic moment we’re all united, kissing our Lover for the First time, the Last time, the Only time, honoring our dear Dad under a blood red sky, against a darkening backdrop, with Mum telling us it’ll all be okay in the end.

If we were able to capture even a hint of that place and share it with our readers, that would be good enough for me.

#All Star Superman #Grant Morrison #Superman

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beatrice-otter · 5 years ago

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Longfic Recs

So, over in fictional_fans, melannen is doing a collaborative set of longfic recs for while we're all staying inside and physically isolated from one another. Here's my first set of contributions. Almost all of these are over 50k, and many of the ones who say they're shorter are just the first stories in their series. But there are a few shorter ones that I couldn't not rec.

DC:

Nature and Nurture (109065 words) by lurkinglurkerwholurks Rating: Teen And Up Audiences Warnings: No Archive Warnings Apply Relationships: Jason Todd & Bruce Wayne, Batman & Red Hood, Dick Grayson & Jason Todd, Bruce Wayne & Damian Wayne, Cassandra Cain & Bruce Wayne, Cassandra Cain & Jason Todd, Tim Drake & Bruce Wayne, Alfred Pennyworth & Bruce Wayne, Dick Grayson & Bruce Wayne, Barbara Gordon & Bruce Wayne, Barbara Gordon & Dick Grayson Characters: Jason Todd, Bruce Wayne, Dick Grayson, Barbara Gordon, Red Hood (DCU), Nightwing, Oracle (DCU), Alfred Pennyworth, Damian Wayne, Tim Drake, Cassandra Cain, Selina Kyle, Harvey Dent Additional Tags: Distressing screams, Jason Todd is Red Hood, In which Red Hood panics mildly, Age Regression/De-Aging, But not cutesy de-aging, There are hugs and kisses though, Rated for Profanity, It was Jason of course, Mention of loss of parents, Angst, Angst and Feels, Mention of canon drug use, Mild Blood, Surprise the profanity is also Bruce, Angst and Hurt/Comfort Summary: It was a no good, very bad night all around, and it kept getting worse. In which the writer explores some classic tropes, indulges in some BatFam feels, and explores the effects of nature and nurture on the psyche of one Bruce Thomas Wayne. I Wanna Kiss You Like They Do In The Movies (4745 words) by Cy_kun Rating: General Audiences Warnings: Underage Relationships: Damian Wayne/Colin Wilkes Characters: Colin Wilkes, Damian Wayne, Bruce Wayne Additional Tags: Fluff, Humor, tiny boyfriends, with tiny crushes, Bruce really doesn't understand his son's smol future husband, they're both ten, so obviously no sex, I mention Christmas once so this will probably count as my Christmas story Series: Part 1 of Son of Batman Summary: "Mr Batman, can I marry Damian?" Or, the one where Colin can't stop thinking about kissing Damian, and for some reason thinks Bruce can handle that. Countless Roads (231868 words) by nirejseki, robininthelabyrinth Rating: Teen And Up Audiences Warnings: No Archive Warnings Apply Relationships: Mick Rory/Leonard Snart Characters: Leonard Snart, Mick Rory, Leonard Snart's Mother, Lisa Snart, Lewis Snart, Barry Allen, Wally West, Jefferson "Jax" Jackson, Iris West, Cisco Ramon, Caitlin Snow, Eobard Thawne | Harrison Wells, Nora Allen, Zoom, Earth-2 Harrison "Harry" Wells, Ronnie Raymond, Martin Stein, Earth-2 Ronnie Raymond, Earth-2 Caitlin Snow, Earth-3 Jay Garrick, Sara Lance, Ray Palmer, Rip Hunter, Kendra Saunders, Carter Hall, Time Masters (DC's Legends of Tomorrow), Time Wraiths (The Flash), George "Digger" Harkness Additional Tags: Alternate Universe - Canon Divergence, Alternate Universe - Ghosts, DEADFIC, Very Long Fic, Canonical Child Abuse, Canon-Typical Violence, not a slow burn Summary: Due to a family curse (which some call a gift), Leonard Snart has more life than he knows what to do with – and that gives him the ability to see, speak to, and even share with the various ghosts that are always surrounding him.

Sure, said curse also means he’s going to die sooner rather than later, just like his mother, but in the meantime Len has no intention of letting superheroes, time travelers, a surprisingly charming pyromaniac, and a lot of ghosts get in the way of him having a nice, successful career as a professional thief.

Sometimes I wish I could fly, Like a bird up in the sky (8815 words) by fresne Rating: General Audiences Warnings: No Archive Warnings Apply Relationships: Kal-el/Lois Lane Characters: Kal-el, Lois Lane Additional Tags: Character of Color, Biracial Character, Chromatic!Superman, Chromatic Character, Dark Agenda, Racebending Revenge Challenge, Podfic Available Summary: Written for the Racebending Challenge. For the challenge to depict a white character as a chromatic character, Kryptonians are black and Kal-El landed in Kansas in the Action Comic timeline.

This one's a WIP, but it is such an interesting idea, skillfully written, that I couldn't resist reccing it.

Robins and Other Flightless Birds (84920 words) by Ionaperidot Rating: Not Rated Warnings: No Archive Warnings Apply Relationships: Selina Kyle/Bruce Wayne, Tim Drake/Kon-El | Conner Kent Characters: Bruce Wayne, Alfred Pennyworth, Tim Drake, Jason Todd, Dick Grayson, Cassandra Cain, Damian Wayne, Kate Kane, Talia al Ghul, Athanasia al Ghul Additional Tags: Dad Bruce Wayne, Dick Grayson is a Talon, catatonic jason, tim drake was joker junior, bruce wayne's messiah complex, in which bruce runs around the multiverse collecting orphans, Kon and Selina and Oliver Queen are around, and various assorted Justice League members Series: Part 1 of Flightless Birds Summary: It begins with another Bruce, looking around his cave and asking, “So where are the kids?”

Bruce has never thought about having a family before. But once the idea occurs to him, it's hard to think about anything else.

Latchkey (54546 words) by goldkirk Rating: Teen And Up Audiences Warnings: No Archive Warnings Apply Characters: Tim Drake, Bruce Wayne, Jason Todd, Dick Grayson, Alfred Pennyworth, more to be added as the story progresses, Ace the Bat-Hound Additional Tags: Tim Drake-centric, Kid Tim Drake, Listen I play fast and loose with canon, Bruce is charmed by Tim’s genius and stupid brain, Tim Drake Needs a Hug, Child Neglect, Emotional/Psychological Abuse, Hurt/Comfort, Warnings will be posted as necessary with each chapter, Batfamily (DCU), none character deaths with left found family, in this house we love and appreciate therapy lessons and trauma recovery, and also proper care and keeping of children, Tim Drake Gets a Hug, Sibling Bonding, Bruce Wayne is a Good Parent, Stalker Tim Drake, You think DICK is a mama hen? get ready for not-dead Jason Todd!!!!!, Jewish Bruce Wayne, Jewish Tim Drake, lots and lots of comfort Summary: Or, How Tim Drake Found A Family, Became A Photojournalist, Learned To Love Coffee, and Grew Up, not necessarily in that order.

Tim Drake is thirteen, runs the famous BatWatch blog that has spiraled hilariously out of control, has absentee parents that suit his purposes just fine, is training himself to run the streets at night, and is doing absolutely peachy, thank you. Alfred and Jason disagree, and get Dick and Bruce involved in figuring out their weird nextdoor neighbor kid’s life. Everything goes uphill from there.

If You Don't Grow (105707 words) by GeneratorCat Rating: Mature Warnings: Creator Chose Not To Use Archive Warnings Relationships: Tim Drake/Jason Todd Characters: Tim Drake, Jason Todd, Dick Grayson, Bruce Wayne, Alfred Pennyworth, Barbara Gordon, Clark Kent, Kon-El | Conner Kent, Bart Allen Additional Tags: good big brother Dick, Healing, Slow Burn, Tim and Jason are kids at the start of this but worry not- nothing happens for a while, tags to be added as the story develops, Past Abuse, Smoking, Dick is trying his best, Anxiety, Panic Attacks, Someone gets punched, but they deserve it, Tim starts off a little brat, but then gets some sweet sweet character development, though don't be mistaken he's still a mischievous boy, Embarrassment, Emotional Hurt/Comfort, Homeschooling, Angst with a Happy Ending, Dick has anger issues, talking! about feelings!, has been described as: Lots of broken birds being rehabilitated by each other, and i must agree, Batman!Dick, lots of hugs, awkward sex talks, Demisexual Tim Drake, Knitting, Found Family, Cuddles, we getting soft y'all, Pining, Bruce is trying, Perceived Homophobia, Abandonment Issues, even more awkward sex talks, graysexual Jason Todd, embarrassing dad Dick Grayson, god they're so in love, god jason is an idiot, Accidental Boner, someone gets punched again, Fix-it fic, First Kiss, Masturbation, Jason Todd's sweet sixteen Summary: “I need to take care of myself. I can take care of myself.” “You shouldn’t have to, you’re just a kid.” God, does Dick know that. He knows what it feels like to be doing things you shouldn’t have to do at such a young age. About feeling like you have to take care of yourself, be strong and useful.

He knows now it’s bullshit.

(Officer Dick Grayson meets Jason on the street.) ((Alternatively titled: In which Dick pulls a Bruce))

one day this will all be yours (32586 words) by suzukiblu Rating: Teen And Up Audiences Warnings: No Archive Warnings Apply Relationships: Kon-El | Conner Kent & Lex Luthor, Clark Kent & Kon-El | Conner Kent, Superboy & Team, Kon-El | Conner Kent/M'gann M'orzz Characters: Kon-El | Conner Kent, Lex Luthor, Clark Kent, M'gann M'orzz, Kaldur'ahm (DCU), Dick Grayson, Artemis Crock, Wally West, Mercy Graves Additional Tags: Alternate Universe - Canon Divergence, Alternate Timeline, Family Drama, Family Feels, Found Family, Long Lost/Secret Relatives, Protectiveness, Amnesia, Temporary Amnesia, Father-Son Relationship, Two Fathers, Parent-Child Relationship, Team as Family, Team Bonding, Kidnapping, Flashbacks Summary: “You know, I used to think if I had different parents my life would be different,” Artemis says neutrally as she lines up a shot, and Superboy looks away from the punching bag, a little surprised to hear her speak.

Marvel:

god loves everybody, don't remind me (70381 words) by napricot Rating: Mature Warnings: Graphic Depictions Of Violence Relationships: Erik Killmonger & T'Challa Characters: Erik Killmonger, T'Challa (Marvel), T'Chaka (Marvel), Ramonda (Marvel), Shuri (Marvel), Okoye (Marvel), Nakia (Black Panther), N'Jobu (Marvel), Erik Killmonger's Mother, Bast, Linda (Black Panther movies), W'Kabi (Marvel), Ulysses Klaue, Everett Ross, Zuri (Marvel) Additional Tags: Time Loop, Alternate Universe - Canon Divergence, Wakanda (Marvel), Djalia | Ancestral Plane (Marvel), Erik Killmonger Lives, Family Summary: N’Jadaka didn’t believe in the gods of his people. But belief was not a prerequisite of the gods’ attention, and the blood of the Panther tribe ran in N’Jadaka’s veins. Bast took hold of his soul in her mighty jaws and lifted it free of his body. She gave him a warning shake, just as she would a misbehaving kitten, and set him back. With one careful claw, she tweaked his path through time into a twisting loop. Wayward and abandoned though he was, N’Jadaka was still of her tribe. He could set things right, if given the chance.

Erik gets a do-over. Erik gets a lot of do-overs. Or: Erik Killmonger's own personal version of Groundhog Day, only with a lot more murder, dying, trips to the ancestral plane, awkward family conversations, and divine intervention.

If They Haven't Learned Your Name (237623 words) by silentwalrus Rating: Mature Warnings: Graphic Depictions Of Violence Relationships: James "Bucky" Barnes/Steve Rogers Characters: Steve Rogers, James "Bucky" Barnes, Sam Wilson (Marvel), Natasha Romanova, Tony Stark, James "Rhodey" Rhodes, Pepper Potts, Maria Hill, Clint Barton, Nick Fury, Peggy Carter, Phil Coulson, Thor Additional Tags: Post-Captain America: The Winter Soldier, Post-Traumatic Stress Disorder - PTSD, standard Winter Soldier trauma umbrella, POV Alternating, Bucky Barnes's Metal Arm, Weirdness, Llamas, Bucky Barnes Has A Complicated Relationship With UFOs, Thirty Korean Grandmothers, Steve And Sam Vs. Canoe, Natasha Is Taking It Personally, Consent Issues, One (1) Orgasm, Podfic Available, Russian Translation Available, do not copy to another site Summary: Steve gets out of the hospital in two days, but just barely. “I’m fine,” he tells Sam, Nurse Eunjung and the phalanx of doctors assigned to make sure Captain America didn’t bleed out and die and get bad PR all over their nice clean hospital. “I have an advanced healing factor. It’s fine. See? I’m standing.”

“That is not standing,” Sam tells him.

“You’re bending the IV stand,” Nurse Eunjung adds pointedly. “Let go and sit down, they don’t grow on trees.”

aka Steve and Bucky's Global Honeymoon Revenge World Tour.

You Would Be In Clover (126894 words) by ChibiSquirt Rating: Explicit Warnings: Graphic Depictions Of Violence Relationships: James "Bucky" Barnes/Steve Rogers, Steve Rogers/Sam Wilson, James "Bucky" Barnes/Steve Rogers/Sam Wilson Characters: Steve Rogers, James "Bucky" Barnes, Sam Wilson (Marvel), Howard Stark, Peggy Carter, Sharon Carter (Marvel), Natasha Romanov (Marvel) Additional Tags: Alternate Universe - Always a Different Sex, Gay Bucky Barnes, Female Steve Rogers, Marriage Proposal, Marriage of Convenience, Religion, Miscarriage, Smoking, Period-Typical Homophobia, Period-Typical Sexism, Closeted Character, Open Marriage, Crossdressing, Howard Stark/Steve Rogers (minor ship), Bucky Barnes/Others (offscreen), Polyamory, Vaginal Fingering, Penis In Vagina Sex, Oral Sex, Mutual Masturbation, Rimming, Consensual Sex, First Time, First Kiss, Period-Typical Racism, Alternate Universe - Gender Changes, Genderswap, Genderbending Summary: Sarah “Gwen” Rogers was nineteen when she married Bucky Barnes, and she knew at the time just how stupid it was: it wasn’t exactly a brilliant move to marry a man who could never love her, even—or especially—when she knew that she was in love with him.

Neither of them could have predicted the war that came, and if they had, then they sure as hell couldn’t have predicted what would happen when Gwen volunteered for Project: Rebirth.

fight like girls for our place at the table (52110 words) by napricot Rating: Explicit Warnings: No Archive Warnings Apply Relationships: Sharon Carter/Natasha Romanov, James "Bucky" Barnes/Steve Rogers, James "Bucky" Barnes & Sharon Carter Characters:Sharon Carter (Marvel), Natasha Romanov (Marvel), Steve Rogers, Nick Fury, Sam Wilson (Marvel), Peggy Carter, Antoine Triplett, James "Bucky" Barnes Additional Tags: Captain America: The Winter Soldier, Post-Captain America: The Winter Soldier, POV Sharon Carter (Marvel), Slow Burn, Surveillance, Double Dating, Bucky Barnes' Attempts at Being a Wingman, Alternate Universe - Canon Divergence, First Time Summary: “Am I on Cap watch because of who my aunt is?” Sharon asks Fury point-blank the second she sits in his office.

“That’s part of the reason, yeah,” Fury says. Sharon narrows her eyes at him, and opens her mouth to object. “But not all of the reason. This isn’t a demotion.”

“It sure feels like a demotion. You’re taking me out of the field and out of intel analysis to babysit Captain America.”

How Sharon Carter gets her groove back, fucks up some Nazis, and gets the girl, with unasked for assists from a super soldier couple.

Châtelaine et senêschale (21859 words) by Feather Rating: Teen And Up Audiences Warnings: No Archive Warnings Apply Relationships: Pepper Potts & Original Female Character Characters: Pepper Potts, Tony Stark, Original Female Character Additional Tags: Pepper Potts and her team of badass ladies, ladies in the Tower, hypercompetent women, people with absurdly high IQ, Pepper wants to save the world, Pepper runs a super-efficient company, acute traumatic stress disorder, Post-Battle of New York, Post-Iron Man 3, Pepper is kind of not okay, quietly retconning implausible/insulting canon moments, Tony's terrible people skills Series: Part 1 of Settle in and find your home Summary: A quintet of essential moments including the Stark Industries Chief Legal Officer.

This is the first in a series of stories about side characters in Your Blue Eyed Boys, a massive Stucky series dealing seriously with Bucky's trauma. YBEB is awesome, but Settle in and find your home is even better.

Where the Need is Greatest (19717 words) by Niitza Rating: Teen And Up Audiences Warnings: No Archive Warnings Apply Relationships: James "Bucky" Barnes & Steve Rogers Characters: Steve Rogers, Nick Fury, Maria Hill, Natasha Romanov (Marvel), James "Bucky" Barnes, Tony Stark, Original Characters Additional Tags: Alternate Universe - Canon Divergence, Canon Divergence - Post-Avengers (2012), Steve Rogers vs. the American Military, paramedic steve rogers, Médicins Sans Frontières | Doctors Without Borders, Syria, Syrian Civil War, Hydra, Winter Soldier Bucky Barnes, Implied/Referenced Torture, POV Alternating, Steve Rogers and the 21st Century, Angst, Angst with a Happy Ending, Somewhat dark humor, Nick Fury Doesn't Get Paid Enough For This Shit, Humanitarian Intervention, Implied/Referenced Violence, Timeline What Timeline, Podfic Available, do not copy to another site Summary: In which Steve Rogers takes one look at the history of American military interventions since the end of World War II and nopes straight out of it, follows in his Ma's footsteps to become a paramedic, joins Doctors Without Borders, gets sent on an unsanctioned humanitarian mission to Syria, and somehow still ends up being a determining factor in Hydra's downfall - all of this without throwing a single punch. Somehow, he's okay with it.

This one's short, but oh, so good

Scents and Sensibility: The Working Assassin's Guide to Supersoldier Seduction(93216 words) by skellerbvvt, silentwalrus, galwednesday Rating: Explicit Warnings: No Archive Warnings Apply Relationships: James "Bucky" Barnes/Steve Rogers Characters: Natasha Romanov (Marvel), Melinda May, Maria Hill, James "Bucky" Barnes, Steve Rogers Additional Tags: Clownfish ABO, Everyone Has A Peen And A Vageen, Gender Spectrum Society, Scents & Smells, Courtship, Alternate Universe, One Thousand And One Blankets, Pod People But Not Like That, Precious Idiot Virgin Winter Soldier, Institutionalized Softism, Curtain Fic, Mutual Pining, Oral Sex, Bathing/Washing, Melon Tending, Transformative Works Welcome, do not copy to another site Summary: Captain America wakes up from the ice in 2013. The Winter Soldier wakes up in 2009, or rather defects from HYDRA, for a value of defect that’s closer to decimate. He ends up working for SHIELD. In April 2014, he’s assigned to Captain America’s mission as a sniper.

Steve’s just trying to get some kind of life together. Bucky is too, or at least he was until tall, blond and Captain shows up and starts just - being there, all the time. It’s terrible. It’s the worst. He has to do something about it.

the other side of infinity (84282 words) by tielan Rating: Mature Warnings: Creator Chose Not To Use Archive Warnings Relationships: Nick Fury & Maria Hill, Maria Hill & Sam Wilson & Bucky Barnes & Wanda Maximoff, Maria Hill & Jane Foster, Peter Quill & Groot & Mantis & Drax, James "Bucky" Barnes & Steve Rogers, James "Rhodey" Rhodes & Tony Stark, Nick Fury & T'Challa, Maria Hill/Steve Rogers, Maria Hill & Sam Wilson Characters: Maria Hill, Nick Fury, T'Challa, Sam Wilson (Marvel), James "Bucky" Barnes, Peter Parker, Stephen Strange, Jane Foster (Marvel), Loki (Marvel), Brunnhilde | Valkyrie (Marvel), Hela (Marvel), Groot (Marvel), Mantis (Marvel), Drax the Destroyer, Rocket Raccoon, Steve Rogers, Tony Stark, James "Rhodey" Rhodes, Carol Danvers, Hulk (Marvel), Natasha Romanov (Marvel), Clint Barton, Thor (Marvel), Ayo (Marvel), Wanda Maximoff, Vision (Marvel), Chewie | Goose (Marvel) Additional Tags: Not Avengers: Endgame (Movie) Compliant, Post-Avengers: Infinity War Part 1 (Movie), action-adventure, Canon-Typical Violence, Infinity Gems, Infinity Gauntlet, Sacrifice, Fan theories, Avengers: Infinity War Fix-It, Eventual Happy Ending, infinity war fix-it, this really is my endgame, Trope: Against All Odds, Infinity (Marvel), Canon Divergence - Avengers: Infinity War Part 1 (Movie), Alternate Universe - Canon Divergence, Infinity Stone Soul World (Marvel), Soul Gem (Marvel) Summary: On the other side of the moment, those turned to dust may no longer be 'alive', but they're damn well not helpless. This is the story of how they saved themselves.

when i die i’ll sacrifice (more than enough for the afterlife) (41322 words) by notcaycepollard Rating: Mature Warnings: Graphic Depictions Of Violence Relationships: Maria Hill/Natasha Romanov, James "Bucky" Barnes/Steve Rogers, James "Bucky" Barnes & Natasha Romanov, Steve Rogers & Natasha Romanov, Natasha Romanov & Sam Wilson Characters: Natasha Romanov (Marvel), James "Bucky" Barnes, Steve Rogers, Nick Fury, Phil Coulson, Maria Hill, Sam Wilson (Marvel), Additional Tags: Canon-Typical Violence, Post-Endgame, Various Background Relationships - Freeform, Red Room (Marvel), discussion of Red Room reproductive violence, Pining, spot the Marvel cameos, Family, animal cruelty mention, animal death mention Series: Part 1 of a flame in two cupped hands Summary: The fall is longer than Natasha expects. It’s tears cold on her face, teeth bitten all the way through her lip and the taste of copper in her mouth; she’s falling and falling and then, bracing for impact—she wakes up.

Downton Abbey:

Halo Effect (81331 words) by Alex51324 Rating: Mature Warnings: No Archive Warnings Apply Relationships: Thomas Barrow/Original Male Character(s), Thomas Barrow & Anna Bates Characters: Thomas Barrow, Anna Bates, John Bates Additional Tags: Alternate Universe - Canon Divergence, season one AU, Edwardian Gays, Historical Accuracy, Great War, Period-Typical Homophobia Series: Part 1 of Halo Effect Summary: The Halo Effect is the tendency for a positive impression in one area to produce a more generous or optimistic interpretation of ambiguous information in other areas. When Thomas rescues Lady Mary from the nefarious attentions of Turkish houseguest Kemal Pamuk, his employers and coworkers begin to see him differently...and Things Get Better.

A Season One AU diverging from canon in Episode 3, The One Where The Turkish Gentleman Dies in Mary's Bed.

Star Wars:

Hindsight is Not Perfect (61864 words) by DAsObiQuiet Rating: Teen And Up Audiences Warnings: No Archive Warnings Apply Characters: Anakin Skywalker | Darth Vader, Luke Skywalker, Obi-Wan Kenobi, Shmi Skywalker, Watto (Star Wars), Qui-Gon Jinn, Padmé Amidala, Yoda, Siri Tachi, Palpatine | Darth Sidious, Finis Valorum, Panaka (Star Wars), Mace Windu Additional Tags: Time Travel, Fix-It of Sorts, Time Travel Fix-It, Redemption, Well he tries Series: Part 1 of Force of Many Sights Summary: Paved with good intentions or not, the road back from Hell is a difficult, slippery slope for those who choose to walk it as Anakin has. Now he has to face the consequences of his choices, avoid suspicion of everyone from the Jedi Council to Palpatine and try to prevent the future from turning out as badly Before all while somehow finding a way to balance the Force... again!

Shape-Changer (2330 words) by Fialleril Rating: General Audiences Warnings: No Archive Warnings Apply Characters: Anakin Skywalker | Darth Vader, Palpatine, Shmi Skywalker, Kitster Banai, a Tatooine wise woman Additional Tags: Alternate Universe, Double Agent Vader, Storytelling, Tatooine Slave Culture, Small Acts of Resistance, Tricksters, Worldbuilding, Original Mythology Series: Part 1 of Double Agent Vader Summary: His Master liked to say that Vader was born in fire on Mustafar. But Ekkreth was born in the desert.

New Lands for the Living (50241 words) by SassySnowperson Rating: Mature Warnings: No Archive Warnings Apply Relationships: Poe Dameron/Luke Skywalker Characters: Poe Dameron, Luke Skywalker, Owen Lars, Beru Whitesun, Winter Celchu, Leia Organa, Bodhi Rook Additional Tags: Time Travel, Time Travel Fix-It, Alternate Universe - Canon Divergence, Alternate Universe - Everyone Lives/Nobody Dies, POV Poe Dameron, Marriage of Convenience, Slow Burn, (with a fast marriage), Pining for Spouse, Action/Adventure, Angst and Humor, Canon-Typical Violence, Additional Warnings In Author's Note Summary: The war is over, and nobody won. With the galaxy on the verge of destruction, Poe Dameron hatches a desperate plan—go back in time. But Poe's plan quickly goes awry, and he finds himself on the run from local authorities. The only plan to keep him safe is…extreme, to say the least.

"Can't get you citizenship documents," the man muttered, his voice clearer now that it wasn't muffled by the scarf. Poe took a deep breath and forced himself to think. He looked back at his would-be rescuer.

Who was shoving the scarf back from the top his head, revealing a face that Poe knew. That lots of people knew. Kriff, that everyone knew, trillions upon trillions of sapients in the galaxy would recognize that face.

Luke Skywalker—as fresh-faced and young as the day he became the successful destroyer of the Death Star—was standing in front of him.

Fuck.

"Need a land grant to get a moisture farmer licence, can't even get you a travel visa without citizenship documents…Hm," the legend said, sighing. "Yeah. I think we're going to have to get married."

Things You Missed in History Class (3713 words) by Grey_Bard Rating: General Audiences Warnings: No Archive Warnings Apply Characters: Finn (Star Wars), Rey (Star Wars) Additional Tags: Time Travel Fix-It Summary: Having traveled back in time, Rey and Finn have decided to set right what once went wrong. Too bad they have no idea what actually once went wrong.

This one is short but it is SO GOOD, HOLY COW

Imperial Radch

Fragments (30130 words) by pipistrelle Rating: Teen And Up Audiences Warnings: No Archive Warnings Apply Relationships: Awn Elming & Justice of Toren One Esk, Awn Elming/Justice of Toren One Esk Characters: Awn Elming, Justice of Toren (Imperial Radch), Justice of Toren One Esk Four Additional Tags: Alternate Universe - Canon Divergence, Everyone Lives but not quite, Fix-It, imagine if the dumbest and most lovestruck segment of One Esk ran away with Awn and had a picnic, that's where this fic lives, Awn survives, lots of talking, and swearing, a little bit of plot but not much, Fluff, Fluff and Angst, Canon-Typical Violence, Pining, Worldbuilding, Fake Marriage, kind of, Queerplatonic Relationships Summary: “We're fleeing Radch space. Of course we’re fleeing Radch space, I refused an order and you...” She paused. Then, very clearly and feelingly, she said, “Fuck.” Sometimes the path of justice and beneficence is clear. Sometimes you have to make your own.

Check, Please!

From the Ground Up (167381 words) by Rianne Rating: Explicit Warnings: No Archive Warnings Apply Relationships: Kent "Parse" Parson/Original Male Character(s) Characters: Kent "Parse" Parson, Original Male Character(s), Original Characters, Jeff "Swoops" Troy, Las Vegas Aces (Ensemble), Original Male Character(s) of Color, Original Female Character(s) Additional Tags: Slow Burn, Homophobia, Internalized Homophobia, Homophobic Language, Mental Health Issues, Panic Attacks, Anxiety, Angst, Fluff, Unresolved Sexual Tension, Until it's resolved that is, Hockey, (Obviously), Eventual Smut, Slurs Series: Part 1 of Kent Parson deserves nice things Summary: Kent has a pretty good life. It’s been a couple years since the Aces last won a cup, but he’s still at the height of his career. He has an apartment with a stunning view over Vegas, a best friend who’s always dragging him to basketball games, a cat to cuddle with, and more money than he could ever spend.

Everything is fine.

So it won’t be a problem at all if he strikes up a friendship with that guy he meets at the All-Star party.

Tomas enjoyed the years he spent in Minnesota, but he’s ready for a new life in a different city. It means he’ll be even further from his friends and family in Quebec, and he’s not sure he’s going to adapt well to the desert. But he’ll have his new job to distract him, and he’s never minded the challenge of developing a new circle of friends and acquaintances.

He doesn’t expect Kent Parson to be part of that.

Like Real People Do (153388 words) by xiaq Rating: Mature Warnings: No Archive Warnings Apply Relationships: Kent "Parse" Parson/omc, Kent Parson/OMC, Eric "Bitty" Bittle/Jack Zimmermann Characters: Kent "Parse" Parson, Swoops (Check Please!), Eric Bittle, Jack Zimmermann, Alexei "Tater" Mashkov, OMC Additional Tags: Slow Burn, Alternate Universe - College/University, figure skating, Sharing a Bed, Friends to Lovers, Coming Out, Hockey, NCAA hockey, Disabled Character, service dog, Happy Ending, Fluff, Banter, I just want Kent Parson to be happy ok, Living Together, Domestic Fluff, NHL, Closeted Character, Angst with a Happy Ending, but only like 2 chapters of REAL angst, TBI, Injury, Injury Recovery, parsepositive, Hurt/Comfort, Humor, idiots to lovers Summary: Parson gestures with his spoon toward Hawke. “So am I allowed to ask about the service dog or is that not PC?”

“My medical history is more of a 3rd date conversation," Eli says.

“Oh? Why’s that?”

“Because. No one sticks around afterward and I like to live in glorious denial for a short period beforehand.”

It comes out more self-deprecating than he intended.

Parson looks…thoughtful. “Well, does this count as one or two?

“Pardon?”

“This. Ice cream. I mean, technically it’s a second location, but still the same night. So is this one date or two?”

“One,” Eli says firmly. “If it’s happening within the same three-hour period.”

“You’re the expert,” Parson says, which, he’s really, really, not, but ok.

“So still two dates to go then?” Parson continues.

“I—what?”

“We’ve got a roadie coming up but then we’re home for almost two weeks. When does your semester start?”

“You want to do this again?” Eli asks.

Parson stops idly twirling his spoon.

“You don’t?”

He does, Eli realizes. He really does. Because apparently he actually likes Kent fucking Parson.

Original Work

Superstition (16000 words) by Superstition_hockey Rating: Mature Warnings: No Archive Warnings Apply Relationships: OC/OC Additional Tags: Hockey Gods, Bromance to Romance, Codependent Bros for Life, Accidental Marriage, Homophobia in sports, Homophobic Language, Sexist Language, Hockey typical violence, Unsafe Sex, Oral Sex, Frottage Series: Part 1 of Superstition Summary: He thinks about the times he’s heard his dad, his aunts and uncles, cousins, sports casters on the news joking about the hockey gods, wonders if they’re real. Maybe they are. Maybe if he works hard enough, gives them enough sweat and blood and time…

Mulan

primped and polished till you glow with pride (11363 words) by VagabondDawn Rating: Teen And Up Audiences Warnings: No Archive Warnings Apply Relationships: Fa Mulan/Li Shang Characters: Fa Mulan (Disney), Li Shang, Fa Zhou Additional Tags: Alternate Universe - Canon Divergence, Arranged Marriage Series: Part 1 of primped and polished Summary: Fa Zhou gets offered an advisory position in the Imperial City instead of riding to war and Fa Mulan finds her second attempt at Matchmaking goes better than the first.

Chronicles of Narnia

No Ordinary Letter (5680 words) by Transposable_Element Rating: General Audiences Warnings: No Archive Warnings Apply Characters: Aravis, Kidrash Tarkaan, Peridan (Narnia), Shar (Narnia OMC), Shasta | Cor Additional Tags: Calormen, Family, Cultural Differences Series: Part 1 of Love and Honor Summary: Aravis begins the process of reconciling with her father.

Silmarillion/Lord of the Rings

And What Happened After (73740 words) by thearrogantemu Rating: General Audiences Warnings: No Archive Warnings Apply Relationships: Bilbo Baggins & Frodo Baggins, Bilbo Baggins & Manwë Súlimo, Frodo Baggins & Fëanor, Samwise Gamgee & Maglor, Frodo Baggins & Sam Gamgee Characters: Bilbo Baggins, Frodo Baggins, Gandalf, Elrond, Mandos | Námo, Manwë, Fëanor, Sam Gamgee, Sons of Fëanor, Maglor, Nerdanel, Celebrimbor Additional Tags: Valinor, Fourth Age, after the end, Gandalf and his strategic hobbit deployment, Third Theme, There and Back Again Again, Very Long Conversations, Backpacking in the Blessed Realm, Long-Overdue Punches, Westron as a Second Language, Sassing cosmic superbeings, Life-Changing Road Trip with Feanor, Kierkegaardian Existentialism, Reconciliation, Halls of Mandos, Potato Diplomacy, Everyone Telling Stories, Arda Remade Series: Part 5 of The Splintered Light Summary: “My dear Mr. Baggins, you cannot possibly imagine I have brought you across the boundaries of the sundered world, bending every law of gods and men, over land and over sea and through the fathomless heights, for your health? Well, I did, of course I did, and I’d do it again. But it was not for your own good only that I brought you here. I have been on this world a very long time, Mr. Baggins, and if there is one thing that I have learned about the Wise and the Great, it’s that they benefit from the company of hobbits, and it’s the wisest and greatest who have most need of them.”

Star Trek

A Better World (17671 words) by weakinteraction Rating: General Audiences Warnings: Creator Chose Not To Use Archive Warnings Relationships: Benjamin Maxwell/Alynna Nechayev Characters: Alynna Nechayev, Benjamin Maxwell, Edward Jellico, Ro Laren, Odo (Star Trek) Additional Tags: guest appearances from various other 24th-century Trek characters, Time Travel Fix-It Summary: Alynna Nechayev does not give up easily, in any timeline.

Laid Bare (37013 words) by sixbeforelunch Rating: Teen And Up Audiences Warnings: No Archive Warnings Apply Relationships: William Riker & Deanna Troi, Taurik/Original Female Character(s) Characters: Deanna Troi, William Riker, Beverly Crusher, Taurik (Star Trek), Original *Characters Additional Tags: Psychology, Mental Health Issues, Eating Disorders, Domestic Violence, Anxiety Attacks, Aliens, First Contact, child endangerment, Pregnancy, Telepathy, Vulcan Culture Summary: Deanna Troi unravels a psychological mystery.

Lewis (TV)

A Place I May Go Both In and Out Of (49458 words) by kvikindi Rating: Teen And Up Audiences Warnings: No Archive Warnings Apply Relationships: James Hathaway & Robert Lewis, James Hathaway & Nell Hathaway, Robert Lewis & Nell Hathaway, Laura Hobson/Robert Lewis Characters: James Hathaway, Robert Lewis, Laura Hobson, Nell Hathaway, Lizzie Maddox, Lyn Lewis, Lyn Lewis's Son, Hathaway's Band Additional Tags: Catholicism, Found Families, discussion of suicide, Allusions to abuse, Giftedness, Gun Violence, Physical Trauma, Recovery, Urban Foxes, Post-Canon, Dysfunctional Family, Happy Ending, Christmas Summary: Lewis thought it was amazing, in retrospect, that no one had ever shot Hathaway before.

Big Hero 6/The Martian

Big Hero Martian (42621 words) by althor42 Rating: Teen And Up Audiences Warnings: No Archive Warnings Apply Characters: Hiro Hamada, Baymax (Marvel), Cass Hamada, Mark Watney, Annie Montrose, Gogo Tomago, Wasabi-No Ginger, Fred | Fredzilla, Melissa Lewis (The Martian), Alex Vogel, Chris Beck, Beth Johanssen, Rick Martinez (The Martian), Teddy Sanders Additional Tags: hiro goes on a rescue mission, so it's on mars, small details, just build a ship, nbd Summary: There would have been no rescue for Mark, if NASA had not noticed he was still alive. Unless of course, a certain Big Hero noticed instead.

Temeraire/Pride and Prejudice

A Monstrous Regiment (94904 words) by AMarguerite Rating: General Audiences Warnings: Graphic Depictions Of Violence Characters: Elizabeth Bennet, Colonel Fitzwilliam (Pride and Prejudice), Arthur Wellesley 1st Duke of Wellington, Jane Roland, Jane Fairfax, Frederick Wentworth, Fitzwilliam Darcy, George Wickham, Georgiana Darcy, Charlotte Lucas, William Price, Excidium, Gherni, Arkady (Temeraire), Perscitia, Captain Harville (Persuasion) Additional Tags: badass Elizabeth Bennet, Napoleonic Wars, Dragon Riders, Regency, Battle, War, Feminist Themes, Colonel Fitzwilliam has some period-appropriate Opinions that get overturned, so be forewarned, he's a good dude though, he learns, Age of Sail, alternate title: Charlotte's Great Escape Series: Part 1 of A Monstrous Regiment Summary: General Wellington selects Colonel Fitzwilliam for a very singular honor during the Spanish Campaign: working with dragons-- and, in particular, with Captain Elizabeth Bennet, of His Majesty's Dragon, the Longwing Wollstonecraft.

Temeraire/ Pride and Prejudice crossover entirely to have Elizabeth Bennet as a dragon captain during the Peninsular War, with Charlotte Lucas as her uber-capable first lieutenant.

Pride and Prejudice

An Ever-Fixed Mark (190537 words) by AMarguerite Rating: Teen And Up Audiences Warnings: Major Character Death Relationships: Elizabeth Bennet/Fitzwilliam Darcy, Elizabeth Bennet/Colonel Fitzwilliam, Jane Bennet/Charles Bingley Characters: Elizabeth Bennet, Fitzwilliam Darcy, Colonel Fitzwilliam (Pride and Prejudice), Georgiana Darcy, Catherine de Bourgh, Anne de Bourgh, Charlotte Lucas, William Collins (Pride and Prejudice), Maria Lucas, Jane Bennet, Charles Bingley, Mr. Bennet, Mrs. Bennet, Lydia Bennet, Kitty Bennet, George Wickham, Duke of Wellington, Mary Crawford, Mary Bennet, Caroline Bingley, William Elliot (Persuasion), Colonel Brandon (Sense and Sensibility), Marianne Dashwood, Eliza (Sense and Sensibility), Henry Tilney, Catherine Morland, Frederick Wentworth, Anne Elliot, Elizabeth Elliot, Arthur Wellesley Additional Tags: Soulmate-Identifying Marks, Soulmates, Comedy, Deconstruction, Napoleonic Wars, Regency, Regency Romance, Pining, badass Elizabeth Bennet, Miscarriage, 19th Century Medicine, Battle Of Waterloo, battlefield descriptions, Mention of Surgery, medicine sure was fun before germ theory, Period-Typical Homophobia, Period-Typical Sexism, Elizabeth Bennet/ Mud, is the true OTP, Feminist Themes, Post-Traumatic Stress Disorder - PTSD, Grief/Mourning, Slow Burn, Reaaaally slow burn, Burn so slow it takes like six chapters to defrost first, Biphobia Series: Part 1 of An Ever-Fixed Mark Summary: One would think that having the name of one's soulmate appear on one's wrist on one's sixteenth birthday would make matrimony much less complicated. It mostly does not. And not at all for Miss Elizabeth Bennet of Longbourne.

(A deconstruction of the "soulmate identifying mark" trope, using "Pride and Prejudice." Trigger warnings in the tags.)

Teen Wolf

Wolf Moon (93757 words) by pocketmumbles Rating: Explicit Warnings: No Archive Warnings Apply Relationships: Derek Hale/Scott McCall Characters: Scott McCall, Derek Hale Additional Tags: Alternate Universe - Time Travel, Alternate Universe - Canon Divergence, Minor Character Death, Fix-It Series: Part 1 of Wolf Moon 'verse Summary: On the night of 2013’s Wolf Moon, eighteen-year-old Scott McCall travels back in time to change Derek’s past and, hopefully, their future.

The morning after 2003’s Wolf Moon, fifteen-year-old Derek Hale wakes up after meeting a teen wolf named Scott. And then the story really begins.

(Or, the time travel story that isn’t about the time travel at all, but rather a complete rewriting of canon spanning fifteen years and every character along the way. Canon divergent/AU after Season 3B.)

Harry Potter

Swung by Serafim (352345 words) by flamethrower Rating: Mature Warnings: Graphic Depictions Of Violence, Major Character Death Relationships: Arthur Weasley/Molly Weasley, Andromeda Black Tonks/Ted Tonks, Lucius Malfoy/Narcissa Black Malfoy, James Potter/Lily Evans Potter Characters: Harry Potter, Sirius Black, Remus Lupin, Albus Dumbledore, Severus Snape, Draco Malfoy, Narcissa Black Malfoy, Lucius Malfoy, Dobby, Kreacher (Harry Potter), Minerva McGonagall, Filius Flitwick, Ron Weasley, Hermione Granger, Molly Weasley, Arthur Weasley, Fred Weasley, George Weasley, Charlie Weasley, Bill Weasley, Nymphadora Tonks, Neville Longbottom, Ginny Weasley, Fleur Delacour, Percy Weasley, Viktor Krum, Luna Lovegood, Rubeus Hagrid, Pomona Sprout, Lily Evans Potter, James Potter, OFC, OMC Additional Tags: I am not listing the entire cast of the HP universe, Alternate Universe - Canon Divergence, Post-Chamber of Secrets, Lily Evans Potter & Severus Snape Friendship, there is a tag for it yay!, also not listing relationships, Too confusing, Discussion of Past Child Abuse, The World Is Not Black And White, GFY, Don't copy to another site, seriously if those two actually were together at the end of this fic it would be in the tags okay?, and I don't tag the other relationships because they're spoilers, but before I get yelled at AGAIN, this isn't Snarry fic okay?, it has potential to become that if you squint, but I am not tagging for a romantic relationship that isn't there! Series: Part 1 of Swung by Serafim Summary: In 1993, Gilderoy Lockhart points a stolen wand at Harry Potter and Ron Weasley with the intent to Obliviate them.

The wand doesn't backfire. Gilderoy's "discovery" of the Chamber of Secrets is a short-term success.

Other consequences are not short-term at all.

Blood Magic (334522 words) by GatewayGirl Rating: Mature Warnings: No Archive Warnings Apply Relationships: Hermione Granger/Harry Potter, Remus Lupin/Severus Snape, Lily Evans Potter/Severus Snape Characters: Harry Potter, Severus Snape, Hermione Granger, Draco Malfoy, Remus Lupin, Ron Weasley Additional Tags: Severitus, Dark Arts, Secrets Series: Part 1 of Blood Summary: Blood magic was supposed to keep Harry safe, but his relatives are expendable. Blood magic was supposed to keep Harry looking like his adoptive father, but it's wearing off. Blood is a bond, but so is the memory of hate -- or love.

pick it up, pick it all up and start again (69328 words) by Annerb Rating: Teen And Up Audiences Warnings: No Archive Warnings Apply Relationships: Harry Potter/Ginny Weasley Characters: Ginny Weasley, Harry Potter, Ron Weasley, Hermione Granger, Bill Weasley, Fleur Delacour, Percy Weasley, Original Male Character(s), Original Female Character(s), Molly Weasley, Arthur Weasley, Charlie Weasley, George Weasley, Neville Longbottom, Luna Lovegood, Hannah Abbott Additional Tags: mostly canon ships, Sequel, Angst, Recovery, Slow Burn, Mutual Pining, Drama, Slytherin Ginny Weasley, Post-War, Canon Era, Not Epilogue Compliant, Post-Traumatic Stress Disorder - PTSD Series: Part 1 of Armistice Series Summary: The thing about war is that it never ends. Not really. The battlefields just change locations. Harry and Ginny after the war. (Sequel to The Changeling)

Valdemar

Enemy, It's Cold Outside (5121 words) by MueraRashaye Rating: General Audiences Warnings: No Archive Warnings Apply Characters: Original Male Herald, Original Male Sunpriest Additional Tags: Friendship across borders, Canon Compliant, War with Ancar, Tasteless jokes about Fires, Some timeline shifting Series: Part 1 of Friends Across Borders Summary: Inns in Hardorn border towns are neutral grounds, so long as the Sunsguard don't see the Herald and the Valdemarans don't see the priests. Usually this works fine, but one evening found Valdemarans with a Herald and Sunsguard with a priest at the same inn. Two groups of guards signal their outliers, and their outliers reluctantly retreat to the stables for a frigid night.

Turns out, it's too cold to kill ancient enemies. Much easier to swap drinks and tales under a night-long truce, figuring nothing will change in the morning.

And it doesn't. Not yet. But, it just might.

The Goblin Emperor

A Complete Education (57380 words) by bomberqueen17 Rating: Explicit Warnings: No Archive Warnings Apply Relationships: Csethiro Ceredin/Maia Drazhar Characters: Csethiro Ceredin, Maia Drazhar, Cala Athmaza, Kiru Athmaza, Deret Beshelar, Telimezh (The Goblin Emperor) Additional Tags: Canon Compliant, Canon Continuation, Sexual Education, Household Politics, The Emperor's Dav, Past Abuse, Misunderstandings, the fantasy of a world where everybody has good intentions Series: Part 1 of Continuing Education Summary: Preparing for the Emperor's wedding, everyone has some things they need to learn about.

#fanfiction #fanfic #fic rec

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praphit · 6 years ago

Text

Shazam: It's good to be dysfunctional.

　 Shazam!

First I'd like to say that "Shazam!" has been my catch phrase for as long as I can remember. I think that was actually my first word as a baby. It's a perfect word to use when you're excited about something that someone has said, but you don't really want to commit to anything. Like I said, I say it all of the time, but that doesn't mean I'm coming to that party, or going on that date, or agreeing to bust you out of jail. I love this word! I've got to look into getting some money due to DC stealing my catch phrase, but in the meantime, let's talk about SHAZAM! - the movie.

There's no good way to say it - DC has been effing up lately. BUT, I think this has been due to DC trying to be like Marvel. They were doing fine until they started building a "universe". But, I figured it out - Marvel is like that well off, well put together family. They all help cook and clean, they all say their prayers, they recycle, they've got a swear jar that's almost empty... of course they have their problems, but they have enough money to fix them or hide them. DC is the dyfunctional family.

First off, they've got a sitch where they have two dads (Supe & Bats) and a mommy (WW). But, the dads are much more into one another than they are the mommy. Eventually, the two dads ran off (maybe with one another who knows??), and mommy decided she doesn't need anyone else's help, so she's doing her own thing. Uncle Aquaman checks in once in a while when he's sober... and don't get me started on the cousins.

DC is dyfunctional, but that's ok! I feel like they're starting to believe that that's ok as well. Shazam came on the scene and said, "Come here you lil neglected DC kids, let me tell you my story." He understands them, cuz one of the things you'll learn about Shazam is that he was abandoned as a child and became an orphan. He later on met an old wizard (btw - Djimon Hounsou sighting).

Now this wizard has a special mission - he kidnaps... they may be too strong... he... transports kids and leads them to his lair, where he puts them through a test of purity. If they fail he kicks them out after telling them they aint's shit. But, if they pass, they get the opportunity to grab his staff and receive his power. How about those options?? The odd thing about this test (well, ONE odd thing) is the test is a matter of temptation to grab an orb from seven demons (named after the seven deadly sins). Now, it's not as if these demons are appearing as ... Idk, the Dallas Cowboy Cheerleaders

(then we've got some challenge)

- no, they look more like this -

Yeah... any child who fails this test deserves whatever is coming to them. And this pic doesn't even do the movie demons justice.

Anyway, Shazam passed (kinda - it was more like the Wiz ran out of time)! (at age 14) - and fortunately nothing creepy happened to him; instead now whenever he says the name "SHAZAM!" he pretty much becomes Superman meets Rayden from Mortal Kombat.

This movie is all about this boy (Billy Batson) randomly becoming a super powered MAN, and trying to figure out his powers, what a hero should be, and picking a cool name. There's also some "real talk" stuff going on with the topic of foster parents/kids and a mom that abandoned him when he was a small child (not Wonder Woman... I don't think). But, the movie stays on the comedy path for the most part. I laughed a lot in this movie. Like I said, Shazam is mainly here for laughs and fun. He's like "You've got enough of doom and gloom from the rest of the DC universe".

This film is more on the family friendly side... although the super villain IS possessed by those seven demons I mentioned earlier, so if you think about that (the names of these demons), it's slightly darker than you might think, but the movie doesn't focus on that too much. There is a strip club in here as well. WE (the audience) don't see anything, but the kids do a few times - it's used as a device to crack some jokes at the club's expense. I guess if you happen to be a stripper you may take offense. It's called "The Booty Trap". and I'm sure the ladies who work there are lovely:)

I don't have too may issues with this movie, honestly (though I'm not a stripper). I will say that it's a lil long; just a lil. And Shazam (though Zachary Levi does a great job!) is kinda one note. BUT, he's 14! What 14 year has any depth? Not like Batman, who instead of going to therapy when his parents were killed, decided to spend his life beating the holy snot out of people every night. That makes one complex. Or Wonder Woman living on Woman on Woman Island (don't make that face - it was an island of only women - either they were all abstinent or... you know.) Plus, that golden lasso... imagine the truths she has heard, especially when coming to our world -

WW - "Golden Lasso, do your work! Make them tell me the truth!"

"Wonder Woman, I cheated on my wife!"

"Wonder Woman, your ass is too fat for that costume!"

"Wonder Woman, I killed them all! And then ate them... and I'll do it again... delicious."

"Wonder Woman, I hate brown people and women!"

She'd be like "Mr. Trump, I haven't even lassoed you yet."

Point being, that's a lot to absorb - a lot of complexity. Shazam doesn't have that (yet). But, for the most part, that's a good thing. It's a refreshing break from all the dark stuff.

I guess one could complain about body image stuff. When he says "Shazam" he turns into a muscle freak. Later in the film, there are more kids-to-super-powered-adults who fight. The men all turn super-muscled, and the ladies... fit, but... idk. It'd be funny if a girl shouted the words and turned into one with a body like Chyna (RIP)

, and a boy did so and turned into one with the body of Danny Devito:)

I don't particularly care, I'm just sayin... again the point is to sit back and have fun with this movie. And it def accomplishes that.

Grade: A

Another thing, this movie doesn't care about Batman and Superman running off. They're like screw'em! We don't need them. And after watching this film and seeing what's down the pike for DC, maybe they're right.

#Shazam #john praphit #praphitproductions.com #Wonder Woman #superman #batman #movies #Movie Reviews #DC comics #praphit #comics #zachary levi #body image

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hellyeahsupermanandwonderwoman · 7 years ago

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Superman Action 1000 and Beyond.

On the eve of DC celebrating Action Comics 1000, it is rather bitter sweet for this fandom. We love Superman. Well , not all versions of him. Because there are some that are frankly boring, vanilla, backward and totally has nothing new to add to the Superhero mythology in 2018. But we love Superman when he is written as the layered character he is, who is truly selfless, sacrificing, proactive, smart, no one’s carpet, compassionate, noble etc. We do not like a Superman whose motivations are around one woman he sleeps with, that he can’t be who he is nor one who is willing to let the world burn so he can be comfy. Or one who is so obviously dim or dumbed down so others might have to seem smarter because Superman happens to be strong that is the only way some see it as making him vulnerable. We love a Superman who values his heritage as well as his upbringing. We don’t like one who is pandered to and his battles are really just one note or predictable. So yeah, DC, stop killing Superman or waving wands to fix his problems! This makes for a really boring journey.

It’s been 80 years but instead of DC forging ahead they seem to have backtracked with Rebirth and made Superman into a dad comic. Gone is the hero who has all sorts of adventures, and faces all kinds of challenges and ethical dilemmas. He’s to be put back in old trunks, while he’s been busy going on picnics or roadtrips and “teaching” his son. One of the strongest heroes on earth no longer really has anything much to do regarding bettering the world. Can’t tell you the last time Superman showed he was a moral compass, be it in movies, comics or tv. His motivation is usually built around saving Lois Lane, save during the new 52 when he had a partner who saved herself. But now with kid in tow this happy family...I mean only Superman can have it all. No other alien or outsider is as lucky as he is, right? Clark Kent hides and looks so normal and like the regular all American guy with his perfect family. Frankly fatherhood in comics has been done better. Martha and Jonathan Kent did it better. Heck even Batman did fatherhood better with a kid who was a challenge. Superman as a dad to a kid who is just a mini version of himself has nothing really new to say.

Diana did contribute something to Superman history but the way DC behaves she is nothing and did nothing. Never mind she was his best friend preflashpoint and decades before a very close ally and his lover in the new 52 and many Elseworlds. She also is regularly marketed with him and sells licensed official merchandise. She generates more merchandising $ with Superman than Lois. But for Superman Rebirth and 1000 and Beyond... Diana will be looked upon as nothing important. Batman will prob be given more value than Diana. She was wiped out as never happened and lies and the current SMWW “friendship” is a fucking joke. So this “celebration” for us feels a tad empty. We are happy to see Superman still hanging on but it’s sad to see the way he has been handled by a very clueless DC and WB.

“Even if Superman is not our best seller,” Mr. DiDio said, “the success and the positioning of the company works because of Superman. If Superman is working well, the entire line seems to be working well. If it’s not working well, then it seems like something’s out of whack. It’s intensely important for us to make sure that the Superman franchise is in good hands.”

https://mobile.nytimes.com/2018/04/13/business/superman-marvel-bendis.html

Words from one of DC’s higher ups. “Superman is not our best seller.” No, Mr Didio. He is not. He has suffered all through preflashpoint and it prompted YOU and DC to reboot. The new 52 was a sales success. Nothing the haters can say can change that. The numbers are there for all to see. But haters don’t seem to bring in sales. They talk but they clearly are not big enough to make Superman a best seller. In fact, in Rebirth’s numbers barely 2 years in is not stellar. Oh sure DC can all sing their own praises and blogs and sites run by fans that can’t bear change sing praises too. But if the books do not generate $ how in God’s name is Superman or the entire company working?!?! Feels like Mr Didio is contradicting himself.

The entire line, save Batman, and big events ( usually led by batcash cow) is doing middling or near to cancellation levels. Rebirth Superman is in the 40 K range. Detective Comics and Flash sells better than he does! And yet they want to say “everyone” loves this. SMH.

http://www.comicsbeat.com/sales-charts-the-calm-before-the-relaunches-dcs-sales-distribution-charts-for-march-2018/

And they have to relaunch AGAIN. Two years in. The New 52 lasted 5 years. So hope rests with Brian Bendis.

You know, all the best to him but I’m sorry, this is not for me. Rebirth Superman is not the Superman I cared about. The fact is, DC has insulted and undermined the readers of the new 52 and this fandom...many who are long time readers too going back to the 70ties and 80ties and we really do not feel celebratory. Gleason tweeted...”Superman is for everyone” I’m not sure who this “everyone” is. Not us because we are fake fans according to DC and seeing many people don’t buy Superman...who is this “everyone”?

Maybe someone at DC in the future might value us as customers but right now it does not feel like they give a shit given the PR and vibes coming from them. Superman looks like he has taken a step back 30 years ago and aged up to be yr Dad’s Superman. We live in an age when lesser known characters can capture the imaginations of modern audiences and broadened their fan base. Superman as far as we see, DC only are thinking of one demo. What a shame.

But despite all this, we still have to say we love you, Superman, ...what you could be... when you are written as a hero, with the right motivations. Until then remember...You were not born to be grounded, by anyone. Keep soaring.

#superman #action comics #action 1000 #DC comics #man of steel #wonder woman #SuperWonder #brian bendis #dan didio

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aion-rsa · 4 years ago

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Superman & Lois: Behind the Scenes of The New DC TV Show

https://ift.tt/eA8V8J

When you think of Superman, what’s the first thing that comes to mind? Is it the cape? The tights? The ability to “leap tall buildings in a single bound?” Whatever Superman’s most recognizable trait, it’s probably the way the character makes you feel that stays with you. The premise that someone so powerful would choose to use that power solely for good is an optimistic one. Despite being one of the most powerful figures in the DC Universe, it’s Superman’s capacity to inspire hope that is his defining characteristic.

“Part of why I find the character of Superman appealing as a fan, let alone as a part of the show, is that he has the power to destroy the world and he doesn’t,” Elizabeth Tulloch, who plays Lois Lane on Superman & Lois, says. “He’s doing the right thing because it’s the right thing. If he wasn’t Superman and he was just Clark Kent without the powers, he would be the same man. In other words, you don’t [need] powers to be good, decent, and kind.”

Lois Lane is an equally inspirational figure. What could be more hopeful than someone believing, often in the face of mounting evidence to the contrary, that all the world needs to make the right decision is to hear the truth? As one of fiction’s most famous journalists, Lois uses a different kind of power from her husband’s to make the world a better, more just place.

Let’s face it, these days, we’re all in need of a little hope. So why not spotlight the two heroes who have been fighting the hopeful fight for over 80 years? Superman & Lois, the newest iteration of these legendary characters which premieres on The CW on Feb. 23, aims to do just that, albeit with some refreshing twists. The days of our heroes competing with each other for scoops while Clark awkwardly hides his true identity from Lois are gone, replaced with a happily married pair with no secrets between them. To switch things up a little further, the two are raising twin teenage boys not in big city Metropolis but in Clark’s hometown of Smallville.

It may sound like a radical interpretation (at least by the generally change-averse standard of most Superman tales), but Superman & Lois still has sci-fi and action to spare, even as it shows us a new side of the Man of Steel. It comes as the latest entry in the network’s ever-expanding roster of DC superhero TV shows, which began in 2012 with Arrow and has grown to encompass The Flash, Supergirl, Legends of Tomorrow, Black Lightning, Batwoman, Stargirl, and more.

It was this shared universe that brought us TV’s newest Superman, Tyler Hoechlin, who first wore the cape in 2016 as a guest star on Supergirl. Despite the fanfare surrounding his arrival there was no Superman spinoff in the works at the time, and this was intended as a one-off appearance for the character.

“Honestly, I was at a point in my life and my career where I didn’t want to commit to something that was a full-time thing on a show,” Hoechlin recalls via Zoom during a break from filming. “I had just left [Teen Wolf] and was enjoying the opportunity to try different things and move around a little bit. So it felt perfect. [Filming] was going to be a couple of weeks up in Vancouver. I could check the list and say I got to play a superhero– and Superman at that.”

But Hoechlin, who had previously auditioned for the role on the big screen for 2013’s Man of Steel, found himself drawn to the way the hero was being presented for TV.

“I liked what Supergirl was representing at the time and what it has continued to represent,” Hoechlin says. “I really loved that the show was just shamelessly optimistic and hopeful. I was happy to do something that was just very, very bold about it.”

That “optimistic and hopeful” quality is apparent in Hoechlin’s performance from the first moments of that initial Supergirl guest appearance. Incredibly powerful and yet so unfailingly polite that he takes the time to offer a wink and a smile to people he saves on the street, this Superman connected with fans tiring of the conflicted, brooding takes which characterized so many of the character’s recent adventures. When the decision was made to bring Superman back for the following year’s Elseworlds crossover event, it was important to match Clark with the character who has shared nearly all his adventures since 1938.

“They were reading a lot of other actresses I recognized,” Tulloch recalls of her 2018 Lois Lane audition. “I kind of had a feeling, after I did it once, that I totally was doing something different from the other actors. The choice I made was just to have fun with it. I think, based on some of the feedback I got in the room, a lot of women had been reading that scene more seriously because, on paper, the scene did read as serious.”

The audition reading in question was a deleted scene from 1980’s Superman II, in which Lois, determined to prove that she knows Clark’s secret identity, pulls a gun on him and fires. A horrified Clark reprimands her, only for Lois to reveal that the round was blank. But by then it’s too late: he’s already confessed to being Superman.

“I just sort of played it joyfully,” Tulloch says. “And at the end, when he doesn’t die, I squealed happily and said, ‘I knew it.’” Tulloch recalls a note from Supergirl co-showrunner Jessica Queller: “She was like, ‘This is what we were looking for… there needs to be a joie de vivre about Lois.’”

Lois Lane is as crucial to DC history as Superman, first appearing in what is generally considered ground zero for the entire superhero genre: 1938’s Action Comics #1. The book introduced both Superman and Lois to the world and, over the ensuing decades, Lois has risen from supporting character to co-headliner, and with good reason. Tougher than a Metropolis winter, sharp-witted, and a better journalist than her superpowered co-worker, Lois showcases the human spirit at its best, no powers required. Tulloch embodies the character as confidently as Hoechlin does Clark/Superman.

“I can’t think of a more important time in recent history to be playing a journalist,” Tulloch says. “After the last few years, where I feel like journalists and members of the media have come under a pretty constant onslaught and had their roles diminished, I think it’s really important to be doing what she’s doing, using her words to fight on behalf of other people, and to fight for truth and justice.”

Just like Hoechlin’s Superman, Tulloch’s Lois was an immediate hit with fans. It helps that the pair share an effortless onscreen chemistry. Without the Clark/Superman/Lois faux-love triangle that characterized so many previous versions of the legend, TV’s new Lois and Clark were free to focus on fresher elements of the relationship. Amazingly, this rapport came naturally, as the tight shooting schedules of the Elseworlds crossover meant the first time the pair were in character together was right before filming.

“Our first readings were on set,” Hoechlin says. “We didn’t get to do any of the readings together beforehand. I immediately thought she was perfect for the part. That feeling has only grown.”

“We really just have so much fun,” Tulloch says. “I think that’s part of why I hope people respond to us. Obviously there’s a level of gravitas to these roles, and what they’re doing in their roles in the world is really important, but they’re also really playful and they really like each other.”

By the time the characters were brought back for another DC TV guest appearance in 2019, things had changed. Lois had given birth to their first child, the infant Jonathan Kent. They were there for the multiverse-shattering Crisis on Infinite Earths, which changed elements of reality for all the DC superhero shows, including a major status quo shift for Clark and Lois: instead of raising a single infant son, they now have twin teenage boys.

The responsibility of shaping Superman & Lois fell to writer and executive producer Todd Helbing, who served as showrunner on the fifth season of The Flash. Yet, it was a task that gave him pause when the job was first presented to him by DC TV maestro Greg Berlanti.

“These shows are ginormous,” Helbing says. “The hours alone, it’s just a daunting task. And nobody wants to mess up Superman.”

It was here that the family dynamic of Superman & Lois began to take shape. “Crisis gave us a blank slate in a lot of ways,” Helbing says, and with that came freedom. Only child Jonathan gave way to the idea of a son and a daughter, before finally settling on two very different twin sons: the athletic and confident Jonathan (Jordan Elsass) and the anxious and introverted Jordan (Alexander Garfin).

“I have two boys who are wildly different, so that became part of the storytelling,” Helbing says. “What do you do as parents when one child is completely different from the other and needs different attention and different help? The brothers’ relationship changes the family dynamic. And as working parents, how do you juggle your lives? Just thinking about Lois Lane being the most famous journalist in the world and the demands that her job has coupled with the demands that Superman would have, how do you infuse the storytelling with all of those challenges?”

Those challenges include the fact that, as the show opens, the boys don’t know their father is the world’s most powerful superhero, which means Clark occasionally misses out on fatherly activities without an honest excuse, an understandable point of friction.

“Superman is a difficult person to dramatize because he’s perfect in a lot of ways,” Helbing says. “The analogy we always use is Superman is sort of perfect, but Clark can be clumsy as a dad. I think being clumsy as a parent, that’s something that we all are. We’re all figuring it out. There are a lot of books written about it, but the second it happens to you, you don’t know what you’re doing. So why would that be any different for the Man of Steel? In a lot of ways, that opened up the floodgates about really telling stories where people can relate to him in a way that they haven’t been able to before.”

In other words, just because Lois and Clark are icons, pillars of an entire genre of storytelling, and two of the most famous characters in all of fiction, it doesn’t mean parenting comes easily to them.

“I think there’s a little element of guilt on both of their parts because they’re such busy people, with Clark moonlighting as Superman, and Lois being this very famous, hardworking journalist,” Tulloch says.

The idea of Lois and Clark as parents isn’t new to fans of the comics, where young Jonathan has been a fixture for years, but it isn’t as well known as other facets of the Superman legend. This makes Hoechlin and Tulloch the first actors to bring this element of the characters to a mainstream audience.

“For me, it was an exciting opportunity to tell a part of the story that hasn’t been told before,” Hoechlin says. “In a way, it raises the stakes significantly… the only real threat to him is threatening the people that he cares about. Of course, he’s had that relationship with Lois, but now he’s also got two kids, so that threat becomes all the more real.”

Fans who grew up with Superman and now have families of their own may see the character in a new light. “I think for parents to be able to come back and reconnect with this character who was a hero of theirs as a kid going through the same things that they’re now going through is such a cool opportunity, as well,” says Hoechlin.

Creating a realistic family dynamic meant finding actors to play the Kent sons who felt natural with their onscreen parents. Tulloch did readings with a series of young actors to make sure the parental chemistry was there.

“You honestly could tell almost immediately that they were the right fits,” Tulloch says. “Alex Garfin, who plays Jordan, has a lot of emotional stuff. He was just really excellent. Jordan Elsass, who plays Jonathan, is the same. His role is really different since Jonathan’s a bit cockier. If anything, his character’s Achilles’ heel is that he thinks too highly of himself. But both of those boys were just awesome.”

Events in the first episode lead the family to leave Metropolis for Clark’s old hometown of Smallville, which isn’t quite the idyllic small town it’s sometimes portrayed as. But the rural setting doesn’t mean that there will be less superheroic action than you’ve come to expect from a big city-based hero.

“The way we approached it was, if Flash is the guardian of Central City and Supergirl is the guardian of National City, Superman is the guardian of the world,” Helbing says. “So it really doesn’t matter where Superman’s based. He can fly anywhere in the world in a matter of seconds. Once you understand that, it really doesn’t matter where his home turf is… it could be anywhere.”

Bringing the family back to Smallville means that Hoechlin has an opportunity to explore more facets of the character. There’s a long-running debate among Superman fans and creators about which of Superman’s identities is the “real” persona. Is he really Clark Kent, and Superman is a put-on for the world? Or does Superman represent his true nature, and it’s Clark Kent who’s an act? To hear Hoechlin tell it, it’s far more complicated than that.

“There is Superman at the most extreme, when no one knows him as anything other than [a hero],” Hoechlin says of his approach to the character. “There’s Superman when he’s around people who are aware that he’s more than just Superman. There’s the Clark that everyone knows is Superman, but he’s still kind of ‘playing Clark.’ There’s also the extreme Clark where you would only ever think that he’s the clumsy guy in the office and that’s all he is.”

But the truth of the character lies somewhere else entirely for the actor, and it’s the one that lends itself well to a story of Clark living a family-oriented life when he’s not flying around saving the world.

“And then there’s this guy in the center,” Hoechlin says. “I don’t really think that there’s a right answer in saying that ‘he is Superman’ or ‘he is Clark.’”

Clark will face some challenges as he readjusts to Smallville life, but it’s the famously outspoken Lois who has her work cut out for her.

“Lois has a tendency to put her foot in her mouth and sometimes she doesn’t think before she speaks,” Tulloch says. “You will see her get into trouble a little bit with the people of Smallville because she thinks she’s doing the right thing on their behalf, but not really thinking through their specific needs.”

Despite these weighty and dramatic concepts, there’s no shortage of super-powered action in the first two episodes, in which Superman takes on a mysterious, armored foe. For those wondering whether they need to be up on the various continuity bylaws of a TV universe that encompasses no fewer than six other shows, the first episode kicks off with a wonderful crash course in the history of this particular Superman and Lois, and there’s no baggage from other series to contend with.

“My mom watches everything that my brother [Aaron Helbing of The Flash, Knightfall, and more] and I do, and she didn’t read comic books,” Helbing says. “If she can’t understand what’s going on, then we’ve failed. But in the same light, there’s a huge fanbase, so we want to put Easter eggs in there and we want to tell stories about characters that everybody knows [from] the comics. We want to satisfy both at the same time, but ultimately, our job is to just tell a good story, and that takes focus.”

Getting what these particular characters represent right matters more to fans than superpowered brawls, crossovers, or intricate continuity. (“Part of why Tyler and I take this really seriously [is] because we know these roles are iconic for a reason,” Tulloch says). Embodying those core values is what made Hoechlin and Tulloch’s portrayals connect so strongly with fans in the crossovers, and it’s something everyone involved in the spinoff series intends to continue.

“It’s such a polarized world that we’re living in,” Hoechlin says. “Superman’s ability to stand for what’s right without having to, for lack of a better word, demonize, is something I really appreciate about him. For me, that’s really that idea of compassion and empathy towards everyone. I think his hope is that everyone finds the right path.”

But as it so often does when discussing the world of Superman, it always comes back to that one word: hope.

“Superman has always been hopeful,” Helbing says. “Considering everything that we’ve gone through this year, hope is infused in there and it should be. But it has to feel real, and it has to come out of hopefulness for real struggles that anybody watching this can relate to. If Superman can struggle and he still remains hopeful, and if Lois can struggle and she remains hopeful, then I think maybe we can, too.”

Superman & Lois premieres on Feb. 23 on The CW.

The post Superman & Lois: Behind the Scenes of The New DC TV Show appeared first on Den of Geek.

from Den of Geek https://ift.tt/3jS7fbT

#aion-rsa #Den of Geek

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supergirlspurgatory · 8 years ago

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I did a thing, and I live blogged Supergirl, 2.21

Oh we’re opening the first shot with Lena in a bed, this feels a lot like queer baiting.

You know, I really like Terri Hatcher pre-Rhea, now I want to punch a bitch.

This doesn’t seem like a better way.

I really appreciate that we get Maggie in the second scene.

Also, I’m loving that Alex still has her kick-ass alien gun.

My girlfriend says Alex runs weird, but you know what? I think it’s hot.

Also, I totally new Supergirl was going to catch Alex, I sort of just want to watch her jump out of the building over and over again.

Mon-el, your mommy sucks.

There are already pyramids in Egypt Rhea, we don’t need more.

Your elite sound sucky.

Oh, Katie McGrath isn’t credited as a guest star this week, it just says Katie McGrath. Score for my girl.

I think Rhea just announce Mon-el and Rhea getting married to Mon-el….

Op, there it is.

Save space dad please.

Alien bar is the new DEO, I’m into that.

Rhea took your girlfriend Kara, you should be more upset.

ugh. Lillian Luthor, just kill her.

Like I know she’s here to help, but can’t we just kill her and get it over with?

Lillian you don’t deserve their help.

Okay, to be fair, Lillian isn’t wrong. Doesn’t make me hate her any less.

That’s right Kara, call that bitch out.

How does she know so much about Alien tech. I mean she’s an alien hater, shouldn’t she discount their tech..

Agent Danvers, I don’t think you’re making a mistake.

Lillian, I don’t believe for a second that you love Lena, you’ve only been a jerk to her this whole time.

So you just want to take over National City, not the whole country, that’s confusing.

President Marsden, we all know you’re an alien and pretty sure you’re only opposed to this because you want to take over the earth.

That’s right, we don’t negotiate with terrorists.

CAT MOTHERFRICKIN GRANT!!!!! I’m so fucking happy right now.

That’s right, she is the queen.

Got I love her so much.

Kanye and Taylor Swift huh Cat?

Rhea if you think you can command Cat Grant, you’re kidding yourself.

Kara go save your original BAE!!!!!!

OHHHHH THERE IT IS!

She’s doing the iconic superman carry, bridal style….QUIT QUEER BAITING ME CW!!!!

Is President Marsden dead though?

Oh….she’s okay, and an Alien….I mean we all knew that, but didn’t see it coming like that.

CAT MOTHERFRICKEN GRANT, the queen of all media and the queen of one-liners.

CAT HUGGED WINN…..

That is out of character, but I’m into it.

Let’s just explain the DEO real quick.

DC with the Dhali-Llama huh?

ET in a bathrobe….hahahahah

Yes, Winn she is an Alien.

She comes in peace…hahahah I’m not sure I believe that.

Uhm, Cat, quit being so gay. “Darling, I love you just the way you are, scales and all.”

GAYYYYY

Lets hear it from the back, GAAAYYY.

This is all so gay.

Why is the former secretary of state calling you CAT, this doesn’t make any sense.

That’s right, ALEX IS MOTHERFUCKING IN CHARGE.

This seems a little harsh Olivia.

WE HAVE TO SAVE LENA!

SAVE LENA FIRST…..

Anything else is unacceptable.

You know who doesn’t look thrilled about getting married?

LENA fucking LUTHOR.

That right Lena, no getting married and no have babies.

WHAT YOU CAN’T UNWILLINGLY GIVE LENA A CHILD.

RHEA YOU ARE FUCKED.

Of course there is a Luthor family Children’s Hospital.

SHE IS A GOOD PERSON.

A REAL GOOD PERSON.

LEAVE HER ALONE.

Rhea, this is blackmail.

No Lena, Kara is coming to save you.

Also, what the heck is that dress you’re wearing RHEA?

That’s right Kara, you gotta hold out for Lena and mash potato.

No Alex, don’t do it!

It’s time for a pep talk right?

YUP!

Cat, that’s a trash throne.

You still look good,

but trash throne non the less.

Tell her about your undying love for Lena

Oh that’s right, she is your best friend.

If I must be queer baited, at least you’re giving me best friend.

No, Kara, you aren’t selfish, you just have a big heart.

Awww Cat, I talk to Siri some times too.

Yeah Cat, yurts suck.

But it does sound happy there.

Aww human connection, that’s why you hugged Winn.

How sweet of you.

Oh Cat, you inspire me.

And I love you.

I wish I could ply like Kara.

I agree Cat…SOOOOO COOL!

I have mixed feeling about this team up Kara, but I guess I’ll accept it this time.

Alex, calm down.

also….like where did Maggie go? She was only there for like 30 seconds?

Of course she’s up to the challenge. She loves Lena with her whole heart.

Queen of distraction?

Queen of all media?

More like Queen of my heart.

Friendly reminder, Kara isn’t into killing people, evil or otherwise.

That’s right Alex, you would save your girl, and Kara is going to save hers.

Don’t worry Alex, she’ll be fast. Don’t cry babe, it’s going to be okay. There’s a whole next season, Kara has to live.

That’s a good question.

Ugh, Lillian, Lena could never hate Kara.

That does though. HOT.

I am not impressed with this wedding.

Yeah, I won’t want to hold hands either.

Is it legal for her to officiate a wedding?

Doesn’t seem legal.

Just cross your finger behind your back, and I’m sure it won’t count.

Free weight and sweat are gross.

Cat, claim you office back.

SAGE!!! Haha.

Jame is Hiding?

Kara is a coward?

LIES WINSLOW. LIES.

Oh look, she’s punching her way in.

That’s a big HVAC system.

OH sexy girlfriends, saving the world.

I’m into it.

Rhea, I feel like this is sort of droning on.

Also, they definitely are not each other’s star.

Kara is both of their stars.

Yeah Cat, I’m afraid too.

Oh look, they hacked the Daximatie’s hologram…

Go you.

That’s right Cat, you are a message of hope.

NOT IN MY HOUSE.

Gosh, I like her so much.

That’s right, you are in the wrong town.

Should have gone to Gotham.

Oh excellent, they aren’t married.

Dodged a bullet there.

She just called him R2 like R2-D2

That’s right babe, you punch everyone.

Oh, Lena’s got a gun.

I’m into this…like it’s hot, super hot.

Kara needs to move faster.

Oh look, she’s going to Macgyver it.

Oh Lena, your mommy came, I don’t know if you should be that happy about it though.

And they left Kara and Mon-el behind.

Lillian, you’re a bitch.

I hate you.

ALEX NOOOOOO!

This whole episode is an emotional rollercoaster that I cannot handle.

Oh, is this where they’re going to Leave Mon-el behind?

Because I can get behind that.

Punch your mommy Lena. Just do it.

Oh yes, you’re going to be okay.

Kara is going to be okay.

NOOOOOO! Kara don’t stay.

Think about Lena.

You love Lena.

Okay, so I’m not into Mon-el/Kara, but I’m into her being a hero. Because she is a fucking hero.

Cat, this is not the time to be nonchalant.

Lead dust, that’s smart.

James, you’re such a Hero.

Hahah, she knew!

She totally knows that Kara is Supergirl too.

ALEX, do NOT SHOOT THAT CANON!!!!!

SHE IS YOUR BABY SISTER.

YOU LOVE HER.

DON’T KILL HER.

Kara, you are so touching. With your heroics and your speeches.

Rhea. I don’t like you.

Kara, just punch her.

Get off the fucking ship.

And now we can’t use the canon.

Well that sucks.

But it looked like heat vision took it out.

Was that Clark?

Fuck.

How did they take over Superman.

And now I have to wait a whole fucking week??

#Supergirl #Supergirl 2.21 #Supergirl Resist #Supercorp #Supercat #It's sort of gay at a few points #got my weekly queerbaiting in #Alex Danvers #James Olson #Winn Schott #Cat Grant #Maggie Sawyer #Lena Luthor #This was a super good episode #Supergirl spoilers

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hellyeahheroes · 8 years ago

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6 Big 2 Comics For Your Kids

When I’m writing those words tomorrow will be April Fools Day. Meaning only two months before International Children’s Day. And meaning that Easter will be soon. And I know there are at least some people who buy their children gifts for Easter. Many nerds probably are looking for a good book for their children or nephews or maybe even friend’s kids. But it’s hard to choose a comic book that is both good and appropriate for kids, not in the era of violent superhero comics. As such, I wanted to suggest to those parents 6 comic book series that would be a perfect gift for a young child.

6) Kamandi Challenge

Created for the celebration of Jack Kirby’s 100th birthday, Kamandi Challenge takes one of King’s old creations – Kamandi, the Last Boy on Earth. Raised by robots in a bunker, Kamandi is a young boy forced to travel the world where Great Disaster wiped out the humanity and world were taken over by humanoid animals. Every issue is written and draw by the different creative team, who have two goals – they need to get Kamandi out of whatever trouble their predecessors put him in and end the issue with a new cliffhanger for next team to solve. As such individual issues can be inconsistent in quality and tone, but 3 issues published so far (out of planned 12) mostly don’t have anything a kid with a bit of parental supervision shouldn’t be able to handle and this structure is bound to keep kids excited.

5) Moon Girl & Devil Dinosaur

Another fresh take on one of Jack Kirby’s more obscure creations. Lunella Lafayette is a young, incredibly smart girl, living a normal life. That is until she witnesses a portal opening in the street, through which a bunch of evil cavemen comes out. Following them is legendary Devil Dinosaur – a mighty red T-Rex chasing killers of his best friend, caveman Moon Boy. Devil Dinosaur decides to take Lunella as his new partner.

4) Superman/Super Sons

This one is a bit of cheating, but I can explain. DC’s current Superman series is a return to what made the character great after rather controversial attempts at trying to make him more “edgy” in previous years. Among other things DC restored character’s marriage to Lois Lane and gave them a son. 10-years old Jonathan Kent is learning how to be a hero and follow his father’s footsteps, often joining Superdad in his adventures. While some stories might be a bit too continuity-heavy, others are single or two issues long adventures of pure fun, like “Return to the Dinosaur Island”. One of them introduces Jon to Damian Wayne – Batman’s arrogant son and current Robin. And these two play each other off so well, they got their own book for adventures without their dads. That book is Super Sons. While it might have a bit serious tone at few moments, two issues published so far were an entertainment that should be easily understood by many young boys.

3) Monsters Unleashed

By this I mean both the small event Marvel published and ongoing series launching in April of the same name. The premise is that a new Alien threat has emerged – the Leviathons, apparently limitless hordes of giant monsters from space that keep attacking almost without stop, tiring Marvel heroes denied even the chance to rest between following battles. In this time a young boy named Kei Kawade can be Earth’s only hope with his power to summon monsters to fight on his side against the invaders. What I love about this concept is that Kei summons monsters by drawing them. It’s a story that not only lets a kid be a hero but celebrates their creativity and talent. It inspires kids to follow their dreams while adding some big monster battles. The ongoing series where Kei leads a team of heroic monsters starts in April.

2) Gotham Academy

Batman and everything around him for a long time has been associated with more serious and dark part of DC Universe. Gotham Academy tries to lighten it up a bit. It takes gothic, moody atmosphere of Gotham with a classic mystery adventure. Gotham Academy is an old school that hides many secrets going back to the beginnings of Gotham and Arkham family and it’s up to Olive Silverlock and group of her friends – Maps, Kyle, Colton and Pomeline – to unravel them. It has a lighter take on some of Batman villains (Killer Croc is outright friendly and shares stories about how he threw a rock at Batman, Clayface gets into acting competition with one of the teachers), the slow building of mysteries in a way similar to shows like Blake Holsey High. It also features a rich cast of fun characters, among which it’s very easy to find a favorite.

1) the Unstoppable Wasp

Finally, we have the story of Nadia Pym, daughter of Henry Pym and his first wife. Nadia is an interesting case in that, despite having a dark backstory (she was raised by Russians to be a spy just like Black Widow) and the fact her father died some time ago, she retains an incredibly positive and warm view of the world. She’s a volcano of happiness and excitement and she absolutely loves science but is also are how lucky she is to be not only incredibly smart but also having friends in Avengers and her father’s inheritance. So she decides to use this to help other smart girls in the world, gathering around her a rich cast of characters. If your child is particularly science-oriented, then this book will be an undeniable inspiration for them.

#Kamandi Challenge #Super Sons #Gotham Academy #DC #Moon Girl & Devil Dinosaur #Monsters Unleashed #The Unspoppable Wasp #Marvel

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ethelbertpaul444-blog · 7 years ago

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5 Stupid Things We Need To Stop Clicking On

We “re living” the final choke of the Information Age. Experts estimate that 62 percent of all the points we now receive is purposely mistaken, and that includes the percentage and professionals I made up at the start of this sentence. The sad fact is, the majority of members of you are able to never have the critical envisage or research abilities to know what’s real, and that will simply manufacture you more absolutely convinced the erroneous situations your stupid ass belief. The good story is that this article isn’t about that shit. The imitation information fighting is over, and stupid won. No, this article is about the dumb things we all keep falling for — even you, the genius who chose the right political area and religion. 5 Pointlessly Insane Product Are Not That At All Last year, Tiffany& Co. started selling the Sterling Silver Tin Can, an empty can that costs $1,000. You’ll notice that this is far more than you’d naturally pay for soupless garbage. To be clear, this wasn’t some tin can that once impounded Prince’s final dark-green nuts. It’s simply a can. As an imaginative word, it was 50 years stale, and as a money-making strategy, it was somewhere between a portable diarrhea carton and that same product without a eyelid. It’s the kind of sentiment that they are able to offset the other Saved By The Bell novelists tell, “Look, if you’re not ready to come back to effort, make more time off to deal with the death of your son.” The item I’m building is that it’s hard-boiled not to comment on Tiffany’s silly can, and that’s more appealing to Tiffany& Co. than where reference is comment on how the ones who quarried their concoctions all lived of slavery. “Darling, I was part of many someones transcending penetration to convert a utilitarian men’s room into an installment of signature Tiffany oeuvre.” — this Tiffany copywriter justifying to his wife why “theres” seven colourings of pubic hair in his underpants Read Next 8 Baffling Poop-Themed Toys Kids Are Lining Up To Buy And it’s is not simply tin cans and Wu-Tang recordings that are marketed in intentionally strange modes. Food advertisers have figured out that they can get more attention by being ridiculous than by being delicious. Retain when KFC employed fried chicken as sandwich food in the Double Down? Or when Chick-Fil-A announced that their fried chicken detested lesbian people with the Cajun Titty Jiggler? We all made amusing of them, but they perfectly did not care. These are people souring pigeon meat and “deported” foreign nationals into nugget figures. They’ll take any press they can get. We need to stop doing this. It’s very possible the only conversation any of us had or will ever have about Dr. Pepper started when they liberated a special copy of their soda for men exclusively . We all went on Twitter to add stuffs like, “Forbidding females from savor Dr. Pepper Ten will only retard the disclosure that it’s made from semen , not stop it completely.” We asked questions like, “Why would you make a soda for men exclusively? Are you trying to find the perfect drink to pair with losing custody of your adolescents? ” Or maybe you are only pondered, “Dr. Pepper Ten sounds like the refreshing discus you contact for when defending an alleged rapist you haven’t met.” SORRY LADIES, OUR CREATIVE DIRECTOR IS STILL DEALING WITH SOME CHILDHOOD TRAUMA INVOLVING PENISES . b> Products should conclude the customer happy , not be so intentionally foolish that the customer hears about them during a Jimmy Kimmel monologue. You shouldn’t spawn every tenth new Oreo out of cat suppository in the hopeles said he hoped that cookie influencers tweet about it. And pizza, you peculiarly need to get your shit together. In 2012, a Pizza Hut employee happened upon the relevant recommendations of a hot-dog-stuffed crust, relatively by coincidence, when his administrator caught him fucking a pizza and asked written explanations. This distinguished the last experience there would ever has become a non-insane pizza ability. Today, pizza marketing is a series of deranged inventions, like a serial killer’s pilgrimage toward becoming the Minotaur. For speciman, Pizza Hut created “smart” shoes that situate an degree for you. Aside from get the elderly to wonder what they’re going to come up with next, what the fuck good do pizza shoes do anyone? If you have a use for dictating Pizza Hut via shoe, your foot is going to fall off from diabetes long before you get to make love a second time. essay > And did you know that Domino’s devoted millions of dollars promoting something called “carryout insurance? ” It’s what it sounds like — a monetary guarantee that when your haphazard ass puts a pizza, they give you another one. Aside from getting us to mention how foolish that is, what’s the pitch? Was there a community of overweight idiots devouring pizza off the foot and involving their representatives do something? Let’s say it’s only to place your subconsciou at ease. Let’s profess you’re “ve been thinking about” prescribing Domino’s, but decide against it because you’re always stopping pizza. Will this convince you? Of track not. You’re not even here. You were taken in the night by mad scientists, and now you’re a bulge of brain material named “HISTORY’S SADDEST FUCK.” “CARRYOUT INSURANCE !? Hey, boss? Yeah, I just perceived a loophole that gives me boundless flooring pizza. So what I’m saying is you can kiss my ass . i> “ div > 4 All Things “Of The Year” Are Arbitrary Decisions Made By Small Teams Of Random Assholes We are living in the darkest of goes. Our current sexiest guy alive looks like a rectangle who acquires its living hustling milk-drinking contests. “I’m digesting four gallons of Half& Half. Hi, I’m Blake Shelton, your sexiest mortal alive.” When People store announced hoedown music standout Blake Shelton as the sexiest humankind alive while Casper Van Dien was still not dead, it stumbled like a bomb. Every Gab report and Safeway express lane had a hot take on it. It wasn’t simply controversial; it was a direct challenge to what vaginal lubrication even wanted. What will it do to society if passably handsome NASCAR dads are the brand-new standard of seductive? Do we need to stop doing sit-ups? Will there be enough denim? What will Casper Van Dien do with this boner? div > You know what we should have been doing that whole season? Not establishing a shit about how handsome Blake Shelton is. Don’t get me wrong, Blake Shelton is alright. His condoms maybe don’t expire, and if he was arrested for sodomizing a dairy moo-cow, you’d anticipate “Him? ” But let’s not play games. He’s not the sexiest male alive. At best, he’s “Oklahoma’s Hottest Mostly Ham DNA.” But we should remember that this isn’t some enormous honor decided by appraising the gonad stimulation of test subjects. “Sexiest Man Alive” is picked by four or five journalists desperately trying to hang onto print media chores, and every now and then one of them is smart enough to say, “What if we trolled everyone? ” With all respect to Blake Shelton’s fuckability, if you died trying to learn a prosthetic forearm how to give a handjob, the People organization would write your figure up on the “Sexiest Man Alive MAYBES” board. It’s important is maintaining mind how insignificant these entitlements are before we get outraged. Before Donald Trump, Time opened its 2006 “Person of the Year” title to You, as in the second-person pronoun. And in 1938 they gave it to Hitler, the Donald Trump of 1938. These are meaningless choices meant to engender awful conversations between uninteresting people. Did you think LaTonya from Fayetteville was chosen as Jet ‘s “Beauty of the Week” because of her prevailing tits and smile? Wake up. It’s because her front tattoo announces “Abortion is Bae.” Please, all of us, we have to stop get outsmarted by the Jet magazines of the world. 3 It’s Not An Contest When Fictional Characters Die In 1992, DC Comics killed Superman — an indestructible ventriloquist with laser noses, frost wheeze, and chronosphere-bending flight speed — with a rock ogre who was pretty good at punching. Despite it being the third occasion he had died, the country is entered into mourning and the tale was picked up by the actual bulletin. Which was weird, because if the media wanted to cover upsetting Superman fibs, where were they when his girlfriend get turned into a pony and fucked his mare? I think about this every day. Every day. div > Why are we so preoccupied with fictional deaths? Most of the time, they’re not even real in the make-believe macrocosm in which they happen. Captain America and Batman vanish around 20 epoches a year, each in different combinations of fake-outs, resurgences, and universe reboots. If a dead guy’s best friends own a meter machine and the Eye of Agamotto, you can probably hold back on making funeral proposals. And if your favorite person dies on The Walking Dead , perhaps don’t debris an hour watching Chris Hardwick cry until you accompany the body. It should help you relax knowing that most fictional fatalities are exclusively abusive escapades, but the “real” ones are about as meaningless. I mean, you knew there wasn’t going to be any more Firefly . This death cost us maybe two wisecracks. div > Remember when Han Solo expired? He was a 73 -year-old laser gun fighter scheduled to get his own movie in three years. His death was both long overdue and altogether inconsequential to the amount of Han Solo you will continue to see on your TV. His father-in-law, Darth Vader, was on screen for about 36 minutes before he died in 1983, and since his death, there have been more Anakin Skywalker narratives than anyone could ever require. Anakin Skywalker is the Nicolas Cage of outer space. He stopped making good movies three decades ago, more he’s still everywhere and radiating inexplicable planetary energy. If George R. R. Martin gone on TV to announce that a comet smacked Westeros between works and everyone in A Song Of Ice And Fire is lead, how is that different from “the worlds” you’re living in now? The chap have undoubtedly wanted to focus more on snacks for about four works. You know what’s sadder than identifying Ned Stark get his head chopped off? Watching some fragile-hearted slobs go across the various stages of sorrow in a YouTube video afterwards. Mothers, if your child is filming themselves weep over a make-believe death, that’s a bigger default than if your child is filming themselves pee into a tube sock for Patreon advocates. I symbolize, you can do whatever you demand, but when you cry over forgery people whom you can still hear every day for as long as you miss, you’re exclusively sending a message to the people around you that you’re a drastic piece of shit. But I know something that will ovation you up! 2 Being Special Is Free That’s right, I said it. You’re welcome. It’s pretty easy to sell someone nothing more than the notion that they’re special or important for actual money. For illustration, somewhere right now, a Todd is looking through a rack of keychains to see if they have one with his reputation on it. “I hope they have a Todd, ” he might announce as he thumbs through dusty debris. “They do! And it’s spelled right ! b> ” So Todd will buy it, a cute remember of the worst collected in the least interesting part of a town he formerly called, and it will never occur to him that an Indonesian plant gambled and won that a completely shitty Todd would one day pay money to prompt himself of his own name. This next part is way off-topic, but not even the Indonesians could have foreseen that this keychain would one day be used to frame Todd … … for Toddslaughter. div > Back to the point I was trying to utters: We are all prone to this idiocy. Coke had its first marketings increase in more than a decade when it introduced the idea of adding the customers’ stupid fucking lists to their cans and bottles. And the internet has been recurred by ego-stroking personality quizs and IQ tests since before we used it to pay girlfriends peeing into tube socks. We are so desperate to be told we’re special that we will expel all disbelief and critical consider to hear it. You should know that answering a few simple-minded personality interrogations does not determine you the coolest ninja turtle, and you shouldn’t trust the scores of an Iq test that you watched yourself cheat on which likewise advertises free Slavic women and four new pounds of dick girth. One of my favorite a few examples of this, and favorite things in general, is an online community announced Intertel — “An International Society of the Intellectually Gifted.” It’s very difficult to get in. You can only affiliate if you tally in the top one percent of any self-administered intelligence test and mail in a $10 lotion reward. You may have considered that this in fact checks to see whether you’re stupid enough to forward in a test with a 98 percent composition or less and nothing else. If you get accepted, you then compensate a $39 annual reward to be a part of a genius squad for people who are very specifically not. What do you get? I’m so glad you asked. For the annual reward, you get inexhaustible pity and the human rights of berth a photo and bio about your singularly unsophisticated soul. It has created an avalanche of unearned narcissism that looks like a late ‘9 0s Casper Van Dien supporter page whose webmaster travelled mysteriously missing. Image courtesy of the property of the Casper Van Dien Fan Page& Genius Community webmaster. div > OK , no, but seriously, this next epitome is a real screenshot from the Inertel( An International Society of the Intellectually Gifted) website. This is a real person who really thinks he’s in the 1 percent of intellectual nobilities, and this is his real profile. I didn’t doctor this. This is what an actual genius named BigJim3 69 remunerations $39 a year to expose. Fucking! This macrocosm is spell and you get to live in it! div > Another business that employs your adoration of yourself on a big, sprawling magnitude is the pop-up museum manufacture. The reputation implies that there are things to do or learn inside them, but they’re more like oversized photo booths than artistry halls. For speciman, if you take a junket to the zany, world-famous Museum of Ice Cream, you will memorize zero to one things about ice cream and feed ice cream worth $45 less than the entering ticket. What you will do is wait in line to make photos of yourself next to what you’d describe in any other situation as “nothing of interest.” So to be clear, we are so self-obsessed that it’s now an efficient business model to charge us money to make pictures of ourselves so we can promote you online. You didn’t fool ME, Museum of Ice Cream. But my family loved it. Five stars. div > 1 Stop Attaining It Seem Like There Are Nazis OK, so the world has just fairly stupid prejudiceds to elect Donald Trump chairman, but not all of those voters were full white supremacists. Some of them were simply extremely theological to know when someone is lying or too old to change their memory about politics. And yes, a troubling number of them were Nazis. But in a lot of ways, most things are fine and the world isn’t as unpleasant as you think. You’re welcome again. div > Impossibly shitty parties, like the Trump supporters who made that Garfield mug privately, looks a lot like they’re everywhere. A pile of that is our omission — the good beings making fun of them. They use us to amplify their articulates, like Han Solo( R.I.P .) reassuring a hallway of Stormtroopers that he’s acces more people than he actually is. Every few minutes, a website publishes a variant on the article “These Miserable Fucks Said Something Racist About A Thing And Got Annihilated By Twitter.” They’re fun and vaguely heroic, but if you read more than one, you’ll start to see that they all share the same content. It’s the same three or four prejudiced tweets quoted in each article, tweeted by the same three or four prejudiceds who “attacked” the Star Wars with the Asian girl and “staged boycotts” of the all-lady Ghostbusters . We need to stop treating these three or four beings like they’re a threat to anything other than skewing PornHub’s algorithm to favor mother-son incest. BREAKING NEWS: Regional high school’s least-likable puncture still manufacturing quite a sight out his irrelevant awfulness. div > Here’s a comforting information: A analyse of Reddit found that 1 percent of communities were responsible for 74 percent of all conflict. We are taking the intentionally insensitive notes of a Kia’s worth of debate club hobbyists and feigning they’re a tidal wave of detest “were supposed to” stand together against. The “alt-right” movement is 30 sons more cranky to year and too slow to hear Dungeons& Dragons . Their adherents are a lethal group of gamers who will disappear once they sour 17, and their media channel is a cable network whose entire audience will be dead in two more flu seasons. All these people want is for the other side to get upset, so if we stop writing thinkpieces about the rise of dapper grey patriotism and focus more on how liberals hate suicide religions, we can be rid of them almost immediately. BREAKING NEWS: C-word who are tweets C-wordy antisemitic concepts DOES! div > Ann Coulter is a good example. She’s the skeletal are still in relic antipathy, and she has about as much cultural affect as Corey Feldman’s band, Oral Thrush and the Yeast 2000 s. Has she ever done anything other than hiss bad acts at impatient Tv identities or suppose that clinical antisemitism is antisemitic slapstick? She only seems like she is a thing because 10,000 of us dunk on the bitch each time she condemns her oral thrush on the Jews. Without all of us excusing to one another how mistaken she is, Coulter would just be straying through Home Depot to see if there are any lily-white works she can ask about the lavatory refuge rails. And soon she would be spawning spider eggs in her lip while her parakeet watched their own bodies rot. “Rawk! The Jews are at it again! ” it would recite to her undiscovered body. “The Jews are at it again! “ We all seem to get how foolish it is when the story answers “teens” are doing a comically apeshit circumstance like human centipede gatherings or detergent eating. Why can’t we use those same beings psyches to figure out how one Nazi nerd looking for attention isn’t “the Right”? I know it’s tough to stand trolls, but Kim Kardashian owning all the world’s money should have taught you that there is virtue in shutting the fuck up about some things. We need to stay strong not in the battle against the “alt-right, ” but in the battle to ignore them. The next time you verify another tower about how maids won’t time republican people, leave it alone. Let those dickless Nazis prevent writing versions of that section into the empty vacancy until they discover evil campaigns brides to dry up. And the next time someone on your Facebook thread attacks their Second Amendment liberties after local schools shooting, don’t confirm their child assassination fandom with tending. Move your cursor to the left and click on their mother’s chart. Pose as Blake Shelton, acquire her moist rely, and calmly destroy that child-murderer’s family. Every one of us can shut up and make a difference. Seanbaby devised being funny on the Internet. You can follow him on Twitter, or frisk his hit mobile competition Calculords . b> Did you realise Casper van Dien was in a Tarzan movie in the 90 s ? i > b> Support Cracked’s journalism with a tour to our Contribution Page. Please and thank you . i > b> For more, check out 5 Deeply Embarrassing Thing The News Keeps Doing and 6 Time The News Went Totally Overboard Chasing A Story . i > b> You should click on this join and follow us on Facebook . i > b> Read more: http :// www.cracked.com/ blog/ 5-stupid-things-we-need-to-stop-clicking-on / http://dailybuzznetwork.com/index.php/2018/06/30/5-stupid-things-we-need-to-stop-clicking-on/

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trendingnewsb · 7 years ago

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5 Stupid Things We Need To Stop Clicking On

We are living through the final gasps of the Information Age. Experts estimate that 62 percent of all information we now receive is deliberately false, and that includes the percentage and experts I made up at the start of this sentence. The sad truth is, most of you will never have the critical thinking or research skills to know what’s real, and that will only make you more sure about the wrong things your stupid ass believes. The good news is that this article isn’t about that shit. The fake news fight is over, and stupid won. No, this article is about the dumb things we all keep falling for — even you, the genius who chose the right political side and religion.

Pointlessly Insane Products Are Not That At All

Last year, Tiffany & Co. started selling the Sterling Silver Tin Can, an empty can that costs $1,000. You’ll notice that this is far more than you’d normally pay for soupless garbage. To be clear, this wasn’t some tin can that once held Prince’s final green beans. It’s only a can. As an artistic statement, it was 50 years stale, and as a money-making scheme, it was somewhere between a portable diarrhea box and that same product without a lid. It’s the kind of idea that would make the other Saved By The Bell writers say, “Look, if you’re not ready to come back to work, take more time off to deal with the death of your son.” The point I’m making is that it’s hard not to comment on Tiffany’s silly can, and that’s more appealing to Tiffany & Co. than when we comment on how the people who mined their products all died of slavery.

“Darling, I was part of many souls transcending penetration to transform a utilitarian men’s room into an installment of signature Tiffany oeuvre.” — this Tiffany copywriter explaining to his wife why there are seven colors of pubic hair in his underpants