#DC Round Robin

[ufonaut]

The Constantine & The Demon: Vacation from Hell full backup in Superboy: The Man of Tomorrow (2023) #4, a preview of one of the would-be series pitched during the 2022 Round Robin.

(Frank Allen, Nik Virella)

[fantastic-nonsense]

How it started vs. how it's going

[sanguinesmi1e]

A Round Door Like a Porthole, Lazarus Green Pt. 1 (you're here) Pt. 2 Pt. 3 Pt. 4

Wayne Enterprises didn’t really need a small business specializing in “ecto-weapons” invented by self-purported ghost hunters, but S.T.A.R. Labs tipped Lucius Fox off that Lex Luthor was trying to buy an obscure little company in Illinois, and thwarting Luthor was always worthwhile. Now Tim just had to figure out what to do with all the equipment and the concerningly large arsenal of guns and things that looked like normal household items but seemed to have other, horrific purposes. He would have laughed at the way they slapped “Fenton” in front of every invention name (do ghost hunters really need a Fenton thermos? Won’t a normal thermos keep their coffee hot just as well? Are ghosts like trout, to be caught with a Fenton Ghost Fisher which just looks like a normal fishing rod but glow-in-the-dark. And what the fuck even is a Fenton Peeler!?), but he thought with some chagrin about the batarangs, batmobile, and everything else that had “bat” as a prefix in the batcave. 

However, of all the things Tim hadn’t expected to find when he flew out to do an inventory of assets after they bought the business sight-unseen, a portal generating a Lazarus Pit in gaseous form was probably at the top of his list. He didn’t even know that Lazarus water could change states from a liquid to a gas like that. Maybe there actually was something to the whole ghost thing. He supposed that it made sense for ghosts to exist, after all Deadman was part of Justice League Dark. Speaking of. . . he should see if Bruce could call in someone from JLD to assess things. He was feeling decidedly out of his depth.

John Constantine did not like to consult for mega corporations like Wayne Enterprises, but Batman had specifically requested he go check something out and he figured, where's the harm? 

There. 

There’s the harm. 

It turned out the “thing” he’d been called in to look at is a machine that can tear open a stable portal into the Infinite Realms. That is not something that should be possible. That is not something technology should be capable of achieving. That is definitely not something that should exist. Bloody hell, what had the Bats roped him into!?

This really should have been Zatana’s job. Or Deadman’s. Hell, Raven or Secret would be preferable. Because John would prefer not to be dealing with this. In fact, he would prefer to be back in literal Hell than deal with the crazy shit in the Infinite Realms. Could John handle demons, archangels, and even gods? Yeah. He can bind or exorcize most supernatural threats. Does that mean he relishes the idea of going toe to toe with heavy hitters from the Infinite Realms? Absolutely not. 

Some beings who lived there were just little blob ghosts made from ectoplasm and emotion. Some were the restless undead who could not or would not cross over to their afterlives. And some were the embodiments of concepts like nature, destructive weather, and dreams. He wasn’t sure where Death fit into the Realms, whether she ruled or visited, or if it was actually just an extension of her, but he didn’t really want to find out. There were many things John could defeat. Death wasn’t one of them. And now he was looking at a portal into a realm where the living were not meant to be. 

Danny hadn’t returned to Fenton Works since graduating high school. It turned out that he was less anxious when he was not living with people who fantasized about “tearing him apart molecule by molecule” and thought that discussing their plans to dissect him (although he maintained that it would be a vivisection since he’s only half dead) made for fascinating dinner conversation. Who would have thought that his constant stress, anxiety, and insomnia were caused by environmental factors? He’d been unpacking things with a very nice therapist his sister helped him find, and seen great improvements in his mental health. It really helped that she was dead too, and unlike Spectra she didn’t feed off the misery of her patients.

Danny hadn’t intended to ever return to Fenton Works, but when Jazz told him that Jack and Maddie sold their life's work to Wayne Enterprises and a multibillionaire playboy was about to have unfettered access to the Ghost Zone, he was. . . concerned. To say the least. And that was why he was in the middle of doing some light sabotage when Tim Drake-Wayne and a guy in a trenchcoat who reeked of cigarette smoke entered the basement lab. It’s why he was hiding under the Specter Speeder removing the ecto-engine, and there to overhear the conversation that followed.

“So, am I right in thinking that’s a Lazarus Pit?” Tim asked Constantine.

The older man stared at the portal, then at Tim, then at the portal for an uncomfortably long time. Then he pulled out a flask and drained half its contents before saying, “Yes and no. That is basically the same substance as the pits, but I think that this does something else entirely. It seems like this machine basically functions as a summoning circle, but instead of pulling one entity from one side to the other, this is just an open doorway that is perpetually pulling in anything or anyone who gets within its sphere of influence.”

“That doesn’t sound like a good thing, John.”

“It’s really not,” 

“So what does that mean, is it like a blown hatch in space causing rapid depressurization?” Tim felt a little ill at the thought. “What is it even pulling into our world?”

“No, no. Nothing so dramatic as that. It’s more like, hm, so the way summoning circles work is they invite or compel a specific entity to manifest, by basically making a one-way magical portal for them. This portal is kinda like an invitational summoning, which entices, but doesn’t force anyone to enter. Usually a summoning will have a purpose though, and the being you summon will be offered a deal. If this is doing what I think it is and pulling citizens of the Infinite Realms through and leaving them on this side without a contract or direction, they’re probably getting pretty frustrated and causing havoc. It’s like offering someone a job in another country so they have to get a visa and uproot everything, only to get off the plane and find an empty office, no housing, and no paycheck.” John lit up a cigarette and took a drag.

Tim wrinkled his nose, but knew from long experience that it wasn’t worth it to argue about American tobacco restrictions in the workplace with Constantine, especially while the man was doing him a favor. Also, the man looked like he really needed either a cigarette or another drink, and he’d prefer second hand smoke to a drunk sorcerer. “So then why hasn’t this town been overrun by these beings from the Infinite Realms?”

“Good question kid, but what I really want to know is how is this portal staying open? Really, how was it opened in the first place is the most pressing issue.” John mused.

Tim had already located the blueprints for the portal while waiting for Constantine, but either the Fentons had intentionally falsified the documents to seem plausible just long enough to make off with the money, or he just didn’t understand enough of the interaction between physics and the occult to comprehend how the portal could possibly function. 

He flipped back through the blueprints while the blond man sat cross legged in front of the swirling green portal and his low, distracted mutterings took on the cadence of a chant. The curl of smoke from his lit cigarette unfurled into some kind of spell array, and began to glow. Huh, maybe Tim shouldn't be too quick to judge him for tobacco misuse. Tim triple checked the flat file for any more information about the portal, and came up empty handed.

John, meanwhile, kept chanting as the magical array grew and spread to encompass the entire entrance to the portal. At last he stopped speaking and stood up, stepping back to double check his work. “Alright, Drake. You might wanna close your eyes for this one. It’s gonna be bright,” he said, popping his cigarette back between his lips. Then he stepped forward and blew a mouthful of smoke on the center of the array. The smoke caught against the softly glowing lines, pushing them until they floated back and collided with the nebulous green swirls and, despite Tim closing his eyes, flashed so incandescently white he could see them through his eyelids.

“OW! Fuck!!” John clutched his face, pressing the heels of his hands to his eyes. “I’m doubling my consulting fee,” he grumbled under his breath.

“You alright?” Tim asked, blinking spots out of his vision.

“Yeah, yeah. Just give me a sec.” He too was blinking now. “That was not supposed to be so bright.”

“I’m assuming it worked though.”

“It had bloody well better ’ave worked.” The older man squinted at the slightly dimmer lines which still shone painfully bright against the green. “Oh. Yeah, that worked. Fuck. . .”

“What?” Tim looked on in alarm as Constantine pressed a hand over his mouth. 

“Oh man. What wanker did you say created this portal?”

“Presumably Drs. Madeline and Jack Fenton. Why?” He drew the last syllable out skeptically. 

“Because, they opened this portal with a child sacrifice, and bound his death and all the lost life potential to their bloody machine to create a perpetual gateway to the Infinite Realms.”

[mothemotics]

batkid formative childhood cultural cornerstones:

dick: moon boots

jason: sense and sensibility

tim: 4chan

cass:

damian: roblox

[timblrdrake]

i love going to metropolis and acting like a dumb tourist

yes i have been here a thousand times yes i will still make Bruce take a picture of me in front of the big Superman statue

[andstuffsketches]

a selection of robins

[ebonyheartnet]

Clockwork was powerful, but he was far from almighty. Some paths could not be altered, some worlds were beyond saving, but this…

As he picked up his grandson’s broken body, the child’s clock began to spin.

🦇

Ignoring the pendant around his neck for a moment, Bruce looked at the world frozen around him. The last thing he saw was that damned alley behind the movie theater, but now he was in the manor. As he tried to adjust, a hooded figure melted out of the too-bright walls.

“Your assumptions are correct, detective. This is the end, but I come bearing cold comfort.”

“Who are you?” Bruce asked, weary but ready to fight.

“Your friend Diana would call me Kronos, but your son, Daniel, once called me Clockwork, then grandpa,” said Clockwork. “You don’t have to trust me, but you’ve loved them both. I just want to cushion the blow.”

“Explain,” Bruce demanded.

“Very well, but let’s go to your family.”

Clockwork led the way down to the cave, and Bruce followed begrudgingly. Several of the bats were huddled around the computer, with a few getting ready to head out. The screens showed the energy from Bruce’s final jump, all the way in that damned alley.

“Are they safe like this?” Bruce asked.

”No,” said Clockwork, “but it will be painless. When I restart time, you’ll only have a minute to speak. That will not be enough to evacuate.”

“Why not give me the hope then?”

“Bruce, I have already done something incredibly cruel in the name of kindness. If I gave you anything else—if I lied that there was a way out—you would waste the gift.” Clockwork shrank down to a child. “Daniel will know what happened one day, and I don’t want his hatred to extend beyond a few centuries.”

“Wait, Danny will survive this?”

“And only Daniel can,” Clockwork confirmed. “Leaving will hurt, but only a new lifetime could begin to heal what he’d already suffered.”

Before he could ask, a portal opened to several screens, and he could feel his heart break as everything played out: Danny’s original world and his first parents’ betrayal. The way that both Drake twins would’ve been stillborn without the swap. The nuclear war when he killed Joker—

“I’m sorry that Darkseid’s pact with Nergal delayed your friends. The worlds without a laughing magician almost always face excessive magical interference.”

“Then why not place Danny somewhere safer to begin with?” Bruce growled. “Why hurt him like this when my son’s already been through so much!”

“A laughing magician cannot be anticipated by the divine, and I…” Clockwork aged into an old man. “Bruce, I was a terrible father, but my little warden has me wrapped around his finger. I couldn’t risk him being banished or bound in a deal before he could advocate for himself.”

Bruce wanted to hate him for it. He wanted to hate the paranoid logic that would break Danny’s heart again and again. He wanted to tell his son the truth and hold him through the tears. He wanted to soothe the hurt himself. He wanted to hide it so that Danny never felt the blow.

He wanted, like any good parent, to keep his son safe and happy.

“You and I are far too alike,” Clockwork said bitterly. “Thank you for loving him. Thank you for refusing to forgive me.”

“So what now?” Bruce asked.

“I’m taking everything Daniel needs to the new timeline. His records, his things, and even the few articles. He acted like a ghost in public, so we can just slip him in.”

“There will be gaps,” Bruce stated.

“I will help bridge them,” Clockwork promised.

“And he’ll know about us?”

“There is no timeline where I attempt to keep the truth from Daniel and avoid him devouring my core,” Clockwork said.

“That isn’t a yes.”

“Though I would not begrudge him his vengeance, such a thing would make Daniel hate himself.” Clockwork smirked as he matched Bruce’s age. “That counts more than my word.”

“And where is Danny?”

“He had a headache, so he’s fast asleep upstairs.” Clockwork’s gaze softened. “He’s going to wake up in a world where no one remembers him, but everyone he loves here is alive and well.”

“And you’ll show him this one day?”

“I promise. He will know as soon as it will not destroy him.”

Bruce took a shakey breath and walked until he was halfway between both groups. He hadn’t bothered dealing with the tears until now, but he wanted to see them. He wanted…

“Will any of us join him?” Bruce croaked.

Clockwork hesitated.

“Ectoplasmic ghosts form when the soul condenses under pressure. If I tell you the truth, either anguish or relief will damn you. I’m sorry.”

Bruce wanted to push, but just this once…

“Do it.”

[saturnsickle]

First round of the 6 fanarts thing! Thank you to everyone who sent a character!

[armed-with-a-waffle-iron]

Stephanie Brown ACTUALLY having the character arc that fanon pretends Jason Todd had (plus a defence of canon Jason)

What I'm really saying is that Stephanie Brown is underappreciated, Jason Todd is often misinterpreted, and, though it should go without saying, ignoring canon is poor media literacy. So let's actually analyse canon and get to the bottom of what the stories are trying to say and how they use their characters to tell this, as opposed to just which character should we stan.

I'm arguing that Stephanie Brown's story actually features a redemption arc that sees her transform from a violent, almost murderous teenager into the most unwaveringly hopeful of heroes and that Jason's story is about a villain who we're meant to empathise with to expose the cracks in the Batman's heroic facade; a Frankenstein's monster if you will. Here's a numbered list:

Part 1: Outgrowing Violence, Anger and Murder

A big part of Stephanie Brown's growth in canon is her learning not to kill or use excessive force. But it's not as simple as just killing is wrong, don't question it.

Let's begin with the narrative's relationship to violence, anger and murder. Why doesn't Batman kill? Because "[those] who [fight] with monsters might take care lest [they] thereby become a monster. And if you gaze for long into an abyss, the abyss gazes also into you". If he kills, he's playing god, choosing who gets to live and die. No one deserves that kind of absolute power and absolute power also corrupts. Batman doesn't want to lose sight of himself or his cause. Deliberate murder is treated VERY negatively in the Batman mythos.

Enter Stephanie Brown.

Stephanie was a working class latchkey kid who grew up on the wrong side of the tracks. She had an abusive, criminal father, who was in and out of jail, and a mother struggling with addiction, who Steph became a carer for at just 15. Steph also became pregnant with the child of her horrible ex. At 16, she gave birth to that child and had to give her up for adoption. Steph is also a survivor.

The world was never kind to Steph and left this teenager with a hell of a lot of bitterness and rage which her vigilante career became an outlet for. You can tell by the way she fights since Steph fights DIRTY; she'll tug hair and spit in your eyes and strike below the belt and catch a kick to twist your ankle and dislodge your already broken nose. On the one hand; the narrative tells us Steph is resourceful. She's 5'5", 130 lb and has zero powers, but can always find an opening even when going up against Gotham's grizzliest. It's telling that quick thinking, savviness and spontaneity become her thing when she becomes Batgirl; Steph is the wild card. On the other hand, she was a real diamond in the rough and a complete loose canon. In her first arc, it's Batman who stops her from making the biggest mistake of her life; killing her dad. To deliberately kill; to play god, is to lose yourself, remember. Her first arc is about not being defined by who your parents are and about not giving up on yourself. Batman basically tells her, there's hope for you yet Stephanie Brown, by getting her to spare her dad. And she does. And so began her superhero career.

Nonetheless, it's never that simple. Steph is still a bitter, angry teenager, no matter how many jokes she cracks. It becomes a personal crusade when she, now Robin, discovers that The Penguin is using children as runners. It takes Cassandra Cain to stop her from inflicting anything she may regret.

The narrative wants to show us how cruel the world can be and that it isn't black and white, either. The story ends with an angry Stephanie lamenting "why". It's a "why" she is asking herself too. Why does she do what she does? And it informs us that she, and maybe us the reader too, still have a lot to learn. Murder's not the answer but what is?

Stephanie later saves Bruce by almost murdering serial killer Victor Zsasz. Bruce reprimands her and she cries, quite honestly, "I don't get it, I really don't", following on from where we left off in Batgirl. "There are always other options than to kill" asserts Bruce, forget not being on the same page, they're reading different books. The thesis of the story is what Bruce should have told Steph when she was an angry 15 year old about to murder her dad; "[those] who [fight] with monsters might take care lest [they] thereby become a monster". The world's cruel, Steph, but that doesn't mean you have to be too. "Are you firing me?" "No, I'm teaching you".

Over 2 years down the line, an around 19 year old Stephanie, establishing herself as the new, hoping-inspiring Batgirl, is now teaching a brash Damian Wayne what she's learned.

"To murder or not to murder" is just a plot device to the themes of overcoming your own anger at the world's cruelty to contribute good, coming to terms with shades of grey, not giving up on yourself and staying hopeful in the face of adversity and horror. These are Stephanie's arcs and as a consequence, she goes from would-be-murderer to Gotham's cheeriest caped crusader.

Part 2: Double Standards and Second Chances

Another huge part of Stephanie's story is her overcoming double standards and doubters, to earn her own second chances. Her resurrection and rise to the role of Batgirl were choices made to hammer home this theme; it's never too late to turn things around.

There's some juicy metatext to analyse here too. DC editorial's treatment of Stephanie during War Games was horrific and panned by both fans and writers. To reperate for these harms, Steph was retconned back to life and then made Batgirl during Batman: Reborn. Here's a quote by Batgirl (2009) author Bryan Q. Miller on what his run aimed to bring out of Steph:

The whole point of Stephanie's resurrection and take over of the Batgirl title was to give her a redemption arc.

In text, Stephanie was unfairly treated too, notwithstanding that she was brash and had a massive violent streak in her Spoiler and Robin days. Tim Drake constantly condescends her and tells her to give up vigilante life, even though she was ALWAYS a match for Tim according to Convergence: Batgirl. Cassandra Cain constantly underestimates Steph. Bruce Wayne tells his allies to cut off ties with Steph and then later fires her as Robin for DISOBEYING HIM as if that's not the first thing Dick Grayson ever did as Robin. Barbara Gordon tells Steph she has a death wish. Dick deems Steph too reckless (moments before he resurrects a zombie Batman). And Damian is an entitled brat who gives her a hard time for no reason. Everyone doubts Stephanie and it generally says more about the doubter than it does Stephanie.

Stephanie was never great with authority or criticism so she still went out there and earned her second chance. And it felt rewarding when her doubters came around too.

Stephanie was brought back from the dead to be redeemed and man did she take that chance!

Part 3: What is Jason Todd's Story Meant to Tell Us and My Defence of Canon Jason

Jason Todd returns from the dead as a ghost of Batman's past; he is the living embodiment of Batman's greatest mistake who couldn't stay buried and is back to haunt him. He's a character we are meant to empathise with but he's a villain nonetheless. He's not irredeemable but for the most part his story is not really about redemption. Succinctly, it revolves around the idea that "we are each our own devil, and we make this world our hell” to quote Oscar Wilde.

When we first meet the resurrected Jason, he's a cold-blooded murderer who's slinging guns and using The Joker's old moniker. These choices are made to emphasise that he went down the wrong path; he's breaking Batman's "don't play god" rule and his actions become eerily closer to those of the Clown Prince of Crime than Batman's. In fact Nightwing and Batman spend some quality time together in the next two issues because Nightwing is the foil to the Red Hood; he's what Bruce considers his greatest success. Remember that thing about "those who [fight] with monsters might take care lest [they] thereby become a monster"? Well Jason DID become a monster. And if he's the monster, then Bruce Wayne is Frankenstein.

We're not supposed to think "yes, kill the The Joker, Jason", we're supposed to think "good god, please Jason, it's not too late to turn your life around". Here's Dick and Jason being the exact opposite of each other, an issue apart.

So what was Jason's villainous return trying to say? For one, that people are the products of their circumstance, lest we forget Jason was once an eager and studious Robin who just wanted to be part of something greater when life, but specifically Bruce, sent him awry. This is also a story about Bruce which tells us says that our mistakes have consequences that don't stay buried, and that we will always be forced to reckon with our histories or it becomes everyone's problem. This next panel shows this best. All of Jason's killing and torture and fear-spreading and chaos does not come down to some "murder or not to murder" debate, it comes down to his relationship with Bruce. He is the monster that Frankenstein created who's back to haunt him and no one is safe.

Jason's initial Red Hood arcs were never supposed to pose the question "should Batman kill The Joker or not?". The answer is no and always has been. They are supposed to show us how Bruce's poor fatherhood of and partnership with Jason Todd led to all this horror. And Bruce can't turn back the clock, he has to reckon with the consequences of his actions in the present or more people will get hurt. It's significant that these first arcs don't end with Jason returning to the manor and seeking help surrounded by family.

We then see Jason and his issues with Bruce threaten the lives of others like when he beat Tim half to death twice, tried to blow up Mia Dearden and then tried to become a murderous, gun-touting Batman after Bruce's "death".

Once Dick Grayson becomes Batman, the narrative sheds a bit more light on how Bruce's Frankenstein created a monster in Jason; Bruce wanted Jason to be another Dick Grayson.

The red hair is a perfect metaphor. Jason is naturally red-haired and he is now balding because Bruce made him dye his hair black so he'd look like Dick as Robin. That sums it up for me. Bruce really created his own demon here and Dick, as the new Batman, is trying to make amends with the sins of the Batman's past. Jason's a great choice for a Dick Grayson villain because of their histories, considering Dick Grayson is the legacy Batman.

"I tried really hard to be what batman wanted me to be...which is you." Jason tells Dick.

That line is so painful and way more recognisable and relatable than anything fanon has produced.

"But this world...this dirty, twisted, cruel and ugly dungheap had...other plans for me."

Look no further, this is who Jason Todd is.

That's a powerful story if you ask me, and this is why I like Jason Todd as a character; a villain I pity deeply, who is portrayed as a product of their circumstances without diminishing their agency and who makes me see the cracks in the hero's facade because they are the monster our "hero" created. He's also a very nuanced foil to the ever-shining light that is Dick Grayson. The appeal to Mary Shelley's Frankenstein isn't that the monster murdered people. I also would never swap canon Jason out for, I dunno, Wayne Family Adventures Jason who's the amalgamation of 3 or 4 common fanon tropes. This is my two cents.

[should-have-been-at-the-club]

Round 3 Match 3: They Should Have Been At The Club Tournament

Propaganda below the cut.

Propaganda for Nico Robin:

Left by her mother with her abusive aunt, got called a monster for her weird powers and only found solace at the library studying with the scholars there, but they left her out of their biggest main researcher of Forbidden History because the government kills whoever studies it. Made a giant friend anyway, just in time for the government to come and blow up the entire island because of the Forbidden History, leaving her the only survivor. They put a huge bounty on her head (she was 8), meaning she was never safe and couldn't trust anyone, surviving by betraying people before they could betray her, until twenty (20) years later when she finally met people she could trust.

Propaganda for Tim Drake:

he spent his teen years trailing behind batman, and when batman was gone he spent a years time looking for batman. he Really didnt get to ve a teenager. he was stuck in batman's shadow. girl shouldve been at the club!

[miseryvomit]

I present to you:

THE LITTLE GUY

[youngbounty]

I warned you guys that they would catch up if you sleep at the wheel. Co’mon guys, let’s get some promos and votes in for DamiJon.

Also, I know the whole BruDick being incest with a 20+ age gap is weird, but pointing that out isn’t going to get a vote for DamiJon. It’s doing the opposite, because many DamiJon’s also ship BruDick in 18+ communities. If we are to get any votes for DamiJon, we need to show our love for the ship and why it’s worth it. Why do you love DamiJon? Show that! Remind the DamiJon BruDick shippers why they should choose DamiJon over BruDick.

Let’s get those votes in! We’ve got one day!

[taranaraaa]

pls accept some sketches of the boys (and some shitty doodles of the boys)

[sanguinesmi1e]

A Round Door Like a Porthole, Lazarus Green Pt. 1 Pt. 2 (you're here) Pt. 3 Pt. 4

Art of LBM

Danny was still lying under the Specter Speeder, mind reeling as the words “they opened this portal with a child sacrifice, and bound his death and all the lost life potential to their bloody machine to create a perpetual gateway to the Infinite Realms” ran in a loop through his head. Could that really be true? Is his death attached to the portal, forever lodged in the doorway, preventing it from closing?

The guy clearly knew what he was talking about. The bit about why his ghost friends and frenemies caused so much chaos as they unleashed their obsessions on Amity Park made so much sense. It would certainly explain a lot of his interactions with ghosts after he died. 

 Danny silently cursed himself for not destroying everything in the lab before they got here. He and Jazz hadn't worried about the portal schematics, because they honestly didn't have any way to open a portal, only cycle energy in a recursive loop that shouldn’t have done anything. No one, not he and Jazz, not their parents, not Tucker or Technus, had been able to figure out why it had worked when Danny was inside. But if the machine was able to sustain a portal that was already opened. . . He wondered idly if he could light a fire that looked accidental and would both destroy the lab and leave the two men enough time to escape. It’d probably be too risky. And who knew what destroying the portal would do to him. Fully kill him? Destroy him completely and shatter his core? It might be worth it to prevent anyone from gaining this knowledge. 

No wonder Lex Luthor was interested in this business. A child was murdered in this basement, and for all Tim knew, the child’s soul could still be trapped here fueling a Lazarus Pit that connected the world of the living to the afterlife. What Luthor could do with an interdimensional portal or even a single sample of Lazarus water. . . Tim shuddered to think.

On the one hand, he was grateful that Wayne Enterprises secured the business before Luthor had the chance. On the other hand, he felt rather ill to think his family had directly enriched mad scientists who performed child sacrifices. At least he had full faith that between him and Oracle, they’d hunt the Fentons down and make sure justice was served.

“What is to be done for the child?” Tim asked Constantine. “Is his soul tied to that machine?”

“I don’t think so. I’m pretty sure it’s just his death.” 

“You’re gonna have to explain the difference to me, ‘cause I’m not sure I see the distinction.” Tim said wryly. 

“I guess. . . Hm. You could think of it as the moment of transition drawn out endlessly like a plucked string whose note never stops vibrating. Like life is the anchor point of one end of the string, and the afterlife is at the other end, and the child’s death is the note created when his soul crosses from one side to the other. The soul is the bow causing reverberations, but the reverberations are the actual death itself. The effect of the soul’s passage. And in this case, the portal is amplifying the death so it doesn’t end like a normal death ‘note’ would.” Constantine leaned in to examine some of the runes that were part of the array. “Not a perfect metaphor, obviously, since you bow perpendicular rather than parallel to the string, and death and souls are nothing like music, but you get the idea, right?”

Tim was still caught on John Constantine saying the words “death note” together unironically in a sentence. He was going to have to share that with Steph later. Maybe with the whole family group chat, even. “Yeah, the metaphor makes sense, as much as any of this occult stuff does to me.”

“Whatever. As for whether there’s anything we can do for the child, I think we’ll have to try and summon him if we can.” The Brit started pulling items out of his trenchcoat’s inner pockets. “We need to ask what the spirit wants done, before we go messing with things we don’t understand.”

“Alright, need anything from me?”

“Yeah, move this stuff out of the way so I can draw a circle.” Constantine directed Tim to shove aside a few stacks of boxes, something called a Fenton Ghost Weasel, and together they shifted a coffin-shaped iron maiden that for some reason was labeled Fenton Stockades. Then he set to work chalking a circle and runes on the ground.

Finally he sat back and dusted chalk off his hands. “That should do it.”

“Will this be bright too?” Tim asked warily.

“Eh, might be? Shouldn’t be too bad.”

Tim grabbed an auto-darkening welding helmet with a green “Fenton” sticker on it off the workbench and slipped it on.

“Alright, here goes.” Constantine began the summoning ritual.

While Danny debated arson, the other two had finished clearing a space and chalked some kind of circle onto the floor. He tuned back into the conversation when he heard the trenchcoat guy begin a traditional incantation for a summoning. Were they trying to summon him? Danny really hoped it wouldn’t work. 

When people tried to summon the Ghost King he could almost always ignore the pull. This pull, however, was very strong and immediate. It seemed proximity made a difference, or this guy was just better at summonings than the average cultist. Before Danny could accept the inevitable, he was pulled bodily — literally! — out from under the vehicle and across the floor, still flat on his back on the Fenton Under Car Creeper, with the Specter Speeder’s ecto-engine hugged tightly to his chest. The wheels of the Fenton Creeper (not to be mistaken with the Fenton Anti-Creep Stick) sped him straight to the summoning circle. Still very much in human form. 

This was his first real look at the guy called Constantine, and he couldn’t help a horrified yelp. “Eugh!! What the fuck is wrong with you, dude!?!!” 

His lapse in attention made him lose the battle with the summoning spell, and it gripped him, pulling him through the convolutions of the spellwork even though he was already lying half across the circle, and forcing him to change into Phantom in the process. It was such a disgusting sensation, like he was one of those squishy water filled tube snake toys that look like a fleshlight, and someone squeezed really hard and abruptly so he turned inside out and went flying to go splat against a wall (or in this case, against the ground inside the circle of chalk). He tried and failed not to retch.

The younger man in the crisp suit whom he’d already identified as Mr. CEO-Timothy-Drake-Wayne looked at him in startled bafflement, while the older blond, still smoking his cigarette, (gross, and was that thing never ending?) was probably looking at him. Maybe. It was really difficult to tell, because he was a frankly vile sight. Danny winced and swallowed down nausea. “What have you done to your soul?”

“I — what?”

“Trypophobia central, man! Ugh that’s gotta be the grossest thing I’ve ever seen. Can’t you cover it up?”

“Who are you?” Timothy Drake-Wayne interjected.

“I’m the dead guy? You literally just summoned me.”

“Constantine said you were a child”

“I mean, I was?” Danny looked down at his obviously twenty-something year-old self and rubbed the back of his neck. “It’s been a while since I was fourteen though. These things happen.”

“Not typically, no. The dead tend to be pretty unaging.” Constantine said. 

“Dude I’m not having a conversation with you while your soul looks like Escher’s swiss cheese nightmare. Anyways, some of us do. Heck, I know a guy who constantly shifts from infant to old man and every stage in between. It’s pretty distracting when you’re trying to get him to let you fix the timeline again.” Danny continued to look anywhere but at the blond man. “But if it’s so important to you, I can —” He got an abstracted look, and slowly de-aged himself until the two men stood over a fourteen year old boy with snow white hair and glowing green eyes.

“That does not help. No.” The guy whose soul looked somewhat like a bleeding tooth fungus said. He turned away and started doing something magical. Danny hoped it would mask his soul in some way, but so far all it did was make Danny feel like he needed to pop his ears.

He also felt particularly uncharitable, so he didn’t revert to his natural age, and instead tried to see how young and cute he could make himself appear.

“So are you just haunting this basement? Seems hazardous, given the former proprietors.” Timothy tried to redirect the conversation. He didn’t seem nearly as distressed to see the ghost of a child, but his eyes darted surreptitiously to the Lichtenberg figure Danny used to always hide under gloves.

“Nah, haven’t been back here in years. I mostly live in my Infinite Realms haunt these days.”

“You . . . live? Is that just a figure of speech?”

“It’s rude to ask about a ghost’s nonliving status, you know. Highly taboo to ask how a ghost died or poke into the circumstances of our deaths without permission.” Danny admonished. Making himself younger than fourteen took more effort than he expected.

“Alright, I’m sorry,” Timothy raised his hands placatingly to the boy who now looked younger than Damian. “What brings you back to Amity Park?”

“Uh, you summoned me? Are we still not clear on that?”

Tim looked pointedly at the Fenton Creeper and the engine Danny still held. He’d shrunk down to the size of a four year old, and the engine really should be crushing him given it was bigger than his torso now. He quickly set it aside, and turned his biggest puppy dog eyes on Tim.

“You were in here already, and you looked pretty alive for a moment there.”

“I can look lots of ways!” Danny focused really hard on looking as cute, small, and nonthreatening as possible. He thought it was working when all of a sudden there was a pop! and he was smaller than he’d ever managed before. 

Timothy Drake-Wayne looked like a giant. The other guy, who had thankfully managed to put away his soul somehow, wore scuffed oxfords bigger than Danny. Hell, he could probably fit his entire self into one of Constantine’s shoes if that wasn’t a bizarre thing to do, and they weren’t already full of stinky feet. Holy shit what happened to him!?

Tim blinked down at the cat? Snake? Ghost. . . thing at his feet. What the fuck. A moment ago he was talking to an adult man whom he’s pretty sure was dead and he’s very sure was trolling them. Now his interlocutor had turned into an adorable creature with soft white paws, a long twisting tail, big pointed ears that swiveled like a cats, and a humanoid face that should’ve been creepy but was actually eliciting cute-aggression in him. Tim blinked again. The little baby ghost creature blinked enormous green eyes back at him. Then it yawned, revealing three rows of needle sharp teeth that looked like a cross between what you’d find in the mouth of a shark and a cat. Yikes.

“Does that mean the interview is over?” Tim asked him.

The creature just blinked up at him again, then zeroed in on his shoelaces, pupils expanding until only a narrow band of green ringed them.

Yup. The interview was over. Those paws hid some wicked claws which could apparently slice through leather with ease. Oh, Tim really hoped ghost scratch fever wasn’t a thing. At least the ghost looked sufficiently contrite after he yelped, and it waited while he removed a shoelace to sacrifice as a toy.

If Damian ever met him, there would be a new member of the family. Maybe he should name the creature preemptively so they didn’t have a cat-snake named Bat-Ghost in Wayne manor. 

“Do you have a name, little baby cat-snake ghost? Little baby ghost man?” He cooed as the miniature monster dashed back and forth, intent on shredding his shoelace.

The ghost paused long enough to chirp, “Li’l baby man!” before launching himself at the string. Even shocked, Tim’s reflexes had him whisking the toy out of the way, and the ghost went careening under a cabinet.

He wedged himself in the gap, landing face first in a dust bunny, and quickly wriggled backwards with an indignant squall. His wordless protestations cut off as he fell into a violent sneezing fit that thankfully dislodged him from beneath the cabinet.

Tim suppressed his laugh, and asked, “Little Baby Man? Is that what you want to be called?”

The ghost pawed most of the dust away from his nose, but spider webs covered his face and a big dust bunny perched atop his head like a fascinator with a cobweb lace veil. He looked Tim right in the eyes and nodded, dislodging the dust in his hair and setting off more sneezes.

“Li’l Baby Man” he confirmed. He placed a paw on Tim’s shoe and chirped, “Tim!” Then he pointed his tail at Constantine and said, “Gross!” with narrowed eyes.

[mfshipbracket]

[cocomuffy]

Wardrobe Headcanons

Bruce Wayne: Black turtle necks, grey slacks. One gold earring. Every time he goes to a gala in a simple, cliche black-and-white suit, the press acts like he just reinvented the wheel.

Dick Grayson: Lots of blues and purples. I stand by little top and shorts, or, little top and sweatpants. He wears lots of sequins and shoulder pads to galas. Very stereotypical eighties.

Jason Todd: Lots of coats. Lots of sweaters. Kind of academia in the sense that there are some collars and college sweatshirts. He doesn't go to galas. He would kill Bruce before he had to go to a gala.

Tim Drake: Alternates between 'I don't know I just don't want to be naked' and 'I have to wear this specific shirt or I think I will explode'. Likes graphic tees, sweatpants, jeans, and lots of pockets. He definitely steals literally everyone's hoodies. Kon's, Bernard's, Dick's... No matter where you live... he will find your hoodies. He just wears blacks suits to galas.

Damian Wayne: He hasn't reached the acceptable age to only wear black turtlenecks yet so he just wears a lot of dark colors. He definitely wears cargo pants, though. They're for all of his weapons. At Galas he dones't really have a specific style. He just kind of wears a black suit with maybe a green pocket square to seem more sophisticated.