#Crew Vibes

[aroacenezhaanddainsleif]

the kids share one braincell and its purpose is to help people

[trapangeles]

Dominique Danielle Unleashes Her Swag in 'It's A Dom Thing

In her latest music video, "It's A Dom Thing," Dominique Danielle takes us on a ride through a world where swag, empowerment, and a touch of humor collide. The video kicks off with a hilarious skit featuring Dominique playing an old man obsessed with buying a Rolex, setting the tone for a uniquely entertaining experience.

As the beat drops and the video transitions, we're introduced to Dominique and her dynamic girl crew, who trade in the traditional for the unexpected as they work on cars and take on various tasks in an auto shop setting. The choreography adds an extra layer of flair, showcasing the crew's skills and camaraderie.

The chorus echoes Dominique's self-confidence and individuality, with the lyrics proclaiming, "Who's that busting out the pack that's me, It's a wrap every time I'm on the scene. Every man's fantasy and a Bad Chick's Dream, I guess it's a Dom Thing."

What stands out in "It's A Dom Thing" is not just the catchy sampling of Yo Yo's classic "The Bonnie and Clyde Theme" but also the visual storytelling that celebrates female empowerment. Dominique and her crew redefine stereotypes, making the auto shop their stage and turning car washing into an art form.

The video not only encapsulates the essence of the song but also emphasizes Dominique Danielle's bold and unapologetic approach to her craft. As an independent artist, she continues to carve her path in the music industry, bringing a fresh perspective to the urban music scene.

In "It's A Dom Thing," Dominique Danielle proves that music is not just about sounds; it's a visual journey that reflects personality, style, and a unique perspective. Get ready to witness the swag, humor, and empowerment that make "It's A Dom Thing" a must-watch in the realm of contemporary hip-hop.

Have you been spending all your money and time on making music and shooting videos, but still not getting any exposure? Tired of just spinning your wheels? You know to get exposure you need to get featured on blogs, radio stations, playlist, and get your music e-mail blasted out to the masses. Need help getting all that done? Then check out the Package we’ve made available for you below!

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[potato-lord-but-not]

I love gay people 🫶🫶

[animeglitch]

[reallyhardydraws]

casual / club / wedding / gig

[kacievvbbbb]

Look Mihawk’s eyes definitely glow in the dark and this fact definitely threw Shanks of the first time he learned it which coincidently was during their *coughs* first time. But it’s kind of hot and he’s grown used to it now……mostly.

Because you know Mihawk is definetly the type of dude to never turn on a light ever and with his propensity for staring unblinkingly and his half hazard middle of the night sleeping habits. It’s a bit of a bit of a problem .

the years Shanks has lost of his life waking up to a floating pair of shimmering golden and ringed eyes staring at him in complete darkness he will never gain back and are best not talked out.

Also imagine if Mihawk is prone to midnight snacking (making up for all the food he doesn’t eat during the day to maintain his vampiric reputation) so many a red haired pirate have woken the ship with Shrieks having stumbled into the very dark kitchen to see a pair of otherworldly eyes completely demolishing a plate of leftovers or an entire charcuterie board staring right into their soul.

Ben and Yasopp have almost shot him multiple times(with only one of those times being on purpose) Many a crew member has solicited Shanks to get his boyfriend exorcised and the ship cleansed. In 2 years the closest Zoro ever came to cutting Mihawk was while blindly flailing his swords around in the dark trying to fend of the kitchen demon that besieged him during his midnight beer run. This will happen every night, they never talk about it. Zoro never figures out it’s Mihawk and is pretty sure the Kitchen is haunted. Won’t keep him from his midnight protein shake (he is no longer allowed beer)

Perona is the only person who is even slightly normal about this (she lived on thriller bark floating pair of eyes in the dark is child’s play) she just switches on the very bright white kitchen lights, effectively blinding Mihawk and leaving his terrible posture and he use of his precious kogatana to eat meatballs exposed to the light. She gets a cup of water turns off the light and leaves. The next day Mihawk buys her a new dress they never speak of this again.

[evasive-anon]

Jason was having a pretty OK time with the league of assassins, sure getting dunked in a lazarus pit sucked and Bruce turned out to be a scumbag who didn't care about him, but at least he isn't dead. He even liked most of the new skills he was learning there so on the whole being with the league seemed like a pretty good deal to him until Talia woke him up in the middle of the night and left him alone with two child assassins.

Or, a demon twins AU where when Talia realizes her father intends to have her boys fight to the death takes action first by deciding to take all her kids and leave the league. Talia either dies or is separated from them in the initial escape and now Jason just has a bag of supplies and a letter from Talia explaining the plan to get to Gotham. Jason has to get himself and two 7 year olds out of the Himalayas, across a desert, and over 12k miles to Gotham. Only now the league members hunting them down want them dead or worse and Jason isn't too confident that B will accept them given their kill counts.

Featuring:

Good Mom Talia. she loves her kids. Did she teach them to kill? Sure, but that's an important life skill.

Single Teen Mom Jason. He's the oldest and in charge but he also will not answer any questions about The Plan™ given he isn't committed to Talia's but also doesn't have a set alternative. Oscillates between looking forward to just dumping his new little brothers with Bruce so they'll be his problem and thinking of just moving somewhere random in the US and keeping them based entirely on how cute vs annoying they are at that time. Didn't realize how much he relied on Talia to help him with things until she is gone. He's really trying his best but he wasn't all that emotionally stable before this so hang in there.

Angry Smol Dami. He's still drinking the LoS punch and really dislikes that he is now considered a traitor. Can't stand that Jason won't answer any of his very relevant questions. Is actually very scared but will not show it. Misses his mom. Didn't even know he had siblings until his mom yoinked him out of bed that night and brought him to Jason and Danny and started all this. Physically the stronger twin. Thinks Danny is dragging them down in fights and also may blame him a bit because clearly his mother only did all this to spare him.

Danny, reincarnated with limited access to his memories and powers. Has been trying to keep his powers a secret. Talia knew about them but never told anyone but she may have hinted at it in her letter to Jason. Not the strongest physically but very good at stealth and social interactions. Didn't know he had and older brother or twin before Jason woke him up at Talia's instruction that night. Thinks Damian is mean and has faith Jason knows what he's doing even if that is very much untrue.

[mo-mode]

Okay so now that we have more satyr lore in the show, I’m gonna need an in-universe documentary about all of the magical creatures and monsters narrated by minor god of nature himself David Attenborough and filmed by a crew of brave satyrs but it always goes horribly wrong. every time they try to document a monster in its natural habitat, the monster’s just reading a book or like eating a churro or something until either it tries to eat the crew or a demigod child appears and then they turn into a living nightmare and David is like “oh dear” in his posh British accent and they cut to some b-roll footage of centaurs galloping or something. And then when they try to get some cute footage of magical creatures, either the satyrs almost die or there’s a tragic death of the creatures like hippocampus babies traveling in a pod with their family, but then one of them gets eaten by a sea serpent and you see a satyr wailing in the corner as we hear David say something like “oh what a shame but that’s the circle of life” and they just keep on going. the satyrs keep trying to give the animals satyr’s blessings but that’s not allowed cuz they can’t interfere like normal documentarians can’t so it’s just them trying and failing to protect the animals while the omniscient god David Attenborough keeps narrating without pause. But it’s also their duty as satyrs to preserve nature so they still need to make the best show possible

It’s a Need. I will write the script myself, okay? Don’t tempt me. Rick Riordan hire me PLEASE

[queerly-autistic]

Fuck me there's some very deep depressing societal analysis to made of a situation where 'the gays' are encouraged to support a show that's mostly about straight white people and has just breezed through getting renewed for another season whilst the much more successful and fiercely diverse queer-centric show gets canned.

[beanghostprincess]

I will forever love seeing Luffy and Nami holding Zoro's swords. He's so protective of those three but it's not even because he fears something might happen to them, but because he's scared something might happen to the crew and himself if he doesn't have them with him. They're like extra limbs. The ones he uses to fight and protect and breathe. He feels uneasy whenever his swords aren't around him, and that is just a fact. You can't deny that he feels comfort in having them by his side at all times, knowing that he'll be able to protect the crew from any dangers. They're tied to his heart and soul in a way that if he loses sight of them he might actually lose himself too. So he does not enjoy seeing his swords in somebody else's hands. They can disappear, he will find them. They can run away, he will follow. They can break, he trusts them not to but if they do, he will keep going carrying their bond with him still. But he doesn't like seeing them in somebody else's hands because those are his swords. His limbs. His heart. His soul. It's just not right. It never feels right. But.

But.

But sometimes Luffy acts like he knows what he's doing and actually asks for permission instead of just taking what he wants. As if crossing Zoro's boundaries would be unforgivable, when he knows Zoro would give him anything he wanted to take from him. But he asks. He asks, with a careful, polite, deep voice Zoro isn't used to hearing. But it always ends with the softest of smiles and the petition reaches a place inside of Zoro's heart that he just knows has also touched his swords. So he lets him, because how could he not, and he runs his fingers through all of them. Amazed. Astonished. Respectfully talking to them as if they could hear him. And they can. Zoro knows they hear and feel and love and crave and long for his captain's touch. He knows, because he does too. Because who wouldn't? Luffy holds them in a way he never holds anything else- Carefully. Like they aren't his. Like befriending somebody he fears might reject him. Like taking hold of Zoro's heart and holding him so gently in case he might break him. He worships them as if he weren't the god in this relationship. He looks handsome, too. Not pretty. Not cute. Handsome. Mature. His hat covers his adventurous gaze but leaves his mischievous grin for the whole world to see. And yet, the swordsman trusts him enough. Without any look or any word. He knows Luffy's face by heart, he realizes, now that he can picture his eyes quite too perfectly under his hat. His skin glistens under the sun and his tender fingers hold the sword with so much clumsiness it looks dumb. He doesn't know how to hold them, yet they don't want to move away from him. It's clumsy but it takes over them. Maybe it's his haki. Maybe it's the effect the future king of the pirates has. Zoro thinks it's just him. Luffy. And his heart stops the second Luffy smiles, as if he had just heard the sword respond to him. He wants to kiss him. Bite him. Let him bite back and draw blood and eat him. Let him hold him the way he holds the swords but tighter. Closer. Maybe he's in love. Zoro. With Luffy. It's not a maybe. Who is he trying to trick? He knows he is in love. With the way he smiles and the way he holds and the way he wants but respects and loves. It's funny like that, the fact that Luffy keeps being so careful when Zoro would let him tear his heart apart and eat it if he so desired. It's funny that the swords love him with such gentleness when they often demand power. Perhaps kindness is the most powerful weapon of all or, at least, Luffy's most powerful skill. Zoro hates it when somebody else holds them because they don't own them. They don't own him. He doesn't even own his swords, anyway. Nobody can. They're his the same way he's theirs, just with a bit more dominance and respect. But Luffy isn't owning them. He's praying to them. Talking to them. Befriending them. Loving them. And they would bow to him if he so desired. Zoro knows they would, as fierce as they are and violent as they seem and as sharp as they cut. They'd bow to him because Zoro would too. The uneasiness does not exist when Luffy is the one to hold them because, if Zoro had to give out his soul for somebody to take care of, that would be Luffy. And if he has to be unprotected. Naked. Bare in front of a thousand soldiers. He will if it's Luffy the one fighting instead.

Sometimes Nami wants to hold them just to feel what it's like to be in Zoro's shoes. It's a stupid reason. He refuses to let her do it as an instinctive reaction at first. She doesn't seem as interested in following the protocol as Luffy is, but she knows where to stop and she knows what to say to get on Zoro's nerves, anyway. She's equally as fierce. Equally as sharp. He won't let her hold any cursed sword, but it's not like she wants to. She's smarter than that. Careful and respectful but not that interested in the swords and what they mean, more in how they feel. Zoro gets it. Kind of. Somehow. She says something about always letting them eat her precious tangerines, so he should humor her by letting her hold Wado at least. She isn't pushing him. He knows she wouldn't. She's just teasing because she knows. She always knows. She knows he will say yes. Because he always does what she says, although he keeps demanding a bit of respect to not be treated like a dog. But Nami never forces him to do anything. He could refuse. She would give up at some point. But there's just something about her- Stubbornness. Strength. Love. So much love and care and worry and anger. And Zoro likes her. She's selfish, too, like a pirate should be. Stronger than Zoro in the ways that matter. Smarter, too, even if he wouldn't admit it out loud. But she leads the way and he follows, not because that's a dog's job, but because he wants to. He trusts her. Something he never thought he would. But he does. She's smart. She leads the way. She knows where they're going. They somehow are the same and totally different at the same time. Zoro grounds Luffy when he gets lost. Nami leads them both so they won't. So there's something about her curiosity that makes him soften. He never knows exactly why he does what she says. Why he indulges her like that. But it's satisfying, for some reason he refuses to read within himself, the satisfactory and pleased grin on her face when he hands her Wado. She's careful with her. Awful at holding her. Bad posture. Great smile. Horrible movements. Beautiful eyes. It's okay, though, he thinks. Wado likes her because Zoro likes her. Nami loses interest within a minute, complaining about the weight and the sudden realization of "you always have this thing in your mouth" which makes her want to give her back. But she stares at her for a whole minute. It isn't her thing, but her eyes spark when the sword is returned to Zoro. Trust. A smile. Thankfulness. Her bangs are getting a bit longer and one strand of hair gets in the middle of her teasing smirk. She says she prefers her clima-tact, but swords are fine, "I guess". "She's pretty" she says. Zoro thinks she is pretty. Nami. In a way he can't quite describe because he has never really been good at that. But she is. Like a blade. Sharp. But in the right hands this time for her not to cut the ones she loves anymore. She hands him a tangerine next, every time he lets her hold his sword. An exchange. "I give you something that matters. You give me something that matters". Zoro wants to say it's not the same, but the tangerine is sweet. Juicy. His fingers then smell strongly of citrus. Almost as similar as steel. If he can feel Nami's heartbeat in every bite, he wonders if she has been able to hear his in the hilt of his sword. Calm. Peaceful. Safe.

Zoro doesn't like seeing his swords in somebody else's hands because those are his swords. His limbs. His heart. His soul. It's just not right. It never feels right. But.

But sometimes it does.

[writing-for-life]

Dream—David Hitchcock

[fauvester]

[naancydrew]

can we gather a mass list of clue crew mysteryish/thriller/nancyish media recommendations? i'll start:

shows: columbo, murder she wrote, psych, x-files

video games: ace attorney, pentiment, return of the obra dinn, ghost trick

books: the 7 1/2 deaths of evelyn hardcastle, omniscient reader's viewpoint, (honestly that's it other than nancys I need to read more mystery novels)

movies: knives out series of course, the handmaiden

board games: (idk any I'm sorry just thinking of media categories)

trrpgs: monster of the week, city of mist

[kasirose]

Did something different so here's that Draw the squad playing monopoly TMI crew + Jonathan style ✌

original meme under the cut

[animeglitch]

[foxtrottcantfindshit]

Holiday shenanigans. Maybe it’s the found family we got along the way