#Hip-Hop

[todayinhiphophistory]

Today in Hip Hop History:

DMX released his third studio album …And Then There Was X December 21, 1999

[tha-wrecka-stow]

[javarisx-fightingthosedemons]

[possible-streetwear]

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[twixnmix]

Nas, 2Pac, Drawz, Redman, Polo Ice and Biggie Smalls at the Amazon Village nightclub at Pier 25 in New York City on July 23, 1993.

Photos by Al Pereira

[infimace-blog]

Thinking about rap as a technical artform and rap as a cultural artform, with respect to Tumblr's incompetence at dealing with either. Tumblr can just barely grasp the former because, like all forms of Black music, it's been repackaged in various ways that are more palatable to to white audiences. I talked last month about how what Tumblr was calling rap while trying to defend its taste in music is more akin to filk songs, but I should admit, sometimes Tumblr cites people who actually rap. It doesn't fix the problem or absolve them of their bullshit, but it is true.

The failure then becomes an inability to recognize or care about how rap functions culturally.

People on Tumblr will take Dungeon Meshi and intricately pick apart how a single chapter connects back to real-world neurodivergence issues and the cultural differences between the West and the East when it comes to handling them, and then look at any given rap song and assume it's skin-deep. Unless it's Hamilton back in the late 2010s, before we all decided it was cringe, in which case they'll gladly dig into the history of the early USA and, like the play itself, sidestep the racism whenever possible.

Take Weird Al, one of the many names that's been thrown around in Kendrick and Drake's wake. Weird Al is technically a rapper. He has done rap. We cannot ignore that as a factual statement. He's not even that bad as a rapper. But he has no engagement with rap as a cultural object; he engages with the artform as a parodist. "Amish Paradise", probably Weird Al's most popular rap parody, doesn't say anything; it's here to riff on a religious minority. But you dig into it just a little and you can see the kind of complexity that Tumblr usually loves to talk about. The song is, after all, a parody of Coolio's Grammy-winning "Gangster's Paradise", which is literally about being a black man in an environment dominated by organized crime and fearing the constant threat of death in that life, but was also created specifically for the movie Dangerous Minds, a middling white savior movie about Michelle Pfeiffer teaching a bunch of bad stereotypes of what people think inner city non-white students are. A movie that was, in turn, based on a white woman's memoirs about teaching in a bad school near San Francisco. You've got this interplay between a white woman's real-life efforts to teach her black and Latino students (I can't speak to how effective she was, mind you), a fictionalized version of that same woman being shown as the sole guiding light for her underdeveloped gangbanging students - and a white actress's crappy Kipling-ass 5/10 film getting Coolio his Grammy. It was tailor-made to be Coolio's big hit with white audiences, getting the push of Michelle Pfeiffer, having slow and deliberate rapping, and lacking the swearing in most of Coolio's oeuvre (Stevie Wonder mandated no swearing in return for letting Coolio sample his music). And, though I suspect this was unintentional, the song plays into the same narrative that the movie does, how this rapper is doomed to his life because "nobody's there to teach [him]", with dramatic choir and strings underscoring the dire fate that awaits this rapper if some charitable white person doesn't help him - the same dramatic choir and strings that Weird Al uses for comedic effect by comparing it to Amish farmwork.

I put that last paragraph together with two or three hours of Wikipedia, and you can do the same kind of analysis with a lot of hit rap songs (and Genius is right there if you need a helping hand - I wouldn't have understood much of Kendrick's Euphoria without it), and I think this drives a lot of my frustration? Tumblr loves to see something cool and then take a few days to write an in-depth post about how cool it is under the surface. So the lack of this when it comes to rap does show a deep disinterest in thinking about it when it isn't fun. And there's so much cool shit to learn about rap. Did you know that Baby Got Back was inspired by the anti-black fatphobia Sir Mixalot's model girlfriend was dealing with in her industry, and was pushing back against the media's general preference for skinny white women? Did you know that there's a Turkish hip-hop scene specifically in Germany because, as a minority that was brought to the country for cheap labor and then forced to exist as second-class citizens, they ended up relating a lot to the music? Just. Dig a bit. There's so much.

[fyblackwomenart]

"Thee Stallion" by Katura Gaines on INPRNT

[undeletable]

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[todayinhiphophistory]

Today in Hip Hop History:

DMX released his second album Flesh Of My Flesh Blood Of My Blood December 22, 1998

[tha-wrecka-stow]

[javarisx-fightingthosedemons]

[possible-streetwear]

[tatanpp]

Kendrick Lamar & Baby Keem