#Century of Love Episode 1 review

[afabstract]

Century of Love Episodes 1-2 Review

San's 100-year wait for his lost love is filled with unexpected twists and magical suprises in the Thai series "Century of Love" starring Daou Pittaya Saechua & Offroad Kantapon Jindataweephol.

If you believed in reincarnation, how long do you think you could wait for the love of your life to be reborn after an untimely demise? San, the protagonist of the Thai romantic-fantasy series “Century of Love” (original title: ปาฏิหาริย์รักร้อยปี/Patihan Rak Roi Pi), waits almost 100 years to see his deceased lover Wat be reincarnated. A magical stone allows him to retain his youth for a…

[absolutebl]

This Week in BL - Must you, Japan? has become Thank You, Japan

Organized, in each category, with ones I'm enjoying most at the top.

BL OLYMPICS! Week 3

This is my last week of passing out metals in various sporting events, as part of the weekly updates.

Aug 2024 Week 2

Ongoing Series - Thai

Century of Love (Weds Gaga) eps 9-10fin - There were a lot more unnecessary dramatic speeches than there was practical medical aid being administered. Very extra, boys. I wonder how long it took them to get that "birds meet hug" shot? Meanwhile, great grandpa‘s attitude that he knows best in every way is thoroughly annoying, and yet absolutely appropriate to his age. My great gramps (RIP), had he had the body of a 20-year-old, would behave in exactly the same self-righteous know-it-all way. The doctor is great. I would like him to get his own romance please? What happens when you are the villain in someone else's reincarnation story? There's a whole fanfic there. And yes I cried. I am a sap for this kinda thing.

Final thoughts:

This is a great little show about a young man who fell in love with a pretty girl 100 years ago, and when she died in his arms, he was cursed to live until he could meet her reborn self. Only this time around, she’s reborn into the body of a man. I love it when Thailand gets all up in its own historical business and reincarnation and shizz. I like this pair (it’s not DaouOffroad’s fault I didn’t enjoy most of their first series.) Daou’s wushu is pretty snazzy and we got a fun meet cute. (Erm... Remeet cute? Meet cute 2.0?) Plus this is a very PRETTY show. Despite some ham handed comedy moments, this ultimately has more in common with something like I Feel You Linger in the Air meets First Love Again, then (as one might expect) Until We Meet Again or The Director Who Buys Me Dinner. The leads turned in great performances, although Daou outclassed everybody else on that screen. It’s a good story and a great BL. I’m not sure this is going in my rewatch rotation, but I can’t find any major faults with it beyond a certain level of camp that is sadly endemic to lackorns. Also I’m going to give it credit as the kind of BL that one could safely recommend to lovers of melodrama and historical romance, without having to qualify it as “good for a BL.” It was, to put it succinctly, simply a VERY ENJOYABLE show. 

Under those auspices I really can’t give it anything less than a 9/10. 

Bronze in Fencing

My Love Mix-Up Th (Fri YT) ep 10 of 12 - It’s cute. They were cute. I enjoyed it a lot. I talk quite a bit about why they're using nai as a you pronoun here:

This Love Doesn't Have Long Beans (Fri iQIYI) ep 6 of 8 - Honestly the side couple is truly stellar in this show. I wasn’t sure about them at first but now I absolutely love them. Not sure how they are going to resolve such intense dislike (from JJ) by the end of the series. But I’m interested to see them try.

Meanwhile, there isn’t anything else airing right now that makes me laugh as much as the behind-the-scenes from this show. Highly recommended.

Monster Next Door (Thai Thurs Gaga ) eps 1-2 of 12 - Oh it is so much fun. I’m particularly delighted that our musician is a drummer and I don’t have to listen to him sing... I hope. I’ve been waiting for Big to lead a BL forever. I’m disposed to enjoy this. We can all be confident in one thing, the kisses are going to be great. I like the side couple too, very indulgent daddy. While I am disturbed by the tortoise in the tiny tank, I love the extrovert friendship group. They remind me of my own college crew. It is a cute premise, but I will need them to actually be together in the same room, looking longingly at each other a smooching within the next couple of episodes.

YouTube served me both episodes 1 & 2, and I don’t think it was meant to. So this may be next week's review as well.

The Trainee (Sun YouTube) ep 6 of 12 - I wasn’t wild about this ep or where this show is going. But I enjoyed the language play. 

Gold in Linguistic Gymnastics

(my new favorite sport)

Sunset X Vibes (Sat iQIYI) ep 9 of 12 - Wow. Sam admitted it just out loud like that! Right after a betrayal? Balls on that boy. Worked on Yo tho. Too well, actually. I wish Yo had made him suffer and dragged him over the coals for a while. But I guess Yo really really likes him back. Meanwhile, the GL side plot also moved quite rapidly. A lot happened in this episode.

I Saw You in My Dream (Weds Gaga) ep 4 of 12 - Them ALL jumping into the water was totally ridiculous. It’s still a little slow, because it is a pulp, but I’m rather enjoying it.

Knock Knock Boys (Thurs Gaga) ep 12fin - Almond and Latte were cute. The breakfast with the four of them was funny. I did laugh a lot. Almond getting "first time" advice from his two resident gay dads (or at least trying to) was super sweet. Also I got a lot of smiley kisses. Nice final ep.

Ultimately how do I feel about this show?

A story about 4 boys of differing personalities who end up living together and pair up, falling in love. Slow moving and waffling, with some artificially generated family drama makes this a classic Thai pulp except that in general it's a smiley kiss of a show. It had plenty of good qualities like great communication and sexual rep (including toys, first time, safe sex, and sexual identities). The heat levels were on point and well executed, and the performances were good. It’s just that the script and the directing were lackluster, rendering it ultimately forgettable. Still, fine on a rainy afternoon with some camomile tea or whatever. 7/10 

Love Sea (Sun iQIYI) ep 9 of 10 - I’m getting some sort of PTSD from this show, It is making me feel like I’m the problem. Trash watch

Ongoing Series - Not Thai

Cosmetic Playlover (Japan Tues Gaga) eps 1-2 of 8 - Anyone surprised by this jump in the standings? Yeah, probubly not. Anygay... this show is GREAT. Warped af but great. Lemme try to explain.

I actually said out loud during ep 1, "Well this is boundary pushing." By which I mean mine and everybody elses. But it’s Japan, *checks watch* it’s about time they turned out something edging into unpalatable and kinky. And because it’s Japan, I’m more forgiving than I would be were this show nested in the clumsy hands of say... Thailand. So actually this being me, and me being of questionable taste, I’m enjoying this show a lot.

You want me to list the ways? Sure.

Younger seme with grabby hands.

The younger one identified the elder gay as his personal property and it’s now: single motivation, on target, against all odds.

Uke cares about his work and not much else.

Seme cares about the uke and not much else.

Uke is gonna make this boy WORK for it.

That one particularly Japanese style of obsession that I actually adore.

Passes the sniff test!

I’m being reminded of that KBL Love Mate. Which I believe I enjoyed but no one else did. For exactly this set of tropes. Only Japan is better suited to handle them. For me this is a case of:

Must you,Japan? = Oh yes? Well, thank you very much, Japan.  

I Hear the Sunspot AKA Hidamari ga Kikoeru (Japan Weds Gaga) ep 8 of 10 - enter the evil girl character. Yawn.

Takara's Treasure AKA Takara No Vidro (Japan Mon Gaga) ep 6 of 10 - It is what it is. 

It's airing but...

Battle of the Writers (Sun YT) ep 2 of 12 - I did not catch ep 2 before they took it down from USA YT. I don’t know why it’s down. Either they got a deal for distribution off YouTube or there’s some sort of scandal. Frankly, I wasn't particularly impressed with ep 1 so I’m not rabid to find wherever it’s gone or why. Still, perhaps someone will let us know the sitch in a comment? It's a me problem. I'm figuring it out.

Sugar Dog Life (Japan Sun ????) 10 eps - OMG a uni student who looks too young and a... COP. GAH. The subversion and kink of it all. Why can't I find it? Do I have to go grey?

4 Minutes (Thai Netflix/Grey) - A rich boy at uni suddenly gains the supernatural power to see four minutes into the future. I have a source, but I've decided to hold off and binge if it ends okay, since it's only 8 eps. I depend upon y'all to tell me if it's safe.

Meet You at the Blossom (China) - it's your funeral (or, more likely, one of the main characters'). You can argue but... statistics. You know my feelings on this matter. MY BLOG, remember?

In case you missed it

The Time of Fever AKA Unintentional Love Story 2 (Korea movie) trailer IS COMING IN SEPTEMBER!!!! (Yeah this is gonna sit here until then)

Next Week Looks Like This:

Ooo, nice spread.

Upcoming BLs for 2024 are listed here. This list is not kept updated, so please leave a comment if you know something new or RP with additions.

Still Coming This Month!

8/12 First Note Of Love (Taiwan Mon Gaga) 12 eps - About a singer with stage fright and his timid fan stars Charles (H4 the puppy one) and Michael Chang (the youngster in My Tooth Your Love), plus side couple featuring a Thai actor Jame (Koh in Gen Y) and Liu Min Ting (of Guardian fame). What a damn tean. I can't wait. With thier powers combined!

8/13 Addicted Heroin (Thai Tues YT) 10 eps - supposedly Jinlo with air this on their YT channel. Stars August (Love Sick) so I'm excited despite Jinlo's poor reputation. From the trailer it looks like it's following the original pretty closely... just Thai style. GIMMEEEEE!!!!

8/16 The Last Time (Thai Fri YT) ? eps - Convoluted story of loss and possible reincarnation or something.

8/22 The On1y One (Taiwan Thurs Gaga) 12 eps - announced in 2023 this one has a high school set stepbrothers trope and is reputed to be high heat. From Taiwan! It's made for me. Based on a novel Mou Mou from the Your Name Engraved Herein folks, so it could go dark. Still, I'm very excited.

8/22 The Paradise of Thorns (Thai movie) theater release - Jeff Satur is back but this does not look like a BL (the gay lover's death is the inciting event). More in Goodbye Mother vein. Looks dark and dramatic. He opposite and extremely well known actor Toey Pongsakorn who has never done gay before.

THIS WEEK’S BEST MOMENT

Linguistic flirting trope! One of my all time favorites. FANTASTIC. (I did keep hearing Gun yelling Papiiiiiii! in my head tho.)

(Last week)

Streaming services are listed by how I (usually) watch, which is with a USA based IP, and often offset by a day because time zones are a pain.

The tag BLigade: @doorajar @solitaryandwandering @my-rose-tinted-glasses @babymbbatinygirl @babymbbatinygirl @isisanna-blog @mmastertheone @pickletrip @aliceisathome @urikawa-miyuki @tokillamonger @sunflower-positiiivity @rocketturtle4 @blglplus @anythinggoesintheshire @everlightly @renafire @mestizashinrin @bl-bam-beyond @small-dark-and-delicious @saezurumurmurs

Sigh, Tumblr in its infinite wisdom doesn't like too many tags.

[thelibraryghost]

A Young Person's Introduction to Early 20th-Century Western Fashion

am i hip with the kids yet

General information Dotschkal, Janna. "1920's." FOUND. October 21, 2016. English Heritage. "Fashion Through History: Episode 3 – 1930s." YouTube. April 16, 2023. Rudolph, Nicole. "The History of Standardized Sizes in Womens Fashion and Why They FAILED." YouTube. May 16, 2021. Vintagebursche. "100 Years of Classic Menswear - and what we can learn from each decade." YouTube. February 29, 2020. Zebrowska, Karolina. "1920s Fashion Is Not What You Think It Is." YouTube. May 20, 2018.

Accessories Cox, Abby. "Flappers, Y2K, & Capitalism are Why Women "Don't" Have Pockets." YouTube. January 12, 2023. Cox, Abby. "The Disappointing Truth On Why We Don't Wear Hats Anymore..." YouTube. December 18, 2022. Rudolph, Nicole. "The History of the Iconic Cloche Hat: Making 1920s Fashion." YouTube. September 18, 2022. Rudolph, Nicole. "When Hats were Illegal: Sewing a Goth Edwardian Hat." YouTube. February 21, 2021. Sheehan, Sarah. "Neo-Egyptomania." PatternVault. December 31, 2022. Zebrowska, Karolina. "Why Did We Stop Wearing Hats?" YouTube. April 28, 2020.

Cosmetics Banner, Bernadette. "Making and Testing a Victorian Skincare Routine." YouTube. April 8, 2023. English Heritage. "1930s Makeup Tutorial | History Inspired | Feat. Amber Butchart and Rebecca Butterworth." YouTube. December 18, 2018. Holland, Evangeline. "On How to Be Lovely." Edwardian Promenade. April 15, 2010. Rudolph, Nicole. "The Controversial History of Color Season Analysis." YouTube. November 4, 2023.

Fabrics Rudolph, Nicole. "The History of Elastic." YouTube. July 4, 2021. Rudolph, Nicole. "Wearing Overalls to Boycott Fashion Greedflation? Weird History of 1920." YouTube. March 16, 2024.

Gowns and formal wear Banner, Bernadette. "I Redesigned Mary Poppins' Jolly Holiday Dress Based on REAL Edwardian Lingerie Gowns." YouTube. February 20, 2021. Banner, Bernadette. "I Remade Mary Poppins’ Dress to be Actually Edwardian." YouTube. July 9, 2022. Cox, Abby. "Alexander McQueen & the Patriarchy Problem in Modern Fashion." YouTube. October 20, 2023. Cox, Abby. "What Makes a Gown Haute Couture (like House of Worth) in Victorian and Edwardian Eras?" YouTube. September 19, 2021. Lady Rebecca Fashions. "An Edwardian Woman's Fashion Evolution." YouTube. June 4, 2022. Oakes, Leimomi. "Terminology: what is a lingerie dress or lingerie frock? (and blouse, and skirt)." The Dreamstress. July 21, 2018. Rudolph, Nicole. "Stop Idolizing Coco Chanel: a shocking history of theft." YouTube. January 13, 2024. Rudolph, Nicole. "The Truth about the Fringed Flapper: Making 1920s Evening Dresses." YouTube. November 6, 2022. Vintagebursche. "1920s Theme Party - How to dress." YouTube. December 9, 2023. Zebrowska, Karolina. "1920s Fashion Encyclopedia, Pt 1: Daywear." YouTube. November 27, 2019.

Hair care and styling Banner, Bernadette. "I Tried Following a Real Edwardian Hair Care Routine." YouTube. May 12, 2020. Lady Rebecca Fashions. "Getting Dressed in the Edwardian Era / Gibson Girl Hairstyle Tutorial." YouTube. June 12, 2020. Lady Rebecca Fashions. "Titanic-era Hair Tutorial // Getting Dressed in the 1910's." YouTube.September 4, 2020. SnappyDragon. "Historical hair myths debunked : How often should you wash your hair—daily shampoo or no shampoo?" YouTube. August 12, 2022. Zebrowska, Karolina. "Weird Edwardian Beauty Tips." YouTube. February 11, 2017.

Laundry and starching Banner, Bernadette. "Ok but how did the Edwardians WASH these dresses?" YouTube. August 3, 2022.

Outerwear Cox, Abby. "Athleisure: Destroying Fashion & the Environment." YouTube. January 18, 2024. Rudolph, Nicole. "150 years of Masc Women causing a Moral Panic." YouTube. June 17, 2023. Rudolph, Nicole. "The History of Jeans, T-shirts, and Hoodies: Time Travel 101." YouTube. March 20, 2022. Zebrowska, Karolina. "SPRING/SUMMER FASHION TRENDS REVIEW but it's 1936 (ft. original fabric samples!)." YouTube. April 22, 2022.

Shoes Rudolph, Nicole. "I Made Witchy Edwardian Shoes by Hand!" YouTube. March 14, 2021. Rudolph, Nicole. "Making 100 year old Comfy Slippers: Free Pattern!" YouTube. December 30, 2023. Rudolph, Nicole. "The Myth of Tiny Feet "Back Then"." YouTube. September 26, 2021. Rudolph, Nicole. "The True History of Stiletto Heels : the battle between Ferragamo and Dior." YouTube. August 26, 2023. Zebrowska, Karolina. "Why Is No One Talking About 1930s Shoes?" YouTube. September 15, 2020.

Undergarments Banner, Bernadette. "1903 Patented Bustle Pad Reconstruction." YouTube. June 8, 2019. Banner, Bernadette. "Achieving That Classic Edwardian Shape: Reconstructing a 1902 Bust Bodice." YouTube. April 16, 2020. Lady Rebecca Fashions. "So What are Guimpes Anyway? // Examining Antique Edwardian Guimpes." YouTube. August 21, 2020. Lady Rebecca Fashions. "They Wore Corsets in the 1920's?!" YouTube. January 29, 2022. Rudolph, Nicole. "Did Brassieres End the Corset?" YouTube. February 28, 2021. Rudolph, Nicole. "Dressing in Edwardian Clothing: Undergarments and Layers of 1907." YouTube. November 1, 2020. Rudolph, Nicole. "How Flappers got their Figure: the 1920s Silhouette." YouTube. July 10, 2022. SnappyDragon. "How pin-up photos fooled dress history : the making and marketing of lingerie pictures." YouTube. April 1, 2023.

[welcometothejianghu]

Welcome to another round of W2 Tells You What You Should See, where W2 (me) tries to sell you (you) on something you should be watching. Today's choice: 大理寺少卿游/White Cat Legend.

White Cat Legend is the 2024 live-action adaptation of a funny historical manhua about a country bumpkin who winds up working with a bunch of mystery-solving officials led by a beautiful boss whose tragic past means no one can know he's also a kitty.

This is one of those cases where television comes in to adapt something that has both unfilmable elements and a very non-cinematic storyline that hasn't even been finished yet, and as such mostly just takes the characters and the basic conceit, then creates an entire vaguely nonsensical 36-episode AU fanfic of it. To call this show tonally inconsistent would be an insult to shows that are only merely tonally inconsistent. It is full-on tonal whiplash, the kind you should go see a doctor about. This shit is all over the place. It has arcs and situations that are genuinely emotionally moving, and then smash cut! to wacky nonsense happening with the B-plot. It does not know if it wants to tell a Serious Story or just have bonkers antics, and it will deal with this indecision by doing both at once.

So if you're in the mood for something fun with charming characters that won't tax your brain parts, let me give you five reasons this could be exactly the junk food you're looking for.

1. Just a family of all boys

If you're looking for a show rife with female characters, go watch Legend of Fei or Story of Yanxi Palace. Over here, it's Boys' Night Out.

The show is set in the Court of Judicial Review, which solves crimes. The boy in charge of all of them is Li Bing, who is secretly also a cat for reasons he doesn't understand. He picks up naive yokel and total sweeheart Chen Shi and brings him back to work with the Court's current occupants: a sad-eyed scribe with catastrophically bad luck, a former soldier who wishes he'd been born recently enough to be into Crossfit, a generic "foreigner" whose superpowers are spending his parents' money and pronouncing things badly, and the 8th-century Chinese equivalent of a mediocre white man.

And I'm going to tell you right now, up front, above the cut, that these boys' character interactions are the #1 reason to watch this show. You watch it because you like to see them bounce off one another like the unsupervised toddlers they are. They all love and care for one another in the best ways they know how, which sometimes aren't very effective, but darn it, they're trying!

What's especially cute is how they're so touchy with one another -- and not in any kind of sexual or creepy way, but in a sincerely affectionate bro way. There's lots of hugging and supportive arms around waists. Sometimes when they get scared, they hold hands. They grip one another when walking across unsteady ground or climbing over walls to break into yet another house. There's never any gay panic or no-homo reassurances. It hits that sweet spot right between brothers and boyfriends, where you can read their interactions as fraternal and/or romantic as you like (see below).

I mean, who needs a plot when you have half a dozen charming boys canonically working, eating, and sleeping side by side? That, my friends, is quality television.

2. Jam-packed with goofball nonsense

White Cat Legend is a show that will make you laugh out loud, and mostly even on purpose.

About 2/3 of this show is silly, and the other 1/3 is trying so hard to be emotionally resonant. But you know what? Screw emotional resonance for the moment -- let's embrace the antics!

There's a lot of silliness happening even at the production level. The show also starts out doing some very cute visual things, like breaking shots into multiple "panels" that give everything a real comic feel. It's especially effective during fight scenes and other visually confusing setups. ...And then about 1/4 of the way in, it forgets about this gimmick and stops almost completely. This is a shame, because I liked it! I liked that VFX tomfoolery that paid homage to the story's webcomic roots! (Also, someone behind the camera clearly got told that the way to make a scene more visually interesting is to slowly pan in during every shot. Once you notice it, you can't unsee it.)

The main villain is ... well, he's a lot. He's just a whole lot. I'd call him Evil Garfield, except Garfield is already kind of Evil Garfield, so this guy's Eviler Garfield. He's not chewing the scenery, but is instead treating it like a cat with a vendetta against some drapes. He's just hilariously over the top at all times. It starts out vaguely entertaining, then gets annoying, then wraps right back around to entertaining again.

Also, his wig is terrible -- and it's not even the worst wig in the show! White Cat Legend has decided that the way you style foreigner NPCs is just to jam unbrushed women's wigs on extras' heads and call it a day. There are indeed a lot of foreigners in the show, and the show has chosen to handle them by assuming everything beyond the borders of 6th-century Chinese territory is a great undifferentiated vaguely Persian-flavored mass. Who's that shady-looking guy? Oh, he's Foreign. What country is he from? A Foreign one. What language does he speak? You know, Foreign.

You are not ready for the score. This is a show that spent its entire musical budget on a handful of middling pop songs, realized it still needed ~40 minutes of music to put in each episode, and decided that it could just pull things at semi-random from whatever the Chinese television equivalent of the YouTube royalty-free sound library is. The result is some laugh-out-loud hilarious soundtracking. Do you know why they usually pay people to do things like score television shows? It's because when you don't, it sounds like this.

True story: During one antics-filled scene, I frowned, listened a second, and asked my wife, "Is that ... 'Deck the Halls'?" It was!

The mysteries are -- and I'm quoting myself here -- the celery that gets the cute boy peanut butter to your mouth. Not only can you, the viewer, not solve them, I don't actually remember what most of the resolutions were. Hell, I barely remember what most of the actual setups were. The individual storylines are mostly unimportant pieces of fluff that kinda sorta tie into the big mystery of the show: Why is that boy a kitty? ...And if you think you're going to be satisfied by the resolution to that one, honestly, you haven't been paying attention to what I've been saying in this post.

Basing this on absolutely nothing but vibes, here is my guess: The original vision for this series was as an ongoing thing, something that might hew a little closer to the comic storyline in later seasons. At some point in the production, the decision got made that there would be no further seasons made. The resulting drama is something that's technically self-contained, sure, but has a lot of little lingering weirdnesses that look like foreshadowing.

As just one example, the way they frame and shoot the empress is bizarre, and she might as well have a big SHE'S GOING TO TURN OUT TO BE EVIL neon sign above her head. ...Except that, no, she's fine! Perfectly fine, mostly normal empress, mostly normal levels of evil, nothing to see here. She is, however, evil as heck in the source material (and that's not a spoiler, she's a little pink thing who's clearly sinister all the way from the get-go), and I have to wonder if the showrunners weren't planning some future heel-turn villain arc for her. Well, we'll never know now, so whatever you choose to believe, the show won't contradict you on it!

Your reaction to all of this will 100% depend on how charitable you are feeling toward staring down a firehose of (mostly) intentionally slapdash shenanigans. If you go into this demanding coherence and substance, you will wind up disappointed. If you go into it expecting nothing more than a fluffy good time, you'll probably enjoy yourself tremendously -- and you'll maybe even be moved by the rare times it does work out to being something of substance! Such as...

3. We are never ever getting back together

The first thing you can tell about Qiu Qingzhi and Li Bing is that they are as divorced as two dudes in a c-drama can be. They aren't just a little divorced. They are nuclear divorced.

Except -- and this is the juicy part -- they obviously still work really well together. If it's just the two of them head-to-head, they will be assholes to one another with no mercy. If circumstances change and they have a shared target, God help that shared target.

The unspoilery version of their backstory goes like this: They were adorable little tween besties who grew up into adorable little teen besties, until Qiu Qingzhi went off to join the army and came back a real cold bitch, and Li Bing has no idea why. Now the two of them control state agencies that should work together but actually wind up competing more often than not (think the FBI and the CIA), a competition not helped by how the Jinwu Guards (Qiu Qingzhi's group) are actual professional soldiers in very nice armor, while the Court of Judicial Review is, well, [gestures to points 1 and 2].

And yeah, baby, this right here is The Ship.

I spent a nonzero amount of time while watching this series laughing out loud because Wei Zheming's face is just too beautiful to be believed. With his sculpted jaw and his perfectly practiced looks of disdain, his Qiu Qingzhi looks like a damn Disney prince. His face could not be more perfect if you'd assigned a team of animators to draw it. This actor is the reason I found this show in the first place -- he was so beautiful in Word of Honor that I found myself wondering what else he might be getting up to. Turns out, he is again being a smug bitch and capturing the heart of a doe-eyed younger man.

Don't let me oversell how much these two are together in the show, because they're not. Qiu Qingzhi is not part of the main crew, so he's not in most of the episodes. Most of his screentime comes in flashbacks during the last story arc, to a time in his past when Li Bing wasn't even around. But when they're together, oh, the sparks do fly.

I think it helps that the actors seem to have understood the ship, even if in that video, Ding Yuxi (Li Bing's actor) is trying so hard to do the Please Do Not Cancel Us dance of plausible deniability. I honestly don't even think this is the show's doing; after all, the source material (see the section near the end) is not BL in the slightest. I'd believe the show meant to create a normal platonic bro-relationship between these two. I'd even believe that it thinks it succeeded.

Still, if you're not the biggest fan of Lovers To Enemies? That's fine! Here's the relationship that's the real core of the show:

4. Here comes a special boy

All the boys of the family of all boys are special and wonderful, but truly, Chen Shi is the specialest and wonderfulest of them all.

He is your everyman character, the little country bumpkin overwhelmed by all the big-city dealings he's stumbled into. With his cute little twang and his natural inclination to trust everyone he meets, he's the perfect cinnamon roll, too good, too pure. I want to pinch his angelic little cheeks.

Fun fact: I have been informed by someone who speaks with the same dialect he does that said dialect is very sweary, which brings to mind the wonderful image of Chen Shi just casually and sweetly dropping f-bombs while everyone else stares in shock.

In a show where the characters are way more important than the plot, having a good POV character is key. Your audience lives or dies entirely on how much they want to see that POV character put into situations. To me, Chen Shi is a rousing success at this. He's not stupid! He's just extremely sheltered and on his own for the first time in his ife. He's the bravest little toaster, the goodest boy who's not going to let the little things stop him -- like, say, illiteracy, or a lack of familiarity with city living, or an inability to give any substantial details about the brother he's looking for beyond 'he looks just like me.' That's why he's got his friends help him out!

You better believe that when it comes time to save the day, Chen Shi will do it through the power of how everyone loves him.

And he and the kitty are ... romance? Kind of romance? Romance-adjacent? I could burn even more wordcount explaining the dynamic, but @uovoc has already said it best:

cdrama Li Bing is like: I've taken an inexplicable liking to this simple country boy so I'm going to entrust him with my life's greatest secret because I'm whimsical like that. And cdrama Chen Shi is like: this man is the most beautiful cat I've ever seen.

No matter how romantically you slice it, it's a dynamic I absolutely love: where a guy weighed down by his own past meets another guy who could not care less about that. Chen Shi is Li Bing's chance to figure out who Li Bing is, without the burdens of his family history, connections to the court, job, status, or any of the other things everyone else sees when they look at him. Chen Shi looks at Li Bing and sees Li Bing, whiskers and all.

I mean, Chen Shi makes Li Bing an entire office full of human-sized cat toys. If that's not love, I don't know what is.

And if you're not into besties-to-worsties or the pure and purrfect love between a man and his cat who is also a man? That's okay! I've helpfully made a chart to demonstrate the many flavors of exciting relationship dynamics White Cat Legend makes available to you:

Imagine the possibilities! Make your own fun! And then get over to AO3 and share it with the rest of the class! The White Cat Legend tag is sparsely populated and mostly not in English, and that's a shame, because there's so much smooching potential.

5. Not as dumb as it looks

Wow, that's kind of a backhanded compliment, isn't it? Well, no, not actually. You saw my earlier points about what a bag of goofs this show is. What's easy to miss, though, is how unexpectedly clever a whole lot of its dumbassery is.

A lot of this, I'm going to chalk up to the actors, who on the whole turn in some comedic performances way better than they have any right to be. That's the thing about comedy: to do stupid well, you have to be smart. They're all very funny, and they've got some great chemistry in combinations and permutations. It's a testament to their abilities that you can take any two of them, give them a scene together, and get something worth watching out of it.

Of course most of this is the main boys, but the major supporting characters largely have the same clever sense of comedic timing. Their actors know they're not performing some great work of literature, so they've decided to have some fun with it. I'm not going to praise anyone's performance here as particularly great, but by and large, the recurring cast members are doing solid work.

The aforementioned goofball nonsense also does a fair job of distracting from how creative the show can be. For example, the fact that many of the fights and chases are comedic makes it easy to miss how the fight choreography is often really tight. I don't think the show is trying to hide its moments of cleverness, so much as it's just grabbing them where it can without drawing attention to them.

I know a lot of people gave up on this show only a few episodes in, and I suspect I know why. It's not even that it just takes a while to find its footing -- it never quite finds its footing, on account of being such a patchwork creation. It's an adaptation of an incomplete story, forced to make changes because of budgetary limitations, promising things it's not allowed to deliver on, and further cut down between filming and release. That's what you call having the deck stacked against you. The fact that the final product is not only watchable but downright enjoyable is a testament to how the production got some critical fundamentals right.

In short, it's not just dumb fun -- though it is a lot of dumb fun. But it's dumb fun with just enough to sink your teeth into that it eventually becomes a compelling ratio. I don't blame the people who bailed, but I'm glad I stuck with it.

bonus: It comes in other flavors!

If you like the series and you want more, you're in luck! There's a whole ongoing comic and animated series!

The comic is the original version of the story: a tall vertical webcomic with a cute, distinctive style. It's still being published, and it's very different from the drama. There's a great ongoing translation project at @whitecatlegend, so if your Mandarin skills are as bad as mine (or worse!), you can follow along in English as well!

The donghua is a pretty close adaptation of several parts of the comic. You can find the whole first season at this YouTube playlist, though please note that the playlist is out of order, so you don't accidentally start with episode 8. The translation is ... eh, it's a little rough in places, to put it charitably, but it also makes some charming localization decisions, so I'm all for it. Oh, and here's the second season! It's even prettier and better-translated than the first!

Also, hey, furries? Li Bing's a perma-kitty in both of those versions of the story, so have fun with that.

The drama's casting is spot-on. Whoever picked these boys went out of their way to keep the original artistic vibe as much as possible, to the point where if you'd told me the drama had come first and then someone had drawn a comic starting from the actors' likenesses, I would've believed you.

(And yes, if you've read it, Qiu Qingzhi and Lai Zhongshu aren't technically Qiu Shenji and Lai Junchen, but I'm declaring them close enough for the purposes of this demonstration.)

I have heard that some fans of the comic are unhappy about the live-action adaptation, and I get that, I do -- they are not the same thing. There are plenty of things the drama leaves out where, okay, I understand why that person/event/factor got cut, but at the same time, dammit. In the end, I like them both as very different stories featuring the same(-ish) characters. Still, the drama is definitely not one of those situations where you get to tune in to watch the same things you loved on the page, just in a different medium. The delightfully accurate casting is about where the similarities end. Everything beyond that is its own legend.

Kitty.

Here, kitty, kitty?

The drama's an iQiyi exclusive, so that's where you'll get it.

It's a fun show, not a perfect show. It has some captivating elements and lots of promising nonsense worth thinking about. And like I said, it's a tiny-ass fandom -- a paltry 277 works on AO3, a mere 44 of which are in English. Somebody get in there and make some combination of those boys kiss!

Also, it is criminal that Kitty Li Bing has fabulous red eyeliner that Person Li Bing does not get to wear. Call makeup and fix that.

[bipoctober]

Hi Nay - #BIPOCtober Day 8

With a BIPOC majority cast of protagonists (and VAs), Hi Nay is a Filipina-led, international podcast that's now part of the Rusty Quill Network, and created by yours truly (Motzie Dapul).

Originally created with the idea of making the "mystical POC" trope in horror the main character, Hi Nay involves supernatural horror, 1920s occultists, Filipino gods and monsters, and a group of 4/5 BIPOC characters dealing with the horrific magical atrocities of immortal rich White people from a century earlier.

Our BIPOC main characters are Filipina, Jamaican-Canadian, Chinese-European, and Indian-Mauritian respectively.

Hi Nay, literally translated to “Hi Mom”, is a supernatural horror audio drama about Filipina immigrant Mari Datuin, whose babaylan family background accidentally gets her involved in stopping dangerous supernatural events in Toronto — alongside two supernatural detectives, her 6’2 strong-armed lesbian neighbor, and a celebrity conman guru with real magic powers. Season 1 of Hi Nay follows their mission to stop the Elders, a group of early 1900s rich immortal occultists, from terrorizing innocent people with cursed objects called Foci — especially their mysterious leader, The Benefactor, who is so powerful that nobody is able to remember his face or name.

Here's a couple of our reviews off Apple :)

We've covered themes of fascism (with 2 of our immigrant protagonists dealing with Filipino military fascism and Hindu nationalism which killed some of their family members), historical racism, queerness and love both good and bad, and while that all sounds really heavy (and it is), this podcast is also a rip-roaring good time (just look at the memes in the Hi Nay tag!).

If you enjoy a Magnus Archives inspired spooky monster of the week with an overarching plot, told through phone calls and tape recordings, give us a listen! We've got over 50 episodes that you can enjoy anywhere you listen to podcasts. We're currently more than halfway through Act 3, with our Act 3 finale scheduled for April 2025. Now's the perfect time to get into the story!

Site in the replies, as always.

Maraming maraming salamat.

-Motzie

[cosmosbeelover]

The History of Korean Female Soloists from the 20th Century: Episode 3.5/?

This episode continues the narrative of Yun Sim-deok, focusing on the events following her death and the legacy of her music. It is important to note that this instalment is intended for a mature audience, as it will address sensitive themes related to self-exit.

"행복 찾는 인생들아 너 찾는 것 허무" (To those who seek happiness, your search is in vain) - Yun Sim-deok 'Hymn of Death'

Suspicion of death

During an album recording in Japan, Yun Sim-deok encountered Kim Woo-jin, who was preparing to study abroad in Germany. On August 3, 1926, the two unexpectedly boarded the Tokuju Maru, a ship bound for Busan. The following day, they vanished from the vessel, leading to significant media attention as it was reported as the first 'love affair' (情死) case in Joseon, although the true nature of their relationship remains uncertain.

Three key facts are established: first, both individuals boarded the same ship on August 3; second, on the morning of August 4, their cabin was found empty with only their belongings left behind; and third, a subsequent review of the passenger list revealed their absence. Despite media speculation about a possible suicide pact, no will or evidence was confirmed by family or friends, and no witnesses were present at the time of their disappearance. Consequently, the search for their bodies in the expansive ocean proved futile.

Upon the media's initial coverage of the incident, they reported that "the two individuals embraced and leaped into the sea after leaving a will," a narrative that has persisted over time. The families of Kim Woo-jin and Yun Sim-deok vehemently refuted claims of an "affair," likely motivated by concerns for their family’s reputation. They even contested the notion of suicide itself, further complicating the public's understanding of the events.

At that time, Kim Woo-jin had distanced himself from his family due to a conflict with his father and was in Japan, preparing for his long-desired studies in Germany. On August 1, he submitted his play, <Wild Boar>, to a magazine, expressing optimism about his future endeavours. Meanwhile, Yun Sim-deok was diligently working to fund her younger sister's education in the United States, with her sister's departure scheduled for August 5. After her sister arrived in the U.S., she learned of Yun's tragic death. Additionally, Yun had reached out to a friend in Tokyo, indicating plans to meet soon, raising the critical question of whether the two were indeed lovers, a topic that was only speculated upon in the media following the incident.

There is no concrete evidence to suggest that Kim Woo-jin (김우진) had romantic feelings for Yun Sim-deok (윤심덕); rather, any such inference is speculative and primarily drawn from his literary works. Jo Myeong-hee, a friend of Kim Woo-jin, dismissed the notion of their relationship as mere rumour, indicating it was not significant. Even if they had been lovers, the possibility of separation or remarriage exists, and there is no compelling reason to believe they engaged in an affair. The circumstances surrounding their departure to Joseon raise questions, particularly since they left no testament and informed no one of their journey. This has led to various theories regarding their fate, including the 'survival theory' suggesting they faked their deaths, the 'accident theory' involving a slip, and the 'murder theory.' Their dramatic demise fuelled speculation that they might have relocated abroad, especially concerning Kim Woo-jin's alleged affair, with claims that they staged their deaths to escape together. Additionally, there are claims that Yun Sim-deok may have conspired with her record label to fake her death to promote her album. Notably, no witnesses were present at the supposed suicide, and the bodies were never recovered. However, the passenger list did indicate residences matching those of Kim Woo-jin (김우진) and Yun Sim-deok (윤심덕), and both were 29 years old at the time, confirming their presence on the ship, albeit under the names Kim Su-san (김수산) and Yoon Su-seon (윤수선).

There were persistent rumours suggesting that the two individuals did not perish but instead escaped to Europe. Allegedly, they bribed the sailors aboard the ship to fabricate a suicide narrative, subsequently traveling to China and adopting Chinese identities to reach Europe. As the popularity of <Ode to Death> remained strong, these rumours proliferated. In 1931, speculation arose that an Asian couple operating a general store in Italy were, in fact, Kim Woo-jin and Yoon Sim-deok, with specific names and locations being cited. Kim Woo-jin's younger brother sought verification from the Japanese embassy in Italy through the Governor-General's Office, which reported that no such individuals were found in Rome but would continue their search. In 1934, a man claiming to be the grandson of Kim Ok-gyun asserted he had encountered Kim Woo-jin and Yoon Sim-deok, who were purportedly musical instrument dealers in Rome. However, this claim was later debunked as false. Ultimately, the notion that they faked their deaths lacks credibility, as it would have been more logical to use their real names rather than pseudonyms.

In examining the case of Kim Woo-jin, Professor Yang Seung-guk from Seoul National University deemed the likelihood of an affair to be minimal, attributing more credence to the theory of suicide, which he posited was likely impulsive and possibly induced by Yun Sim-deok. The prevailing narrative within recent literary analyses categorizes Kim Woo-jin's death as either a suicide or an accident, while music critic Kang Heon has introduced the notion of murder, implicating Nitto Records, the label that had acquired Yun Sim-deok's album. This company, a subsidiary of the Japanese state-run Nitjiku, was relatively obscure at its inception in 1926, especially compared to more prominent labels like Columbia and Polydor, and it ceased operations by 1928. Notably, the song "Sa-ui-hyeomi," (사의혜미) which became the album's lead track, was not initially intended for release by Yun Sim-deok; her brother, who accompanied her on piano during the recording, refuted claims that she had requested it, suggesting instead that it was an unexpected addition. This has led to speculation that the circumstances surrounding her death may have been orchestrated by the Japanese company to enhance sales of records and gramophones in the Joseon market.

This is a newspaper clipping about Yun Sim-deok published in 1973 February 14th. 演藝手帖半世紀(연예수첩반세기) 歌謠界(가요계) (8) 尹心愿(윤심덕)의 情死(정사) 「광막한황야 달리는人生(인생)」,愛人(애인)과 현해탄에죽은뒤 [死(사)의찬미 」流行(유행)----日業者(일업자) 크게致富(치부) 한국에 들어온 日本(일본)의 레코드資本(자본)을 크게 도와준것은 익살맞게도 尹 心悳(윤심덕)의 「死(사)의 찬미」 였다. 「玄海灘(현해탄) 激浪(격랑)중에 青春男女(청춘남녀) 情死(정사)」 「藝術(예술)에 共鳴(공명)되야 八年(팔년)전사랑의 싹」 一九二六年八月三日(일구이육연팔월삼일) 관부연락선 「德壽丸(덕수환)」에서 발생한 美人(미인)가수 尹心愿(윤심덕)과 극작가 金祐鎭(김우진)의 세기적 情死( 정사)사건을 당시 신문들은 이렇게 連日(연일) 대서특필했다. 尹心愿(윤심덕)과 金祐鎭(김우진)은 이날오전十一(십일)시 [시모노세끼」를 떠 나는 「德壽丸(덕수환)」에 올랐는데 이날 오후四(사)시 배가對馬島(대마도)근해 를 지날 무렵 현해탄에 몸을 날려 자살했던것이다. 土月會(토월회)의 멤버였고 同友會(동우회)의지방공연에서 갈채를 받았던미모 의 新女性(신여성) 尹心愿(윤심덕)의 난데없는 죽음은 사회에 큰충격을 주기에 충분했다. 一八八九年(일팔팔구년) 平壤(평양) 태생인 尹心惠(윤심덕)은 平壤女高普(평양여 고보)와 京城女高普師範科(경성여고보사범과)를 마친후 江原道(강원도)에서 잠 시 교편을 잡았다. 一九一七年(일구일칠년) 총독부의 官費(관비)유학생으로 東京 音樂學校(동경음악학교)를 마친후 모교인 京城女高普(경성여고보)(현재의京畿 女高(경기여고))에서 음악교사를했지만 곧 그만두고 聲樂(성악)연마와 레코 드취 입을 하는한편가끔 京城放送局(경성방송국)에 출연하기도했다. 그녀는 正統(정통)코스를 거친 순수음악인이었지만 니또레코드 京城支店長(경성지점장)을 겸하고 있던 朝鮮蓄音機商會(조선축음기상회)주인李 基世(이기세)의 끈질긴 설득으로 유행가를 취입하기에 이르렀다. 취입을 승낙한 尹心愿(윤심덕)은 七月十七日(칠월십칠일) [니또] 레코드本社(본사)가 있는 「 오사까」(大阪(대판))로 갔다. 이때의 레코 드는 앞뒤에 한곡씩 녹음하는 것이었는데 취입하는 김에 +(십)여곡 을 넣기로하고 관부연락선을 타기위해 七月十七日(칠월십칠일) 京城(경성)에서 釜山行(부산행) 기차를 탔다. 이날 京城驛(경성역)에는 李基世(이기세)와 李瑞求( 이서구)씨(작가·당시 [니또] 레코드문예부장)그리고 南相ㅡ(남상일)씨(현合同 通信理事(합동통신이사) 당시 東亞日報(동아일보)정치부기자)가 그녀를 전송하 러 나왔다. "모두 즐거운 분위기였죠. 취입 잘하고 돌아 올땐선물로 고급 넥타이나 사오라고 했더니 「죽어도 사와요?」 하고 말하고는 또 쾌활하게웃더군요. 그래 [죽으려거 든넥타이나 사서 부치고 죽어」 하고 농담을 했거든요. 그러고보니 그것이 마지 막이었읍니다. "(李瑞求(이서구)) 尹心愿(윤심덕)은 日本(일본)왕래가 많았기때문에 인솔자없이 혼자떠났다. 취입 을 마치고도 돌아오지않았지만 京城(경성)에서는 취입료를 두둑이 받았을테니푹 쉬고오나보다 모두들 생각하고 있었다. 七月末(칠월말)께 李基世(이기세)는 여섯장의 레코드 테스트판을 받았다. "이것이 尹心愿(윤심덕)의 취입판이었는데 예정보다 -(일)장이 더많더군요. 그 래 틀어봤더니 그것이 바로 「死(사)의 찬미」 였읍니다. 예정에도 없던 曲(곡)이 어서이상하다 했는데 노래가 상당히 서글프더군요. "그리고季瑞求(계서구)씨는 「死(사)의 찬미」의작사자가 미상이라는 일부 주장에 대해 尹心息(윤심덕)본인 의 작사가 틀립 없다고 토를 달았다. 그녀가 투신자살한 것은 테스트판이 도착된 며칠후였는데 八月十日(팔월십일)경 李瑞求(이서구)씨와 南相ㅡ(남상일)씨에게는 소포가 한개씩배달돼왔다. "그게 바로 尹(윤)이 보낸 넥타이였지요. 갖가지 감회가 가슴을 찔렀는데 차마 매 고 다닐수가 없어 장롱속에 넣어뒀어요. 피난통에 까맣게 잊었었는데 작년에 책 을 정리하다 책갈피속에서 이 넥타이를 찾아냈어요. "파란 실크넥타인데 李瑞求( 이서구)씨는 결국 四十七年(사십칠년) 동안을 보관하고 있었다는 이야기다. 「광막한 황야를 달리는 인생아….」로 시작되는 이노래는 「이바노비치] 작곡 의 「다뉴브江(강)」에 가사를 붙인것으로 「와세다」 출신 극작가와 소프라노 新 女性(신여성)간의 전설적인사랑과 함께 레코드는 불티나게 팔려나갔다. 그녀는 이전에도 日本(일본)축음기 회사에서 「어엽뿐 색시」 「매기의 추억」 「나와 너 」 「아 그것이사랑인가」 「망향가」 「방끗웃는 월계화」 등 가곡을 취입했었 지만 유행가는 이것이처음이었다. 제비표 [니또] 레코드에서 흐느끼듯 흘러나오는 「死(사)의 찬미」가 히트하자 이제까지 부유층의 재산목록에속하던 유성기와 소리판은 쉽게 대중속에 파고들 수 있게됐다. 「死(사)의 찬미」는 流行歌(유행가)의 보급뿐아니라 우리나라에 상륙한日本(일본)의 레코드 자본을 살찌게하는 결과를 가져온것이다. (李吉範(이길범)기자>

Yun Sim-deok and Kim Woo-jin's disappearance after August 4, 1926, remains a significant event. Notably, playwright Lee Seo-gu, a close friend of Yun, recounted a poignant farewell at Gyeongseong Station prior to her departure to Japan for an album recording. Their exchange included a light-hearted promise regarding a gift, where Yun asked what she should bring back for Lee, who requested a tie. Their banter took a darker turn when Yun jokingly inquired if Lee would still want the tie even in death, to which Lee affirmed he would. This conversation, while playful, took on a sombre tone following Yun's tragic passing, as the tie Lee had requested arrived shortly after the news of her death, remaining unworn until Lee's own demise.

Mediatization and Legacy

The romantic relationship between Yun Sim-deok (윤심덕) and Kim Woo-jin (김우진) has inspired numerous theatrical productions and films long after their passing.

The initial cinematic adaptation of the story was the film <Yun Sim-deok>, released in 1969 and directed by Ahn Hyun-chul. The principal characters, Kim Woo-jin and Yun Sim-deok, were portrayed by Shin Sung-il and Moon Hee, respectively, while supporting performances were delivered by Lee Soon-jae (이순재), Baek Yeong-min (백영민), Joo Jeung-nyeo (주증녀), and Han Eun-jin (한은진). This film notably features the pivotal encounter between Kim Woo-jin and Yun Sim-deok, culminating in the dramatic moment when they leap into the Korea Strait.

In 1991, the film "In Praise of Death," (사의 찬미; 死의 讚美) directed by Kim Ho-seon, depicted the poignant love story of Yoon Sim-deok, featuring performances by Jang Mi-hee as Yoon Sim-deok, Im Sung-min as Kim Woo-jin, and Lee Kyung-young as Hong Nan-pa, alongside Jo Min-ki and Kang Gye-sik. Jang Mi-hee received the Blue Dragon Film Award for Best Actress for her portrayal, while Im Sung-min was honored with the Best Actor award. Following this film, Kim Ho-seon directed "Annie Gang," which generated significant attention in the Korean film industry by reuniting Jang Mi-hee and Im Sung-min. Notably, "In Praise of Death" represents one of the final works produced by the traditional Chungmuro ​​film community from the 1950s.

Reporter Jeong-cheol Shin = Tongyeong City will perform 'Ode to Death', the third civic cultural center planned performance of the year, based on the love story of Joseon's first soprano 'Yun Sim-deok', called the greatest scandal of the 20th century, and genius playwright 'Kim Woo-jin', a pioneer of Korean theater. The photo is the performance poster. (Photo = provided by Tongyeong City). 2023.10.07.

The musical and theatrical adaptation debuted in 1988, presented by Yoon Dae-seong as a play titled Hymn of Death through an experimental theatre company. It was subsequently staged as a musical in 1990, and the 2005 rendition featured singer Bada in the role of Yoon Sim-deok, generating significant public interest. In 2012, the narrative was expanded to include a storyline about Yoon Sim-deok and Kim Woo-jin in a musical named Gloomy Day, which was later re-staged in 2015 under the original title Hymn of Death. In 2016, the play "The Ferry of the Kings" was introduced, portraying a scenario where only Kim Woo-jin (김우진) perishes while Yoon Sim-deok is saved by the protagonist, who is depicted as departing for Rome to pursue her true aspirations while concealing her survival, reflecting the aforementioned survival theory.

The drama ‘Hymn of Death’ was broadcast on SBS starting November 27, 2018, consisting of six one-act episodes. It was shown twice daily over a span of three days, resulting in a total of six segments rather than three. The episodes aired on November 27, December 3, and December 4. In this production, Shin Hye-sun portrayed Yoon Sim-deok, while Lee Jong-suk took on the role of Kim Woo-jin.

In the 2022 Apple TV+ series Pachinko, a character inspired by Yun Sim-deok (윤심덕) is featured. The protagonist, Seon-ja, boards the Tokuju Maru to reunite with her husband, Isaac, in Osaka. During this journey, a glamorous singer retrieves a shawl that Seon-ja has dropped, expressing her appreciation by mentioning a cherished gift from her lover and promising to perform for Seon-ja at her concert that evening. While Seon-ja, who is pregnant, endures the harsh realities of third-class travel, the singer indulges in luxury, only to face sexual harassment from a powerful Japanese man nearby.

When the singer takes the stage, she begins with the soprano aria "Let Me Cry," but unexpectedly shifts to a line from Chunhyangga, provoking outrage among the Japanese audience. The situation escalates as the enraged passengers summon the police, prompting the singer to take her own life with a concealed knife upon seeing the authority’s approach. Although this portrayal diverges from Yun Sim-deok's actual life, the character's essence and thematic elements appear to draw inspiration from her story.

Additionally, the character is depicted alongside Kim Woo-jin (김우진) in the series Joseon, the Age of Revolution. In this narrative, they are shown contemplating the artworks of Pierre-Auguste Renoir, which are part of Emperor Gwangmu Yi Seon’s collection. The series emphasizes their struggles with familial and societal expectations, framing them as artists rather than romantic partners. Their tragic fate is contextualized within the broader narrative of colonial youth suffering under Japan's oppressive regime, offering a poignant commentary on historical realities rather than adhering strictly to official accounts.

Posthumous Albums

In the Korean pop music scene, numerous artists experience cycles of prominence and obscurity. While some manage to sustain their relevance through memorable tracks, others fade into obscurity over time. Particularly poignant are the cases of artists who produced remarkable music yet died prematurely. Their enduring songs serve as a poignant reminder of their legacy, evoking nostalgia among listeners. Younger musicians often honour these late artists by performing their songs, and dedicated fans engage in memorial activities long after their passing.

The music left behind by these artists is preserved, ensuring their contributions endure. Yum Sim-deok stands out as a significant figure in the annals of Korean pop music, having created impactful hits before her untimely death at a young age. Notably, she is recognized as one of the earliest artists to have a posthumous release, with her final works emerging after both her and her lover's deaths.

Discovering the Hymn of Death Album

In 1926, she journeyed to Japan to record an album, driven by the intention to support her younger sister's education in the United States. Among the pieces she recorded was the famous "Hymn of Death," which featured newly written lyrics set to the melody of Iosif Ivanovich's waltz "Ripples on the Danube." Notably, "Hymn of Death" was not her original selection; reports indicate that she made the decision to include it spontaneously during the recording session. The song achieved significant commercial success, with sales reaching around 100,000 copies at the time of its release and in the years that followed, a phenomenon likely amplified by her premature passing. This evocative piece, which contemplates the theme of mortality, was recorded before she had the opportunity to experience its official launch. Furthermore, six months before this session, she had reimagined Schubert's "Wild Roses" and "Linden Trees" into "Laurel Flowers" and "Old Dreams," with these recordings being discovered in late April 2022.

In the realm of Korean popular music, the intense public fascination and reaction to a singer's premature death and subsequent works can be traced back to Yun Sim-deok's "Ode to Death." Yun Sim-deok (윤심덕), who pursued classical vocal training in Japan but ultimately performed popular music to sustain herself, and Kim Woo-jin, a member of a prominent family in Jeolla Province and a key figure in the new theatre movement, tragically took their lives together in 1926 by leaping into the sea from a vessel en route between Shimonoseki, Japan, and Busan. At the time, she was only 29 years old. Their relationship, characterized by the complexities of a new woman entangled with a married man during the Japanese colonial era, highlights the tragic limitations imposed by class and social structures. Nevertheless, the profound sense of emptiness expressed in her music has continued to resonate deeply with the Korean populace long after her death.

Iosif Ivanovich

Before discussing Yun Sim-deok's rendition of 'Hymn of Death,' it is important to briefly address the original composer of the piece, Iosif Ivanovich.

Born in Romania in 1845 and dying on September 28, 1902, at the age of 56 or 57, he was a prominent military bandmaster and composer known for his light music. Although originating from a Balkan country somewhat distant from Austria, the heart of the waltz tradition, he is recognized for a unique and exceptional composition.

His notable works include the waltz "Ripples of the Dunare" (Valurile Dunării) and the waltz "Carmen Sylva." Additionally, his great-grandson, Andrei Ivanovich, born in 1968, has gained international recognition as a pianist and remains active in the music industry, reflecting a familial connection to his great-grandfather's legacy.

The ripples of ��Dunarea’

The Dunărea, known as the 'Danube' in English and 'Donau' in German, is often referred to by the German name 'Danube ripples' (Donauwellen). Despite Iosif Ivanovic's significant popularity during his lifetime, he has not garnered much recognition in the 21st century, with various dances and marches primarily performed and recorded in Romania. However, his waltz stands out, achieving fame comparable to that of the Strauss brothers, particularly Johann Strauss II. Its appeal lies in its melancholic melody, which reflects Slavic folk music and is distinct from typical Viennese waltzes. This waltz was also popularized in the United States as the 'Anniversary Song,' featuring lyrics that align with its melody. During the Japanese colonial period in Joseon, a song titled "Sa-ui Chanmi" emerged, inspired by the same concept, and gained immense popularity through the rendition by Yun Sim-deok, marking a significant moment in early Korean music. A biographical film sharing the same title was released in 1991. Additionally, a piano solo arrangement of the waltz is included in the "Piano Piece Collection," serving as supplementary material for piano learners, leading many to discover the piece for the first time. The song is also featured as an insert in the Dutch animated short film, Father and Daughter.

사의찬미/ 부활의깃붐 - 윤심덕 (Hymn of Death/Resurrection Flag Boom - Yun Sim-deok)

The album 'Praise/Hymn of Death' is one of the two that I have successfully located, and both will be discussed.

Released in 1926 by Ildong Gramophone Company, "Praise of Death" marks a significant moment in Korean popular music, sparking extensive social discourse. The song's prominence was largely influenced by the scandal involving Yun Sim-deok, which facilitated the broader recognition of phonograph records in Joseon. Accompanying the main track, "Joy of Resurrection" serves as a hymn featured on the reverse side of the album.

Lyrics

Life is ultimately finite, governed relentlessly by the passage of time. When confronted with the inexorable nature of time, one finds a capacity for forgiveness and understanding that transcends ordinary experiences. The concepts of transience and compassion are intertwined, akin to two facets of the same reality. The notion that chaotic desires may eventually subside and that the anguish of relationships is temporary can serve as a source of solace amidst life's challenges.

Engaging with the profoundly unsettling song 'Ode to Death' evokes complex emotions. The title itself is haunting, as it openly extols death, seemingly threatening to erase all vitality. The ethereal quality of Yun Sim-deok's voice resonates as if it belongs to another realm, embodying a profound sense of emptiness. Paradoxically, after experiencing this deeply cynical piece, life may appear more vibrant and hopeful, akin to the renewal that follows tears. Immersing oneself in such sorrowful melodies can strip away the trivialities of existence, revealing what is truly significant and reigniting the desire to live. Yun Sim-deok's portrayal of life as a "vast wilderness" and a "dangerous confession" remains relevant nearly a century later, prompting existential inquiries that echo the void of contemporary existence.

The second verse stands out for its literary purity, encapsulating the duality of existence through the lines, "The smiling flowers and the crying birds/ Their fates are all the same." This juxtaposition of joy and sorrow reflects the complexity of life, akin to dust that settles lightly yet profoundly. Echoing Charlie Chaplin's sentiment, life appears tragic up close but transforms into a comedy from a distance. The poignant lines, "You poor life/ Passionate about life/ You are a dancer/ On the sword," convey a sense of hopelessness intertwined with fervour. This metaphor of a 'dance on the sword' captures the reckless pursuit of desires, illustrating the human condition's inherent struggles and the fleeting moments of peace that follow.

In a tragic turn of events, just prior to the song's release, Yun Sim-deok (윤심덕) and her lover, Kim Woo-jin (김우진), who was already married, took their lives by jumping from a government ferry into the Korea Strait. known as the “Gyeonghaetan (玄海灘). This dramatic incident, where the song and their lives intersect, has an almost surreal quality, elevating the narrative to mythic proportions. The scandal surrounding their deaths contributed significantly to the song's success, prompting music critic Kang Heon to suggest a conspiracy theory regarding a potential 'suicide planned by the record company.' This song marked a pivotal moment in the evolution of Korean popular music, with its melody derived from Romanian composer Ivanovic's 'Danube River Ripples,' while the identity of the lyricist remains uncertain, speculated to be either Yun Sim-deok or Kim Woo-jin.

In February 1990, shortly before Voyager 1 exited the solar system, it captured an image of Earth with its camera directed away from the planet. The renowned scientist Carl Sagan reflected on this distant view of Earth, which appeared as a nearly imperceptible dot, stating that it was home to "heroes and cowards, creators and destroyers of civilizations, kings and peasants, couples in love, mothers and fathers, hopeful children, corrupt politicians, superstars, great leaders, saints and sinners," all residing on this minuscule fragment of the cosmos.

From a broader perspective, life can be perceived as a mere trivial occurrence, lacking even the elements of comedy. At this moment, that tiny speck of existence continues its journey through the vastness of space.

Acceptance of Cover Songs in Early Popular Song History

The first commercial album in Korea debuted in 1907, marking a significant moment before the emergence of popular song albums, during which early popular music primarily consisted of Japanese or Western adaptations. The song <Hymn of Death> serves as an example of this trend, being a cover that incorporates lyrics into a segment of Ivanovich's <Ripples of the Danube>. While it is believed that either Yun Sim-deok or Kim Woo-jin penned the lyrics, the absence of their names on the text complicates definitive attribution.

Praise of Death / Front cover of the Resurrection Flag Boom album, owned by Shinnara Records.

Composed around 1880, <Ripples on the Danube> has seen widespread release across various countries. In Japan, it was introduced as <Donaugawa no Sazanami>, featuring lyrics by Teiichi Tamura. However, the song's portrayal of picturesque river landscapes contrasts sharply with the sombre themes present in <Ode to Death>. It is important to note that Yun Sim-deok's <Hymn of Death> is also referred to as Praise and Ode, alluding to the same piece.

The love affair between Yun Sim-deok and Kim Woo-jin

This song gained notoriety due to Yun Sim-deok, who recorded "Hymn of Death" in Japan, tragically taking her life by jumping into the sea with her lover, playwright Kim Woo-jin, while returning to Korea. A soprano and graduate of the Tokyo Music School, Yun Sim-deok was emblematic of the active new woman of her time; however, it is widely believed that she and her partner succumbed to despair over their relationship, particularly given the complexities surrounding her love for a married man.

The relationship between Yun Sim-deok (윤심덕) and Kim Woo-jin (김우진) sparked numerous speculations and rumours, persisting until the 1930s. These included theories suggesting that her death was not a suicide but rather a murder, or even that she had survived and was living in Italy. Such narratives illustrate the significant social impact and public intrigue surrounding their affair.

An opportunity to prove the potential of the phonograph record market

Ildong Gramophone Company, established in Osaka, Japan in 1920, commenced the distribution of Korean records in September 1925, producing approximately 180 records from 1925 to 1928. Notably, the track “Praise of Death” is distinguished by its unique catalogue number 2249, setting it apart from other recordings by Yun Sim-deok.

Sa-ui-chan-mi / Resurrection's flag boom album back cover, owned by Shinnara Records.

The cataloguing adheres to the Japanese numbering system utilized by Ildong Gramophone Co., Ltd. The lyrics, which reference “a song of determination,” suggest that this system was employed during the expedited production of the album following Yun Sim-deok’s passing. The album label was inscribed in Japanese as “Shinosanbi (死の讚美).” This album gained significant popularity upon its release and was reissued multiple times, with one instance mistakenly listing the artist as Lee Sim-deok (伊心德) instead of Yun Sim-deok (윤심덕). The media coverage surrounding Yun Sim-deok's personal life further amplified the album's appeal, highlighting the burgeoning potential of the phonograph record market.

‘Praise of Death’ revived through film and song

The 1932 recording of "Praise of Death" by Kim Seon-cho is believed to bear similarities to Yun Sim-deok's original song, although the authenticity of the sound source remains unverified. Prior to Korea's liberation, it is challenging to locate any cover versions of "Praise of Death," likely due to the original's profound impact. Following liberation, notable artists such as Kim Jeong-ho, Lee Mi-ja, Na Yun-seon, and Han Yeong-ae performed renditions of the song.

The original, it's full of goosebumps.

The romantic narrative of Yun Sim-deok has also been adapted into film, with significant examples including "Yun Sim-deok," directed by Ahn Hyun-chul and featuring Shin Sung-il and Moon Hee, released in 1969, and "Hymn of Death," directed by Kim Ho-sun and starring Jang Mi-hee and Lim Sung-min, released in 1991. Notably, "Hymn of Death" achieved considerable commercial success, ranking third in the Korean box office in 1991. Additionally, Shinnara Records reissued the phonograph record of "Ode to Death" as part of a restoration series in 1990, with a rare copy fetching over 50 million won at a Yahoo Japan auction in 2015, marking it as the most expensive Korean pop album.

Faust Noel / Blue Galnilly - Yun Sim-deok (파우스트노엘 / 푸른갈닐리 – 윤심덕)

The album "Faustnoel/Blue Galilee" by Yun Sim-deok, published by Ildong Gramophone Co., Ltd. under the "Jevipyo Records" label, features the inaugural carol song in Korea. According to existing music documentation, the tracks on this album are unequivocally recognized as the earliest carol songs in the country, serving as significant evidence of the historical development of Korean carol music.

Korea's first Christmas song album

Ildong Gramophone Company launched two albums featuring Yun Sim-deok's carol songs in October 1926, titled "Faustnoel/Blue Galilee" and "Santa Cruz/Santa Lucia" (album number B-101). Notably, "Faustnoel/Galilee" represents the inaugural phonograph album of carol songs in Korea. According to the Maeil Shinbo on October 18, 1926, these tracks are recognized as the earliest recorded carol songs; however, during that period, the concept of carol songs was not established, leading to their classification as hymns. The first hymn album in Korea was released a year earlier, in October 1925, by vocalist Ahn Ki-young.

‘Faustnoel’ mistaken for a hymn

The authenticity of the phonograph record featuring the inaugural carol song remains unverified, leading to widespread speculation. While <Santa Cruz> was acknowledged as the first carol song based on its title, <Faustnoel>, which bore an earlier catalog number, was presumed to be a hymn, alongside <Blue Galilee> on the reverse side.

The revelation by Lee Kyung-ho, the album's owner, that 'Faust' represents a 1920s Japanese pronunciation of 'First' clarified that <Faust Noel> is indeed a well-known Christmas carol, even among non-Christians. This piece is a rendition of <First Noel>, celebrated for its narrative of the three wise men visiting the birthplace of Jesus. The Japanese recording of <Faustnoel> features Yun Sim-deok's younger brother, Yun Seong-deok, providing piano accompaniment, while Yun Sim-deok (윤심덕) delivers the Korean-translated lyrics with her distinguished vocal artistry. The album gained significant attention during its appraisal on KBS 1 TV's "Real Masterpiece" on December 27, 2015, where it was valued at 10 million won.

Faust Noel / Blue Galnilly Album Back

History of Early Korean Carol Songs

Korean carol songs have evolved alongside the introduction of Christianity, which began to take root at the close of the Joseon Dynasty. During the Japanese colonial era, these songs were primarily performed in churches, with the earliest recorded carol attributed to Yun Sim-deok (윤심덕) in 1926. Following her, Yohan continued the tradition by releasing a carol song album in December 1934.

In August 1935, composer Hyun Je-myeong contributed to the genre by releasing "Silent Night, Holy Night" through Columbia Records. This was followed in 1941 by a collaborative effort from classical musicians Hyun Je-myeong, Kim Hyeon-jun, Kim Ja-gyeong, and Kim Su-jeong, who recorded "First Christmas" and "Silent Night, Holy Night" as a mixed quartet for Victor Records, thereby establishing a foundation for the genre's wider acceptance.

The enjoyment of Christmas songs among the general populace surged after Korea's liberation, particularly with the influence of American pop singers like Bing Crosby, who were introduced by stationed U.S. soldiers. In the 1950s, notable songwriters such as Han Bok-nam, Jeon Oh-seung, and Ha Gi-song began to create original Christmas songs, incorporating elements of trot music, which was the dominant genre of the time.

The Rise and Fall of Comic Carols

In 1966, the widespread embrace of Christmas carols in Korea commenced with the release of "Jingle Bell" by comedian Seo Young-chun and the female duet Gapsun Eulsun, marking the inception of comic Christmas carols in the country. This development led to a vibrant atmosphere during the year-end festivities, as numerous Christmas carols filled the streets, particularly flourishing until the 1990s. The peak of Christmas song popularity occurred in the 1980s, characterized by the remarkable success of holiday tracks by well-known comedians like Shim Hyung-rae. During this era, Christmas albums from prominent comedians and singers achieved significant commercial success, establishing Christmas music as a distinct genre. These albums were often viewed as lucrative ventures, selling tens of thousands of copies with minimal promotion due to their seasonal nature and lack of copyright fees. However, the rise of the digital age and a downturn in the music industry have led to a dramatic decline in Christmas album releases, making them noteworthy events in contemporary times.

Yun Sim-deok's Song of Determination

The publication titled "The Life of a Musician" encompasses the lyrics of "Ode to Death," which was released by Ichiban Record Co., Ltd. in Japan shortly after the passing of Yun Sim-deok (윤심덕), and is characterized as a 'death song.'

‘Praise of Death’ Covers

Some of the more famous covers of "Hymn of Death" are:

S.E.S. Bada - Immortal Songs

Musical actor Min Woohyuk

Other Media

Summary

A century-old love story continues to resonate in contemporary K-dramas, illustrating the profound "scandal" it represented in 1926 and its enduring impact. The true circumstances surrounding the relationship between Yun and Kim remain obscured by time, as the perspectives of family and friends have faded, leaving us with only fragmented narratives. While their actions may have been deemed inappropriate by some, others might view them as acceptable; nonetheless, the tragic conclusion of their story evokes deep sorrow, overshadowed by the scandal that defined their legacy. The causes of their deaths are intertwined with societal norms of the era, familial pressures, and pervasive rumours.

It is noteworthy that the true reason for Yun's death, in particular, may never be fully understood, as neither she nor Kim left behind a suicide note. (From the 2018 Krama Rendition) Kim Woo-jin was aware of their burgeoning feelings yet failed to inform Yun of his marital status or to deter her from taking such a drastic step. Yun's parents viewed her more as a financial asset than as their daughter, prioritizing the futures of her siblings over her well-being. Her siblings, too, placed greater trust in the words of outsiders than in their sister's character. Additionally, societal pressures and the origins of the rumours played significant roles in shaping their tragic fate. Ultimately, Yun's silence and her decision to end her life represent the most profound injustice she inflicted upon herself, rendering the circumstances of both their deaths a poignant tragedy.

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You are not Alone

Samaritans Helpline Number - 116-123 Emergency number - 999

[kamenstranger]

Several years back I did a review on Kamen Rider Black and my opinion hasn't changed much since. Like a lot of my older stuff, I think that review is a bit long winded describing the ending stretch of the series, but overall it still conveys my love of Kamen Rider Black.

The short of it is Black was a return to basics for the franchise while at the same time breathing new life with more contemporary themes of 1980s Japan excess. Very cult like villains akin to what what happening in the late 70s and coming to a head by the 80s. You have plot lines centered around the ever rising cost of living, the booming idol industry satirized as a means of brainwashing, a greater emphasis on the horror aspects, the strongest environmental message since the original Manga, and uh, cults infiltrating politics.

It's a fantastic series and it's one of my highest recommended Showa era shows alongside V3.

Today, I mainly want to focus on the Bluray release by Discotek, which primarily means talking about the special features. However, I quickly want to run down a few key factors. First off, the image quality; it's the exact same as the Japanese release, which is what my old review used as a basis so I don't have much to add. It's a crisp gorgeously detailed transfer with those annoying seizure inducing attack sequences of the original broadcast and DVD release removed. Nothing is removed except those flashes in-between frames. This is the ideal way to view the series for that improvement alone. There is a special feature that shows the original attacks from the first couple episodes, should you happen to have a TV Power belt laying around.

As for the subs, truthfully I wasn't even gonna mention them cause I think you know Discotek has a long proven track record for quality. Still, someone might ask, and yes, they're good. They're also your best option nowadays, anyway. The Century King subs are so old you'd be hard pressed to find them, and the redone version that came about with the JPN bluray had a number of misspellings and other typing errors.

I will admit I've not finished this watch, but nothing in Discotek's release has stuck out to me as egregious. The only thing I can think of that might bug some people is that Kaijin is interpreted as Monster rather than Mutant, which is… whatever. I can understand why the old Century Kings translation used Mutant, it's a good way to keep it separate from how we typically associate Kaiju = Monster. Mutant invokes the more human/jin aspect as opposed to a beast. But that's a level of semantics even I don't care about. Hell, it's not even as if it plays a massive narrative or thematic role, with the possible exception of Whale, who has humanity in a morale sense. The monsters in Black by in large exist as humanoid animals, they're rarely ever humans turned into animal hybrids like the other Showa shows, so I don't think that distinction is all that important in the grand scheme of things.

I should also note, as always, the movies are treated separately, meaning "Hurry to Onigashima" and "The Phantom House of Devil Pass" are not included in the set.

With all that out of the way, first and foremost we have to talk about how Discotek handles presentation of the special features on this set. I will say it's a marked improvement over Gavan, which didn't even mention Special Features on the back of the case. They list the special features on Black's case…but they don't list what discs those features are on. So I started with 5, which had a almost everything but the cast reunion I was looking for. So I pop in disc 1- no special features. So I start working backwards with disc 4; Cast Reunion part 3. I then had a sense of déjà vu because I did this same song and dance with Gavan. It's a minor thing, but one that could've been easily resolved by simply stating which discs had what, either on the case or the disc themselves. Hell, even just a "Special features discs 2-5" I don't know how they look on RX and Sharivan, but I'm gonna laugh if I get my V3 Bluray and the special features aren't listed as clearly as my Generation Kikaider set.

Anyway, the first special feature is on disc 2 "This is Kamen Rider Black" which was a special that aired one week before the series premier and acted as a sneak preview. I'm glad it's here and not left out or relegated to some bizarre compilation disc (looking at you, MillCreek.) It's an interesting time capsule and stuff like this should be preserved.

Note that the image quality here looks significantly worse than the remastered episodes because this was on tape, although still quite clear for what it is. You will however notice lines at the bottom of the screen now and then.

As far as the special itself is concerned… it's kinda just marketing fluff hosted by Ishinomori's son, Jo, and Jiban's own Michiko Enokida. You get a very brief interview with Ishinomori, a pretty cool behind the scenes bit of the casting process, Tetsuo Kurata in the recording booth for the main theme and a… pretty awkward as hell interview with Kotaro, Kyoko, and Katsumi. Notice I'm using the character names. It's awkward in both a delightfully and painfully 80s way.

However, the real meat of these features is the 3 part cast reunion, which was included in the 3 sets released in Japan back in '22. Each part is about 40-ish minutes and consists of Testsuo Kurata, Moe (Ayaumi) Taguchi, Hitomi Yoshii, Producer Susumu Yoshikawa, and Director Yoshiaki Kobayashi. Quite the eclectic mix and even a bit odd in the case of Kobayashi, who only directed the opening episode of Black and is slightly infamous for being a bit of a hardass, which the actors do not hide at all. Although they do credit him with pushing them to be better, so there's no ill will. That was, after all, a grueling month long shoot for everyone.

Compared to Gavan's cast special, it's not quite the same wealth of knowledge, or at least it doesn't seem like it because it can feel a tad disjointed. Although that doesn't make it any less interesting. There's simply more reminiscing filled with small personal stories, both entertaining and occasionally insightful. My favorite was Ishinomori insisting Kurata's purchases at a particular restaurant be put on his personal tab. Charming tales aside, there are still major gems about the industry and not just with Black. Such as Kobayashi mentioning the influence of Easy Rider on Kamen Rider due to Ishinomori liking the movie and being fascinated by the counterculture movement. It's nice to have a more direct source on it, since the only other place I can readily cite that claim is dubious at best.

Kobayashi also goes into the complication of not having time to watch your own work as it's airing, which makes it difficult to do adjustments on the production, get audience feedback and see where your own faults lie. There's also discussion about JAC and how incredibly strict their standards are, mainly because hesitation more than anything else is what results in injury. (Although Gavan has a far more in depth look into that area) We even get some tidbits about Toei's Spider-Man, which both Kobayashi and Yoshikawa worked on.

But perhaps my favorite production story with Black specifically is the theme song, which was the duo of Yoko Aki writing the lyrics and her husband Ryudo Uzaki handling the music. It was less a decision on the production side and simply Ishinomori happened to be great friends with Aki, so why not? Which, if you're unfamiliar with the two, they were a HUGE deal. Aki and Uzaki wrote several hits for Japan's biggest idol, Momoe Yamaguchi, in the late 70s, including her biggest hit "Yokosuka Story." Incidentally, Yamaguchi has a son, Takahiro Miuram, who you're probably familiar with as Bilgenia in Black Sun.

Susumu Yoshikawa's only instructions to Aki was to keep the lyrics simple and use very little English since it's a program for children. Uzaki sung on the demo tape with a backing guitar. The original lyrics, according to Kurata, were a bit different in the opening, something along the lines of "Last through the ages, race through the Sky." Although that original demo tape is now sadly lost. Kurata would listen to the tape on repeat in preparation for the recording, which took 6 hours in the booth, all while Aki and Uzaki were present, which made the pressure even harder. Although by Yoshikawa account, it was on the faster side of recording.

There's other production stories I won't cover, some small, some as interesting as the theme, such as the still fairly new Jiro Okamoto taking on the challenging suit acting role (Which it's a shame he isn't part of this feature.) But I won't spoil everything. It's a good three part special that's worth the price of admission alone, but it did leave me wanting more. Thankfully, we still have more.

Most of the other special features are what you would expect; original post credit commercials for Giveaways and Toei's various festivals and events, the U.S. Bluray Trailer, a trailer for RX's Discotek release, the aforementioned segment showing the original attacks in their flashiness. But, as with Gavan, we have a wonderful write up by MachDent.

This is the cherry on the sundae right here. Again, not to deride the other stuff. Trailers and the like should be here, I'd be complaining if they weren't. But this is what I'm interested in most; historical examinations of a show. Frankly, it's quite a bit more informative than the cast reunion while also having a clear concise time line of how Black came to be. Stuff like this, having the Japanese special features, and of course quality subtitles for the main event is really what sets these Discotek releases apart from others. I'd be happy with a relatively bare bone but quality release, but I'd be lying if I didn't say a big selling part was getting these features. I'm not going to pretend these are cheap set by any means, but they're also not cheapening out. I greatly appreciate Discotek not only gathering the stuff on the JPN side, but adding their own special features that elevate the whole thing. Now that we're in an era of having fewer and fewer indie shops and smaller distributors, I feel almost an obligation to support what few remain-- less Sony or Toho gobble them up next.

[yeswegetityoulovepodcasts]

Audio Drama Recs and Reviews

The Mistholme Museum of Mystery, Morbidity, and Mortality. If you ever wanted to get an unhealthy emotional attachment to the AI and anxiety - this one is for you. The first season seems like a collection of stories about supernatural objects in the museum. In later seasons we get a pretty high stakes plot with many cliffhangers + stories about the objects. Also has no romance as a major plot and it rarely appears in the stories so as an aro I love this one.

Hello From the Hallowoods. Well this one is very queer to the point of neopronouns and genderfluidity queer. Great Age range representation. Also very anti capitalist. There are many (no seriously like MANY) characters, engaging plot and one narrator with a very soothing voice telling us a story about humanity last days, demons, ghosts, libraries and revenants. Personally I feel like it has a very 1-world contry point of view but the pros outweigh the cons.

The Wrong Station. If you are not a fan of overarching plots and need good quality horror content this one is for you. It's a horror anthology podcast - every episode has a different setting though there are some connections between the names my favs are set in the past (esp. Alternative Italy or Byzantine) but is also has some pretty decent midwesrern gothic and future horror episodes.

The Silt Verses. This one is about gods and those that have to deal with them. About the world where ideal rules over the material and the entities made of those ideas are hungry gods. Not as hungry as the system that exploits those ideas though. The most terrifying thing about this podcast is how small the difference is between this world and ours is. This one is made by I Am in Eskew authors so give it a try if you need a good existential and relatable horror. Also has the great aroace feral old woman as one of the characters and I love her with all my heart.

True Tales of the Illuminati This one is a short comedy telling about shenanigans in the Illuminati organization and all the ways they fuck their shit up. First two seasons are set in the Ancient Egypt - 3rd in the 20th century America. If you want something light hearted, short and similar to the Parks and Recreation - try this one. If you want more audio drama workplace comedy go and listen to the New Ages.

Life with Althaar - sci-fi podcast/workplace comedy about a space station + awkward alien roommate who wants to be friends with a human. It uses word gentlebeings, okay?! I loved the first 2 seasons but the 3 season wasn't updated in a year, so i am waiting if it's come back. This is essentially my comfort podcast so i do hope it comes back to us.

[scepterno]

Total Drama 2023 season 2 post finale thoughts

this

was the sweetest and most wholesome thing total drama has ever given us in the series. i almost teared up LMFAO

ok now onto my very basic review:

it was alright.

the raynebow enjoyer in me was JUMPING FOR JOY all season. they gave us so many amazing moments between the hockey bros and their boyfriend..... THE MUSIC MONTAGE?? THE RAJ SENDOFF?? BOWIE AND RAJ IN THE FINALE TOGETHER????? WAYNE FEEDING RAJ IN BED IN HIS PAJAMAS???????? HIS BIGGEST FEAR BEING RAJ ON A DIFFERENT TEAM BUT GETTING OVER IT BECAUSE THEY'LL BE BEST FRIENDS NO MATTER WHAT FOREVER???????????????????????????????????????????

also that quick juliwayne line about marriage LOL. so adorable.

ok shipper lenses off now

caleb and priya actually really grew on me as characters, and i loved them by the end. HOWEVER. that being said. holy fuck. they did not deserve the amount of screentime they got. well. i dunno. it was just so fucking drawn out. holy moly.

damien?

my boy.

im so sorry damien. you got robbed (literally). you also got the worst elimination by far. CUT FROM HALF THE EPISODE, JUST TO BE ELIMINATED FOR priya and caleb to yet again hog more screentime. wow. disappointment of the century.

ummm what else. well. congrats to mkulia fans. julia now has a lovely lesbian haircut for you to make fanart of! i liked their friendship a lot.

SNOW OWLS HOOT HOOT BITCHES YEEHAAAAWWWWWWWWWWWWWWWWW WE FUCKIN WON BOYS HOCKEY BROS FOREVAAAAAAAA

overall this season was kinda sucky. SUPER DUPER inconsistent writing nonstop every episode. it's like they forgot everything from season 1 or misremembered things. like why everyone trusted julia over bowie. and then trusted julia again. and again. or chase not eating the pizza instead of zee.

CHASE LOVES PIZZA, YOU MONSTERS. LET HIM EAT IT.

aight that was fun hopefully we get a new cast for next season

[sunnydaleherald]

The Sunnydale Herald Newsletter, Tuesday, June 18

Faith: Finally decided to tie me up, huh? I always knew you weren't really a one-Slayer guy. Angel: I'm sorry about the chains. It's not that I don't trust you... Actually, it *is* that I don't trust you. Faith: The thing with Xander; I know what it looked like, but we were just playing. Angel: And he forgot the safety word. Is that it? Faith: Safety words are for wusses.

~~Buffy Episode #49: "Consequences"~~

[Drabbles & Short Fiction]

Tease (Angel/Darla, unrated, multiple xovers) by rhodrymavelyne

Home Is Where the Heart Is (Ensemble, E, SPN xover) by

Quitting Us No More (Buffy/Spike, T) by VeroNyxK84

[Chaptered Fiction]

Highlands and Tropical Islands Ch. 10 (Buffy/Faith, M) by

Three's a Crowd Ch. 4/8 (Jenny/Giles, G) by HAL1500

Devil Inside Ch. 2/? (Buffy/Willow, M) by Xyex

In Case You Haven't Noticed... Ch. 19/? (Buffy/Giles, E) by Sdhuskerfan

Ghostsforge's 21st Century Spangel Challenges 586/? (Spike/Angel, unrated) by Ghostsforge

Casts Shadows Ch. 1/? (Ensemble, T) by arcanedreamer

hit rewind Ch. 60/? (Buffy/Spike, M) by untiljanuary

In the Company of Witches and Slayers: Ch. 71/200 (Willow/Tara, E) by VladimirHarkonnen (TheLightdancer)

The Degradation of Duality [Series Part 2], Chapter 4-5 (Buffy/Spike, E) by Ragini

Maclay Down, Chapter 10 (Buffy/Spike, E) by Soulburnt

The Neighbor's Point of View, Chapter 114 (Buffy/Spike, T) by the_big_bad

The Devil's Trill, Chapter 12 (Buffy/Spike, E) by Murray

Boyfrenemy, Chapter 11-13 (Buffy/Spike, E) by Lady Emma

Morning Stretches, Chapter 4 (Buffy/Spike, E) by CheekyKitten

Carnival , Chapter 1 (Buffy/Spike, M) by Alyot

Indirect Sunlight Only, Chapter 2 (Buffy/Spike, T) by scratchmeout

Bruises, Chapter 23-24 (Buffy/Spike, E) by hulettwyo

Ever After, Chapter 3-6 (Buffy/Spike, T) by Desicat

Love Lives Here, Chapter 77 (Buffy/Spike, E) by Passion4Spike

Something Lost Something Found, Chapter 10 (Buffy/Spike, M) by Safire

The Truth Shall Set You Free, Chapter 1–17 (Buffy/Spike, M) by Geliot99

A Piercing Glance, Chapter 1 (Buffy/Spike, M) by Girlytek

Smoky Darkness, Take Me, Chapter 1 (Buffy/Spike, M) by bruskiboo

The Slayer's New Hope Ch. 15 (Ensemble, G, SG-1 xover) by Buffyworldbuilder

Old Fashioned Romance Ch. 11 (Xander, E, MCU xover) by calikocat

[Images, Audio & Video]

Artwork:End of the World: Zippo Photo shoot (Buffy/Spike) by Dynamite

Artwork:Dexter: Devil's Dance illustration (Faith) by DJSpaceInvader

Artwork:ChiBangel #15 (Buffy/Angel) by MamaBewear

Artwork:Spike & Riley by margueritedaisies

Manip:Much Ado About Xander () by revello-drive-1630

Manip:Cheerleader () by revello-drive-1630

Video: Angel & Cordelia | Let Her Go by Jordan McLaren

[Reviews & Recaps]

Chosen by andthesunwillalwaysshine

PODCAST: BTVS 518 - Intervention by Another Buffy Podcast

[Community Announcements]

Tuesday Prompts: Poem Titles by comment_fic

[Fandom Discussions]

it really is nuts by moistvonlipwig

Wesley going to break Faith out of prison by nicnacsnonsense

An important thing to keep in mind by nicnacsnonsense

You know, I think Angel could have spun the “I only eat evil people now” thing so Darla would have accepted it. by nicnacsnonsense

Kudos to Angel for the growth implied by the soul removal spell in AtS s4. by nicnacsnonsense

DARLA SPIKED HERSELF by momsforroadhead

there’s a whole additional level of deranged going on by nicnacsnonsense

You know how when Wesley shows up in s1 of AtS he’s doing that whole rogue demon hunter thing by nicnacsnonsense

i hate to say it i hope i don’t sound rude but i think maybe buffy summers should stop sleeping with vampires by joe-spookyy

One thing that they did right was portrayal about how hard it to integrate into the scooby gang by there-are-many-ways-to-smile

Let’s be real all of Buffy romantic relationships are horrible. by there-are-many-ways-to-smile

by there-are-many-ways-to-smile

TOP 5 fav spuffy moments since they became canon in no particular order by andthesunwillalwaysshine

two people walking next to each other SHOULD NOT HAVE THIS EFFECT ON ME by raisedbythetv89

i’ve always loved buffy x spike by idknikkip

So I was talking to a friend about binge-watching Buffy/Angel by ladymirdan

I don’t think Olivia shows up, (at least as like her actual self), after Hush. by finalgirl1984

Dopplegangland could’ve been a great episode for Willow to bond with Faith actually. by theredpharaoah

Faith has a completely different relationship with violence than Buffy. by theredpharaoah

YOUR TAGS ON THE SPIKE WILLOW TARA SET by sspoike

My Top 100 Ships (#56: Buffy/Giles) by echoes-fandoms

btvs casting clea duvall to play the unpopular girl by lesbianmarrow

just hit I Only Have Eyes For You on our Buffy rewatch by antiquery

Watching Angel S2 alongside Buffy S5 is extremely overrated by AndHerSymbols

Anyone else miss the well timed scream in the first 3 season intros? by AxelNoir

Do you wish we could have seen Buffy, Faith and Kendra in a scene together? by IntelligentPumpkin74

The deeper I get into Angel, the less I like Wesley by KuzyBeCackling

Favorite Willow and Giles moment? by Tytthetha

Who created the spell which doesn’t allow Vampires to enter without permission? by AegeanAzure

People who never watched Angel, please do it. by kindaweird0

How many men watch buffy? by Bpd_embroiderer18

How was it like to watch Buffy come back from the dead when it was airing? by brwitch

Which group or entity was most frustrating as a concept? by InfiniteMehdiLove

I still can’t get over it that they pulled the plug after AtS season 5 by SneakoGonzales

Does Whedon just hate Charisma?? by EuphoricNebula1947

Anyone else find the quality of stunt actors horrendous but hilarious? by Drm5145

Favorite moment between the Summer Sisters? by Tytthetha

Can anyone tell me why these fellas needed 7 hearts? by Soulless--Plague

Just Watched “Passion” Wow! by Organic_Individual52

End of my re-watch. by SharpieD85

Finding Reference Picture by Mysterious-Angle8457

I don't actually hate Xander... here's why by Weary_Tap_8299

even tho i ship spike/buffy, drusilla/darla these two were so iconic by melaniemoth13

Season 7 contradiction? by Kammym1021

SMG stunt double by Kammym1021

Faith, and how the Buffyverse treats redemptions by jogaforacont

"Helpless"; Watcher's Council. by Big-Restaurant-2766

What would Cordelia be like if she magically got the slayer powers instead of Faith? by Eagles56

Examples of teen dialogue written by middle-aged adults by Tuxedo_Mark

Buffy should have let him blow his head off by Wutanghang

Was Faith from a religious background? by IntelligentPumpkin74

Xander's reasoning in OMWF by sxlor

The Actors that Played the Potential Slayers by Tuxedo_Mark

What are Alyson Hannigan and Amber Benson saying here? by Background-Neat-8906

[Articles, Interviews, and Other News]

PUBLICATION: 32 Times Angel Proved Buffy Should Have Picked Him by Cinemablend

Submit a link to be included in the newsletter!

Join the editor team :)

[eardefenders]

For the ask game: ✨🕵️‍♂️🎧

✨ - Favorite one-off character?

Victor Trevor right now, but I'm anticipating that to become Irene when we get there.

🕵️‍♂️ - First adaption/version that got you into Sherlock Holmes media?

Hm this is an interesting one for me. Because I definitely adored The Great Mouse Detective when I was a kid (I wanted to change my name to Basil there for a minute), but I don't think I really knew that it was a Sherlock Holmes thing. And I did read some of the stories when I was a kid, but I thought they were god awful boring back then. I also remember vaguely enjoying the Sherlock Holmes in the 22nd Century when it aired on tv lol. I also saw both RDJ Sherlock Holmes movies in theaters, but I went to those out of a love for RDJ, not necessarily Sherlock Holmes (though I do hold a soft spot for that adaption).

However, I was unemployed and didn't have a television, when my friend asked if I wanted to see a new show called Sherlock. I remember we sat on the floor of my apartment and watched it on a laptop sat on a dining chair in the summer of 2012. It was hot and I fell in love immediately with the BBC Sherlock adaption. And then my friend made me wait a WEEK between each episode that was out at the time. 6 WEEKS to get through series 1 and 2 lol.

So I think I've always loved Sherlock Holmes in some way or another, but the full on brain rot didn't hit until BBC Sherlock. And now here we are lol.

🎧 - What other podcasts have you listened to/recommend?

What's hilarious is I don't like True Crime genre stuff and I don't really like fiction either, so Sherlock & Co is really an outlier for me.

That said I highly recommend the following podcasts:

5 to 4 - They tear the supreme court and their shit decisions over the last century to shreds and they're hilarious while they do it.

Maintenance Phase - I fucking adore Aubrey Gordon. This whole podcast is filled with good researched information about diet culture myths and the lies we're told to encourage fatphobia.

You're Wrong About - Sarah Marshall gives wonderfully researched debunkings of popular events in the last 50 or so years and helps shed some light on the way we've culturally twisted things to fit a certain (often bigoted) perspective.

Thinking Like a Lawyer - They review everyday situations from a legal perspective. Very fun imo.

If Books Could Kill - Mike and Peter debunk those junk science and self-help books you find at the airport and they're usually pretty funny while they do it.

[cromulentbookreview]

Fun with Fungi!

Huh, what's this? *cleans away dust* oh, yeah, this blog is still a thing. I probably should've written more reviews, but...

I mean, I could come up with an excuse, but I'm too lazy. Just as I am too lazy to continually update this book review blog that nobody reads. I mean, I just wrote a review *consults calendar* uh. In 2022. Dang, I have been lazy. Oh well.

I'm like a rug on valium, I'm talking lazy.

And by that, I mean: let's have a dual review of the Sworn Soldier series: What Moves the Dead and its sequel, What Feasts at Night by T. Kingfisher!

Those covers, man. They're awesome, but at the same time: poor bun bun. Poor horsie.

So technically, what I'm doing here is not one but two reviews. So I'm actually being really, really productive right now and not lazy in the slightest.

This is a legitimately true story, I swear. Long ago, in a galaxy far, far away...by which I mean, four or five years back or so, I'd never heard of T. Kingfisher / Ursula Vernon in my life until I got into a fight with her on Twitter* on whether or not the fruit of the hazel tree should be referred to as Filberts or Hazelnuts.

For the record, I am firmly team hazelnut. I mean, they're nuts from a hazel tree. Hazel+nuts = hazelnuts. Who in their right mind wants to eat something called a filbert? But, terminology varies as T. Kingfisher is firmly on team filbert. My parents also call them filberts on occasion which is weird to me as we live in an area lousy with hazelnut farms.

Mmmm, Hazelnuts...

Anyway! I had no idea who this person was but I got into a tongue-in-cheek gif fight on Twitter with them regarding hazelnut v. filbert. Feeling bad that I got into a fight with a random person online on their hazel tree fruit name preferences, I went to their profile, saw they were an author, looked up their books and bought the two books of the Clocktaur Wars series. I tore through them, and continued on, reading all of the World of the White Rat series (I just saw that we're getting a new one in January and I might have let out a bit of a fangirl screech), and the absolutely delightful A Wizard's Guide to Defensive Baking and Minor Mage. So far, every single one of T. Kingfisher's books that I've read has been awesome. Nettle & Bone? Amazing. Thornhedge? I'm a very slow reader, but I devoured it in an afternoon.

T. Kingfisher writes amazing fantasy novels and I absolutely love them. She also writes horror. Which is where I hit a brick wall because I'm a baby who doesn't handle horror well. I don't like horror movies. I don't often read horror books. Because the world is scary enough without ghosts and poltergeists and demons and jump scares. Also I watched The Ring when I was 12 and it scared the shit out of me. Anyway! Oddly enough, I've always found myself drawn to horror-type stories. I mean, horror fits so well in fantasy and sci-fi (looking at you, Doctor Who episodes that gave me nightmares). As an adult, I've found myself more and more willing to dip my toe into horror fiction. Season 1 of The Terror, one of my favorite-ever TV series is considered horror (maybe because it's not jump-scare scary, it's existentially scary. Also it's set in the past. Also it's got dudes-on-boats, my favorite genre). Part of me really, really likes horror stories set in the past - no horror like 18th/19th/Early 20th century horror, amirite?

Right?

Well, whatever, I just like horror to be ye olde timey horror, OK? Like Crimson Peak, The Witch, The Death of Jane Lawrence, Mexican Gothic, The Woman in Black, The Hacienda, Vampires of El Norte, The Hunger ... spooky-scary Gothic-y-Romantic-y-type stories that have a historical element to them. Those are awesome. I'm slowly - very slowly! - getting myself to read more contemporary horror stories. I understand that The Twisted Ones and A House With Good Bones are really, really good, but....what can I say, I'm a wuss. And contemporary stories aren't really my jam. I read to get away from the contemporary world, damn it!

(Me, too scared to read contemporary horror but not too scared to listen to 900,000 true crime podcasts).

Right, where were we?

Oh, yeah. The review(s). I'm starting to understand why no one ever read this blog and why I let myself be lazy.

-

In What Moves The Dead we meet Alex Easton, a Gallacian ex-soldier on their way to visit their old friends, the Ushers, at their delipidated estate in the rural countryside of Ruravia. Alex had word that Madeline Usher was dying, and they wanted to be there for Madeline and her brother, Roderick. Roderick had been a fellow soldier with Alex back in the day and -

Wait a minute, Roderick and Madeline Usher? Delipidated mansion? Unspecified 19th century middle of nowhere...

Yep, this story is, indeed, a retelling of Poe's The Fall of the House of Usher, and it does a much better job than certain series you might find on Netflix.

Moving on:

Alex, Roderick and Madeline were childhood friends, and Roderick and Alex even fought together back in the day. Alex is a "sworn soldier" - something unique to their home country of Gallacia, a small, backwater country located somewhere between Bulgaria, Hungaria and that other -Garia, a vaguely Central/Eastern European nation with a language somehow structurally worse than Finnish, Hungarian and Icelandic combined. The Gallacian language has seven sets of pronouns: there's one set used only when referring to God, a set used to refer to children before puberty, one set specifically for inanimate objects...and, as the Gallacians are a fierce warrior people (though they're not exactly great at it), there's a special pronoun set just for soldiers.

So, in Gallacia, anyone, regardless of gender, can waltz up to the nearest military recruitment post, declare themselves a soldier, and be given a sword and a new set of pronouns within the hour. Hence the term "sworn soldier."

Anyway!

Prior to arriving at the House of Usher, Alex encounters an Englishwoman, Miss Eugenia Potter, a mycologist studying the local mushrooms, and there are some gnarly-looking (and smelling!) mushrooms. In fact, the whole landscape around Usher House seems...off. Everything seems dead or dying. Random hares will stand up and just stare right at you.

And not in a cute way, either.

As if the landscape weren't bad enough, once Alex gets to the Usher House, Roderick himself barely resembles the soldier Alex once knew. His skin has gone bone-white and he's as thin as a skeleton. He seems terrified by something but can't quite articulate what. Madeline is still alive, but in bad shape. Not even Roderick's friend Denton, an American doctor, can say what is wrong with her and Roderick (Catalepsy? Anemia? Hysteria? Roomis Igloomis? Who knows?). Denton and Alex immediately figure it's something to do with their environment - the house is both rotting and falling apart around them - but Roderick insists that Madeline can't leave, and if she can't leave, he won't leave.

Determined to find out what's happening to their friends, Alex resolves to stay. But things in the House of Usher are starting to get weird. For one thing, Madeline sleepwalks far more than a dying woman should, speaking in a strange, child-like voice, there's a lake outside that seems to pulse and shine with odd lights, there's a legion of undead hares wandering around and, seriously, what is up with those mushrooms??? With the help of Denton, Miss Potter, and their trusty batman, Angus, Alex must figure out what the hell is going on with the House of Usher...before whatever it is starts to spread.

What Moves The Dead is short and sweet and the perfect book to read when it's cold and dreary outside - and definitely not one you want to read before eating a giant bowl of mushroom risotto. If you're looking for a fantastic, spooky-type read that reads like if Edgar Allan Poe and The Last of Us joined forces with an army of undead bunnies.

But!

Luckily for all of us, Alex Easton's adventures don't stop with the events at the House of Usher.

It's late in the autumn and poor Alex would much rather be in Paris. Unfortunately, Angus has successfully guilt-tripped them into a trip to Alex's family's old hunting lodge back in the Old Country, aka Gallacia. Nothing like good old Gallacia in the winter where everything is damp, cold, cold, and, you guessed it! Damp.

But the redoubtable British mycologist Miss Eugenia Potter wishes to study some Gallacian mushrooms, and Angus, who is absolutely sweet on her, pretty much voluntold Alex to come along to act as Miss Potter's translator and use their hunting lodge as a home base.

So instead of a beautiful late Autumn/Winter in Paris, Alex is stuck back home.

*Sigh* looks nice, doesn't it?

As much as Alex sulks at the thought of spending several weeks back home, it's not like they're going to say no to Angus and Miss Potter. Not after everything they went through with the Usher House *shudder*.

Unfortunately, when Angus and Alex arrive at the lodge to help get it ready for Miss Potter's arrival, the caretaker, Codrin, is nowhere to be found. A quick trip to the nearby village reveals that Codrin has been dead for the past two months. But the locals are being very cagey about what killed him - Codrin's daughter is very insistent that it was just a lung infection, nothing else, no further questions, goodbye.

Finding a replacement for Codrin proves difficult, as it seems none of the villagers want to go near the lodge because there's a rumor that Codrin wasn't killed by inflammation of the lungs, but by a creature called a Moroi - a woman who sits on your chest and quite literally steals your breath. And the rumor is, a Moroi has taken up residence at the Hunting Lodge.

Yikes.

After some effort, Alex manages to hire a new housekeeper: the ill-tempered Widow Botezatu, who brings her grandson Bors along with her. The Widow immediately hates Alex, thinking them a wastrel, but Bors is nice enough. Miss Potter arrives, complete with terrible Gallacian phrasebook, but it soon becomes clear things aren't quite right at the Lodge. Alex begins to experience strange dreams - dreams in which a woman is kneeling on their chest because, yep, the Moroi is very real, and it can get to you in your dreams, just like Groundskeeper Willie in Treehouse of Horror VI.

Which is to say like Freddie Kruger, but still.

When it becomes clear that the Moroi is after the residents of the lodge, it's up to Alex, Angus and Miss Potter to figure out how to defeat a creature that can infiltrate your dreams.

What Feasts at Night is just as creepy, eerie and atmospheric as What Moves the Dead - there is plenty of non-fungal body horror and, mercifully, no zombie bun buns. Kingfisher is fantastic at capturing the terror of having your ability to breathe taken from you, and of the dread of having to fight something you can't grasp while awake. How she manages to pack so much into two short novels, I have no idea.

RECOMMENDED FOR: Anyone in the mood for some short, sweet spooky horror.

NOT RECOMMENDED FOR: Anyone who gets easily queasy, someone in the middle of eating a nice mushroom risotto, someone who really, really, really loves bunnies being alive and living their best lives, anyone who might wake up in the middle of the night with their cat on their chest staring directly into their eyes...

RELEASE DATE FOR WHAT FEASTS AT NIGHT: February 13, 2024

RATING FOR BOTH: 5/5

ANTICIPATION LEVEL FOR SWORN SOLDIER BOOKS: Chigori

*

[bumirang]

wait rohans a waterbender? since when?????

Since I made it up? I dunno, I like the idea. I doubt they'll go that direction in canon (unless they HIRE ME to make some damn COMICS)

Rohan being an airbender is boring to me. It's totally expected, practically makes the kid a non-entity. It's much more interesting to make him something else and explore what that means for the family dynamic. That (likely) means non-bender or waterbender, though earthbender is a possibility since Pema's from the Earth Kingdom. I'm just going to assume that Katara wasn't bullshitting when she touched Pema's preggo belly in the very first episode and said the baby would be a bender. She just got the element wrong. It was a safe bet!

First off, it'd raise some questions about how bending is passed down. Based on what we've seen in canon, it's easy to assume that a bender only passes down their own element to their offspring, with it either manifesting or staying dormant, possibly for multiple generations. But what if it's more complicated than that? Tenzin may style himself as Mr. #1 Air Nomad, but his mother's element and culture are part of him, too, right? With the different nations intermarrying more than ever before, it creates the potential for any type of bending to pop up in any part of the world, which has many fun worldbuilding implications. It'd also make a lot of sense, considering how the new airbenders pop up the way they do. They may all have had airbenders somewhere in their ancestry, with that potential lying dormant for centuries or even millennia until it was finally activated by Harmonic Convergence. I know this isn't a groundbreaking fan theory, but whatever.

Anyway, back to Rohan.

The discovery that Rohan's a waterbender would be a surprise, maybe even a shock, and it'd give the Kataang clan a new point of conflict and introspection, particularly for Tenzin. He'd have to grapple with his kneejerk reaction being denial, followed by disappointment. Then comes the doubt...

Why does he suddenly feel more distant from Rohan? He reviews his own interactions with the boy, both before and after the discovery. Does he treat him differently now? Should he? Of course he doesn't love his son any less, but it changes their relationship, or seems like it must. Is it fair to bring him up like an Air Nomad, the way his siblings were raised? Would it be better to introduce him to more Water Tribe traditions? He realizes how little he valued his mother's culture compared to his father's. It's not that he doesn't care, but...

Is this how Aang felt about Bumi and Kya, before he was born? How did he come to terms with that? Did he feel this same ache? And knowing now how alienated Bumi and Kya felt from their Air Nomad heritage for so long, how can he stop himself from making the same mistakes? What does this mean for the future of his people? Can Rohan be an Air Nomad but not a member of the Air Nation? Is such a thing possible?

He sees himself reflected in his son's innocent, trusting eyes, his own expression one of confusion and fear. He's lost again. Nothing in his readings of Air Nomad wisdom or his memories of Aang tell him what he should do, and he's too ashamed to admit his conflicted feelings.

Finally, Tenzin's head explodes.

Plus, hey, it's a great excuse to bring Auntie Kya around for lots of fun waterbending lessons! Both she and Bumi get to say "toldja so" to Tenzin once he admits his struggle over his relationship with Rohan and what that made him finally truly understand about their childhoods, about what it meant for all three of them to be children of the last airbender.

Meanwhile, Rohan's just being this precocious kid—a lot like his sister Jinora—inventing whole new ways of bending water like it's no big deal, and all the adults are too tied up in knots to even notice. His siblings notice, though, and help him figure himself out. He's a true Cloudbaby, a perfect cinnamon roll.

In the end, they do work it all out, and the whole family is closer than ever before... until Meelo announces he's joining the United Forces and all hell breaks loose.

[marley-manson]

okay the full review in a pros and cons list lol

pros:

uh my ship canon. i win, motherfuckers. fuckin 15 year old me was right this whole time, as always, but it's nice to see it acknowledged for once.

the confession scene also just kicked ass tbh

i gotta admire the cheekiness of the back and forth hesitant phrasing of their relationship, eg crowley referring to '...us' and aziraphale's 'i need you!' 'we can be together' etc until finally crowley just runs back to kiss him

and you know aziraphale was about to say 'i love you' before cutting himself off <3

touching his lips after too <3

the reasons for the break up felt reasonable to me and justified with the season's flashbacks to crowley questioning things and aziraphale's resistance

some pretty funny jokes, i laughed outloud a few times

michael sheen and david tennant do have excellent chemistry

never gonna say no to side lesbians even if they were incredibly bland

i think the way it was structured like a fanfic was a pro honestly lol. the plot sucked, i don't care about it, so it's nice that the story itself also doesn't care

amnesiac gabriel was endearing

crowley not kiling goats was cute

ty tennant was in it for about a minute and spent that minute hitting on aziraphale and it was fucking bonkers

no het

like i think job and his wife may have literally been the sole exception including like references to offscreen spouses lmao, i'm v impressed, and if this is penance for last season then i forgive.

i thought it was cute that gaiman incorporated the song he wanted for season 1 into this season as a plot point

beelzebub's new actor was so much better. and the flies were somehow kinda cute, i'll give the gabriel/beelzebub ship that.

good old fashioned lover boy. we all wanted it, they gave it to us, i appreciate it

here's my review: gay enough

cons:

mostly sucked as like, a narrative

tennant's fucking performance as crowley was so annoying, he or the director doubled down on what i hated last season and stripped him of all the endearing humanizing aspects of his performance and the result was like watching donald duck screaming for 6 episodes

the chemistry was still there but the actual pining kiiiiinda wasn't, actually lol. oh they referred to it in scripted moments, jokes, parallels, and straightforward statements, but they didn't... show it, particularly. until the confession nothing even approaches the tenderness and emotion of like any of their season 1 scenes, let alone the car scene or the bus stop scene or the ritz or the french revolution rescue or the blitz or eden etc etc. and david tennant did not say one word in that cute hopeful pining tone

to be honest after watching the whole show this is the most disappointing part. like the car scene??? could i not get a sequel to that? let crowley be tender!!!!

i think the reason we don't get scenes like that, other than perhaps uncomfortable restraint due to acknowledging the romance textually, is that they went from crowley practically begging aziraphale to cave and fuck him for centuries to crowley now angry repressed and needing a push to say anything, which also felt wrong to me, like iffy fanfic characterization

it was bad enough that i was nervous they were going to depict neither as actually aware of their feelings. thankfully they did not, and it still feels like crowley has been pining for a thousand years and they've both been aware but dancing around it, with the way the confession was phrased. that should be a pro, actually.

also yk all the obvious things. dumb jokes, a lot of bad acting (i feel like the director is at fault though tbf), not into the twee tone in general for the most part, a lot of scenes that were way too drawn out, utterly nonsensical narrative, characters doing things for no reason other than convenience constantly (why do the lesbians stay to help fight the demons? because their characters are more important and need more screen time), 0 stakes wrt heaven and hell because they're all so wholly ineffectual as antagonists and neither crowley nor aziraphale ever gave a shit about their threats, etc etc

oh lol nina sosanya being cast again as a brand new character, no relation to sister mary loquacious. it's not a big con since i like her and was happy to see her again, but it did feel lazy lol. at least give me the identical twin cousin explanation

was crowley living out of his car a joke bc they don't have the set from last season? did god not restore his flat like the bookshop? what's up with that? and how much time has passed since last season anyway? why didn't he get a new flat? why is he living in his car? what's going on?

nightingale references at the end felt tacked on and awkward to me tbh

ohhhhh raphael!crowley's very obviously hinted at and i hate that headcanon :/

crowley's kinda hilariously gary stuish honestly, making me really miss the book and even season 1 where he was like, yk, fucking incompetent sometimes. here he's lounging on couches without a care while being threatened by heaven and hell multiple times, pulling off perfect shots with no practice, waltzing into heaven without a second thought, bluffing demons easily and successfully, etc. and that's in addition to being right about everything and also being raphael like what happened to my dumbass low-level loser fave who fucked up the apocalypse by accident and lived in terror of phone calls from hell???

heaven and hell are "toxic" lol? that phrasing is so awkward, and like, i'd say minimizing but i guess tbf they didn't pose much of a threat in this season. but still c'mon, why you describing 2 murderous doomsday cults/cold warring governments as toxic like they're your annoying ex? especially after the running gag about nina's shitty girlfriend constantly therapy speaking at her condescendingly lol. how about 'hey remember how they worked together to try to kill us last season?'

oh gabriel/beelzebub of course lol, whatever happened to neil gaiman being unable to read fanfic or even people's headcanon posts for fear of accidentally plagiarizing ideas? bring back the separation between fandom and creator stat, fandom has way too much influence here and fandom fucking sucks

a little petty but honestly the kiss could've been good, yk? there's no reason it had to be bad, they could've just given into it for a bit for a hopeful romantic moment before aziraphale freaks and pulls away. like can i get 2 dudes to kiss with tongue at some point on my television here?

needs more queen

[lmelodie]

The Santa Clauses Season 2

It's here! And I have access to it, and all of my drably splintery thoughts on the first two episodes.

As an FYI, all my reviews are gonna be hella spoilery so I'll be doing all the reviewing under read mores and under the tags #TSCS spoilers and #Review2

Oh boy unsolicited thoughts HERE WE GO!

Episode 1:

I gotta say, Fluffy is not a bad character in this so far. Christmas Churros are a gold mine and I'm surprised no one has tried to capitalize on that yet.

Scott immediately assuming that Carol was going to kill Gary says a lot about the both of them and their dynamic that I wish was consistent. I love the idea that Carol is down for murder, keep that in cowards!

I have zero idea why Scott is so uptight about Riley keeping this secret when you literally gave EVERYONE IN THE WORLD MAGIC SNOW GLOBES. Nobody here is doing a good job of keeping any of this secret! No one!

And not the North Pole having a Gaslighting Department. Thats, just actually so funny to me. And you bet your sweet ass that Jack frequents that department, he might be employed there!

And once again to reiterate, these songs breaks are just NOT it. As someone who usually love musicals! The songs are mid at most and are just shoehorned into the most random places. Idk, still not vibing.

But Betty and Noel? STILL TOP TIER. I'll talk about them more in a bit, but they are literally perfect. The Blueprint. Betty and Noel get no notes from me. They made cardboard cutouts of each other's faces, like come on! They're cute as SHIT.

Mad Santa lore? Its aight. I appreciate the franchise trying to carve out its own lore after more than 15 years of inactivity. Its decent lore! For the world that it exists in at least. It's just not my personal cup of tea, and I don't see myself utilizing it in my own stories. But I appreciate that it is there.

And you cannot tell me that Jack hasn't tried to team up with Mad Santa before. It just seems like something he would do to, noticing that there was a Santa getting a bad rep and he could feasibly swoop in and break down the institution.

I wanna imagine he went up to him like, so I've heard you've been trying to subjugate a people. Here's my resume, I am all for murder, I do work well with gnomes, consider me. And then he got promptly ghosted.

Episode 2:

Bro the training vest is made out of St. Nicks robe?? What ISNT made out of that robe??? Isn't that like...an important artifact? I would assume it would be if it has that much Christmas magic in it. Why do we keep cutting it up and using it to make things? Is there any of it left?? Does it regenerate its own fabric??? None of these questions will ever be provided answers, I'm sure.

YO ITS MY BOY CUPID!!! LET'S GOOOOOOOO!!!!

Fucking LOVE Cupid! He's just as great as I remember! And because he had so little screen time, he didn't get too butchered!

And I like how he lists only specific Legends that are concerned with the succession. Implying in universe that Father Time and Tooth either think Cal is a good choice, or simply don't give a shit. And i love that for them.

But Cupid does list Sandy, EB and Mother Nature as people who do care. And we already know that were gonna get confirmed Sandy and EB cameos later, so I'm gonna CROSS MY FINGERS SO HARD for a possible Mother Nature cameo at some point. I just want her to lay down the LAW that's all I ask!

Let's how about, leave the puberty topic, out of this series entirely? Wish that whole miscommunication. DIDNT happen.

But we do have WITCH SANDRA!! This was the only possible choice for her, go off queen! Lucy and Sandra with the clasping hands meme: Teenage Girl with Magic Witch Powers. This was the best possible turn for her character, love that for you babe!

As I suspected, Befana in these episodes is a peach yet again. Fucking love Befana, no notes for her either, she's always great.

BUT LET'S TALK ABOUT NOEL AND BETTY!? and how they gave them the most romantic, whirlwind love story of the century? How they met was so FUCKING CUTE! Romeo and Juliet can pack it up! Because THEY are just better!

Betty really took one look at Noel and went, Tee hee, giggle, twirls hair, kicks feet. And I love that for her!

[kuwdora]

Top 5 Most Underrated SF shows/movies you think everyone should watch and why

Top five most underrated SF shows/movies you think everyone should watch, and why :) --from destina

Okay a million years ago (more like 2 and a half months) destina asked me about my top 5 most underrated SF shows/movies I think everyone should watch. I have three shows and two films that I’ve really enjoyed over the last few years and I'll try to break down why I'm loving them.

This gets kind of long so I'll put it under a cut. The shows/films include: Moonhaven (AMC), Avenue 5 (HBO), Humans (AMC/BBC), Life (2017) and Prospect (2018).

Moonhaven is a new AMC show (1 season, 6 episodes) that is rather high concept on the sociological side of the scifi spectrum. They’ve built a utopia on the moon, guided by an AI that has spent a century learning from the human colony there in order to learn how to build better technology and solve the environmental/social ills on earth. This colony of humans have been cut off from the Earth and they’re about to send their first batch of humans and tech back to the planet when there’s a Murder that happens.

The main character is Bella Sway who is a cargo pilot/smuggler and who is also a war vet of sorts who gets accused of committing a crime while she’s on the moon and there’s a lot of mystery/intrigue to unravel.

Now this is very very serious and interesting set-up but what the trailers for this show did not highlight is how strange and wacky the character dynamics are. Because you’ve had a socially isolated human colony (Mooners) now interacting with a bunch of Earthers and— it’s hilarious and strange and eerie. Most of the time the Earther characters are baffled as fuck by the mooners who sound like they’re in a group therapy session that’s performing on stage. The mooners have high emotional IQs and love art and culture and are so touchy feely that the contrast with the hardened Earthers is amazing.

The show also is filmed in Ireland so you get to see some new filming locations that you don’t ordinarily catch in genre shows. AND of course has Dominic Monaghan who looks like he’s having the time of his life.

Emma McDonald plays Bella Sway and she brings such an incredible amount of nuance and depth to her character that 6 episodes just haven’t been enough for me and I’m really excited to see more. I try not to get my hopes up with new scifi shows these days because it’s too easy to get my heart broken but I have REALLY enjoyed this show. It’s doing a lot of interesting thematic exploration about nature vs nurture and the role of technology in people’s lives and how different groups of people see the purpose of technology differently.

It has SO MUCH WORLDBUILDING - including polyamory and partner dynamics within a family, fascinating birth/death rituals that have evolved on the moon, and some rather questionable ways mooners have altered child-rearing responsibilities to circumvent tribalism and prevent violence in their society.

What the trailer and reviews for this show mostly fail to capture is also just how fucking funny and strange the cultural differences are between the Mooners/Earthers. The Mooners LOVE to dance out their feelings.

There’s a conspiracy plotline that I’m not sure how it’s going to shake out but I’m really gnashing my teeth happily on these characters, the worldbuilding, and the technology.

Avenue 5 is an HBO scifi/comedy (2 seasons, somewhat cancelled but maybe not cancelled according to some sources, seems to be a bit of a Schrödinger Cancellation) I am not sure I really recommend for most people because it is hilarious in that dark satire kind of way that not everyone wants to stomach (for good reasons). It’s by the same fellow who wrote/produced Veep so the humor is dark. I described Ave 5 as looking at our current dystopia through an un-funhouse mirror and laughing in horror.

The premise of the show is a space cruise gets thrown off course and it’s going to take years to get back to earth and the ship is full of tourists and incompetent people running the ship. It also features Ethan Phillips playing an obnoxious Martian astronaut character in a GIANT NOD to the hilarity of Star Trek Voyager.

The biggest (and most delightful) surprise of the show is Hugh Laurie’s character is queer and poly (he had two partners back on Earth). The show veers into shenanigans throuple territory (that I 100% need to write some fic for because the show is reasonably cancelled and I need MORE).

This show has some of the most hilarious and obscene dialogue that I’ve heard in years. I love it and have watched every episode several times because humanity is terrible and I kind of like laughing at their pain and awfulness rather than the real world. It’s extremely self-aware and has Lenora Crichlow (of Being Human UK!!!!) and Hugh Laurie being ABSOLUTE TOP OF THEIR FUCKING GAME.

Humans (UK) is the AMC/BBC take on the Swedish show with the same name. On the surface this is a “we’ve created robots to do all of our work for us” premise (they’re called Synths here) and features a Colin Morgan as a scruffy fellow on-the-run with his fellow Synths that he was raised with as a child because his dad programmed the Synths with intelligence. This also has GEMMA CHAN!!!!!! As one of the main leads and she is EXQUISITE as Mia.

I watched and loved the original Swedish version but the British version did a fantastic job of building the family dynamics. It follows the Hawkins family who purchases a new Synth (Mia) and Mia has had her memory temporarily wiped to be in hiding so she doesn’t know who she is yet. The mystery in the beginning season is great but in the later seasons it really builds out the Hawkins mother/daughter relationship as well as letting Laura use her legal background to explore what kind of autonomy and protection she could advocate for Mia and her Synth family.

Mattie is a teenager who has an interest in programming and she’s adrift like many others her age who are facing a future with little job prospects and just getting yanked around by the world- and I just loved her arc in the show so much, especially as she gets involved with helping Mia and her family.

Colin Morgan is really great, too but I really fell in love with Gemma Chan’s depiction of Mia who slowly learns who she is and then is trying to find and keep her family safe while also protecting the Hawkins who are trying to help her.

I found this to be a very solid show — and one that I wish I had vidded already — with great character arcs and was very mindful in the way it was exploring these age-old questions about personhood and outsourcing work to machines and how you treat these machines.

Life (2017) is a horror/thriller film inside a sci-fi setting. Scientists on the International Space station find a new life form that they picked up from Mars to study and Things Go Bad. Pretty great cast- Rebecca Ferguson, Hiroyuki Sanada, Ariyon Bakare along with — for some reason — Jake Gyllenhaal and Ryan Reynolds.

The life-and-death tension and anxiety of being trapped with something scary in the vacuum of space is spectacular. Really enjoyable film.

Prospect (2018) is hands down one of my favorite indie scifi films. Low-budget, INCREDIBLE ACTING, masterful storytelling. The stakes are emotionally and physically high for our characters and had me on the edge of my seat the whole time.

The premise is a girl and her dad (Jay Duplass) go to a remote alien moon to try to mine some minerals to make it rich and start a new life. They get a contract that goes tits up in a bad way and end up face to face with the locals and scoundrels. INCLUDING PEDRO PASCAL. Pedro Pascal and Sophie Thatcher are the fucking stars of this and absolutely captivating. And yes this is part of the Pedro Pascal Multiverse Dad Canon so put it on your list to watch if you need more Dad Pascal.

This movie is INTENSE and raw and absolutely 10000% highest recommendation from me. The writing, the characters- the acting. The set/wardrobe design. A+++++

Everything about this movie is so detailed and internally consistent in a way that makes me wriggle with so much fucking joy.

I even trawled through YouTube to try and find out more about it and fell in love with a behind the scenes featurette. They filmed dust motes in a basement and transposed the dust over the outdoor scenes of the alien planet rather than doing CGI for it. And the work they spent designing the space suits is so great, too.