#Captain Marryat

[marryat92]

I feel like I ought to make a new pinned post here—not only to provide a better overview of the content, but to notify folks that I am always ready to have a conversation about Captain Marryat, or share resources and information pertaining to him. I may not have the time and energy to make new posts on this sideblog, but in no way have I moved on from Marryat or lost interest in him.

Sometimes I feel like the number of people who are actively interested in Frederick Marryat is something like the number of planets orbiting distant stars that may be suitable for life. In theory they are countless, but they seem very few and far between in the empty expanse of space. Too late, I discovered a 2012 Indiegogo project dedicated to Captain Marryat. It appears to be have been abandoned for years. Would it have made a difference if even one person encouraged them?

Anyway: I hope to always be a tiny light in that huge expanse of empty space. I can do the fandom thing with you and/or point you to books and scholarly resources!

[why-i-love-comics]

Captain Marvel #50 - "Marvelous" (2023)

written by Kelly Thompson art by Javier Pina, David Lopez, & Yen Nitro

[clove-pinks]

They should stop having sad soggy pathetic boat men tournaments and start having Smug Obnoxious Jerk Boat Man tournaments. I nominate all of Captain Marryat's protagonist characters and also Marryat himself.

[ltwilliammowett]

A code of signals for use aboard merchant vessels, published with the permission of Capt. Marryat, published by J.M. Richardson, 1844

[topoet]

The Arbours and other Obscurities

The Arbours and other Obscurities On the anniversary box set of the film Valley Of The Dolls is a bonus documentary about Jacqueline Suzanne & her personal promotion for the book & film. One of things she did was commission a title song for the film, which never got used, much to her disappointment. It was performed by The Arbors. I tracked it down on The Very Best of The Arbors. Think The…

[mycological-mariner]

I had an hour break at work and in between fighting off the sea turkeys attacking me for my meatball sandwich and getting sexually harassed again (not by the sea turkeys), I popped into my favourite bookstore of all time. Every time I go in there the architecture changes. It sounds like I’m joking I’m not. There’s new rooms and old rooms are blocked off and the building itself keeps camouflaging itself so you really have to be looking for it to find it and ANYWAYS

The ground floor is just maritime books. Sailing guidebooks, old prints of captain’s logs, knot tying guides in Welsh; biographies and autobiographies of famous and not so famous sailors, literally everything C.S Forrester and Patrick O’Brian ever published; ship spotting guides, lighthouse logs and local maritime history pamphlets. Anything and everything regarding Western maritime history is in there. So there’s me, exhausted and bloody from my bird fight, wandering around mildly delirious and what to I get?

I get these books because someone I follow is a fan of one of these guys and so obviously I gotta know WHY and the other because science! Sailing! Cursed ships! Finches!!!

[asfaltics]

putterings, 256-254

  dance of the wreck       apophony eye blue cap and pale sleeves       certainly not chairs the ball as it fell       when the rain came, Spain

—

puutterings     |     their index     |     these derivations     |     20230203  

[puutterings]

when the rain came

  They had hardly sat down to table, when the rain came puttering down on the roof, and in a quarter of an hour the storm was as violent, and the thunder and lightning as terrific as on the day before. All the out-door labour was again suspended...

ex Robinson Ready Or the Wreck of the Pacific : Written for young people by Captain Marryat. Für die deutsche Jugend mit belehrenden Noten und einem Wörteruche versehen [provided with instructional notes and dictionary for German youth]. (Leipzig, Baumgärtner’s Buchhandlung, 1844) : 138 : link

—

“puttering” for “pattering” in Masterman Ready; or, The Wreck of the Pacific. Written for Young People. By Captain Marryat. vol. 2 (of 3), (London, 1842) : 16 : link (hathitrust)

This 1842 edition contains wood engravings, some marked “DICKES.DEL” (William Dickes, 1850-92), see BM bio : link and (or) “R BRANSTON.SP” (Robert Branston, 1803?-77), BM : link

catalogue record for this edition (Michigan copy) : link

—

Frederick Marryat (1792-1848) — wikipedia — authored : a signal code, several editions, the third in 1820 : A Code of signals for the use of Vessels employed in the merchant service; Including a cypher for secret correspondence : link (Österreichische Nationalbibliothek), nautical and children’s fiction, and even (uncertainly) The Floral Telegraph; or Affection’s Signals, By the Late Captain Marryatt [sic], R.N. (London, 1850?) : link

But I digress.  

[fourdramas]

i can only do light reading at the moment because of my light concussion and decided to finally read the phantom ship as my partner has been urging me to do for at least a year. even though it is clearly more appropriate for a child, i was touched by the fate of Amine who suffered a witch burning at the hands of the catholic church after being caught performing a ritual from her mothers faith. the book very clearly urges an open philosophy of religion, concerned about the god of the good, who can take many forms, albeit does not seem to take the form of organised religion as the main priest of the story in the end ressort to putting his zeal before the kindness he knows in his heart that Amine has shown him. it even put the formulation of this philosophy in the mouth of Amine instead of her husband, as custom would have it.

[myhauntedsalem]

The Brown Lady of Raynham Hall

In 1936 Captain Hubert C. Provand was taking photos of the picturesque Raynham Hall, a country house in Norfolk, England, when he snapped this picture.

As Provand was setting up the shot, his assistant called out for the photo to be taken ‘now’, as something was descending the staircase. The result is this world famous ghost photo, said to be that of Lady Dorothy Walpole.

September 19, 1936: Photographer, Captain Hubert C Provand and his assistant, Indre Shira were taking pictures of Raynham Hall, Norfolk, England for the December issue of ‘Country Life’ Magazine.

Little did they know that on this day they would capture the ghost that has said to be haunting the old country house since the mid 1800’s.

The ghost is better known as the ‘Brown Lady’, as the spectre has been described as wearing a brown silk brocade dress.

It is believed that the Brown Lady is the spirit of Lady Dorothy Walpole, who died at Raynham Hall in 1726 from Smallpox, after a long incarceration within the houses walls.

Dorothy Walpole was the sister of Sir Robert Walpole, who was considered to be the first Prime Minister of Great Britain (serving 1721 to 1742 which would also make him the longest serving Prime Minister). Dorothy was Charles Townsend’s second wife, Charles having served as the secretary of state for ten years.

It is said that Dorothy had an affair with the 1st Duke of Wharton, Philip Wharton (yes all these upper class families make for quite complex reading and research), and her husband, Sir Walpole did not take too kindly to that, and had Dorothy locked in the upper floor rooms of their home – Raynham Hall.

Another story states that Dorothy was entrapped by the Countess of Wharton, never to leave the house… not even to see her children. It is said she returns to find, and finally be reunited with her children. A sad tale indeed!

Either way Lady Dorothy Walpole died of Smallpox 29th March 1726 aged forty.

The Brown Lady aka (possibly) Lady Dorothy Walpole has been seen on a number of occasions since her death, with the first recorded sighting being in 1835 after a Christmas party. Several guests had seen the ghost as they went up to their bedrooms for the evening, one describing it as having a glowing face but with empty eye sockets.

Captain Marryat (a gentleman who wrote novels set out at sea) retired to his room one night, and had remarked to two others he met on the way that he was carrying a gun as protection against the Brown Lady. It was at this point the apparition appeared and ‘diabolically’ grinned at the captain as she passed by him.

The captain took two shots, both passing straight through the apparition, to embed in the door and door frame beyond.

Many other people have witnessed the Brown Lady on the main staircase and in the bedrooms. Generally these sightings occur when heading to bed, or waking up in the middle of the night to find her standing in their rooms.

The ghost has also been seen right before tragic events and deaths that affect the Townsend Family. One evening, during a dinner party, many guests had seen the apparition, complete with her brown dress, walking through the crowd. The Spectre did not seem to recognize anyone and soon disappeared. The next morning, news of the death of George Walpole reached the group at the estate, George had died at about the same time the Brown Lady has been seen.

On the fateful day the photo was taken, Captain Hubert C Provand and his assistant Indre Shira had set up the camera at the foot of the main staircase, with Provand under the protective cloth at the back of the camera. They had already taken one photo and Provand was re framing for another shot. Shira suddenly called out to Provand to take another shot and at this Provand removed the lens cover and made the exposure.

Shira had seen the figure of a lady descend the staircase when he called for the photo to be taken. Upon development, the image did indeed show a spectral figure on the staircase; The Brown Lady had been captured at last!

The picture was published in Country Life magazine December 16th 1936, along with the accounts of Provand and Shira.

Renowned paranormal investigator Harry Price interviewed the two men and stated he could not find a flaw in their story, as the negative also showed the figure. With the exception of the two men lying, he could not see how the image could be anything but that of the ghost in question.

[titleleaf]

More evidence that Marryat was the victim of a hoax comes from a knuckle­headed parody of his work, Lie-ary on America, with Yarns on its Institutions (1840) by ‘Captain Marry-It’. The pseudonymous American author rewrites the Englishman’s account in the most ludicrous manner, but seems satisfied to rehearse the grazed knee incident at Niagara Falls more or less as Marryat tells it, describing how the L-word ruined a pleasant afternoon of sightseeing: ‘Sink my hull if she didn’t instanterly capsize in a swoon; and her mammy told me never to mention that wulger thing “leg” in the presence of a Yankee female, or I might endanger their lives and their modesty for ever.’ The joke is essentially unchanged, suggesting that most American readers would find this genuphobia as ridiculous as those in England.

Inventing The Victorians, Matthew Sweet (re. the whole "Victorians put pantalettes on piano legs" canard)

Thinking About: Leg

[marryat92]

The circumstance of my going to sea affected my father in no other way than it interfered with his domestic comforts by the immoderate grief of my poor mother. In any other point of view my choice of profession was a source of no regret to him.

— Frederick Marryat, Frank Mildmay (The Naval Officer).

"Fitting Out": an 1820 drawing and watercolour picture by Captain Marryat (British Museum). The mother of the young midshipman destined for H M Ship Hellfire weeps at left.

[clove-pinks]

It’s Frederick Marryat’s birthday very soon (10 July 1792), and I’ve been thinking a lot about the effect he’s had on my life: and just what is the nature of my fascination with this man. I think a huge part of being interested in Marryat is being drawn to the man himself, not just his stories and travel writing. You have to have some kind of personal investment in this bitchy, lecherous, sarcastic, self-righteous, frequently infuriating and problematic man; you have to care about him on some level. He feels extremely present in his writing.

I think Virginia Woolf expressed it well when she wrote in her essay on Marryat, “The Captain’s Death Bed”:

Often in a shallow book, when we wake, we wake to nothing at all; but here when we wake, we wake to the presence of a personage—a retired naval officer with an active mind and a caustic tongue, who as he trundles his wife and family across the Continent in the year 1835 is forced to give expression to his opinions in a diary.

Sometimes I wonder about what Marryat would think of me as his reader. In response to criticism in Fraser’s Magazine, Marryat wrote a long letter defending his work in cheap weekly newspapers which would be read by the lower classes (reproduced in The Life and Letters of Captain Frederick Marryat, edited by his daughter Florence Marryat). He starts out strong, attacking elitist attitudes about literature, and then shows his ass with smug pronouncements about how he’s writing wholesome fare to educate the lower classes, unlike trashy weeklies filled with “immorality and crime” that also teach people to criticize the government or read Chartists! (Marryat was a complex person whose views can’t be pinned down with modern political labels, but he wasn’t very progressive, not even in his own time.)

Marryat was my introduction to the Napoleonic Wars and the War of 1812, which have become major interests, he was my first real exposure to Regency-period fashion and manners, and he has increased my general nautical knowledge a hundredfold. I feel a kinship with him across time and space as he offers his opinions on the world of the 1830s and 40s, a bit jaded in middle age but still keenly observant and very confident in his opinions.

[ltwilliammowett]

Book illustration for Mr. Midshipman Easy written by Captain Frederick Marryat

"Midshipman Easy, Page 173 - "Oh Mr. Easy, Please Forgive Us". by unknown

[male1971]

The Origins of The Wolfman

The story of Universal's "The Wolfman" (1941) is one of the most iconic werewolf tales in cinema, but its origins are a blend of older folklore, literature, and mythology. The concept of werewolves has been around for thousands of years, long before Universal's monster movies.

Origins of "The Wolfman" Story

The 1941 film "The Wolfman", written by Curt Siodmak, introduced many of the tropes we now associate with werewolves, such as the use of silver to kill them, the transformation during a full moon, and the notion of the curse being passed on through a bite. While Siodmak invented much of this for the film, he drew from centuries of werewolf lore and mythology, weaving them into a modern narrative that fit the Universal monster film canon.

Who Invented Werewolves?

Werewolves have been part of human mythology for millennia, and there is no single person or culture credited with "inventing" them. Instead, werewolves have appeared in various forms across different cultures:

Ancient Greece and Rome: One of the earliest werewolf stories comes from Greek mythology. The legend of "Lycaon", a king who angered Zeus and was transformed into a wolf, is where we get the term "lycanthropy." Roman authors like Ovid also wrote about men turning into wolves in works such as "Metamorphoses".

Norse and Germanic Mythology: The Norse sagas and Germanic folklore also feature tales of men who could transform into wolves, such as the Viking berserkers who were believed to be able to take on the powers of animals, including wolves, during battle. The "Volsunga Saga" tells of men who wore enchanted wolf pelts and transformed into wolves.

Medieval Europe: In medieval Europe, werewolves were often linked with witchcraft and the devil. Many believed that witches could transform into wolves or other animals, and there were numerous werewolf trials in places like France and Germany, much like the witch trials. The fear of werewolves was often tied to religious and superstitious beliefs about the devil's influence over humans.

Indigenous Cultures: Indigenous peoples in North America, such as the Navajo, have legends about shape-shifters, often referred to as skinwalkers, who could transform into animals, including wolves.

How Long Have Werewolves Been Around?

Werewolf myths and legends date back to at least the ancient world, more than 2,000 years ago, if not further. The idea of humans transforming into wolves, either voluntarily or through a curse, has been a common theme across various cultures. Throughout history, werewolves have appeared in art, literature, and oral traditions.

The Epic of Gilgamesh (circa 2100 BCE) – One of the earliest known references to lycanthropy. In this Sumerian epic, the goddess Ishtar turns a former lover into a wolf.

"The Satyricon" by Petronius (1st century CE) – A Roman work of fiction that includes a passage where a man transforms into a wolf, making it one of the oldest literary depictions of a werewolf.

"The Metamorphoses" by Ovid (8 CE) – This Latin narrative poem contains the story of Lycaon, a man transformed into a wolf by Zeus, one of the earliest and most influential werewolf myths.

"Bisclavret" by Marie de France (12th century) – A French medieval romance about a knight who turns into a wolf. This tale is an early example of sympathetic werewolf stories.

"The Book of Were-Wolves" by Sabine Baring-Gould (1865) – One of the first comprehensive studies on werewolves, combining folklore, history, and mythology about lycanthropy.

"Wagner the Wehr-Wolf" by George W.M. Reynolds (1846-1847) – A serialized Gothic novel that tells the story of a man cursed to become a wolf.

"The Were-Wolf" by Clemence Housman (1896) – A short novel about a mysterious and seductive woman who transforms into a werewolf, blending Gothic horror with themes of gender and power.

"The Phantom Ship" by Captain Frederick Marryat (1839) – While the main focus is on a haunted ship, there is a notable episode involving a werewolf.

"The White Wolf of the Hartz Mountains" by Captain Frederick Marryat (1839) – A short werewolf story often included in collections of Gothic horror, with a sinister white wolf terrorizing a family.

"The Werewolf of Paris" by Guy Endore (1933) – A key influence on later werewolf films, this novel explores a man’s transformation into a werewolf in Paris during the Franco-Prussian War.

Films:

"The Werewolf" (1913) – A silent short film believed to be the first werewolf movie ever made. It was based on a short story by Henry Beaugrand called "The Werewolves", about Native American shape-shifting legends. Unfortunately, the film is considered lost.

"Le Loup-garou" (1923) – A French silent film with a werewolf theme, directed by Pierre Bressol.

"Wolf Blood" (1925) – Another silent film, this one blending early horror with elements of the frontier. It follows a man who believes he is becoming a wolf after receiving a blood transfusion from a wolf.

"Werewolf of London" (1935) – The first full-length werewolf film from Universal Studios, preceding "The Wolfman" (1941). It tells the story of a botanist who is bitten by a werewolf while on an expedition and transforms into a creature after returning to London.

[asfaltics]

Tie your bouquet more accurately.

  By, and by.                                     48 ₁ Do, does, doing.                                     49 ₁ Else, where.                                     54 ₁ Ever.                                     55 ₁   Where, ever.                                     92 ₁ Weather.                                     875 ₁ Whether.                                     881 ₁ Weather.                                     885 ₁   Noon.                                     61 ₂ Nor.                                     62 ₂ Nobody.                                     63 ₂ Nothing.                                     64 ₂   Beacon.                                     188 ₂ Bow.                                     189 ₂ Breeze, s.                                     190 ₂ Baffle, s. d.                                     191 ₂   Chafe.                                     230 ₂ Chain.                                     231 ₂ Channel.                                     232 ₂ Character, s, ized.                                     233 ₂   Cold.                                     247 ₂ Combination.                                     248 ₂ Communicate, s, d.                                     250 ₂ Compose, s, d.                                     251 ₂   Hard, er, ly.                                     404 ₂ Harden, s, ed.                                     405 ₂ Havoc.                                     406 ₂ Hazard, s, ed, ous.                                     407 ₂   Influence, d.                                     432 ₂ Ink.                                     433 ₂ Instance.                                     434 ₂ Undo, did, done.                                     604 ₂   What, ever.                                     631 ₂ When, nce, ever.                                     632 ₂ Where, ever, of, on.                                     633 ₂ Wherry.                                     634 ₂   Tie your bouquet more accurately.                                     140 ₃

—

ex The floral telegraph; or Affection’s signals, by the Late Captain Marryatt [sic]. London : Saunders and Otley, [1850?] Cornell copy, accessible at hathitrust : link

₁ : from Vocabulary, Part I, “One knot to be tied on the string between each number [i.e., flower].” ₂ : from Vocabulary, Part II, “Two knots to be tied before each number.” ₃ : from Vocabulary, Part III, “Three knots to be tied before each number.”

see Daniel Wuebben, “Captain Frederick Marryat and the Floral Telegraph; Or, a Forgotten Coder and his Floral Code,” Victorian Literature and Culture 42:2 (June 2014) : 209-233 : link (no access); link (readable, at least)

uncertain that Marryat is the author, but no matter. Small matters are signs of great things.                                     303 ₃