#CS Lewis

[bodhrancomedy]

In King Lear (III:vii) there is a man who is such a minor character that Shakespeare has not given him even a name: he is merely 'First Servant'. All the characters around him – Regan, Cornwall, and Edmund – have fine, long term plans. They think they know how the story is going to end, and they are quite wrong. The servant has no such delusions. He has no notion how the play is going to go. But he understands the present scene. He sees an abomination (the blinding of old Gloucester) taking place. He will not stand it. His sword is out and pointed as his master’s breast in a moment: then Regan stabs him dead from behind. That is his whole part: eight lines all told. But if it were real life and not a play, that is the part it would be best to have acted.

- CS Lewis on King Lear.

[niralynplays]

Even more, I feel Tolkien a kindred spirit.

C.S. Lewis in a letter to Charles A. Huttar March 30th 1962

[anti-rop]

ah yes, because that's always what Narnia has needed..."a new take"...and that's always what Narnia has suffered from...a lack of "Rock 'N' Roll." tweet | deadline interview

[dont-tell-my-mom-im-here]

I've never seen a normal post about C.S. Lewis and JRR Tolkien it's always just like: Tolkien once murdered someone and Lewis helped him bury the body but he wore a Santa costume just to spite him

[isaacsapphire]

The veneration of the Inklings among American Evangelicals is both a bit ironic, and a lifeline, a virtue of hypocrisy, a crack where the light gets in, the imperfectly sealed windows that keep you alive when the heater malfunctions.

Or at least, that’s what they were to me.

For all their flaws, they were different flaws than that of the American Religious Right; they were loyal subjects of the British crown, veterans of the Great War, Oxford academics, Christians in a country with a State Church, and members of the international intelligentsia during the rise of Hitler.

The Discourse was different then of course, and these men were participants in it.

you guys are so annoying. why do i have to see discourse every year that's like "was tolkien really a woke king or was he your conservative uncle?" the guy was a devout catholic and a genteel misogynist who maintained lifelong friendships with queer people and women, and this isn't even paradoxical because that was part of the upper-class oxford culture he was immersed in. tolkien told the nazis to fuck off (and in doing so demonstrated a real understanding of what racism is and why it's harmful, beyond simply "these guys are bad news because they're who my country is at war with right now") but his inner life was marked by internalized racism that is deeply and inextricably woven into the art that he made. he foolishly described himself as an anarcho-monarchist, and it's kind of crazy to see people on this website passionately arguing that he likely never meaningfully engaged with anarchist theory, because...yeah, no shit, of course he didn't. tolkien didn't have to engage with most sociopolitical theory because as an upper-class englishman of his position, he was never affected by any of the issues that this theory is concerned with. what is plainly obvious from reading both his fiction and letters is that tolkien's ideal political system was that the divinely ordained god-king would rise up and rule in perfect justice and humility; he didn't want a government, he wanted a king arthur, even though (obviously) he was aware that outcome was impossible. why is it so hard for people to accept that he was just some guy! his letters aren't a code you have to crack. no amount of arguing or tumblr-level analysis is going to one day reveal a rhetorically airtight internally consistent worldview spanning jrrt's fiction, academic work, and personal writings, thereby "solving" the question of whether he was a woke king or your conservative uncle. his ideology was extremely inconsistent because, at the end of the day, he was just some guy.

[avengerraven]

My favourite thing about The Lion the Witch and the Wardrobe is that CS Lewis very obviously knew that kids were going to go hunting in cupboards and wardrobes for Narnia because multiple times he very clearly states that the kids did not close the door behind them when they climbed in the wardrobe because that would be stupid and dangerous. He knew some kid was going to lock themselves in the closet and he obviously didn’t want to be responsible for that.

[bitterkarella]

Midnight Pals: Souper

[at unicorn fuck club] JRR Tolkien: tonight we've got a special story from everyone's favorite fantasy writer GRR Martin: CS Lewis: Peter S Beagle: Hans Christian Andersen: L Frank Baum: Tolkien: whoops shouldn't have said that ha ha Tolkien: i mean, you're all winners in my book

Tolkien: but when i say everyone's favorite fantasy writer Tolkien: i mean terry practchett GRR Martin: oh yeah that's fair CS Lewis: yeah fair Peter S Beagle: fair Hans Christian Andersen: yes yes of course L Frank Baum: that's fair

Terry Pratchett: hello unicorn fuck club today i've got a story about a wizard who is - get this - actually very bad at his job Tolkien: oh ho ho! terry my boy, you've done it again! Pratchett: there's also girl dwarves Tolkien: [suddenly stone-faced] i hate this

Pratchett: but first Pratchett: all this story telling is hungry work! Pratchett: do you happen to have anything to eat around here? Tolkien: are you talking about... Tolkien: having Tolkien: a Tolkien: feast????? Brian Jacques: [squeaking incomprehensibly in rising excitement]

Tolkien: why, terry, my boy, what an idea! Tolkien: instead of merely DESCRIBING a feast, we'll have one! huzzah! Martin: huzzah! Lewis: huzzah! Jacques: [squeaking] i use a mercury head dime as a serving platter!

Pratchett: no no nothing so fancy as that Tolkien: eh? Pratchett: i was more thinking along the lines of Pratchett: soup Tolkien: soup? Pratchett: yeah just a big bowl of heart soup right about now would just be the best thing Pratchett: oo i just love the sound of it!

Pratchett: think about it: no work... no worries... no failures... no waste... when you serve maggi homestyle soups, the finest money can buy yet priced reasonably within your budget Tolkien: interesting! tell us more Pratchett: maggi soup! es ist echt ausgezeichnet!

Pratchett: how often have you had this problem Pratchett: say, you're on a budget but you have to feed your hungry hungry boys Tolkien: oh man i have been there! Tolkien: more times than i can count!

Tolkien: but terry Tolkien: i need something substantial and nourishing for my hungry boys. can maggi soup satisfy? Pratchett: ahh jirt my friend, maggi soup does more than satisfy! Pratchett: as the good people at maggi say, "kartoffelsalat volkswagen fahrvergnugen lebensraum!!"

Tolkien: What's that sizzling sound I hear? Pratchett: Get up! It's soup and eggs, my dear! Martin: What can I cook without much fuss? Pratchett: maggi soup would tickle all of us! Lewis: What's a lunch that's good and quick? Pratchett: Hot Maggi soup mix does the trick!

Pratchett: mm mmm! i tell you, nothing's as good as a rich bowl of maggi soup! buy some today! eat it with someone you love! Neil Gaiman: something's not right here

Gaiman: of course the power of imagination is infinite, friends Gaiman: but in all the worlds in all the multiverses of possibility, i cannot imagine one in which terry pratchett shills for soup Pratchett: [sweats] nein, nein, ich bin der echte terry pratchett!

Gaiman: if you are in fact, the real terry pratchett Gaiman: and not an imposter Gaiman: like the imposter sandman hector hall in The Sandman, vol. 2: The Doll's House Gaiman: then you won't have any trouble telling a joke Pratchett: [sweats] ein witz? du magst ein witz?

Pratchett: [sweats] i mean ha ha of course i can tell a joke Pratchett: i am the real terry pratchett after all Pratchett: [sweating intensifies] and you all know me, i'm a real spaßvogel Pratchett: Pratchett: a-are you sure you wouldn't all rather just have some soup?

[godsfavoritedumpsterfire]

[beardedmrbean]

plot twist it was actually the ghost of CS Lewis in disguise

[quote-bomber]

[silmarillion-ways-to-die]

Two British Fantasy Authors, a play in one act.

JRR Tolkien: So my epic fantasy has elves and dwarves and gods and demons and vampires and werewolves.

CS Lewis: Cool cool cool.

JRR Tolkien: What about yours?

CS Lewis: Mine? It's got fauns and a witch and a talking lion and precocious children—

JRR Tolkien: I like the talking lion.

CS Lewis: —and Santa Claus.

JRR Tolkien: ...

JRR Tolkien: ...

JRR Tolkien: What?

CS Lewis: Santa Claus. You know, "ho ho ho."

JRR Tolkien: I know Santa Claus! I wrote the book on Santa Claus! But you can't have Santa Claus in your High Fantasy!"

CS Lewis: Why not? You have Tom Bombadil!

JRR Tolkien: HOW DARE YOU

[tolkienrulez54321]

I NEED MORE 🙏

If JRR Tolkien and CS Lewis could text:

[the-mercy-workers]

Do not waste time bothering whether you “love” your neighbor; act as if you did. As soon as we do this we find one of the great secrets. When you are behaving as if you loved someone you will presently come to love him.

C.S. Lewis

[justjudethoughts]

Everyone's always like "mythology disproves Christianity." No!!!! Mythology proves that our God is a God of stories, of details, of intentionality. Everyone is so hung up on "every culture has a story of the dying and rising god/a virgin birth, etc. etc" but that's just it. Every culture has it, because somewhere, somewhen, it was true. Mythology is simply a reminder that God fashioned for us a language that we are all born knowing— a religious language, a language of the sacred. It's the reason so many cultures view bread as something sacred and use incense in their worship. Christ did not become man to unteach us "pagan" vocabulary. The vocabulary was never pagan to begin with! It was, and is, human. Christ became man, took on flesh, and spoke the language we were all born knowing: the language of mythos and sacred rituals, of prayers and of liturgy.

Do you think Jesus did not intimately know the world He entered? Do you think He didn't know the stories of Dionysus? Or the surprisingly Christocentric imagery associated with Apollo? Do you think He did not watch Virgil pen his fourth ecologue, in which he prophesies the coming of a baby, a redeemer? Do you think the all-knowing, all-powerful God who crafted Virgil's soul with his own hands didn't know that?

Mythology reminds us that God wrote the story. That He etched into the very marrow of our bones the language we need to know Him. When He came, He came in a way that was unexpected. But it was the way we would best recognize Him.

[always-a-king-or-queen]

The ache will go away, eventually. 

That was what the Professor told them, the day they got back. When they tumbled from the wardrobe in a heap of tangled limbs, and found that the world had been torn from under their feet with all the kindness of a serpent. 

They picked themselves off of the floorboards with smiles plastered on child faces, and sat with the Professor in his study drinking cup after cup of tea. 

But the smiles were fake. The tea was like ash on their tongues. And when they went to bed that night, none of them could sleep in beds that were too foreign, in bodies that had not been their own for years. Instead they grouped into one room and sat on the floor and whispered, late into the night. 

When morning came, Mrs. Macready discovered the four of them asleep in Peter and Edmund’s bedroom, tangled in a heap of pillows and blankets with their arms looped across one another. They woke a few moments after her entry and seemed confused, lost even, staring around the room with pale faces, eyes raking over each framed painting on the wall and across every bit of furniture as if it was foreign to them. “Come to breakfast,” Mrs. Macready said as she turned to go, but inside she wondered. 

For the children’s faces had held the same sadness that she saw sometimes in the Professor’s. A yearning, a shock, a numbness, as if their very hearts had been ripped from their chests.

At breakfast Lucy sat huddled between her brothers, wrapped in a shawl that was much too big for her as she warmed her hands around a mug of hot chocolate. Edmund fidgeted in his seat and kept reaching up to his hair as if to feel for something that was no longer there. Susan pushed her food idly around on her plate with her fork and hummed a strange melody under her breath. And Peter folded his hands beneath his chin and stared at the wall with eyes that seemed much too old for his face. 

It chilled Mrs. Macready to see their silence, their strangeness, when only yesterday they had been running all over the house, pounding through the halls, shouting and laughing in the bedrooms. It was as if something, something terrible and mysterious and lengthy, had occurred yesterday, but surely that could not be. 

She remarked upon it to the Professor, but he only smiled sadly at her and shook his head. “They’ll be all right,” he said, but she wasn’t so sure. 

They seemed so lost. 

Lucy disappeared into one of the rooms later that day, a room that Mrs. Macready knew was bare save for an old wardrobe of the professor’s. She couldn’t imagine what the child would want to go in there for, but children were strange and perhaps she was just playing some game. When Lucy came out again a few minutes later, sobbing and stumbling back down the hall with her hair askew, Mrs. Macready tried to console her, but Lucy found no comfort in her arms. “It wasn’t there,” she kept saying, inconsolable, and wouldn’t stop crying until her siblings came and gathered her in their arms and said in soothing voices, “Perhaps we’ll go back someday, Lu.” 

Go back where, Mrs. Macready wondered? She stepped into the room Lucy had been in later on in the evening and looked around, but there was nothing but dust and an empty space where coats used to hang in the wardrobe. The children must have taken them recently and forgotten to return them, not that it really mattered. They were so old and musty and the Professor had probably forgotten them long ago. But what could have made the child cry so? Try as she might, Mrs. Macready could find no answer, and she left the room dissatisfied and covered in dust. 

Lucy and Edmund and Peter and Susan took tea in the Professor’s room again that night, and the next, and the next, and the next. They slept in Peter and Edmund’s room, then Susan and Lucy’s, then Peter and Edmund’s again and so on, swapping every night till Mrs. Macready wondered how they could possibly get any sleep. The floor couldn’t be comfortable, but it was where she found them, morning after morning. 

Each morning they looked sadder than before, and breakfast was silent. Each afternoon Lucy went into the room with the wardrobe, carrying a little lion figurine Edmund had carved her, and came out crying a little while later. And then one day she didn’t, and went wandering in the woods and fields around the Professor’s house instead. She came back with grassy fingers and a scratch on one cheek and a crown of flowers on her head, but she seemed content. Happy, even. Mrs. Macready heard her singing to herself in a language she’d never heard before as Lucy skipped past her in the hall, leaving flower petals on the floor in her wake. Mrs. Macready couldn’t bring herself to tell the child to pick them up, and instead just left them where they were. 

More days and nights went by. One day it was Peter who went into the room with the wardrobe, bringing with him an old cloak of the Professor’s, and he was gone for quite a while. Thirty or forty minutes, Mrs. Macready would guess. When he came out, his shoulders were straighter and his chin lifted higher, but tears were dried upon his cheeks and his eyes were frightening. Noble and fierce, like the eyes of a king. The cloak still hung about his shoulders and made him seem almost like an adult. 

Peter never went into the wardrobe room again, but Susan did, a few weeks later. She took a dried flower crown inside with her and sat in there at least an hour, and when she came out her hair was so elaborately braided that Mrs. Macready wondered where on earth she had learned it. The flower crown was perched atop her head as she went back down the hall, and she walked so gracefully that she seemed to be floating on the air itself. In spite of her red eyes, she smiled, and seemed content to wander the mansion afterwards, reading or sketching or making delicate jewelry out of little pebbles and dried flowers Lucy brought her from the woods. 

More weeks went by. The children still took tea in the Professor’s study on occasion, but not as often as before. Lucy now went on her daily walks outdoors, and sometimes Peter or Susan, or both of them at once, accompanied her. Edmund stayed upstairs for the most part, reading or writing, keeping quiet and looking paler and sadder by the day. 

Finally he, too, went into the wardrobe room. 

He stayed for hours, hours upon hours. He took nothing in save for a wooden sword he had carved from a stick Lucy brought him from outside, and he didn’t come out again. The shadows lengthened across the hall and the sun sank lower in the sky and finally Mrs. Macready made herself speak quietly to Peter as the boy came out of the Professor’s study. “Your brother has been gone for hours,” she told him crisply, but she was privately alarmed, because Peter’s face shifted into panic and he disappeared upstairs without a word. 

Mrs. Macready followed him silently after around thirty minutes and pressed an ear to the door of the wardrobe room. Voices drifted from beyond. Edmund’s and Peter’s, yes, but she could also hear the soft tones of Lucy and Susan. 

“Why did he send us back?” Edmund was saying. It sounded as if he had been crying.  

Mrs. Macready couldn’t catch the answer, but when the siblings trickled out of the room an hour later, Edmund’s wooden sword was missing, and the flower crown Susan had been wearing lately was gone, and Peter no longer had his old cloak, and Lucy wasn’t carrying her lion figurine, and the four of them had clasped hands and sad, but smiling, faces. 

Mrs. Macready slipped into the room once they were gone and opened the wardrobe, and there at the bottom were the sword and the crown and the cloak and the lion. An offering of sorts, almost, or perhaps just items left there for future use, for whenever they next went into the wardrobe room.  

But they never did, and one day they were gone for good, off home, and the mansion was silent again. And it had been a long time since that morning that Mrs. Macready had found them all piled together in one bedroom, but ever since then they hadn’t quite been children, and she wanted to know why.

She climbed the steps again to the floor of the house where the old wardrobe was, and then went into the room and crossed the floor to the opposite wall. 

When she pulled the wardrobe door open, the four items the Pevensie children had left inside of it were missing. 

And just for a moment, it seemed to her that a cool gust of air brushed her face, coming from the darkness beyond where the missing coats used to hang.

[clumsy-words-again]

I think magically becoming a Narnian queen would help me a lot actually