#Bro was left by his brother?

[nina-s0]

Regulus was a nightcore child and I rest my case.

[assiraphales]

bro I’m sick bc ace dying in his arms was luffy’s biggest nightmare but dying in the arms of the person that he loved most / loved him most was probably the kindest Fate (under the circumstances) that he could have been given. luffy, the person he sacrificed himself for and would again and again and again and a million times over if he’d been given the chance bc there was no world he wanted to live in without his little brother alive and breathing, there with him at the end.

[notllorstel]

making the eldest trolls siblings interact

[epickiya722]

You know what, Sukuna lowkey had it out for Choso since Shibuya. Probably did not like the fact that Yuji had someone, actual family... an actual blood brother that cared about him. He been had plans to kill him, I just know it.

[xxplastic-cubexx]

was watching apocalypse with my brother and once the cerebro scene popped up he was like 'charles has a helmet like erik, only instead of keeping people out, he tries to reach out and connect with others' like guys i need to bash him with a rock

[lattedusks-mochadawns]

Hehe comfort characters

They’re all my sillies 🥰

Here is the sketch and the original

[feeling--pink]

Gee Stormtrooper!Candace how come they let you have FOUR younger brothers?

Happy May the 4th everybody!! Once again I had to make fanart for my favorite piece of Star Wars media, the Phineas and Ferb crossover special :)

[ascesabo]

don't they know / it's the end of the world? / it ended when you said goodbye

[thunderc1an]

i was thinking, . hazeltail and hollyleaf died around the same time-ish. jaymouse mourning their sisters . togebtet 😞😞😭😭😭😭😭😭 the brain rot what have you done 😞

I think about it often

no really, specifically

I think about (headcanon) Mousewhisker angst

And then also (canon) Mousewhisker angst

[broareweabouttoviberightnow]

some more disjointed rumble fish movie thoughts:

"why?" "🙄Why what?" "why?" "😑what?" "why are u always fucked up?" "😒I dunno" never in my life have I seen a man avoid eye contact harder

this man can't sit right to save his life. however. the unbuttoned rhinestone shirt kinda eatin. so pass.

OUGH. aough. unfortunately Matt dillion does an incredible job of playin scenes with the motorcycle boy. the admiration there. the constantly feelin like you can look up to a person your whole life n know you'll never be them. never know them. outsider in his own family. ough.

the movie can be heavily stylized at times n feel, well, disjointed. but I think the weird pacin adds a lil charm now n then

WHAT THE HELL THERES BOOBS ON MY SCREEN. sorry was halfway through typin that last bullet point. that was jarrin

walks into the office n is there for about one second before the lady goes hungover AGAIN? clocked his ass.

fuck ass earrin mention again. he kinda ate with that one.

I don't CARE! u think I give a shit!! u think I care??? (he says. as he cares deeply.)

diane lane stand on business. she said fuck ur lame ass n then marched her ass into the fog. that's my icon.

rusty still walkin his ass around in the shirt he got stabbed in. mama. do u have no other clothes.

the way the motorcycle boy talks in comparison to rusty. his accent compared to how the motorcycle boy has this soft liltin way of talkin. hmm. symbolism there. hmm.

"motorcycle boy." "THE motorcycle boy. THE.🙄" while THE motorcycle boy stands there just voguin.

the way they use shadows n light to convey transition n passage of time. hmm. I like it. makes those cut scenes way long but I fuck with em.

the extras lookin straight down the barrel of the camera.

rusty james who is so intensely jealous of his brothers gf. mama. stand up. good lord. very I don't wanna share my brothers attention. very wowwww so u like her more then me huh.

OH MY GOD. Just occurred to me that the movie is all from like. the motorcycle boys perspective. no color. n what we hear as the audience depends on what the motorcycle boy can hear. what the hell. hold on.

droppin the fact that their mother is alive in the middle of an arcade. Just. wham. Mas alive. anyways.

"Now I know why da says I always look like ma." "wow so I must look like her too huh!" "🤨 uhhhh"

[worstloki]

people just ignore Thor was a feral child, huh? like his life goal was probably to demolish another race at age 12 and he was probably begging to go to war and attempted to murder their father for not letting him via telepathy that he didn't have.

[pasteilian]

Thinking about how canon wise Raph has the most Control over his body, and seems to be the most balanced among his brothers because he’s so much bigger than his bros that if he’s not careful he could really hurt them so hes constantly holding himself back 90% of the time even when he’s upset at them his anger is controlled 

Also I like to think hes the one who does the most meditating maybe as children splinter spent more time with Raph training him to control his more feral behavior. That’s why they’re so close splinter teaching him meditation as a toddler so he could calm himself when he needed it most >>>>

[e-adlirez]

Trolls Band Together musical reading

Hiiiiiiiii so guess who got ratgrabbed and yanked down into the abyss yesterday as of the time I'm very impulsively writing this--

I went in not expecting much but a couple minutes in they were able to win me over with the plot and the surprisingly strong moral core despite the very simple narrative

And I dunno why (prolly because uh spoilers that I'll get into in a bit) but I wound up reading the movie through a musical lens, which is what this post is about :D

So if you haven't seen Trolls Band Together and don't think you want to (either because you're not optimistic due to the past two films or because you're by some chance a Disney elitist who's somehow trying to trick us into thinking Wish is somehow better than this banger), MAJOR SPOILERS for Trolls Band Together, you have been warned :]

Aight so the main reason I wound up with the music-based reading on first watch is because of the mention of the Perfect Family Harmony, which is what the protagonist boyband BroZone is trying really hard to hit, and I just so happen to be into music (I play drums :]) and just so happened to have been practicing harmonizing in recent times so I guess it lined up just enough for me to look at the film in a musical light, which was a lot of fun :3

Now, the plot of TBT is a very simple one: it's a big "hey guys how about we work together" kind of narrative, which we've seen before in every group-related franchise ever. However, the one thing that I found extremely fascinating was the fact that this story wasn't just being told by narrative, but by music. Specifically BroZone's harmonies and how they develop throughout the film :]

(Fair warning I'm not gonna be able to go Howard Ho levels of detailed, I don't even know how to distinguish chords by ear :'D I'm just gonna be talking about what I hear)

During the intro sequence, we see that John Dory (who I might end up calling JD for simplicity in this essay) has this thing about the Perfect Family Harmony (the PFH) and is trying to get his band to hit it. Obviously, his tactic for this is perfection and pushing his brothers to be perfect for the sake of hitting the PFH on their tour debut, and insisting that he takes the lead, which none of his brothers agree to while knowing that JD is not gonna be hearing any of their protests. This part is very important, because I'm sure that all musicians would know from rehearsals, if the group can't agree on whose lead to follow and wind up not listening to each other, the result is absolute chaos. Not literally as chaotic as BroZone's stage malfunction, but it do sound like that when none of the parts are working together :D

However uh, there's one thing I also want to point out with both BroZone's tour debut and when BroZone has their first full rehearsal together. When they sing their songs, the harmonies are very subdued and very simple, which is particularly shown in Perfect. There are very little facets to the harmonies, to the point where at any given bar in the performance, the line between backing vocals and main vocalists is extremely clear. The backing vocals even sound distinctly softer than whoever's leading at any given point, minus when the boys are singing in unison. Speaking of which, I could be wrong, but I think the parts in the song are like two at most and on occasion it's just the boys singing in unison? More musically attuned readers are free to correct me on that front, but that's what it sounds like to me.

Anyway the main point is, the brothers are forced to maintain these very fixed and restricting harmonies that more or less sound the same, and of course they are-- JD (if he composed the songs) wrote them and he insists that his brothers follow them to the letter, meaning they can't improvise or go beyond what we hear in the film. Granted it's prolly because of their specific genre of music and the fact that the boys are supposed to be teens at eldest and literally a baby at youngest, but the harmonies don't ever diverge or serve to give the song more layers. They remain exactly the same, more or less perfectly in unison, and even during their first group rehearsal with the band back together in (almost) full (could be wrong can't really relisten to that part of the movie rn), their harmonies are perfectly in unison but lacking in dimension, just like how they were during their disastrous concert.

In these, it is very clear that JD hasn't changed a single bit since the last his brothers saw him. He's still obsessed with the idea that he's the leader (even though a BroZone superfan like Poppy remembers him better as "the old one" and it even took her a bit to remember his part in the band), even though in reality, he's kinda nothing without the other members of the band. Which kiiiinddddaaaaaa shows seeing in Perfect his voice sounds very similar to Clay (I bet if I listened to the soundtrack first I wouldn't have been able to pick out JD's voice), and even his part in the PFH is the same as Floyd's.

As I mentioned earlier, due to the circumstances behind this extremely impulsive rant, I can't really check BroZone's first rehearsal after reuniting rn, but I bet it would've been the same case, because what I DO remember about that scene is that JD was being the same old JD, and everyone was trying to tell him that they've changed since they last saw him (contrast to him not changing a bit because he's trying to maintain that illusion of perfection he's been chasing this whole time). From what I remember, anyway, their harmonies were basically in the same boat as Perfect: clear, subdued, restrained against the singers' will to follow a lead vocalist at all times.

Now, we're gonna shift our gaze from the brothers for a second and take a look at the twins Velvet and Veneer. Yes they are iconic and yes their songs are iconic, but one thing I wanna point out is that when I first listened to Mount Rageous on the soundtrack, I had a really hard time picking out Andrew Rannell's voice because it was backing vocals-ing so hard that it was near impossible to not hear Brianna Mazzola's extremely dominant vocals (no hate to either, Brianna Mazzola SLAYED as Velvet), and the comments section of the video I was listening to for the soundtrack seemed to share my sentiments about wanting to hear more of Andrew Rannell, but hear me out:

We know from the film that Veneer is the nicer sibling. He's a material gworl with a heart and he genuinely doesn't like hurting Floyd, especially when you listen to how they address each other and converse with each other in the film. Now, seeing just how much on speaking terms Floyd and Veneer are on, how conflicted Veneer feels about keeping Floyd hostage and torturing him, and how Veneer is always worried about Floyd's health... it would make sense for Veneer to use Floyd's music essence or talents very sparingly, wouldn't it? With that, compare him to his diva sister Velvet, who squanders Floyd's essence even for dress rehearsals, and always sings for the back row and flexes as many riffs and runs and belts any and all opportunities she gets (hence why she CARRIES Mount Rageous). Makes Andrew Rannell's more subdued and in-the-background performance as Veneer more deliberate, doesn't it? :3 (Still wanna hear his voice more tho, it'd be nice to hear what Veneer can do on his own)

Something something the Veneer siblings are direct foils of BroZone something something Velvet is a direct foil for JD and Veneer is a direct foil to Floyd something something Rageous Twins-Floyd angst anyway back to the thesis of this thing--

Now, you'd think that JD keeps up his perfection shtick all the time, but he very obviously doesn't and it is shown first in his jam session with SpBruce and Branch in Bruce's family restaurant-cafe-lazy Susan thing, through the harmonies. At first I thought it was just because their voices had clearly matured since their childhood (which it partially is), but the other reason is the fact that their harmonies are so much fuller than they were in Perfect. They even give Pentatonix vibes in their little vocalizing bit, that's how full and multifaceted their harmonies are in the song; and the main reason is because in that jam session, everyone's in it just for fun, therefore everyone is free to add their little bit of vocal flavor into the song.

If you listen to JD and Bruce's harmonies in the chorus, you'll find that they sound more full and multilayered than ever in such a way that they didn't need five entire band members to pull off. And most importantly, the line between the leading vocals and the backing vocals are a little blurrier in the sense that leading and backing vocals for the most part are on the same volume, and they opt to sing a multilayered unison for when Poppy joins in, who is also adding her own mezzosoprano piece to the song and is given the room to do so. Everyone is given the room to do so-- Bruce's bass and Branch's tenor in particular get to shine while JD provides support with his baritone-- and of course they're given room for every single one of them to shine, because this isn't a concert, it's just a fun little jam sesh that also serves as a bet to showcase BroZone to Bruce's kids. It's ironic how the one time JD doesn't feel the need to be perfect, is the time you can really see why BroZone is such a good boyband that everyone fell in love with during their time.

Now, I did mention BroZone's first rehearsal (and I don't have much else to say about the rehearsal besides the fact that JD's obstinance means that they're doing a repeat of the tour debut), so I'll talk instead about the next time they manage to work (or in this case, sing) in harmony: A Better Place and its iconic pre-chorus.

Now, first of all I will mention the moment prior where the group has that little heart-to-heart about the PFH and how they don't need to be perfect to hit it, they just need to be together. While this is a very cheesy line, it's actually very true if you think about it from a technical musical perspective: when you're singing, you technically don't need to be perfect to sound good, and the same goes for if you're singing in a group. The most important thing about singing in a group is that you're all together, you're all on the same page, and you're all in agreement on who's going to take the lead for everyone to base their singing off of; and they have all three of those things. All of BroZone is together and able to communicate with each other, and they're all on the same page because they're all agreeing to follow Branch's lead. Ignore for a second the poeticism of Bitty B now taking up The Leader position in the vocals, the fact that the group was able to agree on who'll lead and who the others will listen to is not only a good showcase of what having a good team and leader is like, but also what it takes for a group to be able to sing together and not sound like a house of people trying to sing Happy Birthday. (It's also an achievement with this bunch but I digress.)

In A Better Place, we get to hear everyone put their own bits of harmonies into the song: we get to hear Clay's beautiful vocalizations in the pre-chorus and the chorus, Anna Kendrick joining in with her soprano is always a treat for the eardrums, Camila Cabello's improvisations are very tasteful, the LAYERS that make the pre-chorus so addicting to listen to, we even get to hear Crimp adding a bit of ukulele and it's very cute and she looks so happy you guys <:], Floyd's little vocalization at the end sounds heavenly even though the poor man hardly had anything left in him Lord bless him-- and under all of this, Branch's voice still sounds prominent enough to act as a baseline that doesn't overpower but ties all the other voices together, like a concertmaster of an orchestra being the one to set the pitch and make sure that everyone is on the same page. Everyone is listening to each other, everyone is adding their own flavor to the song, and everyone is in harmony.

Thank you for coming to my TEDTalk :3 if you managed to stick it out to the end then uh holy crap I commend you soldier, your brainrot must be as severe as the Trolls tag on Tumblr made yourselves out to be :D /j