#British Vietnamese

[msclaritea]

I so enjoyed being introduced to Tuyen Do, a British Vietnamese actress, who is also a talented playwright. Her scenes as Sankta Neyar, and the myth of the Neshyenyer Blade, in Shadow and Bones are some of my favorites. She completely embodied a living saint with regal grace, quiet power and nuance. And her Love Speech is both memorable and brutal. I wanted to do a shout out because it's difficult to find much press for her. Tuyen Do is awesome.

The play dispelling the British Vietnamese 'nail-bar' cliche - BBC News

[thatrandomartistjavi]

I know the instinct is to make the Pipers German because Hamelin is in Germany which is valid

But by all metrics they can technically be from anywhere because even tho he’s called the Pied Piper of Hamelin, he isn’t actually from Hamelin. He’s just some guy that came to the town to help them get rid of their rat problem in exchange for money

Like he isn’t of Hamelin, the only reason he has that title is most likely cause his abduction of the children of Hamelin is one of, if not, his most noteworthy achievement

But he isn’t from Hamelin. So the Pipers could be from a wholly different part of Germany, French, Norway or even somewhere in Asia or Africa even

[wormwoodwine]

Can you tell your own accent?

Today, I had a few Aussies over for lunch. They were visiting my cousin. I was told that I had a thick British accent.

What? All I consume is American entertainment (TV shows, sports, Youtuber, etc). I always had many American teachers as a kid and only one Londoner teaching me English. Mind blow.

I told my cousins and they all said the same thing. Apparently, I have a thick British accent with an American vocabulary.

If you read my fanfics, you’ll notice a lot of my vocabulary come from the US. Like pants, not trousers, etc.

All these years, I’ve been deceiving myself? Mind blow.

The same thing happened when I was a kid. I was told that I had Northern accent even though I’m a Southerner through and through. All my family and relatives are southerners. I thought I had southern accent then too. What?! It happens again.

From a confused Vietnamese.

PS: Also, I’m not hating on British accent. I’m just confused about how I have one.

[halliescomut]

So....I don't generally like to call ppl out on the Internet, but I can't be silent about this, because it's a little creepy and weird (honestly more like a lot creepy). Got served a TikTok today about Jeff and Barcode...

I did mark out the name of the creator, because I'm not trying to send hate their way, but I am very much disgusted by the implications of the text that they put in the TikTok.

Now if you're confused about why this is upsetting, in general with BL characters, the couple names follow a common order--that order being TopBottom. In the case of acting pairs, often fans will take that order and apply it to the actors pairing name, so PayuRain is BossNoeul, WinTeam is BounPrem, etc. The text insinuates that Barcode is becoming the top because he is now taller than Jeff, and may be more muscular. It's feeding into a trope that any gay man who is shorter, slighter of build, must be a bottom. It's giving very much "real men don't get fucked, they do the fucking". Now I would think that it's fairly obvious that this is a damaging and quite misogynistic viewpoint, but I will break it down a little further for you why.

The trope in BL stories of having the bottom be physically smaller, have more delicate features, perhaps behave more 'femininely' is damaging for two specific reasons. It reinforces the misogynistic idea that feminine traits are inherently lesser than masculine ones, and it perpetuates a potentially harmful stereotype, creating the idea that a man must behave a certain way based on what their preference is in bed. Now you may say "well this is just tropes in a show" but there are real world consequences to these ideas. If you interact AT ALL regularly with queer men, you will likely have encountered a man who was bullied and even assaulted because someone perceived them as being 'too feminine'. We know of actual cases of more 'effeminate' men being discriminated against, or being told to tone things down, recently PP Kritt in his performance at the SongShan music festival. There's been an ongoing discussion in China regarding how to make sure men 'stay masculine' even.

And the rigidness around positions portrayed in much of BL, kind of across the board, not even just in East Asian or South East Asian BL, is incredibly inaccurate to actual reality. The reality is that the VAST majority of gay men will engage on both sides of the sexual dynamic. Verses are the norm, no matter what BL would lead you to believe. That's not to say there aren't people and couples with preferences they tend to stick to, there certainly are, but that's not going to be the most common experience.

Now let's step back into the issue I have with this video. It's not okay to speculate publicly on the sexual practices of strangers on the internet. We have NO confirmation of any type of romantic relationship between these men, so speculating on their sexual dynamic is already taking a leap. But even if we DID have confirmation. Even if we were talking about a pair that we know 100% are together like Porsche and Arm, making comments about their sex life openly on Beyonce's internet...not okay. Don't do that. It's wildly inappropriate, and honestly pretty creepy. If you simply MUST speculate, do so in private spaces, like a discord or group chat.

I do also want to point out that beyond the problematic behavior of speculating publicly about a stranger's sexuality, it's simply not your business, in regards to EA and SEA actors it can be dangerous. While most of those countries do not consider homosexuality to be illegal, there are still very few that have legal protections set in place for queer people. Meaning if these men were to lose sponsorships, brand deals, potential roles, because of their 'perceived sexuality' based off of internet rumors--then they may not have any legal recourse against any of those companies. And MANY posts that assert things like this do tag the ship names, meaning it's fairly easily locatable with keyword searches.

So just....think twice before you post speculations about any celebrity's sexuality. And don't publicly discuss the dynamics of an actual real person's sexual preferences. Because it's gross.

[the-barrel-man]

My lovely record player 🥰 I’m thinking about putting stickers on the outside of the casing. I have the Vietnamese flag for the war in the 60’s and the British flag for the British Invasion in music in the 60’s. Then I have Miitomo celebrity Mii’s of My MOM, Peepo and Chubby Bob. And the upper left corner is an Allen & Ginter error trading card. I’m listening to the girl from epinema on vinyl.

[deliriousmonk]

I had a strange dream about Vietnam last night. This was in a timeline where the U.S. basically colonized the country and tried to slowly eliminate the population with regular rioting & starvation. I also tried (and failed) to get work at a fabric factory.

[nachoaveragejoe234]

not just americans

No citizens of any country are somehow inherently bad or evil because of their government. Full stop. That includes Russia citizens, Israeli citizens, Palestinian citizens, Chinese citizens, Iranian citizens, North Korean citizens, etc.

Everyone in this world is just living their lives, each with their own complex needs and desires and interests and emotions. They all have hobbies and friends and families and favorite foods. They all have their own motivations and varying political opinions and views on their governments. They all weigh the risks of standing out or speaking up and they all make their own decisions about that.

They all fear the same in times of danger. They all feel grief and pain and terror the same. They all love and hate and bleed the same.

They are people. They are no different from anyone else, they are not monsters or caricatures or nameless bodies in videos. Complexity and humanity are not exclusive to your country, to people like you.

[otakunoculture]

Meditating on What Makes Pho Wisdom Better Than the Strip of Pho Eateries A Block Away

Out of the six known operations in the Downtown Victoria core offering pho, which operation is best? Is it time to rate them? We begin with Pho Wisdom #yyj #yyjeats #vietnamese

102-915 Fort St Victoria, BC Open: Tues to Fri 11:30 a.m.–2:30 p.m. and 5–8 p.m. Sat and Sun 12–8:30 p.m. Menu: phowisdom.com Phone: (250) 384-2971 Every time I take a stroll along Fort and count the number of Pho operations that exist along this street, I have to ask the big question: which one tastes the best and who in the right mind wants to challenge neighbouring competitors? Although I…

[l00se-can0n]

i despise the way the fandom talks about jinx. i'm sorry, but a teenager with severe mental health issues who was raised by a dictatorial drug lord in a city where crime is rampant, children are often orphaned, and there is no clean air or water, was never going to turn out right. that is not to say that i condone all of her actions (e.g. killing the firelights, helping shimmer run rampant in zaun), but i do believe that she is the product of the circumstances she grew up in. will all that being said, i don't think she did anything wrong to piltover. most, if not all, the piltovans jinx attacked were enforcers and councilors, her oppressors and the primary people responsible for the subjugation of the undercity. and before y'all argue with me in the comments "but in the s1 finale, the council was going to make zaun independent", i beg for y'all to think beyond authorial intent since the show has deeply flawed politics (see: christian linke saying that the piltover-zaun conflict is an allegory to how the us two-party system fails to communicate with each other). while there are councilors that i like as individual characters (jayce and mel specifically), i don't believe that a consensus would've gave zaun true liberation because there has NEVER been a time where the liberation of oppressed people hinged upon their oppressors granting them their freedom. negotiating with your oppressors is akin to having a conversation between the sword and the neck, there can never be peace unless the oppressed takes away power from their oppressors. whether it's between the irish and the british, the algerians and the french, or the vietnamese and the americans, the oppressed ALWAYS had to fight for their liberation, even for examples that "prove" otherwise. nevertheless, i do believe that jinx's resistance is flawed since her violence is aimless and i wish that in s2, she would actually embrace being a symbol of zaun and use violence to achieve liberation for zaun, but i don't think the writers would be able to explore violent resistance effectively because they're cowards.

[dcartcorner]

Commission for @morning-softness! Thank you for the support!

[Image description: John, Tim, Martin, and Sasha from The Magnus Archives. The four of them are sitting around a table in Jon's flat, playing a board game. Jon is staring intently at the board, thinking about where to place his tile. Tim is smiling and leaning over to give Jon advice. Across from Jon, Martin is covering his mouth and laughing, happy to be there with the others. Sasha is holding a drink, and giving Martin a knowing look from across the table. Jon is a fat British-Indian man with medium brown skin, shoulder-length black hair streaked with grey, and glasses. He is wearing a white dress shirt, a sweater vest, and an ace ring. There are small silver studs in his earlobes. His sleeves are rolled up and his hair is slightly rumpled from where he has been running his hands through it. Tim is a thickset man with tan skin, brown eyes, greying brown hair in an undercut, and a short beard. He has gauged ears, and wears a fidget bracelet on one wrist. He is wearing a brightly colored button-down shirt, with the collar unbuttoned. Sasha is a thin Black British woman with long type 3b hair, wearing a turtleneck shirt and glasses with a chain. Martin is a fat Vietnamese-Polish man with short, dark brown hair and light, freckled skin. He has gauged ears, and stubble on his chin and neck. He is wearing a jumper and thick glasses. End image description.]

[fuji-iri]

okay OP tags are a mood

green

[dexylloyd]

Hello! Here are some sketches and some of my headcanons!

Nationalities:

Lloyd: Japanese/Chinese/British

Wu, Garmadon and FSM: Japanese/Chinese

Misako: Japanese/British

Kai and Nya: Italian/Vietnamese

Jay: Irish/Korean

Cole: African-American/Indian

Zane: Not having a clear nationality this cutie can be how he wants but I mostly hc them as a person poc

Pixal: The same as Zane but I see her Dad Cyrus as south Korean

Skylor: Irish/American

Morro: Italian/American

Harumi: Japanese

Vania: Tibetan/Nepali

Benthomaar: As much as I love him I really don't have a specific hc for him, I think he would be from the same zones where lemon sharks are!

(the Italians ones are a bit of a meme, because I'm Italian and sometimes I joke about Italian stereotypes, for example: Kai favourite football team is the Neapolitan one lol)

Maybe in another post I will also do sexualities and genders but for this time I don't really have the energy :P

For the other hcs in the pictures:

I headcanon that the FSM putted some kind of mechanics in the humans to identify what is not human. But, well, he and his family are not really humans themselves! So plain mortals can't see their faces and also see some kind of halo on them, to symbolize their "divine" status (none of them knows about it tho).

But there are exceptions:

-Kids before puberty can see them clearly;

-People who have been in contact with supernatural/magical things for a really long time;

-And, the most rare, people who naturally can see them for all their life;

[crit20art]

[ID: a digital greyscale drawing of Jonathan Sims and Martin Blackwood from The Magnus Archives, depicting Jon rescuing Martin from the Lonely in episode 159. Against a cloudy grey background, Martin, washed out, stands with his arms limp at his sides, looking vacantly aside. He is a tall, fat Vietnamese-Polish man with glasses, wearing a blazer. Jon, a short, thin British-Pakistani man with many scars, wears an overlarge cardigan that fans out behind him as he reaches for Martin’s face with both hands. Many tendrils of negative space curl around Martin, and a few break over Jon’s legs and flow between his fingers. End ID.]

finally got around to drawing The Scene Of All Time………….. not completely happy w it but i’ve been picking away at it for long enough. i am still fond of these lines tho. and. so fond of these guys :,)

[morgenstern16]

tansu floke (the old gnome man who hired namari) interests me because he's pretty hostile towards elves but raised a couple of tallmen children like his own. he's like an 19th century frenchman who raised a pair of vietnamese twins out of genuine love and compassion, but if you bring up the british around him you'll hear european shrimp color racism the likes of which are rarely experienced outside of the balkans

[moss-the-irishman]

Riordanverse race/nationality headcanons (Main characters and background characters alike)

This may be a very long post, and I’m throwing in little tidbits about appearances, so with no regard to any particular order, strap in:

(Seriously, this is a huge post)

Edit: Changed Luke from just Korean American to mixed Argentinian/Korean American, inspired by @tagthescullion

The Seven (Including Nico and Reyna):

Percy Jackson: Biracial White/Latino, Cuban American (Sally was born in Havana, she had Percy shortly after moving to the US)

Annabeth Chase: Biracial Black/White, Irish/African American (with Swedish, Ghanaian and Polish descent)

Jason (And Thalia, by extension) Grace: White German American (Beryl moved from Germany to the US)

Piper McLean: Native American, Cherokee

Leo Valdez: Latino, Mexican, Born in Texas

Hazel Levesque: Black, African American, New Orleans (1940's French Creole)

Frank Zhang: Chinese Canadian, Vancouver

Nico Di Angelo: White, Italian with Russian descent, 1920’s Venice

Reyna Avila Ramirez Arellano: Latina, Puerto Rican

Camp Half Blood:

Will Solace: Biracial White/Bangladeshi American, Texas

Luke Castellan: Mixed Argentinian/Korean American (Born in the US, May (or Mi-Hee) grew up in a Argentine Korean community in Buenos Aires before she moved to the US and met Hermes)

Malcolm Pace: White with albinism, Scottish, Glasgow

Travis and Connor Stoll: Mixed Scottish and Laotian, Edinburgh (Source: @freddie-77-ao3)(I think in the TV show, they cast two Asian boys as the Stolls, so I've made them Asian)

Alice Miyazawa: Japanese American, Los Angeles

Julia Feingold: White Luxembourger, Luxembourg City

Cecil Markowitz: White Austrian/Northern Irish (Born in Graz, grew up in Belfast since he was two, has dual citizenship)

Katie Gardener: White Scottish, Aberfoyle

Castor and Pollux Vintner: Black, Irish (Pollux is Albino, Castor wasn’t), Donegal

Michael Yew: Mixed Irish and Chinese, Limerick (Granny moved from China)

Lee Fletcher: White Irish, Donegal

Clarisse La Rue: Mixed French/Pakistani American, Arizona (Mother moved from France)

Chris Rodriguez: Afro-Latino, Nicaraguan (Moved to the states when he was seven, lived in the same neighbourhood as Clarisse)

Silena Beauregard: Blasian, African American and Filipino, Mississippi (French descent)

Charles Beckendorf: Black, African American

Jake Mason: White American, Wyoming

Harley Smythe-Davidson: Biracial White/Aboriginal Australian (Source: @freddie-77-ao3)

Nyssa Barrera: Latina, Panamanian, Panama City

Shane O’Doherty: White Irish, Laois

Christopher Chalkevas: White Greek/English (Born in Larissa, moved with his mother to Hackney, London at age five, has dual citizenship)

Clovis Karlsen: Wasian, Welsh (Welsh/Norwegian grandad, Indonesian granny, Source: @ashthenerdtheythem)

Chiara Benvenuti: White Italian, Florence

Alabaster C. Torrington: British Indian, English, Westminster

Lou Ellen Blackstone: Black with vitiligo, British Ghanaian, Birmingham

Drew Tanaka: Japanese American, New York City

Valentina Diaz: Latina, Colombia

Mitchell Singh-Donovan: Mixed Indian and Irish, Cork

Lacy Alfsen: White Danish, Copenhagen

Ethan Nakamura: Japanese, Tokyo

Damien White: White Irish, Northside Dublin

Miranda Gardiner: Vietnamese American, Massachusetts (Distant Irish ancestry)

Billie Ng: Wasian, Irish/Thai Canadian, Toronto (She grew up in Longford till she was seven, then she and her mortal dad moved to Canada)

Sherman Yang: Chinese American, Alaska

Marcus (Mark) Dooley-Wallace: White Irish American, Georgia

Ellis Wakefield: Black, Algerian

Holly and Laurel Victor: Sri Lankan American, Seattle

Meg McCaffery: Wasian, Irish/Vietnamese American

Camp Jupiter:

Dakota Cheshire: Black, Bermudian

Gwendolyn Nunez: Hispanic, Spanish American

Bobby Herrera: Latin American, New Mexico

Lavinia Asimov: White Russian, born in San Francisco

Larry Schumacher: White American, North Carolina

Leila Grunfeld: White American, Colorado

This has been a very exhausting post to make lmao. I gave some of the characters who don’t have canonical surnames my own Hcs for their surnames. Also, I am yet to read through trials of Apollo, so maybe I’ll come later back to add more Roman names to the list.

Tagging my moots that I like to see their opinions for this (as well as the ones I tagged within the list as well):

@aki-bara @ravingcoffeeaddict @ebony-reine-vibes @squiggle3worm @sleep-needer

[leftistfeminista]

A poster of a female cadre photographed by Christian Freund. Source: Center for the Study of Political Graphics (CSPG).

Women’s Liberation

A striking aspect of the popular revolutionary movement in Dhufar was the PFLOAG’s commitment to the liberation of women, a policy that was adopted at the 1968 Hamrin Conference. The PFLOAG believed that the liberation of women was central to the success of the revolution which would not come about automatically but through a sustained struggle against the “objective backwardness” of society.  1 The Dhufar Revolution was influenced by Maoist thought, including on the equality of female cadres, popularised through Mao’s famous declaration that “women can hold up half the sky”.  2 Women’s political participation in the armed struggle alongside men was deemed an important aspect of equality while specific policies were later implemented in the liberated areas to transform the social position of women, such as the banning of female circumcision, polygyny, and the reduction of the bride price after unsuccessful attempts to abolish it completely.

The PFLOAG’s policies remarkably challenged the “unhappy marriage” between feminism and Marxism, as conceptualised by the Western feminist scholar Heidi Hartmann in 1979 – in other words, the tension between women’s liberation and national liberation. 3 The PFLOAG recognised the double oppression faced by women, both in terms of their position as women in relation to men, and in terms of their position as women in relation to the economic system. Attracted to the PFLOAG’s radical position, the Lebanese filmmaker Heiny Srour travelled to Dhufar in 1971, capturing documentary footage of women fighters later used in her 1974 film The Hour of Liberation Has Arrived (Saat El Tahrir Dakkat). 4

I was a defeated feminist in Lebanon. The Lebanese Left was not interested in feminist issues and kept closing the subject under various pretexts, one being that the women will be free when the main enemy, Imperialism, is defeated. […] I couldn’t believe my ears when the representative of the Popular Front for the Liberation of the Occupied Arabian Gulf opened the subject of women from his own initiative and proudly said that the Front was fighting against women’s oppression — because women were not just oppressed by imperialism and class society, but also by their father, husband, brothers. I dropped my other film projects and put all my energy into making this film.  5”

— Heiny Srour on The Hour of Liberation Has Arrived

The campaigns for, and implementation of, the above mentioned policies came through the initiatives of revolutionary women, the Bahraini cadre Laila Fakhro (Huda Salem) for example pushed the PFLOAG to ban female circumcision and limit the bride price. 6 Laila Fakhro also played an important role in the revolution through political education, teaching, care-work, women’s activities, and the PFLOAG’s media and foreign relations. 7 The PFLOAG’s other main periodical, 9 Yunyu (9 June), was a monthly magazine which preceded Sawt al-Thawra’s founding, set up in June 1970 by Laila Fakhro and Abdel Rahman al-Nuaimi (Said Seif). 8

Sawt al-Thawra promoted women’s political participation in armed struggle, drawing parallels to female fighters such as Vietnamese women and thereby placing the PFLOAG’s revolutionary women in the wider tradition of the revolutionary Third World. The periodical highlighted and documented women’s protest, arrests and mistreatment of women and girls by the British-backed regime, and women’s internationalist activities. Women’s representatives and delegations took part in many regional and international conferences, prior to and after the official establishment of the Omani Women’s Organisation in June 1975, a committee headed by Wafa Yasser.

The first official visit by an Omani women’s delegation, comprising Nadia Khaled and Huda Muhad, took place in July 1975 in a symposium on women’s economic development organised by the Soviet Women’s Committee in Alma-Ata, Soviet Republic of Kazakhstan. Following this trip to the Soviet Union, the delegation visited the Democratic Republic of Vietnam at the invitation of the Women’s Federation of Vietnam. 9 These encounters were important for producing strong ties of solidarity, the exchange of experiences and ideas, and direct engagement with a major source of their own inspiration, the Vietnamese people’s struggle. Most significantly, these material links demonstrate that Dhufar was not a detached revolution in a little-known and distant part of the Gulf, but one that was globally connected and which importantly placed emphasis on women’s political participation.