#Book Personal Documents Lost

[radioheadyaoi]

RELEASE THE AUGUST CUT!!!! (tbhc doc)

OKAY SO the document has some incredibly embarrassing notes and ideas + its linked to my email with my full name so i'm not gonna share a link to it BUT here are some screenshots from it + pictures and stuff

re-reading some of these, i have no idea what the fuck i was talking about

i have no idea when these photos are from but they are sooooo tbhc the frontman #To Me

i liked the idea of the frontman coming with his band to the moon and being the in-house lounge band, (hence part one being "lounge singer shimmer") and playing there for a while. the part in star treatment about being a little too wild in the 70s, i think, could be imagined as the frontman is now a little past his peak - or at least, this is how the public/audience sees him. which i say because i think that a lot what builds up the character is the perception of how they are viewed by the people who consume the product, in this case, the art and the singer. i was reading annotations of tbhc songs on genius.com and i found this one for the lyric "maybe i was a little too wild in the 70s" that i wanted to use a bit as a background for the character: Alex Turner himself could never have been too wild in the 1970s; he was born in 1986. As such, here he is most likely playing the role of an aging rock star whose career peaked in the 70s and is now forced to get by as the resident singer at the futuristic Tranquillity Base Hotel and Casino on the moon. This narrator crops up a number times across the record and is used to draw parallels between his form of isolation and that of Turner.

i didn't want to see it as "forced" to take the job as the lounge singer, but instead as a way to seperate from earth, and who the singer was in the 70s - too wild. to be able to become a more refined artist (for lack of a better word). it might've been a post from you, or from a mutual or something, that talked about how alex turner will sing about the melacholia of achiving your dreams and the sadness that can come with that. i can't find the post but i do think this idea is very interesting, and can lend into the characterization of the frontman, and what drives his emotions. genius says this about star treatment: Turner personifies a washed up lead of the fictional band The Martini Police, and crafts a rich metaphor for how idolized celebrities are never seen except from a distance, similar to the light of a star. i think that the frontman should feel very disconnected to the people around him, less so to his band, but especially the guests at the hotel. just like how the monkeys went from am to tbhc, i wanted to add that a bit to the plot. the frontman, now sliding away from the 70s persona he had, wants to branch out and try something new. but sex sells! even though he no longer wants to be that guy, or play that role, he still wants to make something people will love. so its a bit about deciding to just do your own thing and create the art that you want to create without the worry of what the consumers will think. art, not a product.

i hope this makes sense. please tell me to shut up if it doesn't.

i also wanted to play a bit into the idea of double lives, and personas and playing character, although i haven't quite worked that out yet fully. that's why i called part seven i think it was??? "i suppose a singer must die." i also considered using "what a death i died."

i think also themes from the car can also be pulled into this, because i think, more than any other two am albums, the car and tbhc are a little connected. with mr schwartz and how he, the actor mr schwartz, is connected very much to the people working on the set, who help him get into character. big ideas with coming up with something new and being excited about it. "your horrible new sound" lyric in sculptures of anything goes. the lyric about keeping on the costume to use as a writing tool in body paint. themes of being a performer rather than being a lover and being in love. but idk man, maybe this makes no sense at all. but the car and tbhc are sister albums To Me because they are my two favourite am albums and they will always be loved by me. ALSO pretty visitors and the look into fame at such a young age. also the dream synopsis and the bourne identity by tlsp.

i also thought a bit about how the hotel might look. the taquería - "the information action ratio", a lounge, obviously, where they will perform, a pool, a spa, all that stuff. so its most like a resort than a hotel. and i thought the line "everybody's on a barge /floating down the endless stream of great tv" and the idea of giving the hotel a little movie theater called "the barge" as a little nod to the lyric. visually, 2001: a space odyssey is, of course, a huge inspiration in terms of looks. i don't know if you've seen 2001 but there's this spot on a space station where its all very white and blank except for massive, bright red chairs. i like the idea of decor like that, maybe even a spot just like that, to pay homage to the film. i think also "retro realism" is a good jumping point. how people from 50 years ago imagined what the future would be like. blade runner, that sort of thing.

i think also "retro realism" is a good jumping point. how people from 50 years ago imagined what the future would be like. blade runner, that sort of thing. 1950s astropunk. taking inspiration from older science fiction movies rather than newer ones. also vintage interiors and hotels that look like the one in the shining.

i did also think about the idea of leaning more into a horror, like psychological, but i think it should be more of a study in character. a tbhc horror film would still be cool though.

so yeah. idk if any of this makes sense and maybe i'm off my rocker and don't understand the album at all. but it's a little fun to think about.

[sendmyresignation]

it is really fascinating the diy split between the "fuck digital" 90s crowd ala albini versus the later napster/makeoutclub/myspace progression and how both were incredibly native about their own personal ethics of punk while also like. fostering their own underground communities outside traditional commercial industry

[lindsaymendzs]

i hate data storage

[icarus-suraki]

I don't like wading into Ao3 debates, but I want to give my professional opinion on Ao3 with regard to archives vs. libraries.

I am a professional librarian (MSLS) and I have worked in both archives and public libraries and a lot of the confusion and concern I see surrounding Ao3 is a fundamental misunderstanding of How Archives Work.

An archive is a collection related to a subject. That subject is often a person but sometimes a field or concept or project. And the purpose of an archive is to keep everything. And I mean everything. I was going to say "short of biohazards" but since I know there's a sealed R. Crumb Devil Gal chocolate bar in the UNC Chapel Hill archives, we really do mean everything.

When a collection of materials--which are usually unique and original and can be photos, manuscripts, letters, recordings (audio and/or visual), notes and notebooks, objects, published books, whatever--on and/or from the subject arrive at the archive, they are examined, preserved for longevity, accessioned and cataloged (added to the archive's records), and added to the archive. You measure collections in linear feet. As in, once it's all preserved and boxed and secure, you note how many feet of shelf space it takes up. And some of y'all on Ao3 have a lot of linear feet to your name (and I'm proud of you).

This is an archive: it is designed to preserve the original materials related to a subject. That is its purpose. Archives are how we have the original scroll manuscript of On the Road, for example, or the Lomax recordings of American folksongs, or Tijuana Bibles, or James Joyce's loveletters to Nora.

Now you, a member of the public, can access some archives. Some are easier to access than others. The one I worked in was open to the public; good luck getting into the British Archives without a good reason.

So now apply this to Ao3--which is an archive both in name and in purpose. It is intended to preserve fan-created content long term. And this means everything, whether you personally like the materials or not. It is a repository for as much as possible.

And the "whether you personally like the materials or not" is important, hence why I mentioned Jim's loveletters and Tijuana Bibles in particular. (RIP Jim, you would have loved pegging.)

If it's made by fans and it exists, we should keep it to document the history and progression of fandom. That is the point. We have lost enough materials related to the subject of fans of media and we don't need to lose any more.

The fact of the matter is that Ao3 is only one facet of the OTW, which preserves other fan-related materials (convention booklets and zines, for example). Somehow Ao3, an archive on the subject of fanfiction, has been divorced from the rest of the project, mostly by way of "purity culture" and panic over "dangerous" fiction.

The fact that you can go through an archive and find interesting information is the other side of archives. No, they shouldn't be like the banker's box of old letters stuffed in my closet. Yes, they should be organized and as accessible as is appropriate for the state of the materials.

It's really, really cool to find stuff in an archive, I'm not even going to lie. I have done it before and I will do it again. And yet there are other items in an archive that I might not want or need or be interested in at all--but they're still there. That's the cataloging and accessioning: to keep up with what's there, to stay "on topic" with collecting, and to be able to find things in that archive. Bless the tag wranglers who are doing the cataloging at Ao3.

The pearl clutching seems to come from 1. the creation of "dangerous" fanworks and 2. public access to those "dangerous" fanworks. These are issues of "purity culture" and opinions on censorship and should not involve Ao3.

Ao3, under the umbrella of the OTW, is a documentation and preservation project first and foremost.

[buttercuparry]

It is deeply sickening how even privacy has become a luxury for palestinians who are fundraising on this website. Since October 7th, Gazans have had to document their own genocide at great cost to themselves for no fault of their own;  they have had to risk their lives to show you the bombings; they have had to record themselves bleeding. 

They have had to show the tremendous personal loss they have suffered and their grief of it - all so that the Zionist narrative wouldn't be the only thing that gets peddled around in the digital space. But it seems like the more the months pass, and the atrocities keep mounting - the more people in the online space become desensitized to the suffering, and in fact are convinced that they are owed these documentation to even begin to care ( it has become especially clear after the recent smear campaign that put the entire demographic under horrible scrutiny ). 

It is honestly so disgustingly voyeuristic to me- this demand to be allowed into someone’s grief so that you can be convinced that they too are of flesh and blood, to demand that they put their suffering on display for your judgement on their authenticity, to put the burden on THEM to do the work of breaking you out of your easy apathy towards their suffering.

For months, my friend Siraj Abudayeh ( @siraj2024 ) has tried to protect his and his family’s privacy. For months he has talked of Gaza and given you updates as is his capacity as a journalist. He thought that this would be enough for the people to understand just how much his family has to fight everyday to survive. But it seems like that didn't really cut it for a lot of users on tumblr, because his fundraiser stagnates every 12 hours when his updates stop circulating around tumblr. 

So as much as it pains him to share this with an apathetic audience that may very well scroll past this post- he has agreed to talk a bit about his precious son, Amir, who has fallen sick with an infectious skin disease. 

So don't you dare ignore this!!

You have demanded that Siraj perform; that he prove that he is a real person with a real family to protect- so here is Siraj with a story about his son. It is a reflection of how desperate he feels to willingly give up the privacy he fought to protect for months. So you better pay attention now!

Siraj's son Amir is a stubborn boy. It is impossible to move him from his position once he is convinced of something. This also makes him competitive and Siraj is proud to say that Amir had been on his school’s swimming team. “First level in the swimming course,” Siraj tells me with obvious pride. Amir has an exceptional ability to memorize too- quickly moving through his lessons and thus almost always having a place in the school celebrations of outstanding students. 

Amir is stubbornly kind too. Amidst the bombings - this little boy didn't think of only saving himself. He carried his cat Jimmy all the way from the North of Gaza to the South. In Siraj’s words: He did not leave Jimmy for a moment, not even to take his shoes off, when it tore after hours of walking. 

The two month old cat died a month into their displacement - with no food available, Amir had to watch his beloved pet waste away, desperate and yet unable to help in anyway. Tell me now, is this horrifying tidbit sufficient documentation of Amir’s unchilding? Is this enough? 

Or do you also want to know of the shock Amir received on learning that his cousins have been martyred? Will you make Siraj describe this in all of its horrifying detail too? How his child has lost so much of his childhood to this war when he should be studying, going to school, and playing with his brothers and friends instead?

Their books, their school, their pet, their toys have all been lost in this genocide. Do they have to lay out all the indignities they are facing at your feet, do they have to lose the litle privacy they have left in that cramped, pest-ridden tent of theirs to convince you to not turn the other way?

Tell me what will finally be enough to make you pay attention?? What would be enough to convince you that Siraj’s survival fund is as much an emergency as all the other evacuation funds ?? I will ask him to share and we can all lay it out for you, because apparently some of you need a record of all that suffering presented to you like its a portfolio to give a fuck.

Siraj is tired, his wife Halima is too. Amir and his siblings have lost so much of themselves during these past 10 months. None of them are the people they used to be, and it is something they will carry for the rest of their lives!!

So please!

Please if Siraj has performed enough for you, then fucking donate to his campaign.

He has been fundraising from June!!! He has talked to hundreds of people and has bonded with enough of them to be considered a personal friend of theirs. Many have even agreed to share his story and many others have offered to hold commissions and raffles for him- but despite this, he still hasn't even crossed the halfway mark of his campaign yet!! What can a handful of friends do? When the mass of tumblr population isn't convinced of his suffering!

Amir is in constant pain right now due to the infection- and his brothers are beginning to show similar symptoms as him. They are all very unwell. 

The money would go to helping Amir and his brothers survive!!

I can't tell you how frustrating it is to see this everyday when i personally know just how much Siraj sacrifices to make his presence known here- from braving the 3km route when he can get caught in crossfire- all so that he may have a hotspot connection at an exorbitant price. It burns away the money that might have gone into acquiring food and water.

WE ARE RUNNING OUT OF TIME!!!

SIRAJ NEEDS TO GET TO 40K WITHIN THIS WEEK SO THAT WE CAN BEGIN TO WORK TOWARDS THE LATTER HALF OF THE CAMPAIGN.

THIS IS URGENT. SIRAJ NEEDS TO MOVE ONTO HIS NEXT GOALS AS SOON AS POSSIBLE TO GET HIS KIDS TO SAFETY!

PLEASE DONATE ANY AMOUNT YOU CAN SPARE, THIS CANNOT WAIT.

Every MINUTE, every  SECOND we delay meeting his goal, it costs siraj and his family more than some of us will ever understand.

Please help him out. It is the least we can do right now-> vetting at 219 on Hussein's spreadsheet.

[vroomvroomwee]

Crowley is Lucifer

(Ok I know some of you don't believe this theory but I highly suggest you give this a quick read anyway. I tried to make it short and easy and I'll be going chronologically, from s1 all through s2)

- First, let's get this out of the way, Lucifer and Satan aren't neccesarilly the same person. Even in the show the devil that appeared in s1 has only ever been reffered to as Satan, not even once as Lucifer.

- In the bible Lucifer was the one to tempt Eve with the apple, and who do we know that does that in the show. Crowley is literally THE snake from Eden.

- An obvious one perhaps, but the red hair is also a giveaway

- In the bible Jesus was tempted by the devil for 30 days, in the show Crowley says "I showed him all the kingdoms of the world", so that's another role Lucifer has that Crowley had in the show

- It's well known (even mentioned in the Sandman) that Lucifer was the most beautiful of all angels, and our demon is played by no other than David Tennant

Now on to season 2 because there's a LOT to unpack here

- He litterally started the engine of the universe which was one of Lucifers roles

- He's the first to say "let there be light", which is pretty fucking huge since that is Gods line

- "I worked closely with upstairs on it" even in the first scene they're telling us Crowley is an angel of very very high rank

- He fell for asking questions, which is litterally what Lucifer fell for, for questioning God. This in and of itself should be a pretty big indicator. "I only ever asked questions"

- Shax: "a miracle of enourmous power only the mightiest of archangels can perform"

Crowley: "How do you know I didn't do it"

And Shax just... doesn't counter that. She looks even skeptical, as if it COULD be a possibility, unlike Uriel who says to Aziraphale don't excpect us to believe you did it. Shax litterally doesn't shut the option down which confirms Crowley has the power not only of an archangel but of the mightiest kind

- In the bookshop with Gabriel/Jim he says "I don't remember. It [gravity] seemed like a good idea when we were all talking about it"

- "You're welcome to come in, you might even spot an archangel" don't tell me this was Crowley just egging Shax on and not being sneaky

- The fact that he could sense the demons coming. "Somethings wrong""It's coming in waves", when Aziraphale couldn't. It could be a demon thing but we saw Sandalphon, an archangel of lower rank, in the first season mention "something smells evil" so obviously angels can sense demons too, they just have to be powerful enough. And keep in mind Sandalphon was already in the book shop for quite some time, Crowley sensed them even before they had arrived (he also sensed the hell hound who was some fucking miles away)

- The.fucking.folder. "You have to be a throne or dominion above" and this dude opens these clasified documents like it's nothing. If this isn't an indicator of his high position as an angel I don't know what is.

- He's worked with Saraqael, another very high ranking angel

- "I'm the only first order archangel in the room"... and the camera imediately pans to Crowley, and for anyone who's read the book and watched the show you know that rarely anything is coincidental

- When the Metatron says they can't lose another prince of heaven. This... this fucking line. So it's relatively well known that Gabriel and Lucifer are brothers, and if Gabriel is one of the princes of heaven I wonder who the other one could be. "Two princes of heaven". And the Metatrons words were very careful, he doesn't say lost as in heaven can't find him, he says it in the context that they won't be sending Gabriel to hell since they won't lose another prince to downstairs

- In the bookshop when no one can identify the Metatron he turns to Crowley who imediately recognises him. Now you have this dude, who's literally on top of the angel hierarchy and is responsible for running heaven and the connection to God themself, surrounded by archangels and a principality you spoke to face to face with just a few years ago and... none of them can tell who you are, the only one who does is the literal demon. That tells us that Crowley has not only seen him in this form, but has probably worked with the Metaron himself personally. "Always asking damn fool questions", 10 million angels and he remembers what this one particular angel was like 6000 years ago

- Crowley is also very reluctant to reveal his identity as an angel. Now if he were just an ordinary angel of no real significance he wouldn't have a problem revealing his name, but... if his name was one that's the literal representation of all evil in this world, then it is understandable he keeps it a secret, in fear he might scare Aziraphale away

- And I wanted to leave the best for last. So you remember in the book when Crowley has to sign his name to start Armaggedon, and Hastur tells him "no, your real name" after which he reluctantly writes it. Now in the book we never see him write anything, but in the show we see him write a sygil, something that looks very mich like an L. An L... A FUCKING L. And now I wonder how this theory didn't come up sooner.

(Also he can fucking stop time, like dafuq)

Edit:

- "Oh looky here it's Lucifer and the guys" we all thought he was talking about someone else, he's just refferencing things other angels have said about HIM. FUCK

- I keep seing people saying Crowleys memories were wiped because he couldn't remember Saraqael and Furfur. But I think people forget, demons lie. He's lying to make them think he's not that angel they worked with, that he's not Lucifer. (In season 1 we hear him a few times refferencing his life as an angel, so he does remember most of it)

- Also saying if the Raphael theory were true then as showrunners they would have mentioned him somewhere for those not that familiar with the bible (or don't read much fanfiction). The refferences for Crowleys past are so so vague that it would be too sudden and confusing if he were Raphael. But there is one name that everyone is familiar with, no matter who you are how old you are or where you're from, a name that needs no introduction.

Edit 2:

- Back to him being the most beautiful angel, I don't think it was ever quite explained how every single demon when they're in hell looks... awful, but Crowley doesn't. Beelzebub has the spores all over their face, Hastur the maggots and the sh-, Dagon the scales etc. But Crowley doesn't, not even when he's in hell, he's always just so, well, pretty.

- I saw a few people asking about how Lucifer started the rebellion and Crowley wouldn't do that. I think it's the same Crowley who wouldn't get stuck in traffic after creating the M25, or the same Crowley that wanted to call Aziraphale after bringing down the entire London network, "you told them you invented the spanish inquisition, and started the second world war""so the humans beat me to it that's not my fault", "so all this is your demonic work?""no, the humans thought it up themselves nothing to do with me"

- Also I think Satan's in charge of hell not Crowley the same way the Metatron's in charge of heaven and not Gabriel (and who can very easily demote angels if he so wishes)

Edit 3:

- like some of you pointed out Lucifer is also known/means Light-bringer. And Crowley was the first to say "let there be light."

- The file he opens with Muriel is Gabriels file, a class A archangel, so if he knows the password to that it means that either he's on the same level as Gabriel, or above him.

[the-joy-of-knowledge]

Becoming an Intelligent Woman

My Dears,

There is no greater goal than being a fine woman who is intelligent, kind, and elegant. As much as we all want to be described with these adjectives, it takes a great amount of discipline to get there. It is very doable only if you are ready to put in the work.

Here are steps you can add to your routine in the next 4 weeks that will make you 1% more intelligent than you were before. This is a process that should become a habit not a goal. It is long term, however, I want you to devote just 4 weeks into doing these steps first and recognize the changes that follow.

Watch documentaries: This is the easiest step, we all have access to Youtube. Youtube has a great number of content on art, history, technology, food, science etc that will increase your knowledge and pique your curiosity. I really did not know much about world history especially from the perspective of World war 1 & 2, the roaring 20s, Age of Enlightenment, Jazz era, monarchies etc but with several channels dedicated to breaking down history into easily digestible forms. I have in the last 4 weeks immersed myself into these documentaries. Here are a few I watched:

The fall of monarchies

The Entire History of United Kingdom

The Eight Ages of Greece

World War 1

World War 2

The Roaring '20s

The Cuisine of the Enlightenment

2. Read Classics: I recommend starting with short classics so that you do not get easily discouraged. Try to make reading easy and interesting especially if you struggle with finishing a book. Why classics? You see, if you never went to an exclusive private school in Europe or America with well crafted syllabus that emphasized philosophy, history, art, and literary classics, you might want to know what is felt like and for me this was a strong reason. Asides that, there is so much wisdom and knowledge available in these books. In these books, you gain insights to the authors mind, the historical context of the era, the ingenuity of the author, the hidden messages, and the cultural impact of these books. Most importantly, you develop your personal philosophy from the stories and lessons you have accumulated from the lives of the characters in the books you read. Here are classics to get you started:

Animal Farm by George Orwell

Pride and Prejudice by Jane Austen

Jane Eyre by Charlotte Brontë

The Great Gatsby by F Scott Fitzgerald

Candide by Voltaire

Paradise lost by John Milton

3. Study the lives of people who inspire you: I dedicate one month to each person that fascinates me. I read their biography (date of birth, background, death, influences, work, style, education, personal life) For this month, I decided to study Frank Lloyd Wright because I was fascinated by the Guggenheim Museum in New York. I began to read about his influence in American Architecture (Organic architecture, Prairie School, Usonian style), his tumultuous personal life, his difficult relationship with his mentor (Louis Sullivan), his most iconic works etc. By the end of the year I would have learned the ins and outs of people I am inspired by through books and documentaries. Here are other people I plan to learn more about:

Winston Churchill

Jacqueline Kennedy Onassis

Ada Lovelace

Benjamin Franklin

Helen Keller

John Nash

Isabella Stewart Gardner

Caroline Herrera

Ernest Hemingway

Catherine the Great

Ann Lowe

My dears, I hope you enjoyed this read. I cannot wait to write more on my journey to becoming a fine woman. I urge you to do this for four weeks and see what changes you notice. Make sure to write as well, it is important to document your progress.

Cheers to a very prosperous 2024!

[luckykiwiii101]

Hello, I am writing to you as a 22-year-old girl who managed to enter the void on the night of May 17 and changed her whole life.

I started my void  challenge in December 2021. It was very difficult for me both physically and psychologically. Because I had an environment that was abusive and violent. And my conditions were very terrible. I had an exam that I couldn't win for 3 years, an alcoholic father who beat me, and a mother who never let up on it. I have lost a lot of things in my life in 3 years, but I have never given up on emptiness. If there are people who are still struggling with the gap, I hope my success story will be a motivation for you.

One morning when I woke up with failure again, I was feeling extremely unhappy and hopeless. But an incident at home during the day made me say, ‘That's enough, I'm going to fuck everything up tonight and wake up in a void.

When I wasn't feeling very sleepy- or even sleepy at all- I lay down on the bed. Because I'm afraid to fall asleep. In order of;

15 min Holotropic breathwork

20 min Silva method

10 min Alpha State meditation

After lying motionless for about 45 minutes, the brown noise started playing. It is very natural that there is a desire to move, to be overwhelmed,to give up in this part. Please continue for your dreams. When the brown noise was playing, I used a single affirmation. 

‘I'm simply deciding that I'm in a void.’

I can't remember how many times I repeated it. After a while, everything became quiet and I felt so peaceful for the first time in my life. I had a 30-page document and I said that everything in there would be manifested.

A day ago, when I had nothing, I now have a house on the Mediterranean coast, a black bmw ix car, a Harvard math degree, an online job where I earn 25 thousand dollars per month by working only 4 hours a day 4 days a week (Dollars are very valuable in the country where I live, and my salary is multiplied by about 30.), I have a beautiful face, body and skin. I also showed that I can ride horses professionally and draw pictures. I confirmed that the apple products, books, cosmetics and skin products in my wishlist are also in my house. I have also declared the person I will meet about 1 year from now and who will become the man of my dreams.

THIS IS AMAZING!!!! I’m so happy that you’re now living your dream life 💗

This is such a good example of showing people that they can truly do anything. Thank you for taking your time to share this 💗

[headspace-hotel]

I hate a lot of trends in climate-change-aware nature writing, but this is one I particularly detest: works insisting that we live in a "post-natural" world.

The lostness, bewilderment, aching, and searching in this piece is understood by the author to be an all-consuming and universal dysphoria, when it is actually a highly specific predicament that the author put himself into: He tried to understand the universe exclusively through the point of view of white people.

I mean that Purdy takes the colonizer point of view without realizing that it is a colonizer point of view. He thinks the colonizer point of view is a universal document of the authentic, naive encounter of "humanity" with "nature," instead of burning wreckage left over from the apocalyptic destruction of a rainbow of ideas and cultures.

It feels weird to be talking about this as a white person, but it shouldn't, any more than it should feel weird to say (as a white person) that aliens didn't build the pyramids.

Very little of what he's writing about would exist or make sense without European colonization of the world. Purdy constantly says "we" and "our" in reference to things that are very restricted to a particular cultural point of view, as if totally oblivious to the idea that other cultures and other perspectives even exist. When he searches for historical references to chart "human" relationship with nature, history goes like this: Pre-Christian religion in the British Isles->British monarchy-> George Washington-> Industrial Revolution->Thoreau.

He manages to repeatedly stumble over giant hunks of colonialism embedded in every concept he's thinking about, like boulders obstructing a pathway, and pretends so hard that they don't exist that his points are janky and meandering. For example, his discussion of Helen Macdonald's book H for Hawk, touching upon human identification with the landscape and with non-human "nature," blunders into this:

Those who love (certain parts of) nature are often making a point of preferring it to (certain kinds of) human beings. The problem is not only literary. Macdonald describes an encounter with a retired couple who join her in admiring a valley full of deer, then remark how good it is to see “a real bit of Old England still left, despite all these immigrants coming in.” She does not reply, but is miserable afterward. The meaning of landscapes is always someone’s meaning in particular. Confronted with all of this, Macdonald tries to shake off the complicities of her own identification with the terrain: “I wish that we would not fight for landscapes that remind us of who we think we are. I wish we would fight, instead, for landscapes buzzing and glowing with life in all its variousness.” The alternative that Macdonald wishes for is, of course, not an escape from political-cultural projection onto landscape, but another approach to that same practice — really, the only one a 21st-century cosmopolitan is likely to feel comfortable embracing. 

AND THEN HE JUST SEGUES INTO THE NEXT POINT LIKE NOTHING HAPPENED. Like don't worry about it :) We will simply project onto landscapes in a non-racist way :) because we aren't racist anymore in the 21st century :)

The next book he discusses is Landmarks by Robert MacFarlane, which is basically about how the vocabulary of landscape in English is sterilized and monoculturized, and contrasts that with Scots Gaelic. This is how Purdy explains the thesis of the book:

 Our sense of what lies outside ourselves has been blunted by “capital, apathy, and urbanization” — enemies likely to draw a range of friends, from cultural Marxists to Little Englanders to those who would like to see a bit more effort, please. But behind this scholarly sketch, Macfarlane’s work is testament to a pretheoretical obsession with unfamiliar ways of encountering places. We disenchanted and distracted (post)moderns describe terrain, he complains, in terms of “large, generic units” such as “field,” “hill,” “valley,” and “wood." (...) Many people who have lived intimately with landscapes have had words for nuances of form, texture, and use. Macfarlane’s purpose in Landmarksis to gather these words as proof of how precisely it is possible to name a place, and so, perforce, to know it.

Why is Gaelic endangered? Because of an effort to extinguish its speakers' culture. This article I found on it talks about the history of the language's decline, and it's strikingly similar to what happened to indigenous people in the Americas and Australia, with children being put in schools where they were beaten with sticks for speaking their native language.

This whole essay is about Purdy's general disappointment with nature writing, his craving for an ineffable Something, some sort of magical, primitive identification with the natural world. In the very first paragraph he claims that the pictures of animals on nursery walls are "totemic" and quotes a guy saying that zoos are an "epitaph" to the relationship between people and animals. It's never very clear what he means, but he uses the term "animism" repeatedly, such as when he says this about MacFarlane's goal in writing Landmarks:

His quarry is an animistic sense that Barry Lopez once identified in “the moment when the thing — the hill, the tarn . . . ceases to be a thing, and becomes something that knows we are there."

Given that ambition, Landmarks, which Macfarlane calls a “counter-desecration phrasebook,” can be disappointingly thin as a lexicon. Too many of the terms are simply dialect or Gaelic for some generic form, such as “slope,” “hilltop,” “stream,” or “tuft of grass.” The effect is less pointing out how many things there are to see than cataloguing how many names there are for the same thing.

This is Purdy missing the point, perfectly crystallized as though frozen in amber. He is oblivious to the clear subtext of a language showing a culture's connection to its home, and of the violence against that culture. The Gaelic language doesn't make him feel primal and mystical the way he wants it to, therefore it doesn't mean anything to him. MacFarlane doesn't make him feel a magic animistic connection to nature, therefore his book must have failed at its task.

Who gives a shit? Gaelic isn't FOR you.

He discusses another book about a guy that hikes a bunch of Cherokee trails, but I don't know what to say about that one, observing it through the sludge of the reviewer's unwillingness to recognize that historical context exists. He summarizes his disappointment in a confusing way, using the Gaelic language as a symbol for an obscure and inaccessible place where the answer to your personal emotional cravings lives (???) Then he talks about a kind of epistemicide, or extinction of knowing, of nature, but again, totally oblivious to any relationship to colonization.

Every inhabited continent has been denuded of ecosystems and species. Most North American places have shed wolves, elk, moose, brown bears, panthers, bison, and a variety of fish and wild plants, which were all abundant four hundred years ago. 

Wow, I wonder what happened four hundred years ago?

This writing acts like the dominant Eurocentric attitude towards the world is universal, but the author is haunted by this nameless specter of the possibility of a different way of thinking, which he treats as some kind of mystical, primordial state hidden in the past instead of just a different cultural perspective.

Not only does he not recognize that his own cultural perspective of Nature is dysfunctional and unsatisfying because it was created by exploitation and genocide of other cultures and their symbiotic relationships, he acts like other perspectives don't exist. Take his perspective on forests and the mycorrhizal network:

Wohlleben’s emphasis on interdependence and mutual aid is part of a recent tendency to recast nature in an egalitarian fashion — as cooperative, nonindividualist, and, often enough, hybrid and queer, in contrast to the oaks of generals and kings. Nature does answer faithfully to the imaginative imperatives and limitations of its observers, so it was inevitable that after centuries of viewing forests as kingdoms, then as factories (and, along the way, as cathedrals for Romantic sentiment), the 21st century would discover a networked information system under the leaves and humus, what Wohlleben calls, with an impressive lack of embarrassment, a “wood wide web.”

Listen, I don't think this is accurate to how Europeans thought of forests throughout time, let alone "humanity" in general. The emphasis of power and competition in ecosystems emerged after Darwin, in collusion with capitalism and "race science." Trees have been symbols of life, wisdom and selflessness, and regarded as sacred or even sentient, for centuries before that. But on top of that, this is just blatantly pretending that only white people's ideas count as ideas.

It's the same dreck as all the other "literary" writing about climate change: self-pityingly and unproductively mourning "Nature" and a fantasized "wild" state of the Earth, ignoring colonialism, treating human influence of any kind on other life forms as something that either destroys them or makes them soft and "tame."

I'm tired of reading nature writing from people that obviously do not go outside, or if they do, they do it in such a suffocatingly regimented, goal-oriented way that they can't just sit outside and relax.

Maybe I shouldn't be such a hater if I want to do nature writing. But my love of nature is WHY I am a hater.

[fishy--friend]

GUYS. IVE BEEN FUCKING AROUND WITH POSSIBLE PASSWORDS AND BELOW ARE SOME THAT IVE FOUND THAT WORK.

MASSIVE SPOILERS FOR THISISNOTAWEBSITEDOTCOM.COM BELOW. IF YOU WANT TO TRY AND FIND THESE FOR YOURSELF, DO SO BEFORE READING. YOU HAVE BEEN WARNED.

4 CATEGORIES:

TEXT ON SCREEN

DISPLAYS IMAGES

OPENS TABS

MISCELLANEOUS

ALSO: THIS IS MOST LIKELY UNFINISHED. THIS IS BEING UPDATED AS FREQUENTLY AS I AM DISCOVERING NEW PASSWORDS FOR THE TERMINAL.

1. TEXT ON SCREEN.

T.J. ECKLEBURG: DON'T MENTION THAT NAME AGAIN.

AXOLOTL: YOU ASK ALOTL QUESTIONS

PINES: A GOOD FAMILY TREE

GRAVITY FALLS: NEVER HEARD OF IT.

BOOK OF BILL: HIDE IT UNDER SHIRT DURING PLEDGE OF ALLEGIANCE

PORTAL: PORTAL.EXE HAS BEEN DELETED. BET YOU COULD BUILD ONE

29121239168518: WHO COMES FROM ZIMTREX 5?

JOURNAL 3: THE JOURNAL FOR ME

JOURNAL 2: THE JOURNAL FOR YOU

JOURNAL 1: THE JOURNAL OF FUN

DEER TEETH: FOR YOU KID!

DISNEY: RAT.GIF HAS BEEN CENSORED FOR YOUR PROTECTION

YOURE INSANE: SURE I AM WHATS YOUR POINT?

TRIANGLE: )

GUN: OH YES OH YES THEY BOTH

MOUNTAIN DONT: WHATS A MEDIEVAL HOMONYM?

3466554: WHAT LEAVES A THIN LINE IN THE SNOW?

DUCKTECTIVE: DUCKTECTIVE STARS IN "LOVE, QUACKTUALLY" COMING TO "OI, ITS THE COCKNEY CHANNEL INNIT?" THIS FALL

BLENDIN: TIME AGENT LOST AND PRESUMED INCOMPETENT

HISTORY: "NUMBER 3 IS THE MAGIC NUMBER" - SCHOOLHOUSE ROCK

YES: WHAT'S MCGUCKETS FAVORITE SODA?

NO: YOUR LOSS...

AM I BLANCHIN: GIRL WE BLANCHIN

SEASON 3: SEASON 2

SEASON 2: SEASON 1

SEASON 1: SEASON -1: ANTIGRAVITY FALLS

GIFFANY: INPUT DELETED. AI ANTIVIRAL ACTIVATED.

GIFFANY (2ND TIME): WARNING SECONDARY FIREWALL BREACHED.

GIFFANY (3RD TIME): FINAL WARNING: SYSTEM UNDER ATTACK

GIFFANY (4TH TIME): SOOS!! I STILL LOVE YOU! WE WILL BE TOGETHER

GIFFANY (5TH TIME): NOW DOWNLOADING GIRLFRIEND (THIS ACTION CANNOT BE UNDONE) (SEE CATEGORY 4 FOR 6TH TIME)

SCRIMBLES: LIFEFORM NOT FOUND

ANSWER: QUESTION

QUESTION: ANSWER

BYE GOLD: BYE!

FAMILY MATTERS: DID I DO THAT?

FILBRICK: IM NOT IMPRESSED.

WHO ARE YOU: I COULD ASK YOU THE SAME QUESTION

SCIENTOLOGY: SUPPRESSIVE PERSON DETECTED

HOLOGRAM: UNIVERSE

REALITY: IS AN ILLUSION

THE UNIVERSE: HOLOGRAM

2. DISPLAYS IMAGES

THERAPRISM: ELEVATOR INSTRUCTIONS

STANFORD/SIXER/FORD: MEDICAL DOCUMENTS

LOVE: IMAGE OF A BOOK TITLED "THE LOVE TRIANGLE"

PACIFICA: NOTE FROM PACIFICA

DIPPER: BILL TRYING TO GET DIPPER TO LOOK IN THE SUN FOR 13 HOURS STRAIGHT

BLIND EYE: EYESIGHT TEST

MASON: NOTE FROM DIPPER

ROBBIE: ONLINE CHATS

WENDY: NOTE FROM WENDY

SOOS: NOTE FROM SOOS

SPOOKY/SCARY: BOOK

LALALA/BABY BILL: DO NOT ASK.

HORROR: THE "ALWAYS GARDEN"

IRREGULAR: COLORIZED MUGSHOTS

DIVORCE: O SADLEY'S BEER BRANDING

PLATINUM PAZ: ONE OF PACIFICA'S NIGHTMARES.

ABOVE IS A CODE I FOUND.

SORRY: UNRIPPED PICTURE OF STAN AND FIDDS IN COLLEGE

AD ASTRA PER ASPERA: DIARY ENTRIES ABOUT BILL'S STATUE

BAAAA: PASSAGE ABOUT SHEEP. MUSIC CUTS OUT.

BOOBERRY: A QUESTION MARK CALLED "THE MEANING OF LIFE"

SEVEN EYES: IMAGE OF THE ORACLE

GOODNIGHT SALLY: BILL T-SHIRT

DESTRUCTION IS A FORM OF CREATION: FIDDS GOES INSANE: THE NOTES

3. OPENS TABS

BILL/CIPHER/BILL CIPHER: WIKIPEDIA PAGE ON THE EYE OF PROVINCE

STANLEY: EBAY SALES FOR BRASS KNUCKLES

MCGUCKET: YT VID OF COTTON EYE JOE

MEOW: VID OF TIKTOK OF THEME COVERED BY CAT PIANO

BLANCHIN: YT VID ON HOW TO BLANCH VEGETABLES

WADDLES: GOES TO A PIG WEBSITE

ABUELITA: VID ON BEST VACUUMS FOR FLOORS AND CEILINGS

STANLEY (3RD TIME): DOGS PLAYING POKER ON EBAY

STANLEY (4TH): 8 BALL CANE ON EBAY

STANLEY (5TH) MAE GIRDLE ON EBAY

STANLEY (6TH) SHRINER FEZ ON EBAY

STANLEY (7TH) COLONEL SANDERS TIE ON EBAY

MONSTER: GOOGLES "THERES A MONSTER AT THE END OF THIS BOOK"

ALEX HIRSCH: GOOGLES "FLANNEL"

MYSTERY SHACK: GOOGLES "CONFUSION HILL"

4. MISCELLANEOUS

GIDEON: AUDIO CLIP OF HIM SINGING

MABEL: ADDS STICKERS TO THE HOMEPAGE

WEIRD: VIDEO OF WEIRD AL

CRYPTOGRAM CODEX: DOWNLOADS FILES

GOD: VID OF ALEX'S AXOLOTL

VALLIS CINERIS: WEIRD VID OF BABY BILL

HECTORING: SONG FROM ONE OF BILL'S BANDS

CONSPIRACY: VID OF SOMEONE FREAKING OUT OVER THE WEBSITE, BY THEN COUNTING BACKWARDS STILL

DORITO: WIERD ASS VID OF A DORITO

SCREEN: MAKES NOISE, I CANT SEE WHAT IT IS

ONE EYED KING: HYPNOSIS VIDEO

MATPAT: VID OF HIM SAYING "YOURE ON YOUR OWN"

GIFFANY (6TH TIME ENTERING HER NAME): DOWNLOADS "IMNEVERLEAVING.ZIP"

STANLEY (8TH) TAKES YOU TO THE WHEEL OF SHAME! (SECRETS FOR A FUTURE POST)

BABBA/DISCO GIRL: DIPPER SINGS DISCO GIRL (A PERSONAL FAV)

IM STILL ON: A VIDEO OF THE SEA GRUNKS

LIES: THE GAME OF LIE

TANTRUM: RANT BETWEEN BILL AND TIME BABY

IF YOU FIND ANYTHING ELSE, LET ME KNOW.

[kentobb]

The Bet (Part Two)

Characters: College!Sukuna x Female Reader

Genre: Angst

Warnings: Foul language, Kiss. Sukuna being an idiot.

Author’s note: Thank you for everyones comment! It meant a lot for me. Did a part two thanks to the feedback 🩷 I love reading your comments. Feel free to leave a feedback or how you feel in the comments.

Part 01 Part 03 Part 04

Sukuna walked into the library, his heart pounding a little faster than usual. He was there under the pretense of needing help with his project, but deep down, he knew he didn’t really need it. He just needed to make progress with you on this stupid bet with Gojo. As he walked through the aisles of books, he spotted you from a distance. You were sitting peacefully, engrossed in a book. The sight of you so absorbed in your reading made him feel a pang of guilt. He was about to disrupt your tranquility for his own selfish reasons.

He approached you quietly, not wanting to startle you. When you looked up and saw him, you greeted him with a warm smile, ready to help. Sukuna couldn’t help but feel a bit ashamed. What kind of person was he to use you like this? Would you mind? Would you not mind?

“Hey,” he said, trying to keep his tone casual. “Thanks for agreeing to help me.”

“It’s no problem,” you replied, closing your book. “What do you need help with?”

“Uh, just some research for our project,” he said, sitting down next to you.

You nodded and opened your laptop, quickly pulling up some documents. “Alright, let’s start with the basics. What part are you struggling with?”

He glanced at the screen, feeling a bit like a fraud. “I guess I’m having trouble narrowing down the sources. There’s just so much information.”

You smiled and began explaining the research process to him, breaking it down into simple steps. You had a way of making even the most complex topics seem easy to understand. As you talked, Sukuna found himself genuinely enjoying the conversation. Your voice was soothing, and your explanations were clear and concise.

“See, it’s not that hard,” you said, looking at him. “You just need to organize your sources and make sure they’re credible.”

“Yeah, I guess you’re right,” Sukuna said, smiling. “Thanks…you’re really good at this.”

You blushed slightly. “I’m glad I could help.”

You continued working, and Sukuna found himself relaxing more and more. He started cracking jokes, trying to lighten the mood. You giggled at his comments, and he was immediately struck by how beautiful your laughter was. He felt his cheeks warm up and quickly looked back at his laptop, hoping you hadn’t noticed his reaction.

“So, what do you like about reading?” he asked, trying to keep the conversation going.

Your eyes widened, surprised that he is actually making a conversation with you, that he is treating you like a decent human being…as if you were important. Your heart warms at the thought that someone is actually talking to you. You smiled, “I love getting lost in different worlds and stories,” you said, your eyes lighting up. “There’s something magical about books. They let you explore places you’ve never been and meet people you’d never know otherwise…”

“That’s cool,” Sukuna said, genuinely interested. “Maybe we could go book shopping sometime. You could show me some of your favorite authors.”

Sukuna glanced at you, who didn’t seem to take his suggestion seriously. You shrugged and gave a half-hearted smile. “Yeah, okay,” you said, clearly doubtful.

He felt a pang of frustration. “No, really,” he insisted, trying to sound more sincere. “I’ve been meaning to get into reading more. Maybe you could help me find some good books?”

You raised an eyebrow, clearly skeptical. “You’re interested in reading?”

“Yeah, I mean... books are cool,” he said, mentally cursing himself for sounding so unconvincing. He then had a sudden, seemingly brilliant idea. “How about we go book shopping right now?”

You laughed at his suggestion, thinking he was joking. But when you saw the serious expression on his face, your laughter died down. “You’re serious?”

“Totally serious,” he said as he smiled.

You hesitated for a moment, your sixth sense telling to you bail out and go back to your dorm, to drown yourself in books. Your thoughts want to win, telling you that he is just doing this out of petty, that he is just using you—

“Hey…” he said softly, standing up. “Let’s go. It’ll be fun.”

And this time, you decided to ignore your sixth sense. Slowly nodding and smiling, “Okay, if you say so.”

You both left the library and walked to a nearby bookstore. Sukuna was mentally cursing himself the entire way. This was not his scene at all. But as you both entered the store, he found himself distracted by your excitement? Who would have thought that the shy girl who hides herself from the world is smiling and giggling over some books? You moved through the aisles with ease, picking up books, reading the backs, and smiling at titles that intrigued you.

He watched you, feeling a strange lightheartedness. Seeing you so animated, so genuinely happy, was not as unpleasant as he had anticipated. In fact, it was quite the opposite.

“So, what kind of books do you like?” he asked, trying to sound genuinely curious.

“I love fantasy and adventure,” you said, holding up a book with a dragon on the cover. “And sometimes a good mystery.”

He nodded, pretending to be interested. “That sounds cool. What’s that one about?”

You began to explain the plot, your eyes sparkling with enthusiasm. Sukuna found himself smiling, not because of the book, but because of the way you talked about it. Have your voice been always this beautiful? Have you always been this pretty? He picked up a random book and glanced at the back, not really reading the words.

“This one looks interesting,” he said, trying to keep the conversation going.

You looked at the book he was holding and chuckled. “That’s a romance novel, Sukuna.”

He quickly put the book back, feeling embarrassed. “Right, not exactly my style. What would you recommend for a beginner?”

You thought for a moment, then picked out a book and handed it to him. “Try this one. It’s a good start for anyone new to reading.”

He took the book, looking at the cover. “Thanks, bookworm. I’ll give it a shot.”

Both of you walked to the register together, and he paid for the book. As you stepped outside, he noticed a cozy coffee shop across the street. The warm lights and inviting atmosphere seemed like the perfect place to continue the conversation.

“Want to grab a coffee?” Sukuna suggested, surprising himself with how much he wanted to prolong your time together.

You looked pleased and nodded. “Sure, that sounds nice.”

You both walked over to the coffee shop, the aroma of freshly brewed coffee greeting both of you as you entered. Sukuna wondered what kind of coffee you would order, trying to guess your tastes. When it was his turn, he ordered a black coffee, simple and strong. You, however, surprised him by ordering a hot chocolate.

The cashier rang up the total, and just as you were about to reach for your wallet, Sukuna handed over his card, paying for both of you.

“You didn’t have to do that,” you said, looking a bit flustered.

He shrugged it off, trying to play it cool. “Consider it a thank you for helping me with the project. And the book recommendation.”

You smiled, your cheeks tinged with a slight blush. “Well, thank you, then.”

Both took their drinks and decided to take a walk, sipping and talking about random topics. For the first time in a long time, Sukuna felt genuinely content. Both of you discussed everything from favorite movies to childhood memories. Sukuna found himself opening up more than he expected, and he was amazed at how easy it was to talk to you. As you walked, Sukuna couldn’t help but compare this feeling to his usual encounters with MeiMei and his other hookups. With them, it was always superficial and fleeting. But with you, it felt different. More real, more meaningful.

Eventually you both arrived back at the dorms, and you turned to him with a grateful smile. “Thanks for today, Sukuna. I had a great time.”

Just as you were about to leave, Sukuna impulsively grabbed your arm, causing you to look up at him with those doe eyes that always made him feel like he was going to melt. He hesitated for a moment, feeling a strange mix of nervousness and excitement.

“Hey, sorry, can I have your number?” he asked, his voice a bit softer than usual.

You blushed and looked down, shyness making you even more endearing. You nodded and took his phone, carefully entering your contact information. When you handed it back to him, fingers brushing slightly, sending a jolt of electricity through him.

“Here you go,” you said, your voice almost a whisper.

He looked at the new contact in his phone and couldn’t help but smile. “Thanks, bookworm. I’ll text you later.”

You nodded and you chuckled over your new nickname, still blushing. “Okay, see you.”

As Sukuna walked back to his dorm, he felt an unusual sense of happiness. It wasn’t just that he had a good time—he had plenty of fun at parties and with friends. This was different. He felt a genuine connection, something he hadn’t felt in a long time, if ever.

Sukuna stepped into his apartment, feeling strangely lighthearted. He placed the book you had recommended, "The Alchemist," on the kitchen island and headed to the fridge to find something to drink. After rummaging through the contents, he settled on a cold soda. Just as he closed the fridge door, Yuuji jumped out from behind it with a loud "Boo!"

"Jesus, Yuuji!" Sukuna exclaimed, nearly dropping his drink. "What the fuck, man?"

Yuuji burst into laughter, clutching his sides. "You should've seen your face, bro! Priceless!"

Sukuna rolled his eyes, trying to play it cool. "Yeah, yeah, hilarious."

Yuuji’s eyes drifted to the book on the island. He squinted, recognizing the title, and then smirked. "Wait a minute... Is that a book? Sukuna, since when do you read books?"

Sukuna felt a blush creeping up his neck. "I read," he muttered defensively. "Stop being stupid.”

Yuuji snorted. "You read, huh? Bullshit. You don’t even read what you eat.”

Sukuna glared at his brother, but Yuuji's smirk only widened. "Saw you today at the library… with this girl… what was her name again? Y/N? Yeah… Y/N.”

The blush on Sukuna’s face deepened, and he struggled to maintain his composure. "We're just working on a project. That’s it."

Yuuji wasn't buying it. He leaned in closer, waggling his eyebrows. "Sure… does that project include going to bookstores and coffee shops? I saw you, idiot. I was buying some shoes next to that bookstore.”

Before Sukuna could come up with a retort, Choso walked in, catching the tail end of the conversation. "What's going on here?"

Yuuji turned to him, grinning like the Cheshire Cat. "Guess what? Sukuna’s been hanging out with the bookworm. And he bought a book… because he “reads.” He said sarcastically

Choso raised an eyebrow, intrigued. "Sukuna doesn’t even read the bills—”

Yuuji laughed, “Right? That’s what I said!”

"It's not like that," Sukuna protested, feeling cornered. "We're just working on a project together, and she recommended the book. That's all."

Choso nodded slowly, his expression turning mischievous. "Sure….”

Yuuji laughed, clapping Sukuna on the back. "Come on, Kuna, you can tell us. Do you like her?"

Sukuna could feel his face burning. "It's not like that," he insisted again. "We’re just...classmates."

Choso and Yuuji exchanged knowing looks, clearly enjoying their brother’s discomfort. "Sure, sure," Choso said. "But just so you know, if you need any dating advice, your little brothers are here to help."

“She seems like a good girl." Yuuji added with a wink. "I bet dad would like her.”

Sukuna groaned, wishing he could disappear. "You guys are the worst."

Yuuji grinned. "That's what brothers are for. So, when's your next study date?"

"It's not a date," Sukuna grumbled. "And I'm not telling you."

Choso chuckled. "Alright, keep your secrets. Just don’t get too distracted from your actual project."

Sukuna rolled his eyes. "I swear, you guys are so fucking annoying.”

Yuuji and Choso exchanged another amused glance but let the subject drop, for now. Sukuna grabbed his book and retreated to his room, trying to escape their teasing.

When he got to his room, he sat down on his bed, still holding the book and his phone with your number on it. He realized he was smiling like an idiot, but he didn’t care.

Sukuna found himself smiling at his phone more often than he'd like to admit. You and him had started texting regularly, and he genuinely enjoyed the conversations. You are easy to talk to, and he found himself sharing more about his day than he ever had with anyone else.

He liked updating you on his progress with "The Alchemist," surprising even himself with how invested he'd become in the story. He shared memes, too. You had a surprisingly sharp sense of humor, and your texts always made him laugh.

During practice, Sukuna would sneak glances at his phone, chuckling at your latest meme or comment. His teammates noticed, and curiosity buzzed among them.

"Yo, Sukuna, who are you texting so much?" Geto asked one afternoon, wiping sweat from his forehead.

Sukuna shrugged nonchalantly. "Just a friend."

Gojo, ever the instigator, leaned in with a smirk. "Is it MeiMei? Got a booty call lined up or something?"

Sukuna's smile didn't waver, and he simply shook his head. "Nope."

Gojo raised an eyebrow, clearly intrigued by the genuine smile on Sukuna's face. "Hmm, really now? That smile of yours seems pretty genuine. Are you sure it’s not someone special?"

Sukuna looked up, meeting Gojo's eyes. He knew his friend was fishing for information, but he wasn't about to give in. "Just a friend," he repeated, but the slight blush on his cheeks didn't go unnoticed.

As practice ended and they all headed to the locker room, Gojo exchanged a glance with Geto. "What do you think?" he whispered.

Geto grinned. "I think our boy might actually be falling for someone. And it's definitely not MeiMei."

Back at his apartment, Sukuna sprawled on the sofa, phone in hand. He shot off another text to you, telling you about a particularly funny moment from practice. Almost immediately, your response popped up, and he couldn't help but smile again.

Sukuna: "You won't believe what happened at practice today. Gojo tried to dunk and ended up flat on his face. Classic."

Bookworm :) : "Haha, I can totally picture that. Is he okay?"

Sukuna: "Yeah, he's fine. Just bruised his ego a bit."

Bookworm :): "Poor Gojo. Btw, how's the book going? Any new revelations?"

Sukuna: "Actually, yeah. I'm starting to see why you like it so much. It's kind of... inspiring."

Bookworm :) : "Told you. It's a great read."

Sukuna: "You're a great recommender. Maybe you should suggest my next read."

Bookworm :): "I have a few ideas in mind. But only if you promise to actually read them."

Sukuna: "Deal."

As he put his phone down, Sukuna's thoughts drifted to you. You were different from anyone he'd ever known—intelligent, kind, and genuinely interested in the things he had to say.

The morning sun filtered through the classroom windows as students filed in, preparing for another day of lectures and notes. Sukuna was already seated, tapping his pen against his notebook, when Mahito walked over, a mischievous grin plastered on his face.

"Hey, Sukuna," Mahito said, leaning against Sukuna's desk. "Big party today at my place. Spread the word, yeah?"

Sukuna nodded, matching Mahito's grin. "Got it. Should be a blast."

As Mahito walked away, Sukuna's eyes drifted across the room until they landed on you. You were quietly arranging your things, completely unaware of the whirlwind of thoughts running through his mind. He knew it wasn’t your usual scene, but the idea of you being there intrigued him. He took a deep breath, gathering his courage.

He needed to make progress on the bet, because… this was about the bet… is not that he wanted to see you, is not that the idea of you has been consuming his mind. As he approached you, he tried to act casual.

"Hey," he greeted you, taking the seat next to you.

You looked up from your notes and smiled, a gesture that made his heart skip a beat. "Hi, Sukuna."

He cleared his throat, trying to find the right words. "So, there's this party at Mahito's place today since its a long week. I was thinking you should come. It'll be fun."

Your smile faltered slightly, and you looked a bit uneasy. "Oh, um, thanks, but I'm actually busy tonight.”

Sukuna raised an eyebrow. "Busy? Doing what?"

You hesitated, then sighed. "I'm going to a museum. They have a new exhibit I've been wanting to see."

"A museum?" Sukuna repeated, trying to hide his surprise. "You're going with someone?" He asked, his heart pounding.

"No, just me," you giggled, cheeks turning a light shade of pink.

Seeing your flustered made Sukuna feel a pang of guilt. Here he was, trying to use you for a bet, and you were genuinely one of the sweetest people he'd ever met. "Hey, that actually sounds interesting," he said, surprising himself with his sincerity. "Mind if I tag along?"

You blinked, clearly taken aback. "You... want to come to the museum with me?"

"Yeah," Sukuna said, trying to sound nonchalant. "Why not?"

You looked down, clearly embarrassed. "I don't know, Sukuna. I feel like... it might not be your thing." You gave a small smile, “You’re just being nice…you don’t have to do this.”

He laughed softly. "Maybe not, but I'd like to give it a try. Besides, it's better than going to some noisy party, right?"

You bit your lip, contemplating his offer. "Alright, if you're sure."

"I'm sure," he said, his smile genuine. "So, what time should we meet?"

You smiled and he swear he almost melts.

The afternoon sun was gentle, casting a warm glow on the bustling city streets as Sukuna and you walked side by side towards the train station. You looked adorable in your floral satin dress, your outfit modest and tracing your curves. Your hair was down, two loose strands framing your face. Sukuna found himself captivated by your natural beauty and the soft, unassuming way you carried herself.

You pulled out a map, your fingers tracing the route you needed to take to reach the museum. You glanced up at Sukuna, a shy smile playing on your lips.

"Thanks for coming with me," you said softly, your voice almost drowned out by the city's hum. "I know you had that party you could have gone to instead."

Sukuna shrugged, a small smirk forming on his lips. "There are always going to be other parties. I'm not worried about missing one." He paused, looking at you earnestly. "I want to create new experiences, you know? Do something different for a change."

You looked at him, your eyes wide with surprise and gratitude. "That's really sweet of you."

You continued walking, the conversation flowing more easily now. Sukuna asked you about your favorite museums and what you liked most about them. You animatedly talked about the different exhibits you have seen and the stories behind them. Sukuna found himself genuinely interested, watching your eyes light up with each new topic.

As you sat next to each other on the train, your shoulders occasionally brushing, Sukuna leaned in a little closer. "So, what's the best part of the museum we're going to?" he asked, his curiosity piqued.

You thought for a moment, then replied, "I think it's the interactive exhibits. They make you feel like you're part of the story, not just a spectator."

Sukuna nodded, a thoughtful expression on his face. "Sounds interesting. I like the idea of being part of the story."

You smiled, feeling more at ease. "Yeah, it's a lot of fun. I think you'll enjoy it."

When you arrived at the stop, you continued the walk towards the museum. The city was bustling, but you both managed to carve out your own little bubble of conversation and laughter. Sukuna found himself enjoying your company more and more, appreciating the way you saw the world with such enthusiasm and wonder.

At one point, both of you stopped at a small park to rest for a moment. You took out your map again, double-checking their route. Sukuna watched you, amused by your determination. "You really like being prepared, huh?" he teased gently.

You looked up, blushing slightly. "I just don't want us to get lost."

He chuckled. "Don't worry, I'd follow you anywhere."

Your blush deepened, and you quickly turned your attention back to the map. Sukuna found your reaction adorable, and a warm feeling spread through him.

As you approached the museum, Sukuna could see the excitement building in your eyes. You were practically bouncing on your toes, and he couldn't help but smile. It felt good to see you so happy.

"Ready for our adventure?" he asked, holding out his hand.

You hesitated for a moment, then took his hand, fingers warm and soft in his. "Ready," you replied, your smile bright and genuine.

The party was in full swing at Mahito’s place. Bodies moved to the beat of the music, the air thick with the scent of alcohol and sweat. Mahito and his friends scanned the crowd, puzzled by the absence of Sukuna. Gojo, always observant, finally spotted Yuuji and Choso lounging by the snack table.

He approached them with a smirk. "Hey, you guys seen Sukuna? Mei Mei’s been blowing up his phone, and he’s MIA."

Yuuji, munching on a handful of pretzels, grinned. "Oh, Sukuna? He’s got a date tonight." He chuckled.

Gojo raised an eyebrow, intrigued. "A date? With who? The fuck?”

Yuuji leaned in, lowering his voice dramatically. "The bookworm.”

Gojo’s eyes widened with amusement. He couldn’t believe that Sukuna has actually made progress with you. Was Sukuna able to pull anyone he wanted? He thought to himself "You mean Y/N? No way!"

Choso chuckled, shaking his head. "Yup, that's the one. Heard she is a good girl. She is good for Sukuna.”

Mei Mei, standing nearby, overheard the conversation. Her eyes narrowed with jealousy as she processed the information. Without a word, she turned on her heel and stormed out of the party, leaving a trail of stunned onlookers in her wake.

Gojo, oblivious to Mei Mei’s reaction, clapped Yuuji on the shoulder. "Man, Sukuna must be working hard for those hundred bucks, huh?"

Yuuji’s grin faded, replaced by confusion. "What do you mean, hundred bucks?"

Gojo laughed, taking a swig of his drink. "Oh, you didn’t know? We made a bet. Hundred bucks says he can’t hook up with her."

Yuuji’s expression darkened, his hands balling into fists. "Sukuna did what? He put a price on someone’s feelings? On her? Are you guys fucking insane?"

Gojo, realizing he might have said too much, raised his hands defensively. "Hey, it’s just a bet, man. Nothing serious."

Yuuji rolled his eyes as he searched for his phone, “I swear sometimes yours and his brain are there as a decoration.”

Gojo realized that he may have put Sukuna in trouble and tried to ease problem, “Yuuji, come on. It’s just a silly bet.”

But Yuuji was already dialing Sukuna’s number, his face set with determination. When the call went straight to voicemail, he turned to Choso. "We need to find him. Now."

Choso nodded, his playful demeanor gone. The two brothers pushed their way through the crowd, urgency in their steps. Gojo watched them leave, a sense of unease settling in his gut.

“Fuck…”

The museum was an eclectic mix of contemporary and classical art, its walls adorned with pieces that ranged from the breathtakingly beautiful to the bewilderingly abstract. Sukuna walked beside you, casting sidelong glances at you as you moved from one exhibit to another with an easy grace. He couldn't help but feel a sense of pride, though he was secretly nervous about how the day would unfold.

As you stood in front of a particularly strange piece of modern art—a series of seemingly random splashes of paint on a massive canvas—Sukuna tilted his head, trying to make sense of it. "I don't get it," he admitted, glancing at you. "What's it supposed to mean?"

You laughed softly, a musical sound that made Sukuna's heart skip a beat. "Honestly? I don't get it either," you confessed. "I like to read about the artists and their intentions. Sometimes it helps to understand what they were trying to convey."

Sukuna felt a wave of admiration wash over him. "So, you learn about it to understand it better?"

You nodded. "Exactly. Sometimes things don’t make sense until you dig deeper and get to know the context behind them."

Sukuna found your words resonating with him on a deeper level. He realized that getting to know someone—or something—often required patience and effort. It was a lesson he hadn't fully appreciated until now.

Both of you continued walking through the museum, and Sukuna found himself genuinely interested in the art, largely because of your enthusiasm and insightful commentary. You moved from exhibit to exhibit, discussing the pieces and sharing both thoughts. As you walked, shoulders occasionally brushed against each other, a subtle but intimate connection that neither of you seemed to mind.

He was starting to enjoy this more than he expected.

At one point, both of you stood in front of a serene landscape painting, both of you lost in its tranquility. Sukuna glanced at you, noticing how the light played off your features, giving you an ethereal glow. His heart pounded in his chest, a feeling of warmth spreading through him. He was falling for you, and it was happening faster than he could comprehend.

After you had explored the entire museum, you stepped outside, only to find that it had started to rain. The drops came down heavily, quickly soaking the ground. Both of you looked around for shelter and found a small alcove with a roof that provided some protection from the downpour.

You shivered, wrapping your arms around yourself to stave off the cold. Sukuna, without a second thought, shrugged off his jacket and draped it over your shoulders. "Here, take this," he said, trying to sound casual despite the fluttering in his chest.

You looked up at him, your doe eyes filled with gratitude. "T-Thank you," you whispered, your voice barely audible over the sound of the rain.

Seeing you still shivering, Sukuna hesitated for only a moment before he stepped closer and wrapped his arms around you, pulling you into a tight embrace. "You're still cold," he murmured, his breath warm against your ear. "This should help."

Your heart raced, your pulse quickening at the unexpected contact and he could feel it. You looked up at him, eyes wide with surprise and something else—something that made Sukuna's heart ache with a strange, new longing.

Without fully understanding what he was doing, Sukuna reached up and gently cupped your cheek, his thumb brushing against your soft skin. Your faces were inches apart, and he could feel your breath mingling with his own. In that moment, everything else faded away—the night, the rain, the cold, the world around you. It was just the two of you, lost in a bubble of warmth and closeness.

Slowly, Sukuna leaned in and pressed his lips to yours, a gentle, tentative kiss that quickly deepened as you both gave in to the feelings that had been building between you. Your hands found their way to his chest, clutching at his shirt as if you needed something to anchor herself to reality. This was your first kiss, and it felt like a dream—one that you never wanted to wake up from.

Sukuna felt his heart swell with emotions he hadn't known he was capable of feeling. He kissed you with a tenderness he hadn't shown anyone before, savoring the sweetness of the moment. When both of you finally pulled apart, both of you were breathless, foreheads resting against each other as you tried to process what had just happened.

Sukuna was speechless, unable to find the right words to convey the overwhelming feelings swirling inside him. He could only look at you, his eyes reflecting the depth of his emotions.

Just then, his phone began to vibrate, breaking the intimate silence between you. Sukuna fumbled to pull it out of his pocket, glancing at the screen to see Yuuji's name flashing. He hesitated, torn between answering the call and staying in this perfect moment with you.

You gave him a gentle smile, understanding the conflict in his eyes. "Um…you should answer it," you said softly, stepping back slightly to give him space.

Sukuna nodded, still feeling dazed. He answered the call, his voice unsteady. "Y-yeah, Yuuji, what's up?"

“We need to talk. And it’s serious. Go home.” Yuuji said and Sukuna is worried about his brother tone.

His mind kept drifting back to the kiss, to the way you had looked at him, to the warmth that still lingered from your embrace.

You both walked in silence toward the train station, the only sounds between you were the patter of rain and your own footsteps. The air was thick with unspoken words, each of you lost in your own thoughts about the kiss. You couldn't help but feel a pang of insecurity. You worried that Sukuna regretted it, that maybe he saw you as a mistake—an odd, nerdy girl who didn't match his level. You bit your lip, glancing at him from the corner of your eye but finding no clues in his expression.

Sukuna, on the other hand, was wrestling with his own confusion. He had never anticipated falling for the girl he was supposed to win over for a bet. His heart felt heavy with the realization that he had genuinely fallen for you, but he was at a loss for how to navigate these new, intense feelings.

When you arrived at the station, boarded the train, still wrapped in silence. The ride felt interminable, each stop only heightening the tension between you. As you finally reached the stop and walked toward the dorms, Sukuna felt a growing sense of dread. He didn't want this night to end, didn't want to leave things unsaid.

Outside your dorm, you began to take off Sukuna's jacket, but he gently stopped you. “Keep it," he said softly, his voice betraying the turmoil inside him.

You looked up at him with your wide, doe-like eyes, then quickly looked away, misinterpreting his silence as rejection. You thought he must be disgusted, regretting the kiss, and that made your heart ache.

Sukuna watched as you fumble with your keys, a million thoughts racing through his mind. He was about to turn away, but then he heard the lock click open. Something snapped inside him, and he muttered, "Fuck it."

In a few quick strides, he was back at your side. He took your face in his hands and kissed you again, this time more passionately, with all the feelings he had been holding back. The rain poured down around you, drenching you both, but neither of you cared. The wind whipped through the corridor, making the moment feel even more intense.

When you finally broke apart, both of yoi breathless, Sukuna rested his forehead against yours. "You're cute," he said, his voice soft and sincere. "Text me when you go to bed, okay?"

Your face lit up with a genuine smile, your worries melting away. You nodded, unable to find the words to express how she felt.

Sukuna gave you one last lingering look before he turned and walked toward his own dorm. His heart was pounding, and a small smile played on his lips despite the rain and cold.

Yuuji and Choso sat in Sukuna’s apartment, a heavy silence hanging between them. The dim light from the kitchen cast long shadows, making the space feel tense and charged. Yuuji kept glancing at the door, while Choso leaned back on the couch, arms crossed, his face set in a stern expression.

Finally, the sound of keys jingling outside broke the silence. The door opened, and Sukuna walked in, looking tired but content. He paused when he saw his brothers, sensing the confrontation waiting for him.

"Hey," Sukuna greeted, trying to keep his tone light as he shut the door behind him. "What's up?"

Yuuji stood up, his face a mix of frustration and concern. "We need to talk."

Don’t forget to leave a comment <3

[the-lying-heavens]

"I Read About You in History Books"

[Bucky Barnes x fem!reader]

Summary: You've always been fascinated by history, especially by the untold stories of people forgotten in the shadow of legends. Bucky Barnes is one of those people.

Warnings: Mentions of trauma, Fluff with a dash of angst, not proofread

Word Count: 1.6k

You knew The Winter Soldier. Who didn't? Everyone knew the tales of the most feared assassin in the world. How he appears and disappears like a ghost. How he struck his victims with deadly accuracy and no one could catch him. The man behind the mask intrigued you more though. It was almost laughable but to you, The Winter Soldier was older news than James 'Bucky' Barnes.

Meeting Steve Rogers was incredible. It took every professional bone in your body not to jump up and down in excitement. I mean it was the Captain America. How were you not meant to be excited?

You didn't expect to become his friend, to watch his back and have him watch yours. You had been in so many fights besides him and, of course, asked him every question you could think of about his life, the war and especially Bucky Barnes.

Why do you want to know so much about him? He had asked once.

Only the Gods knew the answer.

You couldn't shake the feeling that there was more to Bucky Barnes, more than what was in the history books. There was never much about him in anything, always being overshadowed by Steve or the other Howling Commandos. You'd read every account, watched every documentary, pieced together the fragments of his life as if they were a puzzle begging to be solved.

You never expected to meet him. Never expected him to be more than a name in a book or a picture in a documentary. You thought that meeting Steve was miracle enough.

You were quite wrong.

~~~

"Mind if I join you?"

Bucky frowns. "In a stairwell?"

"Well, I usually come here to get some quiet, so yeah, in a stairwell."

Bucky's posture is stiff as he leans back against the cold concrete wall, his arms crossed over his chest. You stand a few steps below him, one hand resting on the metal railing, your head tilted to the side as you study him.

“Quiet, huh?” he asks, his voice a low rasp, still hesitant to engage.

“Yep,” you reply, popping the 'p' with a small grin. “It's one of the few places in this whole compound where no one’s either training, running missions, or asking me a million questions.”

He’s guarded, that much is clear, but there’s something else too. Something underneath the surface, a complexity you’ve always suspected is buried deep within James Buchanan Barnes. You aren’t just interested in The Winter Soldier. You want to know the man beneath that, the person history has barely bothered to document.

“So, what brings you up here?” you ask casually if your presence is the most natural thing in the world.

Bucky glances away for a moment, his jaw clenching. His eyes are distant, but not in the way that screams of danger. More like he’s... lost. "Just needed some space," he finally says.

"I understand that." You slide down onto one of the steps, resting your arms on your knees, looking up at him. "It gets overwhelming, doesn’t it? Always being around people, no room to just... think."

Bucky nods in agreement, his eyes flickering to you.

You decide to take a chance. "I swear this isn’t some weird interrogation or anything, but... I've read about you, in History books. Well, about the Howling Commandos. About you and Steve during the war."

His expression tightens, the walls going back up. "You don't know me—"

"I know," you say quickly, cutting him off. "I know that what’s in those books isn’t the whole story. That’s why I want to know more."

"More?" His gaze sharpens, almost suspicious. "Why?"

You shrug. "I don’t know. Maybe because history’s never the full picture. It’s just pieces, bits of what people decide to write down. I’ve always thought there had to be more to you than just 'Steve’s best friend' or 'The Winter Soldier.' And..." you press your lips together, hesitating, but continue, “...I guess I just want to know who you really are.”

He’s quiet for a long moment, the tension between you thickening with each passing second. His blue eyes are scrutinizing you, searching for something—maybe sincerity, maybe an ulterior motive. You aren’t sure.

"You think you can figure me out?" he finally says, his tone biting, though not as cold as before.

You shake your head. "No... But I think you deserve to be known. Not just as a name in a book or a legend in a file. As, well, you."

His brow furrows, and for the first time since the conversation started, he looks truly unsettled. "What if I don't even know who that is anymore?"

The pain in his voice catches you off guard. For a moment, the Winter Soldier—the assassin, the ghost—seems to fall away, leaving only a man haunted by the weight of his past. And it breaks your heart a little.

"Then maybe I can help you figure it out," you say softly.

Bucky exhales, a sound heavy with the burden of decades he hasn’t asked to carry. He doesn’t say anything, doesn’t make any promises, but he doesn’t leave either. Instead, he slowly lowers himself to sit a few steps above you, the silence between you shifting into something more comfortable.

"Can I be completely honest?" you ask.

"Huh? Yeah?"

"I don't come here for quiet. I lock myself in my room for that. I totally stalked you in here."

Bucky scoffs. "You're probably the nicest stalker I've encountered."

You look up at him, grinning. "Thank you!"

He raises an eyebrow at you but you swear you see a small smile grace his lips.

Maybe this is the beginning of something. Maybe not. Either way, you aren’t about to let him disappear like a ghost again.

Not if you have anything to say about it.

[authorhjk1]

Good day! Wanted to see if this counts for queen Yoona. Its see-through and it does have color probably along the lines of silver or white gold but ofc how she presents it is quite astonishing I must say. There is a top and a skirt but the see-through is the highlight I must say…its ok if it doesn’t make the cut but I hope you can use this for future reference for a completely needy, horny, wants to be bred so badly that at certain times she loves riding and pleasuring you to the point of overstimulation because she loves you so much Yoona since it makes total sense she's the type you would never dare to pull out of (smirk).

https://kpopping.com/documents/19/1/3468/SNSD-YOONA-for-DAZED-Korea-x-MIU-MIU-September-Issue-2022-documents-3(2).jpeg?v=6b901

White Gold

(Lim Yoona X Male Reader)

You knew this was a test as soon as she stepped out of the bedroom. At first glance, her outfit actually looks nice. More skin than she usually shows. But still nice. Fashionable.

But as she walks over to you, you realize that Yoona is hardly wearing anything. The top and skirt are see through. And she is only wearing underwear underneath.

"I'm going out now."

You can hear from the tone in her voice that she expects you to stop her.

"Have fun."

You nonchalantly say, focusing on the book you're reading. You know that you can't win this test. You either call her out and she calls you controlling, or you don't call her out and she is unsatisfied with the lack of attention.

You gladly choose the later. It annoys you that Yoona has been like this for the last couple of days. You suspect one of her friends behind it.

"I will."

She says, the pitch of her voice already raising. That means she is preparing herself to argue.

Instead of addressing it, you keep ignoring her ridiculous excuse of an outfit.

"Are you not gonna say anything?"

It's the first time you actually look up from your book, after you looked at her when she walked out of the bedroom.

"What do you want me to say?"

"If you don't know, forget it!"

With an angry glare, Yoona leaves the house. The slamming of the door has you groan in annoyance. You know you can't let her go out like this. Especially not at this hour. She won't be coming home before midnight. Usually, she hangs out at a cafe with her friends. For some reason, they wanted to explore a new club. Not your kind of thing. But Yoona wanted to do it, since she hasn't gone to one since you two become a couple.

You close your book as you hear the door of the garage being opened. You know that Yoona would never make you feel uncomfortable on purpose. And yet, she is going out late at night, barely wearing more than her underwear. You wonder if this really is a test. Is she about to leave? Or is she waiting in the car?

Yoona looks to her left, when she hears the car door open. Your face is still emotionless, but she catches a hint of annoyance on your face. Not something she expected. She thought you'd be angry. She would never leave, dressed like this. But you still let her go.

"What? I'm leaving now."

Yoona is angry with you and herself. She can't back out now. She is too proud for that. But she feels awkward in these clothes. Why did her friend suggest this? What was she trying to prove? Yoona knew you aren't a bad person. So why is she doing this?

"I've had enough of your tests and your weird behavior. Get out of the car."

Yoona hesitates for a second, thinking about talking back. But your look makes her obey.

As soon as she stands in front of you, you spin her around.

"Hey!"

Yoona expected something, but not this. Her cheek is pressed against the car and you trap her body in place with yours.

"What is this, Yoona?"

She feels you slightly pull at her top. Your voice is colder than usual.

"You have a problem with it?"

She tries to keep up her act, but she knows she has lost. Whatever she was trying to prove, she couldn't.

"I do. Why would you go outside wearing basically nothing except your underwear?"

"You can't tell me what to wear."

"But I can fuck you whenever I want. And I want to now."

"Wait-"

That's not a scenario Yoona anticipated. She was preparing herself for a huge fight, which she caused herself and which she was probably gonna lose.

A heavy pull on her top and a push against her back. A loud rip eachoes through the garage.

"Oh my gosh! What-"

You just tore Yoona's top off her body.

"What? You're almost wearing as much as before."

You quickly unhook her bra and pull it off of her.

"You're not going anywhere dressed like that."

Your hands cup her small breasts as you speak. Yoona is torn between complaining and moaning.

"You're mine. I'm the only person who sees you like this."

"That's controll-"

Yoona tries to say the words her friend told her to say. But Yoona has to admit that it's stupid. Why would anyone walk around outside half naked? Especially when they have a partner?

"That's having boundaries. Being in a relationship."

You undo her belt and wrestle her arms behind her back. After tying her wrists together, you slip off her skirt.

"That means I can tell you what to wear too."

"It is about what we both feel comfortable with."

Another tearing sound. Another gasp. Yoona's torn panties fall to the ground.

"I'm not comfortable with you going out almost naked."

You place your tip at her entrance.

"And I'm not comfortable with you, talking to-"

You push inside Yoona.

"I won't talk to anyone you feel uncomfortable with."

You hear her sigh.

"Now shut up and let me use you."

Yoona stays silent, closing her eyes. She knows you're going to be a little rougher this time. She deserves it.

"Oh, god!"

She lets out a cry as you thrust into her. You pin her against the car, making her moan and whine as you fuck her hard.

"Like I said, you're mine."

You whisper into her ear as you have your way with her pussy. Yoona moans in response.

"I do with you whatever I want, when I want to do it."

To proof your point you give one of her ass cheeks a hard slap. She feels the pain, but begs for more at the same time.

Soon, both of you are beyond the point of talking. You use her scarf as a leash to hold onto as you keep fucking Yoona from behind. You see some of her saliva run down the window as she drools on it.

Both of you can feel that the other one is close.

"Please breed me. I need your cum."

Yoona weakly whines. She wants to feel your seed. She wants to feel desired. She wants you to show her how much you care about her.

"Give me all of it. Cum inside, please."

She whines and begs, but you have other plans.

It's hard to pull out. Almost impossible. Yoona's pussy is trying to keep you inside. And Yoona herself just feels so good. Her insides are perfectly shaped for your cock. Perfect for you to just dump your seed in her.

"This is your punishment."

You manage to pull off the impossible. In your head, you promise yourself you will use Yoona as a cumdump the next time you fuck her. But now, she has to learn her lesson.

Yoona trembles as you pull out, almost climaxing untouched. She whines, asking for your cum.

"Watch."

You pull at her scarf to turn her around as you pick up her panties. You quickly wrap them around your cock. It doesn't compare to Yoona's pussy, but it does feel good.

It only takes you a couple of seconds to ruin her white panties.

Yoona gasps, she can almost feel how you cum inside of her. That's how bad she wants it now.

"Don't even think about dressing like a slut from now on."

You throw the ruined fabric in her direction, before turning around to leave.

Yoona, still desperate for at least a taste of your cum, darts out her tongue. She closes her eyes as it moves over her cum stained panties. Yoona licks at least most of your it off the fabric. In her head, she is already trying to come up with a new outfit she can buy online. Maybe...

[stroebe2]

Sofia Coppola

Archive

Paperback with embossed jacket 21.6 x 28cm, 488 pages

“Archive is the first book by Sofia Coppola, covering the entirety of her singular and influential career in film. Constructed from Coppola’s personal collection of photographs and ephemera, including early development work, reference collages, influences, annotated scripts, and unseen behind-the-scenes documentation, it offers a detailed account of all eight of her films to date. Mapping a course from The Virgin Suicides (1999), through Lost in Translation (2003) and Marie Antoinette (2006), to The Beguiled (2017) and her upcoming feature Priscilla (fall 2023), exploring Priscilla Presley’s early years at Graceland, this luxurious volume reflects on one of the defining and most unmistakable cinematic oeuvres of the twenty-first century.”

Available to pre-order

[metamorphesque]

On March 1, 1984, a short article titled "Imprisoned Armenian Dies" appeared in the New York Times: “Gourgen Migirdic Yanikian, an Armenian author and engineer who killed two Turkish consular officials in California in 1973, died Monday in prison of natural causes. He was 88 years old. He was sentenced to life in prison in July 1973 for first-degree murder."

But who was this man? And why did he commit this "crime"?

Gourgen Yanikyan was born on December 24, 1895, in the city of Karin, Western Armenia, into a traditional Armenian family. Gourgen was six months old when the hamidian massacres began, claiming the lives of approximately 300,000 Armenians. His father had good relations with the Persian consul in Karin, and with the consul's help, the Yanikyan family found refuge in the Persian consulate, escaping the massacres. After two weeks of safety, they were transferred by a mountain road to the village of Kyotah near Kars on the consul’s orders. Suddenly, it was discovered that Gourgen was missing. He had fallen on the road from his mother’s arms that were numbed from the cold. Despite the danger, his mother and brother Hakob went back and, after walking about six kilometers, found Gourgen nearly lifeless. They revived him with the warmth of their bodies.

Six years later, the mother returned to Erzurum with Gourgen and Hakob, intending to take back the money and documents hidden in their barn back. While digging, two turks arrived, captured Hakob, beheaded him, and took the iron chest. The mother and Gourgen witnessed everything from their hiding place. A terrified Gourgen tried to scream, but his mother held his mouth shut. Gourgen never forgot this tragedy throughout his life. For political reasons, he became a Persian citizen and later moved to Switzerland with his family, where he continued his education, which he later pursued in Tbilisi and Moscow.

Like many Armenians of his time, he experienced the devastating effects of the massacres committed by the turks against Armenians. He lost 26 family members to the Armenian Genocide of 1915, as well as his homeland—Western Armenia.

Although Gourgen was far from his homeland, the injustice of the genocide never left him. He had exhausted all peaceful means to inform the world about the genocide and hold turkey accountable for the atrocities they committed.

He chose cinema as the means to achieve his goal: “Our plan was very simple. With our personal funds, we secretly planned to make a film showing the world the sufferings of our people and the barbaric turkish massacres, not forgetting the Armenian genocide and the conspiracy of so-called civilized nations against our rights."

Yanikian's factual book "Paradise" (originally in English), which his wife Shushanik had titled, became the basis for a screenplay. Several foreigners joined the film project, and they shot 20 hours of material depicting turkish atrocities with striking authenticity.

"The film was to be shown simultaneously in the capitals of three different countries, free of charge. Flyers explaining the purpose and our demands were to be distributed with the tickets… The goal was to return the land stolen from the Armenian people to its rightful owners and provide compensation for our two million victims. Many individuals were to join the cause once the film was ready."

Despite the strong dedication to completing "Paradise," the endeavor was unsuccessful because U.S.-Turkey alliances and strategic interests were prioritized, and the US government hindered the production of the film.

Yanikyan, by then old but not despairing, had spent decades using every peaceful means to punish the perpetrators of the Armenian Genocide and avenge his compatriots, but he ultimately felt compelled to choose an alternative.

"In all my writings, I always defended the belief that violence should disappear from our lives. But when all of this happened and humanity and the world remained silent about the Armenian Question, I made the decision to take action in order to bring the Armenian cause to the attention of humanity and world governments."

On January 27, 1973, at the age of 78, Gourgen Yanikyan, without hesitation, fired 13 bullets at the turkish consul and vice-consul in Santa Barbara in his room at the "Baltimore" hotel. Following a highly publicized trial, Yanikyan was sentenced to life imprisonment, and in 1984, with a clear conscience, he passed away into eternity.

But his sacrifice was not in vain: the Armenian Question was finally brought back from the dusty archives of history. By sacrificing his freedom, Yanikyan ignited a movement. His act became the catalyst for a wave of Armenian activism, inspiring the creation of ASALA, who would go on to fight for the recognition of the genocide.

Everyone condemns violence but, alas, it is the only language the world understands.

[servantofthefates]

How to Find Lost Things With Lenormand

Simply ask your question, and pull three cards. 

RIDER

Stables, warehouse, garage

CLOVER

Plant pot, coin purse, casino

SHIP

Docks, airport, vehicle

HOUSE

House, bedroom, with a loved one

TREE

Greenhouse, hospital, pharmacy

CLOUDS

Bathroom, bar, mental asylum

SNAKE

Basement, bushes, secret places

COFFIN

Cemetery, box, drawer

BOUQUET

Salon, flower shop, mall

SCYTHE

Shed, hardware store, toolbox

WHIP

Broom closet, vault, brothel

BIRDS

Cage, roof, porch

CHILD

Nursery, trinket box, with a child

FOX

Study, den, in something red

BEAR

Zoo, with your boss, with an older woman

STARS

By the computer, online, in a messy area

STORK

Kitchen, pantry, with your mom

DOG

Doghouse, pet store, with a friend

TOWER

Building, courthouse, police station

GARDEN

Garden, park, backyard

MOUNTAIN

Rooftop, attic, top floor

PATHS

Doorway, entryway, pathway

MICE

Trash can, compost bin, under the floorboards

HEART

Your purse, your pockets, with your lover

RING

Office, jewelry box, with your contracts

BOOK

Library, bookstore, inside a book

LETTER

Mailbox, on your desk, by the printer

MAN

With you — in your person (if you are a man)

WOMAN

With you — in your person (if you are a woman)

LILY

Linen closet, in something white, with an older man

SUN

Outdoors, beach, theme park

MOON

Body of water, photo box, near your camera

KEY

Cash box, in the ignition, in the doorknob

FISH

Aquarium, market, bank

ANCHOR

Buried beneath other things/underground, underwater

CROSS

In the church, by your altar, a place that starts with T

So then…

Question: Where did I leave my keys?

Answer: Letter + Ring + Anchor. “Your keys are on your desk in the office, buried under some documents.”