#Between Two Cities

[maeamian]

Part of the reason that Republicans are so desperately acting like they will never lose again is because they are deeply terrified that this is their last real chance to win. The big orange dipshit came in and gutted the party of everyone who wasn't a loyalist, which left it full of nasty little gremlins who have gaping voids where charisma and human decency is supposed to go.

They still hold a lot of power, but if we stop them this year the next presidential election may not be the Most Important One Of Your Life™, that's not a guarantee or anything, but if they don't win here and now their future looks grim, this dipshit is the only guy they have left and he's extremely diminished and has his brains leaking out of his ears at this point. We can beat him into the ground.

So that's what we're gonna fucking do. We're gonna break these fucking fash. They will crash upon us and we're gonna break their fucking necks. When they come for us they will lose because they're fucking losers and we have each other's backs which is something they fundamentally are incapable of comprehending.

[wishfulsketching]

This is what the dynamic was like

[wishing-well-art]

SHE CAUGHT A WHOPPER❗❗❗

[whovian223]

New to Me - November 2022

New to Me #boardgames - November 2022 @FloodgateGames @GreyFoxGames @gmtgames @Reb_Unplugged @djackthompson @GTGamesLLC @stonemaiergames @holygrailgames

November was an interesting month for boardgaming. I went to my second convention this year, a relatively small (compared to SHUX, anyway!) local wargaming convention where I was finally able to get a bit of wargaming done! Considering how many wargames I now have, that was probably a good thing even though none of them were actually mine. The month ended with me not having played a game in…

[hijinxinprogress]

12 year old tim realizing robin’s not coming back to gotham and deciding that it’s Batman’s fault so he has to ruin the little bit of sanity and peace of mind Bruce has managed (read: struggled) to keep in his grasp:

[poorly-drawn-mdzs]

You're mine now, old man.

[First] Prev <–-> Next

[semisolidmind]

she…she was trying to cheer him up…uh…

(realized i hadn’t drawn the bad end besties and had to fix that immediately)

[jaggedjot]

Louis and Claudia are not just identifiable as American by way of their speech (“American? Your French is ugly.”) and movement (“You could tell from his walk, he was an American.”), but are posited by the narrative to be symbolic representations of postwar America itself (“The American vampires appeared to be as dull and plain as their tourists and soldiers were.”, “Do American vampiresses all wear pastels?”, “And are all American vampires as alluring as you?”). The pair set themselves up in France as “moneyed Americans”, described by Armand as having a “velvet-heeled arrival” despite the pair coming to the city on the back of a truck. That Paris has been left by the war with deep physical and societal wounds is treated as an inconvenience that they have to impatiently endure. Santiago picks at these stitches during the performative execution of the pointedly foreign Annika, invoking the paranoia of occupation with his line “[...] the next time you're in the pew, you turn to your neighbour and say, ‘Peace be unto you.’ They'll give you up... in a wink!”. It is telling that the only explanation Armand gives for his choice of victims to the coven is that they are profiteering from the suffering of postwar France (“Whilst their countrymen clutch ration cards, they've made quite a killing manipulating the black markets.”), a statement which seems to deepen their appetite for the ensuing slaughter. These are not resentments and histories however shared by Claudia, who may revel in the massacre but has already knowingly associated with a woman branded as a collaborator, or Louis, whose attempts to engage with the world through photography only further positions him as an outsider. This detachment is what causes Louis and Claudia to be regarded as interlopers, suspected to believe themselves to be too important to heed traditions, manners (“It's custom and practice for traveling vampires to make themselves known”) or the welfare of their temporary home (“We were constantly cleaning up for them.”). Though American soldiers played a role in the later stages of the liberation of Paris, the increasing presence of Americans in the city is framed as another more insidious occupation (“[...] our Anglican friends now invading Paris postwar”, “My dear American friend [...] who has dominated my mind”). As Americans, Louis and Claudia are granted more privileges in society than other black ethnics groups (“But I wasn't an Algerian. I was an American”). It is not just that the French theatre troupe composed of multinational actors now has “five out of every seven” of their performances in English, but the coven has been instructed by Armand to remake itself as “an English company” and speak the language offstage too. Armand’s welcoming attitude to increasing American influence in the city, how it creates a “more receptive” and “optimistic” audience, is not a simple or universal one. There is a distinct bitterness belying the fanfare accompanying Louis and Claudia’s arrival, particularly from Santiago (“I ask you, Maitre, was it worth the wait?”), but it is also notably still present in Armand’s lighthearted teasing (“Seventy-seven years and it still feels like a slight.”, “Five months removed [...] the Americans were finally coming to Pigalle.”). At least during these early months, Louis and Claudia seem to view Paris more as a static backdrop against which they can discover themselves and heal their relationship. This is a mistake that they will likely only realise when it is already too late, for this fragile and volatile setting is entwined with the tragedy that awaits them.

[tiabwwtws-art]

Cute ideas from @hydraposeidon

[hipsternumbertwo]

Some things to look forward to? (Help decipher this)

Every Episode – Monologue, Expert ?, City of the Week, Hot Goss, Chanse jumps over a car, Sketches/Commercials, Character Call in ?, Musical Guest ?

Recurring – Cover Stories, Weird Product ? , Man on the Street, Fan Comments ?, Debate, Today I'm Mad About ?, ???, ???

 Sporadic – ???, ???, ???, Debrief From ? , Day Jobs, Reunions, Find a Culprit, Couples Therapy, ???, Movie Stunts ?

One Off- ???, ???, Game Show ?, What would you do ?, Talent Show ?

Topics – Energy Drinks, Situationships, Scams, Cults (Silly), Famous Beef, ???, Fanfiction?

Elements: Teleprompter Game ?, Personal News ?

Tone: Youtube/Internet, Characters

*? means "it looks like that word, missing a word", ??? means "I gave up, figure it out"

Special thanks to @gazebo-components for helping out! :)

*Reddit deleted the post relating to this so I'm thinking this is really real. Thank goodness the social team forgot Tumblr still exists ignores Tumblr.

[strawbebbiesart]

june/ july / august 💌🥪🦢

[mollysunder]

A while back I saw someone ask if Vander would have accepted Jayce's deal to give Jinx up for Zaun. The resounding response was "No", because Vander was already put in that position (sort of), and he chose to protect his children by giving himself up, and Vander would never be in that position to begin with. Those are correct statements, but they're not relevant to the question.

The question was, if Jinx decided to escalate tensions with acts of theft and violence that brought Piltover's attention, would Vander let Jinx be sent to Stillwater? I think the chance of him saying yes is at least more than 0.

We're not talking about all the kids getting caught up in a robbery gone wrong. We're talking about an older Jinx going solo into Piltover for targeted destruction havoc. In a universe where she everyone's still alive, Piltover still exists, and her hatred for that place would still burn and grow with time. The question really was, if Jinx put Vander in the same position Silco did in the past would he decide to give her up?

For Vander, what's on the line isn't Zaunite independence for Zaun, it's the safety of his family, his friends, and the population of the Undercity against Piltover's retaliation. He'd probably have even less moves to play than Silco did at the end. Vander can't give himself up, Jinx's name has already been leaked, and he is agonizingly aware of what Piltover's capable of.

Would he try to have her sent away? Vander wasn't willing to throw someone else under the bus for the kids in the past, so would he do it for a young adult Jinx who's more responsible for her actions? Would he think Stillwater is a better alternative for Jinx who may end up getting herself killed? Maybe he can try to plead for banishment (though that seems to be reserved for Piltovans)?

The question really stuck with me because Vander was willing to kill a man he considered his brother because he went too far, what does that mean for a daughter that won't back down from her own agenda?

[telugu-girl-13]

Dexter AlvintheChipmunk Dizznee please understand that you are in love with your cousin by adoption and marriage and have a better option right in front of you (Biana).

[ruvviks]

right now i'm essentially just working through the list of my less talked about ocs from the cyberpunk extended ocverse, with this time: rikki! she's the youngest of the valentine family, leader of a small gang known as santa madre (previously a branch of the valentinos), and she works at club bodytalk as security specializing in cargo transport, escorts, and pickup/dropoff gigs :D

taglist (opt in/out)

@velocitic, @deadrlngers, @euryalex, @ordinarymaine, @gurathins;

@mojaves, @shellibisshe, @dickytwister, @mnwlk, @rindemption;

@ncytiri, @calenhads, @noirapocalypto, @florbelles, @radioactiveshitstorm;

@strafethesesinners, @fashionablyfyrdraaca, @radioactive-synth, @katsigian, @estevnys;

@elgaravel, @aezyrraeshh, @carlosoliveiraa

[bruhstation]

thank you for the enthusiasm for the human tugs on the last post! have more of them, and a bit of insight into the things they enjoy :]