#Betrayer Death Penalty

[eternal-echoes]

I don't really have a strong stance against death penalty (my position is more of, since we may be accidentally killing innocent people because of our ever-fallible justice system, for the sake of those innocent we should abolish it), but I don't know if we talk enough about executioner's guilt about having to execute criminals. I haven't seen it yet but Roger Ebert wrote a blog on Werner Herzog's documentary Into the Abyss (2011) about the prison guards who had to escort criminals until their execution date and because these usually last years so they feel this sense of "closeness" with them that these prison guards have panic attacks when remembering the criminals they had to execute. So they ended up quitting their jobs.

The film's argument against death penalty is this: even if the criminal doesn't deserve to live, no one deserves the duty to kill them.

[blue-mood-blue]

I have been thinking about the blackening (as one does)…

…and it’s so interesting to me, the penalty Shen Qingqiu is faced with should he not decide to yeet his disciple into hell.

Account termination. Instant death. Sent directly home to his already-long-dead body, and that’s it for the villain of the piece who outright refuses his villainy. The protagonist needs a blackening for the story to continue, and Shen Qingqiu is going to provide it or get written out of the narrative. Either way, Luo Binghe is going to lose him. Either way, this is a turning point.

I wouldn’t claim that this is the intent of the penalty, but it fascinates me that the System has, potentially, backed the plotline into a corner - because Binghe still stands to be blackened even if Shen Qingqiu took the other choice.

Think about what that would look like, to him. He’s at the Immortal Alliance Conference, and everything is going wrong. He’s been outed as a demon, and not just a demon - the top tier of demon, as bad as it gets from the perspective of a righteous cultivator. His beloved teacher, the person who has been kindest to him and opened his home and heart to him, is standing there with his sword in hand, deciding what he’s going to do about what must look, to him, like a horrific betrayal. Binghe is apologizing. Binghe is begging for his life.

Shen Qingqiu hears him. Maybe it shows on his face, or in his voice, that he already knew; maybe there’s no hint at all, but Shen Qingqiu is suddenly talking quickly with an abrupt sense of urgency that Luo Binghe is having a hard time keeping up with. Telling him he’ll be wonderful - telling him he’s the best. Telling him the world will be his, with emotions cracking through that aloof mask that Binghe has never seen on Shizun’s face before, and it’s terrifying for reasons that Binghe cannot identify.

(He will, later. When he has time to think, he’ll realize it sounded like a goodbye.)

And then Shen Qingqiu is bleeding. And then Shen Qingqiu is on the ground. And then Shen Qingqiu is dead. There’s no countdown for Binghe - there’s no System, there’s no warning, there’s no answers.

Luo Binghe is a heavenly demon in the middle of a conference sabotaged by demons. Luo Binghe is alone. His fellow competing disciples are scattered, some dead or injured. The Peak Lord of Qing Jing Peak, the second in command of Cang Qiong Mountain Sect, maybe the only person he loved and who loved him back, is dead at his feet. No one will believe him if he says it isn’t his fault.

(He can’t believe it isn’t his fault.)

What choice does he have but to run? The last heavenly demon the cultivation world went up against has been sealed under a mountain for years, and one of the people responsible for that is probably looking for Shen Qingqiu already. They’ll be looking for him, too. There isn’t anywhere to hide; there isn’t any time to mourn.

There isn’t even enough time to ask why. Why again.

There is no closure waiting for him, because there is nothing to explain what happened. It just is.

It would be a different kind of blackening, certainly - less intense, probably, less of a warping, desperate thing. But how many times can one person have all the love and safety in their world torn out from under them before it starts to show? Before they just don’t allow things like love and safety to touch them, because that’s the better option?

Interesting to consider that, simply by offering the choices it did, the System rigged the story to guarantee that Luo Binghe would end up in hell (deliberate or not).

Interesting to consider that, even if Shen Qingqiu made what might have seemed like a kinder choice, there was every chance it wouldn’t have been.

[crustyfloor]

My night was going so wonderfully.

The headshot of this cover is just PAINFUL. They're actually acknowledging each other, they're the only ones on a cover to do that. And it's the prominent detail that Mizi looks horrified staring at Sua, even though they're clutching each other so... like they can't let go, while Sua looks reverent in the lane of that gaze, even blushing, slightly, savoring the moment. This also looks like their kiss scene...

To me, she looks just the same as the day she died because I think this cover is Sua's haunting of Mizi, because Sua's singing is just that, haunting and distant the longer she sings, she's fading out, but so gently despite its gruesomeness. And Mizi is grieving.

She's as angelic as she is in Mizi's memories..

But there's a cruelty to this because Mizi will never forget what she saw in round 1, that's why seeing Sua over and over and over again terrifies her, hence why the tone of this song is SO dark, especially in the second half when they're coming to a close, they get desperate to keep each other close, and there is a certain, but familiar ignorance to Sua's presence as if she can't see Mizi's pain even though Mizi is crying right in front of her--childish egos, Sua becomes a more honest character after her death, and in more expressive formats like this, and I like how she takes on that position in this song, the taker. (Like Till, he wanted a security blanket out of Mizi; Sua is similar in that sense.) as she takes and wants from Mizi for her own sanity.

And this newest illustration, oh my god. EXPRESSES THIS IDEA PERFECTLY, Sua looks so utterly distant, ghostly, dead.

In contrast to Ivan and Till's cure, Mizi and Sua's cure is more of a duet, and they switch places often. Mizi starts the song, she ends the song (just like in my clematis), and Sua supports it. Whereas Ivan and Till take turns leading and harmonizing, Mizi and Sua both participate.

And I believe they're interacting? Ivan and Till's cure wasn't a message to each other, something a lot more complicated than that--but Mizi and Sua transition frequently and it feels like they're singing to each other, It's more intimate.

Mizi - Allow me, to the tips of your finger

Allow me, to the ends of your feet

Dissolve me in your gaze

I don't want to let you go.

Sua - Please, leave me scars

Please, hurt me so that not a singly drop of me remains

Let me drown in you.

(The backing vocals mean so much to me, it's like a choir(?))

Mizi - Until these falling stars

Are buried in the blur of time

On your icy lips

Read my soul, yes, my soul

It wasn't spontaneous for the sake of it either, because this is a call-and-response

Sua - Even if your cold words

Carve scars beneath my eyes

May they linger on your tongue

You can break me apart

Mizi - Notice my pain

And mend me right now

To quiet my fears

I'll drown in you

-

Mizi is directly asking Sua, or the version of her she can't forget, to stay with her, calm her like she used to, as she wishes to have remained in the dark, to drown in her, or to have just not been left alone and, because even now Sua's death is not something she can accept, the portrayal of her feelings as she expresses her pain and desire to keep Sua close, even the false presence of her "On your icy lips" and "notice my pain and mend me right now" even though It's terrifying her, she doesn't want to let go.

Sua acknowledges Mizi's pain, and their shared pains after she died for her, the blame and the betrayal. Interestingly, Sua takes on the metaphorically self-destructive lyrics, Sua lives in fear, anxiety, and utter gloominess, she didn't want to be hurt by Mizi in the literal sense, but she would've rather been warmed in Mizi's soft light, her false hope and optimism, to be destroyed and to destroy Mizi's hope, even dying as the penalty of their love was far better.

Then Sua goes on to sing through the perspective of Mizi and her loneliness and grief after losing her with perfect clarity, it takes me back to the comic where Ivan scolded Sua about her plan, saying that she'd be nothing more than a trauma to Mizi after everything is said and done, she got upset at Ivan because she knew that, was devastated by the fact that she would be a burden just as she always feared, but then, what's a life without Mizi by her side, her only safety net? Her every reason for living?

This song displays their deep love and devotion, they sound melancholic but even in these horrific circumstances, Mizi's pain and hesitance, they don't drown each other out, they move together in perfect harmony just like they always do, in this way, it also feels like an apology of sorts from both sides before the bitter end, and a final goodbye.

AND THEN AT THE END WITH THE PERFECT SYNCHRONIZING OF THEIR VOICES ARGHH

And a new Sua illustration for the occasion 😭💔 (I'm gonna catch you soon Vivinos just wait.)

[questionablecuttlefish]

One of the most popular topics that people likes to bring up in shipwars “against” lightcannon is that we mischaracterize (did I write it correctly?) Lux to fit in our delusions. For example: she didn't kill Sylas and she despises killers and her ideals and morality is the most important thing to her, oh, also that she's good

So you as a Lightcannon writer and someone who is very familiar with her lore and character, could you give me your perspective about this?

Ah yes, that one.

Here's my answer in pictures:

But more seriously. 😆

I think that's a gross oversimplification of Lux's character, and it's generally an argument made by people who don't know who Lux is beyond the most superficial impression.

It's a product of a mindset that can't separate modern ideals of 'morality' - what would be moral to you and me, from our culture and our moment - from a character raised in a very, very different culture and a very different world.

A good example is the opening scenes of A Game of Thrones, we witness the horrible slaughter of a group of Night's Watch by the Others. The lone, desperate survivor escapes, and in the very next scene, we see that he's been captured by the Lord of a castle, who is about to execute him for the crime of desertion by beheading with a sword. This man makes his sons watch as he decapitates this poor, innocent bastard who, to us, has done no wrong and just survived a terrifying experience. He makes sure his seven year old, Bran, witnesses him cut a man's head off with a sword.

Meet Eddard Stark, probably the most forthright, honorable, and morally upstanding character in the series.

Look, Lux is a 'good' character. She's smart, compassionate, forthright, and principled. She almost always takes the diplomatic option first and uses violence primarily in self-defense.

On the other hand, she's a Crownguard. She is the daughter of the highest ranking noble household next to the King himself. Her Aunt is the High Marshall of the entire Demacian military. Her Uncle is(was,heh) the head of the Mageseekers, so the mage hunting secret police. Her brother is the Might of Demacia, Sword Captain of the Dauntless Vanguard.

What I'm saying here is that Lux is a military brat. She has been born and raised into the values of a highly militaristic, feudal warrior culture at the very highest level of that society. She's been trained in warrior arts - riding, swordfighting, archery, and military tactics and strategy - since she could walk and form words.

In her old lore? She was literally a traumatized, brainwashed child soldier taken from her family and trained to fight for Demacia.

In her new/current lore? She's still a trained spy who has succeeded at several covert missions within Noxus.

We've seen her fight monsters and Mageseekers in the M.S game, she didn't hesitate to shoot Sylas with a crossbow and stab him with a dagger until his mages dragged her off him in the comic, as above.

She also witnessed her brother behead a man in the For Demacia story; she was trying to intervene because she had sussed that there was something else going on, and therefore his death would have been unnecessary and unjust, not necessarily out of protest at the death penalty itself.

It's worth noting - as the Mageseeker confirms - that Lux stayed out of the mage rebellion not out of 'naive pacifism' as she's sometimes accused of, but because: 1. She couldn't forgive Sylas for his betrayal.

2. A desire to protect the noncombatant refugees in her care.

3. She's still loyal to Demacia and her family and refused to fight her own kin.

4. because she knew if she stayed neutral, she could leverage her Crownguard privilege and name with King Jarvan to negotiate protection for mages after the conflict.

Which, y'know, she did.

All of these are products of who she is a character, a Demacian, a Crownguard, and a canny political operator. None of these are blind pacifism, this is the kind of soft power "Fox" move Mel Medarda would recognize and approve of.

So no, Luxanna Crownguard isn't going to be put off by Jinx's violence.

Violence is inherently part of her world, too. Demacia is a 'medieval' feudal regime that is almost perpetually at war with its neighbours and, in some ways a harsher, more brutal place than Piltover and Zaun, particularly its notions of 'justice'.

Piltover is only about 50% likely to have public executions as entertainment/morality lesson, Demacia absolutely 100% does and we've seen two of them in canon, is what I'm saying.

I think Lux would understand that Jinx committed terrible deeds, yes, as part of a civil conflict that Lux herself would be coming at with only an outsider's understanding.

Lux knows exactly how it feels to have best intentions blow up in your face, to be backed into a corner and forced to take some pretty extreme actions to survive.

I don't think, after her actions and choices triggered the Mage Uprising and cost untold lives across Demacia, Lux would consider her own hands clean enough to judge someone like Jinx. Sure, Lux didn't mean to give Sylas her power to commit second hand mass murder, but Powder didn't mean to kill her family either.

And it's also worth noting the part of Sylas' actions that Lux doesn't forgive - especially in the Mageseeker dialogue - is specifically the personal betrayal of her trust, outing her as a mage, and ruining her life.

She understands his cause. She won't join it, because that would mean siding with someone who wants to kill her family, but again, Lux's reasons for choosing not to fight are much more complex and personal than 'she hates violence'.

She's able to compromise enough to accept Sylas' help when her city comes under siege, because while Lux is a 'good guy', she's also a pragmatist first.

I think Lux would see a lot of Sylas in Jinx. I think she would see a lot of herself, as well, particularly once she learned about Jinx's past, about Silco (basically Jinx's Sylas figure, no?) and about everything she's been through.

I don't think Lux would judge her for that.

I feel that Lux would try to be the voice of reason, the hand holding hers to ground her, maybe even the olive branch to help her try to repair some of her burned bridges (this is certainly what she tries to do in Ill-Omen's) and that could cause interesting conflict in their developing relationship.

But I think Lux would understand. Jinx may be more volatile and spiteful and personal in her use of violence, but she's shaped by experiences not far from Lux's own.

And by Season Two? Yeah, no, Season Two Jinx is well and truly on her hero arc. Post-Season Two Jinx? Especially if she's trying to put violence aside and heal?

Post season two Jinx, who's grieving losing her father, her sister, her child? That Jinx would absolutely attract Lux's compassion even more than before.

I've written so many words to answer it, but to me, it's such a non-argument to begin with. You have to not even look at Lux past "blonde nice girl" to think it.

[sanska]

“If I turn from the beach there is no roof in this tenantless island, no way shows a passage, circled by waves of the sea; no way of flight, no hope; all denotes dumbness, desolation, and death. Nevertheless my eyes shall not be dimmed in death, nor my senses secede from my spent frame, until I have besought from the gods a just penalty for my betrayal, and implored the faith of the celestials with my last breath.”

I feel like depictions of Ariadne on Naxos kinda mostly portray sleeping or sad Ariadne but like. Where’s my “sped-run the five stages of grief on Naxos” Ariadne. All this to say I love “pissed off and calling for divine intervention” Ariadne from Catallus 64 very much speak your truth darling

Also added a bunch of panels where her thread leads a silly little guy to her because I want her to have a happy ending :]

[rnelodyy]

The Owl House And Restorative Justice

At the end of Season 1 of The Owl House, it is revealed that Lilith, the main overarching antagonist of that season, was the one to curse her sister Eda, one of the protagonists, to win a tournament when they were teenagers. This information causes Eda to fly into a screaming rage and attack Lilith, and understandably so.

Eda’s curse is essentially a chronic illness, one that, in Eda’s own words, has ruined her life, being the reason she’s considered a social outcast and why, before meeting King and Luz, she hadn’t gotten close to anyone in years. In season 2, it’s revealed that the curse is why she pushed away her partner Raine to the point that they broke it off with her, and that during a particularly bad flareup, she accidentally maimed her own father, leaving him half blind and with permanent nerve damage to his hands, making him unable to continue working as a Palisman carver. The curse has ruled Eda’s life for decades now, so to Eda, this is the ultimate betrayal.

In the first episode of Season 2, Lilith has defected from the Emperor’s Coven, split the curse between Eda and herself to mitigate the symptoms for her sister, and has moved in with Eda at the Owl House. While Lilith herself still feels guilty and feels she has to make it up to Eda, everyone else, Eda included, has seemingly either forgiven her or chosen to look past it. Eda even makes fun of her for feeling bad about cursing her, and Lilith’s guilt is seemingly absent for the rest of the series. 

The response to this was… Less than stellar, shall we say. A lot of people were angry, saying Lilith got away with her crimes without even a slap on the wrist, and that Eda’s forgiveness of her was far too sudden.

This isn’t the first time we’ve seen this kind of critique. Amity spent years bullying Willow after her parents forced her to break off their friendship, and when she began trying to mend that relationship, the response from fans was that Willow should have been a lot more angry at Amity, and that they went back to being besties far too soon. I’ve even seen this criticism leveled at Hunter for the things he did while working for Belos, at Vee for impersonating Luz for months to trick her mother, and at Luz for hiding the fact that she helped Philip find the Collector from her friends. And it does seem strange for the show to keep tripping on this same point again and again.

Except, it’s not really. Because I think that, when viewing this show from a different angle, those supposed flaws are actually symptoms of something very important to understand – The Owl House operates on a system of crime and punishment that is very different from our world’s.

More specifically, our world mostly utilizes retributive justice. The world of The Owl House utilizes restorative justice.

So first, what do those terms mean? Broadly, they’re two different forms of handling interpersonal disputes, or dealing with crime. 

Retributive justice is the one our current justice system uses, where the focus is primarily on punishing the perpetrator. Retributive justice can mean detention, suspension, expulsion, jail time, monetary fines, some kinds of community service, exile, or in more severe cases, corporal punishment or the death penalty. It’s the lens most people view the world through, where if someone hurts you, hurting them back is the correct response.

Restorative justice is a very different approach, where you instead focus on helping the victim recover from what happened, and rehabilitating the perpetrator to prevent this from happening again. Restorative justice can look like verbal or written apologies, monetary compensation for costs and trauma, therapy for both victim and perpetrator, education for the perpetrator, mediation between victim and perpetrator, a restraining order, etc. 

When viewed through a retributive lens, The Owl House lets its characters get away with a lot of shit. Lilith cursing Eda, Hunter rounding up Palismen knowing they’ll be killed, Amity tormenting Willow for years, it’s all stuff that, in a retributive environment, they should be punished for, and they’re just not. Eda is only genuinely angry at Lilith for two scenes, Amity and Willow fix their relationship very quickly once Amity starts making amends, and Hunter isn’t punished at all. 

However, I believe the story of The Owl House is best viewed not through a retributive lens, but through a restorative lens.

Let’s look at the Lilith-example again. Lilith’s offense was cursing Eda, which she did because she wanted to win a spot in the Emperor’s Coven. Knowing Eda was better than her, she cast a curse on her, thinking it would only last for a day. But when the time came, Eda forfeited the match, soon after which she transformed into the Owl Beast and was pelted with rocks until she ran. The curse turned out to be very permanent, and Lilith spent the next 20 years trying to fix her mistake by working for Belos to try to capture Eda, since he promised to heal her curse. 

However, when she finally succeeded, Belos went back on his promise. Instead of healing Eda, he ordered her to be publicly executed. When Lilith protested, Belos essentially told her to shut up, that it was the Titan’s will, and left her there. 

So, having realized her method of fixing her mistake has gone real bad, Lilith sneaks down to the Conformatorium to free Eda herself, but arrives too late and finds Luz instead. After a brief fight they end up teaming up, and Lilith leads Luz to the elevator, but they are captured by Belos and Lilith is thrown into the cage with Eda. There, she restores Eda’s partially petrified body, and after fleeing with her, Luz and King, uses a spell to split Eda’s curse evenly between their two bodies.

From a restorative justice point of view, Lilith has done pretty much everything she reasonably could do to fix things. She’s denounced the Emperor’s Coven, returned Owlbert to Luz, helped Luz find the elevator to the execution platform, saved Eda from petrification, apologized to Eda, and while there’s no way for her to cure Eda’s curse entirely, she took on half of the curse at great expense to her own health, in order to ease Eda’s symptoms. 

Eda isn’t angry anymore because in her eyes, Lilith has already fixed things with her. Punishing her more at this point is pointless. What more could Lilith do, really? What other lessons could she learn? The only thing that punishment would bring at this point would be more suffering. 

Let’s look at another example: Amity and Willow.

Amity’s offense was breaking off her friendship with Willow because she was a late-bloomer, bullying her for years, and allowing her friends to do so too. Willow is left with horrible self-esteem issues because of this, and combined with her failing grades, turned her into a horribly shy and withdrawn wallflower (no pun intended). After she’s moved to the plant track she starts actually getting better, but Amity and Boscha especially continue to torment her. While Amity’s bullying of Willow does peter out over time, Willow is clearly still extremely resentful of her. In an attempt to make Willow forget their friendship, Amity accidentally sets most of Willow’s memories on fire, leaving her confused, amnesiac, and unable to grasp basic concepts like that chairs are for sitting in.

Luz pushed Amity into fixing Willow’s brain by going into her mind together and piecing her memories back together. There, the Inner Willow revealed what happened to Luz and the audience.

At this point, Amity shows her that her parents were actually the ones who forced her to end the friendship because they didn’t think Willow was a suitably powerful or influential friend, threatening to make sure Willow would never get accepted into Hexside if Amity didn’t force her to leave. Amity then apologizes to Willow for going along with it, and for the bullying, and vows to make sure her friends never mess with Willow again. 

Willow accepts her apology, but also makes it clear that, while it’s a start, she’s not yet ready to accept Amity in her life again. Restorative justice has not been fully attained, because to Willow, Amity hasn’t fixed everything – Boscha and her squad are still bullying her, and still consider Amity one of them. This changes two episodes later, when Amity tells Boscha to grow the fuck up when she starts bullying Willow again, and joins her and Luz’s Grudgby team despite her personal issues to get Boscha to back off. Willow doesn’t make a grand gesture of forgiveness in this episode, but it is after this point where the two become comfortable around eachother again. 

Did Willow forgive Amity too quickly for years of trauma? Maybe. If she had chosen to continue keeping Amity at a distance I certainly wouldn’t have blamed her. But in the end, Amity fixed the mess she caused as best she could, and has proven herself to want to be a better person, to want to be Willow’s friend again. She worked hard to prove herself to be a person worth trusting, and Willow decided to give that trust a chance again.

And while they did become friends again, that friendship was clearly still affected by what happened, which led to bumps that the two of them had to work through. Like in Labyrinth Runners, where Amity’s overprotectiveness over Willow makes Willow feel like Amity thinks she’s incompetent, and still only sees her as the helpless person she used to be. 

Willow continuing to be mad at Amity and punishing her for what she did wouldn’t be an unreasonable reaction, but it wouldn’t have fixed anything. It would certainly have an impact on Amity, seeing her former best friend rejecting her attempts to make up for what she did, but the hurt on both sides would have continued festering, because deep down, Willow missed Amity too. 

In Hunter’s case, there’s the question of whether he can even be held responsible for his actions. The Palisman-kidnapping in specific was explicitly done under duress – if he failed he would face verbal and physical abuse, and be threatened with his nightmare scenario: getting thrown out of the Emperor’s Coven. 

And that’s not an empty threat either. Hunter has no magic, and Belos has drilled it into him that witches without magic have no future. Without the Emperor’s Coven, his only future prospects would be starving to death on the streets or wasting away in prison. Either way, Hunter would be alone, without family or friends, without a job or job prospects, without anyone to turn to for help. Any child would be terrified of that. Hunter wasn’t always acting on direct orders – in fact he defied direct orders to stay in his room in Eclipse Lake to go look for Titan’s Blood, and then again in Hollow Mind to arrest the rebels. But he made those choices based on the idea that Belos wouldn’t want him if he was a failure, and that he needed a chance to prove that he could still be useful.

And contrary to popular belief, Hunter does know right from wrong. He has a very strong moral compass, he’s just been forced to ignore it in favor of doing whatever the Emperor wants. To shut up that little voice telling him he’s doing the wrong thing, he uses what’s called a thought-terminating cliche, a statement that feels so fundamentally true that the argument need not continue. In Hunter’s case, that statement is “It’s for the greater good.” Sure, kidnapping his new friends and abducting Palismen to feed to the Emperor and threatening someone who’s been nothing but kind to him to take the portal key from her girlfriend and justifying terrorism makes his stomach feel like he swallowed a cactus and saying it out loud makes him sound like a horrible person – but it’s for the greater good. He’s doing it to serve Belos, and Belos knows what’s best. 

So by the time Hunter is out of active danger and able to rest and recover from what happened to him… what would further punishment accomplish? He already knows that he did fucked up shit while working for the EC, and he’s proven time and time again that while he’s not fighting for Belos’s approval, he’s actually a genuinely kind-hearted kid. Punishing him now would likely cause him to react very poorly, because he’s been at the wrong end of that stick so often that he’s developed severe PTSD because of it.

And if you think restorative justice is still in order – Hunter is currently hyperfixated on making sure Belos can never hurt anyone again, and for the long term, he has expressed that he wants to become a Palisman carver when he grows up. While it won’t bring back the Palismen that were killed, it will help the current Palisman population recover and reintroduce Palismen to witches who may have had to give up theirs. 

When viewed through this lens, the writing of The Owl House starts to make more sense. As a show, it is extremely forgiving towards its characters – they’re still held accountable for their actions, but as long as they’re willing to grow and learn and fix the damage they caused, they are very quickly forgiven. 

However, I do understand why these writing choices can be… controversial, so to say. Because it doesn’t feel very satisfying, does it? When someone hurts you on purpose, your first impulse would be to try to hurt them back, that’s just how people work. 

That’s the hardest thing to come to terms with when you become an advocate for prison abolition for example – you’re not just arguing for freeing a guy who got 5 years because a cop found weed in his pockets, you’re arguing for the release, and most importantly, the humanity of some of the most vile, disgusting people this planet has ever produced. Even now, when someone commits a truly awful crime and gets sent to prison for life, my first thought is “Good, I hope they rot in there.” But that’s not justice. That’s just revenge. And revenge is not something we as a society should want to build our justice system on.

It’s not satisfying to see Lilith go from using Luz as a human shield in her fight against Eda to sleeping on the couch in Eda’s house within 2 episodes. It’s not satisfying to see Willow let Amity back into her life when Amity has hurt her so badly before, or to see Hunter become romantically involved with Willow after he literally abducted her the first time they met. But that satisfaction isn’t really the point. Revenge is satisfying in the moment, but an eye for an eye makes the whole world blind, and if someone shows a genuine willingness to change, it’s often better to give them a chance to.

However, my final point is about what happens when this approach fails. Because not everyone is willing to change. Some people, when faced with the consequences of their actions, decide to dig their heels in and refuse to admit fault, or blame the victim(s), or use those same thought-terminating cliches that Hunter used to justify their actions, “I was just following orders” being a big one.

And thus, we come to Belos.

If Belos showed a willingness to change, a genuine one, not an attempt at manipulation, should he be given the chance to? That vengeful part of me is VERY empathetically saying no. But logically, reasonably, he should be given that chance, if only because he’s a human being and no human being deserves to be mistreated. That doesn’t mean his victims are obligated to forgive him or be around him again, in fact I think that, for the sake of Hunter’s mental health, Belos should stay as far away from him as humanly possible. But he should be given the chance to start over, to truly better himself and do something good with the rest of his life.

But Belos isn’t willing to change. 

Belos is a product of a bad environment and grew up with a cult-like mentality and hatred for witches that he had to adopt for his own safety. It’s hard to break out of that mentality, but not impossible. Case in point: Caleb. The tragedy of Belos’s character to me is that he had so many chances to change, so many people to help him make that leap, but all of the people who offered him that help ended up dead by his hands because he couldn’t handle the idea that he may have been wrong.

At this point, Belos is stuck. Changing would mean not only giving up on his life’s work, but acknowledging to himself that everything he’s done, mutilating his body, killing his brother, slaughtering thousands and installing himself as God-Emperor of a population he despises more than anything in order to facilitate a genocide, was completely pointless.

He can’t admit that to himself. Especially the thing about Caleb’s death. He’s sunk-cost-fallacied himself so far into a corner that all he can really do when faced with opposing viewpoints is dig his heels in even deeper and lash out in a rage at anyone who challenges him. Even now, when his body is literally falling apart at the seams, he’s still trying to commit witch-genocide, because it’s all he has. 

Restorative justice doesn’t work in this case, because the perpetrator needs to be receptive to it. Logically you would assume the show would default to retributive justice, and characters like Willow and Camila do take a very vengeful glee in imagining themselves beating the snot out of Belos. But right now, the primary motivation of the Hexsquad and Hunter in particular when it comes to Belos is to end the threat he poses. As long as Belos is alive and free, he will continue to hurt and kill people, and if he can’t be talked down, he needs to be either contained or killed to prevent him from causing more harm.

The Owl House provides, in my opinion, a very nuanced take on restorative justice. It shows how it works in action, how different situations impact what it looks like, and what happens when it’s simply not an option. It’s not the most satisfying story to tell your audience, because when someone hurts our babies we want them to suffer, no matter how sorry they say they are. But in this case, I think that sacrificing that bit of audience comfort is worth it to tell the story like this.

[1000sunnygo]

About Monet...

Her case always stood out to me like a sore thumb because it was the FIRST time a woman in One Piece died onscreen, in real-time. She was not worse than Luffy's other enemies (or allies), she's not a death-penalty-deserving irredeemable and hateable scumbag like Orochi (or Vergo). Even Ceaser is now roaming free. Monet is similar to Baby 5 in many ways, but unlucky as hell. Being a character from a manga where the author tends to give almost everyone a second chance with life, she got none.

Oda said in SBS that Monet and Sugar were rescued from a terrible living condition. The sisters weren't from a poverty-stricken background like Baby 5, at least not initially. In the doodle Oda drew of Monet's childhood self, she had neat clothes and a pair of glasses, and looked like a nerd with her book about birds.

Remember a certain nerd who "seemed" to have a decent childhood in those childhood doodles, holding a dissected frog? It's possible that Monet's life crashed down in a similar manner, maybe at an older age, or maybe her experience with exploitation and betrayal pre-rescue went on for a longer duration. She was 17 when Doffy found her.

Monet is the only character who bluntly tried to flirt with Law. It was a split second thing but what Monet was to Law was not what Law was to Monet. Keep in mind that during the entirety of Punk Hazard, Monet was practically at Law's mercy. There was a gaping hole in her chest the entire time. She seemed - probably the most carefree one has ever seemed with their heart gone, courtesy of Law. It's not like she had no fear of death, Zoro could paralyze her with it. I think it never for once crossed her mind that Law might take advantage of her biggest vulnerability. Similar to how she betted Zoro wouldn't kill a woman, Monet probably held some sort of belief about Law. Ironically she wasn't wrong about Zoro (who indeed went easy on her), but his lesson to her about a cornered tiger became relevant in a roundabout way. She was wrong to assume her surgeon's sympathy.

Unlike Law who had a clear plan on how to retrieve his own heart from Ceaser, Monet seemed to have none on how to get hers from Law. Ceaser said Monet underwent the surgery to spy on Law (pretty sure that she just wanted to be a bird. Utility thoughts came second), of course she had to keep Doflamingo informed about Law's activities, who was blissfully unaware of the latter's revenge plan...

Judging from her weakness to men praising her, maybe she had her own quest for love and Doffy, a women-lover who considered Law to be his reflection, expected things to naturally roll out between Law and Monet and subsequently bait Law to spill his true intentions? We all know in spite of harboring a detailed plan about each other for 13 years, Law and Doffy knew jack about what the other person was truly like.

I can't definitively say that Monet had a thing for Law, maybe it was something she subconsciously considered. But pretty sure that if there's someone who had a good chance of releasing her from Doflamingo's control, it was Law. True that she was a spy and her loyalty ran deep. But the children who were rescued by Doffy in harsh condition were all yearning for love. We've seen two cases where a Donquixote family member loosened their ties to Doffy when they found someone else who promised true and unconditional care. It's possible that with Monet it would've been the same.

Unfortunately, Law had no obligation to 'rescue' her - an enemy, and Oda had no obligation to keep Law clean of this unusually cruel and unremorsed action because Law is not a Straw hat. A man who was poisoned as a child being merciful to a person directly involved in poisoning children wouldn't have come off as a great writing anyway. Leave it to the mushroom hat doctor to have terrible onscreen chemistry with women.

[ynbabe]

Fake texts au- pt.12 bffs with the rookies+ Monaco for one, please!

Literally love the way anyone older than them has to be the babysitter 😭😭😭

| Masterlist |

The week you spent with Oscar and Logan was perfect in every way possible. You woke up with perhaps the worst backache you'd ever had, almost unable to breathe because Logan had shited his entire weight on you... well, that part wasn't perfect but the dinner you had afterwards made up for every ache and pain.

Oscar's mum made every favourite dish of yours and Logans, leaving a very jealous Oscar but at the end of the day, the three of you fell into the same routine you did as kids.

Sleeping late, Waking up even later and eating junk till you couldn't eat anymore (much to the dismay of their trainers) the only different thing is that all three of you couldn't bunk on the same bed. So you took turns, as suggested by Oscar's mother because your first idea was to fight for a spot on the bed.

But sadly, the week had ended and you had to leave, you hugged Logan and Oscar goodbye and made your way to Monaco, where you'd spend the rest of the summer vacation with Arthur.

He'd invited you not wanting to be alone while his brothers had their girlfriends and the last time he'd invited one of his friends from Prema, his mom had pulled him aside and given him the 'you know you can tell me anything, right, son?' he'd simply told her that he was just a friend, and anyways she should have been having the conversation with Charles anyway, with whatever he had going with Max, or with Carlos or Pierre.

You were a little nervous to go, never having been around his family before. You'd met Charles before and had become pretty good friends with him and Max but his mom? His Eldest brother? That was a whole other story.

He picked you up at the airport, drove you to the house, you offered to uber as you weren't allowed to drive in Monaco anymore (its a long story) when you walked in you hadn't realised everyone would be over and were currently on Arthur's back trying to get your phone back for the boy, which he had stolen when he saw the picture of you and Logan, oscar had sent you.

You looked around the room to find Charles, his girlfriend, his eldest brother, and their mother, staring at the two of you with wide eyes.

You jumped off your friends' back, snatching your phone in the process, "Um, hi, I'm Y/n, nice to meet you all!" You smiled hugging Charles and shaking hands with everyone else, trying to ignore your entrance.

"I'll go get the bags, yeah," he muttered as he left, his eldest brother following him.

"Maman, C'est une amie d'Arthur, celle dont je t'ai parlé," (Mom, She's one of Arthur's friends, the one I told you about), Charles said something to his mother in French, you tried to decipher with whatever Arthur had taught you over the years but they spoke too fast.

"Celui qui l'a emmené faire la fête?" (The one who took him to party?) She replied, her voice displaying disappointment, making the girl awkwardly standing next to the door frown at Charles for translation.

"Maman..." Charles began but his mother shushed him, making him look down.

Suddenly, the older woman's face and body language changed, doing a total 180, "Y/n, I've heard a lot about you, from Arthur and Charles!" She said with a smile, making the girl slightly jump in surprise, "Come on, sit, the boys will get your bags," she invited the youngest woman to sit and nodded at Charles to help get the bags, he wanted to protest but was nudged in the ribs by Alexandra, making him walk out in betrayal.

"Uh, hi guys," she said awkwardly feeling a little out of place. She felt like she was in front of a jury assessing her every move to give her life in prison and by the look on the mother's face, they were leaning in favour of the death penalty.

"Hi, Y/n," Alexandra began, quickly leaning forward as soon as her boyfriend left the house, " I've seen you around the paddock before, but mostly in Mclaren and Williams," She began, "I thought you were dating Oscar, right? Or Logan?" She asked making the girl cringe, she couldn't imagine dating one of her friends.

"Um, no, we're just friends, all four of us," she explained, this is so weird.

"And what about the hyper little British one?" Pascale asked making you laugh,

"Lando? I'm going to save his name like that from now on!" You smiled, "No, no, not at all, I think he's a little too invested in Carlos to even think about dating," you joked hoping to change the conversation, Alexandra smiled but Pascale remained unchanged.

"I've noticed, he's a sweet boy," she nodded, "Are you dating my son?" She asked, not sugarcoating anymore, making you choke on your spit, Alexandra quickly rushed to your side, patting your back.

"Thank you," you took the glass of water she offered, "I'm not dating Arthur!" You yelled as soon as you finished drinking the water, making his mother look at you suspiciously at first then nod.

"Thank you for being truthful Y/n," She began, "My kids are everything to me and they only have me to protect them. Lorenzo and Charles are old enough to understand just how cruel life can be, but Arthur's still naive," she explained slowly. It seemed like Alex had heard the same lecture too.

"Maman! Tell Charlie to stop kicking me!" Arthurs's voice rang as the trio stepped inside, proving her point.

"Maman, please, both of them won't shut up!" Lorenzo complained at his brother's antics, in true older sibling fashion.

"Only because you are stupid," Both Arthur and Charles replied at the same time making the eldest groan and place your bag down, to swat the others. Charles had your duffle and Arthur held your haversack, currently using it as a weapon to hit his brothers.

"Boys!" Their mother called out, making them all stop and pick up your bags, and carry them to some room in the house. Alexandra smiled at their antics and Pascale just shook her head.

"Sweetheart, come on, let's have some dinner, I'm sure the flight has you hungry and tired," She practically dragged you to the dinner table. You sat next to Arthur, Alex and Charles in front of you and Lorenzo and Pascle and either head of the table.

After the strange test of sorts, everything was normal, you joked along with the others, and the brothers often fought making you and Alex look at each other and laugh. You were getting along with her the most, being quite close in age and humour. However, as the night continued the jet lag became more and more of a problem.

Arthur was the first to notice your head falling as you sat, "Maman, We are going to turn in," you both began to get up but Lorenzo spoke up, making you stop.

" Où penses-tu aller?" (Where do you think you're going?) The older man asked.

"Ma chambre ?" (My room?) Arthur answered.

"Non, elle couche avec Alexandra, tu restes avec Charlie," (No, she's sleeping with Alexandra, you're staying with Charlie) He replied making both brothers angry.

They started talking over each other, yelling and shouting, you definitely made out more than one curse word. You looked over at Alex silently asking if she knew what was happening, but she just shrugged.

"You're so annoying, Lorenzo, Je jure devant Dieu que j'aurai une chambre d'h��tel !" (I swear to God I will get a hotel room!) He screamed making everyone quiet down.

"Don't yell at me, it was maman's idea," he looked at his brothers a little guiltily, making everyone look towards the eldest woman on the table.

"It's okay, Charlie, reste avec ta petite amie, Arthur soit avec ton ami." (Charlie, stay with your girlfriend, Arthur be with your friend.) Everyone seemed to be okay with the decision, though you didn't know what the decision was.

Arthur patted your shoulder, making you get up and follow him to his room. As soon as you walked in you kicked your shoes off, falling face-first on the soft king-sized bed. He followed suit, dropping himself on the opposite end of the bed, and turning his head to face you.

"I don't think your brother and mum like me very much, Princie," You spoke in a soft voice, too tired to even sit up.

"Nah, they are just over-protective," he answered, his voice nothing but a whisper.

Slowly your eyes drifted shut, letting yourself succumb to sleep.

"Bonne nuit, chérie."

Taglist: @dark-night-sky-99 @cashtons-wife @i-wish-this-was-me @thehufflepuffavenger1 @eugene-emt-roe @fangirl-dot-com @landosgirlxoxo @aquangxl @sachaa-ff @tyna-19 @assholeinatrenchcoat

[chairofchaos]

Betrayal

@lady-of-tearshed poked the bear. So… have fun everybody!

This is dark! Violent. Graphic. Heavy on the ANGST!!! Wrote this on mobile in about ten minutes because I’m not back at my laptop yet, so forgive me the formatting. It just couldn’t wait 😇

@erisweekofficial for Day 3: BETRAYAL.

Eris and Azriel begin a courtship during the war against Hybern

Azriel recognizes the mating bond but says nothing

Eris doesn’t realize Azriel is his mate, and considers the attachment casual at best. Can’t get too attached when you’re constantly days from being killed by your own father, you know?

They frequently meet— but, out of sight, out of everyone else’s mind

Always a different court. With all the troops passing through and refugees from Spring, it is easier than ever to go unnoticed

Beron becomes suspicious at his son’s frequent movements when his guard repeatedly reports not being able to locate him

Beron gives him a chance to explain to save his own skin rather than disgracing the court

Eris turns in Azriel, claiming he has been spying on the spymaster and Azriel is a traitor working with Hybern, using his shadows to keep the King of Hybern up to speed on troops and their movements

No one trusts Rhysand to be objective in his daemati assessment, and no one else is willing to expose themselves as a daemati to intervene

Because no one can corroborate, Azriel is issued a death penalty, to be carried out in his camp of origin two weeks later

Eris is devastated, but the damage is done. There is nothing he can do, though he tries

Sends his trusted soldiers to try to retrieve him and get him out; even attempts to sneak into Night and find him, but no one knows where he is

Eris feels horrible, but he still doesn’t realize that Azriel is his mate

He is on the battlefield when Azriel is killed and is so distracted by the fracturing of his heart and soul that he doesn’t see his brother raising his sword to attack him in a desperate attempt to gain power

Eris dies on the battlefield, Azriel’s name on his tongue and tears streaming down his face. Those who saw it said his tears boiled as they fell, the last whispers of his power burning his anguish into his face

And nobody lived happily ever after.

The. End.

Tag list: @ninthcircleofprythian @c-starstuff-man0 @unanswered-stars @lilah-asteria @dusk-muse

[thatnonameuser]

If a darling cheat on their yandere since their seen as naive, do people think they’ve been deceived and kill the yandere number two or do they kill darling?

If a darling cheats on their yandere (how even you managed to do that is a mystery in itself), the darling isn't punished by the government.

Yanderes are the people who keep darlings in line so everyone will see this like the darling acting out or them having some mental problems that their yandere needs to take care of.

If a darling is caught in an affair, the community sees as the darling feeling neglected by their yanderes romantically or they are trying to get back at them for something or other.

Yanderes aren't punished for a darling acting out unless that darling does multiple crimes consistently or does something horrible like murder. Killing a yandere is the only crime that gives out the death penalty to darlings, as their the person that looks after you.

Darlings might be punished by their yanderes if the yanderes see the affair as an act of betrayal. If they live in a Darling friendly country, the yandere has to get approval to give them an extra harsh punishment. Every where else, they'll give it to you straight away.

Remember, killing Darlings is seen as the worst crime imaginable, so it's only used as a punishment in the worst of circumstances.

[underrated-d20-event]

Prompt list for underrated d20 month in February!

taglist: @whomst-the-hell

List typed out below cut

Reminder that you do not need to use both prompts. You could if you want to, but you are free to only use one or the other. For example for Day 1 you could make content for Pirates of Leviathan, or you could use the Fear prompt and make content for another season like The Seven

Rules and context:

Please tag this account with any content you make for this event so I can reblog it:)

If you are new here, what is this event?: This event is made to celebrate and create Art, fanfic, edits, cosplay, ect for underrated d20 seasons/characters. This can include seasons/charcaters that never got a lot of attention, or it could be seasons/ chararcters that got a lot of attention while airing but the fandom died out after the season ended.

What is considered underrated?: Underrated is subjective but the definition I am using is, if it is hard to find recent content for it, then it is underrated

As a general rule, I do not consider IH PCs are not underrated. I also do not consider the Misfits and Magic PCs to be underrated (However this one is subjective to change based on how popular mismag is in February)

However, content about underrated NPCs from those seasons is completely okay.

I am considering Misfits and Magic season 2 to be the cut off for this event. As in, I know dungeons and Drag queens season 2 is going to come out soon, however as it will still technically be airing by the time this Event starts, content for it will not be vaild for this event (season 1 exclusive content may be allowed, this depends on what season 2 is like and what the community around it is like at the time)

Is anyone has any questions feel free to send me a message and I'll happily answer :3

List typed out:

Day1: Pirates of Leviathan/Fear

Day2: Mice and Murder/flowers

Day3: Tiny heist/Betrayal

Day4: Coffin Run/playlist

Day5: Shriek week/ penalty

Day6: The seven/ No one to blame but....

Day7: Mentopolis/ Hope

Day8: escape from the bloopkeep/ A broken item of personal use

Day9: Myrtle(PoL)/ discovery

Day10: Fettuccine Alfredi/ Mirror

Day 11: Rapunzel(neverafter)/ Found Family

Day 12: Easter (unsleeping city)/Hoilday

Day 13: Swifty/ Study

Day14: Constance Brockhollow(M&M)/ Duel

Day15: Burrow's end/ secret

Day16: Theodore(ACOFAF)/ injury

Day17: Madam Loathing(Mentopolis)/guilt

Day 18:Collin Provolone/ poison

Day 19:nsbu/ AU

Day 20: Barbarella(PoL)/ The view

Day21: Lemli Irving/Doomed

Day 22: Bud Cubby/ sunk

Day 23:General Rococoa/ riches

Day 24: ACOFAF/ History

Day 25:Sugarplum Fairy/ death

Day 26:Cheese (PoL)/ Rain

Day27: Karna Solara/ Hurt/comfort

Day 28: Ana and Amelia(TUC)/ leader

[homoeroticbetrayal]

Iconic Homoerotic Betrayal: Round 2

Round 2 Directory

Context:

Judas/Jesus

Summary by Clock

Judas sold Jesus to the Romans for 13 pieces of silver. He signaled the Romans and marked out Jesus amongst the disciples with a kiss. (He could have just pointed and said "that's Jesus" but he decided to kiss Jesus one last time.) He later hung himself, the 13 pieces of silver laid unspent by his feet.

Geto/Gojo

Summary by @gosephjoseph

Together, Satoru Gojo and Suguru Geto were “The Strongest” in both power and bond, each other could seemingly endure anything as long as they had each other. Geto was Gojo’s moral compass who taught him compassion towards the weak and inspired Gojo to protect others in spite of himself and was able to unlock his true potential. Geto, ultimately, burnt out from his consumption of curses and disdain for humanity ended up denouncing his ways in a violent matter. When confronted by Gojo, Geto made it clear that this was his path to fight for whereas Gojo could simply do what Geto was set out to do without effort. The two were no longer the strongest together, Gojo had become the strongest alone and was not aware until after Geto left. Once aware of this change, Gojo states that it isn’t enough for him to be “the strongest” if he couldn’t save those (Geto) who didn’t allow himself to be saved.

Despite the death penalty on Geto’s head, Gojo refuses to kill him right away, and even after he manages to 10 years later does not allow his body to be cremated which enables the cursed deity Kenjaku to inhabit his body. Kenjaku exploits Gojo’s weakness for Geto in Shibuya, basing his entire plan on the notion that the unstoppable all-powerful Gojo Satoru would only stop at the sight of the late Geto Suguru, and he was correct. Gojo is able to see through the farce and rejects his Six Eyes telling him that it’s the same Geto Suguru as his SOUL knows that it isn’t him.

Throughout their story, despite the betrayal the two hold each other in their hearts; Geto fondly remembering Gojo while Gojo still holds trust for him even after Geto proves to be an active threat. His last words to Geto, while unreleased to the audience, are able to make Geto smile fondly and asked to be cursed instead.

[rorja]

Hiiiii! We've been absent for a while (rja the only one keeping this blog alive) because we are working on a very long fanfic.  It's a rewritten jjk plot to fill all the plot holes (but also adding new stories..) from Gojo and Geto's high school to their adult days.  There will be two readers, and ofc to avoid confusion they will have names so.. yeah. They're the so hated ocs that we fanfic writers are afraid to put out.  This story has been in our drafts since november of the last year and after so many "let's keep going", "let's rewrite everything" and "okay enough I need a break" we thought it's been time that we need to be brave.  So we wanted to share with you the two ocs and a teaser of the first chapter will come out in a few days.  ⸻YURIKO IORI

First year along with Nanami, Haibara and Marja. She's from the Iori clan and is Utahime's cousin. Her mother had been involved in a scandal about binding vows with curses that brought the elders to condamn her to the death penalty. Yaga, and old friend, pleaded them to spare her daughter and to give her custody to him, promising to take care of her and assuring she would not take the same path as her mother. Yaga took care of her, to the point he sees her as his own daughter. 

Personality: 

After so many years of being criticized because of her mother, she's a natural introvert that hides a lot her feelings. She's an open book only to Yaga and her friend Marja… and later also Gojo: her aloof attitude firstly irritated him, then appealed him and then it will be the fake walls he knew so well she liked to put up to avoid confrontation and dealing with her problems by herself.  When teased, she has the ability to think of very mean clapbacks in few seconds and that is the main object of Geto and Gojo's fun towards her. But in reality, she is very kind and loving to her friends, often taking the role of the one taking care of others however only Shoko sees her as a little cat that hisses but instead wants cuddles (and wants to be spoiled).  She's very smart, being one of the best first year student along with Nanami, her only weakness being math. Like Utahime, she loves music and plays the guitar alone in her dorm room and can be always heard humming songs. 

Relationships:

Marja's best friend. Her friendship with Nanami was born thanks to their time spent studying together. Haibara admires her ability to be so organized and smart, often preaching she's born a natural leader which frustrates her because she never received compliments like that. (He's find her also scary when she's angry). 

Her relationship with Gojo at first is only based on bickering, due to his arrogant personality that teases her to get a reaction and attention that he wants so badly but doesn't understand why. After the star plasma vessel arc, they get even more awkward. Even if both of them focus more on mission to avoid the school ground and process what they had been through, Gojo will manifest his dislike and worry of her career by calling her weak or diminishing her achievements causing many fights and long period of silence between the two. Everything will change after Geto's betrayal, Gojo's pain will finally show his true colors that will make friends that spend the nights together talking and reflecting about everything to the point of finally admitting their feelings for each other. 

Fun facts: 

She's an october libra as she was born October 16th. Though she's not fond of astronomy, she likes to indulge Marja. 

Yuriko would often be caught by Yaga trying to help both Marja and Haibara cheating midst their exams, throwing at them paper balls with the correct answers (which are useless because she has a terrible chicken writing)

Marja is responsible for her most used nickname: Riko-chan. Then later used by the whole group as an inside joke to make fun of her.

She is the only one that knows how to manipulate (fully on the term!) Marja. 

Yuriko is a bit of a perfectionist; something that is very well-known among the group, making her get along well Nanami. Indeed, he was the first one she befriended at school and the two of them would be often spotted on campus studying together. ⸻MARJA SATOU

First year along with Haibara, Nanami and Yuriko. She comes from the Satou clan and is the only heir, though she's not that well accepted in the family because her father is a foreigner, making her only half japanese. Regardless, she does not get along with her father, often scared of him to a fault because of the insane pressure due to her unusual cused tcursed technique and his tight connection with an italian cult. Her past is the reason behind the binding vow limiting her own technique.

Personality:

Marja is a very energetic girl, but her energy is mainly focused on having fun with her friends or pulling Yaga's last strings of patience. The group first hang together because of her: indeed, it all started when Marja and Shoko got paired up in the morgue and they started to work together. On her part, Marja is an ambivert girl that at first glance could pass up for an introvert, but it's when she gains confidence that her real personality takes an unexpected turn and it gets revealed her playful, laid-back and lazy true persona. Naturally this side comes out mostly with Yuriko. She shares some personality traits with Haibara, which is the main reason they get along so well to be called by the others 'twins'. Marja is quick to adapt to every situation she's in, without as much as to blink. It comes natural to her. But underneath her carefree personality, she hides a more mature side which is not often on display, not even with her best friend Yuriko and that is something that finds its root in her troubling past. Marja doesn't seem to take her job as jujutsu sorcerer seriously, but her words often tend to contradicts what she really feels or thinks. Her complexity lies in the fact that her morals are not defined nor she has firm beliefs, which is something that she carries from her childhood and could end up clouding her judgment.

Relationships:

Yuriko's best friend. She loves hanging out with Haibara, often preaching they are platonic soulmates or twin siblings in another life. Marja also gets really along with Shoko, as the two of them would spend most of their time closed inside the morgue either to tend to their researches or learning bits of medicine with the same professor. The only person Marja doesn't get along with is Gojo Satoru, for their personalities would often clash and crash. Nonetheless, their bickering could be considered as that of a siblings relationship, as none of the two gets taken seriously by the group.

Her relationship with Geto begins one-sided, for Marja develops a crush on the boy the months that followed the school's start. Their relationship begin very subtly but steadily, and somewhere along the road Suguru starts to feel the same way about the girl. Back in high school, Geto is seen to care for and spoil the girl a lot, even in something small as sharing their meal. Even so, Marja tends to be a bit clueless to Suguru's own way of showing his affection, believing that the boy treats her the same way as the other members of the group. After the blood vessel incident, both of them start to drift apart but after Geto's defection things only seem to worsen: on the very night Suguru massacred a whole village, he ended up hurting Marja as well which is something he would feel guilty about his whole life. On the days that followed his betrayl, it becomes painfully aware to everyone how much Suguru loved Marja, as he kept some polaroids of her between his poetry books. They of course don't see each other for a long time, and even though they share the same feelings, they will never have the chance to confess to each other. 

Fun facts: 

she absolutely despises Gojo Satoru and when she noticed that Yuriko had crush for the very same guy, she almost killed herself. For this very reason Marja is responsible for most of Satoru's nicknames: from snowflake to mess of limbs. She gets very creative when it comes to badmouth the guy.

She was born on June 27th, making of her a cancer. She likes to indulge in western astronomy and likes to make it everyone's problem (mostly Yuriko, who is always the victim no.1 of Marja's interests!)

She uses a family's heirloom that controls the wind to fight, for her cursed technique is quite useless in combat.

Marja is known to have a weird interest for the human's brain, whether it is in dissecting bodies together with Shoko in the lab or having a small figure of a brain on her desk.

Yuriko is responsible for her most used nickname: Ricchan. Then later used by the whole group as an inside joke to make fun of her.

If you have any kind of questions, please ask us because we want to talk (yap!!) about this project so badly and a post isn't enough!

[nesiacha]

The Dark Side of Victor Hugo: His Fervent Support for Colonization

Warning: at one point there are shocking writings about the atrocities of colonization. Sensitive souls should refrain.

Here is the greatest shadow in Victor Hugo's legacy: Algerian colonization. I'll share some of his writings with you. Here's what he said in 1830 (he was a royalist at the time and had not yet become the leftist man, the fierce opponent of Napoleon, and one of the few writers to defend the cause of the 1870 Communards):

"Algeria. Military colonization must cover and envelop civilian colonization as a wall covers and envelops a city. Military colonization is a living wall. What better continuous barrier than a French camp? Put the soldier in front of the settler as you put iron at the tip of a spear." (Ocean, note dated by René Joumet between 1835-1840 in Victor Hugo, Complete Works, Robert Laffont, Bouquins collection, Paris, 1985, vol. Ocean).

He continues to advocate for colonization during this period, saying: "I believe that our new conquest is something fortunate and grand. It is civilization marching over barbarism. It is an enlightened people going to meet a people in darkness. We are the Greeks of the world, it is our duty to illuminate the world."

Of course, he strongly disapproved of Louis-Philippe I's decision to imprison Emir Abdelkader. But he remained a fervent supporter of colonization. Sure, there is a brief note expressing his outrage at the treatment of the colonized, but he did not make it a public stance, unlike the other causes he held so dear (such as opposing Napoleon III's authoritarian drift, the death penalty, and supporting the Communards). So, it does not seem that he considered this issue very important compared to his other causes, and he refused to see the core issue: colonization. However, I will share this excerpt with you: "The army made ferocious by Algeria. General Le Flô told me last night, October 16, 1852: 'During assaults and raids, it was not uncommon to see soldiers throwing children out of windows, which other soldiers below would catch on their bayonets. They tore earrings from women’s ears along with their ears, and cut off their fingers and toes to take their rings. When an Arab was captured, all the soldiers he passed on his way to execution would laugh and shout: cortar cabeza! The brother of General Marolles, a cavalry officer, speared a child on the tip of his sword. He at least has this reputation in the army and failed to adequately justify himself.' Atrocities of General Négrier. Colonel Pélissier: Arabs smoked alive." (Victor Hugo, Choses vues, op. cit., vol. History).

In 1862, he said in Les Misérables, if I’m not mistaken: "Algeria, too harshly conquered, like India by the English, with more barbarity than civilization, the betrayal of Abd-el-Kader." A condemnation that, in my opinion, remains discreet and especially inconsistent with what he would say later. For example, on May 18, 1879 (by which time he had become the left-wing figure remembered by history), he stated: "Asia has its history, America has its history, even Australia has its history, which dates from the beginning of human memory; Africa has no history; it is shrouded in a vast and obscure legend […]. The two colonizing nations, which are two great free nations, France and England, have seized Africa; France holds it from the west and the north, England holds it from the east and the south. Italy now accepts its share of this colossal work. […] In the nineteenth century, the White man made the Black man a human being; in the twentieth century, Europe will make Africa a world." He then willingly lies, claiming that colonization is peaceful: "Peoples! Take possession of this land. Take it. From whom? From no one. Take this land from God. […] Where kings would bring war, bring harmony. Take it, not for the cannon, but for the plow; not for the sword, but for commerce; not for battle, but for industry; not for conquest, but for fraternity."

And let's not forget that he once referred to the colonized as "Bedouins" in one of his speeches. No comment needed for this racist remark.

Now, don’t think I’m saying this to bash Victor Hugo. He should be seen with both his qualities, such as his fight against the death penalty, poverty, his opposition to Napoleon III and Thiers, and his rare support for the Communards, and his flaws, like his colonialism tinged with racist overtones, his bad faith, and his lies about colonization — especially when other figures, such as Eugène Mourot, Louise Michel, Jean Allemane, and others, publicly defended the Algerians.

It’s similar to George Sand, whom I mentioned in my post here. Although she called herself a socialist, she fully supported the repression of the Paris Commune and displayed absurd bad faith. Nevertheless, she cannot be judged solely through that lens; she must be viewed in her entirety, such as her public support for the 1848 revolt or her confrontation with Napoleon III over his authoritarianism.

[dangermousie]

And now we know what causes her to seek vengeance and I find it so interesting because he doesn't kill her clan - he doesn't even kill her and the gamblers and courtesans (her BFF dies but it's because she was tortured before; she was not ordered executed, or even tortured after he took over.) But it makes so much sense for her character's idealism and absolutism and the fact that this is her first hero worship AND first love meeting a dose of realpolitik brutality.

When she sees him she hopes...

She tries to speak up...(side note, I love the irony that under the past king, they were tortured into a confession to implicate Jinhan and under Jinhan, their sin is that confession. Commoners really can't win...)

And his reaction. And her face at that OUCH!!!!

It is so interesting to me. Because he does what the assistant asked him (it's a return for the favor of betraying the minister of war) and they are all punished "severely" but - pretty impressively - as I said none of them are ordered to be executed; they are exiled for hard labor for 3 years and to get a whipping which sounds like a brutal amount of whipping but is still not death penalty (and is delayed until they get to the border so they have time to heal.) By the standards of a feudal society, it's a downright merciful punishment. (Yes, they had done nothing wrong, but in that society, being in the wrong place in the wrong time is a crime in and of itself.) This is Jinhan doing his patented thing - paying back favors when he has to but trying to minimize suffering while keeping within the bounds of what will not cause trouble. This is EXACTLY what he did in Qing - I mean he fought (!!!!) on the side of Qing in battles and made buddy-buddy with their royalty ie people he loathed (like he made buddy-buddy with assistant here) and he made things marginally better but he couldn't fix the injustice just mitigate it at the corners (he was able to make sure ransoms on captives didn't rise, but not that they were abolished.) He knows exactly what he can do and what he can't.

And ultimately, despite his cruelly abandoning words, if you look at what he does as opposed to what he says, the punishment they get DOES spare the courtesan's life - ie what FL asked for. Hell, they aren't even making her walk to the border, they are transporting her in a cart. She dies because she was tortured badly before; now she may have lived if she got a doctor, who knows - but at best, it's an indirect sort of thing.

BUT!!!! Here is where their difference in age, life experience, and personality comes in. He's done his best to keep all the competing factions satisfied but she's not a person who can think through that - she is terribly young, she's frighteningly idealistic and absolutist (she was willing to be tortured to death rather than say a false thing, her whole schtick with baduk playing itself was an example of it too.) And more importantly, she fell in love with him but not the real him, not truly, but this perfect paragon of selflessness and perfection she made him in her head. He's a good man and a smart man in an impossible situation, trying his best, but he's not a patterncard of perfection because nobody could be and survive. She herself earlier seemed to have understood that his actions when a hostage weren't a sign of betrayal but survival and making the best out of a terrible situation but when it comes to her and her friend, she's too personally enmeshed (understandably so) to allow herself to think the same. And so she vows vengeance.

The thing is - I think she had some sort of an idealized vision that he'd be able to save everyone and rule everyone without anyone ever wrongly suffering and it's impossible. In his position, she'd perhaps rather die than do what he did and take the throne (or compromise with assistant minister in terms of punishment or w/e else) but with that attitude, she'd have also died in Qing captivity and got a bunch of people killed or less of them freed due to higher ransoms. She is unable to compromise and he's nothing but compromises and it's a collision and I love it so much!

PS As far as we can see, the only people who came close to dying were her courtesan friend who died from prior torture and FL during her escape attempt.

PPS preview shows she will want to work with son of minister of war and ummmm that dude was one who allowed his dad to torture your friend so badly she eventually died. BRAINNNNNN PLS!!! But she doesn't feel betrayed by him I guess because she expected nothing.

[jurygarroth]

what your MCD/MYS fave says about YOU

from my jurygarroth experience

aphmau

endangered species. mostly on aphtwt?

tend to be younger

and also a little more defensive of your favs, not like picking fights but sensitive to negativity and avoid it at all costs

diaries fan? zoeymau. mystreet fan? aarmau

garroth

professional mcd overthinkers, physically unable to stop talking about analysis and interpretations. especially betrayal arc.

very emotional fans

garroth boobies

poly garlaurmau believers

have beef with laurance fans but like laurance

laurance

almost always more of a diaries fan

talkative. most vocal in a shooting the shit way

ginger laurance enjoyer. you’ll draw laurance with orange hair and at least 1 green eye until the end

long tumultuous history with laurmau as a diaries fan or garrance as a mystreet fan

have beef with garroth fans but neutral on garroth

dante

dante angst lockdown good heavens what are you guys doing to him!!

you project onto him a lot don't you.

mostly mystreet fans but you’ll also defend his diaries version with your life

danvis and/or daaron

lucinda

you’re gay

made you realize you like women

pretty quiet all things considered? not usually someone's #1 fav but everyone likes her so she's always high up on their lists

adore her voice actress. her voice is one of the reasons she caught your eye

katelyn

yeah you’re gay

also made you realize you like women

usually the most well-adjusted people, have nuanced takes

you project onto her don't you

travlyn is a comfort ship but you pick the parts of their dynamic you like

travis

you are just joyful peppy people

have a very obvious type in favorite characters, more often than not your favs are filled with other "silly guys with hidden depth" types

ninjago fans??? wonder why that is

trans travis enjoyers

aaron

mostly mystreeters

nobody gets him but you. you look into him and see the characterization he was robbed of and you want to save him

you guys have a lot of thoughts.

aaron boobies

derek lycan HATER derek lycan DEATH PENALTY

zane

literally all of you act a certain way and I don’t know how to explain it. not in a bad way but YOU ALL HAVE THE SAME BRAIN

whether it's zanana zanki zanus zanvis zanemau you have a zane otp that you will put your life on the line for

you want to see him slay. drawing him in indulgent outfits forever

you've put some kinda gender into him

kc

big fan of pink

put a lot of effort into making your online profiles look nice. terminally online and a little silly

involved in or appreciator of some type of subculture fashion like scene, emo, gyaru, lolita etc

usually also a zane liker

vylad

incredibly specific about vylad characterization and vylad headcanons you’ve imagined his whole life’s story in your mind already

obsessed with ro'meave family backstory

your nonbinary.

vylance believers

gene

you have a massive crush on him don’t you