#Because I like being sad

[stromblessed]

Mizu, femininity, and fallen sparrows

In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.

If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.

So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.

I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?

However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.

Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)

And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.

Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.

It does not mean she doesn't hurt for them.

Back to Mizu and collateral damage, remember that sparrow?

While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:

She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.

You see where I'm going with this.

When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:

And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD

When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.

MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS

No wonder Mizu is as stoic and cold as she is.

And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:

Speaking of Akemi - guess who else is compared to a bird!

The plumage is more colorful, a bit flashier. But a bird is a bird.

And, uh

Yeah.

I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.

But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.

Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:

But softness and mercy haven't gotten Mizu anywhere good, recently.

There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.

After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:

"LET" her die. Because as Ringo points out, she doesn't "know how" to die.

Kind of like another bird in this show:

[astearisms]

fionna and cake drawings before and after watching the episodes so far. it’s nostalgic and somehow cathartic and poignant and relatable and—it just started

[cataclysmictide]

Pain's Like Cold Water Your Brain Just Gets Used To It

No Complaints - Noah Kahan/That Funny Feeling - Bo Burnham/Ask Polly: Help I'm The Loneliest Person In The World - Heather Havrilesky/Ladybird (2017)/Tennessee Williams/unknown/No Complaints - Noah Kahan/Perks of Being a Wallflower (2012)/Ask Polly: Help I'm The Loneliest Person In The World - Heather Havrilesky/That Funny Feeling - Bo Burnham/No Complaints - Noah Kahan/That Funny Feeling - Bo Burnham/Unknown/Perks of Being a Wallflower (2012)/'Ectesy' - Georges Bataille/Warsan Shire/Ladybird (2017)/How to Cure a Ghost - Fariha Róisín/That Funny Feeling - Bo Burnham/No Complaints - Noah Kahan

[egophiliac]

C'MON TO THE THEATER!

I love these guys so much. forget NRC, I want to attend their terrible disaster school for disaster children that might actually be plastered on top of the smoking remains of an actively sinking ship. I may or may not actually learn anything, but I will have the time of my life.

[uncanny-tranny]

I recall saying this before, but it bears repeating:

There could be a billion trans people in the world and it still wouldn't be a bad thing because being trans is not a bad thing. Even if the rate of people discovering they are trans is "disproportionate" to trends from decades ago, that is not a bad thing. In fact, it's a natural consequence for there being more trans people being able to stay alive, and, overall, being able to live in a slightly more tolerant world. You'd only see that as a bad thing if you actively didn't want trans people to either live or live a life that facilitates wellness.

[popfizzles]

Scientists and professors have begun documenting wild Eevee with little to no human socialization that are becoming reclusive, feral, harder to capture, and eventually growing to undocumented sizes.

It's a well known fact that Eevee's normally unpredictable and Volatile DNA stabilizes after evolving. However that seems untrue for Eeon, as it retains a largely diverse moveset, embracing its constantly changing genetic structure.

This instability and lack of human interaction makes Eeon threatening to stumble across in the wild, and caution is advised.

[electronicmail]

Firefox-official vs electronicmail

Hydrogen bomb vs coughing baby

okay come up with a better idea then. firefox-official is gone asshole it’s electronicmail or nothing

[divineandmajesticinone]

4 MINUTES (2024) I 1.03 "I didn't think you were like this. Like what? Like this..."

[awnrii]

Perimedes and Elpenor designs?

yes sir right away sir

[viktortittiforov]

breaks my heart how often i see people posting yoi fanart/fanfic after a long time of not engaging w the fandom say that they "know the fandom is pretty much dead". like babes i get why you'd think that but we are very much still here alive and kickin!! sure there's less of us now but i see new fanfics being posted on AO3 almost every day. not even just oneshots either, there's super elaborate multichapter fics too! people are still writing meta and drawing amazing fanart and translating interviews and doing art collabs etc etc. there's even an active discord server (maybe even more than one but i don't know about the others). that's not what a dead fandom looks like. we're LOYAL

[theceaselessidiot]

Eloise Bridgerton being an absolute mood:

and Cressida's reaction of 'this girl is so weird, but I'm into it??? Wait am I into this??'':

[untitledgoosegay]

re last reblog I do see fanfic culture pushing/replicating a certain model of "what trauma looks like," "how trauma works"

this is a problem across all areas of society obviously, but transformative works are, well, transformative. they're about crafting and modifying narratives where the fan-creator sees a flaw or a lack -- often for the better! don't get me wrong, I've done my fair share of "I take a hammer and I fix the canon," it's the main thing that gets my creative gears spinning -- but what happens when that "flaw" is simply a narrative not conforming to popular expectations?

some people just don't get PTSD from events that sound obviously traumatic. they're not masking, and they're not coping; they just straight-up didn't get the permanently-locked stress-response that defines PTSD. they walk away from a horrible experience going "well, that sucked, but it's over now." some people do get PTSD from events most people wouldn't find traumatic. we don't really know why some people get PTSD and others don't. but fandom has an idea of events that must be traumatizing, of a "correct" way to portray trauma. you see the problems with this lack of understanding in e.g. fans pressuring the devs of Baldur's Gate 3 to add dialogue where the player character badgers Halsin about his own feelings on his abuse -- because he must be traumatized, and his trauma must fit a certain mold and presentation of sexual trauma, under the mistaken impression that anything outside that narrow window is somehow "wrong" and disrespectful or even harmful to survivors.

take, for another example, the very common trope of a traumatized character who hates touch or sex "learning" to like touch or sex as a part of their healing process. certainly that can be healing for some people; other people will never like, or want, touch or sex, because of trauma or because they just don't. the assumption that someone who doesn't want sex or doesn't like to be touched must be traumatized, must be suffering from this perceived lack, is seriously harmful -- to asexual people, to people with sensory issues around touch, and to people for whom healing from trauma means freedom to refuse sex or touch.

and there's a secondary trope, one that's slightly more thoughtful but ultimately repeats the problem -- that once someone has learned that their boundaries will be respected, they'll feel it's safe to soften those boundaries. once they feel safe refusing touch or sex, they'll feel comfortable allowing it on their own terms. but many people don't, and many people won't! many people will simply never want to be touched, and never want sex, and they are not suffering or broken or lacking because of it. the idea that proving you'll respect someone's boundaries entitles you to test those boundaries -- the paradox is obvious, and yet this is something i've seen hurt (re-traumatize) people i care for.

people are imperfect victims. people don't heal in the ways you expect. many people have positive memories of their abuse, of their abusers. many people hurt others in the course of their trauma, in ways that can't easily be unpacked in a 5k oneshot. very few narratives of trauma and recovery actually fit the ones put forward by popular children's media and romance novels -- which are the ones I most see replicated in fandom spaces, because they provide the clearest narrative and easiest catharsis, and so they're easy and soothing to reach for.

that's not necessarily a bad thing! i am not immune to goopy romance tropes. i am not immune to teary catharsis. not every fic has to grapple with ugly realities. but there's a problem when these narratives become predominant, when people think they're accurate and realistic depictions of trauma, when the truth of trauma is unpleasant and uncomfortable, and doesn't fit any single narrative, let alone one of comforting catharsis

[cgerice]

Been four years, time for this again.

With the trajectory these redraws are going, Merlin and Gwaine are going to end up just,,, making out. Full on sloppy style right in front of Arthur.

And honestly? Good for them they deserve it lmao

[moonhibs]

I just feel like she hopes she'll become someone better but cries knowing she won't.

[bitegore]

Zionists want you to conflate Judaism and Zionism. Zionists want you to believe that Judaism cannot exist without Zionism and that all Jews are Zionists. Zionism would have Jews believe that a Jewish state is the only way that they can be safe from antisemitism and will point to any instance of antisemitism as proof that Zionism is the solution- so Zionism wants gentiles to be antisemitic in their support of Palestine. They want you to conflate all Jews with Zionism and the state of Israel, and they want you to treat all Jews regardless of political affiliation as the face of Israel. Antizionist Jews exist, and incidences of antisemitism ostensibly acting against Zionism will not help dismantle the forces propping Zionism up.

Don't do their work for them.

[atelierlili]

I always wondered why Katniss factored marriage and children into the equation when it came to reciprocating Peeta’s feelings for her. It’s a rather large leap, especially when Peeta himself never expresses wanting children at any point in the story. He uses children as a tool to persuade Katniss and the Capital to save her life, but the only time we see him express any desire/feelings of having one of his own is when he’s crying after the baby bomb. But we never hear his real thoughts.

But you wanna know who does express wanting children? Gale.

It’s one of the first thing he mentions in chapter one. And it pisses her off so much.

(I also want to add that Gale reframes/establishes the dynamic of Katniss and him caring for their siblings from something that is sibling-sibling to parent-sibling. And he is not wrong. Katniss doesn’t refute him. Both Katniss and Gale are surrogate parents to their siblings. Which is also why Katniss love and affection of Prim, is not just sisterly. I’ve seen people say Katniss is only sisterly to Prim- but she’s not. She’s parentified their relationship to the point she subconsciously see Prim as her child, which makes this a tragedy because she’ll loose her first child no matter what she does by the end of the story.)

But Gale’s phrasing here elevates himself as a potential suitor to Katniss by placing them both as the parental roles to these children. (Which irritates her a lot ). Which is why she brings the topic up with her relationship with Peeta. Because she’s subconsciously aware of Gale’s efforts and knows it will be a point of contention between them. It hangs over her head in a way.

With Gale, children are extra mouths to feed. (But Gale will do fine. He can work. He can hunt.) It’s all framed with calculated survival in mind. But it’s also not something she had planned in the future at any point.

But Peeta’s children? Oh they deserve to be born because Peeta deserves to be a father. He would be such a good father. They deserve to exist in a world where they can be safe and happy. (Even if it’s not with her.)

This is also why I think she subconsciously sees Peeta’s baby as her own. And I don’t think of it as a cruel/heartless thing, it’s just you’d be more protective of your own child compared to someone else’s. Katniss sees Gale as a reliable person who’s equipped to look after a kid. She doesn’t express the same kind of maternal instinct/yearning for the Baby Hawthrone’s safety as she does with the idea of Baby Mellark, because she doesn’t think of Gale’s child as her own. She never hopes for a better future for them, but she does with Peeta because he and that baby gives her hope. And she loves him that much.