#Bearing Tenders

[trashy-greyjoy]

really love dynamics that are like 'it honestly doesn't matter if you view them as romantic or platonic, the point is that they love each other. the type of love is inconsequential, all that matters is that it's there'. gotta be one of my favorite genders.

[hairy-and-smooth-men]

[fawnblooded]

[ixoren]

sweeter than honey

[vaguely-concerned]

having seen at least the rough outlines of all the romances now I have to say that I think emmrich's is probably objectively the best in terms of coherence and completeness of story arc (with the understanding that ultimately the 'best' romance is whichever one makes YOUR heart sing anyway so objectivity is a silly thing to claim that way, it just felt like it's the arc with the most well-paced focused content and the least dangling threads)... but lucanis' is my favourite haha. just. the whole kneeling before your beloved full of reverence but without any of the distance that usually implies??? his complete undramatic certainty and calm in every scene with rook after this, having spent the whole game caught between fear and longing???? mr. lives in a pantry but it says nothing about my psyche don't worry about it it's purely for tactical reasons that I keep myself contained in a small dark room not entirely unlike a cell, love among the parsnips -- finally coming to rook in their room and it's so comfortable and comforting???? after all the times rook supports and comforts him through the game he's finally able to return the same to them when they need it while being so calm and steady and it's so fucking sweet and feels so effortless and with no price attached?????? he basically assigns himself the role of your bodyguard and he WILL stab a god over it??????????????? the turn to protector (which was in his heart all along longing to get out and find a place) of it all????? he sounds like he's found himself unexpectedly stumbling into such a soul-lightening state of revelatory existential relief, full on 'you only have to let the soft animal of your body love what it loves' mary oliver style, and he goes and he shares that with rook and protectively envelops them in it when they're hurting??????????????????????????? hello for the maker's sake hello can anyone hear me?????

[purposechef]

boiling point

[yennyinc]

Acceptance!

[thegoodmorningman]

The Beast is Love!!!

[lurkingshan]

Shan's Favorite Dramas of 2024

The year is wrapping up and I have forced myself to narrow down to a list of 15 (I tried 10 but the choices were too hard!) of my favorite 2024 dramas across genres and countries of origin. This is not every drama I liked this year (that list would be incredibly long), but these are the ones that inspired the most brain rot and really stuck with me.

At 25:00 in Akasaka (Japan, Gaga)

The mood and tone of this drama was just perfect, and I loved the way it explored the blurred lines and confusion that can result when the real and fake aspects of a professional relationship get all mixed up. Hayama was a great character and I loved his arc, in particular.

Cherry Magic (Thailand, Viu)

I still can't believe how much I loved this adaptation. A fantastic example of taking a work from another culture and translating it to a new context while not only retaining the core narrative, but even enhancing it. This show gave us what the Japanese version didn't--the resolution to the physical intimacy arc at the core of the premise--and retained all the charm of the original while adding new humor. And delivered one of the best romances of the year while it was at it!

Don't Care for an Old Man's Underwear (Japan, fansub)

Oppan, my beloved. Easily the best family drama of the year, loaded with excellent messages while (mostly) avoiding feeling like an after-school special. Makoto's journey to update his thinking with Daichi's help, and the mutual friendship that developed between them, is one of my favorite relationships of the year. I loved every character's story; there is something for everyone to connect with in this show.

Fangs of Fortune (China, iQIYI)

This drama was just so much FUN. A gorgeous feast for the eyes, a wealth of fascinating characters and relationship dynamics, and a fast-moving plot that you don't need to try too hard to understand. It was a great binge and Li Lun was easily my favorite villain of the year.

Gyeongseong Creature (South Korea, Netflix)

A gorgeous period piece set during one of the darkest chapters of Korean history, this one took me by surprise (I am usually not a horror girlie). The writing for this show had surprising depth and I loved its themes around family and loyalty and survival under fascism.

Knock Knock Boys (Thailand, Gaga)

My boys! I loved this show about a group of four queer men living together in a shared house, getting into mischief and supporting each other through school and work and relationship struggles. The show is funny and breezy but also manages to tackle some serious issues with grace while delivering two strong romances and my favorite coming out narrative of the year.

Let Free the Curse of Taekwondo (South Korea, iQIYI)

Winner for best QL of the year, and a romance that will be sticking with me for a long time. Dohoe is one of the most honest and unflinching depictions of a an adult psyche shaped by childhood abuse that I have ever seen on my screen. It was healing to see him treated with such compassion and to see him and Juyoung find their way to a happy life together. An absolute must watch for all you angst with a happy ending fans.

Love for Love’s Sake (South Korea, iQIYI)

It's so hard to get a high concept premise like this right, but this drama did an amazing job with it. It's one of those shows where you can go back over everything that happened in retrospect and it all adds up, and I loved that the ending lent itself to so many different interpretations. One of the best watch experiences of the year.

Love in the Big City (South Korea, Viki)

Go Young, my beloved. This drama adaptation of the internationally successful novel exceeded my wildest expectations, and I am still a little stunned that we got the privilege of seeing it. It is, bar none, the most authentically queer show on this list, and a beautiful depiction of all the significant relationships in one young man's life. I will be rewatching it many times and keeping it close to my heart.

Love is Like a Poison (Japan, fansub)

A masterful blend of comedy, action, and romance, this drama about a lawyer with delusions of grandeur and the scam artist who decides to become his partner was a constant delight and gave us my favorite battle couple of the year.

Marahuyo Project (Philippines, YouTube)

I can't tell you the joy and relief I felt to get another high quality queer drama from the Philippines this year. And this one had such a great cast of characters, anchored by one of my favorite protagonists of the year in King. It's funny, it's romantic, it's touching, and as always for a JP Haboc production, it has an amazing soundtrack.

She Loves to Cook and She Loves to Eat (Japan, fansub)

My girls! I'm still amazed by how much this drama gave us in its second season by expanding the world of the show beyond our two main characters to include so many other women whose stories were just as fascinating. This is the season where Nomoto and Kasuga really came into themselves and started building the life they want to have together, and it was a real joy to watch.

Tender Light (China, YouKu)

The way this show had me in a chokehold while it was airing! Visually stunning, incredibly well-constructed, and featuring one of the best performances of the year from Zhang Xin Cheng, it's an exhilarating mystery and a very touching story of the unusual bond between a student and the older woman who fascinates and terrifies him.

The Midnight Romance in Hagwon (South Korea, Viki)

You know a drama is good when it has you deeply invested in a random topic you never thought you were interested in. In this case, that's the intense debate on pedagogical methods between the public schools and hagwons in Korea. Alongside delivering a great romance, this drama was passionate about teaching and it sucked me right in to the Korean literature lessons at the heart of the story.

Unknown (Taiwan)

No other drama inspired more brain rot in me this year than this story of a family rocked by changing feelings as the chosen siblings grow up. The loyalty and love and complex desire between Wei Qian and Wei Yuan is the heart of this story, and the drama did an incredible job of taking us along for the journey as things shifted and changed between them. I still think about them all the time.

Bonus: Favorite Classic Dramas Watched for the First Time in 2024

I am always catching up on an endless backlog of dramas alongside my live watches. Here are the best gems I finally watched this year.

Lost (South Korea, Viki)

I loved this deeply melancholy drama about two lost souls who connect unexpectedly. I finally pulled it up from my to be watched list because it shares director Hur Jin Ho with Love in the Big City (he did part 2 with Go Young's mom) and it sure feels like it! The characters are deep and complicated, the relationships are complex and carefully built, and it is hands down the best encapsulation of a failed marriage between two good people who truly loved each other that I have ever seen. It's heavy and not for everyone--mining the depths of human despair is kind of its thing--but if you like this sort of story it's world class.

Mouse (South Korea, Viki)

I was recently in the market for a good mystery thriller, so I finally watched this apparently very divisive 2021 drama--and if there's a divide I am firmly on the HELL YEAH side of the line. This drama had an interesting concept (that I will not describe bc holy shit spoilers, you should go in knowing nothing) that it unwound with remarkable patience and precision over 20 episodes. Its themes were strong and consistent, the lead characters were super compelling, the plotting and pacing and editing were unbelievably tight, the performances were incredible, and it made a lot of provocative points and ended well, feeling coherent and complete. It sustained my full interest and attention without any stumbles for ~25 incredible hours.

Mr. Sunshine (South Korea, Netflix)

Another one that's been on my watch list forever and finally got its moment when I was in the mood for a historical where ladies got to wield weapons alongside the men. And unsurprisingly, I loved it. Writer Kim Eun Sook is known for her big, glossy, epic dramas, and her style made a good pairing with a story about a rebel faction during the Japanese occupation of Korea. I really loved all the main characters in this show, and was moved by the complicated exploration of their loyalty (or lack thereof) to their homeland. This drama also has a very strong class analysis baked into its themes, which I very much appreciated. It was a traumatic watch, but in a way that felt right given the setting and the choices characters made.

The Miracle of Teddy Bear (Thailand, YouTube)

I watched this one on a mission and it was worth every moment. Nut is one of my favorite protagonists in any queer drama, and I thought the show made great use of its fantasy concept to explore some very real human experiences with depth and compassion. This show feels like an especially important counterpoint to the Thal BL bubble, and I recommend it highly for anyone who enjoys those dramas.

When I Fly Towards You (China, Netflix)

And we end on a light and sweet note, with my favorite coming of age romance that I watched all year. This drama was just lovely, and it will be a go-to rewatch for me for years to come. There’s something so comforting about a story where you start with the happy ending before jumping to the beginning, and just get to sit back and see how they get there. I loved all the characters in this and marveled at how it was never boring despite being decidedly low angst.

[cringefailvox]

ideal radiostatic relationship progression for me personally is friends to enemies to codependency

[unepersonnelouche]

Doodles that started in class, and ended up way prettier than I had planned

[sunnibits]

“You’re doing great! Just… stay with me.” ok jawnnn you big softieeee 😭😭🥺🥺🥺😭😭🥺🥺

[kisslovegoodbye]

"Ice Bed"

© Nima Sarikhani, Wildlife Photographer of the Year 2023,

Courtesy the artist and Natural History Museum, London

[aloofobtuse]

Calling your boss mom is embarrassing, but True Heart doesn't mind.

[purposechef]

post-dinner service debriefing

[thoughtfulchaos773]

I'm thinking of the leak of Claire and Carmy's argument.

I'm wondering if the end of the 3rd season's song "Disarm" by Smashing Pumpkins will give us a clue - at least what the argument will highlight and the theme of season 4.

I think that's the moment- the argument it will reveal the truth of Carmy and Claire's relationship.

If I think about the end of the second season and the song that plays. Half a world away by R.E.M. the lyrics that end with Sydney go it alone foreshadows and tells us about season 3 which starts with Carmy saying I left you alone. (May I had based on that song alone I was about to predict the 3rd season).

But back to the ending of the season 3 song.

Season 3 ends with the song disarm- lyrics:

Disarm you with a smile And cut you like you want me to Cut that little child Inside of me and such a part of you Ooh, the years burn Ooh, the years burn I used to be a little boy So old in my shoes And what I choose is my choice What's a boy supposed to do? The killer in me is the killer in you My love I send this smile over to you

Giving us a hint to the 4th season. This song is quoted by Billy Corgan as:

“... rather then have an angry, angry, angry violent song I’d thought I’d write something beautiful and make them (his parents) realize what tender feelings I have in my heart, and make them feel really bad for treating me like shit.

Disarm’s hard to talk about because people will say to me ‘I listen to that song and I can’t figure out what it’s about.’ It’s like about things that are beyond words. I think you can conjure up images and put together phrases, but it’s a feeling beyond words and for me it has a lot to do with like a sense of loss. Being an adult and looking back and romanticizing a childhood that never happened or went by so quickly in a naive state that you miss it.”  — Billy Corgan on Disarm

Season 4 will explore Carmy's issues with Donna, shedding light on Claire and Carmy's relationship and its core truth. It was an idealized version of what he didnt have his mother and one moment will show just how he's trying to workout his relationship with his mom through claire. How he was dating someone who has versions of donna and idealized versions of Donna carmy never got to experience.

This repeat of donna was outlined in the network script but not the show itself. This claire and carmy relationship in the show is insidious. It's not obvious she resembles donna except for her actions and the camera angles and she's also the happy- "nice" idealized version of donna that donna plays but shows her true face eventually.

It's like the song and how he idealizes a childhood- a teenage love that he never had. But realizing in season 4, like the song's synopsis, his choice in changing- in breaking that cycle of relationships that resembles his relationship with Donna.

This song is about him resolving a cycle that he made the mistake of repeating things so he can move on.

My theory on the argument shedding light of claire- it will probably happen on the night of Tiffany's wedding. They either get back together briefly, so he's Claire's plus one – probably one date to try it again – or he's Richie's plus one.

This show loves parrallels- the argument between claire-carmy-richie will resemble this scene:

Donna yelling- Carmy dealing with her anger- all of it with Richie in the middle just watching not cutting in- but who knows maybe he has changed and will step in when Claire argue with carmy- listening to disarm it's about breakin cycles- changing and Richie will do the thing he's never done with Carmy he's going to stop the argument from escalating or at least he'll try to.

Another clue of a possible parrallel: we get clues throughout the episode fishes that donna is connected to claire. Keep in mind, after the scene with Donna yelling at Carmy to move the pot, we dive into Claire—an idealized relationship Carmy never had.

After the scene with Carmy freaking out about Claire, Richie tells Tiffany about hooking Carmy up. Tiffany is surprised because from what she knows of Claire, she's so nice.

Let's talk more about that nice thing that tiffany says...because it appears through 2x06 fishes.

With the berzattos. Things and people just can't be nice. The berzattos are both kind and agressive. If claire is a bearzatto- then she has the same traits in that household. Probably being nice is not what Claire is- not fully at least.

Why this will happen the night of tiffanys wedding? Because tiffany and richie talk about claire and carmy.

And all tiffany knows is what claire said about the situation.

There's going to be another theme similar to seasons 2 and 3, where Richie and Tiffany are the ones discussing or observing Claire and Carmy's relationship with the awareness of repeating cycles. But it's not just Carmy repeating the cycle of being like Donna; it's also his relationships resembling Claire mirroring Donna.

Because from the conversation with Tiffany and what she was told about Carmy, Claire throws pity parties like Donna.

Sorry, but Claire is having a pity party over what Carmy said while he was having an existential crisis in the fridge.

Claire annoyed with the question are you okay? Yeah similarities as it's been discussed here.

Now that Carmy has faced Chef David, as Jimmy mentioned, he has to confront it head-on. Carmy will begin to see the reality and let go of the idealized versions of his mother. He will see the truth about their relationship, which will lead him to end things that no longer serve him.

Apologizing to those he's hurt the right way carmy is going to be able to smile and show the tenderness in his heart. He'll have the courage to change and no longer carry things and people from his mother. He'll break a cycle.

Now if that argument is about syd? About carmy lying - about not doing anything with sydney?

The climax of the argument: Clairebear is going to try to make Carmy say the words "I love you" just to prove something. just as Donna makes him say the words..

Remember Donna is coming to the wedding too. Both Claire and Donna he'll have to face them, and Claire and Donna being in the same room together will make the resemblance even more obvious.

We shall seee. What a mess.

Tagging: @currymanganese @whenmemorydies @turbulenthandholding @moodyeucalyptus @vacationship @fresaton @vacationship