EPIC: The Musical has me in a chokehold so I made a TBOSAS AU where the tributes are all eldritch creatures whose true might was dormant. Maybe reaping them at the same time was a rebel plot, maybe it was divine intervention, but it happens. It happens and the stress of the situation causes one of them to snap. The others soon follow.
All have eldritch forms tied to an element. Ones that aren’t the traditional four count (so metal, void, light etc). They have minor control over that element aside from the eldritch form and can spawn whole realms where their inner creature thrives which only they can access. So a creature tied to the element fire can be resting in their own personal badass volcano lair and then spawn in the ‘real’ world via a portal in the form of a flame. They can create the flame too, but they can’t travel very far and there are ways to mess with the teleportation. Also, the kids retain a version of their human form even when they’re ‘transformed’ because their eldritch form isn’t an alternate form, it’s more an extension of them that’s hidden until they reveal them. I’m using the word transformation because it’s easier. I’ve got many ideas but I’ll start with what inspired this AU: Treech as Scylla in the song Scylla.
I’m going with snakes over the dogs sometimes used in mythology because I think it’s more terrifying (and also I’ve seen one animatic with adorable serpents and fell in love with the big eyes and boopable snouts and massive razor sharp teeth dripping with blood). Treech’s eldritch form is a base with six ginormous serpents sticking out of it. If his human form’s attached to it, he’s a part of the base, usually with only his upper body visible. He has scales with a gradient of forest green, indigo, and Persian blue. When fully transformed, all of his eyes are a glowing icy blue or maya blue (I want to make them fully black but with all the dark shades that’s less terrifying imo) and his human form has lines of scales going in spirals down his body and creeping up on the edges of his face. When Treech starts his transformation, his pupils turn into predator slits and his irises turn light blue. The blue spreads out until it takes up the whole eye. When he gets mad, it might bleed into the veins around his eyes. The serpents themselves start out as glowing outlines all over his skin like tattoos that start to peel off and slowly grow to the terrifying size of his full eldritch form.
The part in the song after Scylla says “hello :)” is the part where he transforms, his voice slowly sounding more and more inhuman (he can sound like a human but like- go big or go home right?) and instead of just killing six people he massacres whole squads of peacekeepers (though he spares innocents like kids because he’s determined to rub it in the Capitol’s face that a literal man-eating serpent monster is more compassionate than they could ever hope to be) in his quest for both vengeance and freedom. It’s not even the biggest slaughter in the big revenge spree the tributes go on together, but still. I’m giving Treech vague siren-like aspects (his singing voice can cause a loss of focus and amply emotions like fear) instead of the telepathy Scylla has in EPIC. A little nod to the song that started this AU.
I might continue this and I’m working on some art for this AU (might post, might not, I’m not sure yet).
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I love it when women hate men. I love it when women are allowed to vent to each other about how horrible and creepy men are. I love it when women form friendships with and prioritize each other over relationships with men(whether they're attracted to them or not). I love it when women put men dni in their bios and on their nude photos and on posts on their blogs. I love it when women refuse to mollycoddle and accommodate entitled male feelings with "but this doesn't mean I hate all men, I know a few men who are great, I love my father/sons/brothers/uncles/male cousins/guy friends" I love it when women complain about men WITHOUT "not all men" being a disclaimer. I love it when women avoid socializing with/refuse to be around/befriend/get close to men because they know men can't be trusted. I love it when women make "kill all men" jokes. I love it when women offer absolutely no concern or care for men's feelings and if their misandry offends men whatsoever because why should we, men are the oppressor class who have raped and killed and abused us and kept us as subjugated as second-class citizens for millennia, they regularly mistreat us and the women in their own marginalized communities still every single day and make this world so much harder and more awful for us to be in, and if we choose to hate them and not spare them any sympathy then so be it, and I don't just mean "men as a class" either, you can be a woman who doesn't want to have anything to do with any man on an individual basis and completely cuts off men from her personal life too and ykw I will love and fucking support you in that because men deserve absolutely NOTHING from us. If they're so tough and strong then they can handle it just like they can handle being lonely. If you are a woman who hates men, ESPECIALLY IF YOU ARE A LESBIAN AND/OR A TRANS WOMAN, then just know that I love you. I love you, I support you, and you are safe here.
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I'm allowed to make this joke, but I love that Jewish death rituals are like:
"Pfeh, for what should I spend $12,000 on a big fekakte box they see only for five minutes before they cover it with dirt?"
"Don't waste my good suit what might fit my nephew Lev if the bum should ever even try to get a real job!"
"Embalming? Don't mind me, I'll rot in the dark."
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why do people care so much about celebrities' sexualities. like why does it make a difference to you, they're not into you so you have literally no reason to care. stop pressuring them to come out to the whole world. they are not required to come out to you.
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nothing (besides everyone ignoring Orym's deal) has made me angrier than watching Dorian keep up this facade. Dorian Storm has always been a type of mask he's worn. At first he called himself a liar because of it. The happy go lucky bard was a way of escaping for him. He was escaping Brontë so he created Dorian. He didn't believe he was Dorian. Until the Crown Keepers made Dorian real. And for a while, he really believed he was Dorian. That he has this new family and new life and he could be who he truly wanted to be.
And then his brother came back and made his problems Dorian's problems. Until he had to put Brontë back on. Because even if the Crown Keepers + Cyrus called him Dorian, he was Brontë. He had to be who his brother thought he was.
When Cyrus dies, the thread to Brontë had snapped. He was going to see Orym, back to the Bells Hells, back to Dorian Storm. But the foundation of Dorian had shattered. Dorian was created in order to run from his place in life, family, Cyrus. Now he was gone. The Crown Keepers had fallen apart. His friends fell through his fingers and he couldn't do anything to stop it. He was once ready to side with a betrayer god for these people and now they're in the wind.
So Dorian shows back up to Bells Hella and he's completely broken. The foundation of both of his lives has been thoroughly rocked. No brother. No Crown Keepers. The two things that forged Dorian Storm. He wears that mask so fucking well. Because he still wants to believe in it. He said it live on stage that he should "believe his own backstory". The one he made up. The one where he was a bard.
He wants to be Dorian so bad. He spends all his money on Orym, he spins the bottle so he can kiss his friends, he flirts, he blushes and giggles at compliments. Exactly how Dorian would, should.
But he wears the gold of the heir. He has a festering animosity inside his chest. He doesn't sleep. He's thinner than he was. He doesn't sleep. He sicks abominations after their creators. He talks to God's without an ounce of self preservation, daring them to strike him down. He does not acknowledge them as they taunt him.
The god of beauty and magic calls him beautiful and he does not smile.
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I feel like one of the things that gets missed a lot about Sonic and Amy's dynamic is that he isn't running because he's scared of Amy or hates her: Sonic runs because he loves running, and Amy chases because she loves Sonic and all he represents. She also clearly doesn't spend all her time chasing him: in Adventure 1 she's just lounging around in a city missing him and then he runs into her, in Heroes she's spending time with other friends of hers, etc.
Yes, she is more active in pursuing him than even other characters like Tails can be, and he can occasionally be overwhelmed by her pushy personality, but that doesn't equate to stalking or harassment. Sonic enjoys having her around- they're friends. To a certain extent, Sonic also clearly enjoys being chased by Amy.
Almost every moment that gets tossed around as her being abusive or terrible is some looney toons ass gag. Y'all can't seriously think she intended to kidnap and physically drag Sonic into a church to marry her just based off one awkward line in Heroes, can you? Regardless of whether you ship them or want them to be canon or not or find the jokes cringe or #problematic, their intended dynamic is not and has never been that of stalker and victim.
Also, another misconception about her is that people think her life revolves just around Sonic. Now, she was certainly created with him in mind (the creators wanted her to be a Minnie Mouse to Sonic's Mickey Mouse) but that's true of almost every character in the classic era. I'm not going to pretend CD presented a great dynamic between them, but starting as early as Adventure Amy had stories about standing up to Sonic, befriending other characters, actively redeeming multiple other characters/being one of the ones to help them, etc.
She's got multiple hobbies and friends outside of Sonic, she will stand up to him when she thinks he's doing something wrong: she has a life outside of Sonic.
Just because she wants her life to include him as well doesn't make her a one-note, lovesick fangirl stalker like she was so commonly seen as for so long!
Anyway. I just really love Amy Rose and also her dynamic with Sonic. It's been portrayed imperfectly at times, and there are definitely some moments where she was characterized horribly, but a) that's true of basically every major Sonic character and b) that doesn't wipe out all the good characterization and moments she's had over the years. She's always been a good character, and she's been growing and evolving over the years, just like a good character should. Her problem is mostly that she's been underutilized in games, and the solution to this is simply just to show more than one facet of her personality, not bashing that part of her or trying to take it away.
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this is somewhat of a vent post & something i said i would not do again but has been plaguing me enough that i think getting it out might feel better. so. has anydoggy else been. Baffled and upset by nora sakavic’s refusal to speak on how terribly aftg has treated its characters of color? with the author of the series coming back with a new book and starting up on her online activity again, and questions of what she’d change about aftg bubbling up, it’s particularly glaring to me that we are all playing this very long game of pretend where we ignore how badly the non-white cast has been treated & her lack of thoughts on it
and i understand not wanting to bring up nicky and thea because people pick on her for it. i’m not trying to discredit nora sakavic’s terrible history of getting harrassed online by aftg fans. but i think it is very cynical, and it is very juvenile, and most of all very cruel, that she gets to ignore the very real ways the books have set up these characters to be hated. i think it’s obvious why the characters who get the most hate are the only canonical characters of color, and i think we do not get to treat this like a deliberate decision on the fandom’s part when the books have put these same characters in degrading and embarrassing and terrible positions in the first place. aftg is not a story about nice characters with clean pasts, but there is a very specific nastiness to the only characters of color being a brown man who sexually harasses and later assaults the main character, a black woman whose only scene is her lashing out at her love interest after being ignored for the first two books, and the japanese villain who gets maybe two lines of complexity before he goes back to being a terrible person. the white cast, in comparison, while not at all free from flaws, are never shown to commit mindless evil; all of their actions are ultimately justified. the book goes out of its way to give them concession after concession. we know exactly who to side with, because aftg tells us who these people are. does nicky’s assault ever get addressed in the books? does riko’s reasoning to be the way that he is ever gets more than briefly aluded to? is thea reserved even a shred of humanity or grace in her one scene?
anyway. it’s been years of talking about this and the fandom has been constantly hostile to criticism in this regard, and more recently any criticism at all, and it’s Grating to be on the other side of this discussion. it’s exhausting to know that in ten years we do not get even an acknowledgment besides the author saying she will not answer questions about nicky and thea anymore. it’s upsetting and it’s ugly and i wish no one had to talk about this again, but we do because what i thought was common sense has been washed away by a sudden influx of no-nuance adoration for the trilogy. basically i hope we all explode
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the thing about trauma and i think the reason im always more compelled by characters who lash out as a result of it instead of being made stronger by it is that it’s pointless. none of that shit happened for a reason. there’s nothing you’re supposed to do now that it happened. i can’t stand narratives that romanticise trauma bc the reality of it is that you went through that for no reason and you have to just deal and keep going. there’s nothing beautiful or brave about it. no one is writing you for it to mean something. it’s just… there
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