#BECAUSE I CANT FIND ANYTHING

[weekend-whip]

Also unrelated to anything at all BUT does anyone have some good Nya fic recs??? Preferably ones that are not necessarily of a romantic nature?? And...not necessarily RGB siblings either but I'll take it; I'm just kinda looking for stuff more focused on her as an individual—

[lucabyte]

siffrin starts the game with oddly empty pockets for a rogue who has a habit of stashing away every little trinket that isn't nailed down

and a hardy pocketwatch is an indispensable tool for oceanic navigation

[fatedroses]

And some days, I just wish you wouldn't look at me at all.

[cent-scratchnsniff]

The L corp employees vandalize the walls by the way

I never noticed it in game until now. There is one for Chesed's as well but its taken from my phone so I won't add the hall. Below are the writings in a clearer form to see along with a bit of scuffed translation for some. In order its Malkuth, Yesod, Netzach, Hod, Tiphereth A (Girl, First Section), Tiphereth B (Boy, Second Section), Chesed, Gebura, Hokma, and Binah. It's labeled as [sephirah name][ester] in assets.

I'm assuming the reason why I couldn't find the ones in the bottom layer in game is due to the fact they have Binah and Hokma as their sephirahs. And Yesod's department... it explains itself. If they are there I'm just blind. I used google translate for some of them but stopped after awhile as i had to manually try to match up characters after writing the general shape and that takes awhile BUT! In Malkuth's they talk about how 'joint training sucks' and how one sin and a hundred good deeds is 'creepy' with a doodle of it as well. Yesod's has one of an employee going 'We are all going to die!' with it underlined and a smaller response to it being 'shut up, you piece of shit!' along with a drawing of a PE box and it being called 'the root of all evil'. Chesed having a huge 'PESCA' (fishing) because of his ocean themed department. Even the clerks have sailor uniforms. Also a 'Get out of here!' near the left side as well with an 'already?' right next to the tally marks. Netzach's talking about the beer vending machine, how the upper layers are better (i couldn't tell what the response to that comment was supposed to be though) and 'here is the enkephalin'. Again, machine translated so not the EXACT words and only for a couple of them but I hope it's interesting!

[dykedvonte]

RE: Your post on the AU of Jimmy being in the cockpit rather than Curly.

I think that Curly would think that Jimmy was reaping what he had sown, but in a way would feel a twisted sense of relief that Jimmy was brought down by his own actions rather than Curly himself having to be the "executioner" in the situation, so to speak.

With "taking responsibility" and the fix-it mentality that he and Jimmy share being the overarching theme, compounded with Jimmy flat out insinuating that all of his crimes on the Tulpar will be "Curly's tragedy" in that one scene, I think Curly would almost find comfort in the irony that the choice was forcibly taken away from him. Which in itself is messed up, but it might be a bit cathartic. There's an interesting polarizing dynamic within Curly's relationship to his own responsibility in that it's his greatest burden and the thing he, too, avoids the most.

I don't think Curly would find any relief in this actually. While Curly didn't/doesn't like the responsibility he had, he defiantly doesn't avoid it, he just goes about it in a weird way.

A thing I noticed is that its less about taking responsibility with Curly and really what that responsibility meant objectively and then subjectively to Curly. The leniency that he applies to Jimmy also applies a bit to the others as well. He thinks his responsibility is more towards keeping the peace and things in order more than dolling out punishment. He has even more choices to make and responsibilities as he literally has to make sure they survive/ration long enough to be saved. Or figure out how to save them himself. The correct issue with Curly and responsibility is the prioritization in his head. He sees the big picture and prioritizes that. He doesn't notice the little things that he should but it's not a active dismissal, perhaps not even conscious despite how dismissive he seemed. He takes too much responsibility, espcially in regards to Jimmy, and I think this situation is when he realizes that is also a bad thing as he can't "fix" all of his wrongs.

I think he'd regret not making a choice, because in the end this happened because he wouldn't directly choose who to comfort and help. He tried to help both and ended up doing nothing for either and letting Jimmy fuck them all over. In this scenario/au he's thinking about all the times he let Jimmy inadvertently make his choice, and how he chose to let it happen. He regrets all of it and would be so bitter that he was giving his choice up for so long. He chose wrong and it affected everyone. The only thing he'd find cathartic is the fucked up truth it will never happen again, not with Jimmy at least.

But he's not happy he's getting joy from that. I think it's a point not a single character other than Jimmy is depicted at deriving joy from another's pain. Even Swansea is being more sarcastic when he cheers on Curly about crashing the ship and ending his sobriety. He's happy Jimmy was forced to take responsibility, but this? He wanted him to learn a lesson and do something with himself, this is hollow in a way it's just embittering. Jimmy didn't get what he wanted, he can be happy about that but no one else did. This isn't justice or closure for Anya, he's stuck in a place he was so desperate to leave with even more pressure on his shoulders. Daisuke is just a kid and Swansea doesn't deserve this after all his year making himself a better man.

Like in his sections, Curly is preoccupied thinking about all the responsibilities he has, taking on things he shouldn't have to and trying to keep the peace when he doesn't have peace in his own mind.

[imaybe5tupid]

if you see absolutely anything that has kabru in it. And are unable to stop yourself from making it about L/abru (even when Laios doesn’t even appear or is irrelevant to the content in question!) and reduce kabrus entire deuteragonist-level character into wanting to fuck laios. I’m stealing something out of your house!!!!!

disclaimer: If you ship l/abru and gaf about kabru and don’t do this then this post isn’t about you 🤓

[professorcalculusstanaccount]

"when strangers mistake me for his father i don't correct them" just break my goddamn heart why don't you. i love this and the rest of your art so so SO much and i'm dying to hear more of your thoughts on tintin and haddock's father-son/chaotic uncle-nephew dynamic, because it's one thing i wish had been developed further in canon, especially with tintin's move to marlinspike hall

Haddock and Tintin invented the found family trope! Their dynamic means so much to me, while my post canon series seems to be about Tintin and Chang's relationship it's actually more about Tintin and Haddock's found family bond and how it changes as Tintin grows older.

My thoughts on their dynamic are under the cut. It's Fathers' Day in the UK this Sunday, so happy Fathers' Day!

Haddock had a terrible childhood and has low self esteem, but values his ability as a sailor. Even that is shaken when his crew mutinies and kidnaps a teenager. As a result Haddock feels an enormous sense of guilt and responsibility for Tintin

He looks up to Tintin a lot, he inspires Haddock to always strive to be better!

He doesn't understand what Tintin sees in him but Tintin's positivity easily outshines any doubts about their friendship. Tintin brings that childlike wonder Haddock missed out on in his own childhood. Haddock goes out of his way to do stuff with Tintin he never got to do with his father, like going to the theatre or trips to the seaside.

Initially Tintin tolerates Haddock, but he proves himself with his sailing prowess in The Shooting Star. While Tintin is brave and proactive he's very introverted and closed off from people, having gained dangerous enemies at such a young age.

At first he's not used to having someone look out for him but grows to deeply appreciate Haddock. A colleague at work said Haddock is like that one middle aged guy you befriend at a job you got as a teenager and you become ride or die with through trauma bonding and I think he's exactly right!

Even though he's his best friend Tintin still keeps him at a distance. Haddock doesn't know his legal name or anything about his past. Tintin rarely opens up about personal problems out of fear of worrying him.

As Haddock has pinned so much of his self worth on Tintin, in my post canon series Haddock is forced to re-examine his friendship with him.

Haddock gets into a secret romantic relationship with Ramo Nash and gets some well earned down time from adventures, taking up painting as a hobby. It's the first time he's had time to find himself outside of being Tintin's adventuring companion, and realises he may have to make the painful decision between his best friend or staying true to himself. It's a decision he knew he had to make for a long time.

Haddock invites Chang to live in Marlinspike during his year as an exchange student in hopes he'll keep Tintin out of trouble. When Chang ends up joining in on the adventures instead Haddock is taken aback by how competent he is, and how seemingly effortlessly he is able to keep up with Tintin. Watching a younger fitter person does bring up some insecurities in him, but he later appreciates that this means he could sometimes take a break and let Chang go get shot at instead!

Tintin's tendency to keep his personal problems to himself drives a rift between them as he desperately tries to navigate coming to terms with being gay. Even though homosexuality was legal in Belgium at the time there's still a stigma, and Haddock and Tintin are terrified of losing each other's respect.

When Haddock finds out Tintin is also gay he is overjoyed, he vows to look out and to always be a safe haven for him. He grew up in fear and in the closet, so is determined to be the father figure he never had himself.

Haddock is very supportive of Tintin and Chang, but as Tintin grows closer to Chang and spends more time with him Haddock can't help but feel a little insecure. It's normal for parental figures to feel that way.

As Haddock grows older and less physically able to travel, Tintin worries if his deteriorating health is his fault. Haddock makes sure to nip this fear in the bud, and lets him know how proud he is of what they were able to do. As Haddock settles into retirement with Ramo, Tintin and Chang visit frequently to help take care of them.

Haddock never officially adopts Tintin despite everything, just in case the Haddock family curse still persists. Also "Tintin Haddock" is an absolutely awful sounding name.

Neither Haddock or Tintin can stand spiders. They get Nestor or Calculus to deal with that

imagine All of Tintin's Father Figures in a group chat in a modern AU, Haddock, Calculus, Skut, Mr Wang, Ramo Nash... The Council of Dads (Castafiore is in it too, she counts)

[dayurno]

this is somewhat of a vent post & something i said i would not do again but has been plaguing me enough that i think getting it out might feel better. so. has anydoggy else been. Baffled and upset by nora sakavic’s refusal to speak on how terribly aftg has treated its characters of color? with the author of the series coming back with a new book and starting up on her online activity again, and questions of what she’d change about aftg bubbling up, it’s particularly glaring to me that we are all playing this very long game of pretend where we ignore how badly the non-white cast has been treated & her lack of thoughts on it

and i understand not wanting to bring up nicky and thea because people pick on her for it. i’m not trying to discredit nora sakavic’s terrible history of getting harrassed online by aftg fans. but i think it is very cynical, and it is very juvenile, and most of all very cruel, that she gets to ignore the very real ways the books have set up these characters to be hated. i think it’s obvious why the characters who get the most hate are the only canonical characters of color, and i think we do not get to treat this like a deliberate decision on the fandom’s part when the books have put these same characters in degrading and embarrassing and terrible positions in the first place. aftg is not a story about nice characters with clean pasts, but there is a very specific nastiness to the only characters of color being a brown man who sexually harasses and later assaults the main character, a black woman whose only scene is her lashing out at her love interest after being ignored for the first two books, and the japanese villain who gets maybe two lines of complexity before he goes back to being a terrible person. the white cast, in comparison, while not at all free from flaws, are never shown to commit mindless evil; all of their actions are ultimately justified. the book goes out of its way to give them concession after concession. we know exactly who to side with, because aftg tells us who these people are. does nicky’s assault ever get addressed in the books? does riko’s reasoning to be the way that he is ever gets more than briefly aluded to? is thea reserved even a shred of humanity or grace in her one scene?

anyway. it’s been years of talking about this and the fandom has been constantly hostile to criticism in this regard, and more recently any criticism at all, and it’s Grating to be on the other side of this discussion. it’s exhausting to know that in ten years we do not get even an acknowledgment besides the author saying she will not answer questions about nicky and thea anymore. it’s upsetting and it’s ugly and i wish no one had to talk about this again, but we do because what i thought was common sense has been washed away by a sudden influx of no-nuance adoration for the trilogy. basically i hope we all explode

[screechingfromthevoid]

The cape wrapping was too much for me I have to leave

[typhects]

you think doctor was staring at him here because hes wondering how a person can make such intense and loud metal creaking sounds despite being made entirely of flesh

[marsuro]

@dandunn Not pictured: Sanji who’s missing a few things from the fridge

[almalex24]

as promised..... lea sundress ^_^ @mattzachnar

[sonknuxadow]

i dont think its a crime to make music (or art in general) that might be considered bad but if im going to have to hear about taylor swift all the time because people keep hyping her up as the most talented lyricist of our generation when the lyrics in question are Like This i AM going to be a little hater. because what the hell is this

[virtue1nvain]

How i feel rn

[qoldenskies]

Srry I dont know if this is spoilers, but what would the Season 2 Finale be like in Canary Continuity? Would anything be super different?

its simultaneously both a spoiler and not, because there's some stuff about ninpo in CW that's spoilers so i cant go over it yet. NEEDLESS TO SAY they will already know about it (trying to phrase this in a way that doesnt give anything away), so im not sure how the emotional core would really be with raph, considering spoilers spoilers they dont rlly have to "unlock" it when theyre already so knowledgeable. all i can say with that. im pretty sure everything else would be closer to canon, albeit with a lot more intensity because everything's hardened them quite a bit (theyre still HORRENDOUSLY silly, its a rise classic, but when it comes to important battle there's less fucking around, and they watch out for each other a lot more, especially with donnie who's going to struggle on the field despise his insistence otherwise. i think the way they approach the shredder would be WILDLY different.)

HOWEVER

i think losing the old lair is going to be less traumatic and a lot more cathartic. i wouldnt kill off shelldon because ive been cruel enough, donnie would probably just have to rebuild him. theyd look at the rubble of their former home and finally breathe.

its scary to have to go through the rubble and salvage what they can. its the loss of a lot of childhood memories, and change is hard. but fuck, that place was a HELLHOLE of bad memories for all of them. i think they'd jump at the excuse to move, despite having to leave a lot behind and having to rebuild. unlike CU i think the process would be a little slower and everyone would be helping out to the best of their ability, and it would genuinely just be... healing. it's a group project. donnie didn't even realize before this point how much weight being in the old lair put on his chest until he felt the relief of it gone. they have a chance to rebuild, and while its still an adjustment, it's happier. being in the old environment is definitely a contributor to his anxiety NOW in cw, mind you.

i think what you should worry about is the movie. not something i'll ever be touching but think about how raph would react after the fact to beating up and choking leo while kraangified. that is all.

[puppyeared]

i feel like. theres designing a character with certain themes and motifs in mind, and then theres making a gijinka for the water bottle on my nightstand