#Aziraphale was only interested in it when Crowley got to be an Angel again | Explore Tumblr posts and blogs

halemerry · 1 year ago

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On Crowley, memory, and identity.

So full disclosure first, I am not someone who is particularly interested in having Crowley's angel name on screen - personally I rather like the idea of never having an answer to this question - but I also do think it's interesting and fun to speculate and we got quite a few hints at this throughout this season soooo

Obviously part of this is that we meet him. The angel that would become Crowley is the first person on screen this season. We confirm a lot about him here. He confirm that he is powerful enough to start the engine of the universe. We confirm that he can control gravity and time and space and light. We confirm that he is the being that says let there be light before the beginning. We also confirm that he consulted with the concept designer of the universe and that he's very comfortable with the idea of questioning authority. We are also given Aziraphale's anxiety as a contrast to this and as proof that that is not a universal trait for early angels.

Now, we have always had evidence that Crowley is powerful. He's done some things that seem impossibly big. He stops time very casually and seemingly without effort - even at the end of season 1 it doesn't even seem to give us the same strain on him that holding the Bentley together does. This is a thing that we only ever see Crowley do and notably a thing that you would think other beings would mess with to their advantage if it was possible. Which means they either literally can't or that it never occurred to them that they could. Or as is becoming increasingly clear: perhaps it's a bit of both.

But that's not the only implication of power we get in season 1 either. We get Crowley seemingly in tune with the universe in a way many angels and demons aren't. Which, makes some sense if he helped make it. This manifests in all sorts of ways. He's constantly aware of Aziraphale's presence. He can smell when the world state changes like when Adam names Dog. He holds the Bentley together through utter destruction. He notices that there are different books in the bookshop - something I always assumed was meant to convey he was familiar with the shop's contents but after learning he didn't even know Jane Austen was a writer I wonder if it's actually more to do with him being in tune with reality. He also can apparently quite literally feel when there are eyes on them.

We're given even more of all these things this season in some really interesting ways. Crowley literally tests the air to check if a miracle has happened - another thing that we don't see anyone else do despite Heaven literally assigning someone to Aziraphale to check for a specific miracle. This particular beat is also something we are shown twice this season. Both here and in 1941, when Furfur uses the miracle blocker on Aziraphale. Here Crowley tests his miracles and despite getting nothing of the sort when Aziraphale tries a miracle literally the beat before this, we are given both a visual and an auditory effect. It ripples out with a watery sound effect from Crowley's finger. It's like he's prodding at reality.

There's also several instances involving the recognition or lack thereof of angels and demons. Crowley feels that the demon army is arriving before it does. Neither side seems to be able to track Gabriel - one of the most powerful beings in existence - at all once he leaves Heaven. We also see countless angels fail to notice Crowley himself both as Bildad the Shuhite performing literal miracles right in front of them. And this happens again as he prances about Heaven after Muriel. Aziraphale can't tell Shax is a demon despite Crowley recognizing she's manifested behind him nearly as soon as he answers the phone. Aziraphale can't even recognize that he himself is still an angel at the end of the Job story.

He also. Quite literally. Brings someone back from the dead???? Like waves a hand casually on the street and reconstitutes Mr. Brown like he'd never been dead at all. Mr. Brown returns with no memory of what happened to him holding a newspaper that seems to have literal bite chunks coming out of it. It's not framed as a huge miracle or anything strenuous either - just a casual snap.

And that's not even getting into the parallels with Gabriel. First of all. We get the color purple. It's purple when Aziraphale and angel that would become Crowley start the engine of the quadrants of the universe and it's purple when they miracle to hide Gabriel. This color is associated with power and, historically in the language of this show, with Gabriel himself. Them using it together twice speaks a lot to the power they have together.

But that's not the only symbolism historically tied to Gabriel that has found its way to Crowley this season either. Most flashy of all is the lightning. This is how we see Gabriel arrive on earth at the end of season one and it is something Crowley apparently just Does when he gets too mad to contain himself.

This alone wouldn't catch my attention except. Except the way Crowley reacts to Gabriel's memory problems is... interesting to say the least. He's angry and understandably so. Part of this is him being mad and protective of Aziraphale - he says as much himself to Jim directly. And yet, weirdly, it's the kind of mad that reminded me of something else.

This is the mad he tends to gets at his plants. Do it properly. Think hard. You can do better than that. Grow better. It's the kind of angry that's steeped in projection. It's he kind of angry that is undercut with the occasional weird undercurrent of understanding. And so much of his dialogue with Jim around this is framed like he does actually understand. Jim says it hurts and he says he knows. Jim starts talking about it feeling like being an empty house that still remembers where the furniture is and Crowley immediately latches onto this and understands ah it's looking at where the furniture isn't.

And there's a few other conversations that center around this issue that I find really interesting from a projection perspective. There's the conversation that happens when Crowley goes to have an alcohol fueled chat with Jim. He says "You're Jim now. Got everything just the way you wanted?" This doesn't make a whole lot of sense for him to be addressing Gabriel with. As far as he knows all Gabriel would want was the end of the world.

And then there's the particular way he asks Jim to eliminate himself in this scene. Climb out the window. In other words, have a fall. Something he pretty immediately retracts and clearly feels guilty about no matter how much he hates Gabriel.

And then there's the first conversation he gets to have after learning about Gabriel. Crowley opens this conversation, thinking out loud. He's staring out, not talking to Az yet and the very first thing out of his mouth is, of all things: "He's going to be okay." A weird start for a statement about Gabriel in itself but then Crowley goes and adds what at it's core is his own trauma narrative to the end with, "We can just take him somewhere and leave him there."

Now the real fun bit: Crowley also has memory issues that are out very prominently on display even as far back as season 1.

He has inconsistent memories of his Fall. The answers he gives us to why he Fell change slightly - even when he's alone with himself. He doesn't seem to understand why exactly he Fell even though he clearly has some vague idea of the pieces in play. I always thought to some degree that this was just a trauma response, but season 2 drew even more attention to this and now that we know that memory alteration is how Heaven handles powerful angels I can't help but to wonder if there's more in play here.

Crowley can't remember Furfur - who he apparently literally fought next to during the war in Heaven. Crowley can't remember building a nebula with Saraqael. Crowley doesn't remember why they decided gravity was a good idea.

But he does remember bits and pieces here and there. He remembers doing some of the starmaking. He remembers how to access clearance locked files. He's missing pieces and also seems to have an understanding that Gabriel's memories ARE in there. Almost like he's done this work on himself before.

This narrative itself is also far more concerned with the angel Crowley was this time around. It teases his rank a few different times. Most notably is him having access the files only available to Dominions and above.

Now angel hierarchy is a bit of a messy area depending on what sources you're using but given Good Omens tendencies in the past we can assume that this leaves us five ranks. Dominion, Throne, Cherub, Seraph, and Archangel.

I might break down why I think Dominion, Throne, and Cherub feel kind of odd to me later if there's interest - now available here - in that but given the current length of this meta I just want to focus on that last one for now.

Crowley was an Archangel is far from a new theory and I've honestly historically had some fairly mixed feelings about it. But the parallels between Jim and Crowley lend some interesting connective tissue to a lot of those theories. And. There's also some interesting camera work and script writing tied to Crowley and that term outside of the scenes about Gabriel's memories specifically.

Firstly, during Crowley's chat with Beelzebub he says it's a big universe with plenty of places for an archangel to hide. Like Alpha Centauri perhaps?

Then we get Aziraphale and Crowley both presenting Hell and Heaven respectively the idea that it could have been them that did the archangel class miracle. Aziraphale gets scoffed at and yet. Shax is the one who says the miracle was archangel level and Crowley's response is "how do you know I didn't do it?"

Then later as she's prowling about the shop we get this interesting shot of Crowley in the doorframe and Jim in the background. Crowley grins and offers to let Shax look in and see if she can see any archangels in there while he's framed dead center and Jim himself is blurry in the back of the frame.

And most fascinating in my opinion is this shot that happens when Crowley and Muriel are accessing the classified files. Nearly every shot in this sequence is group shots or shots of Gabriel. The camera is focused in the plot and the way the archangels function as a group and on Gabriel himself. But we get one single shot in this entire sequence of Crowley by himself and it is immediately following Gabriel saying "I am the only first order archangel in the room - or, well, the universe."

And then in the end. We get the Metatron who goes out of his way to avoid using Crowley's name. He calls him demon (and insists correctly that Crowley would recognize him even when Michael doesn't) or refers to him as Aziraphale's friend. He only ever uses that name when trying to use him as a bribe for Aziraphale. That combined with the dark look he gives Crowley implies a familiarity that only the Metatron has with him.

So who is he then? There's plenty of old meta out there about why certain archangels fit or don't and I won't reiterate them here. They're interesting and definitely worth poking around at and very fun to read! Personally I'm not as interested in naming the someone he used to be as I am in examining the places that ghost of this angel has started to poke through the narrative so I'll end this here. It's spiralled into something far longer than I ever meant it to be anyway.

#good omens #good omens spoilers #good omens season 2 #gos2 spoilers #good omens meta #Crowley #Gabriel

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cobragardens · 1 year ago

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Notes on the Scene in Job's Basement

Crowley is not tempting Aziraphale here. He's experimenting on him.

Getting Aziraphale to sin, or even getting him drunk, is not Crowley's intent in this scene. Eating food, taking pleasure in food, drinking alcohol, and even being drunk are not sins in most of Judaism or Christianity (and they're certainly not sins in British Christianity, regardless of any church's doctrine). When Aziraphale turns down alcohol, Crowley just suggests he try food instead; so it's not important to Crowley what Aziraphale tries, but it is important to him that he try something.

This scene is also the first time (chronologically) we see that Crowley likes to drink and likes to be drunk.

We know from

and from

as well as from Book Omens and Word of God that angels have no instinct beyond curiosity pulling them toward eating or toward gender. From this we can reasonably presume they have no instinct toward Beverages either.

That means that in this moment--

--Crowley is very likely the only metaphysical entity he knows on either side of the divide, or even knows of, who has ever experienced a physical pleasure.

And he probably has some Lingering Questions about it, like we all did the first time a physical pleasure blew our minds. Like,

Is it this strong for everyone?

Is there something wrong with me?

Am I going to hurt myself if I do this, like, a lot?

And it's not like the poor creature can ask anyone, because the answers for humans aren't necessarily going to apply to him.

So when he sees an opportunity, Crowley gets that one angel he knows who'll talk to him to try a human thing, and then he watches to see if physical pleasure hits the angel as hard as it hit him.

And that's why he looks so creepily pleased when it does.

Apparently it is this strong for everyone and there isn't anything wrong with him. Now he can relax and get sloshed without worrying, and he even has someone to talk to about how rad human stuff is.

A Dip Into Speculation

We know because we're shown this isn't the first time Crowley has gotten drunk that, watching Aziraphale, Crowley understands what he's seeing. I think it's really interesting that Crowley doesn't laugh at Aziraphale at any point during this scene, and he doesn't correct the way he's eating, either.

Maybe it's because this is what it was like for Crowley the first time. Maybe he got so drunk he passed out and woke up in a puddle of his own sick. Maybe he got so drunk he passed out and didn't wake up at all, and there was Paperwork and he had to get used to a whole new corporation just when he'd got the hang of having legs in the old one. Maybe somebody had to show him how to use a fork or whatever they had going on for eating utensils in Ancient Mesopotamia. I distinctly remember having to learn as a small child to chew with my mouth closed. There is every possibility Crowley doesn't consider the way Aziraphale is eating to be worthy of ridicule because whatever Crowley did the first time was worse.

Maybe he wants to leave Aziraphale set up for later embarrassment over his table manners. Aziraphale was a judgy bitch about the wine.

Or maybe it's something like Let him have this one. There can be rules to it later; let him just enjoy it, once, like a little kid with both fists in their birthday cake.

Maybe it's desire. There is some textual evidence for this. Once Aziraphale learns to eat properly, the way he does it is very attractive, and we know Crowley loves watching him do it.

I don't think it's overreaching even to interpret David Tennant's physical performance of Crowley watching Aziraphale eat as one of sensual or erotic pleasure. I mean--

I'm not saying it absolutely has to be erotic, but it's not a reach, or even a full extension of the elbow, to read it that way.

There's another meta somewhere [I'll link it when I find it again; if you know this meta, please drop it in comments!] that discusses how this exchange in Job's basement is filmed like an erotic scene.

Like Crowley, we all want to kiss this face.

Aziraphale isn't eating prettily, but he's eating lewdly, ravenously, desirously, and it's lit like romantic sex, not like gluttony. Whether that's funny or poignant or hot may depend on the viewer. Here's how Crowley's handling it:

Srs tho, any frame of this scene could have been painted by Artemisia Gentileschi.

Or maybe--and this is my favorite of the available interpretations--maybe this is what it was like for Crowley the first time and he doesn't interfere because he wants Aziraphale to come out of this as someone who's had the same experience Crowley's had so Crowley won't be so totally alone in having had it.

#good omens #good omens s2 #companion to owls #good omens 2 #good omens job's basement

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tonydaddingham · 1 year ago

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it was about the coffee

edit 24/11: rip miracle blocker theory, my love

but possibly not the way we thought it was. this is going to sound so convoluted but bear with me here (and big thanks to the anon that precipitated this theory, and major apologies that writing this theory is only going to delay my answer to your ask even further💕)

a major plot-point for me in s2 was this bad boy:

which i think we can safely say is a very op power for demons to possess for it not to come up again later on in the show? it's almost like a parallel to the book of life on that front - which is mentioned in the bookshop in ep6, but we've all agreed is pretty much going to be a major chekhov's gun in s3, right? well, what about the miracle blocker?

why wouldn't shax think of getting one either from furfur or from beelzebub when storming the bookshop? well, could be that shax didn't think of it. true - but i do wonder if something iffy was in fact going on in ep5/ep6 showdown, right up into the Final Fifteen.

let's start here: aziraphale has got some reality-bending bullshit going on, which i think is possibly just naturally emanating from aziraphale himself (im not wholly convinced it's entirely in-character for him to purposefully fuck with people's heads and autonomy) and perhaps the dancing/outfits/emotions etc is just the image he wanted for the dance, and his magic (?) essentially made it happen, so much so that he was potentially taken in by it too... hence why he was so readily resistant to crowley's pleas to listen to him about the danger? idk, getting sidetracked.

but anyway, then the demons come, and we see the below where... randomly, aziraphale's miracles/magic doesn't work. and there's no given reason for it:

soon after this, aziraphale opens the portal; one thing on reflection? that portal opens damn fucking fast. sure, the peril is high, certainly higher than s1 when he had to pray and practically beg to speak to someone... but if the portal is more or less for metatron's direct use, and the metatron is so damn busy, being the voice of god... why would he be sat there waiting for a call?

s1, the time between aziraphale starting to pray/dial 9-1-heaven, and the portal opening (excluding where he shouts to shadwell that the shop is closed) is just over 31 seconds. s2, from "hello, is there anybody there" to portal opening is just over 5. a very short cut-down for a retired, traitorous angel, regardless of whether they're under attack (which, tbh, would be in heaven's interests, right? for aziraphale to get Got?). the explanation for that can only be, in my book, that metatron has been watching... and possibly has been since the first time the portal opened.

anyway, we then move on to metatron arriving at the bookshop, and offering aziraphale the coffee. others have reported a miracle chime, and tbh i too can hear at least a faint, high strong, that sounds out of place in the ambient sound of the scene. video below, where ive marked out where i can hear it:

we know that aziraphale doesn't drink coffee. tea, hot chocolate, wine... but he's never, as far as we've seen, canonically drunk coffee. he must have tried it at some point, crowley likes it/drinks it, so why wouldn't aziraphale have tried it at some point? well, i think he probably has, and didn't like it. i think he tried to change it, in front of the metatron, so he could take a sip and not be offensive. but... it doesn't work. aziraphale's reaction is awkward. and metatron's reaction is smug. i think metatron has a miracle blocker.

aziraphale is not stupid. i think he knows possibly from that moment, or very soon after, that metatron has been up to something. i think he knows that metatron might have eyes and ears everywhere. i think aziraphale has worked out that metatron is not in fact A Nice Old Man, and knows it right through until he gets in the lift (which im going to talk about more in the aforementioned anon ask). i don't think aziraphale has been overtly threatened, because the metatron has worked so hard in this scene to be non-threatening. but he has underestimated how smart aziraphale actually is.

making the offer to reform heaven appeals to aziraphale, there is no doubt on that. and aziraphale is desperate for crowley to be with him - not only on the layer of wanting to be together, or another layer of crowley deserving to have heaven make amends to him, or even the layer wanting to protect crowley under his status as supreme archangel... but because if aziraphale walks away, without crowley, crowley has nowhere safe to go. the bookshop has been compromised, and it is no longer safe. metatron with his almond syrup has Eyes and Ears everywhere. when crowley refuses, aziraphale has to get to heaven, and to metatron, before they get to him.

i do completely believe that aziraphale wants to help heaven, and possibly seek any way in which he can return it to what he thinks or believes was god's original purpose for it - to return or make it into the place that was always meant to stand for good and justice and love. but i also believe that now, more than ever, aziraphale teeters on the edge of giving heaven a chance - or being burnt to ashes, literally or figuratively. idk about you, but i have a gut feeling on what option he, in this moment, would be inclined to take.

#good omens #metatron spec #s3 narrative spec #sanctuary/bentley theory #feral domestic/final fifteen meta #s2 meta

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crushmeeren · 1 year ago

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Crowley/Fem Reader/Aziraphale

Warnings; Bottom! Crowley, Top! Aziraphale, my version of Soft Dom! Reader, Anal Sex, Rimming, Vaginal Sex, Female Anatomy/Pronouns, Reader does wear a strap on!

Note; I wrote this entire thing as a request and I FUCKING FORGOT TO MAKE THE READER A DEMON, IM SORRY REQUESTOR 😭 I hope you and everyone else still enjoy 🥲

AO3 Link; Escapades🪽

Word Count; 6.2k

It always starts the same way. Crowley stumbles upon a new sexual escapade he wants the three of you to experience in the bedroom. Then the sneaky bastard riles up you and Aziraphale, way too easily if you’re being honest, and then three of you end up tumbling into the bedroom. You’re learning, way too late into the evening, that Crowley had been made aware of what pegging is. The red headed demon absolutely got more than a little drunk with Nina and Maggie last night, and consequently ended up with more details of their sex life than he wanted.

The only part he couldn’t shake off, was when they mentioned the pegging, and how mind blowing the experience can be. They talked about how ridiculously hot it can be, not to mention how good it feels, having your female partner, who doesn’t naturally have a dick, fuck you with more or less a cock of their own.

As soon as the the images flashed behind his eyes, he felt his cheeks burn. He took a sip of his scotch and he felt warmth spread through his belly pleasurably. He knows it’s not from the alcohol and for fucks sake, he just couldn’t resist being interested, the idea stuck to his brain like glue. It stayed with him the entire night. He, with extreme difficulty, was able to keep himself from getting rock hard that night. The thought of your smaller frame underneath him threatening to send blood rushing south.

That would’ve been too embarrassing if he spontaneously had to leave his impromptu drinking session with the girls because he couldn’t get his boner to go away. Truthfully, he had thought about being fucked by you often. Thinking about getting railed by you made his dick throb involuntarily. He knows the Angel wants it as well. He and Aziraphale had spoken about it, in great detail, before. He’d even had the Angel wrap a hand around his cock, whisper sweet nothings into his ear about you fucking him until he’d cum so hard his sticky release had hit him in the face.

Surprisingly enough, the two of them had never heard of or come across pegging before, leading them to believe it was never going to be an option. The fact that it was, is the reason Crowley showed up eagerly late the next day at the bookshop with a fucking strap on in his hands. You attempt to burn holes in his skull as your gaze flickers between the item in his hand and his smug looking face. Your eye twitches.

“Pegging?” you ask in disbelief, eyebrow raised as you cross your arms and push out one of your hips. Warmth pools in your belly at the mention of it, it’s not like you haven’t thought about it before. They had never brought it up so you just assumed they weren’t interested in that. You can see you were clearly wrong.

The three of you are in the bookshop, Aziraphale at his desk, reading glasses on the bridge of his nose as he looks over one of his books about “the art of prestidigitation”, as he likes to call it. Once he saw what the demon was holding he immediately turned back to his desk and started to try extremely hard to pointedly not listen to the conversation that you and Crowley began having. He ignored the way his cheeks burned, and the butterflies that filled his belly when Crowley started talking.

“Yes love, ever heard of it?” Crowley replies in a teasing tone of voice, smirking as he takes his black glasses off, setting them down on a nearby surface. He turns to face you again, stretching out his arm to wiggle the strap on at you, fake dick and all bobbing about in the wind. You roll your eyes at him, before narrowing your gaze. Sometimes you can’t believe the blunt audacity Crowley has, but when he gets these ideas it usually works out in the end so you haven’t turned him down yet. Laughing incredulously, you tilt your head and you reply with just as much attitude.

“Yes, I’ve heard of it, I’m just surprised you haven’t, I didn’t realize you had that little experience Crowley.” Uncrossing your arms you place them on your hips. You smile with fake innocence and make eye contact with him. You see his smirk grow even wider as he tilts his head back in amused laughter. Eyes coming to rest on your face, Crowley steps closer to you, getting into your space and looking down at you.

You can feel some of the heat radiating from him and you resist the urge to blush. You stare up at him, not backing down. The demon wraps his warm, slim fingers around your hip, slipping his thumb under your shirt, softly rubbing the skin over the bone there. You bite your lip to hold back a soft moan and the air between the two of you starts to thicken like warm honey. Crowley trails a finger softly down your neck. A shiver runs down your spine as he leans closer, lips softly brushing your cheek before he whispers in your ear. The bastard knows what he’s doing and you fall for it every time.

“Well then, I suppose I’m gonna need you to show me what it means to get fucked hmm? My pretty goddess,” he coos, voice smooth and low as he kisses your earlobe, then he moves to press a kiss into the sensitive skin of your neck. The feeling of his breath tickling your skin as he mouths at your throat makes your body flush, warm arousal instantly shooting to your belly. You almost forgot the Angel was here when you and Crowley hear the sound of a page ripping and Aziraphale cursing softly in the background.

——————————————————

As you expected, Crowley is the most eager to get pegged first. The idea has been rolling around in his brain the most lately and he’s aching for it. Furthermore he’s a little shit who always gets what he wants. So Aziraphale, living up to his title as Angel once again, caves easily to the demons request. He really can’t say no to his pretty face. Crowley promises him he’ll reward him in return, whispering sweetly to him and kissing his cheeks as the two climb onto the bed.

You had decided to leave that decision up to the two of them, knowing nobody is going to get left out either way. Aziraphale really doesn’t mind, he knows no matter what he’s going to feel good. Whether it’s watching you and Crowley put on a show for him or he’s actively participating, he’s just so happy to be a part of it.

After you’ve flipped off the overhead light, you turn on a lamp in corner of the room. It glows a comforting soft yellow and makes the space feel much more intimate. Despite the soothing light, you unfortunately spent about 10 irritating minutes cursing and figuring out how to get the damn strap on hooked to your hips and under your thighs correctly. You walk over to stand at the end of the bed, near the edge as you finish securing it in place.

Aziraphale and Crowley are on the bed, completely bare as they kiss eagerly in front of you. You hum softly in approval as you listen to the slick sound of their lips meeting over and over. They are both raised up on their knees, facing each other, giving you a pretty picture of their side profiles as they make out. Aziraphale is holding Crowleys waist and in turn Crowley wraps his arms around the Angels neck. He plays with the soft white curls at the nape of Aziraphales neck and the Angel tugs Crowley closer into his chest by his hips.

You feel your pussy getting slick and it throbs beneath the strap on. Your teeth dig into the sensitive skin of your bottom lip. Gods, they just look so fucking hot together. They are your wet dream and you let your eyes trail up and down their bodies, noticing both of their flushed, hard cocks rubbing together with every tiny movement they make. The tips of their cocks shiny with precum as they continue to lightly thrust against each other. You have the urge to reach out and wrap one hand around both of them, feeling the warm, silky skin and jerking them off together. You file that thought away and save it for later.

You hear a soft groan, which you recognize comes from the demon and your eyes snap upwards to see he’s already looking at you. His yellow eyes watching you intensely. You realize he was trying to get your attention and you raise an eyebrow at him. He keeps eye contact with you and he smiles into the kiss with Aziraphale. Crowley makes sure you can see his forked tongue as he slips it into the Angels mouth, making Aziraphale gasp softly and open up easily for him.

Your pussy clenches around air and your fingers dig into your palm as you see their tongues roll together. Crowley turns his attention back to his heated kiss with the Angel, closing his eyes again. You notice Aziraphales cheeks are a pretty pink as they start to really get into it, Aziraphale digging his nails into the demons skin. They lean into each other and you see Crowleys hand start to trail down Aziraphales chest. He drags his nails over the Angels stomach, making a move to reach for the Angels cock.

“No,” you order him, quite casually, and his hand stops in its place. Crowley whines into Aziraphales mouth and breaks away from the kiss. The Angel pants and leans forward as if he’s chasing the demons lips. Turning his head to look at you, bottom lip sticking out, Crowley keeps his other hand perched on the Angels shoulder as his chest heaves. They both have a pretty flush and Aziraphale decides to rest his forehead against Crowleys shoulder.

“You’re no fun darling,” Crowley pouts, trying to give you wide, puppy eyes.

“Oh no, whatever shall I do?” you say sarcastically, fake gasping and bringing a hand up to cover your mouth. Crowley narrows his eyes playfully and sticks his tongue out at you. He pushes back from the Angels grip and Aziraphale sits back on his calves, hands continuing to rest gently on Crowleys lean waist. You get a sense that the demon is actively trying to push you as Crowleys cock twitches when he makes a show of running his hand down his chest, inching closer to his own dick. You know he’s definitely testing your patience on purpose, but you keep your face neutral when you speak. He knows you’re the one in charge here and you won’t give him the satisfaction of letting him see the flash of agitation that courses through you.

“Crowley,” you say warningly, voice low as you keep your eyes on his face. He freezes the movement of his hand and reluctantly rests both hands on Aziraphales shoulders. Crowleys behavior isn’t unusual though, as he usually tries to see how much he can tip toe the line before you punish him and it’s clear he just wants to act like a brat tonight. You sniff once and decide to ignore him, knowing it’ll piss him off. You look at Aziraphale, who gives you a sweet smile, letting his palms rest on the tops of his thighs now. You return the smile, feeling your love for the Angel blossom warmly in your chest. He’s such a good boy for you.

“Angel, you’ve been so good, you can relax for a moment, why don’t you come here and sit next to me,” you purr, praising him. He blushes and you see his pretty pink cock kick at your sweet praise. He eagerly nods his head and starts to move away from Crowley, who makes a noise of protest in response.

“Yes my love,” he replies obediently, moving to sit on the edge of the bed, close to you, with his feet on the floor. He leans his weight back on his hands as he angles his body slightly toward you. His cock leans against his lower belly, drooling slightly and he obeys the unspoken rule of not touching himself.

You reach over to run your fingers through the Angels soft hair once affectionately. You get a soft hum in return. Focusing back on Crowley you move your fingers in a come hither motion, waiting for Crowley to obey you. Surprisingly he does so without protest, crawling forward on his knees and then sitting on his haunches in front of you. You glance at Aziraphale, making sure he’s watching. You know it turns the Angel on, he loves to witness you be more dominant, especially when it’s directed at the demon. Your eyes meet his pretty blue ones and you wink at him, smiling cheekily. The Angel feels a thrill tingle down his spine.

You turn your gaze back to Crowley, who seems to be annoyed he didn’t have your undivided attention. You giggle at his expression, which makes his cheeks turn red. His pretty lips tug into a scowl. You smile, not kindly, and bring your hand up, wrapping your fingers around his jaw tightly, forcing his head straight to look into your eyes. Your fingers press into his warm skin and his snake like eyes widen a bit, tracking back and forth. You make a tsk sound and shake your head softly in disappointment. He watches you, his eyes half lidded. You bend closer, getting into his face and you whisper menacingly, eyes sharp.

“If you try to break my rules again Crowley, I’m gonna have our Angel finger you open and then I’m gonna fuck him instead and make you watch from the side. I’ll tie your hands behind your back if I have too,” you growl, squeezing his jaw tightly as you lean back. Crowley stares at you, unblinking, unable to let his mouth fall open due to your tight grip. Your words sent heat blazing down his spine and straight to his cock. You hear Aziraphales soft groan from your left and you look over at him, admiring the way his hands clench the sheets beneath his fingers, knuckles white. His chest is pink now as well and you can see his dick jump occasionally as he watches you and Crowley. You smirk and look back at Crowley when he whines in his throat.

“Do you hear me?” you ask firmly, raising an eyebrow. Crowley nods the best he can. “Say it,” you demand, dropping your grip on his jaw.

“Y-yes I understand my love,” he chokes out, chewing on his bottom lip. You nod once in approval. Moving away from them both, you slip around to the side of the bed, getting up and crawling to lay down near the headboard. The two of them have turned to watch you, eyes lustful as they watch you lay your head on one of the pillows. You bend your legs and plant your feet, digging your toes into the soft sheets below. Raising up on your elbows, you give the others a pointed look, seeing as they both have remained silent.

“Well? Come here my pretty little demon, sit in my lap,” you purr, fingers coming up to motion him forward. Crowley wastes no time and crawls up the bed toward you, looking excited at what’s to come. He gets between your legs and slips through, a leg on each side of your hips as he sits down. The movement causes his hard, overly heated cock to make contact with the cool material of the strap on and he jolts a little, rubbing his cock further against yours and he cries out. Your hands shoot out to grip his waist, keeping him still and he shifts his weight, getting used to the feeling. Once you’ve got him steady you decide it’s time to get your Angel involved.

“Angel,” you call out, “do you mind coming up here and stretching open our bratty demon please? I’ll give you a treat afterwards,” Smirking, you run your thumbs over Crowleys hip bones and he moans lowly. You hear Aziraphale giggle happily.

“Of course dear, you know I love getting him ready,” he teases. You hear the sheets rustle as he comes up behind Crowley, hearing the sharp cracking sound of skin on skin as the demon yelps and you giggle. Crowley scowls at you as Aziraphale bends him over, forcing the demon to place a hand on either side of your head to balance his weight and expose his pretty arse. You frame his face with your hands, thumbs running over his cheeks.

“What’s wrong you naughty little demon? I thought you liked getting spanked,” you tease, grinning cheekily. His frown deepens and he pokes your cheek.

“Don’t be mean doll,” he says, letting his head hang between his shoulders as he lets out a low groan. You can’t see what’s going on but you know Azirphale must’ve started fingering him. You remember the feel of having your fingers sucked into Crowleys tight, slick heat and your pussy aches to be filled. You try to ignore the sensation and your lips pull into an amused smile as you hear the little choked moans Crowley lets out as his arse is stretched open by the Angels thick fingers. You’re no stranger to the feeling and you know Crowleys on cloud 9.

“How many fingers has he taken Angel?” you ask curiously after a moment, letting go of the demons face and running your fingers through Crowleys soft red hair as he lets his weight relax onto your chest, forehead on the mattress right next to your head, arse propped up into the air. The slick tip of Crowleys cock leaves a sticky kiss on your lower belly when he shifts his weight. You shiver lightly as you feel what must be Aziraphales free hand, smoothly tickling his fingers up your inner thigh, wanting to touch you too. You moan gently at his touch.

“He’s already taken two, seems as if our dearest was eager for this,” he teases, with a sweet laugh as he presses his fingers inside of Crowley again, making the demon jolt forward. His arms instantly snake under your head and around your neck as he buries his face into your neck.

“Ah!” he cries out, thrusting his hips forward, accidentally rubbing the tip of his flushed cock against yours again, which makes him curse loudly. You grit your teeth because by this point, listening to them both, feeling Crowley writhe around as he’s finger fucked, you’re so unbelievably turned on, so wet you can feel it trail from your pussy down to your arse. The ache for one of them to fill you is so strong. Your cheeks burn, but you have enough self control and a plan to get through this. You know one of them is going to be fucking you at the end. So, trying to shove your own arousal down your throat, you continue to shower Crowley with filthy, sweet nothings as he gets stretched open.

“Oh my you cheeky little pup, is the Angel making your sweet arse feel so good? Hmm pretty baby?” you coo to Crowley, wrapping your arms around his upper back to keep him in place with his arse in the air. Crowley always loves any sort of dirty talk that flows from your mouth.

“Oh fuck! Yes, yes so good, shit, please love, want you inside of me, I want to ride you,” he pants, moaning against your neck, his breath heating your skin. He writhes in your hold and tightens his arms around your neck, letting out a whimper. You hum in acknowledgment, deciding to check in with Aziraphale, if nothing else but to annoy the demon further.

“Is he ready Angel?” you ask casually, running your hand up and down Crowleys upper back. You see Aziraphales adoring smile as you look over Crowleys shoulder and the Angel nods quickly.

“Yes dear, our old boy is definitely ready, he’s being such a good boy and taking all of what I give him,” Aziraphale praises, running his free hand soothingly over Crowleys lower back. The demon just moans in response, teeth digging in slightly at the base of your neck. You feel another heady pulse of arousal in your pussy at the sharp sting of his teeth and you bite your lower lip hard enough you think it might split. Letting out a breath of air steadily through your nose you reply, letting him know just what you had in mind for him.

“Good job Angel, I told you I wouldn’t leave you out yeah? I want you to sit on my face and let me eat your sweet arse while Crowley rides me okay?” you say, voice gentle but with no room for argument. You know Aziraphale gets shy admitting it but he loves sitting on your face and letting you lick at his hole until he cums hard, hips moving wildly. You fucking love it and you usually save it for times like this. Getting crushed under the Angels soft, thick thighs, you’d die happily. You hear the choked out moan that leaves lips as he slips his fingers free from Crowley and crawls out from behind the demon, who did let out a groan at the feeling of loss.

“Yes love, whatever you say,” he says easily, trying to keep his voice casual as he maneuvers himself until he’s sitting next your head on his haunches. You laugh, amused.

“Shit, that’s gonna make me cum so fast if I’m watching you eat his arse and riding you,” Crowley whimpers, complaining into your skin. You grin wickedly and unwind your arms from his shoulders. You push at his chest, getting him unstick himself from you and sit up in your lap.

“Well that’s good because I’m not letting you touch your cock this time, you wanted this so bad? Well you’re gonna work for it,” you tell him, running your hands over his slender thighs. His lips turn downward into a pout but he doesn’t argue, not so secretly loving being bossed around by you. You hear Aziraphale chuckle gently from beside you.

“Okay my little love, can we please get on with it?” Crowley says, wiggling his hips impatiently. He’s still hard and his cock bobs with his movements. Your pink tongue darts out to run it over you lips and you pat the sides of his hips, urging him to raise up. He raises to his knees but you think this would probably start out better if he got onto his feet.

“Crowley, love, I want you to get into a squatting position to ride me, it’ll be better that way,” you say, watching his eyebrows raise.

“Are you bloody serious? That’s gonna be so much harder!” he whines. You just stare at him, letting him know it’s an order not a suggestion. He purses his lips and dramatically moves into position. Planting his feet and leaning forward to brace his hands gently on your chest, squeezing your breasts.

“Don’t be such a brat, you know I’ll help you if you need it sweet thing,” you coo, smirking up at him. You bring your hand down to grip the base of your cock, wrapping your fingers around it and bracing it upwards, running the tip of it over Crowleys still very slick hole and you watch his eyes flutter as he moans and starts to sink downwards.

“Fine, fine, just don’t tease,” he pants, tilting his head down to watch you start to stretch his arse and disappear inside of him. You bring your free hand to his hip and tilt them towards you by an inch and just like that the head pops in, past his rim. He lets out a choked out sound, hands gripping your breasts tightly. You bite the tip of your tongue and let go of your cock while he seats himself fully, letting your cock stretch his sensitive rim completely. You let your hands rest on the sheets as you study him.

You’re letting Crowley adjust to your cock filling his arse for a second when you hear a soft whine come from your right side. You turn your head to see Aziraphale still sitting on his calves, clenching his hands into fists where they rest on his thighs, face bright red. You see his cock twitch a couple times, coming back to slap softly against his belly. You can tell how worked up he is by now. You know it won’t take too much to push him over the edge. He must be on the edge of bursting from not touching himself all this time. He’s such a good Angel for listening and you definitely didn’t forget about him.

“Oh don’t worry my sweet, I didn’t forget about you, I’m gonna let you sit on my face soon okay? I’m just letting our princess here get adjusted, you’re being such a good Angel for me,” you say soothingly, reaching a hand out rub his thigh.

“I know my love, it’s just so enchanting watching the way Crowley rides you,” he says, brushing hair off your forehead. You smile smugly.

“Well enjoy the show then Angel,” you tease and turn back to face Crowley, who seems to have his bearings about him again. You slip your hands under his arse, gripping his flesh, and press upwards, biceps flexing as he raises up. He uses his thighs and feet to balance as he starts to ride you with your help. He lets go of your breasts and braces his hands on his knees, using them as leverage as he starts to bounce. As you help him get into a rhythm you feel your own arousal hit you like a freight train again. You watch where your cock slides into Crowley, filling him over and over while his mouth hangs open. His eyes are shut and he looks so fucking sexy bouncing on your cock.

“Fuck Crowley,” you breathe, “you look absolutely unbelievable. Does it feel good sweet thing?” you purr, voice soft as your arms start to ache a bit from helping him move. He opens his eyes to look at you, letting out a whine. He feels his legs start to burn a little bit, but the angle is fucking amazing and he’s able to hit that spot that makes his entire body shake, pleasure shooting through his limbs like electricity every time. It easily makes him feel like he’s gonna cum in no time at all.

“Shit! Ah, fuck, yes it feels so so good darling,” he babbles as he jolts harshly. You think he must’ve been hitting his sweet spot. Thinking you can probably let him keep up the pace on his own now, you take your hands out from under him. Looking over to Aziraphale he seems to be entranced watching the demon ride you.

“Aziraphale, sit on my face lovely,” you say softly, snapping him out of it. He looks down at you and nods eagerly. “Kiss me first though Angel,” you request, smiling coyly.

“Yes, okay, I’m so ready dear,” he says, voice bright as he bends down, pressing his soft lips to yours firmly. You moan into his mouth as he rolls his lips firmly against yours a few times. You bite his bottom lip sharply and turn your head, breaking the kiss. You wink at him in approval and he takes that as his cue to raise to his knees, shuffling closer and throwing a leg over your head. He’s facing Crowley as he hovers over your mouth, making heated eye contact with the demon, noticing Crowley was watching the two of you kiss as he kept a steady rhythm bouncing on your cock.

You see the Angels thick arse above you and your tongue runs over your bottom lip. For now you resist the urge to bite roughly into his fleshy arse. Wanting to move on you shift your weight and raise your head up to press a soft kiss on Aziraphales arse cheek. You hear the Angel moan lowly. Before you pull the Angel down to devour him, you speak to Crowley once more.

“Crowley my love, you can ride me however you like, but don’t touch yourself, you’re cumming untouched, is that clear?” you say, voice steady and strong. You hear him whine, but he must agree because you feel him sit down fully. He maneuvers his legs until he’s on his knees again. Crowely starts to roll his hips back and forth in your lap, groaning when your cock presses firmly against his sweet spot. You think that’s good enough, not having the patience to make the demon speak. You snake one arm under the Angel and wrap it around Aziraphales thigh. You use the other hand to spank his arse sharply, digging your nails in there and spreading him open. It allows you to see his pretty pink hole. You hear a soft gasp from the Angel as you blow cool air over his heated flesh, feeling goosebumps erupt under the fingers on his thigh.

“Oh- doll, please,” Aziraphale whines. You take mercy on him and pull on his thigh, forcing him to sit and make contact with your mouth. He cries out loudly when he feels your wet, warm tongue swipe over his hole, he digs his fingers into his thighs. You let go of his arse cheek and wrap both arms around his thighs, holding him close as you start to run your tongue up and down over his warm hole, massaging the swirl of skin with your tongue, getting him wet. You feel his thighs tense next to your head.

You start a steady pace with your mouth, licking firmly and dipping the tip of your tongue shallowly in his hole a few times. When you take a moment to suck on the soft skin with your lips it sounds like someone ripped the sounds from the Angels chest. Aziraphales letting out sharp ah sounds with every movement of your tongue, panting hard. You feel Crowley start to bounce again, he must’ve been watching before but he’s moving quickly now. The way his thighs smack against your pelvis has your insides twisting with want. You hear the little whines spilling from his mouth. Aziraphale starts to wail when you press your tongue deeper into his hole, wiggling the warm muscle in as much as you can. You moan against him and he feels the vibrations in his cock.

“Oh! Hah, love-ah! Your mouth, it feels so amazing, I may not last much longer,” Aziraphale whines, rocking his hips. You feel a bit surprised he’s already this close to cumming but you do think about how he hasn’t been able to touch himself this entire time. Fingering Crowley open and then watching him ride you. He must’ve been really close to the edge already. You pull him tighter and really get to work, jaw aching from the effort.

“Already Angel?” Crowley pants, teasing him slightly. Crowley leans forward to brace his hands on the bed by your chest. Aziraphale laughs breathlessly as he rolls his hips back and forth over your mouth, holding onto his thighs for balance.

“You’re one to talk dear, you already look like you’re going to combust,” he cuts off with a groan. Aziraphale can feel the tightening sensation in his belly, cock drooling and jumping as your pretty mouth licks firm stripes against his hole again and again. Crowley isn’t any better, his thighs ache but he won’t have to do much more to make himself cum. Riding you, watching you eat the Angels arse, it’s all too much. Crowley burns, skin sticky with sweat and his limbs tingle pleasurably as the demon climbs the sweet peak of his orgasm.

You take the chance to move a hand from the Angels thigh to wrap around the middle of his shaft. You start to pump your hand quickly, sucking harshly on the soft skin of his hole. The Angels eyes widen, breath catching his chest as his heart hammers, so close to cumming. The next soft lick of your tongue makes Aziraphale still, he throws his head back, his voice loud enough to reach the heavens as he wails, thighs clenching around your head. He’s cumming hard, limbs filling with molten lava as his cock throbs in your hand and he covers it with his sticky release.

“Angel! Oh for fucks sake, that’s not fucking fair,” Crowley gasps, unable to hold back his orgasm any longer. The demons eyes trained on the way Aziraphales face twists in pleasure, his cheeks flushed and his cum all over your hand. He fucks himself back on your cock, two, three more times before he’s sitting down fully, eyes squeezing shut as he rolls his hips. His dick kicks, cum spurting out all over your belly.

“That’s it Crowley, good job dear boy,” Aziraphale purrs, letting you slowly pump his shaft as he gets over sensitive. Feeling your tongue flick slowly over his hole, he groans in his throat. You let go of his cock, patting his thigh twice and the Angel slips off your face to lay on the bed beside you, trying to recover. The Angel must’ve miracled the mess away because you no longer find yourself covered in their releases.

You wipe your saliva covered mouth with the back of your hand, tilting your head up to look at Crowley, who’s still sitting fully in your lap. Hands still braced on either side of you. He’s breathing heavily, chest flushed. You hum happily, seeing both of your boys have been satisfied.

“Look at you Crowley, you were so good, making yourself cum on my cock,” you praise him. He laughs softly, but winces as he raises himself off of your cock, flopping down on your right side. You start to feel where the material of the straps has been digging into your skin and you undo them, pulling them out from under you and taking the strap on off. You sigh in relief and lean up to toss it off to the side, before laying flat.

“Feeling okay my loves?” you ask lovingly, resting a hand on each of their chests. Twin sounds of agreement reach you ears. You’re feeling very content with the evening. Of course, you had hoped one of them would have enough energy to slip inside of you afterwards and make you cum so hard you saw stars, but you knew it didn’t always happen when you wore them out. Really you don’t mind having to take care of yourself sometimes. You let them rest, listening to the sounds of their breathing and take your hand off of the Angels chest to trail it down your belly aiming to touch your clit.

It shocks you when a hand grips your wrist stopping you, it was Aziraphales. You turn to look at him, eyes slightly wide. He raises an eyebrow and smiles shyly.

“I don’t think so my love, let me return the favor,” he says sweetly, letting go of your wrist and sitting up to move around and get in between your thighs. You hear Crowley chuckle from your other side and you look at him as you feel Aziraphale scoot even closer, rubbing his once again hard cock through your slick folds. You shiver and let out a groan.

“We wouldn’t leave you unsatisfied love, especially not after taking care of us so well,” he purrs, smirking and propping himself up on an elbow to watch. You feel Aziraphale guide his cock into your aching pussy, stretching you deliciously as he bottoms out in one thrust. It sends warm waves of pleasure through all your limbs. This feeling is what you’ve been waiting for all night and your back arches into the movement. You wail, letting your eyes flutter shut. The pleasure is unbelievable after waiting for so long, tingles dancing up your spine and warmth pooling quickly in your belly.

You pull the Angel down swiftly and dig your nails into his back, wrapping your legs around his hips as he fucks into you fast and rough. He snakes his arms under your back and you let him pound you into the mattress. He makes you cum so hard your vision gets blurry. In the end he makes you cum at least three times. The other two finishing at least once more. Crowley jerking himself off from the side as he watches the Angel fuck you. The three of you end up in a pile under the covers on your shared bed, sleeping soundly. The next morning you wake up thinking that sly demon does have some truly great ideas.

#aziraphale #crowley #good omens #good omens smut #good omens fanfiction #good omens season 2 #good omens season 1 #crowley x aziraphale #aziraphale x reader #aziracrow #aziraphale x reader x crowley #david tennant #michael sheen #crowley x reader #crowley x aziraphale x reader #crowley smut #ineffable husbands

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crowleysgirl56 · 19 days ago

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youtube

IT’S FINALLY HERE SQUIRRELS!

OMG I’ve been biting my nails for weeks on how he is going to react. Already from the thumbnail we can guess that he is not happy and has reacted the exact same way as us.

So let’s dive into my highlights of his reactions. As always, under the cut to avoid spoilers. Here we go.

- Already from Danny’s opening monologue he’s guessed exactly how most of this episode will go in terms of plot beat and story structure. But it is clear he doesn’t know about the 90 minute finale.

- Love how Danny’s immediate response to Crowley’s heaven disguise is “You’ve only made him hotter!” Funnily enough he mentions “it looks like he invented whiskey”. Funny considering David Tennant did that add for whiskey…

- Danny is everyone when he heavily sighs when Maggie accidentally invites the demons in.

- Danny finally gets his payoff about the fly being the key.

- About Beelzebub and Gabriel. He so casually says “I kinda want them to fall in love and I’ll murder anyone who disagrees with me”. Yeah, well…at least ONE angel and demon couple got to do that and go off together! I also love how within 6 minutes he is 100% invested in their relationship.

- “David Forgettit. Azirawho”. HOW DARE YOU SIR!

- Good Omens fandom: deep dives into why no one recognises The Metatron when he’s in his corporal form. Danny when the Metatron enters the books shop: Who’s this guy? Is this God? Did they recast God?! (Crowley then says the last time he saw him he was a big floating head) Oh it’s Zordon! Proving that, yep, it is THAT simply to trick everyone, no deep dives necessary.

- Danny points out Muriel is holding the Crow Road, but then doesn’t try to deep dive into why that’s important. And yeah, if you didn’t know what that book is it doesn’t really mean anything, but looking back at that scene, it is framed so deliberately that it HAS to mean something.

- And now we finally get to it. Danny’s ENTIRE journey of reacting to the final fifteen. I could devote an entire post to everything that he says and does. The clutching of his chest and chair, the pleading of David Tennant to stop being such a great actor, his joy and heartbreak and yelling of “THEY KISSING!”, the depths of despair of wanting to start up smoking, to getting really drunk even though it’s 11am, and to becoming addicted to cocaine. WE. ARE. ALL. STILL. THERE. MY FRIEND!

- It’s funny how Danny went from being such an advocate for Aziraphale this entire time to just holding his head in his hands exclaiming “what the fuck I can’t even, I can’t even, why would you do that?” right at the very end.

Danny’s whole reaction is interesting in that it’s such an immediate reaction, he doesn’t have the luxury like us who have spent the last year and a bit overanalysing everything with a fine tooth comb. Because it’s almost like, maybe that is how we should be reacting? Love to hear everyone’s thoughts on this and his reaction.

And that’s the end. Hopefully he will react to the final 90 minutes once it’s released. What a journey. Now, I really feel like I need to rewatch the entire show over again.

#Youtube #good omens #good omens react #Danny Motta #good omens fandom #good omens react video #crowley #aziraphale #ineffable husbands #aziracrow #crowley x arizaphale #good omens season 2

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nadjabea · 1 year ago

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Crowley and Aziraphale never broke up. The conversation we (believe to) see in the end is not the conversation they had.

Aziraphale and Crowley play their own game of spionage and sabotage - and talk about it while we all are watching.

Edit 10/22/23: This analysis needs to be updated because there is more evidence of the body swap and because of that some of my interpretations what they REALLY say is much more precise. Will do it soon.

My point is: Aziraphale communicated a plan in the confession scene – in the subtext. And it culminated in a full body switch.

How? They have thousands of years of practice of talking and signaling their next steps to each other in a way that would not be noticed by any bystander, even less by their respective headoffices. We have seen this in the Job minisode.

They use body language, signs and references to films, songs, everything their head offices won't understand because they lack the earthly knowledge.

Maybe Aziraphale and Crowley even had a back up plan before the Metatron entered the scene. Why I got this notion? Because after their conversation in the bar about Jane Austen, Aziraphale has adapted Crowley’s notion of Austen as a spy and the mastermind behind a bank robbery. Doesn’t this seem odd for the owner of a book shop? (There is this interesting theory of Crowley planning a heist and the turtle neck being Crowley’s “spy dress” by @justhereforthemeta

So here is my analysis/interpretation of the conversation they had.

Note: I am not a native English speaker, I am German. This might of course influence my interpretation of the conversation.

-> After he spoke to the Metatron, Aziraphale comes back to the bookshop and plays happy.

Just as Crowley starts to talk – Aziraphale knows he has to interrupt him.

Aziraphale's hands sign: Stop! First, he tries it soft, watches out of the window to indicate: "We are under supervision!" As Crowley doesnt pick it up, Aziraphale lifts his hands in front of his chest. So they are more visible. Still: Crowley does'nt get it.

Aziraphale: I have some incredibly good news. Uhm The Metatron. I don’t think he is as bad a fellow. Um. I think I might have misjudged him. (Incredibly good news! My ass! Look at my face. Do I look happy? THE METATRON!!! Be aware! He is much worse than I thought!”

While Aziraphae plays the happy and exited angel, he signs "Time out!". His smile is forced. He points into direction of heaven, looks out of the window and hopes Crowley will pick up: "SOS! We need a time out because we have to talk without heaven listening."

But Crowley is like a steam train: He is on his track to confess and does'nt get Aziraphale's distress.

Aziraphale parafrases the talk with the metatron. His body language indicates he is stressed, again and again he turns into the direction of window, his eyes are forced open. Crowley still does'nt get it.

Crowley: He said what?

Aziraphale: He said, I could appoint YOU (tumps to Crowley) to be an angel (it seems that Aziraphale's thumps point to himself). You could come back to heaven and everything. Like in the old times (the old times when we had to pretend to be apart, but in reality worked together and did each other’s work without heaven or hell noticing).

(I don’t think that Aziraphale refers to the pre-fall times because I don’t think Crowley and Aziraphale spent much time together than. Crowley was probably more a loner “minding his own business” or hang out with the wrong group, Lucifer and the gang. Aziraphale would have been much too afraid to spend time around the trouble maker angels.)

Aziraphale: Only even nicer (You know that I know that you hate nice! Come on, get it!)

As Aziraphale gets on with his “excitement” about the new job, Crowley still don’t seem to get the subtext. After Crowley tells him he said no to hell, Aziraphale escalates: He falls back to their "Kayfebe", their way to play that they are along the "party line". (For more on Kayfebe read this post of @nautilicious).

Aziraphae „But heaven. It’s the side of truth, of light, of good.“ Looks obviously into direction of the window as he plays a sharade for the metatron. (Crowley, you know that we settled for shades of grey! Get it, we are under attack! )

Crowley (still doesn’t get it): When heaven ends life here on earth it will be just as dead as if hell ended it. Tell me you said No.

Aziraphael turns his head into the direction of the window to show Crowley they are being observed.

Crowley: Tell me you said no.

Crowley starts to realise that they are in danger but still does not pick up the immediate threat from the Metatron. So he starts his confession but changes it to propose to run away. > You only need to run away if there is someone hunting you. So at least, he gets that now.

During Crowley's statement Aziraphale shakes his head. (we wil not be able to outrun heaven)

Aziraphale: Come with me. (Pause) To heaven. I’ll run it, you will be my second in command. (Crowley, follow my plan: Ill will run this command, you will be my agent in heaven.)

As a non native speaker I looked up the synonyms for “second in command”. They list “substitute”, “replacement” “sub-agent” and “agent”. Agent! Here we are with our spionage story. Jane Austen, the spy, smuggler and mastermind behind a bank robbery.

Crowley: You cant leave this bookshop. (Okay, I get what you mean. But, no, we cant be separeted! you cant leave me on my own - in (an ambessy of) heaven. - Another interpretation: It cant be you who leaves. You have to stay here. )

Aziraphale: Oh, Crowley, nothing lasts forever.

I think this is a code phrase of them. It might refer to a song which was in the charts in 1966/67:

“Nothing last forever” sung by Margaret Whiting, who was already popular in the 1940s.

These are the lyrics:

Now you're down and broken hearted

you have lost your lucky star

You are sure you have no future

You don't know how wrong you are.

Nothing lasts forever baby

Even pain and misery

All your tears will turn to laughter

Baby just you wait and see.

Nothing lasts forever...wait and see.

Now you've lost your only lover

Now your dreams are torn in two

You are sure you'll live in darkness

But the sun's gonna shine for you.

Nothing lasts forever baby

Even pain and misery

All your tears will turn to laughter

Baby just you wait and see.

Nothing lasts forever...wait and see.

Now you've got an inch to go

If you still be a mile

Now the bidder's calling you

Capture this to a smile

Now what seemed eternity

Was the sun in a while.

Nothing lasts forever baby

Even pain and misery

All your tears will turn to laughter

Baby just you wait and see.

Nothing lasts forever...wait and see.

Wait and see.

Nothing lasts forever baby

Even pain and misery

All your tears will turn to laughter

Baby just you wait and see.

Nothing lasts forever baby

Even pain and misery

All your tears will turn to laughter (fade)

Somehow I can imagine that Crowley liked this song and they listened to it together in the bookshop. So he knows the lyrics - and gets what Aziraphale tries to tell him.

Crowley: No. No. Don’t suppose it does.

He puts on his glasses to hide his tears but also because now he has to pretend. And he has the need to cover his eyes when he lies. You can see this in the 1941 minisode. While he watches Aziraphale perform the coin trick, Crowley led his glasses slide down his nose and you can see his eyes. But the second he starts lying to Aziraphale about him being a professional magician Crowley puts his glasses up und covers his eyes.

So Crowley starts to go along with Aziraphale's plan, plays to be reluctant - which he probably still is. He doesn’t want to go to heaven, considers Aziraphales plan probably to be a - to use the German expression - “Himmelfahrtskommando” which means literally “a squat that goes to heaven = a suicide squat) - Another interpretation: Maybe he doesnt want Aziraphale to go to heaven?

Crowley: Good luck.

Aziraphale: Crowley, come back. Work with me (I have got a plan, trust me and work with me). We can be together. Angels (you can have my body. So you will be an angel.) Doing good (saving earth and us) - I need you. – I don’t think you understand what I am offering you (Are you really that daft?)

Crowley: I understand. And I understand a whole lot better than you do. (Heaven, hell, I have been there. And it is me that has to go to heaven now. And I don’t like it. - And it's you that will go to hell instead of me. And I dont like it either)

Aziraphale: Well, than there is nothing more to say. (If you understand that I am offering you to posses my body, than do it)

Crowley: Do you hear that?

Aziraphale: I don’t hear anything. (Come on!)

Crowley: That’s the point. No nightingales (neither in heaven nor in hell).

“No nightingales” can have several meanings.

a) It's their song. The symbol of their love. There is no love in heaven, nor in hell.

b) The nightingale sings to protect clandestine love. Now they are not any longer under the protection of the night and the nightingale. Their love is laid open and we know what happened to Romeo and Juliet when the nightingale stopped singing.

c) Someone here on tumblr pointed to a novel called “No nightingales”. There is movie from 1947 that is based on this novel. In Wikipedia you can find this synopsis:

“In the 18th Century, Burlap and Kelsoe are officers in the army of Queen Anne who have recently retired and purchased a house on Berkeley Square. At a house-warming party the pair speculate how to win the war however they learn that the Duke of Marlborough has other plans that will lead to the Battle of Malplaquet. Believing the battle will end in slaughter they hatch a plan to capture Marlborough and hold him prisoner until the threat of hostilities passes. https://en.wikipedia.org/wiki/The_Ghosts_of_Berkeley_Square

Problem is: They are not at all competent and get killed bevor they could prevent the war. So they are cursed to be ghosts until a member of the royal family visits their house.

So could they plan the kidnapping of the Metatron or even God herself? Hold that thought! I definitly will think about that as a plot for season 3.

Crowley: You idiot. We could have been US. (Why did you have to get yourself associated with Gabriel? We could have led our own lifes, in our own bodies)

The kiss - and the body swap /posession

It is not a kiss to show they love each other, it is a kiss to mask the body possession, they exchange their essences

@doctorscienceknowsfandom has laid down already a lot of hints and signs Neil Gaiman planted in the open in the meta "Banana Fish Gorilla Shoelace with a dash of nutmeg" that Crowley and Aziraphale changed bodies.

@lonicera-caprifoliumhas some more hints.

Here are even more points that indicate: they have changed.

When the kiss ends "Aziraphale" cries und when "Crowley" leaves he touches his lips and his hands are shaking.

Several people already pointed out the face, the movement of the jaw and so on: This is Michael Sheen’s Crowley. I think the shaking and the tears are another hint that this is Crowley. Why? Until now we have only seen the hands of one of them shaking on screen: Crowley’s, in the 1941 minisode. Crowley’s hands are shaking if he is under pressure, and overwhelmed. Aziraphale on the other side seems to get nerves of steal when he has to perform (his tricks only work when it counts).

There are even more hints that they have changed their bodies:

“Crowley” is standing upright at the Bentley. He doesn’t move his body, he doesn’t move his face. Something that is so NOT Crowley, who is always in motion.

Also: Remember the first episode when Crowley and Aziraphale fought over Gabriel. Aziraphale told Crowley that he can leave when he doesn’t want to help and Crowley couldn’t contain his rage about that. He was fuming and throwing lightnings – all visible in the middle of the street, surrounded by humans (!). All because of a fight that – in retrospective – was much less threatening to their relationship and their lives.

In a script there is nothing without meaning. And I can’t discover any other meaning for the scene in which Crowley throws lightnings after a fight with Aziraphale than to show that the scene in the end was not a fight.

Hence: There is no way that the real Crowley would be that calm in the last scene. Crowley has much less control over his emotions than Aziraphale.

And even if it was Crowley at the Bentley and managed calmly to watch Aziraphale leave. He would not be able to contain himself after Aziraphale was in the lift. Once in his car (his save space) he would release his anger and pain. Crying, shouting, maybe even hitting the steering wheel, he would drive away as fast as possible screaming at an invisible Aziraphale because this might give him some relive.

But what do we see? A very contained demon.

Next evidence: The colour code of Aziraphale (yellow) and Crowley (red):

When “Aziraphale” is on screen people wear red. When “Crowley” is on screen a lot of people in yellow pass.

And even the plants in the Bentley appear to have changed to yellow. Bonus: A yellow flower blooms behind “Crowley”. Hence: It has to be Aziraphale.

So: Why would Neil Gaiman use the same trick twice?

Because it isn’t the same trick.

In S1 they changed their appearance. Aziraphale presenting as Crowley is still an angel. Therefore immune against holy water. Crowley presenting as Aziraphale is still a demon, immune against hellfire.

But this time, I think, they really posses the body of the other (wow, they really have come a long way from “What a pity you cant have my body” – “Angel, demon, probably would explode” ).

So, what does this mean? Angel and demons are from the same flock. It is impossible to distinguish them, except for the marks on their bodies. Now Aziraphale is indistinguishable able from the other demons, Crowley indistinguishable from the other angels.

This raises the stakes when it comes to “The Second Coming”.

And this explains Crowleys worried face: He knew about the planes for Armaggedon 2.0,the destruction of earth.

The "Second Coming" is different. It is about judgement.

In the end everyone is going to be judged. The righteous will go to heaven, the other are cast away, extint. So what about an angel in the body of a demon? You see where I am heading ...

There is a lot to explore. The concept of "pretend to be good" and "properly good" and much much more. I will write about it another time.

Now I am curious: Am I delusional? Cant I just cope with the break up? What do think? Tell me you views. Let us discuss.

#good omens #aziraphale #crowley #good omens analysis #good omens meta #good omens theory #good omens spoilers #good omens theories #good omens season 2 #goodomens #neil gaiman #nothing lasts forever #body switch #body swap #aziracrow #azicrow #antony j crowley #ineffable divorce

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m-y--p-a-s-s-i-o-n-s · 3 months ago

Text

Aziracrow Fics

Title: I'm Here

Rating: E

Words: 8550

Summary: Crowley awakens from an awful dream to discover that Aziraphale had not in fact left him again, and was actually right there next to him in bed. Aziraphale tries to reassure him, but some wounds take more than just time to heal, if only Crowley could tell his angel what he needs.

Title: Somewhere I Belong

Rating: E

Words: 64k

Chapters: 12

Series: Troll Tails

Summary: Looking for something new, interesting, and outdoorsy to break up the monotony of his life, Anthony Crowley took up hiking in the local forest. Crowley thought he knew what to expect from Eden Forest; trees, animals, a river, and some cool nature photo opportunities. And he certainly got all of that, but what he didn't expect was to be jumped by some kind of forest beast, and have his life changed forever. (Troll!Aziraphale X Human!Crowley AU)

Title: Something New

Rating: T

Words: 3229

Series: Troll Tails

Summary: In all his years living in the forest, Aziraphale has never once climbed any of the trees. Crowley, on the other hand, has mastered tree climbing in the short time that he's lived in Eden Forest, and with a little coaxing, he's determined to get Aziraphale to give it a go too.

Title: If Three's a Crowd, Four's a Dream

Rating: E

Words: 3113

Series: Troll Tails

Summary: Aziraphale likes to read before bed, and he also loves Crowley, no matter what species he is. Those two things make for quite a wildly fantastic time.

Title: Flowers and Pillows

Rating: E

Words: 6309

Chapters: 2

Series: Troll Tails

Summary: Aziraphale catches a sweet scent and goes to investigate, he realises too late that he probably shouldn't have eaten those flowers.

Title: Pheromones

Rating: E

Words: 1761

Summary: Crowley is miserable and frustrated, not to mention Aziraphale's scent is driving him crazy, but what's a demon to do? (Feat Snake!Crowley)

Title: An Artist and His Muse

Rating: E

Words: 10720

Summary: One of Aziraphale's hobbies for centuries has been drawing, and Crowley, the love of his life, is his greatest muse. Crowley just doesn't know it. What happens when Crowley catches Aziraphale sketching him during a nap? Will it bring a new aspect to their relationship, or will Crowley run away from it? (Crowley with snake features)

Title: When the Muse Becomes the Artist

Rating: E

Words: 5603

Summary: Centuries of fantasies couldn't compare to sex with Crowley for real. Aziraphale's sure it's going to be the same with Crowley in his snake form too, and boy is he ready to find out. (Snake&Naga!Crowley)

Title: The Umbrella

Rating: E

Words: 6421

Summary: The weather has been awful all week, and finally when there's a break in the rain, Aziraphale suggests that they go for a nice walk to get some fresh air, and stretch their legs after being cooped up in the bookshop. Aziraphale is annoyed when the rain returns before they get back home, but Crowley shows him that the rain isn't so bad after all.

Title: A First Taste

Rating: E

Words: 1794

Summary: Crowley showed Aziraphale the delight of eating, now Aziraphale is introducing Crowley (or rather both of them) to other human delights. (2500 BC Uz)

Title: A Racy Read

Rating: E

Words: 1264

Summary: Aziraphale should have brought the books that he'd selected home instead of staying at the Library to read them. (1967 Soho)

Title: Blame It On Petronius

Rating: E

Words: 3786

Summary: When Aziraphale invited Crowley to wine and dine at Petronius' new restaurant with him, the demon had no idea that they'd finish the night in an entirely different situation. (41AD Rome)

Title: An Ineffable Garden

Rating: G

Words: 766

Summary: All is said and done. Aziraphale and Crowley share a soft moment in the garden of their cottage.

Title: Steamy Picnic

Rating: E

Words: 3533

Summary: When the weather turns bad during their picnic date, Aziraphale suggests another way to spend their afternoon together.

Title: Forgiven

Rating: T

Words: 1570

Summary: What if Aziraphale decided not to go with Metatron at the last second?

Title: Under the Flashing Lights

Rating: G

Words: 832

Summary: Crowley manages to find at least one thing that he likes about Christmas.

Title: Falling

Rating: T

Words: 1575

Summary: Angel or not, Crowley would always catch Aziraphale when he fell.

Title: Don't Call Me Nice

Rating: E

Words: 1520

Summary: An extended version of what happened when Aziraphale called Crowley 'nice' in the empty hallway of the old satanic hospital.

#good omens #aziracrow #azicrow #ineffable husbands #GO #gomens #aziraphale #crowley #good omens fic #good omens fanfic #aziracrow fanfic #aziracrow fic #my fic

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drconstellation · 1 year ago

Text

The Assistant Book Seller

Edit 1 Dec 2023 - added missing information on the "ribbon pattern."

Edit: 3 Dec 2023 - correct information about middle pattern from creator

GABRIEL: Greetings! I'm Jim! It's short for James, but I don't need to keep telling everyone that. I'm an assistant book seller.

I'm sorry. Before I do anything else, I need to apologize for something I need to write further in. I didn't plan to write it, I just kind of bumped into it and, well, I can't ignore it. So...sorry. It's said. Forgive me for what needs to be done.

Although he arrived with nothing but a cardboard box and Rodney the Stunt Fly, Aziraphale made sure Jim was clothed in appropriate raiment while under his protection. We'll forgive him that he took a step back about, oh, fifty years or so to the 1970's, as Jim's overall look is a nod to the famous old sitcom "Open All Hours." So if he looks a little bit out of place, or, a little bit familiar, even, that's why.

While we are used to seeing angels in overcoats, it's Jim's vest that is the particular feature here. But I will take a moment to comment on the overcoat - not just the colour but its lapels. Aziraphale has obviously given him a colour with an earthly connection and one that indicate that he has bought Jim under his protection, but the lapels look quite neutral, with one up and one down. (Muriel is the same in their Inspector uniform, btw) This is the first indication they are between two things at the moment.

Onto the vest.

There is so, so much work and thought put into this vest! It was a one-off commission for the show, and the creator, Sandy Higgins, has said she is not allowed to give away the final design pattern. I have tried to contact her, and I'm waiting for a reply, so in the mean time I thought I would ask my keen knitter of a sister-in-law about one of the patterns I'm not sure about. "Well, that's Fair Isle knitting," she said, but she knew nothing about the individual line pattern I was interested in. Hmm, I kind of know that already, its in the notes that are guiding me for this meta, but hey, why not do a broader search and see what comes up?

So once I got back home I did. "Fair Isle knitting patterns" hmm...Wikipedia page for starters...what on *earth* is that at the bottom of the page...? YOU ARE. FRIKKING. KIDDING ME!!!!!!!

"See also: Gumbys"

oh ffs

I am so sorry that needs must make me mention Monty Python yet again, but here we are. And we must mention them, because this link is just too...unbelievably, deliciously good.

If you aren't familiar with the Monty Python catalogue, and don't recognize the mention of Gumbys, they were a set of characters that dressed and spoke in a certain way but the main points to take away were they wore woolen vests in the Fair Isle knitted style and their catch-phrase was - wait for it - "My brain hurts!"

I think we've heard that somewhere before?

CROWLEY: When you first arrived, you said you were here because they were planning to do 'Something Terrible' to you. So you remembered it then. Remember it now. GABRIEL: It hurts to remember. My head isn't built for that.

Right. Now we've got that out of the way...back to the serious stuff.

The colours used in the vest are not your typical angel colours. There is a base of angelic off-white and there are some bits of purple for his royalty around the shoulder area - sometimes you need to look carefully for it. Otherwise it is dominated by vintage shades of red and green. Well. Who's an agent of change driven by love, then?

The horizontal stripe pattern is partly to remind us of the classic biblical robes with stripes that ran along them, much like the style of Crowley's black and red robe in the Job minisode, but is also part of the traditional Fair Isles pattern work. And each row only has two colours, but up around the shoulder area we do see purple start to sneak in as a third colour.

On to the incorporated symbols! I'm going to go from bottom to top.

On the lowest two we feature Crowley and Aziraphale. We have Crowley's demon satyr tail from the Good Omens logo on the lowest stripe - the double-headed arrow.

The next stripe is Aziraphale, with a variation of the classic OXO pattern ("hugs and kisses.") The X is meant to represent his angel wings, and the O is modified to mimic the "o" with a halo in the Good Omens logo. I've highlighted all three in the image on the right.

The third row up is a Sumerian Star pattern that represents one of the flowers associated with Gabriel, the lily. They are supposed to represent the purity of Mary, mother of Jesus, as he had one in his hand when he visited her during the Annunciation.

The row above that is what I believe to be a Byzantium pattern, and is included to show "an Angel's ability to be timeless."

The next three rows are still under a bit of a question mark as I write this. I plan to come back and edit it in if I find the answer.

The bottom of the three is the Duke of Buccleuch pattern, "to celebrate the long and necessary contribution that the cottage industry of hand knitted items."

The middle one - ? (perhaps you, the reader, know? It looks like a spiralling ribbon if I stand back, but that isn't sparking any connections, either.)

Edit: @noneorother tells me in a reblog (below) that this pattern represents the shoelace from the magic incantation Aziraphale uses "Banana Fish Gorilla Shoelace." So it is ribbon-like! This then points to the Second Coming, as it the shoelace references the end of the book, and the last paragraph of the book references Yeats poem "The Second Coming" as well as the novel 1984. To me it is then also telling us there is a cycle occurring, or a cycle that needs to be renewed. This fits in with some other clues other meta-writers have been picking up.

Edit 2: Turns out none of that was correct - I heard back from the creator herself and it's actually the double-ended satyr tail pattern again! It just seems to make a bit of an illusion of a ribbon or shoelace.

The pattern below is a modified OXO pattern.

The top one looks like two rams horns facing each other. A hollowed out rams horn can be used as a trumpet, and is known as a shofar in Jewish religion. Gabriel was traditionally known to carry a trumpet.

The ancient meander pattern would be recognized by most people, included as another classic timeless pattern found all over the world. For some it symbolizes eternity and endless flow.

The wheels here appear to be Michael's ophanim wheels, that would have eyes around the rims.

The hourglass is to remind us that time is running out. Memento mori - "Remember that you die." It is a major theme in both series.

Right up high, just before we lose the rest of the vest inside the overcoat, we get a glimpse of a large diamond-shaped icon. I wonder if this is another stylized set of angel wings, like we saw in the Job minisode on Aziraphale's golden collar.

To finish off the outfit, he is wearing dark gray trousers with sneakers! I'm sure that's so he could keep sneaking up on Aziraphale in the shop, haha. His shirt seems a little too large for him and the tie is knotted too high and is not settled along his centerline. It's all at odds with his previous neat and sharp appearance as Supreme Archangel Gabriel.

I'd like to say a big thank you to @aduckwithears for helping me with information on the vest and finding the creator's other social media sites. You can see their two posts about it here and here.

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acatwithstockings · 23 days ago

Note

Could you please, please tell me everything about the 1990's Good Omens (very bad) Movie script? you mentioned not being able to taIk about it because no one is interested (which I very much relate to, but in just basically anything Good Omens related) I was not there for when it was leaked, so I'd really like to know like... all of it (I promise I am so interested, and also very very obsessed with Good Omens. I'll absolutely be your captive audience.)

the only things I think I know are that Crowley's mean and has a nightclub, and Aziraphale has a museum(??). and it's in America??

You don't know how happy it just makes me to ramble on about that one. Could write a whole essay tbh (I try my best not to bc my spelling is atrocious pff ).

Only snagged it myself after a whole year of searching when it got put up on Dropbox for a few hours. Got taken down quickly again. Idk if it was bc of a copyright claim or if the owner took it down themselves bc it isn't supposed to be spread around due to said issues and they (not quite so cleverly) posted the Link on a post that would make it especially easy for the copyright holder to find it. At any rate, I Got really lucky in that regard. The copyright issues around this thing are fascinating in general and could make for a great study in regards to the flaws of that system.

As for the script contents... Well it's something.

Yes Crowley is mean, it would be wrong however to reduce that version of him to that. (I will try and point out why later). Yes he owns a nightclub, the aptly named hellfire on a hill (? Idk enough about british topography to know if that's a hint towards a real part of town or just bc the visual of it is cool ) in London. So It does not play in America and Aziraphale is working at the British museum. Canon explanation why they try everything and anything to not give back the artefacts they stole, I suppose. (That was a joke. In the script itself it isn't even as much as mentioned that our favorite angel has any interest in collecting anything, missed opportunity if you ask me)

In general the whole thing plays out extremely differently from the story we all love. And sadly lacks the Prattchian humor... For obvious reasons. It does have it's moments tho not many but they are there. ( "Crowley un-snakes" will never not be funny)

What follows is a lengthy summary which will have a bit of analysis and personal interpretation mixed into it . Bc who needs good struktur if you can do stream of consciousness? Am I right?

We begin with the protagonist Crowley in company of Aziraphale, who in this version sadly takes a bit of a backseat, playing checkers in Aziraphale's study. In this version they are color coded: with pure white clothing and hair and pure black clothing and hair. Crowley remarks that 'everything is going too well'. To which Aziraphale points out, that complaining seems to be a favorite past time of the demon. in this version he has a knack for putting down/dismissing Crowley on basis of being a demon (" Oh, isn't that just like a demon? Six-thousand years and all you do is complain") and it's part of his ark , kinda. Cohesion and following things through isn't exactly a strong suit here.

It looks like Aziraphale is about to win, however Crowley uses the cliché 'Lock over there' trick to cheat. In the following dialogue we learn that they have been playing one checkers match a week for the past six thousand years. So basically it's presumed they played their first match in Eden before checkers was even invented. (Then again the stage direction describes a painting depicting Crowley as green snake wearing sunglasses in Eden, so they just have been trend setters from the start) . They then set a date for their next match, Crowley makes his distaste for earth known, they meet Aziraphale's assistant Polly, who is very unimpressed by Crowley and then he is off not without causing some mischief with a stolen wallet.

Aziraphale gets a little scene where he is appraising a painting for its authenticity. He gets called 'bramy as a box of fruit bats' and tells the ones that brought the painting that if it were real, he'd know bc he would have seen the master paint it. The interesting thing here is that this scene essentially is there to show us, that despite not acknowledging Crowley's cheating or directly calling out the forgery and its purpose (to gain money), even calling it pretty, he knows what's going on he simply chooses to play/be aloof .

Next we get introduced to the nightclub. Nothing much happens here at first except that we get introduced to the Barstaff. Or well at least Tina (my love) the barman. As it seems Crowley is managing a successful business and outside of a little rant, calling people sheep and wanting bigger cocktail umbrellas, he genuinely seems to be competent in his leadership and friendly to his staff. Even knowing them by name .

Other notable staff members are Warren, I think he has one line and is the handyman/security of the nightclub and Marjorie who gets a few more lines and is part of the waitstaff. Who by the way are put in full body imp costumes bc of course the nightclub is themed after hell.

Crowley then contacts hell, where he ultimately gets told that Satan himself has a special task for him. And we get the first clue that Crowley, who so far has given us very cool very early 90's style Anti"hero' is scared shitless. Not just that, hell thinks he is a bit of a loser, not being impressed by his mission reports and all that.

We then get to the good old Hyde Park scene with a nearly drowned drake safed by Aziraphale's intervention and everything. What is interesting here however is, that Crowley is a full blown nihilist and Aziraphale just very over enthusiastically positive. Aziraphale saying a woman is doing something good by giving her ice cream to a child while Crowley points out that the ice had first been dropped to the ground and been liked by a dog. (Script!Aziraphale as much as I love you but I am with script! Crowley on this one). Aziraphale points out that that hardly matters because the child is happy and that makes it a good deed. Crowley snarkily retorts that happiness is a stupid metric for good things and says he likes one thing about humans : that they are reliable in doing the selfish bad thing.

Aziraphale then tries to get Crowley to reveal why things are going to well. Crowley points out that they are enemies and he shouldn't give out that information despite the arrangement (sadly we don't get more information about that but I would love to know how it looked in that universe) and only is convinced by Aziraphale being hurt about it and giving him sad puppy eyes. Crowley then invites Aziraphale over to his nightclub after hours to talk about what head office actually wants from him.

We then jump to the nightclub again. Crowley is surprisingly decent towards people, Tina is managing the club and all seems rather nice. Madam Tracy is making an entrance. In this version she is an slowly aging out of it IT-girl. It's implied that she had a multitude of affairs and that she has now been payed off big time. (I enjoy Madam Tracy in this version a LOT). She never seems to be quite there but still owns any situation.

Her and Crowley have a little conversation that gets broken up when he decides to deal with a Troublemaker at the bar instead of letting Warren take care of it. (Side note that part of the script gave me the HC that script! Crowley is very short, definitely shorter than script!Aziraphale don't ask me why) . He is having a full blown Anime protagonist moment, including using the bribe the trouble maker gives him to give to the Waitress the Troublemaker had harassed in a very cool™ manner and stopping a punch with one hand. Just believe me it's very anime. But again Crowley seems to be actual decent boss, believe it or not.

He then gets a Call in the bathroom . Satan talking to him through the mirror without prior notice. He orders Crowley to get to a graveyard within 30 minutes. Crowley is keeping it together but he is panicking. He is having a short conversation with Tracy again in which he stays relatively friendly surprisingly enough.

Fun fact this whole film would have had "Every day' as musical theme. Bc from this moment the song gets mentioned continuously.

After speeding and vandalizing a cop car out of desperation since he is late and they determined to stop him, we get to meet satan. In this version he is a cold calculating (but very cool) business man . Crowley, in German we'd say 'legt sich erstmal ordentlich auf's maul' (meaning he trips and falls on the ground). He is groveling before him, bootlicking and trying to appease his Master (for real tho if that movie would have been made there would have been Satan/Crowley shippers bc that shit is some fuel for a toxic ship). At any rate Crowley is making a bit of a fool of himself and Satan is enjoying the Powertrip. In the end he gives Crowley the antichrist with the task to raise the baby or else suffer worse than anyone else in hell. However if he succeedes he is getting to leave the planet (again he supposedly doesn't even like earth in this version)

Anathema is introduced. She is just a little occult girl that felt the antichrist coming to earth. No mentioning of prophecies or anything. Our beloved Agnes does not exist in this universe. Just a little girl with green eyes and a sense for the occult.

Now with a baby he is supposed to take care of, Crowley makes his way back to the nightclub. There he hides the newborn from his employees and gets pulled away to discuss something by Tina. Since he is hiding the baby he puts the newborn down, right into Madam Tracy's money bag. And well, while he is off talking with Tina , Madam Tracy is taking her bag without noticing the child and off she goes. Leaving Crowley with the problem of a lost antichrist and for some reason a slowmo shot of him trying to catch up with a taxi.

He starts drinking. He knows he is done for so what's the point. (The first bottle he grabs is Aardvark Snapps idk why I finde that interesting) . At this point he has accepted that he will end up for an eternity being punished. Hours later Aziraphale makes an appearance and is a little bit judgemental about Crowley being drunk. (Side note: an other hc of mine is that script!Aziraphale is straight edge bc of that scene). Crowley tries to have him join him drinking but fails. And then just tries a to have a little heart to heart. ("I am doomed, Aziraphale") Only getting a little speech about being a demon and therefore inherently being doomed ('duhhh!') back.

Crowley eventually just confides in Aziraphale how much he has fucked up having a bit of a monologue about it. Eventually Aziraphale offers to help find the boy, but only if he is allowed to influence him. To which Crowley reluctantly agrees, because it would mean that he still fails his task of raising a boy that Satan could be proud of. But Aziraphale is a little bit manipulative (also Crowley is still drunk while Aziraphale is sober) so they shake on it. Anyway this exchange is one of my favorites in the script .

We finally jump eleven years into the future and get to meet Adam.

He has been adopted by Madam Tracy. And is now running a bed and breakfast in the quaint little town of Tadfield. Instead of an army base this Tadfield has direct access to the sea. Including it's very own pier. Anyhow I said Adam is running the b&b that's because Madam Tracy is a neglectful parent and as much as I enjoy her script version, she is not doing great here. Adam is running errands, making breakfast for his mom and generally keeping things together. His whole introduction is him being a little adult .

He finally gets some child time and we meet 'the Them' except they are not 'the Them'. Brian, Pepper and Wensleydale are a friend group and they try to talk to Adam because Pepper wants to be friends with him ( I think the intention was to make Pepper and Adam as THING but idk) . But Adam wants nothing to do with them and instead just wants his peace and quite. So he gets insulted for not having a father and sulks off.

Anathema has also arrived at the scene. And has a culture shock bc of the lackluster infrastructure out here. She arrives in Tadfield with some difficulties and now has to somehow find a place to stay. And while the town seemed overrun with places renting out rooms it also has a case of outdated world views and nobody is willing to take Anathema in for some reason or the other. She eventually gets pointed into the direction of Madam Tracy. Where she is informed that she can have a room . And Madam Tracy casually dunks on Picasso which I can support.

Anathema then repeatedly runs into Adam and tries to strike up a conversation but he just doesn't want to and runs off. As both of them eventually go home at the end of the day he accuses her of following him, since they both are taking the same path. As he gets told that Anathema also lives at the same address as him now he gets angry and stroms to Madam Tracy, disrupting a seance to scold her for taking on a lodger without his approval. He is angry that Madam Tracy is so reckless taking in people without proper background check.

Following that, Adam interviews Anathema. And they bond .

At night Adam sneaks off to the pier and we learn that he has build a model of Tadfield in an abandoned arcade.

He and Anathema bond a bit more over breakfast. (And honestly I like that version of them more relationship wise. As much as I love Prattchet, he did have a particular style of writing children that also came through in Gomens . It lends itself great to hypotheticals and punchlines, not so much for interpersonal relationships)

Back to Crowley and Aziraphale. Last time Crowley had been hopeful and appreciative of the angel. Well now he is running out of time and he is getting grumpy and down in the dumps and ready to give up. While Aziraphale is still unrelentingly optimistic. Poly makes an other entrance, Crowley puzzles together an ancient Etruscan pott. All riveting stuff.

Shadwell, or what's left of his character makes a short appearance as 'MAD OLD MAN' shouting and standing on a soap box as set dressing for Crowley to buy a newspaper and... Pay for it . (Honestly I would have not expected HIM to pay for anything)

He gets zapped into hell without notice.

(Side note Miss Ashtoreth is mentioned as secretary of Satan himself.)

Satan wants to check up on his son's progress. Crowley is shitting himself and lies, reassuring Satan that the boy is properly evil and all that . Of course Satan wants to see the boy real soon and tells Crowley to tell the boy that he is ready for when the boy wants to see him. And after taking a look at Adam by rearranging the universe itself to show a likeness in the stars (hell is a very surreal space with an office above the pit and direct view of all of the universe) Crowley gets zapped back to earth. (Also Satan calls Crowley 'Crawler' which is the script version of Crowley's name change, probably)

Crowley Is now properly stressed out.

On the other end of London (probably) Aziraphale's Crowley senses tingle and he just starts running (presumably) towards Crowley. This never gets brought up or explained. And is so bizarre I couldn't skip it.

Back in Tadfield Adam and Pepper get a bit of a bonding moment. Talking about action figures, Pepper giving Adam a lecture about not being sexist , getting fish and chips. The topic of Adams lack of a father gets brought up again and he lies. Telling Pepper he had met his father before and his father is some sort of international business man, that meets with presidents and is very busy. Eventually Pepper asks about Anathema and tries to convince Adam to take her (pepper) to the movies.

Back in London one Angel apparently unable to use public transport arrives at the nightclub. We can assume that he had been running the whole way. He gets pointed towards Crowley by multiple staff members, 'Every day' gets another cameo and he accidentally stumbles into the dressing room for the waiting staff, which is very embarrassing for him but not for the women.

When he reaches Crowley's office, the demon doesn't want to talk. He is panicking and packing to go on the run for the rest of eternity. (Which for him just means a suitcase full of sunglasses) . What follows is the infamous dialogue script!Crowley get his reputation from. (I might make myself very unpopular here but I think that reputation is not quite deserved. Yes he is an asshole but also the harsher exchanges only play out when he is stressed/panicked and usually if he goes too far he will try and paddel back. Still worst of the Crowleys without a doubt just not quite as bad as people like to paint him. Also script!Aziraphale isn't half as naive and helpless as people like to paint him either and in this house we let him have his agency! But also more on that later)

The exchange switches tone once Aziraphale lets his unbreakable optimism fallter and gets sad. To which Crowley immediately reacts bc trying to reassure him that they are in fact friends and that he shouldn't be sorry. Pointing out that he (Crowley) now knows what the boy looks like to counteract Aziraphale's pessimistic statement that they could never have found the boy bc they didn't even know what he looks like. They agree to hit one more town in their search for the boy.

In Tadfield Anathema finally gets to talk about her quest to find the SOMETHING with Madam Tracy. And have her witness a fight between Brian and Adam about Adam's father. (Srly Adam gets constantly bullied bc of that.) Anathema steps between the two to protect Adam. They make a deal to tell each other's secrets. First we get Anathema showing Adam stuff about the antichrist and the weapon she plans on killing him with.

Then we get an intermission with Crowley and Aziraphale discussing how they should choose which town to go to. They decide with a dart throw.

Back with Adam and Anathema. Adam shows Anathema his model of Tadfield. To the question what he plans on doing once that model is done, he tells her, he is going to build the rest of the world and rule over it. He also voices his desire to go somewhere else so he is no longer stuck in Tadfield.

Aziraphale and Crowley arrive in Tadfield during a Thunderstorm and face the same problem as Anathema. No one wants to rent them a room in town. And while with Anathema the whole thing was rooted in sexism, disdain for outsiders (aka read as Americans) and misunderstandings about her occupation, for those two it's the obligatory 'People think they are a gay couple' thing but with a giant side of Homophobia.

Crowley want to give up, Aziraphale want to go on and eventually they end up at Madam Tracy's.

Madam Tracy mistakes them for the gas person, Crowley wants separate rooms, Aziraphale a shared one,(we never get to know which they now took bc the script has both, scenes with a shared room and with a separate rooms. It could also be that Crowley simply stays longer than Aziraphale and therefore the shared room becomes his single room. At any rate it is never specified. And to be honest there are multiple parts of the script where the author very obviously had given up on it , soooo) Crowley praises Aziraphale's skill as homemaker, Madam Tracy tells them, they have to wait for Adam. Adam comes home Crowley recognizes the boy.

Crowley and Aziraphale take a stroll on the beach and come to the agreement that each should spend a day with the boy, despite Crowley trying to avoid having Aziraphale influence the kid. They also witness how Brian's father is getting things set up and ready to tear down the pier.

In the evening they play an other game of checkers. Adam witnessing first hand Crowley's cheating as he gets the both of them to have dinner with the whole house.

At the dinner table they convince Madame Tracey to let them take Adam to London for a day. Adam being obviously overjoyed about the whole thing.

Anathema sees Aziraphale's and Crowley's true nature for a sec. And I am sorry if this part comes across as rather dry, it's also rather dry in the script.

Adam gets taken to London. First Aziraphale get to show him the museum and talk about human creations . (Side note , when I first got my hands on the script I thought I was missing a page bc the dialogue has a really awkward jump in this scene but no ... It's supposed to be like that and either it was the author giving up or it was supposed to be a kid thing. Jumping from one topic to the next with not much logic. We will never know)

Adam then confronts Aziraphale about Crowley's cheating. And here comes the part why I will never see script!Aziraphale as truly naive or helpless. Aziraphale admits to Adam that he had always known Crowley cheated, he just thought it virtuous to not point it out. Bc he played fair and in his mind that was enough to stand above the other and win in a sense and just let him do the cheating. Adam points out how it's stupid, and that was that. Aziraphale is stunned and does what most people with too much money and no idea how to handle kids do, exactly drag him somewhere, where he can buy shit.

Next up is Crowley. First he drags Adam to Soho. Not Good Omens there might be a cozy bookshop somewhere Soho but well 90s it's a bit of a cess pool Soho. With hookers and homeless teenage girls ( and for all those people that take Crowley being displeased with Adam for giving the girl some change as point to call him fundamentally mean/bad... I implore you learn what character motivations are. He has been tasked with raising an evil child, has promised an evil child, obviously he is displeased when that child is doing something selfless. And he wouldn't do something selfless in the presence of said child either bc again he is supposed to influence him towards evil) Crowley then gets him a milkshake and takes him to his club where they have the mirror conversation to Aziraphale's. Ending with Adam pointing out that it is pretty boring to always win for the wins sake by the means of cheating.

On the way back they have a short (also very old couple and married) conversation about their respective experiences with the boy. Accidentally letting it slip that they know who Adam's father is, believing the boy to be asleep. He is not.

That night Anathema finally succeeds in her endeavor of finding the antichrist. Her crystal ball revealing to her that it is indeed Adam. She is so shocked by that, that she lets the ball fall but luckily for her Aziraphale does his thing and it lands safely without breaking. (That another quirk of the script apparently Anathema and Aziraphale were supposed to be something and what ever that is, it's even weirder than Adam and Pepper)

Madam Tracy also finally recognized Crowley from THAT night and they have a honest heart to heart. Or whatever you call it when the otherwise always woozy character suddenly seem lucid and aware of what will happen.

That night Adam goes to Anathema for emotional support bc of the father thing. Anathema however is in the middle of a crisis bc she now knows what Adam is and had tried to get herself ready to murder him but struggles with herself to do it. Eventually Adam notices the knife behind her back and with the first flair of his antichrist powers forces her to show it to him before storming off hurt.

Being emotionally distraught he runs to his hideout on the pier and calls out to his feather. First nothing happens but then after Adam went off the pier and back again it is completely transformed into a bright happy carnival. His Father has arrived. Satan immediately takes Adam under his wings . He even dresses him up as a mini self.

The next morning the whole town of Tadfield is one giant carnival. There is a parade with elephants. And the people from around town are all mindlessly attending the celebration.

Crowley has a short meeting with Satan (on an elephant can't stress that enough) and gets told that he is supposed to come to Satan to talk about his promotion to alpha centauri. AND

( Don't ask me why I find this too funny to not share, my humor is very broken )

The town is being further transformed and more people are made mindless puppets. But now Crowley is happy to have gotten away with his stunt. He is roleplaying flirting with someone in a mirror. (Also in the script notes it literally says James Bond for acting directions for Crowley, and that's such a dorky idea I love the theory of it ... Bit of a waste in this tho).

Aziraphale tries to change his mind but Crowley shuts him down by pointing out that he was the one saying happiness alone is making things a good deed so it shouldn't matter if people have to be made into mindless puppets first. They are happy after all.

Meanwhile Adam is torturing Brian by throwing tomatoes hat him and having the rest of the town join in with the fun. He just wants his father to be proud of him (nawww ) (that naw was sarcastic). In the crowd Anathema is fighting to regain control over herself.

Aziraphale still tries to convince Crowley. Tugging at his heart strings but even the tried and true "I thought we are friends" won't work this time. Crowley wants to seize his opportunity, he wants out and up.

While those two are arguing, Anathema struggles. All she wants it the knife but she is exhausted.

Crowley is looking for a starting point for his launch towards alpha centauri. He is climbing onto a church tower. Behind him Aziraphale still hasn't given up. Despite not liking heights (!? Wasn't mentioned before will not be mentioned again but apparently script!Aziraphale has a fear of heights). He finally gets an idea and challenges Crowley to one last match.

Crowley for once doesn't cheat and it looks like he is about to win but then Aziraphale DOES cheat, desperate to keep Crowley on earth and have him fight at his side. And Crowley just shrugs and accepts. His next line after acknowledging the win already calls Satan his ex-boss and if that is not a very impressive 180° turn then I don't know what is. (Just a throw back to character motivation, we could speculate it's because most of what Crowley has said were lies and half truths and deep down he actually likes earth and bla or he just remembered how much he would miss his nightclub BUT I as number one script!Crowley (not really) defender say ... It's just unfinished/bad writing and there simply wasn't enough time or inspiration or whatever to finish his character ark)

Anathema manages to give both of them the knife. Crowley is so idiotic and tries to grab it but it burns him . I mean, duhh! Anathema literally tells them that this knife can hurt the antichrist why should it be harmless for a way lesser demon? So Aziraphale takes the knife.

After calling Crowley his best friend, Crowley himself calling himself stupid, Aziraphale, presumably (presumably is important here) with the knife, goes off to confront Adam. He tried to talk Adam out of it. Trying to point out that no good father leaves his kid alone for eleven years and if this is really what Adam wants. As he points out that Madam Tracy despite all her flaws still love Adam he gets discorporated, by Adam. But bc this is a Movie script and we don't have much time left he just stays in his true angel form (which is very much just white robes , wings and halo ) right where he is, further trying to talk Adam out of it .

(here is an other line in my mounting pile of evidence that script! Aziraphale is neither naive nor helpless and simply chooses to carry himself that way bc he thinks it's virtuous. He literally acknowledges that people can do bad things. Something he would not do at any point before that in the script. I rest my case )

While Aziraphale is trying to make Adam think about things, Crowley is off confronting Satan, presumably without the knife.

Satan acknowledges that Crowley had lied to him but is still in such a good mood that he still wants to give out the promotion. Even throws in the titel of fiend extraordinar. For a moment it seems like Crowley considers but ultimately he tells Satan that he wants to quit. Satan is not happy about that and after Crowley also pulls out a pink rubber glove and the knife (yhea Crowley had the knife all along , take that continuity or rather scree logic, like not showing how they get a rubber glove is fine, what ever but having the last scene with the knife be the one where it's shown that he can't touch it and Aziraphale had to carry it would have made it feel a bit too deus ex machina.) Satan forces him into half snake form and summens hands that try and drag him back to hell.

Thanks to his already established Crowley senses (probably ) Aziraphale suddenly shows up and charges at Satan. Who in turn is like 'An angel, really? You betrayed me,..' and then roasts Aziraphale to a crisp before destroying the knife .

Adam confronted with a robotic acting madam Tracy, listening to his every command, starts to reflect on his actions. Getting called in by his father to greed the four horsepersons he notices Aziraphale and Crowley.

Adam now faced with all the destruction says: no, I am not doing it. Stan tries to threaten him into obeying but he gets the good old 'You not my dad'. For being a deadbeat for 11 years. Adam then heals Aziraphale and frees Crowley. Now flanked by the two Adam banishes the horseman.

Satan demanding obedience once more, gets reminded by Crowley that he himself once rebelled. And after laughing about that revelation he tells Adam that it was interesting meeting him but as it seemed he wasn't cut out to be a dad. To Crowley he says that he is now banned from hell and to Aziraphale that he should tell his boss, that at least his son (the antichrist) had more guts than his(Jesus and yes the script sadly uses he/him for God).

After Satan vanishes they have to escape a collapsing pier. Noticing too late that Madam Tracy is also still there. Adam ends up releasing her from her trance by calling her mom and telling her that he loves her. Aziraphale ends up saving both of them, flying them to safety on the beach.

At the beach they also meet Anathema, who promises not to kill him, and Pepper . They watch as the pier explodes and burns to the ground. Anathema also has uncomfortable eye contact with Aziraphale while he ripples back into human form . (Don't ask me why it feels uncomfortable, Anathema is described as looking tens while he still full angel and softening once he is human again, so idk)

Apropos Anathema and Aziraphale. The next Morning, he comes to say goodbye and ends up offering a job bc (I forgot to mention it when it happened) Polly, his assistant had a promotion. So he is in search for a new assistant. She end up kissing him on the cheek and calling him angel but in a way where it's ambiguous if she now knows that he is one or if she just thinks he is a good person and something always makes her forget what he really is. At any rate Aziraphale says he had never gotten a kiss on the cheek in six thousand years and knowing a bit about history and cultural practices I am inclined to calling him a liar. But then again this is fiction .... So sure ... Cheek kiss virgin this one.

While that is happening Madam Tracy is asking Crowley if she can keep the boy now . And Crowley reassures her, that after this, no one is going to come for him. He even offers to throw a birthday party for her at his club, all she should do is to just to look after the boy. It's actually a very sweet exchange.

Outside Brian and Adam have a little exchange, Brain trying once more to get to Adam with the father thing. But Adam has no daddy issues anymore. Instead he asks Pepper out to the movies and Brian just tags along without being asked. Where is Wensleydale you asking ? Take your best guess, he was mentioned once said one thing and then fell off the earth. He probably exploded with the pier and nobody even remembers.

With the kids now finally as a group we have the last shot of Aziraphale and Crowley. They are walking along the street , Crowley one stolen apple in hand . Having their talk about good and evil. Accusing each other of being a little bit of a good person (press x to boubt) and just enough of a bastard (oh absolutely). How they both knew the other was cheating all along. And maybe alpha centauri isn't such a good idea after all. You can't even get booze there. The last thing that is said is Aziraphale telling Crowley to 'not start THAT again', after being offered the apple.

I lied one more screenshot bc Every ...it had been for told by the cursed script for ages now. (I am pretty sure it had been in the talks to put go to Every day' even before the script was ordered so that is just a joke)

At any rate I do have to go to work in ....eh three hours ... So I will leave it at the summary for now. I am dyslexic and English mu second language so I am very sorry for all the mistakes I probably made . If someone reblogs this before I get the chance to correct them, let it be said that at least nobody can claim this is ai pfff.

Also not I said the name of the author the two times I mentioned him simply bc I don't feel like acknowledging the name of the person. I got into Gomens bc of Sir Terry and I stay here for him. This little obsession with the shit script happened by pure chance and purely against my will pfff

#good omens #crowley #aziraphale #ineffable husbands #azicrow #1992 omens #good omens 1992 script #ask #we stand Tina and Marjorie in this house #summary

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aziraphales-library · 2 months ago

Note

hey!! i was looking for established relationship fics specifically featuring hurt aziraphale (either physically sick or mentally/anxious/traumatized etc) and crowley wanting to take care of him but aziraphale struggling to accept that it’s okay to be protected and taken care of and crowley has to convince him. that may be too specific but i was wondering if you knew any like that? Thanks and have a great day

Hello! You may find fics of interest on our #insecure aziraphale, #aziraphale's trauma, #not actually unrequited love, and #mental health tags. Honestly, the biggest trouble I had with this request was the established relationship part. I can find the fics of Aziraphale struggling to accept love and care, but most of them are getting together fics. Here are the ones I found that I hope fit your requirements enough...

More of an Angel than All the Angels in Heaven by Fire_Traveller (T)

When Aziraphale finds an old rude note from Gabriel, he has a rather serious breakdown. Luckily, Crowley soon finds him and offers him some comfort and reassurance...and a hug, of course...

I won’t stand for it by Dancer_in_the_rain (T)

“Look, if you don’t want to see me again, that’s fine. I just would have liked to know what I did wrong. But if you don’t want to talk about it, I guess I’ll just-“ His hand started slipping from Aziraphale’s and in a sudden rush of panic the angel gripped onto the demon tightly. “No!”, he gasped, the thought of his beloved leaving indefinitely suddenly feeling like a crushing weight on his chest. Crowley looked back down at him, his expression confused and hurt. “Tell me what’s going on here then, angel. What has suddenly gotten into you?” Aziraphale worried his lip between his teeth, unable to meet the other’s eyes. He could feel his heart beating up his throat. Was he really about to tell Crowley? Well, yes. Crowley deserved his honesty. If anything he didn’t deserve Aziraphale throwing him out and not even giving him a reason. Even if it was a good reason. He felt like fainting when he looked back up again into the face that he loved so much. The face that he felt so undeserving of loving. “Would you… do you think I should get a new corporation?” Or: Aziraphale overhears Crowley reprimanding his plants and starts to wonder if he’s even good enough for his demon.

Definitions of Love by organizechaos (T)

Aziraphale thinks that all the abuse and trauma he endured in heaven is ‘love’. After being freed after the apocalypse, the angel is beyond happy. He wants nothing more than to spend eternity with Crowley but the demon is ready to put a name to their feelings. They both know that they care for each other deeply and when Crowley finally has the courage to put it in words (‘I love you’), it sends Aziraphale spiraling into believing Crowley will start treating him like heaven did. "We- we don't have to pretend anymore.” Crowley stuttered out, golden eyes looking frantically about the angel. His sunglasses were clutched tightly in the palm of his hand, “The apocalypse is over, it has been for years. Can't we- can't we say it now?" his voice wavered only slightly. "I don't love you, Crowley." Aziraphale emphasized each word to better help the demon understand. He had never truly loved something in all his years of existence, he didn’t think he was capable. To love another being — especially Crowley... "I could never love you."

a moment's silence by viperinz (T)

Crowley rubs a hand down his face, sighing. “Then you know that you shouldn’t have done that.” “It was the only choice I had. If you got smitten—” Aziraphale swallows, feeling his back throb in pain. “You would have died right where you stood. I could not allow that.” Crowley’s mouth turns into a thin line, his fury radiating through the room. “So, what? It was better if it was you rather than me that took the hit?” “Yes!” Aziraphale exclaims, sitting up in bed. He winces as his back protests the movement, but he needs Crowley to understand. “You deserve better than what I was able to ever give you, and you need to help Muriel and the Messiah. If I ceased to exist, nothing would change the outcome of stopping all of this.” “No, you don’t get to say that.” Crowley walks up to the bed. “If you think I’ll ever stand to lose you again, then you’re bloody wrong. The outcome would be different because I wouldn’t have you, you daft thing.”

After everything is said and done, Aziraphale has to learn to adjust to life on Earth after seven years of being in Heaven. Luckily, Crowley is there to help him heal, and to give him the love that he feels he's lost.

Wings of Porcelain by Dickenangelo (T)

"I think they're pretending it didn't happen." Good Omens, p. 218. Not everyone is happy to pretend that the failed Apocalypse never happened. Some of those unhappy entities pay a short visit to Aziraphale’s bookshop, a visit that would cost him not only his wings but also his newly regained confidence, as well as his favourite mug – and that is completely unforgivable. His demon is there for him. Of course he is! But what can he do when the angel’s mind seems to turn against him?

- Mod D

#good omens #ineffable husbands #insecure aziraphale #aziraphale's trauma #hurt aziraphale #emotional hurt/comfort #mod d

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mimisempai · 9 months ago

Text

We no longer need to hold back

Summary

As Crowley enthusiastically recounts one of his sessions at the planetarium, he is amused to see that Aziraphale isn't listening at all and is staring at his lips.

Notes

50 Types of Kisses - Writing Prompts

Kiss #2: A small, fleeting kiss - which is immediately followed by a passionate, hungry kiss.

On Ao3

Rating G - 951 words

"I have to admit, Angel, even after all these years, humans still manage to surprise me. This afternoon in the planetarium, there was a little boy who couldn't have been more than five years old, and he knew an incredible amount about stars and planets, especially Alpha Centauri! Can you believe it, Alpha Centauri, Angel!"

Crowley was telling the story of his last session in the planetarium, but it didn't take him long to notice that Aziraphale was behaving strangely. Usually when Crowley talked about his 'job', he was all ears, commenting, reacting to the demon's story, but today the angel looked completely distracted, his eyes constantly lingering on the demon's lips.

Crowley had decided to ignore him for a while and had gone on with his story, pretending not to notice.

"You know the planet where his royal smugness and my ex-boss are having their honeymoon."

This time, when he saw that Aziraphale didn't react, he asked, "Angel! Are you listening to me?"

The angel gasped in surprise, then pulled himself together and quickly replied, "Of course I'm listening to you, my dear, you know very well I hang on your every word."

Crowley turned fully to face him and said with amusement, "I rather got the impression that you were more interested in my lips than the words that came out of them."

The Angel blushed slightly and began to stammer, trying to find an explanation.

"Um... I... actually..."

As the angel searched for words, the demon brought his face close and planted a light, quick kiss on the angel's lips, then pulled away before asking cheekily, "Now that I have your undivided attention, do you think..."

He didn't have time to finish his sentence because Aziraphale had cupped his face in his hands and whispered against his lips, "You absolutely have my undivided attention. "

Then he captured the demon's lips in a kiss that was neither light nor quick. He kissed Crowley like someone who had been deprived of food for days and was finally getting his fill. Crowley, though initially surprised by the angel's eagerness, was not to be outdone and wrapped his arms around the angel's neck, returning the kiss with the same passion.

Much later, when they parted to catch their breath, Crowley asked him softly, panting, "Although I find this extremely pleasurable, will you explain to me what was going through your mind, Angel?"

Aziraphale, looking embarrassed, lowered his head and mumbled something unintelligible.

The demon grabbed the angel's chin and lifted it as he said gently, "Angel, I didn't understand, you'll have to say it again."

Aziraphale sighed before saying, "It's because of Nina."

Crowley raised an eyebrow.

"Nina?"

"Yes, she told me she preferred it when we were pining for each other, because now we're so glued to each other that she doesn't dare come to the bookshop for fear of running into us kissing between the shelves. It seems Muriel has been talking a bit too much."

Crowley couldn't help but chuckle, but Aziraphale shook his head, "It's not funny, Crowley."

"I think it's pretty funny, actually, but it still doesn't tell me why you were so fixated on my lips that you wouldn't listen to me."

Aziraphale, still a little embarrassed, said, "Well, when you forbid yourself something, it's usually the thing you want most. It's all you can think about. That was the case with... with your lips."

Crowley laughed softly and replied, "At least you see how I've felt all these millennia..."

Aziraphale immediately replied, "You're not the only one who's felt that way, I'll have you know!"

Crowley's expression became serious again as he brushed Aziraphale's hair back, his hand lingering on the angel's cheek. He said softly, "All the more reason why we shouldn't hold back another minute. No matter what others say."

Aziraphale thought for a moment before nodding.

"You're right, I'm sorry, that was really silly."

Crowley shook his head and replied, "No, not silly, just a little too self aware, and then I admit it was cute to see you distracted like that."

Aziraphale replied, "It's all right now, you can get on with your session at the planetarium."

Crowley shook his head again and, moving his face closer to the angel's, replied, "I don't feel like it now, I've found a much more interesting activity."

He closed the distance between them and pressed his lips to the angel's for another kiss, Alpha Centauri and the planetarium far from their minds as it lingered.

"Aziraphale! Crowley! Are you in there? I think so if the door is open!"

Both startled, they separated at Nina's voice and both stood up, quickly putting their clothes back in order before going to meet her.

The owner of the coffee shop wasn't fooled though, and pointing to the coffees and cakes in her hands she exclaimed, "I thought I'd come to make amends because Maggie pointed out that I'd been insensitive earlier, but it turns out I was right!"

Crowley put his arm around Aziraphale's neck and cheekily replied, "Do you have a problem with that? If you're jealous, do the same with Maggie!"

"Idiot, that's called self-control."

Crowley replied, "When you've held back as long as we have, we'll talk again about self-control."

Then, ignoring Nina, he pressed his lips to Aziraphale's for another kiss.

Nina, surprised that for once she hadn't had the last word, placed the coffees and cakes on a piece of furniture, then turned on her heels and gently closed the door behind her as the angel and the demon continued to kiss.

One thing was for sure: life on Whickber Street had never been dull since these two had been together.

_________

Still not beta'd

Still not my native language

Still hoping you'll enjoy this story 🥰

Still thanking you for bearing with me 😝

Ineffable kisses series : here

Ineffable Husbands masterlist : here

#good omens #aziracrow #ineffable husbands #ineffable boyfriends #aziraphale #crowley #good omens fanfiction #aziraphale x crowley #crowley x aziraphale #50 kisses

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humbledragon669 · 26 days ago

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S2E2 - The Clue Write Up P1 - Land of Uz (2500 BC) and London (Present Day) up to the credits

Ooh it’s been a while since got to use an in-screen caption as one of the headers and I am delighted to be able to do it again! I may well just use the same two headers as we switch between the two time periods in this episode, just for simplicity. Sue me.

There’s a tiny detail that’s been applied to this opening shot that I absolutely love – the video here has had an of effect applied to it to give it a vintage film feel. Sorry, that’s as close as I come to describing it with any sort of eloquence – I’m referring to the “fake” black marks and scratches that appear on the image briefly (you can see a couple on the header above). It doesn’t last long (only until Crawley finishes his first line), but I think this subtle little effect sets us very firmly in a cinematic (cinematographic?) context. I also feel like the colouring of the image has been altered for the same purpose – it puts me in mind of one of those historical films from the 50s and 60s, like Ben Hur and Spartacus (which I suspect is probably the whole point).

There’s something else interesting about Crawley’s appearance in this scene – his sunglasses. Cast your mind back to episode 3 in the first season (Hard Times), in which we saw him appearing without sunglasses all the way up to (and including) 33AD. I did comment on the appearance of the sunglasses in the 42AD scene in the write up for it:

I’m not sure I actually find this sudden appearance of sunglasses some 2500 years earlier all that interesting. There’s a part of me that feels that they have probably been included here because we, as an audience, have come to expect Crawley/Crowley’s costume to include a pair of stylised sunglasses by this point. I’d actually be strangely satisfied with that if it was the case – I feel like the reason behind his choosing to wear them could be so much more interesting if this was simply a “continuity error”.

Just wanted to include this because I am thrilled Aziraphale finally gets a really bad-ass entrance. How many times have we seen Crowley sauntering his way into a scene, looking like the coolest thing on Earth (and knowing it)? So glad the angel gets a turn at that here. That said. Why exactly is it that Aziraphale has happened to show up at this place and time? As we will come to find out shortly, Crawley is actually acting with Heaven’s authority so I don’t think the angel would have been sent there. It would present an interesting parallel to Crowley’s supposed knack of knowing when the angel is in trouble, but also resurfaces the suggestion about them being aware of the other’s whereabouts more often than not. I have to say, based on the conversation between them here, that seems unlikely – this exchange feels nothing but businesslike to me, cold even. Aziraphale even goes so far as to apologise (unapologetically) for having to do his job. We do learn that it has been about 500 years since they’ve seen each other, which is a nice little piece of backstory to have. I also consider it interesting to see Crowley providing a prompt to Aziraphale on how to complete his task, which provides a loose mirror parallel to what we saw Before the Beginning, that time with Aziraphale prompting his newfound friend that the incantations (for want of a better word) were not complete.

Side note: don’t you just love those little goats for staying exactly where they’ve been put? Pretty sure most animals would have scarpered extremely quickly when a huge flaming ball appeared above them, never mind having another being literally appearing from thin air in a really spiky portal of light. They must be some very calm goats.

Given the light show that Aziraphale has brought with him to make an imposing entrance on a demon, I’m pretty impressed with the restraint Crawley shows when he responds here – I mean he’s not exactly known for his patience is he? I also wonder if Aziraphale’s comment about jokes is meant to be a throwback to Hastur’s vehemence that he doesn’t like them, but the line is so throw-away that I can’t see what relevance it would add at this point. What I do find interesting is that, now we’re no longer in the “present day” of this season, we see Aziraphale struggling with his preconceived notions of right/good and wrong/evil. It’s something we saw quite a lot of in the first season, in both historical and “present” timelines. In the second season though, what with Aziraphale no longer working for Heaven, we tend to see it a lot less. We saw it in the first episode in the Before the Beginning segment, and we’ll see it again in the coming episodes, but predominantly in the historical scenes. There’s something about the fact that Aziraphale appears less conflicted about morality once he has been removed from the morality-defining authority, become more connected to humanity, and is found to be exercising his free will that I find deeply profound. No wonder the poor guy took 6000 years to realise that being Good isn’t just about following orders, especially when you consider that instruction is tied to his very existence. That whole thing is a big concept, and I struggled to put it into any words that made sense, so I hope I’ve at least been kind of clear. Basically, what I wanted to say was that I love that the historical scenes are being used as a way to remind us of the character development that Aziraphale has gone through over the millennia – they show us where he came from. And it’s not just the angel that gets this treatment:

We haven’t seen this version of Crawley/Crowley for quite a while, have we? The one that takes such delight in his mischief. And in case you missed it, we really should have known what he was up to – you can see two birds taking flight in the background behind his head, with an accompanying “caw” to draw attention to their presence.

I’m including that gif for no other reason that I find it Muriel’s impersonation of a goose adorable. I do wonder what exactly would have been deemed important though, if Job’s farm, camels, goat, oxen, children, and geese are all disposable. I’m not going to go into the underlying subtext of the bet that has been made between God and Satan here – the story itself is little changed from its original biblical source so I feel like it’s a bit out of scope for an episode write up. What is interesting to see is that the item on the list that Aziraphale balks at is the same as the one that Crowley has previously demonstrated (on more than one occasion) is his “line in the sand” for unacceptable acts – killing children. This will also be the first time, chronologically, that we see Aziraphale take his doubts to other angelic beings (some of whom are his superiors). I’m assuming his way of doing things is a little more diplomatic than Crowley’s was when he was in his angelic state, even if it is just as (un)fruitful.

This attitude towards Sitis and Job keeping their existing children rather than having them replaced with new ones says a lot about the Heavenly standard when it comes to understanding humanity and its eccentricities; his reasoning here being that it shouldn’t matter if Job’s existing children are murdered senselessly, as long as they’re replaced with an equal (or greater) number of different children. There is no appreciation of the complexities behind human relationships, desires, or emotions. I feel like it makes the fact that both Gabriel and Michael claim to understand the difference between the subtle technical differences between “killing someone” and “not stopping someone from killing someone” pretty ironic, particularly when they are taking advantage of this technicality to maintain their stance of being the good guys. And all said in such a convincing (and convinced) tone. Gabriel’s stance really only makes sense when you take it out of humanity’s context, which I think is why it’s just not something Aziraphale would ever be comfortable with.

Alright, we’ve jumped back into the present day to find Aziraphale apparently deep in thought about something. My take on it, and I think it’s a fairly common one, is that the whole Job sequence up to this point is a flashback as seen through Aziraphale’s eyes. (Side note: a cash register ringing noise is an interesting sound effect to employ to highlight the placards here, seeing as we all know the angel never willingly sells a book) There are a couple of things I picked up on during this delightful little scene, the first of which is this line:

AZIRAPHALE: I just didn’t see you coming.

I don’t think it would be a huge leap of faith to say that this line is probably not meant to be limited to this scene, but to Gabriel’s appearance on the whole. I don’t think it’s a huge revelation, I just love that it’s dropped in there so casually. And just as a quick note, I had previously wondered where Gabriel had been that he was able to sneak up on Aziraphale so easily, but it turns out that he would have been in plain sight as he approached the desk:

I love the way Aziraphale is bothered that somebody is bringing order to his chaos. It’s my belief that those books are likely arranged in such a way that only he knows how to find anything. After all, customers can’t buy books if they can’t find them, can they? The idea that somebody might actually be bringing some order to that must be distressing. It’s alright though, seeing as nobody will ever find anything they’re looking for using Gabriel’s sorting system anyway.

We also have the first reference to the Buddy Holly song “Everyday” in this scene. I’m really pleased that it was included in the second season – apparently it was something Terry was really keen to use as a device in the first season. The script book even includes stage directions that the soundtrack for most of the end credits should be stylised versions of the song. The story goes that when David Arnold presented his version of the theme tune for the first season, it was deemed to be so appropriate that the “Everyday” theme was dropped. I do absolutely love the theme tune we got. I also love that “Everyday” was brought back in for the second season. Both things can be true 😊

Last point of interest for this scene. The book that Jim reads from is “A Tale of Two Cities”. I will confess I haven’t read it, and used Wikipedia to summarise the plot, which as I understand it revolves around a central character who is compelled to disassociate himself from the wrongdoings of his family. There’s a drunken man that testifies on behalf of the main character and helps to get him acquitted of a crime. There’s a trip to Paris in 1792 that sees the main character imprisoned in the Bastille and the same man that helped acquit the main character travels to Paris in 1793 in an attempt to rescue him. There’s also a character called Gabelle, whose request for assistance in a prison escape leads to the capture of the main character.

It’s vague I’ll grant you, and I am sure I have missed a lot of the finer plot points. With that said, I don’t think I’d be alone in feeling like there are more than a few similarities to the 1793 Paris scene from Hard Times. Paris, the year, a prison rescue, and that name that’s awfully similar to Gabriel… It makes me wonder if this might be a Clue as to Aziraphale’s true purpose in Paris, and I suspect there might be a nice little project here to look at parallels between the novel and the 1793 storyline, but that would probably involve reading the original novel. In case you had missed it, time is not something I have a lot of right now, and classics bore the living shit out of me so it’s not something I can commit to so if anybody wants to take up that mantel, please feel free.

Don’t you just love that this is the first time we actually see Crowley sleeping in the show at all? There was a scene that didn’t make it to the final cut in the first season that saw him sleeping (in a bed/against a wall/on the ceiling), and one from just after he got out of bed. There is also explicit mention of his love of sleep in the book and we as a fandom have taken that cannon well and truly to heart. Yet this is the first confirmation we have in the show that he does in fact sleep. It’s a nice little touch for us to have – there really is no denying that this demon sleeps from this point on.

I made a note of Michael referring to Aziraphale as a “former angel” at the end of the first episode, and commented on how this feels like an inaccuracy. Interestingly Crowley makes an identical inaccuracy here in referring to himself as a “former demon”. To recap:

I feel the same way about Crowley and his status. I also note that Shax doesn’t correct his use of the past tense, but perhaps that’s because she’s confused at his use of sarcasm. What’s also of note is that she appears not to have any knowledge that Beelzebub and Crowley have already discussed the matter of Gabriel, likely because the former is trying to keep that under wraps. It makes me wonder if Crowley might have noticed that discrepancy had the discussion not turned to talk about the miracle that was performed in the bookshop the night before. And now we can briefly turn to the controversy that I raised from the last episode about whether Crowley actually had anything to do with said miracle:

SHAX: A miracle of enormous power happened last night. The kind of miracle only the mightiest of archangels could have performed.

So from her perspective, it looks like she believes Gabriel (as Supreme Archangel) performed the miracle himself. My theory about Crowley not playing his part in it gets pretty shaky at this point, because Aziraphale supposedly wouldn’t have been able to perform a miracle of that strength on his own. There is a “but” here. Or rather, an “unless”. What if Gabriel contributed to the miracle that was performed, but unknowingly? Possibly even unwillingly? His power, either alone or being added to that of another, might explain the colouration of the plume we see originating from the bookshop on the globe at the end of the episode. Yeah, that’s right, I’m not dropping this theory yet! It’s such a shame we don’t see any other example of plumes, because that would really either lend weight to it or completely discredit it. Shax clearly doesn’t think much of Crowley’s claim to the miracle regardless – she doesn’t even respond to him when he offers the possibility that it was him that did it.

It's also notable that Crowley makes no protestations about Shax’s label of “friend” when referring to Aziraphale. Unfortunately, we don’t get to see his face when she says it, but we do see that it’s unchanged when the close up returns to him. I’m not saying this is a denial of his true feelings, merely pointing out that this would have been hotly refuted prior to the body switch incident. Whether Crowley doesn’t care that Hell knows about his “friendship” or just can’t be bothered to argue isn’t clear at this point. What is clear, is that Shax’s threats are convincing enough that the plants are frightened – you can see (and hear) them shaking in the background:

I’m sure Crowley probably starts the car in a pass-agg response to his being threatened, but there’s a big part of me that believes he really does it because Shax has had the audacity to frighten his beloved plants. I don’t have any evidence to suggest that’s the case, but I won’t be swayed on that regardless. As a final point of note: this will be the second time Crowley has been offered the “opportunity” to help Hell and refused. He clearly has no interest in helping them – his bridges are well and truly burned as far as he’s concerned.

And with that, we’ve arrived at the credits, which feels like an excellent place to wrap this part up. I don’t think this instalment has been quite as controversial as the last one but as ever: questions, comments, discussion, always welcome. See you for the next one! 😊

#good omens #episode analysis #good omens season 2 #aziracrow #aziraphale #crowley #head canon #good omens gabriel #good omens shax #crowley's plants

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cobragardens · 1 year ago

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The Colors of Crowley

Black is the color Crowley uses to cover himself, red is the color that represents Crowley to himself, and yellow is the color that represents Crowley to Aziraphale. What each color symbolizes and how it's used give us important information about Crowley (and to some degree Aziraphale) and about the ineffable relationship.

I feel kind of dumb writing this post because I'm sure it's glaringly obvious to everyone else, but there's this Metro UK article of all things (the Metro is owned by the hardcore rightwing Daily Mail, btw, so please don't link to it) that mentions the red stitching on Crowley's gloves in 1867, and it made conscious some details I had only subconsciously noted, so fwiw to anybody else, here are my notes on the colors associated with Crowley in Good Omens and their significance in the context of the way each one is used.

I don't think we need to cover black-as-evil in Western color symbology. [And yet here's a long-ass paragraph about it anyway! --Ed.] Light:dark::good:evil has been a thing with Christianity since before Christianity was even Judaism. The Israelites picked it up from the Zoroastrians way back before YHWH had subsumed El as 'God,' which may have been before they were Israelites as well; I mean it was a LONG time ago. Good Omens has been using black and white to represent Hell and Heaven, respectively, long before the show. In the UK, the book was published in paperback with a choice of black or white cover with an illustration of the contrasting character in the contrasting color: Crowley illustrated in black, Aziraphale in white. The current hardcover is grey.

Crowley wears black, and the Bentley is black. At the metanarrative or authorial level this is obviously for the purposes of the black/white demon/angel contrast, but on the intra-narrative level, the Watsonian level, it's interesting to note that Crowley doesn't have to wear black. He's obviously not free to choose from the full color palette, but Furfur's shirt and sash are is dark emerald green, Dagon is in ultramarine (as befits a marine Elder God), and Shax has only been on Earth for four years before she's wearing head-to-toe oxblood. When she shows up later in battle dress she's got a lot of oxblood there, too. And yet Crowley wears black.

Authorial reasons aside, black suits Crowley for a couple intra-narrative reasons. For much of history, black was the most expensive color to dye and maintain in clothing, and as a result it has always been fashionable. And for several centuries in Christendom, wearing black was also a sign that you were in mourning, which was a social and religious obligation when someone close to you died. Whether you could wear other colors with it depended on how long ago that death had occurred.

Again: black is what Crowley chooses to cover himself, and as there is a sharp distinction between how Crowley presents himself to fulfill his obligations and who he thinks of himself as being, there is likewise a distinction between the colors that represent those two quantities as well.

Red is the color the show uses to represent Crowley to Crowley. The most obvious reason is his hair. This is another change from Book Omens, where Crowley is described as having hair that is "dark." A lot of fans in the UK hated the change when S1 came out because fans hate change and the British have a thing against gingers, but Crowley's red hair suits him better than dark imo because the Mother of Demons in Jewish religious literature, Lilith, is traditionally depicted with red hair. Red hair has been associated for more than a millenium in the Middle East and England and Wales with sorcery, witchcraft, demonic influence/possession, and satan-worship.

Crowley wishes his mom was this cool with snakes.

A good case can be made that Crowley genuinely likes the color red in addition to considering it demonically appropriate. I say this for three reasons. Firstly, because when he has a (limited) choice of (again, demonically appropriate) colors, he always chooses red. The marble of the desk in his apartment is not green or grey. He can have any color stitching on his gloves or lining of his jacket collar he wants, but it's always red. Secondly, it's not only red he chooses, it's almost always bright red.

We know Crowley's red isn't supposed to represent blood or violence, because we have another demon character whose use of red represents just that, and it's not the same red:

Compare Shax' oxblood and burgundy to

and

Crowley's red isn't just red, it's lipstick, cherry, crimson red. And in case we weren't sure that we should read this red as symbolizing passionate, romantic love:

Romantic symbolism aside, bright red is also the color of passion (romantic or otherwise), optimism, heat, vitality, life, (hell)fire, and warning.

Red and black says don't fuck with Jack.

The third reason I think we can safely say that Crowley actually likes the color red is that he hides it. It's always tiny little touches, some of which you have to look for to see. (I still don't know where they snuck in the red on his Elizabethan habit, e.g.) And we know this color is a risk for him, and that he is right to hide it, because Ligur, who doesn't approve of any of Crowley's less-than-fully-demonic embellishments and may share Hastur's opinion that Crowley has gone native, comments on one of Crowley's more noticeably colorful items.

And I think the red tells us one more thing about Crowley, too.

Bright red is the colorest of colors, you know? When we can choose only one color to represent all colors, to represent colorfulness itself, we choose bright red (even in cultures where red symbolizes other meanings than it does in Western art).

Remember how Aziraphale gives Crowley's jacket a tartan collar when he swaps bodies with Crowley and impersonates him in Hell because Aziraphale feels the need to maintain some small secret token of his identity, some tiny unremarked sign of something he loves and thinks is beautiful, when he is down there alone in the gloom among enemies?

Crowley is down there alone among enemies every second of every day and night, whether he's in Hell or on Earth. And he's already had his identity stripped from him once. If you were someone who said

about this

and then you got recruited by the fash downstairs bc the fash upstairs threw you out for not being fashy enough and you had to start wearing nothing but dark colors and more importantly had to hide everything that made you feel warmth or softness or joy, and that was it, that was the deal for eternity, but you could add one (1) little touch to everything you wore to remind yourself that there is some beautiful part of you left, something you loved once, that no one has yet been able to steal or brutalize out of you...what color would the stitching on your gloves be?

Lastly, Yellow represents Crowley to Aziraphale. I'm going to skip the chain of evidence for this bc I think it's obvious, but the way it's used also lends itself to some inferences supported in other areas in the show.

Here's where I think changing Crowley's hair to red from Book Omens' dark is a good decision in another way. Crowley always has red hair, and if he has any color in his clothes it's going to be red. Red is eye-catching; it always stands out, but it doesn't stand out as demonic. And yet the color Aziraphale associates with Crowley and calls "pretty" isn't red.

I suspect that when Aziraphale says he can make Crowley an angel again, Crowley hears "You're not good enough for me to accept you as you are, let me fix you" because these are words Aziraphale has said to him many times, and has meant some of those times. But

tells the audience differently. The color Aziraphale associates with Crowley, the color he calls "pretty," is the color of Crowley's only overtly demonic feature. Aziraphale doesn't love the angel he knew who isn't Crowley, he loves Crowley, the demon, the person he is now, his yellow demon irises.

Yellow appears in three other places in S2, and they're all symbolically significant, and in fact serve to establish another symbolic significance to the color yellow in addition to that of Yellow Is the Color of My True Love's Eyes.

One of them is a feather duster:

Crowley reacts to a feather duster like a cat confronted by an unfamiliar object

The other three are private conversations between Aziraphale and Crowley:

The walls that surround Crowley and Aziraphale when they speak openly about their situation and how they will handle it are drenched in yellow, and that is super interesting, because in Western color symbolism yellow is the color of fear. The archangel of whom Crowley and Aziraphale are both (rightly) terrified wields a tool the color of fear. The color of fear saturates the backdrop of conversations between Aziraphale and Crowley when they have to discuss their situation and their actions openly.

Remember how Aziraphale's voice shakes here?

Crowley realizes the crows have just handed an angel evidence the angel can take to Hell and use to have Crowley killed

Even the Bentley, that clear sign of Aziraphale's love for Crowley, is also a yellow coffin enclosing him. For Aziraphale, thoughts of Crowley are always entangled with fear, because Crowley is not just Crowley, he is also Crowley's Fall.

And I think fear is what Crowley's eyes themselves represent. For Crowley, fear is now a fundamental part of his perception, his nature, his identity.

The angel Aziraphale once knew is not Crowley, and yet from what we've seen, the chiefest difference in character between this sweetheart and this mischief-maker--

--is that the Starmaker does not know yet that he should be afraid, and the Serpent does. That knowledge and its fear has, shall we say, colored his view of the world.

Aziraphale learns that fear early by observing others rather than Falling himself, and knows enough that by the first time we meet him in the Before, he is already afraid.

Pink was once symbolically equivalent to red; in modern Western color symbology it is a color of innocence, youth, beauty, and first love. Hashtag just sayin'.

The cruellest thing this suggests to me is that, rather than rebellion or his propensity to ask questions, rather than the knowledge of good and evil, the Starmaker's Fall was caused by his innocence. it wasn't the questions that were the problem: it was that he didn't know any better than to speak them out loud.

Y'all, Crowley and Aziraphale do not suffer from communication problems. Despite both being male-coded and British, they don't even seem to lack emotional intelligence. What they do have is a universe of silence and fear they have to communicate within and around. What they lack is the safety to speak and love freely. The true color of Crowley is crimson, but someone gave him those eyes, and Aziraphale either watched that happen or knew about it, and now Crowley covers himself in black--which btw is also the symbolic color for mystery and secrets--and only lets Aziraphale see him as he really is now, because Aziraphale won't judge him for his yellow eyes (or punish and forsake him for his questions). Because Aziraphale carries that fear with him too.

#good omens #good omens 2 #good omens analysis #good omens crowley color analysis #good omens crowley color #crowley #good omens colour analysis good omens crowley colour #good omens colour #good omens meta #angel!crowley #starmaker

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