#1992 omens

[acatwithstockings]

Could you please, please tell me everything about the 1990's Good Omens (very bad) Movie script? you mentioned not being able to taIk about it because no one is interested (which I very much relate to, but in just basically anything Good Omens related) I was not there for when it was leaked, so I'd really like to know like... all of it (I promise I am so interested, and also very very obsessed with Good Omens. I'll absolutely be your captive audience.)

the only things I think I know are that Crowley's mean and has a nightclub, and Aziraphale has a museum(??). and it's in America??

You don't know how happy it just makes me ramble on about that one. Could write a whole essay tbh (I try my best not bc my spelling is atrocious pff ).

Only snagged it myself after a whole year of searching when it got put up on Dropbox for a few hours. Got taken down quickly again. Idk if it was bc of a copyright claim or if the owner took it down themselves bc it isn't supposed to be spread around due to said issues and they (not quite so cleverly) posted the Link on a post that would make it especially easy for the copyright holder to find it. At any rate, I Got really lucky in that regard. The copyright issues around this thing are fascinating in general and could make for a great study in regards to the flaws of that system.

As for the script contents... Well it's something.

Yes Crowley is mean it would be wrong to reduce that version of him to that. (I will try and point out why later). Yes he owns a nightclub, the aptly names hellfire on a hill(? Idk enough about british topography to know if that's a hint towards a real part of town or just bc the visual of it being on a hill is cool ) in London. So It does not play in America and Aziraphale is working at the British museum. Canon explanation why they try everything and anything to not give back the artefacts they stole, I suppose. (That was a joke. In the script itself it isn't even as much as mentioned that our favorite angel has any interest in collecting anything, missed opportunity if you ask me)

In general the whole thing plays out extremely differently from the story we all love. And sadly lacks the Prattchian humor... For obvious reasons. It does have it's moments tho not many but they are there. ( "Crowley un-snakes" will never not be funny)

What follows is a lengthy summary which will have a bit of analysis and personal interpretation mixed into it . Bc who needs good struktur if you can do stream of consciousness? Am I right?

We begin with the protagonist Crowley and Aziraphale, who in this version sadly takes a bit of a backseat, playing checkers in Aziraphale's study. In this version they are color coded with pure white clothing and hair and pure black clothing and hair. Crowley remarks that 'everything is going too well'. To which Aziraphale points out, that complaining seems to be a favorite past time of the demon. He has a knack for putting down/dismissing Crowley on basis of being a demon (" Oh, isn't that just like a demon? Six-thousand years and all you do is complain") in this version and it's part of his ark , kinda.

It looks like Aziraphale is about to win Crowley however, uses the cliché 'Lock over there' trick to cheat. In the following dialogue we learn that they have been playing one checkers match a week for the past six thousand years. So basically it's presumed they played their first match in Eden before checkers was even invented. (Then again the stage direction describes a painting depicting Crowley as green snake wearing sunglasses in Eden, so they just have been trend setters from the start) . They then set a date for their next match, Crowley makes his distaste for earth known, they meet Aziraphale's assistant Polly, who is very unimpressed by Crowley and then he is off not without causing some mischief with a stolen wallet.

Aziraphale gets a little scene where he is appraising a painting for its authenticity. He gets called 'bramy as a box of fruit bats' and tells the ones that brought the painting that if it were real, he'd know bc he would have seen the master paint it. The interesting thing here is that this scene essentially is there to show us that despite not acknowledging Crowley's cheating or directly calling out the forgery and its purpose (to gain money), even calling it pretty, he knows what's going on he simply chooses to play/be aloof .

Next we get introduced to the nightclub. Nothing much Happens here at first except that we get introduced to the Barstaff. Or well at least Tina (my love) the barman. As it seems Crowley is managing a successful business and outside of a little rant, calling people sheep and wanting bigger cocktail umbrellas, he genuinely seems to be competent in his leadership and friendly to his staff. Knowing them by name .

Other notable staff members are Warren, I think he has one line and is the handyman/security of the nightclub and Marjorie who gets a few more lines and is part of the waitstaff. Who by the way are put in full body imp costumes bc of course the nightclub is themed after hell.

Crowley then contacts hell, where he ultimately gets told that Satan himself has a special task for him. And we get the first clue that Crowley who so far has given us very cool very early 90's style Anti"hero' is scared shitless. Not just that hell thinks he is a bit of a loser, not being impressed by his mission reports and all.

We then get to the good old Hyde Park scene with nearly drowned drake safed by Aziraphale's intervention and everything. What is interesting here however is, is that Crowley is a full blown nihilist and Aziraphale just very over enthusiastically positive. Aziraphale saying a woman is doing something good by giving her ice cream to a child while Crowley points out that the ice had first been dropped to the ground and been liked by a dog. (Script! Aziraphale as much as I love you but I am with script! Crowley on this one). Aziraphale points out that that hardly matters because the child is happy and that makes it a good deed. Crowley snarkily points out that Happiness is a stupid metric for good things and says he likes one thing about humans : that they are reliable in doing the selfish bad thing.

Aziraphale then tries to then get Crowley to reveal why things are going to well. Crowley points out that they are enemies and he shouldn't give out that information despite the arrangement (sadly we don't get more information about that but I would love to know how it looked in that universe) and only is convinced by Aziraphale being hurt about it and giving him sad puppy eyes. Crowley then invites Aziraphale over to his nightclub after hours to talk about it what head office actually wants from him.

We then jump to the nightclub again. Crowley is surpassingly decent towards people, Tina is managing the club. And Madam Tracy is making an entrance. In this version she is an slowly aging out of it IT-girl. It's implied that she had a multitude of affairs and that she has now been payed off big time. (I enjoy Madam Tracy in this version a LOT). She never seems to be quite there but still own any situation.

Her and Crowley have a little conversation that gets broken up when he decides to deal with a Troublemaker at the bar instead of letting Warren take care of it. (Side note that part of the script gave me the HC that script! Crowley is very short, definitely shorter than script!Aziraphale) . He is having a full blown Anime protagonist moment, including using the bribe the trouble maker gives him to give to the Waitress the Troublemaker had harassed in a very cool™ manner and stopping a punch with one hand. Just believe me it's very anime. But again Crowley seems to be actual decent boss, believe it or not.

He then gets a Call in the bathroom . Satan talking to him through the mirror without prior notice. He orders Crowley to get to a graveyard within 30 minutes. Crowley is keeping it together but he is panicking. He is having a short conversation with Tracy again in which he stays relatively friendly surpassingly enough.

Fun fact this whole film would have had "Every day' as musical theme. Bc from this moment the song gets mentioned continuously.

After a speeding and vandalizing a cop car out of desperation since he is late and they determined to stop him we get to meet satan. In this version he is a cold calculating (but very cool) business man . Crowley in German we'd say 'legt sich erstmal ordentlich auf's maul' (meaning he trips and falls on the ground). He is groveling before him, bootlicking and trying to appease his Master (for real tho if that movie would have been made there would have been Satan/Crowley shippers bc that shit is some fuel for a toxic ship). At any rate Crowley is making a bit of a fool of himself and Satan is enjoying the Powertrip. In the end he gives Crowley the antichrist with the task to raise the baby or else suffer worse than anyone else in hell. However if he succeeded he is getting to leave the planet (again he supposedly doesn't even like earth in this version)

Anathema is introduced. She is just a little occult girl that felt the antichrist coming to earth. No mentioning of prophecies or anything. Our beloved Agnes does not exist in this universe. Just a little girl with green eyes and a sense for the occult.

Now with a baby he is supposed to take care of, Crowley makes his way back to the nightclub. There he hides the newborn from his employees and gets pulled away to discuss something by Tina. Since he is hiding the baby he puts the newborn down, right into Madam Tracy's money bag. And well, while he is off talking with Tina , Madam Tracy is taking her bag without noticing the child and off she goes. Leaving Crowley with the problem of a lost antichrist.

He starts drinking. He knows he is done for so what's the point. (The first bottle he grabs is Aardvark Snapps idk why I finde that interesting) . At this point he has accepted that he will end up for an eternity being punished. Hours later Aziraphale makes an appearance and is a little bit judgemental about Crowley being drunk. (Side note: an other hc of mine is that script!Aziraphale is straight edge bc of that scene). Crowley tries to have him join him drinking but fails. And then just try a to have a little heart to heart. ("I am doomed, Aziraphale") Only getting a little speech about being a demon and therefore inherently doomed ('duhhh!') back.

Crowley eventually just confides in Aziraphale how much he has fucked up having a bit of a monologue about it. Eventually Aziraphale offers to help find the boy, but only if he is allowed to influence him. To which Crowley reluctantly agrees, because it would mean that he still fails his task of raising a boy that Satan could be proud of. But Aziraphale is a little bit manipulative (also Crowley is still drunk while Aziraphale is sober) so they shake on it. Anyway this exchange is one of my favorites in the script .

We finally jump eleven years into the future and get to meet Adam.

He has been adopted by Madam Tracy. And is now running a bed and breakfast in the quaint little town of Tadfield. Instead of an army base this Tadfield has direct access to the sea. Including it's very own pier. Anyhow I said Adam is running the b&b that's because Madam Tracy is a neglectful parent and as much as I enjoy her script version, she is not doing great here. Adam is running errands, making breakfast for his mom and generally keeping things together. His whole interdiction is him being a little adult .

He finally gets some child time and we meet 'the Them' except they are not 'the Them'. Brian, Pepper and Wensleydale are a friend group and try to talk to Adam because Pepper wants to be friends with him ( I think the intention was to make Pepper and Adam as THING but idk) . But Adam wants nothing to do with them and instead just wants his peace and quite. So he gets insulted for not having a father and sulks off.

Anathema has also arrived at the scene. And has a culture shock bc of the lackluster infrastructure out here. She arrives in Tadfield with some difficulties and now has to somehow find a place to stay. And while the town seemed overrun with places renting out rooms it also has a case of outdated world views and nobody is willing to take Anathema in for some reason or the other. She eventually gets pointed into the direction of Madam Tracy. Where she is informed that she can have a room . And Madam Tracy casually dunks on Picasso which I can support.

Anathema then repeatedly runs into Adam and tries to strike up a conversation but he just doesn't want to and runs off. As both of them eventually go home at the end of the day he accuses her of following him they both are taking the same path. As he gets told that Anathema also lives at the same address as him now he gets angry and stroms to Madam Tracy, disrupting a seance to scold her for taking on a lodger without his approval. He is angry that Madam Tracy is so reckless taking in people without proper background check.

Following that Adam interviews Anathema. And they bond .

At night Adam sneaks off to the pier and we learn that he has build a model of Tadfield in an abandoned arcade.

He and Anathema bond a bit more over breakfast. (And honestly I like that version of them more relationship wise. As much as I love Prattchet, he did have a particular style of writing children that also came through in Gomes . It lends itself great to hypotheticals and punchlines, not so much for interpersonal relationships however)

Back to Crowley and Aziraphale. Last time Crowley had been hopeful and appreciative of the angel. Well now he is running out of time and he is getting grumpy and down in the dumps and ready to give up. While Aziraphale is still unrelentingly optimistic. Poly makes an other entrance, Crowley puzzles together an ancient Etruscan pott. All riveting stuff.

Shadwell, or what's left of his character makes a short appearance as 'MAD OLD MAN' shouting and standing on a soap box as set dressing for Crowley to buy a newspaper and... Pay for it .

He gets sapped into hell without notice.

(Side note Miss Ashtoreth is mentioned as secretary of Satan himself.)

Satan wants to check up on his son's progress. Crowley is shitting himself and lies, reassuring Satan that the boy is properly evil and all that . Of course Satan wants to see the boy real soon and tells Crowley to tell the boy that he is ready for when the boy wants to see him. And after taking a look at Adam by rearranging the universe itself to show a likeness in the stars (hell is a very surreal space with an office above the pit and direct view of all of the universe) Crowley gets sapped back to earth. (Also Satan calls Crowley 'Crawler' which is the script version of Crowley's name change, probably)

Crowley Is now properly stressed out.

On the other end of London (probably) Aziraphale's Crowley senses tingle and he just starts running (presumably) towards Crowley. This never gets brought up or explained. And is so bizarre I couldn't skip it.

Back in Tadfield Adam and Pepper get a bit of a bonding moment. Talking about action figures, Pepper giving Adam a lecture about not being sexist , getting fish and chips. The topic of Adams lack of a father gets brought up again and he lies. Telling Pepper he had met his father before and his father is a some sort of international business man, that meets with Presidents and is very busy. Eventually Perper asks about Anathema and tries to convince Adam to take her to the movies.

Back in London one Angel apparently unable to use public transport arrives at the nightclub. We can assume that he had been running the whole way. He gets pointed towards Crowley by multiple staff members, 'Every day' gets another cameo and he accidentally stumbles into the dressing room for the waiting staff, which is very embarrassing for him but not for the women.

When he reaches Crowley's office, the demon doesn't want to talk. He is panicking and packing to go on the run for the rest of eternity. (Which for him just means a suitcase full of sunglasses) . What follows is the infamous dialogue bc of which script!Crowley get his reputation from. (I might make myself very unpopular here but I think that reputation is not quite deserved. Yes he is an asshole but also the harsher exchanges only play out when he is stressed/panicked and usually if he goes too far he will try and paddel back. Still worst of the Crowleys without a doubt just not quite as bad as people like to paint him. Also script!Aziraphale isn't half as naive and helpless as people like to paint him and in this house we let him have his agency! But also more on that later)

The exchange switches tone once Aziraphale lets his unbreakable optimism fallter and gets sad. To which Crowley immediately reacts bc trying to reassure him that they are in fact friends and that he shouldn't be sorry. Pointing out that he (Crowley) now knows what the boy looks like to counteract Aziraphale's pessimistic statement that they could never have found the boy bc they didn't even know what he looks like. They agree to hit one more town in their search for the boy.

In Tadfield Anathema finally gets to talk about her quest to find the SOMETHING with Madam Tracy. And have her witness a fight between Brian and Adam about Adam's father. (Srly Adam gets constantly bullied bc of that.) Anathema steps between the two to protect Adam. They make a deal to tell each other's secrets. First we get Anathema showing Adam stuff about the antichrist and the weapon she plans on killing him with.

Then we get an intermission with Crowley and Aziraphale discussing how they should choose which town to go to. They decide with a dart throw.

Back with Adam and Anathema. Adam shows Anathema his model of Tadfield. To the question what he plans on doing once that model is done, he tells her, he is going to build the rest of the world and rule over it. He also voices his desire to get somewhere else to be no longer stuck in Tadfield.

Aziraphale and Crowley arrive in Tadfield during a Thunderstorm and face the same problem as Anathema. No one wants to rent them a room in town. And while with Anathema the whole thing was rooted in sexism, disdain for outsiders (aka read as Americans) and misunderstanding about her occupation, for those two it's the obligatory 'People think they are a gay couple' thing but with a giant side of Homophobia.

Crowley want to give up Aziraphale want to go on and eventually they end up at Madam Tracy's.

Madam Tracy mistakes them for the gas person, Crowley wants separate rooms, Aziraphale a shared one,(we never get to know which they now too bc the script has both scenes with a shared room and a separate room. It could also be the case that Crowley simply stays longer than Aziraphale and therefore the shared room becomes his room. At any rate it is never specified. And to be honest there are multiple parts of the script where the author very obviously had given up on it soooo) Crowley praises Aziraphale's skill as homemaker, Madam Tracy tells them, they have to wait for Adam. Adam comes home Crowley recognizes the boy.

Crowley and Aziraphale take a stroll on the beach and come to the agreement to each spend a day with the boy, despite Crowley trying to avoid having Aziraphale influence the kid. They also witness how Brian's fathers getting things ready to tear down the pier.

In the evening they play an other game of checkers. Adam witnessing first hand Crowley's cheating as he gets the both of them to have dinner with the whole house.

At the dinner table they convince Madame Tracey to let them take Adam to London for a day. Adam being obviously overjoyed about the whole thing.

Anathema sees Aziraphale's and Crowley's true nature for a sec. And I am sorry if this part comes across as rather dry, it's also rather dry in the script.

Adam gets taken to London. First Aziraphale get to show him the museum and talk about human creations . (Side note , when I first got my hands on the script I thought I was missing a page bc the dialogue has a really awkward jump in this scene but no ... It's supposed to be like that and either it was the author giving up or it was supposed to be a kid thing. Jumping from one topic to the next with much logic. We will never know)

Adam then confronts Aziraphale about Crowley's cheating. And here comes the part why I will never see script!Aziraphale as truly naive or helpless. Aziraphale admits to Adam that he had always known Crowley cheated, he just thought it virtuous to not point it out. Bc he played fair in his mind that was enough to stand above the other and just let him do the cheating. Adam points out it stupid and that was that. Aziraphale is stunned and does what most people with too much money and no idea how to handle kids do, exactly drag him somewhere, where he can buy shit.

Next up is Crowley. First he drags Adam to Soho. Not Good Omens there might be a cozy bookshop somewhere Soho but well 90s it's a bit of a cess pool Soho. With hookers and homeless teenage girls ( and for all those people that take Crowley being displeased with Adam for giving the girl some change as point to call him fundamentally mean/bad... I implore you learn was character motivations are. He has been tasked with raising an evil child, has promised an evil child, obviously he is displeased when that child is doing something selfless. And he wouldn't do something selfless in the presence of the said child bc again he is supposed to influence him towards evil) Crowley then gets him a milkshake and takes him to his club where they have the mirror conversation to Aziraphale's. Ending with Asam pointing out that it is pretty boring to always win for the wins sake by the means of cheating.

On the way back they have a short conversation about their respective experiences with the boy. Accidentally letting it slip that they know who Adam's father is, believing the boy to be asleep. He is not.

That night Anathema finally succeedes in her endeavor to find the antichrist. Her crystal ball revealing to her that it is indeed Adam. She is so shocked by that, that she lets the ball fall but luckily for her Aziraphale does his thing and it lands safely without breaking. (That another quirk of the script apparently Anathema and Aziraphale were supposed to be something and what ever that it, it's even weirder than Adam and Pepper)

Madam Tracy also finally recognized Crowley from THAT night and they have a honest heart to heart. Or whatever you call it when the otherwise always woozy character suddenly seem lucid and aware of what will happen.

That night Adam goes to Anathema for emotional support bc of the father thing. Anathema however is in the middle of a crisis bc she now knows what Adam is and had tried to get herself ready to murder him. Eventually Adam notices the knife behind her back and with the first flair of his antichrist powers forces her to show it to him before storming off hurt.

Being emotionally distraught he runs to his hideout on the pier and calls out to his feather. First nothing happens but then after Adam went off the pier and back again it is completely transformed into a bright happy carnival. His Father has arrived. Satan immediately takes Adam under his wings . He even dresses him up as a mini self.

The next morning the whole town of Tadfield is one giant carnival. There is a parade with elephants. And the people from around town are all mindlessly attending the celebration.

Crowley has a short meeting with Satan (on an elephant) and gets told that he is supposed to come to Satan to talk about his promotion to alpha centauri. AND

( Don't ask me why I find this too funny to not share my humor is very broken )

The town is being further transformed and more people are made mindless puppets. But no Crowley is happy to have gotten away with his stunt. He is roleplaying flirting with someone in a mirror. (Also in the script notes it literally says James Bond for acting directions for Crowley, and that's such a dorky idea I love the theory of it ... Bit of a waste in this tho).

Aziraphale tries to change his mind but Crowley shut him down by pointing out that he was the one saying happiness alone is making things a good thing so it shouldn't matter if people have to be made into mindless puppets first. They are happy after all.

Meanwhile Adam is torturing Brian by throwing tomatoes hat him and having the rest of the town join in with the fun. He just wants his father to be proud of him (nawww ) (that naw was sarcastic). In the crowd Anathema is fighting to regain control over herself.

Aziraphale still tries to convince Crowley. Rugging at his heart strings but even the tried and true "I thought we are friends" won't work this time. Crowley wants to cease his opportunity, he wants out and up.

While those two are arguing, Anathema struggles. All she wants it the knife but she is exhausted.

Crowley is looking for a starting point for his launch towards alpha centauri. He is climbing onto a church tower. Behind him Aziraphale still hasn't given up. Despite not liking heights (!? Wasn't mentioned before will not be mentioned again but apparently script!Aziraphale has a fear of heights). He finally gets an idea and challenges Crowley to one last match.

Crowley for once doesn't cheat and it looks like he is Winn but then Aziraphale DOES cheat, desperate to keep Crowley on earth and have him fight at his side. And Crowley just shrugs and accepts. His next line after acknowledging the win already calls Satan his ex-boss and if that is not a very impressive 360° turn then I don't know what is. (Just a throw back to character motivation, we could speculate it's because most of what Crowley has said were lies and half truths and deep down he actually likes earth and bla or he just remembered how much he would miss his nightclub BUT I as number one script!Crowley (not really) defender say ... It's just unfinished/bad writing and there simply wasn't enough time or inspiration or whatever to finish his character ark)

Anathema manages to give both of them the knife. Crowley is so idiotic and tries to grab it but it burns him . I mean, duhh! Anathema literally tells them that this knife can hurt the antichrist why should it be harmless for a way lesser demon? So Aziraphale takes the knife.

After calling Crowley his best friend, Crowley himself calling himself stupid Aziraphale, presumably presumably is important here) with the knife, goes off to confront Adam. He tried to talk Adam out of it. Trying to point out that no good father leaves his kid alone for eleven years and if this is really what Adam wants. As he points out that Madam Tracy despite all her flaws still love Adam he gets disorporated, by Adam. But bc this is a Movie script and we don't have much time left he just stays in his true angel form (which is very much just white robes , wings and halo ) right where he is further trying to talk Adam out of it .

(his an other line in my mounting pile of evidence that script! Aziraphale is neither naive nor helpless and simply chooses to carry himself that way bc he thinks it's virtuous. He literally acknowledges that people can do bad things. Something he would not at any point before that in the script. I rest my case )

While Aziraphale is trying to make Adam think about a things Crowley is off confronting Satan, presumably without the knife.

Satan acknowledges that Crowley had lied to him but is still in such a good mood that he still wants to give out the promotion. Even throws in the Titel of fiend extraordinar. For a moment it seems like Crowley considers but ultimately he tells Satan that he wants to quit. Satan is not happy about that and after Crowley also pulls out a pink rubber glove and the knife (yhea Crowley had the knife all along , take that continuity or rather scree logic, like not showing how they get a rubber glove is fine what ever but having the last scene withe knife I'm be the one where it's shown that he can't touch it and Aziraphale had to carry it would have made it feel a bit too deus ex machina.) he forces him into half snake form and summens hands that try and drag him back to hell.

Thanks to his already established Crowley senses Aziraphale suddenly shows up and charges at Satan. Who in turn is like 'An angel, really? You betrayed me,..' and then roasts Aziraphale to a crisp before destroying the knife .

Adam confronted with a robotic acting madam Tracy, listening to his every command, starts to reflect on his actions. Getting called in by his father to greed the four horsepersons he notices Aziraphale and Crowley.

Adam now faced with all the destruction says: no, I am not doing it. Stan tries to threaten him into obeying but he gets the good old 'You not my dad'. For being a deadbeat for 11 years. Adam then heals Aziraphale and frees Crowley. Now flanked by the two Adam banishes the horseman.

Satan demanding obedience once more, gets reminded by Crowley that he himself once rebelled. And after laughing about that revelation he tells Adam that it was interesting meeting him but as it seemed he wasn't cut out to be a dad. To Crowley that he is now banned from hell and to Aziraphale that he should tell his boss, that at least his son (the antichrist) had more guts than his(Jesus and yes the script sadly uses he/him for God).

After Satan vanishes they have to escape a collapsing pier. Noticing too late that Madam Tracy is also still there. Adam ends up releasing her from her trance by calling her mom and telling her that he loves her. Aziraphale ends up saving both of them, flying them to safety on the beach.

At the beach they also meet Anathema, who promises not to kill him and Pepper . They watch as the pier explodes and burns to the ground. Anathema also has uncomfortable eye contact with Aziraphale while he ripples back into human form . (Don't me why it feels uncomfortable, Anathema is described as looking on tens while he sill full angel and softening once he is human again so idk)

Apropos Anathema and Aziraphale. The next Morning, he comes to say goodbye and ends up offering a job bc (I forgot to mention it when it happened) Polly his assistant had a promotion. So he is search for a new assistant. She end up kissing him on the cheek and calling him angel but in a way where it's ambiguous if she now knows that he is one or if she just thinks he is a good person and something always makes her forget what he really is. At an rate Aziraphale says he had never gotten a kiss on the cheek im six thousand years and knowing a bit about history and cultural practices I am inclined to calling him a liar. But then again this is fiction .... So sure ... Cheek kiss virgin this one.

While that is happening Madam Tracy is asking Crowley if she can keep the boy now . And Crowley reassures her, that after this no one is going to come for him. He even offers to throw a birthday party for her at his club all she should do is just to look after the boy. It's actually a very sweet exchange.

Outside Brian and Adam have a little exchange, Brain trying once more to get to Adam with the father thing. But Adam has no daddy issues anymore. Instead he asks pepper out to the movies and Brian just tags along without being asked. Where is Wensleydale you asking ? Take your best guess, he was mentioned once said one thing and then fell off the earth.

With the kids now finally as a group we have the last shot of Aziraphale and Crowley. They are walking along the street , Crowley one stolen Apple in hand . Having their talk about good and evil. Accusing each other of being a little bit of a good person (press x to boubt) and just enough of a bastard (oh absolutely). How they both knew the other was cheating all along. And maybe alpha centauri isn't such a good idea after all. You can even get booze there. The last thing that is said is Aziraphale telling to not start THAT again, after being offered the apple.

I lied one more screenshot bc Every ...it had been for told by the cursed script for ages now. (I am pretty sure it had been in the talks to put go to Every day' even before the script was ordered so that is just a joke)

At any rate I do have to go to work in ....eh three hours ... So I will leave it at the summary for now. I am dyslexic and English is my second writing so I am very sorry for all the mistakes I probably made . If someone reblogs this before I get the chance to correct them, let it be said that at least nobody can claim this is ai pfff.

Also not I said the author the two times I mentioned him simply bc I don't feel like acknowledging the name of the person. I got into Gomes bc of Sir Terry and I stay here for him. This little obsession with the script happened by pure chance.

[thealogie]

“A room each” “we’ll share” could really be dropped into tv good omens with no change but crowley says that because he wouldn’t even dare presume aziraphale would share a room and aziraphale only says that because his head is empty at all times he doesn’t even mean anything by it, he doesn’t sleep so it makes sense to share. They are both flustered by the romantic implications of the other one’s answer (i.e., Crowley saying separate rooms means there’s a reason they need separate rooms and aziraphale saying we’ll share…well…)

[livhowlett]

I just found out that Good Omens was possibly going to be a film back in 1992, and because I think I was INEFFABLE for Michael and David to play Aziraphale and Crowley.

Imagine them in there early 20s and it being their breakout roles.

BUT.

In the end. I'm very grateful we got our Angel and Demon with their beautiful forehead wrinkles, crow's feet and laugh lines. I love these men and their aged faces.

[loumandivorce]

hear me out

[saglaophonos]

what do i need to do to get aziraphale and crowley smoking in s3 honestly. if there were ever a time for an aziraphale smoking to stave off his hunger plotline it would be now

[vivi-theakuneko]

I'm so excited hehe

[youryurigoddess]

Case study and analysis of the 1992 Good Omens movie screenplay (“the shitscript”) in light of the ongoing WGA strike

As one could suspect, the topic of the 1992 Good Omens movie screenplay and its infamy has recently emerged from the depths of the fandom. In light of the ongoing WGA strike it’d be good to properly address this issue, starting with Neil Gaiman’s own recollection written in 2004:

It’s basically the same old story — of brilliant creative workers struggling under the pressure of detached studio executives and being legally forced to mutilate their work again and again for no artistic or economic reason — we’ve heard before in many different contexts.

If you’re reading this and somehow still wondering why writers are fighting for their rights at the moment, their job security hasn’t changed much since then. Please follow the WGA, SAG-AFTRA, and other unions’ official channels for detailed information and ways to help the cause.

Anyway, it took over a decade and an enormous effort to print the screenplay in a limited edition of 552 copies. It can’t be distributed otherwise due to IP law, but some fans shared its fragments online and heavily criticized them, dubbing the 1992 source material #shitscript

There’s been obviously a lot of controversies over the changes in the plot and the relationship between the main characters. And rightfully so — the number of iterations has created something very different from the beloved book and the award-winning show we can all enjoy today.

It’s… objectively not good. Wouldn’t be considered a hit back then and certainly not by today’s standards. I don’t think I would watch it in any other way than through channel surfing. However, it’s not a monstrosity some people believe it to be and not a case of low effort.

Let’s start with the world building: the setting wasn’t changed to the US. It’s still very much based in the UK, mostly London and Tadfield, although the latter lies now by the sea and seems much more ominous. Interestingly, the British Museum becomes a prominent location as well.

The main character and the designated hero is not surprisingly Crowley, this time in his 90s anti-hero glory. If you haven’t watched many movies of this era, esp. dark fantasy, this trope involves middle-age disenchantment, cynicism, as well as hefty doses of sarcasm and brooding.

90s anti-heroes are a dark, grim, and unnecessarily violent embodiment of power fantasy, matching the destructive ideology of that time. Combined with uber-masculinity and performative strength over weaker characters, nowadays they naturally evoke more cringe or worry than awe.

1992 iteration of Crowley is basically in his Furfur era. Deeply unhappy and stuck in a dead end job, all he talks about is how he hates Earth and his assignment here, considering a transfer to Alpha Centauri as his one and only possibility of career advancement. Or life, really.

The talking part is important here, because he clearly compensates by insulting everything and everyone. He hates on the whole planet at length only to confess that he’d rather stay here with Aziraphale due to “no good restaurants”, “no decent bottle of wine” in Alpha Centauri.

Yes, he’s verbally abusive in his automatic response to stress. But doesn’t hate Aziraphale. In one particular scene he calls Azi stupid twice only to assure him that they are friends and to offer to solve the problem when he sees that his words were taken seriously and hurt him.

Crowley refers to him as “my angel” and “my dear Aziraphale”, agrees to Aziraphale’s suggestion of sharing a room, praises the angel as a “miracle worker around the home”, drinks the tea he makes for him, and generally proves to be much softer towards him than he wants to admit.

Aziraphale, on the contrary, wears his heart on his sleeve. He’s the one engineering ways to spend more time together, following Crowley around, checking up on him (including miracling himself into his apartment and office when no one answers the door), offering help right away.

He’s successfully calming Crowley down through his anxiety attacks, overcomes his dislike of heights (!) for Crowley, directly challenges him and even breaks rules only to make Crowley stay with him. Crowley seems to be his main motivation in this movie, not the saving the world.

1992 Aziraphale also has the most badass scene in the whole Good Omens multiverse to date, taking a 180 degree turn from the typical guardian angel we all know and love to the real angel of wrath protecting Crowley from harm in his true form.

But there’s no Their Side in this universe. The only semblance of that concept appears in the context of Anathema not representing either of their respective bosses, but humanity. “That’s the trouble with the humans. They’re on their own side.”

This Crowley appears not as much on Hell’s side as under Satan’s heel. He’s scared of him and subservient, and needs Aziraphale to prevent his escape as a pretext to do what is right. He lets the angel stop him by pretending that he doesn’t even see him cheating during their duel.

By finally standing up to his toxic boss (Satan is like Gabriel during the body-swapped trial, suave and cruel) and leaving Hell’s side to do good, Crowley takes an emancipated and employee-focused stance instead of fighting for his relationship with Aziraphale like shown in S1.

Which is a shame, but matches the overall tone of the screenplay and the times it was written in. The concept of free will, while simplified in a true Hollywood-style to issues like mind control and fear, is still crucial to this interpretation of the Good Omens original plot.

Especially the character of Anathema is seen fighting both of these things. There’s no Agnes Nutter with her prophecies here, only a 21-year-old witch and her will to thwart the ultimate evil versus her fear of doing it at a cost of one boy’s life, versus Satan’s brainwashing.

Madame Tracy appears slightly redesigned as a new character as well, but isn’t 𝘲𝘶𝘪𝘵𝘦 𝘵𝘩𝘦𝘳𝘦 for the most part. She’s been enjoying her youth way too much to see how fast it was fleeting, and this sudden realization left her in shock from which she denies to come back.

Unfortunately she’s also the one who took in baby Adam and now stays under his care. The level of his parentification is unnerving, much like his bullying and loneliness. He struggles to be loved and ask for love, which becomes his main quest beyond, y’know, the apocalypse thing.

Don’t worry, despite everything all ends well just like in the book. The family of two gets a chance to start again on much healthier terms and Anathema to live for herself for the first time in years. Our heroes get back in their car, Crowley tempting Aziraphale with an apple.

All in all, this whole post is a very long reminder for Amazon Prime to #PayYourWriters, #PayYourActors, and #RenewGoodOmens! The strike is still ongoing and crucial for any new content for this and many other fandoms #GiveMeS3orGiveMeDeath

[willowfernn]

:)

[acatwithstockings]

Welp now that I have read that trainwreck of the 1992 screenplay I desperately wish to have more friends that would be open to do a full reading in private.

Alas my theater loving cunt (lovingly) of a best friend and my dramatic ass have to surffice for our personal amusement. I can already hear him chew the heck out of madam Tracy's 'dahling'.

I mean who knows maybe I can get my partner to join in too but eh she will probably just sit in and laugh her behind off. The script does have it's moments. And a lot of "Everyday".

[thealogie]

I understand that in the hands of a capable actor, like let’s say David Tennant for example, this would come off insincere and “im trying to seem cool while actually having a big soft spot” but this guy sucks so bad. Aziraphale, do you want me to kill this guy for you?

[goponylover]

My idea of what 1992 movie script Aziraphale and Crowley would look like.

[22ndnervousbreakdown]

I was searching yesterday for a specific thing that I didn't find, but found this instead:

(Source)

Sadly no full scan available as far as I'm aware, and the article seem to be continuing on the second page, but it's still an interesting piece of history i guess x). We all know how that film went...

Also! If I haven't missed anything, the paperback Neil's talking about here should be this one:

And it seems to be the first (if not only? Idk) edition where they did indeed use a quote from a negative review on the cover! Also, it seems like it didn't came out in autumn 1991 after all, but in spring 1992.

[loumandivorce]

married

[canarybell]

You know that popular theory/joke/headcanon that all of things that happened in a show were meant to beGod's very convoluted plan to bring Aziraphale and Crowley together - as a romantic couple or just a team?

On the one hand - I really like this as a joke. On the other hand, I don't really think it is what is going to happen. On the third hand, though....

Have you read short story "Murder Mysteries" by Neil Gaiman? I mentioned it having a funny parallel with S2E1 before. But there is one more moment I want to talk about. This story has one...very similar element to the idea above. But with a twist, of course.

Below are spoilers for Murder Mysteries - I'm trying to be as vague as possible though, but these are still spoilers:

One of the part of the story are two sexless angels in, well...world Before the Beginning, so to speak, falling in love with each other. It was made clear at one point that them having relationship was a part of God's plan, and was orchestrated by Him.

The thing is - it was a very small part of a very big plan. And this plan did not imply that these two angels in love would be at all happy, and that their happiness was anyone's bother at all. On the contrary, their fate was very, very disturbing - and this too was a part of a plan; i.e. it was supposed to be disturbing.

I mean, I don't think MM's angels' story will have any similarities with aziracrow's story - they are too different in everything else, except for being angelic-made creatures. But It makes me wonder, if "God planned aziracrow" can be actually made in S3 in a similar fashion? With them being just a very little part of a big Ineffable game, that doesn't require their part having a happy ending at all? They will have a happy end, of course - but this won't be a part of a plan.

[unproblematicme]

What if the Metatron tried ripping other versions of Aziraphale and Crowley away from each other?

A very short story I had to get out of my system. I am having a hard time imagining the other versions of our boys letting the Metatron come between them. So I wrote some short snippets about how this might have gone down.

[sad-girl28]

I'm so totally normal about her I promise!!

Damage, 1992