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Do you think that Rey's story (excluding episode 9 'cause that was a shitshow) could be interpreted as a Cinderella/Ash girl story?
I hope you realize asking me this is like throwing chum to a shark 😈. But the short answer is yes, to a point.
The long answer is more complicated, so to begin with, let's consult the Cinderella bible:
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According to the Aarne Thompson Uther Index, there are five primary motifs to a Cinderella tale:
Persecuted heroine, usually by family
Help or helper, usually magic
Meeting the prince, usually with true identity disguised
Identification or penetration of disguise, usually by means of an object
Marriage to the prince
Rey is abandoned by her family, which is a form of persecution, and harassed by the inhabitants of Jakku like Unkar Plutt. Thus she clearly fulfills the first item.
As for meeting a helper, there are several for her, including Han Solo, Maz, Luke, and Leia. Any or all of these may be considered fairy godparents in the way that they offer her wisdom and material help. Further, except for Maz, they all die in the course of the story, which is consistent with many Cinderella tales in which the helper dies and their bones continue to offer wisdom and comfort to the heroine.
Next, meeting the prince. I mean
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To the extent that Rey is "in disguise' here, it would be the extent of her force powers, her destiny as Ben Solo's dyad mate, and her role as the heir apparent to the Jedi (chosen by the Force to wield the legacy saber), all of which are obscured from Kylo Ren when he discovers her in the forest. Further, she is grimy and covered in desert sand, similar to how Cinderella is smeared with ashes that hide her true beauty.
So now an object penetrates the disguise. This is obviously the Skywalker lightsaber, which reveals Rey to be everything listed above, especially when she calls it to her on Starkiller Base, and again when she wields it on Ahch-to.
And lastly, marriage to the prince. As many others have pointed out over the years, Rey and Ben have almost too many symbolic marriages to count in the course of the sequel trilogy. They're extremely married, the Force said so.
BUT WAIT! Go back and look at that list again. Who ELSE fits all those criteria?
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It's our boy! Consider:
He is indeed persecuted by family, most notably when Luke momentarily considers killing him.
Ben's helpers are both dark and light, as Snoke/Palpatine guide him in the dark while Luke guides him in the light (poorly). But note again what I said above about the bones of the mentor continuing to offer guidance and comfort after their death. Who should appear at Ben's lowest hour but his departed father, Han Solo? With a message of love, acceptance, and encouragement, Han's memory (because in fairy tales, bones contain memory) encourages Ben to at last cast off his beastly skin and become who he always was.
Next, meeting the prince/ss in disguise. He's wearing a literal mask when he meets Rey, so yeah.
An object penetrates the disguise? Rey slashed his face with the legacy saber, thus symbolically peeling away his mask. And I've argued before that the stabbing in TROS (which I still HATE, btw) is another cutting or burning away of the beastly skin.
And lastly, marriage to the prince/ss. As previously stated, that happened. Many times.
So yes, the Sequel Trilogy can definitely be considered a Cinderella story, with but one glaring issue: Cinderella's husband usually doesn't die at the end. But that's another topic that's been done to death, so let's all just read some more fanfic and forget about it. 👑 Thank you for the ask, this was fun!
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agnerd-bot · 1 year
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Fate Fanservant: Cinderella, Queen of All Fairy Tales(Ruler)
Ascension Stages:
First Stage: Cinderella is clad in an older, ragged cloak that covers most of her body. Faint hints of a scar can be seen on the left side of her face, but she has drawn her hood up to hide it from the world. Her clothes are older, ill-fitting and tearing in several places, but a faint aura of gold and white seems to surround her even in this state.
Second Stage: The cloak has been removed, and Cinderella is now dressed in a torn jacket and pants, parts of her body covered in bandages. On her body are several burn marks of black and red, covering a fair amount of her body. Her hair is pulled back, revealing a burn scar on the left side of her face. Most notably, her arms and legs have been burned almost completely black, akin to molten rock. Fire dances at her fingertips, and her face has taken a more downcast expression.
Final Stage: Cinderella’s ragged and torn clothes have been replaced with an ornate white and blue dress, and silver gloves and stockings with golden trim adorn her arms and legs. A pair of glass slippers gleam upon her feet, and a silver anklet shines on her leg. In her hands are a sword and shield made of the very same magical glass. Adorning her figure are various panes of glass, hovering around her to defend. Her scars are in full display now beneath the glass, but she bears her wounds with pride rather than shame.
Theme:
First Ascension: I Dreamed A Dream (From "Les Misérables")
Queen of Fairy Tales Theme: Florence + the Machine - Dog Days Are Over
Battle Theme: Love the Subhuman Self [With Lyrics] (Millia Theme) - Guilty Gear Strive OST
Grand Battle Theme(VS Fenrir Riding Hood): Death Battle: Fireborn (From the Rooster Teeth Series) 
Traits:
Class: Ruler
Alternate Class: Saber, Rider, Caster, Shielder
True Name: Cinderella/Rhodopis
Source: Fairy Tales
Region: Worldwide
Alignment: Lawful Good Attribute: Star
Known as: ATU 510A, Aschenputtel, Doricha, Le Fresne, Cenerentola, Cendrillon, Finette Cendron, Vasilisa, Ċiklemfusa, Katie Woodencloak, Ashey Pelt, Trembling, Nyasha, Settareh, Maha, Yè Xiàn, Tám, Chūjō-hime, Nagami, Damura, Bawang Putih, Jouanah, Pear Blossom, Maria, Oochigeaskw, The Cinder Maid, The Queen of All Fairy Tales, The Persecuted Heroine, Dream and Dreamer, Guardian of Happily Ever After
Voice Actress: Yuu Asakawa
Deck: QQABB
Parameters:
Strength: B- Endurance: A++ Agility: B+ Mana: A+ Luck: EX NP: EX
Passive Skills:
Blessing of True Magic EX:
As a Servant intrinsically tied to magical powers protecting and guiding her, Cinderella boasts a Magic Resistance surpassed only by deities and saints. Her Magic Resistance grants her the ability to nullify nearly any spell used against her, barring any extreme circumstances. As a Servant who embodies the concept of 'happily ever after', any attempts at trying to destroy said happy ending will be outright nullified completely.
Interestingly, Cinderella's Blessing of True Magic seems to be a hybrid of an innate resistance to magical powers afforded to her by her status as a Ruler-class, and an unknown outside source of magical energy protecting her at all times. It is through this combination of her abilities that her Magic Resistance is so unusually high in comparison to most Servants.
(FGO Effect:) -Increases own debuff resistance by 25%. -Increases own buff removal resistance by 25%. -Grants self Buff Block immunity. -Charges own NP gauge by 7.5% when attacking with Buster Cards.
Item Construction(Fairy Tale) B:
As much of Cinderella's tale involves the use of magic to produce fanciful dresses, slippers of gold and glass, wondrous carriages, and so much more, she has the Item Construction skill applied to her by default. Using her magic, she can create numerous items out of seemingly nothing but junk or vegetation lying around the area, and can even transmute living creatures into other entities, such as changing mice and dogs into humans, or woodland creatures into mighty stallions.
However, many of these items can only last for a limited time, vanishing in a matter of hours, or even less, depending on how much power she puts into creating these items. When these items are present, though, they are often of the highest quality materials and efficiency, even when they are made from actual garbage.
(FGO Effect:) -Increases own buff success rate by 8%. -Increases own critical star generation rate by 8%.
Riding A+:
Due to her nature as a woman who can capture the heart of any beast or animal she chooses, Cinderella has an incredibly high Riding skill, even when manifesting as a Ruler Class Servant. Even the most rowdy of Phantasmal Beasts or Dragon Kind are willing to lend her their aid for short periods of time, with only almighty Divine Beasts being able to stand outside of her influence. If no animals are available for her to ride, she can also temporarily create steeds in the form of pumpkins, vines, and other inanimate objects.
Despite her unmatched talents at taming animals and plants, she often struggles with managing more modern vehicles compared to other Servants, hence why she lacks an EX Rank. This has done nothing to discourage her from trying, however, and she often dreams of being able to use more modern vehicles by herself someday.
“A motorcycle... So cool...! Yes, I will definitely learn how to use one someday! ...I hope.”
(FGO Effect:) -Increases own Quick performance by 12%.
On the Border of Reality and Fantasy EX:
In contrast to her husband, Prince Charming, who is a Servant that is wholly fictional, or to a Servant such as Marie Curie, who is undoubtedly a real person, Cinderella stands in a unique position. While the character of Cinderella is undoubtedly one borne from fantasy and fairy tales, records do show that there was once a person who existed that inspired one of the first versions of Cinderella: Rhodopis, a hetaera from the Sixth Century BC who served as a slave to the storyteller Aesop, and eventually married the King of Egypt.
Reality and Fantasy, Truth and Lies, Fact and Fiction. Cinderella is both and neither, an anomaly that walks along their borders without faltering. As a consequence of this dual existence, Cinderella stands outside of the usual constraints of the Summoning System. Even in a Singularity where heroes and fantasies have all but died, and even in a reality where no traces of Mana can hope to exist, Cinderella will still be able to manifest in some form.
She is both dream and dreamer, a fantasy who holds fantasies of her own, and a persecuted maiden that will forever wish for better things to come. The greatest heroine of all Fairy Tales, the almighty queen of stories new and old, to which all others must inevitably bow their heads to.
(FGO Effect:)  -Increases NP by 5% each turn. -Gain 5 Critical Stars each turn.
Queen of All Fairy Tales EX:
Among all other Fairy Tales, Cinderella is the one that can be most argued to be the most well-known throughout the world, with there being five hundred different variations known in Europe alone, and roughly eight hundred versions told around the world. Nearly any culture can look upon Cinderella and recognize her in some type of form. As a result, she has an ability akin to that of a Divine Core, a power granted to her by her status as Queen of All Fairy Tales.
As a Servant, Cinderella exists as an embodiment of the hopes and dreams of those who have suffered, those who have been lost, or those who feel trapped in a cruel and merciless life with which there seems to be no escape from.  She is the very concept of 'a miracle', someone who was able to escape her own horrible life and lay claim to her own happily ever after in the end. While her combat ability in her own stories was essentially nonexistent, as a Servant, she stands among the strongest to ever live due to how her story resonates with nearly all people across the world.
However, it is not power that grants her the legendary title, but rather her heart. Even in the face of the cruelty she was subject to for ages, her will was never truly broken. Even after years of abuse and hardship, she never truly lost her kindness.
A story so beloved and so enduring that multiple cultures can come up with it simultaneously and tell it in different ways, a story where the good are rewarded and escape their suffering, and where the wicked are stopped and made powerless, and a story where an abused, innocent girl is allowed her happily ever after.
(FGO Effect:)  -Increases own damage by 300. -Decreases damage taken by 300.
Active Skills:
The Persecuted Heroine EX:
After the death of her mother, Cinderella's father remarried to a wicked and cruel stepmother, who brought in her evil but beautiful stepdaughters. They stripped her of her clothes, forced her to eat and live in the kitchen, and made a slave of her, forcing her to work day and night at impossible tasks and making her sleep by the hearth in order to stay warm. When she woke up covered in cinders, her family gave her the mocking name of 'Cinderella'.
However, despite the suffering she had to go through, she still had a safe refuge in both the hazel tree she had planted by her mother's grave and the animals that she had befriended with her good heart. Through them, she was able to accomplish the impossible tasks her stepmother gave her each and every day, and with their gifts, she was able to attain the happiness she was denied in the end.
This manifests as a skill akin to Animal Communication, where Cinderella can communicate with wildlife as easily as one can communicate with people. Unlike Animal Communication, where the animals gain no real increase in intellect, this skill enchants the animals with magic, granting them greater thinking comparable to that of humanity and empowering them with magical abilities on par with an Anti-Army Noble Phantasm, allowing Cinderella to properly direct them in combat or combine them with her own magic. Or simply ask them to help her with chores.
Among the closest connections Cinderella has with her animal companions is that of a lone eagle, the very same bird from the tale of Rhodopis that stole her sandal and dropped it into the lap of the king. Even if no one else would answer her call, this noble bird will always come to aid her, even at the end of days.
(FGO Effect:) -Increase critical damage for all allies. -Gains critical stars based on the number of Animal-Characteristic allies. -Reduces own critical star absorption for 1 turn[Demerit].
The Stroke of Midnight B:
As the fairy tale goes, the magical dress and coach that was granted to Cinderella were astonishingly miraculous. They outshone every other person at the ball, gaining the attention and catching the heart of the kingdom's prince. She shone as if she was a beautiful angel from Heaven, and at the ball, her grace and beauty that was constantly trod upon by her abusive family was allowed to truly shine for the world to see. That night, her heart was filled with a happiness she hadn't known in the years since her mother had passed away. However, the magic was not meant to last, with it all fading away at the stroke of midnight. And so, Cinderella had to run far away to her home before the magic faded completely, hiding in a tree until the prince had lost her trail.
This part of her legend manifests as the ability to boost her magical energy reserves to great heights, greatly ramping up both her offensive and defensive prowess and overclocking her parameters and skills so that they all jump up by several ranks. However, this skill is limited in that it only works during the night, and is destined to disappear once the clock strikes twelve at midnight. Furthermore, this skill can only be used once every day, meaning that after those three uses have passed, she can no longer activate this ability.
(FGO Effect:) -Charges own NP Gauge. -Grants party Invincibility for one turn. -If there is a 'Fae' Servant on the field, apply Debuff Immune to self(one time). -After three turns, apply Stun to self(one turn)[Demerit].
What Has Been Lost, Now Returned EX:
The embodiment of 'Happily Ever After', the most famous aspect of Cinderella was when the Prince reunited with her, returning the glass slipper that she had left behind. After the Prince and Cinderella wed, she was able to leave the life of pain and misery behind, and embrace her own happy ending, no longer bound by the cruelty and wickedness of her family, who were left exposed as the evil people they were.
As the Queen of All Fairy Tales, Cinderella's power is to ensure that the suffering and downtrodden are granted their happy endings, and that the evil and cruel get their just rewards. As a result, Cinderella has the ability to resist 'alterations' to her own story, akin to an Avenger’s Oblivion Correction. She can resist any attempts at temporal disruption such as Red Riding Hood's own plot to distort her own fairy tale, as well as see when alterations to the story have been made. However, this ability is limited in that she cannot immediately discern the source of these alterations, but merely see that something has been altered.
(FGO Effect:) -Increase attack of all Fairy Tale and Phantom Servants for three turns. -Increase defense of all Fairy Tale and Phantom Servants for three turns. -Apply Guts to all Fairy Tale Servants(two times, five turns).
Noble Phantasms:
Noble Phantasm: Truyện Bất Tử - The Story That Forever Calls You
Rank: B Maximum Targets: 1 Range: —
Classification: Anti-Unit(Self)
A passive Noble Phantasm borne from the Vietnamese fairy tale, "The Story of Tấm and Cám". It is said that after Tám's stepmother and stepsister murdered her out of jealousy for marrying the sovereign, the fair maiden reincarnated multiple times in many different forms to reunite with her betrothed, ranging from a lovely oriole, two gentle peach trees, a wooden loom, burning ashes, a golden apple, before finally being reborn as Tấm herself as she took vengeance upon her wicked stepmother and stepsister for their treachery.
This legend manifests itself as a unique ability. Much like how her husband, Prince Charming, embodies 'the hero that will always triumph over evil', Cinderella embodies 'the maiden who will always escape from her torment'. Cinderella's very existence is innately tied to that of mankind's own hopes and dreams for a better ending. So long as there are people that desire their wishes to come true, there will be a Cinderella to answer their call as their champion. As a Servant that embodies dreamers and fantasies, Cinderella will always be reborn, just as her stories are told again and again. Even when her enemies kill her again and again, Cinderella will find a way to return and reclaim what was stolen from her, outright forcing the World to allow her back in through sheer will.
This Noble Phantasm does have its limitations, however. It is not a 'true' immortality like that of the Monkey King Sun Wukong or the Lunar Rabbit Yù Tù. Rather, with this reincarnation ability, she lacks a 'concept of death', akin to the Primordial Mother, albeit on a lesser scale, so in theory, an attack akin to the First Hassan's Azrael could stop her reincarnation and render her mortal.
Nevertheless, even in the face of death and darkness, the Persecuted Heroine will continue to stand, the last line of defense for all who have looked up at the night sky and dreamed.
Noble Phantasm: La Colère de Cendrillon - The Hate That Forever Binds You
Rank: A Maximum Targets: 1 Range: —
Classification: Anti-Unit(Self)
In her tales told in Europe, Cinderella gained her name from the fact that her body was often covered by dust and ash from working so hard for her family without rest without any thanks or respite. She wasn’t even allowed to sleep in a bed like the rest of the family, instead being forced to sleep by the fireplace for warmth. The cruelty of her family weighed heavily on her soul, but not once could she ever let loose her sorrows or her frustrations, or else she would be turned out onto the streets. For years, Cinderella was forced to endure years of physical, emotional, and financial abuse, holding her tongue for fear of reprisal, only escaping thanks to the work of her mother's hazel tree.
But even the miraculous fortune granted to her could not rid her of her own bitterness and self-loathing. Even marrying a prince who loved her with all his heart could not erase her past or let her forget her suffering. The pain she had to live through followed her like a scourge all her life, even in her ‘Happily Ever After’. As a Servant, this anger manifests as the very cinders that gave her her name, with her arms and legs being burned pitch-black and crackling like flame. The fires she wields are the embodiment of the grief and rage she was never able to truly express under her family’s thumb. If Cinderella needs to take a stand and fight, she can unleash torrents of fire from her limbs that grow even stronger the more violent her emotions grow, and burn far longer and hotter than any normal fires ever would, and are intense enough to burn an enemy’s very existence to ash.
However, despite the sheer power of this Noble Phantasm, it comes at a great cost to her as well. If Cinderella were to let her own self-loathing and rage consume her utterly, she would risk losing herself completely to her own darkest parts, becoming a raging flame that would burn the World itself to ash and cinders, before ultimately burning herself away along with it.
Cinderella herself dislikes using this Noble Phantasm, as she believes it is emblematic of everything wrong about her, everything she hates about herself, and the ultimate proof that her family was right about her.
Noble Phantasm: Pantofola di Vetro - The Gift That Finally Frees You
Rank: A+ Maximum Targets: 1 Range: —
Classification: Anti-World(Self)
Cinderella’s second Noble Phantasm, the evolved version of La Colère de Cendrillon, manifesting as her main armaments as the Queen of All Fairy Tales. The resentful flames and ashes of her abusive past having been tempered and cooled. The toxic ashes and burning fires that surrounded her at all times when she was younger have been transformed into a beautiful armor spun from magical glass, the fabled gift that set her free from her abusive home life. No longer is she harmed by her own self-loathing or resentment, but rather shields herself with the dignity and grace of a queen.
As the story goes, among the items that Cinderella was gifted when she was dressed up to go to the ball, the most eye-catching and famous was the pair of glass slippers she wore, perfectly molded to fit her and her alone. When Cinderella fled the ball at the stroke of midnight, she ended up leaving one of her glass slippers behind in her flight home. It was through this same glass slipper that the prince was able to find her again, searching throughout the land to find the one girl in all the kingdom who would match the slipper. When the prince reunited with Cinderella, she was granted the one thing she was never gifted throughout her life: an escape from the hell that was her family’s abuse, mockery, and neglect, and she was given a chance to pursue her own happiness after years of torment and sadness, finally being able to smile again.
As a Servant, this part of her story manifests as enchanted glass armor, far more sturdy than its fragile appearance would suggest. This mystical glass repels evil, and automatically protects Cinderella from any attack ranked A+ or lower, much like Heracles's God Hand, ensuring that Cinderella is effectively immune to any attack not outright ranked at EX, and any attack that does manage to bypass these defenses are severely reduced in power. While Heracles's God Hand grants him 'a body that knows no death', Cinderella's Glass Slipper gifts her 'a shield that will push through the darkness', triumphing over every trial and tribulation the world seeks to throw at her in order to reach her own 'happily ever after'. Combined with her Blessing of True Magic skill, Cinderella’s incredible defenses allow her to outright nullify almost any attack thrown at her, allowing her to advance forward even in the face of the most terrifying monsters. So mighty is this armor that it can even withstand blows from Prince Charming’s almighty Marmyadose, though the chances of Cinderella and Prince Charming ever fighting one another in battle are well and truly impossible.
In conjunction with her powerful armor, Cinderella can also create constructs made out of this same enchanted glass, from a nigh-invulnerable shield that can halt even Divine Weapons, a powerful horse and carriage comparable to Dragonkind, pillars of spun glass that can rise past even the tallest mountains, to even an entire enchanted forest and castle to serve as a fortress against enemies as powerful as Fenrir Riding Hood. If Cinderella needs to enter combat directly, she can even focus the magic-negating properties of her glass armor into a gleaming blade that can carve through even enemies from the Age of Gods.
This Noble Phantasm is a near-perfect defense, a bulwark against all who would seek to give the story a wicked and unjust end. Just as La Colère de Cendrillon has the ability to reduce the World to ash and cinders, Pantofola di Vetro has the ability to shield the World from all villainy and dangers. The last and greatest line of defense for humanity’s dreamers.
Noble Phantasm: Once Upon a Time - The Stories That Are Carried With YouRank: E-A++Maximum Targets: —Range: —
Classification: Anti-Narrative
An almighty Noble Phantasm that serves as a record of human history itself, and the twin to Prince Charming’s own Ever After. This technique functions similar to that of Gilgamesh's Gate of Babylon and Menes' Imperial Privilege, being a manifestation of all of mankind’s accomplishments. While the King of Heroes has an armory of all the weapons mankind has made and will ever make, and Menes has the capability to replicate any and all physical attributes she has witnessed, Cinderella's Noble Phantasm allows her to reach directly into the Throne of Heroes, bypassing the typical Summoning Rituals or defenses placed upon it by the World to call upon a champion to fight in her name. Even heroes who have been long forgotten or anti-heroes abandoned and scorned by the world feel compelled to come to Cinderella's aid by this Noble Phantasm, and upon their arrival, their abilities are further enhanced even beyond a Servant's normal capabilities.
While Gilgamesh's Gate of Babylon is the embodiment of subjugation, and Menes' Imperial Privilege is the embodiment of domination, Cinderella's Once Upon a Time is the embodiment of human connection. It is not a forced summoning of a hero, like the Summoning System used by mages in the Grail Wars. Nor is it an emergency call to arms by the Counter Force in order to surmount an impossible foe. Rather, her charisma and honesty is enough to sway even the most steadfast and cruel of hearts, allowing her to call forth a champion who will fight to save the world without hesitation. Even in the face of impossible barriers to a Servant’s arrival such as Goetia’s Nega-Summon or Red Riding Hood’s Nega-Champion, a hero will be able to make their way through the darkness to hold the banner of humanity high. In summation, this Noble Phantasm is the very embodiment of the concept of 'Happily Ever After', a summoning of a great hero to save the day and vanquish evil.
"The world is cruel… The world is wicked… The world has produced much evil and sorrow… I should know. I have lived through it myself firsthand. But even then, I have faith in humanity. Faith that there is kindness even in the face of cruelty. Where there is good despite the wickedness. Where there can be happiness and joy even when hatred and sadness seems so insurmountable. Most of all… I believe you truly can save the world and give it a happy ending."
Noble Phantasm: Ewig Sanfter Haselnussbaum - The Love That Never Leaves YouRank: EXMaximum Targets: 1Range: —Classification: Anti-Narrative(Self)
In almost every version of the Cinderella story that has been told, there is one unifying factor between them all: a benefactor, sometimes magical, sometimes mundane, that nonetheless arrives in the heroine’s darkest hour in order to bless her with a miracle. In some stories, it is the heroine’s fairy godmother or an angel come to reward her for her piety and kindness. In other stories, it is an animal such as a divine eagle or golden fish. In other stories, it is a powerful witch or almighty god who seeks to test the heroine’s goodness and charity. Whatever the form or shape the mystical helper takes, they serve as the ultimate reward for the heroine’s pure soul and righteous heart.
In particular, this Noble Phantasm takes the form of the hazel tree that Cinderella planted by her mother's grave, where all her fortunes sprang from, and the only place she ever felt safe as a child upon her mother’s passing. In reality, this hazel tree is the very soul of her deceased mother possessing the hazel tree planted at her grave, continuing to provide for her long after her passing. While she passed away at a young age, her determination to bring her child happiness was strong enough to possess the tree that Cinderella had planted at her mother’s grave. This tree gave her the ability to commune with animals to serve as her protectors and helpers. It gave her her lovely dress with which she arrived at the ball, outshining any other beauty in the room. It gave her magical powers of her own when the time was needed to protect the world she loved, pushing her to be a shining light even in the darkest hours. Even now, she still watches over her daughter as her Noble Phantasm, serving as the source of all the incredible magic Cinderella has at her disposal, and a guardian who will answer her call when she is needed.
When called upon by Cinderella, her Noble Phantasm manifests as a massive tree in the shape of a woman towering over even the almighty wolf of Ragnarok, Fenrir. This treant will not hesitate to attack anything and everything that wishes to do Cinderella harm, fighting with the relentlessness and love of a true mother’s love and will, whether it be summoning animals to maul her enemies, or merely crushing her opponents with her mighty branches. The hazel tree is fully capable of acting without Cinderella's commands, and indeed has a mind of its very own, able to take action even when Cinderella herself has been incapacitated. Anything and everything that is even remotely a threat to Cinderella is an enemy, and all enemies of Cinderella must be destroyed without mercy.
However, despite the fearsome power of the hazel tree, it is not her physical abilities that make this Noble Phantasm such a terrifying one to face. Rather, it is the wishes that Cinderella holds. Much like how the hazel tree was able to create the impossible throughout the story, providing Cinderella a dress and shoes so she could find her true love, and helped her complete the impossible tasks set by her stepmother, so too will the hazel tree grant Cinderella's hopes when wished upon. So long as the wish made is selfless in nature, Cinderella's dreams will become reality. These wishes grow even more powerful the greater the impossibility of the act is, akin to Apollo 11’s own Noble Phantasm.
In essence, this Noble Phantasm is the very manifestation of the strongest magic to ever exist within a fairy tale: an act of true love
(FGO Effect:) -Increases own damage for every Fairy Tale Servant in the Party for three turns(includes back row). -Deal Heavy Anti-Evil damage to a single enemy(effect increases with Overcharge). -Increases own NP Gauge for every Fairy Tale Servant(includes back row). -Apply Anti-Purge Defense to self for three attacks, three turns.
Voice Lines(First and Second Ascension):
Summoned: Guten Tag, I am Aschenputtel, Ruler Class. Ah, sorry, you might be more used to my English name, Cinderella. I'm not that important of a Servant, and I don't really have anything that makes me special compared to other Servants, but I'll do my best to not let you down. Whatever you ask of me, I will accomplish to the best of my ability.
Level Up 1: Are you sure? I don't know if I'm the best one to be given this kind of power.
Level Up 2: Th... Thank you! I won't waste this opportunity!
1st Ascension: I'm sorry you have to look at me like this... My hands and feet, burned black due to tending the fires so much. It's hideous, I know... But thank you for keeping me around, all the same.
2nd Ascension: Will these ashes ever leave me be…? …no, I suppose I already know the answer to that, don’t I? Still… I’m glad that I can help you and your endeavors despite these terrible burns of mine.
Fight Start 1: *sigh* I suppose that I have no choice in the matter, do I?
Fight Start 2: I-I’m sorry to bother you, but can you help me out right now?
Fight Start 3: I admit that I’m not much of a partner… But can we dance all the same?
Skill 1: *whistles*
Skill 2: Just a moment, I’ll be right there!
Skill 3: If that is what is needed of me.
Command Card Select 1: I-I’m not really a fighter.
Command Card Select 2: My little friends, could you please help me?
Command Card Select 3: I’ll finish this task the best I can!
Noble Phantasm Select 1: Are you ready… To be consumed by the cinders…?!
Noble Phantasm Select 2: Ghhh… Haaaaaah… “That’s it… Feed the fires…”
Attack 1: U-um… Please don’t blind them this time.
Attack 2: Oh, thank you for your help!
Attack 3: Let’s go!
Attack 4: Eep!
Attack 5: I’m warning you… Please run!
Attack 6: BURN!
Attack 7: Haah… HAAAAAAH!
Attack 8: Let the cinders fall where they may.
Attack 9: Incinerate them…
Extra Attack 1: Sorry to disturb you, Sir Knight, but… (Lancelot: Think nothing of it, fair lady! Arondight OVERLOAD!!!)
Extra Attack 2: Pardon me, you two, but could you give me a lift? (Hessian Lobo: *howls*)
Extra Attack 3: I, um, hope you two don’t mind the sudden summons. (Miss Crane: A chance to work with the Cinderella?! EEEEEE! Habetrot: Nyahahaha! A tailor’s work is never done!)
Extra Attack 4: Time for a bit of cleaning, Lady Beni-Enma? (Beni-Enma: It can’t be helped, dechi.)
Extra Attack 5: Red Riding Hood… You’re helping me too? (Red Riding Hood: For now at the very least. *bang*)
Noble Phantasm 1:
P… Please…
Run away.
I… I can’t control it.
I don’t want to burn you… but I can’t hold back anymore.
La Colère de Cendrillon…!
Noble Phantasm 2:
Ngh… Ghh…
Get… AWAY…!
LA COLÉRE DE CENDRILLION!!!
Noble Phantasm 3:
“Don’t hold back anymore…”
“Hurt them. Hurt them just like they hurt you.”
“The pain… the misery… the sorrow… Let it all burn within you…”
“Let it consume every essence of your being… And let it consume them down to their very soul.”
“Let. It. Out.”
Damage from Noble Phantasm: I’m sorry…! I’m sorry!
Regular Damage: Kyah!
Defeated 1: I let… All of you down.
Defeated 2: I should’ve known better than to have come here…
Victory 1: I won?! I-I mean, I won!
Victory 2: I’m sorry… I hope your story has a better ending in the next life..
Bond Level 1: *fidget* *fidget* I'm sorry, am I bothering you? O-or perhaps you need me to help clean up around here? I couldn't help but notice that there was some cleaning that needed to be done. ...yes, I think I'll get right on that.
Bond Level 2: 'Why do I work so hard...?' Well, I thought something like that would be clear. After all... It's what I was raised to do. My... family, all they asked of me is to help satisfy their own needs. So... after a while, I learned to be quiet and serve. I don't particularly mind doing this work. After all, it means I get to accomplish something. It's certainly easier to stomach than being considered a queen of all things.
Bond Level 3: ...Master. Can I confess something to you? ...I'm scared. Scared of all this power I have at my fingertips. I'm truly nothing special, at the end of the day. I'm weak... I'm ugly... I've never really accomplished anything on my own. And yet... everyone looks at me, expecting me to be a grand hero or champion. But... I'm just me. Useless... weak... me.
Bond Level 4: I still don't understand... Why me? Why did my dear prince choose me of all people there? I didn't even come to the ball to meet him. I just wanted a night where I could be happy and not care about the weight of the world. And yet... he danced with me, made my heart feel like the weariness and heartache was all worth it for that fleeting moment. I wonder... What went through his head that night?
Bond Level 5: Master... Thank you for listening to me. I confess, I still don't know if I can bear the image of the 'Queen of All Fairy Tales', but I've been thrust into the role regardless. I may not live up to the expectations the world has of me… Perhaps I never will. Be that as it may, I still want to try. I don't believe in the 'Cinderella' that my mother and my prince saw in me... But I believe in them. And if they were able to find something in me worth loving... Then perhaps they're right.
Dialogue 1: You don’t have to act so amazed around me, you know. I’m nothing more than a simple servant girl who got lucky.
Dialogue 2: I’m your Servant… That means you tell me what to do, and I fulfill it to the best of my abilities.
Dialogue 3: It feels nice to be able to take a break every once in a while, don’t you think? Back home, I never really had a chance to sit down and rest.
Dialogue 4: *whistles* Hahahaha! It seems that even in Chaldea, there are little creatures that are willing to hear me sing to them. I rather like it. It’s so much nicer to be able to sing with an audience listening, don’t you think?
Dialogue 5 (If you have Prince Charming): Have I ever told you about the night my dear Prince Charming and I met? It feels like an impossible dream, yet an ever-enduring memory… He was the first to treat me with such genuine kindness after… Well, either way, I knew from the start that he was the man that I would marry. And you know what? I stand by that belief even to this day.
Dialogue 6 (If you have Red Riding Hood(Pre True-Name Narration)): Ah, Blanchette! It’s good to see you doing well! Hm? A hike in the woods? *sigh* I suppose that look you’re giving me means that I should go along with you, shouldn’t I? Heaven knows you tend to get yourself lost far too often…
Dialogue 7 (If you have Pinocchio): Oh, buongiorno, Maestro Pinnochio! I see you’re as active as usual today! Eh? N-no you can’t ask my mother for firewood! … O-oh. It was a joke, I see. Still, one shouldn’t make jokes like that so carelessly. Especially if you’re swinging around such a large axe…
Dialogue 8 (If you have Frau Trude Gothel): D-Dame Gothel?! She’s here as well?! I… To think the monster from my childhood would be here in the flesh… M-Master, are you sure it’s wise to have someone like this around Chaldea?!
Dialogue 9 (If you have The Fairy Godmother): The Fairy Godmother… I’ve heard that many believe our stories to be intertwined with one another. I must admit, though… I don’t think I’ve ever met her myself. At least, not in person. She seems to be very familiar with me though.
Dialogue 10 (If you have “Goldilocks”): Oh, hello Goldilocks! I’m glad we’re able to meet each other again… O-oh, you’re busy eating? I see… I’m sorry for interrupting you then…
Dialogue 11 (If you have Baba Yaga): Frau Yaga? I must say I didn’t expect you to be here. Um, not that I’m not happy to see you here! That is… Um… I’ll just leave now.
Dialogue 12 (If you have Elizabeth Bàthory (Cinderella)): Another me…? And she's an actual noble? She probably is much better than me… Maybe she deserves to be the heroine more than I do… 
Dialogue 13 (If you have Miss Crane): Miss Crane… Her weaving is the stuff of legends. To think that such a veteran artisan would be here in Chaldea… I… Do you think she would mind if I asked her for some advice for my own tailoring?
Dialogue 14 (If you have Beni-Enma): The Tongue-Cut Sparrow is here as well… Her story is familiar to me, as is her fearsome reputation. That being said, I can’t help but see her as a kindred spirit. Do you think she’d appreciate my help, or would I just get in the way? 
Dialogue 15 (If you have Merlin or Lady Avalon): You… You seem familiar to me. And yet, somehow, you feel completely different at the same time. Erm, that being said… Those pranks of yours are a bit much, don’t you think?
Dialogue 16 (If you have Hessian Lobo): You two… You’ve gone through so much, both separately and alone. I can’t even begin to understand what kind of hurt you carry… All the same, thank you for letting me sit with you. I know it means a lot.
Dialogue 17 (If you have Saint Barbara): Oh, Barbara! As active as ever, I see. … Wh-what?! Wait, what are you doing with that dynamite?! H-hey! Barbara! Wait up!
Dialogue 18 (If you have any other ‘Fairy Tale’ Servant): Everyone… Everyone looks at me, as if they expect some grand wisdom or great power of me… Those are expectations I fear I can never live up to.
Dialogue 19 (If you have Medusa): Ah, it’s that pink-haired woman! I really should thank her. She was so kind and welcoming to me when I first arrived in this place. She even helped me find some of the stories that were told of me in Chaldea’s library. For some reason, she seems to look at me as if I was familiar… Perhaps I met her in one of my tales? …could it be? Is she the incarnation of Godfather Snake? …no?
Dialogue 20 (If you have Barghest): Oh my! I’m sorry, miss, I didn’t mean to bump into you- H-huh?! …Master? Why did that woman look at me with tears in her eyes? …Habetrot said that, did she? I see.
Dialogue 21 (If you have Mata Hari): Margaretha… Yes, I know her. I know so many like her. Why wouldn’t I? After all, I know all too well what it’s like to be so alone…
Dialogue 22 (If you have Tiamat): The Mother of All Life… I heard that she was once a Beast of Humanity, driven to madness over the love she had for her children… And yet, I can’t help but feel happy around her. She reminds me of my own mother at times. Oh? A boxed lunch? Is this for me?
Likes: Something I like? Well… I suppose the only real answer I can give to that is my dear Prince Charming. He saved me after all… He took pity on someone like me and chose to marry me. …oh? ‘Pity had nothing to do with it’? Hmm… I suppose you’re right. He’d say the exact same thing to me if he heard my mumblings.
Dislikes: I’m not fond of bullies. Far too many people believe that just because they have money, or power, or… anything really, that they can hurt people. Hurt me. Ghhh…! E-excuse me, I’d rather not talk about this any longer.
About the Holy Grail: They say that the Holy Grail can grant any wish that your heart desires… If I wished on it, could I…? …no. No, someone like me doesn’t deserve to wish on the Grail. Give it to someone who’s more deserving of it.
During an Event: A celebration is going on…? I’d love to go, but… Oh, right, I suppose this situation is different, isn’t it? In that case, would you mind if I accompanied you to this? I-if it’s not too much trouble, I mean.
Birthday: Happy Birthday, Master. Have you made your wish? O-oh, you wish to spend the day with someone like me? … Yes, I’d quite like that. Thank you. Shall we be off, then?
Voice Lines(Final Ascension):
Level Up 1: This feeling… It reminds me of that midnight so long ago. I truly am blessed to have you as my Master.
Level Up 2: The night’s still young, let’s enjoy it while we can! Come, dance with me!
3rd Ascension: This dress... It's the same one I wore when I first met my prince... It's the same one given to me by my mother. I... I'm so glad that I get to dance in it again. Thank you, Master. I don't know if I can ever truly explain how much this means to me... But thank you all the same.
4th Ascension: Master... Thank you so much. Few people have ever treated me with this kindness... I always thought I didn't deserve the chance to be happy, but... Maybe I do. Maybe I deserve to have a happy ending all my own. And... I hope that someday, you too will get your happily ever after…
Fight Start 1: I do not wish to fight you… But I will not back down from this fight, either.
Fight Start 2: And so the story begins once more… With a Once Upon a Time.
Fight Start 3: Shall we dance? I must warn you though, I’m not the most graceful of partners to be had.
Skill 1: I know you’re watching over me, mother…
Skill 2: The midnight hour hasn’t arrived yet.
Skill 3: Allow me to help you with this!
Command Card Select 1: If I must.
Command Card Select 2: Get behind me!
Command Card Select 3: En garde!
Noble Phantasm Select 1: Mother… Allow me to make this simple wish.
Noble Phantasm Select 2: The time has come for the story’s climax…
Attack 1: Wing down, o eagle!
Attack 2: Arise, golden goby!
Attack 3: Help me, great crocodile!
Attack 4: Haaaah!
Attack 5: Come forth, di Vetro!
Attack 6: Glass spun of mystic arts… Protect me now!
Attack 7: My apologies… But you must stand down!
Attack 8: Get behind me!
Attack 9: Our time isn’t up yet!
Extra Attack 1: Please, help me now! (Frau Gothel: Don’t make this a habit, little girl…)
Extra Attack 2: I call upon you, great hero! (THJALFI: Very well then.)
Extra Attack 3: Thank you for your assistance! (William Tell: It’s my pleasure, your majesty.)
Extra Attack 4: Peter! Tinker Bell! (Peter Pan: Woohoo! Let’s do this! Tinker: Peter, wait up!)
Extra Attack 5: I pass this along to you, my love! (Prince Charming: Gladly, my darling! Unicorn: Let’s trample ‘em!)
Noble Phantasm 1:
Tree of Life…
Tree of Glory…
Tree of Salvation…
I come to pray at your roots once more…
Grant my wish, to save this world.
Ewig Sanfter Haselnussbaum.
Noble Phantasm 2:
Mother…
You may have passed long ago, but I still feel your presence with me.
Please, answer my prayers and help us win this day.
Ewig Sanfter Haselnussbaum.
Noble Phantasm 3:
“My dearest child… My beloved daughter…”
“The world has been unforgivably cruel to you.”
“It has hurt you more times than I can bear to count.”
“So I shall become your shield from the world’s evil.”
“And watch as you attain your own happily ever after.”
“Ewig Sanfter Haselnussbaum.”
Damage from Noble Phantasm: Mother… protect me…!
Regular Damage: Not yet!
Defeated 1: So this is how it ends…
Defeated 2: I suppose I wasn’t meant to be the hero of this story…
Victory 1: And so the story reaches its conclusion… Happily Ever After.
Victory 2: I’m sorry… I hope that someday, you will be able to find your own happy ending.
Bond Level 1: Oh? You seem surprised to see me. I guess this costume of mine is quite different from what you’ve seen before. I quite like it though. I may not be a true warrior like the other Servants you have here, but the feeling of my mother’s glass around me… it’s comforting.
Bond Level 2: It really is miraculous, isn’t it? To be in a place like this where so many different stories with so many different heroes are able to meet as one. I don’t think I ever would have expected to end up in a place like this.
Bond Level 3: The World has chosen me as the Queen of Fairy Tales, the Guardian of Happy Endings… And yet, I can’t help but feel useless at times. I’ve been blessed with these abilities, this power, but there’s still so much suffering and pain in the world. I know that my story has brought hope and light to people in despair, but all the same… I wish I could do more to help. Maybe then, Red Riding Hood… Blanchette… She wouldn’t have become a Beast.
Bond Level 4: …we’re alike, you and I. I can see it in your eyes. You want to help as many people as you can. You want to protect everyone from hurting like you have hurt. But it’s hard, isn’t it? Even when we want to save everyone, it seems impossible. But still… It’s our job to make the impossible possible, isn’t it?
Bond Level 5: Master… You’ve already gone through so much pain, and at such a young age, too. And yet, you still find it in you to smile and keep going on. You’re able to inspire so many people who have lost their hope for a better future, and you’re able to push on past your own sadness. But still… there will be times when your hope falters. I know this too. Master, when the day comes when all hope seems lost, and you can’t find it in you to smile… Allow me to be your knight in shining armor. I will defend your hopes and dreams when you can’t carry them anymore, and I promise you, you’ll find your own happy ending at the end of all this.
Dialogue 1: It really is amazing, becoming a queen like this. Some days, it doesn’t even feel real. But if this is merely a dream, a fleeting fantasy… Then even that is enough to bring my life happiness.
Dialogue 2: When I look at you… I can’t help but feel like we are one and the same. Perhaps our circumstances are a bit different, but still… You’ve been cast into a strange and frightening new reality. Alone, afraid, and… No, that’s not quite right. You’re not alone. You are never alone. This, I promise to you… Master.
Dialogue 3: The modern era has so many wonderful things to show me… Things have changed a lot since my time. Though, if you would ask me? The most exciting thing of all would be all the interesting forms of transportation? Hm? Oh, don’t you worry, my friends, I promise, I won’t replace you. …though I would like a chance to drive a motorcycle-
Dialogue 4(Clear Interlude “The Neverending Dance”): I don’t know if I’ll ever truly be able to let go of these thoughts of mine… My doubts, my anger, my anxiety… They’re something that I suppose I’ll have to live with, even as a Servant. Still… I feel like they’re bearable, so long as I can have friends like you by my side.
Dialogue 5 (If you have Prince Charming): My dear husband… My fair Prince… I’m glad you’re finally here with me. I never had the chance to say it earlier, but I truly have been blessed to have married a man such as you. A kind heart… a loving smile… an honesty that no other man could compare to. Yes, if I ever had the chance to marry any man of my dreams, I would always, always choose you. … Aha! Your face is as red as an apple, my dear husband. It’s little wonder why you enjoy speaking such sweet nothings into my ear if you get to see such cute expressions all day.
Dialogue 6 (If you have Red Riding Hood(Post True-Name Narration)): Blanchette… She’s suffered for so long, she’s been bitter and angry at the world all her life. …I suppose for her, the anger and hatred is all she has left now, isn’t it? For her, being a monster is far more preferable than being a victim. I suppose I can understand that line of thinking… Still, even Beasts of Humanity deserve to find their own happiness some day, and she’s no different. Maybe you can be the one to give her the happy ending I couldn’t, Master.
Dialogue 7 (If you have Pinocchio): Ah, Maestro Pinocchio! And Maestro Cricket, as well! It’s good to see you gentlemen out and about. That is to say… You aren’t up to any mischief today, are you? Hahaha! I’m only joking, no need to look so afraid. …unless you are planning another of your pranks, young Maestro.
Dialogue 8 (If you have Frau Trude Gothel): Dame Gothel… The Witch of the Story’s End. … *sigh* It’s hard to say how I feel about someone like her. On the one hand, she is a monster, and one who gladly admits to it, no less. She’s killed and hurt too many children than I can bear to count. …and yet, Pinocchio has shown he truly believes that even she can be redeemed. Perhaps even a monster can find her happily ever after one day. Until then, however, I will be keeping an eye on her.
Dialogue 9 (If you have The Fairy Godmother): The Fairy Godmother… I never had a chance to meet her myself in life. Or… perhaps I did…? It’s strange. She has a very familiar aura to me, but at the same time, she seems so distant and alien. Still, she at least seems to be nicer than her sister at the very least, so I suppose it’s fine…
Dialogue 10 (If you have Sòl): Ah, Sòl, I’m glad to see you’re doing well for yourself! It’s rather nice, isn’t it, being in Chaldea. I’m glad that you’re able to finally rest your head without worry. Erm, that being said… The kitchen staff have asked me to tell you to stop raiding the fridge so often. I believe EMIYA’s words were ‘rivaling Artoria’s bottomless stomach’.
Dialogue 11 (If you have Saint Barbara): Ah, Barbara! You look well today. You have something to show me? …it’s not something explosive again is it? Alright, I suppose I can come with you to the hangar to look if that’s the case. Perhaps it’ll be a motorcycle or an aeroplane…
Dialogue 12 (If you have any other ‘Fairy Tale’ Servant): *sigh* Sometimes… I still fear that I won’t be enough. That even with the weight of everyone’s expectations of what I should be, I’ll end up failing. That being said… It’s for those very same reasons that we should keep fighting, no? To at least try to live up to those same expectations?
Dialogue 13 (If you have Medusa): Medusa… So even the greatest monsters in stories can hide kindness and a desire to be loved. You’ve been so gracious to me, so I do believe that it’s time I return the favor. Come with me, if you don’t mind. I’ll put on some tea for us.
Dialogue 14 (If you have Barghest): Ah… Cheer up, o great knight. The others may not have the same faith in you that I do, but I promise, one day, you’ll walk down the aisle, within your finest dress, and have the chance to have your own fairy tale wedding.
Dialogue 15 (If you have Mata Hari): I must say… It feels nice to watch someone dance so freely and happily, especially after a life of sadness and pain. Chaldea really is a place of miracles, isn’t it? To have the ability to grant people happy endings long after their own deaths.
Dialogue 16 (If you have Edmond Dantes): The Count of Monte Cristo… I know you believe yourself a monster, a demon who does not deserve a chance at his own happiness… But I also know that you are wrong. Your happiness will come, and your sins will be forgiven, if not in your life as a human, than as your life as a Servant. It is just as you say… Wait and hope.
Dialogue 17 (If you have Kiara Sessyoin): So even Beasts can find happiness in stories such as mine… That’s quite the comforting thought to me, I’ll have to admit. I’d love to go and talk with her, but I don’t know if she’d care to listen to what I’d have to say to her. It’s a shame, though… Whenever I look at her, all I see is a girl like me… Neglected, abandoned, and hurting, just hoping for something better to come one day. …maybe one day she’ll have a happy ending of her own.
Dialogue 18 (If you have Hans Christian Andersen): You know, Master, Herr Andersen is quite the strange one, wouldn’t you say? He’s so earnest and blunt, speaking truthfully but harshly about everyone… And yet, he’s a man who hides himself from the world. He’s so open about his faults and his own issues… And yet never once speaks about his own burning pain or bitter sadness. As an author of fairy tales, Herr Andersen provided so much joy and wonder to the world… Maybe it’s time he should go and reach out for his own.
Dialogue 19 (If you have Sigurd and Brynhildr): Those two… They remind me a lot of my dear Prince and I. …hee! Perhaps we should have a double date together. I’d love to hear of the romance between these two great heroes.
Dialogue 20 (If you have Arjuna): Arjuna… Please, hold your head up high. I know all too well what it’s like to have your own self-doubt and fear control you. But I also know just as well that you are far more than what those doubts think you to be. You are a hero, noble and kind, and let none tell you otherwise, especially yourself.
Dialogue 21 (If you have Gilgamesh): Oh? Even the Great King of All Heroes wishes to speak to me? You are too kind, your majesty. Though I must warn you, my heart belongs to my Prince Charming alone.
Likes: I don’t think anything has ever made me happier than that night with my Prince. Being able to escape the torment and suffering to simply dance and eat and laugh in such a beautiful castle… It truly was a dream come true…
Dislikes: If there is one thing that I will not forget… It is those who seek to hurt their own children. Whether it be through neglect, assault, blackmail, or any other means, people who hurt the children they have raised should not be easily forgiven. If one seeks to genuinely and seriously atone for what they have done, then I am all for them bettering themselves… But if they persist in their wickedness, then I will cut them down myself. After all… I know what it means to be a child such as that.
About the Holy Grail: The Holy Grail? …hahaha, why would I ever need to use something like that? I have all I need to make me happy. My dear husband, a loving home, and friends like you to be with. Yes, I don’t think there’s anything I could wish for right now, and I have you to thank for it.
During an Event: It appears that another ball has come to town. I think I would like to attend it, what say you, Master?Birthday: Happy Birthday, Master! Please, enjoy this gift I put together for you. I stitched this suit together with the help of some of my friends. It should fit you perfectly. …oh, you don’t have to be so bashful. I made this because I wanted to, not because of any obligation. After all… We’re friends now, aren’t we?
Birthday: Happy Birthday, Master! Please, enjoy this gift I put together for you. I stitched this suit together with the help of some of my friends. It should fit you perfectly. …oh, you don’t have to be so bashful. I made this because I wanted to, not because of any obligation. After all… We’re friends now, aren’t we?
Profile:
Default:
A girl made a slave.
A wish granted.
Something is lost.
And something is found.
Happily Ever After.
She has gone by many names throughout history, be they Rhodopis, Ye Xian, Tấm, Cenerentola, Cendrillion, or Aschenputtel. Her tale has been told countless times over, from nation to nation, her legend being carved into humanity's very soul alongside great heroes such as Heracles and King Arthur.
She is the Persecuted Heroine.
She is an embodiment of the hopes and dreams of all mankind.
She is Cinderella, the Queen of All Fairy Tales.
Bond Level 1:
Height/Weight: 172cm • 54kg 
Source: Global Fairy Tales
Region: The World
Alignment: Lawful • Good Gender: Female
"I don't understand... Why...? Why does she hate me?! I've done everything... Everything she's asked me to do. I do all the chores. I cook each and every meal, I clean every inch of this estate, I work until my fingers bleed and break without even taking a break to rest. But it's still not enough. I still don't even get to sit at the table. I still have to sleep on the floor. I still get called ugly, and stupid, and useless... I don't think anyone has ever called me by my real name since...
Am I really so awful? Am I really... Am I really as bad as they all say?
...
Maybe... Maybe if I do it right this time, they won't hate me anymore. Yes. It's my fault for messing it all up in the first place. I'll do better this time, and then they'll stop hurting me.
I can fix this.
I can fix this.
I can fix this.
Please... Let me fix this."
Bond Level 2:
She didn't even intend to meet her prince. All she wanted that night was a simple escape. A chance to leave her life of abuse and torment for a single night, and to grasp a chance at being happy, even for a moment. The means of escape was different with each telling. Some say it was an eagle that had snatched her sandal and dropped it into the lap of a great king. Others say it was a magic fish with golden eyes and scales who granted her wishes from its bones. Others still say it was a Fairy Godmother, who sought to grant her heart's true desire for her piety and grace.
Whatever the story, whatever the tale, the girl's wishes remain humble and simple: a wish for reprieve.
He had approached her gently, gingerly asking her for her hand to show her around the castle. His words were calming and loving. His steps were careful and true. As the night went on, the two grew more enamored with each other, finding solace in the other's company after a lifetime of loneliness.
And in the span of a single night, Cinderella and the Prince had fallen in love before the clock struck midnight.
Bond Level 3:
The wedding was wonderful, a joyous celebration even grander than the ball where she had met her Prince Charming. It was supposed to be the happiest day of Cinderella's life. A day where no pain, no anger, no misery would exist. A day where she would finally get the Happily Ever After she's craved all her life.
Of course... That would be the day that her family arrived to ruin everything.
They arrived like vultures, acting as if they hadn't been the ones to cause her suffering for years on end. As if they weren't the ones who treated her like a slave all her life. As if they hadn't disrespected her mother's grave time and again. And yet, here they were, acting as if they had loved and cherished Cinderella all her life.
What was meant to be a day of joyous celebration instead became a day of bitterness and anger. Before, Cinderella had kept her fury inside her. She had always tempered her frustration and hid it away. What else could she have done when she was weak and helpless? But this... this was different. Whether consciously or unconsciously, the wild animals Cinderella had befriended responded in kind in her outrage, with two ravens swooping down and plucking her stepsisters' eyes.
At the vicious sight, many of the guests recoiled in fear and shock, horrified at the macabre display before them.
But Cinderella?
She put a hand to her face at the sight... and let out a laugh. A brief, quiet laugh that went unheard by everyone at the wedding... but a laugh nonetheless.
Bond Level 4:
Cinderella married her Prince Charming, and became a queen hailed as a benevolent and kind ruler. She was hailed as fair and beautiful, and within her castle, she wanted for nothing nor feared for any harm.
And yet...
The doubts and fears from her childhood still lingered, festering like a diseased wound. Where many saw beauty, Cinderella could only see ugliness. Where they beheld kindness, Cinderella beheld cruelty. Where people saw diligence, Cinderella saw nothing but uselessness. While her dear husband was always at her side to reassure her doubts, these thoughts would never leave Cinderella alone.
Would a deserving princess have their happiness handed to her?
Would a just ruler allow themselves to stew in rage over the past?
Would a good person laugh at her sisters' suffering and pain?
The anger, the anxiety, the doubt. All of it haunted her throughout her life. It was as if she had never stopped being that young girl that slept by the cinders.
Bond Level 5:
The story of Cinderella is ultimately one about pain. The pain of losing a loved one and crying beneath a tree The pain of barbed insults and cruel abuse. The pain of a cold stone floor and burning black ashes.
The years of abuse, financial, physical, and mental, will never truly go away, and neither will the pain that came with it.
But even still…
With pain eventually comes healing. Where there was a grave, a tree blossomed and bloomed. Where there was venomous insults and violent assault there is now the whispering of sweet nothings and a gentle embrace. The chill of sleeping on stone and the burned agony from the ash and cinders are now replaced with the comforting feel of glass slippers and a golden dress.
Cinderella's life was filled with nothing but pain and sorrow, both external and internal, but it was also filled with great joy and triumph. It is the triumph of an abused young girl against a world that constantly treated her with cruelty, and in turn chose to respond by being kind and being more than just her circumstance. It is the tale of finally reaching a happily ever after.
For all those in the world who have yet to find their happy endings, and for all those who have long since passed that have been denied those very endings… Cinderella will forever stand as a symbol of hope, a figure who will light up even the darkest hours with gleaming fire and shining glass.
For the lovers, the dreamers, the hopeful who have not lost their hearts to despair… Cinderella, the Greatest of All Fairy Tales, will always fight as your champion.
Extra (Clear Interlude “The Neverending Dance”):
Cinderella was never her true name. Cenerentola, Cendrillon, Aschenputtel, the identities that the world knew her as were nothing but cruel nicknames meant to mock her for her low position and to torment her for her constant work. While for many, the name Cinderella was one that inspired hope and prosperity, for the young princess, all the name did was remind her of her suffering and torment, as well as an impossible standard that she could never live up to.
Cinderella the beloved heroine.
Cinderella the worthless mistake.
Cinderella the vengeful monster.
All these and more were not who the maiden was. They were merely projections of what mankind believed her to be. In truth, she has a name that was given to her by her beloved mother, and a name that was never once spoken in any of her stories.
Rhodopis.
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fairytale-poll · 9 months
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ROUND 3A, MATCH 1 OUT OF 4
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*Includes the original 1950 animated film, the 2002 sequel Cinderella II: Dreams Come True, and the 2007 sequel Cinderella III: A Twist in Time.
**Includes Grimm Brothers and Charles Perrault tales.
Propaganda Under the Cut:
Disney Animated:
she is very iconic, she is super kind and has a beautiful dress
Submitting specifically because Cinderella III: A Twist in Time has lived rent-free in my head ever since I was a small child.
This Cinderella is most young (western) peoples introduction to this very story. Cinderella is so hopeful and by getting one small magical adventure, her whole life changes for the better. She is skilled and inspires such loyalty with her kindness that it’s hard to dislike her for any reason she gives. I’ve always been jealous of her ball hairdo too.
Walt Disney put all he had into this movie. And his favorite animation was the dress transformation scene. There’s a reason she is often front and center on the Princess group promotions.
she is the original. to me. probably the first exposure to cinderella for a solid chunk of people alive & on tumblr today. she is just a perfect encapsulation of everything that cinderella is, even if she's become warped in the public consciousness. also i'm pretty sure she's the reason why the glass slippers are so predominant in more recent retellings bc she is simply so iconic. 100/10 no notes 💜
She's maybe not the OG OG but she was one of the first animated Disney princesses and strangely enough it doesn't stop her from having an amazing personality. She's literally a slave but keeps being a nice person, forgiving and always doing her best. And the sequels absolutely didn't ruin her character. She's a sweet girl who tries to fit in but who's loyal to the person she is and who tries to change things always in a cute and sweet way to show people it's not that hard. She literally forgave Anastasia and tried to help her after all she did to her (the scene where the step-sisters destroy her dress still is terrifying to me)... she's awesome and deserves more recognition honestly...
(Mod's note: the following submitted specifically for Cinderella III: A Twist in Time, but I condensed the animated movies into one entry.) No she is not the same as the original Cinderella of 1950. This girl’s biggest chance was unfairly snatched away from her. When the Prince was brainwashed she was enough to get him to double take. She was so Right that their connection over powered magic. And she had to be rescued from a ship. And was almost crushed within a pumpkin! And finally had to expose another imposter, who turned out to be just another victim of Lady Trameine. This Cinderella fought harder for her love because she knew what True Love was like and she still was able to forgive those who asked for it.
(Mod's note: the following submitted specifically for Cinderella III: A Twist in Time, but I condensed the animated movies into one entry.) Listen yes it's the same Cinderella from 1950 but she has an arc in this one! It's Disney's greatest film!!
Listen I love them both but the animated Cinderella definitly shine in every single movie she has. And she has 3.
Vote for Cinderella because she deserves it and is still underrated in the Disney Princesses Franchise when she survived so much (ab*se... Lady Tremaine still terrifies me and she doesn't even have magical powers except when she steals the magic wand in Cinderella 3) Also one vote for Cinderella is one jump outside the window Henri is ready to do. Yes it's real.
Cinderella / Aschenputtel / Cendrillon:
I love all Cinderellas but the Grimm version refocuses the story away from magical aid and transforms it into a story of the ability of grief to conversely power hope. ashenputtel weeps over the grave of her dead mother so much a beautiful tree grows out,  with the voice of her mother guiding her and giving her the gown and shoes that ultimately get her to the ball. It turns Cinderella from a kind of passive receiver to a woman whose own love, in a way, saves her—her grief cycles into new joys, her love for the dead changes her for a new life. Idk it’s just a tremendously hopeful, haunting story, grounded in sorrow and love as our ways of guiding into the future.
Her slippers aren't made of glass, thankfully. Also, her step-sisters are blinded by birds who like Cinderella, apparently, on the day of the wedding. (I had to check this, as I knew the sisters had parts of their feet cut off to fit the shoe, but I was sure the mother had something bad happen, but there was no mention of a comeuppance for her. I found it on grimmstories.com, so I'm not sure how accurate to the original it is.)
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mythical-art · 5 months
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Cinderella with her Fairy Godmother, c.1911 by French School (colour lithograph)
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ariel-seagull-wings · 10 months
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@adarkrainbow @princesssarisa @themousefromfantasyland @the-blue-fairie @angelixgutz @softlytowardthesun @grimoireoffolkloreandfairytales @tamisdava2 @faintingheroine
Finding that the slipper fits, educational poster by Hans Printz (1905)
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oakwoodwritingprompts · 4 months
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oakwood prompt #28
A single, glittering shoe twinkled from its place on the front stairs of the palace. The girl who had worn it had long since disappeared. The prince rushed to claim it, lifting it up for all to see.
An engraving on the bottom of the shoe warned the prince to never again touch anything that wasn't his.
In case the engraving wasn't enough to prove the point, the subsequent bilateral hand amputation he underwent to halt the spread of the contact poison surely did.
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koenji · 2 months
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youtube
Main theme of Tri orísky pro Popelku / Drei Haselnüsse für Aschenbrödel (1973; Three Wishes For Cinderella), dir. Václav Vorlícek.
Undoubtedly the most famous of the Czechoslovakian / East German fairy tale film cooperations, it is often hailed as a European fairy tale classic and a feminist iteration of the age old story of Cinderella. Though most of the cast were Czech, the film also became a cult classic in the GDR and later reunified Germany.
Libuše Šafránková (1953-2021) plays the part of the abused orphaned stepdaughter who goes on to marry the prince after setting him a riddle.
Karel Svoboda (1938-2007) was a beloved Czech composer who created the famous soundtrack for this film as well as other children's classics.
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oldfilmsflicker · 9 months
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new-to-me #1072 - Aschenputtel (Cinderella) [1922]
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penguinofspades · 6 months
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Name: Midnight
User: Cinderella
Item: A pair of crystal glass slippers
Powers:
Masquerade-Activating Masquerade allows Cinderella to shape shift into anyone else. It is reliant on the glass slippers.
Cinders and Ashes-Cinders and Ashes allows Cinderella to manipulate fire. It's essentially Pyrokinesis.
A Little Bird Told Me-A Little Bird Told Me allows Cinderella the ability to understand, converse with and control all birds.
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dkettchen · 2 years
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“I don’t even have a name in my own story”
ok but in said story’s defense: neither does Cinderella. Cinderella as a name is smth the english came up with for their translation, Aschenputtel is a (derogatory) job description, not a name
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rabbit-exe · 2 years
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when the fairy godmother refers to having been told about the party’s presence in the village, it probably wasn’t the mice - based on the version of the fairytale I’ve heard (Aschenputtel), it was probably birds. in the story, the birds sing that the shoe is full of blood when the each of the stepsisters is riding in the prince’s carriage, which is what clues him in to the fact that they’re not the shoe’s actual owners because he has a very low passive perception. I have no idea if this is the actual direction it’s going in but it’s my best guess!
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emilydickinsonsghost · 9 months
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POV: you’re gay AND European and it’s Christmas
No I will not elaborate you either get it or you don’t
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allaboutcinderella · 1 year
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Cinderella (Aschenputtel) 1989
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fairytale-poll · 10 months
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ROUND 2A, MATCH 2 OUT OF 8!
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*Includes Grimm Brothers and Charles Perrault tales.
Propaganda Under the Cut:
Cinderella / Aschenputtel / Cendrillon:
I love all Cinderellas but the Grimm version refocuses the story away from magical aid and transforms it into a story of the ability of grief to conversely power hope. ashenputtel weeps over the grave of her dead mother so much a beautiful tree grows out,  with the voice of her mother guiding her and giving her the gown and shoes that ultimately get her to the ball. It turns Cinderella from a kind of passive receiver to a woman whose own love, in a way, saves her—her grief cycles into new joys, her love for the dead changes her for a new life. Idk it’s just a tremendously hopeful, haunting story, grounded in sorrow and love as our ways of guiding into the future.
Her slippers aren't made of glass, thankfully. Also, her step-sisters are blinded by birds who like Cinderella, apparently, on the day of the wedding. (I had to check this, as I knew the sisters had parts of their feet cut off to fit the shoe, but I was sure the mother had something bad happen, but there was no mention of a comeuppance for her. I found it on grimmstories.com, so I'm not sure how accurate to the original it is.)
Ye Xian:
Read it in middle school and have been fascinated with it since.
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ghostjelliess · 4 months
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Cinderella's sassy ass
I'm reading this German version of Aschenputtel and first of all, it's her mom's money. Her dad comes back with a new wife and she doesn't mind cus that's normal, but then they're all just spending all the money and she's getting more stressed as they're dismissing servants. Like, this family has a pidgin coop big enough for a whole person to hide in (it's Cinderella who hides there lol). Anyway, daddy dearest is going to the festival with the boys and asks what they want. Playing into his fantasy charade, the first step sister says jewels and pearls, the second says pretty dresses, and he turns to Cinderella, who has become their maid out of necessity and irritation, refusing to spend her dead mother's money outside the first year of mourning, says the equivalent of "oh, father remembers me? Oh father, a stick, bring me a stick and I shall be happy, the first stick you see, that will be enough for me (...to beat myself to death with because y'all are stupid and we're gonna starve)."
So he goes to the festival for like, actual days, while Cindy-relly cares for the entire estate alone. Her clothes are scrubs, she cooks and cleans and preserves food and plants the garden and is trying her best not to die within the same year as her forgotten mother, while her father dances through the festival with his fellow Rich BrosTM, refusing to listen to her lectures about fiscal responsibility and basically agreeing with the whole family that she's just such a debbie-downer ughhhh gross. So on his way home with his trunks of dresses and jewels, a branch AT THE GATE OF THE HOUSE hits his hat and he's like "oh shiiiiiiit, I forgot about my little Ash-sweeper, damn. Good thing there's sticks everywhere, phew." He breaks off the branch and calls them all down and presents the ridiculous outfits to his new daughters and wife and literally hands Cinderella the branch like "here... you wanted this. I don't know why but you said..." *shakes entire tree limb at her*
Cinder-soot gapes at them all, but takes her new pet with an awkward "an avocado... thaaaaaaaanks..." and sticks it in a vase while chatting with her BFF birds and watching her house fall apart. There's only so much she can do, and boy howdy she's tired of doing it alone. When the hazelnut branch has roots, she goes to plant it on her mother's grave and it grows super fast. These two white doves take up residence in the tree as her leveled-up bird best friends because they get to eat magical hazelnuts that fed on her mom's rotting corpse, but we're just going to brush over that. They live in the pidgin house and grant her wishes and make cleaning way easier, so it's fine.
So the king throws another festival, or whatever, and all the eligible maidens must come. Cinderella is an eligible maiden, she follows rules, she must go. Step-mom agrees, she should go, but ohhhhhh noooooo, I spilled this dish of ash and lentils, you have to pick it all up before you can go. Cinderalla is an eligible maiden who follows all the rules, she must pick up the ash and sort the lentils before she can go. She starts to panic-sing and the birds come help her get all the bits back into the plate. She skips into the room and present her step-mother (who she is bound by household rules and propriety to follow the orders of), excited that she can go. Step-mother takes the dish, genuinely impressed, somewhat confused, and maybe a little concerned, and right in cindy-boo-boo's face, drops it again, "oh shoot... I'm so clumsy... there's no way you'll be ready in time now."
Cinderella is a one-task-minded kind of person though, and she's really set her heart on following the orders of the king, so she starts panic crying a second time, and again, the birds help just like day-one ghosts of her mom should. This time, she runs out with the plate to find her family getting in the carriage to go and her dad waves with a shrug, frowning "you don't have anything nice to wear anyway, kiddo. You wanted that stick, remember? Besides, you can't dance, you'll embarrass us."
What a saint, what a guy, what a special center-fold feature of Daddy Issues.
So she cries by the grave of her mom, by the special magic tree, because they're right. She can't go, she's breaking the law, she's going to be outcasted before she even enters society, stuck as their maid forever. If she tries to join next season, they'll ask where she was at the King's orders, and they'll know she's a Bad Person who doesn't follow the rules, or she'll be killed!
The tree interrupts her pity party, dropping a whole gold and silver ball gown and shoes and the birds chirp. She gets ready and runs to join the festival in town. Her family sees her and thinks she's a foreign princess; the prince sees her and dances with her, and refuses to dance with anyone else because if he let go of her hand, surely another would take it. Another prince tries to cut in while they're chatting and taking a break and our Prince steps in front of her and says "she is my partner."
Ashy-soot-foot got tired and wanted to go home and the Prince says he'll walk her there, he wants to see where such a pretty lady lives, and she laughs and walks for a while, but when they get too close, she hikes up her skirt and sprints away, jumping into the pidgin house while the prince is turned away. The magic birds take her dress and she jumps out the other entrance of the roost and darts inside.
The Prince is left lingering at the wall of their estate, confused, wondering if she was a ghost, when the family arrive. The Prince asks Daddy Darling who lives there, and broski introduces his family, but the Prince describes his Perfect Woman, and the family laughs and says there is only what's-her-face inside. They're all pretty wasted, so they get a bunch of axes and hatches and Papa and Prince literally chop down the pidgin house until they're sure no one is inside. The family enter to find Cinderella at the fire, reading or whatever not-like-other-Girls do and fall into their beds after making fun of her for being malnourished and super-short. The birds do not like this, they start to attack, but ya'girl has had a long day, calling them off.
The next day the same thing happens, but she doesn't whine to join them. She waits for the fam to leave, then runs to the tree and asks for a dress and gets an even prettier one. Skipping to the festival and looking for her charming stalker Prince like a creep, she is happy to see him pouty and glowering at a line of friends pushing him to dance, refusing to have fun or dance with any of them until he sees her. He asks her to dance and again, throughout the whole night, refuses to let anyone else cut in, claiming each time "that's my partner" until they backed off. Again, she got tired and wanted to go home, but this time, he walks her back and follows very closely, keeping a careful eye. But once again, Cindy-swiftfoot gets away, because it's her house and the birds like her and she knows all the secret spots. They're just strolling down a road together, when suddenly, she jumps the low wall, dodges through the kitchen garden of herbs and bushy vegetables, and scampers up into a pear tree as light as a squirrel and the Prince blinks "wondering what became of her" (which means either he lost her again cus it was dark and they're probs drunk OR, my preferred interpretation, he saw her climb the tree and wondered if she was like... a tree-person, or a fairy, or something, just watching her from the garden gate cus it's rude to trespass even though he's a Prince).
Again, the father came home, and drunk papa and prince cut down the tree until they were certain there was no one trapped in it. C-Daddy explains that Cinderella isn't really social, she's like, ugh, responsible and stuff, she would never go to a festival. One time he offered to get her a dress with her dead-mom's fortune and all she wanted was a stupid stick, what a prude.
Cinderella, meanwhile, had either left her dress in the tree for the birds to carry away and jumped down on the other side, in the dark, no longer glittering, so the Prince didn't see her come down, OR used the tree to climb into her room and that's just not something girls in pretty dresses do, so they cut down the tree and probably ate pears for weeks looking for the girl they thought was hiding there. Dad, step-mom, and sisters pop in, all curious and swaying to, once again, find Ashy-Ash putzing around the fireplace, reading or sewing or darning socks or whatever DIY nonsense of the day kept their house standing.
Finally, on the last day of the festival, 'Drella waits for them to leave, goes to the hazelnut grave, and pulls out a dress of moonlight and wonder (which we are assured does come from the magic birds and the hazelnut tree, she is NOT pilfering the grave goods of her dead princess-mom). She goes to the festival and meets her Prince for her last day, because the house won't last, and the king's orders were only for the festival, but it's nice to feel wanted each time he starts a new dance with her; it's nice to be spoken to as an equal, as someone with thoughts and dreams and goals and not the scourge of Satan ruining all the fun. The night ends and the Prince goes to walk her home, but her plan to escape him on the final day is just to sprint as fast as she can away from him. It works, because she is small but stupid-fast. She rushes past him in a blur, already too far ahead to catch, and the Prince sighs, absolutely smitten.
But he's not dumb. He knew she would run, and he knew the vague direction she would go, since he'd walked her almost-home twice. He had coated the alley stairs in pitch to stop her from running away, and it also works. Cinderella's foot gets stuck in the sticky mess, but, unexpectedly to the royal Prince, but second nature to the rowdy keeper-of-all-things Aschenputtel, she just steps out of the shoe, leaving it behind. This is ridiculous, people don't walk barefoot, they don't leave golden shoes behind! But already she is gone and the stubborn Prince has only a conjured shoe left behind.
The next day he goes to Cinderella's father's house with the shoe. She lives there somewhere, three times she disappeared on their property. He pounds on the door and says he will marry the beautiful woman who lives there and fits the shoe, right now! The vicar is in the car waiting, let's go, bring her out!
Taking the shoe, the step-mother retreats to her daughters' room, holding the shoe out to the eldest as they all giggled about their luck. But the shoe was too small, and even though they were very proud of their beautiful feet (because Cinder-foot did all the walking), the step-mother tells her to cut off her pinky toe so the shoe fits, when she's queen, she'll never have to walk anyway. She does, happily, and the Prince, confused but convinced by the shoe, reluctantly walks her to his horse, ready to ride all the way to the castle.
But those meddling birds, absolutely hating the sisters, start crying and picking at her feet, until the Prince sets chivalry aside enough to look at what all the fuss is about, and finds her foot bleeding all up in his precious shoe, gross! He stomps back to the house, tosses her in, and tells them to try again. The step-mother convinces the second sister to cut off a slice of her heel to fit the shoe, and again, the Prince believes them and walks her to his horse, lifting her up and riding past the grave, until the birds attack her feet before they reach the gate, and he finds his mysterious maiden's golden shoe scarlet and ruined with their blood. He turns the horse around and rides directly up to the door, pushing the sister off, "this is the wrong one. I'll let you try one more time." It is a threat, and the father hears it.
The father stutters forward, confused and hungover and annoyed that all they have to eat are pears, still trying to find whoever cut down his pidgin coop, points to his wife and step-daughters, "these are the only people here. There are no servants. My last wife left a daughter, but she's a runt, it's impossible you met her, she's tiny and ugly, and doesn't know how to have fun. She doesn't go to festivals, and one time I asked her what she wanted, like a dress, or a trinket, or a mirror, and all she wanted was a--"
"A stick, yes, you said." The Prince narrows his eyes down at the father, sighing with a snap of his fingers, "bring her out."
"Oh, no way, she's all dirty. Covered in dirt and ash and gross." The entire family tries to explain at once, "it would be far too embarrassing to present her to you, your royal highness."
The Prince smiles stiffly, glancing at the ruined shoe sitting in a bloody puddle on the stoop, resting his hand on the sword at his hip while even his beloved horse rolls its eyes. But they really don't want to bring her out, so he finally sighs and dismounts, boots creaking, "it's an order."
Cinderella's sisters drag her through the kitchen, doing their best to trip her and cover her in dust and flour as they wrangle her to the door, explaining that it was a prince's orders. Humiliated at her appearance covered in sweat and dirt and dough, dirt under her nails, her hair still greasy from the night before, wooden clogs on from weeding the dewy herb garden, Cinderella digs her heels in, wiping her face on her apron, cleaning herself up as much as she can while the sisters laugh at her. They toss her in front of the Prince, sending her jolting into his chest as she leaps over the stark red shoe, her wooden clogs thudding loudly off her small feet.
Eager not to be tricked a third time, the Prince ignores chivalry and points to the shoe, urging her to try it on without getting excited. She slides her foot in, revealing a perfect fit (OR pulls out her own golden slipper which she'd kept as a keepsake), and the Prince, not quite ready to believe anyone yet, scoops her into a dance, spinning her around the yard and then into a hug, proclaiming that this is the right one, this is his maiden! He knows her despite the rags and dirt, and she could definitely whoop all they asses in a run and if they don't let them go in peace. He will make them race for the title. The two step-sisters, profusely bleeding from their open wounds, stop holding her back and the Prince pulls her onto his horse, probably flipping off the father, as the birds soar above them as they leave the house. As they passed the grave, the hazel bush wilts in a final farewell, the last of the magic used up, her mother finally at peace with Cinderella's freedom.
The day of their wedding arrives and Cinderella sits like a queen in her chariot as she is paraded through the city toward the church, every bit as splendid as her mother once was, back straight and proud, the white birds perched on each shoulder. As her mother's fortune was squandered the minute she left the house, her step-sisters jump at her, desperate to curry favor, for if she only recognized them publicly, they could be the sisters of the Princess. The eldest step-sister limps on her right side, the youngest on her left, but Cinderella does not greet them. They reach for her, enraged, and the birds on her shoulder each pecked at at eye; Aschen-Put-Your-Eye-Out does not call them off. The screaming sisters let go as the procession approaches the church.
After the ceremony, Cin-D-rella emerges with her new husband, and again, her step-sisters lunge forward, demanding the recognition of the Prince and Princess, the crowd surging around them in confusion. The Prince looks at his new wife's stony expression and shrugs beside her "I've never seen these people in my life." The guards move in to drag the sisters away, but before they can, the ghost-birds peck out their other eye in repayment for all the apologies they owed. Cinderella waltzes easily down the cathedral steps beside her Prince, smiling at all the ways they might make their kingdom better economically, the Prince joking that he might not be able to catch her if she runs away again, but his horse could... probably, and the family that took advantage of the only responsible person in their party was left to suffer the rest of their lives in all the ways they'd once mocked Cinderella, stooped short and streaked with dirt.
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