#Artist: Simon Bisley

[moonlight-scorpions]

[javieroliver1991]

LOBO fan art. I really hope we can see him soon in the new DC movie universe.

Original art and commissions: Nrissoart.com

[solradguy]

I thought the early 2000s "strong yet naked/mostly naked woman kept in her place by stronger, bigger, beast/monster or gang of racist caricatures" trope* was known by basically everyone but I mentioned it as a criticism of this older art book I'd flipped through recently to a friend and it turns out it isn't lol Maybe I've just read too many Heavy Metal issues... It used to be HORRIBLY inescapable in any sort of mature art scene back in the day lmao

*This trope is different from the pre-2000s one because the women usually look like they COULD fight back for at least a little bit whereas the previous trope had them be completely helpless damsels in distress

[hotcomicstv]

Teenage Mutant Ninja Turtles: Bodycount

[importantbusinessdinosaur]

Slash, Heavy Metal Geomatrix.

ko-fi | commissions open| Patreon

[w0w-guy]

Lobo

I did this sketch a few days ago, and I was very ...like very delighted after I sketched this . This is from the 1990 issue of Lobo done by the mastero Simon bisley. I love his artwork, so I decided to draw this.

[neil-gaiman]

Neil, you’ve had the great good fortune of working with a dream list of artists, including Mark Buckingham, Dave McKean, Kelley Jones, Sam Kieth, Charles Vess, Colleen Doran, P. Craig Russell, Simon Bisley, Andy Kubert, John Totleben, Stephen Bissette, Mike Mignola, Jeffrey Catherine Jones, Yoshitaka Amano, Bill Sienkiewicz, Frank Quitely, on and on.

Which Golden and Silver Age artists would you have loved to work with? Gene Colan comes to mind as someone who would have done wonders with your words.

Thanks for your time!

Tom

Lou Fine, Jack Cole, Graham Ingels, classic era Bernie Wrightson, Ramona Fradon, Barry Windsor Smith, Bernie Krigstein, Mort Drucker, Jack Davis, classic Marvel period Jack Kirby, classic New Gods era DC Jack Kirby, Frank Frazetta, Steve Ditko, late 60s early 70s Jim Aparo (technically Jim drew one page of my Green Flame story), Will Eisner, Joe Kubert, Marie Severin... so many...

[bad-comic-art]

Batman/Lobo (2000) artist is Simon Bisley

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submitted by @lenathorul

[vertigoartgore]

1990's Lobo Vol.1 #1 cover by cover artist Simon Bisley.

[russianyoshkinaneko]

thank you artist Simon Bisley and colorist Lovern Kindzierski, i live for things like the 1st frame in pic 1 & the bg in pic 2

[niuniente]

Saw your little thing about ask you anything, and I'm sure you've been asked this before but I haven't seen it... HOWEVER, what pieces of media do you think have inspired you the most to make your ocs and the comics that go with them?

A though question. I don't think I have anyone as a direct inspiration as "I want to draw like this artist" or "I want to create stories like this author". I'm certain that the majority of my inspiration is subconscious or runs around certain favorite tropes or themes, like punk and cyperbunk, as well as lots of music, too.

If I narrow this down to media which has really inspired me when I have encountered it the first time, then the inspiration list will be the following:

Comics by Petri Hiltunen. Some of his works have been translated to English, like Anabasis. I can't remember anymore what happened in the comic Asfaltitasanko (An Asphalt Field) but I remember that it really hit me the right way when I was 13.

Sláine series by Simon Bisley. It's still running and I read every new book. This is actually a feminist barbarian comic, which is a great combination and you will see echoes of that in Alrick.

Hob Gandling's story in The Sandman series. Oh I wish I could experience again the time when I read the story for the first time. I was mind opening for a 13 year old.

Vintage manga from 70's and 80's, as well as anime from 90's and early 2000 (like Slayers Next below). Expressions were very prominent back then and I do generously use that whenever possible. I was SUPER happy when I started watching Jujutsu Kaisen and it had those really big expressions!

I think that from anime, I should perhaps mention Bleach, because Grimm is inspired by Bleach series Grimmjow. Who is, by the way, also a cat (a panther).

Alrick, the whole premise of Death-Head Organization and the generous use of black, solid masses gets all its inspiration from a manga Sun-Ken Rock. Especially from the protagonist Ken Kitano, who is the best positive masculine example in any media I have ever encountered. Also, Algoth looks is inspired by Ken's right hand man, Benito Armani:

For the animals and animal parts of the characters in DHD, I LOVE kemonomimi! For other series, inspiration comes from game series Bloody Roar and from a comic series Blacksad. Rena is inspired by Bloody Roar's Mitsuko the Wild Boar.

We simply can't forget fashion! Metal, punk, cyberpunk, kinksters, and other dark dressed underground people. I'm asked at times why everyone seems to dress up the same and my answer is that since the comic is black and white, with black outfits I get to add some contrast to it. Alexander McQueen is awesome!

Other mentions to practice keeping mind open, which allows stories to be formed without judgment or thinking that I have no base for this: - Jeffrey Burton Russell's books about the Devil and religious history - Conspiracy theories (as what kinds of things people believe in and how they find evidence for it to support their views, including opposing conspiracy theories like Moon landing was fake VS Moon landing did happen but we haven't gone back because of aliens on the Moon) - Quantum physics

I'm certain you can pick up more things which have inspired me from my stories and drawings. But, if we speak ONLY about Death-Head's Deal, then underground fashion, Sun-Ken Rock, 80's and 90's vintage manga&anime, and Blacksad are the ones.

[hotcomicstv]

Heavy Metal FAKK2

[underworlddreams]

Horror of Horrors

Artist: Simon Bisley Set: 9th Edition

[importantbusinessdinosaur]

Julie Strain. Been getting back into Heavy Metal a little bit and Simon Bisley is still one of my favourite artists.

ko-fi | commissions open| Patreon

[justforbooks]

Nothing can sum up Keith Giffen’s character better than the Facebook post he wrote to announce his own death at the age of 70: “I told them I was sick … Anything not to go to New York Comic Con. Thanx. Keith Giffen 1952-2023. Bwah ha ha ha ha.”

That eruption of maniacal merriment was recognised by comic fans as a last defiant laugh from the sardonic comic writer and artist, who has died of complications following a stroke, after a 50-year career during which he created many memorable characters including Jaime Reyes (Blue Beetle), Rocket Raccoon, Ambush Bug and Lobo.

A Mexican-American teenager, Reyes first appeared in Infinite Crisis #3 (2006) and became Blue Beetle two issues later, when he gained superhuman powers via a scarab that morphs into an alien battle suit, eventually going on to appear in the 2023 Blue Beetle movie.

One of the stars of the Guardians of the Galaxy movies was created by Giffen early in his artistic career. Rocket Raccoon was a smart-mouthed anthropomorphic weapons expert who first appeared in Marvel Preview #7 (1976), written by Bill Mantlo, who resurrected the character in his own four-part miniseries in 1985.

Among Giffen’s other early creations, Ambush Bug’s debut in DC Comics Presents #52 (1982) and its sequel, which involved the Legion of Substitute Heroes, were so successful that they led to several miniseries and one-shots drawn by Giffen featuring the absurd, fancifully dressed alien wannabe hero, and a one-shot Legion of Substitute Heroes Special (1985).

In 1982 Giffen joined the writer Paul Levitz on The Legion of Super-Heroes #287 and began transforming the series into a saga of considerable depth. One of the most popular storylines in comic book history, The Great Darkness Saga (#290-294, 1982), featured Darkseid as its cosmic villain and Legionnaires and other heroes from across time teaming up to confront him. As a result, Legion of Super-Heroes became one of DC’s bestsellers of the early 1980s.

Lobo, who first appeared in Omega Men #3 (1983), was intended as a parody of violent characters such as Wolverine, but became a poster boy for violence when Giffen teamed up with the writer Alan Grant and artist Simon Bisley for Lobo: The Last Czarnian (1990), which spawned numerous miniseries and specials in which Giffen continually pushed the envelope of acceptability as Lobo battled everyone from Santa Claus to his own children. Combat Christ and the Howlin’ Apostles proved to be DC’s limit.

Giffen was heavily involved in numerous crossover event series, designed, he said, to “significantly alter the status quo or introduce new characters into the status quo”, including Invasion! (1988), the weekly 52 (2006-07) and Countdown to Final Crisis (2007-08) for DC, and Annihilation (2006-07) from Marvel. His creativity and tongue-in-cheek humour earned him a loyal fanbase and he won an Inkpot award in 1991.

The son of Rosa Ann (nee Duncan) and James, a salesman for a textile company, Giffen was born in Queens, New York, but grew up in Little Falls, New Jersey. He was a fan of comics from the age of eight, when his mother handed him a copy of World’s Finest, and especially loved Marvel’s monster books and Gene Colan’s Giant-Man. He began creating his own characters at high school and went on to spend “one abysmal year” at the School of Visual Arts in New York (“the less said about that, the better”).

Apart from a year of night classes at duCret School of Art, New Jersey, Giffen was self-taught, studying books on anatomy and perspective during his four years working as a hazardous materials handler at Hoffmann-La Roche pharmaceuticals. During a week’s holiday he decided to submit samples to comic companies. At Marvel, an artist had dropped out of illustrating a back-up story (The Sword and the Star) for Marvel Preview, and Mantlo, who had spotted Giffen’s portfolio, suggested they give him a try.

Giffen briefly produced layouts for Wally Wood on Justice Society of America for DC’s All Star Comics (1976), but was let go. After a period of selling vacuum cleaners door-to-door and other odd jobs, he tried again, drawing horror stories and Doctor Fate as a back-up strip in The Flash (1982), and working his way up to the Legion of Super-Heroes.

An accusation of “swiping” the work of José Muñoz in Ambush Bug (1985) – Giffen said he “parroted” it, rather than doing an outright copy – derailed his career for a time, until he was offered the chance to plot, and do breakdowns for, Justice League (1987-92) and its spinoff, Justice League Europe (1989-92), working with JM DeMatteis and Kevin Maguire. He also plotted and did breakdowns for Aquaman (1989) and plots for L.E.G.I.O.N. ’89/’90 (1989-90), a superhero group spun off from Invasion.

The range of Giffen’s output over the next 30 years was astonishing. He drew the superhero parodies The Heckler (1992-93) and Punx (1995-96), the return of Justice League International in Justice League: Generation Lost (2010), and episodes of Outsiders (2011), O.M.A.C. (2011-12) and Infinity Man and the Forever People (2014-15). He plotted or wrote full scripts for Eclipso (1992-93), Vext (1999), Suicide Squad (2001-02), a biography of HP Lovecraft (2004), Blue Beetle (2006-07), Midnighter (2007-08), Wetworks (2007-08), Reign in Hell (2008-09), Doom Patrol (2009-11), Booster Gold (2009-11), Magog (2009-10), Justice League 3000 (2014-15) and The New 52: Futures End (2014-15), all for DC; and for Marvel he wrote stories featuring Marvel Monsters: Where Monsters Dwell (2005), Drax the Destroyer (2005-06), Defenders (2005-06), Nick Fury’s Howling Commandos (2005-06) and Annihilation spin-offs Annihilation: Silver Surfer (2006) and Annihilation: Conquest – Starlord (2007).

During the same period he also penned or plotted various comics for Image (1993-94) and Valiant (1994-96), adaptations of Japanese manga, Battle Royale (2003-06) and Battle Vixens (2004-10), for Tokyopop and 10 (2005), Hero Squared (2005-07), Planetary Brigade (2006-07) and others for BOOM! Studios. He was also a storyboard artist for the animated shows Batman Beyond and Static Shock, as well as writing episodes of Ed, Edd n Eddy and Hi Hi Puffy AmiYumi for Cartoon Network.

In early 2023 he produced a podcast titled I’m Not Dead Yet, and had recently moved to Tampa in Florida.

He is survived by his children, Kyle and Melinda. His wife, Anna, predeceased him.

🔔 Keith Ian Giffen, artist and writer, born 30 November 1952; died 9 October 2023

Daily inspiration. Discover more photos at Just for Books…?

[xxxrebisxxx]

i love your pfp and banner so much!!!! if you'd like, could you share the full images? :3

doom patrol my beloved❤️

OH YES!! SORRY OMG I LOOKED AT THIS THEN FORGIT TO RESPOND. I have changed them since then but I remember what it was when you asked this. okay so they are variant covers lemme pull em up so the artist is Simon bisley.

Threw in an extra one too cause I don’t see it around much but rly like it

My old pfp

My old banner