#Artificial Nails products

[oliviasmith-18]

Handmade press on nails | Keep your nails in perfect condition all the time

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[radiofmid]

Art Natsuki

[dewisintaputri]

art full art ; art the best 2024

[hazeltailofficial]

ST. PATRICK’S DAY FLASHBACK

L.A. Colors Enchanted Artificial Nails in Psych

hazeltail on youtube / hazeltailofficial on tiktok / hazeltailofficial on ig / @hazeltailofficial

[koreanskincareproduct]

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Dashing Diva was introduced to bring the salon like experience at home. Hence, the brand introduced magic press, gloss gel and glaze nails that

can be easily put over your nails to give a salon-like look. These nails come in various shapes, sizes and designs and can be applied with convenience without needing any technical knowledge. These nails tend to last 7-14 days and come with a prep kit that insures ease of application within less than 10 to 15 minutes.

[fathol91]

EPIC MOTIVATION CINEMATIC

[hannaholivia622]

SOCIAL MEDIA & DIGITAL MARKETING MANAGER LONDON, UK £30K–£40K A YEAR

[error-404-fuck-not-found]

Hey so remember how grocery prices suddenly jackknifed during lockdown and never went back down?

Well turns out the companies would have done that shit either way and had been steadily price-fixing for the last decade!

Washington State Attorney General Bob Ferguson just announced more than $40 million in court-ordained Fuck You money from massive swaths of food production companies are to be paid out to households earning at or below 175% of the federal poverty level ($25.5k for 1 person, $34.5k for 2 people households) before Dec 31st of this year. Happy Holidays.

"The bottom line here is that my legal team took on two large corporate price-fixing conspiracies that increased the cost for groceries for Washington families. We've prevailed, and as a result, we are sending checks to over 400,000 Washington households."

Cannot stress enough the extent of the conspiracies he's talking about here. 15 out of the total 19 chicken producers got nailed in this lawsuit. Not the total number of conspirators, mind, just the ones who left enough evidence for the AG to kick their ass in so expedient a manner. Make no mistake, all 19 were in on it. The court case against the rest of them has been delayed until October of next year, though. None of them are making it out unscathed.

Tuna didn't escape antitrust horseshit either, because the CEOs of Starkist, Chicken of the Sea, and Bumblebee Tuna had a fucking group chat where they complained that the price of tuna was "too low" and they agreed to artificially inflate the price.

“What’s so maddening about the conduct of these companies is the reason that they engaged in this price-fixing conspiracy was greed. They wanted to make money."

So anyway the AG who nailed their asses to the wall and continues to do so is running for governor. If you live in Washington, could be worth your vote when primary season rolls around.

[kusumasposts]

Enjoy the best products deals on halfpe.com

[daytodayonlineshopping]

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[femmefatalevibe]

Femme Fatale Guide: Products & Services Worth The Splurge

Fashion:

A great couple of bras in black/nude (your best skin-toned shade)

Comfortable, breathable, and seamless underwear

Outerwear (Coats, jackets, blazers)

The perfect pair of jeans

An LBD that works from day to night

Comfortable, sturdy, sleek, and timeless footwear (a versatile black boot, a black heel, white sneaker, and a black flat/loafer/sandal)

A timeless and versatile crossbody or shoulder bag (a larger one for the daytime/work or school and a smaller one for nighttime/events)

One or two well-made classic jewelry item(s)

A conversation-starting item or accessory

Beauty:

Sunscreen

Any skincare/skin cosmetic products that are game-changers for you

A quality hair brush, comb, and hair towel

Your signature scent

A quality razor/hair removal product

Vitamin C/Retinol serums

Reliable hair tools and sturdy nail tools

A quality hair heat protectant/scalp cleansing or conditioning spray

Makeup brushes and beauty tool cleaners

Home:

Lamps/lighting

Couch/desk chair

Everything for your bed: Bed frame, mattress/sheets/pillows, etc.

Knives

Dishwasher-safe and microwave-safe dishes & cups you love

A full-length mirror

Vacuum

Storage solutions/cedar blocks or moth balls

Quality holders for everything: Paper towels, shower storage, hooks, mailbox/key bowls

Name brand paper products/household cleaners

Electric toothbrush & Waterpik

Sound-proof headphones/Airpods

MacBook Air

Health & Wellness:

High-quality lettuce and/or sprouts

Organic frozen fruits and vegetables (if fresh is too pricey)

BPA-free canned goods

Potassium bromate & glyphosate-free grain products

Snacks free of artificial colors

Quality coffee

An at-home massage tool/heating pad

Fur products for skin/hair removal

Vitamin C/Retinol serums

Quality running shoes

Anything that goes near your vulva or into the vagina: Sex toys, lube, condoms, toy cleaners, pads/tampons/menstrual cups, cleansing wipes, etc.

A yoga mat, resistance band, and a pair of small ankle weights

Spotify subscription

Books and audiobooks

Services:

Therapy

A top-tier haircut

House cleaning (even if it's only once every couple of months)

Top-tier hair removal/brow maintenance services of your choice

Best doctors, dentists, OB/GYN, and dermatologists you can get

At least one personal training/styling session in your life

Professional/Social:

Ownership of the domain for your full legal/professional name and/or business name

A CPA/bookkeeper/fiduciary financial advisor

Automation workflow/content management system software

A lawyer for contract review/LLC services

Personalized stationery/"Thank You" cards

Memorable client gifting for the holidays/milestone successes

Niche skill-based certifications (Google, AWS, Hubspot, etc.) or courses made by trusted professionals in your field

Subscriptions in world-leading and industry-authority digital publications

[hazeltailofficial]

HALLOWEEN FLASHBACK

L.A. Colors Enchanted Artificial Nails in Psych

hazeltail on youtube / hazeltailofficial on tiktok / hazeltailofficial on ig / @hazeltailofficial

[crookedkryptonitebeliever]

Feeling every emotion in the book this new semester about my major so homemade Cyprus fic apon ya. I'ma go ham on him things month as I rot in my bed. I love your oc💥

The routine was now familiar to both you and Cyprus. This morning, you were running your thumb along your bottom lip, staring blankly at the spreadsheets on your screen. Absentmindedly, you nibbled on your press-on nail. The artificial material was practically an automatic pacifier for you.

"Princess," Cyprus's gruff voice startled you from your trance. His hand was wrapped firmly around your wrist, pulling your fingers away from your mouth. His brows were knitted in frustration, eyes sharp and accusing.

"You gotta stop doing that." He lifted your hand to inspect the half-munched press-on. "You're consuming microplastic, doll. Do you want me to stop smoking only for you to choke on this shit?" His thumb stroked the back of your hand as his other arm looped around your waist, pulling you closer to his chest.

"You're better than this. You wanna gnaw on something, gnaw on me instead." He punctuated his statement with a playful bite to your earlobe, smirking at your yelp of surprise.

"Now, I don't wanna hear no whining or see no biting." He gave your cheek a tender, almost mocking pat. "We'll find you a better habit. Trust me."

Before you could respond, Cyprus scooped you up effortlessly, causing a startled squeal to escape your lips. He strode out of the bedroom and into the kitchen, setting you down on the countertop.

He grabbed an apple from the fruit bowl and held it up to your lips. "Here. Bite this. And when you're done, we'll talk about ways to keep those pretty nails intact."

You glared at the apple, feeling embarrassed and defiant. But the look in Cyprus's eyes was unwavering and intense, filled with both concern and determination.

OH HELL YEAH a banger from Zeraliz 🔥🔥 thank u 4 loving da stank from this man 💯💯 Cyprus would not have let u rot in bed fr mans want u 2 be productive so do it 4 him ❤️ best of luck for ur new semester though‼️‼️

[cream-and-tea]

LAY ME DOWN. chapter eight excerpt. unedited. featuring: the shaky next step in agnes’s journey to understand her powers. mentions of death. mentions of violence. ghosts. the not-great aftereffects of dealing with ghosts.

[transcript under the cut]

since the last major bit of writing from lmd i shared had pallas doing magic i figured it was only fair to show off agnes’s spooky ghost bullshit in this one!

TAGLIST (ask to be +/-). @vellichor-virgo @transmasc-wizard​ @houndmouthed @muddshadow @just-wublrful @corkywantstowrite @shrunkupthejams @andromedaexists @caninemotiff @lungs-and-gills @vampiresdrinkfruitjuice @phantomnations @onomatopiya @deer-in-headlights-stare @redbloodprose @definitelynotclayface @carnivalls @atthenian @dallonwrites

When they were younger and inquired after what it felt like to call a ghost, Fiver had told them to imagine trying to eat something in a dream only to have it start eating you back. Not in a violent way though, he elaborated, as if there was any such thing as magic devoid of violence. Calliope said it was like dunking yourself in fucking ice water, and then proceeded to empty her cup of cold lemonade over their head as a demonstration (they had cracked her tooth for that one, fingers shoved down throat to make him choke). Call it learned bias but they do not trust either of the two to have provided a factual account of the experience.

They’ve watched Agnes attempt this so many times. They know how it will go, best for beat. She will stand there for far too long. Perhaps there will be a faint shimmer in the air before her. Then she will drop her hand and stumble backwards like she’s been shocked and look at them all cringing and apologetic like she’s waiting for them to please help please tell me what I did wrong. And they will (or at least they will try to as best they can because this is not their area of expertise and the Director knew that she had to have known that when she asked this of them), and she will nod and apologize and trust their words and promise to do better next time. And they will both move on to more productive things and pretend the issue is being properly addressed. At this point it’s routine.

So when the space just in front of Agnes begins to warp itself slightly, a waver like one observed on a hot summer day distorting the blackberry bushes beyond it, they do not register it as anything of note. And when a visible shiver runs through her body, rustling the green at her feet and lifting the very ends of her hair and puffed cap sleeves of her blouse, they internally brace for the connection to shatter as it has so many times before.

Instead the emptiness her hand clutches begins to leak, to bleed, to congeal and resolve itself into an unmistakable something. Not so much the form of a human being but the absence of where a human being should be. A palness like fog spreading from the point of contact forming pressed palm and grasping fingers and arm and shoulder spindling into torso and neck until a blank, yawning, hole fills the approximate shape of a man standing in front of a girl in grotesque parody of a handshake, it’s outline futzing tenuously in and out of existence.

“Hello,” Agnes says, and her breath fogs in front of her face, even though the greenhouse is as artificially temperate as ever, even though Pallas’s shirt is currently glued to their back with sweat. What comes after is a sound like nails on a chalkboard, an echoing, rustling, scraping sound that fills the air in a spiral out from the now-visible ghost and washes over Pallas in the first blast of cold air when opening a window in winter that they realize is rendering into a spattering whisper of hello hello hello hello. The dead thing responding to Agnes, or maybe merely echoing her, they do not know enough about the specifics to say, they only know that this is something beyond dragged into the here and now where it should not be, so the way their nails bite into their palms upon hearing it is an entirely reasonable reaction.

Pallas has seen ghosts called by the skilled and unskilled, spoken to them and been spoken to, their experience with their powers equal and opposite has been about as through as it can be, but they’ve still never been able to shake the notion that there is a particular perversion in it. Vita at least deals in the tangible, the real, no matter how much it may warp those things the life they hold in their hands is always at least possible to hold. Perhaps Mortem is just as present to those born with it, just as natural, but Pallas has known enough of the things roaming the Haithwood outside to ever fully set their fear aside. In a world currently occupied by dying the act of brushing so closely with that death should be viewed with the utmost caution and the urge to grab Agnes by her shoulders and drag her back from what she has manifested is a natural byproduct of that caution.

Because they are aware of all of this they are also aware of how what she has done is incorrect, or at least incomplete. There should be features solidifying now, more words audible besides that rasping hello, but Morgan Chase is still as unformed as dough, a shadowless blotch sapping colour from cheeks and air from lungs and green from plant life. Agnes’s hair has fully lifted into a halo of dark, twisting waves around her head, her eyes glazed over almost completely. But still nothing more materialises beyond the unthing emptying itself in front of her.

Just as they’re about to intercede Agnes takes three wobbling, rapid, steps backwards and topples to the ground, the ghost saticing away into invisibility once again, though as Pallas moves they are uncomfortably aware of the fact that invisible is nowhere near gone. All that has happened is that it has been removed once again from their sight and whispered back into that state of being only Gravespeakers can perceive. But the dead man is still here, perhaps watching them right now, and the knowledge of that is a thorn pricking itself into the bottom of their foot.

Pallas forces their lungs to suck in air, then expel it, then they hurry to stand by Agnes. For a second she just lies on her back, limp as a dead animal in a way that will not fit into their mind, before sitting up with a great gasp of air. Pallas can see the grass she was just standing on has browned and withered and gone dead, and that she is shaking uncontrollably. Gooseflesh prickles her skin and her teeth chatter through bloodless lips as she raises her arms up to curl around herself. Pallas’s first thought is she’s going to bite through her tongue if she keeps on like that and their second thought is I can’t believe she actually did it.

[kustas]

I recently witnessed someone on twitter with the spicy but interesting position of: the only people vehemently bitching against 2D puppets are the animators who have to use them. So, what's the tea, why's this debate even a thing, and is one side wrong?

Rigged 2D animation, also known as puppet animation, and prolly other terms I'm not aware of. Most 2D animators I know treat it with disdain as something they're forced to work on to survive instead of "real" animation (=hand drawn in this case), and while I've encountered less negative sentiments towards the medium coming from fans, I have seen several people complain about it unknowingly, correctly nailing visual aspects they don't like without knowing their cause. Additionally, it can be really hard to tell apart what's rigged and what's hand drawn in 2D, with many series mixing both to their advantage.

The reason for rigged stuff being so prevalent is that it's cheaper and faster. Where hand drawn requires redrawing your entire character/thing frame by frame to make it move, puppet animation uses, well, puppets, ready-made articulated models you just need to pose. It's also possible to use interpolation - instead of deciding by hand every image between two poses, you let the computer calculate it and come later to tweak how each part moves to make it look good. There is little to no drawing involved in rigged 2D, asides of rare shots that need a little part drawn over when the puppet can't do something specific, or drawing the eyes/mouths/hands/etc when you're making the puppets themselves. Notice I said series and not films in my previous paragraph - this is because animations with longer runtimes and/or shorter production times benefit strongly from this medium. You will not need to clean, to inbetween, to color and whatever other steps can go in hand drawn 2D when you have puppets. You can use the interpolations to your advantage on some movements. It's near impossible to be off model. You don't even need to draw!

And most animators uh, they're here because they like to draw. You can say animating and drawing are two different things, that is true, I've even heard it from the mouth of an insanely talented hand drawn animator called Liane-Cho Han who described himself as a poor drawer despite an impressive 2D portfolio. Poor drawer, good animator, it blew my mind at the time but when I started animating I understood what he meant. But puppet animation is still animation, and much closer to how 3D animation works, with stop-motion being comparable to hand drawn in terms of difference between these mediums. Yet you don't see industry-spanning bitching about 3D vs stop motion! This leads to my next point: puppets are limiting.

One of the advantages of hand drawn animation compared with other animation techniques especially those using character rigs is that you're not limited to said rigs. You can just draw anything, regardless of digital puppet constraints, of art style, of physics. If you can put it on paper, you can animate it. Puppets, both 3D and 2D, have limitations - the art needs to be made (sculpt, drawings) and be placed on a complex invisible digital skeleton allowing you to correctly manipulate your character, which is a job in itself. The more stuff you want your character to be able to do, the more complex it gets. You can't automate all of it. This means productions with lower budget and/or ambitions will tend to have simpler rigs which allow less. An example is angles: when you're hand drawing a character and want to pose them, you can pick whatever angle you'd like for all body parts. Rigs might not give this as an option, especially subtler angles of the head and foreshortening. This might make some movements you had in mind impossible, with a need to stylize your poses and your breakdowns. Not being able to have these angles can make for animation that looks stiff or awkward and can be very annoying to work with depending on the animator.

That artificial stiffness is to me, one of the telling signs something is rigged, and part of the reasons I don't like it myself! That's right, I'm with the haters here. Except stiffness doesn't necessarily mean something used digital rigs, and stiffness isn't inherently a bad thing - as with all art styles, it can just be that, a stylistic choice. Enters a director who's work I'll use as a counter example to the dislike of 2D puppets, both from an animator's and a hater layman's point of view on the results: Michel Ocelot.

Famous in France and way less internationally, two staples of his work are his fixations on fairytales and Africa. Fittingly, his most famous movie is probably Kirikou, a feature film which mixes both. Ocelot's work is stylized in a way unique to him, which can make his work very repetitive, but also makes it instantly recognizable. Some of his staples include static shot compositions, actors that talk like they're reading their lines out of an old book, busy backgrounds and folk tale tropes. Stiffness is just a part of what his movies look like, as are art styles that take inspiration from traditional art and past periods. He started out working before digital puppets were a thing, and while he's embraced digital techniques, releasing a full CG feature film in the 00s before it was the norm, he has worked without, including on Kirikou which is animated the old way.

The earliest of his films I've seen is called Princes and Princesses, it's already got everything typical of his work, and one of the latest of his films I've seen (and among my personal favorites of everything he's done) is called Black Pharaoh, and while decades and different techniques separate these two, they're both based around, you guessed it, puppets. P&P is a blatant hommage/reference to animation pioneer Lotte Reiniger, who used literal paper puppets to animate fantasy movies who's style is very reminiscent of the graceful, slightly simplified illustrations popular at the time. Black Pharaoh uses digital 2D puppets and is entirely animated using the (meticulously researched) style of ancient egyptian wall paintings. Both of these films tell a story, not like movies usually do, but like an orator retelling a tale does. And it works! The characters don't move in a 3D space, but it doesn't matter, they're from a fresco or are paper. The character's don't move realistically and it doesn't matter either, they're not trying to trick your eyes into looking real, they're characters of a story. Ocelot's films are a case where using puppets and their limitations works in favor of the film, not otherwise, and his stuff that's not made with puppets looks like it could be.

I'll briefly talk about a film I hate here to make the final point before my conclusion, netflix's Klaus. This is a film who's insanely impressive animation has floored people regardless of how much they know about animating. Unlike a lot of "this looks very cool" (actually p easy to make) animations you see going viral online, here everyone's right, it is indeed insanely hard to animate like that. Klaus was hailed because of it's uncanny ability to look like modern CG while being entirely hand drawn, which I think is stupid, because it's a lot of effort and talent wasted for a result that looks incredibly generic. Would this film have been bad if it had used CG? Why do people think hand drawn is better than CG in the first place? That I can't answer but the reason studios use it is money: either because it's trendy and will make more money because it's trendy, or because it's cheaper to make, which depends on what you're trying to achieve. In the end, they're techniques. Techniques have pros and cons and things they're better at than others. Time and money are essential to producing a film wether you like it or not.

So: are people wrong to hate on puppets? Nah, it's a question of taste. You can hate the look a technique gives and that's fine. But "ugly" is subjective and it's important to be aware of that if critiquing stuff is your job.

Was that tweet right? Yeah, pretty much, lol. For many if not most animators it's a technique they're forced to use, that removes a major reason they like their job from said job, and can be frustrating to work with. It's worth noting a lot of the work you'll get nowadays is on cheap productions, and the techniques they'll use most will be associated with the slop they are. Doesn't mean you'll inherently make slop. A technique is just that, a technique.