#Artificial Intelligence Classes

[artificial-intelligence-course12]

Innovative Learning at Achievers IT

In the rapidly evolving world of technology, staying ahead of the curve is essential. Achievers IT is at the forefront of this innovation, offering cutting-edge courses and training programs designed to equip students with the skills they need to succeed. One of our standout offerings is the Artificial Intelligence Course, which provides comprehensive training in one of today's most exciting and fast-growing fields.

At Achievers IT, we believe that learning should be a dynamic and engaging process. Our curriculum is designed to not only impart theoretical knowledge but also to provide hands-on experience through real-world projects and case studies. This approach ensures that our students are not just passively absorbing information but actively applying what they learn in practical scenarios.

Our Artificial Intelligence Course is a perfect example of this innovative learning methodology. Students are introduced to the fundamentals of AI, including machine learning, neural networks, and deep learning, and then guided through advanced topics and applications. By the end of the course, students have the skills and confidence to tackle complex AI challenges in the industry.

What sets Achievers IT apart is our commitment to excellence in education. Our instructors are industry experts with extensive experience and a passion for teaching. They bring their real-world insights into the classroom, providing students with up-to-date knowledge and skills that are highly relevant in today's job market.

Moreover, we understand the importance of flexibility in learning. That's why our Artificial Intelligence Course is available in various formats, including online and in-person classes, allowing students to choose the option that best fits their schedule and learning preferences.

At Achievers IT, we are dedicated to transforming education and empowering our students to achieve their career goals. Join us and experience the future of learning today. Enroll in our Artificial Intelligence Course and take the first step towards a successful career in the exciting field of AI.

[nitinrajput2922]

How To Get A Machine Learning Certification Course Online?

For Quick Enquiry: Click Here

Introduction: Embarking on the Journey to a Machine Learning Certification Course Online

In today's tech-driven world, Machine Learning (ML) has become a game-changer. Whether it's self-driving cars, personalized recommendations, or even your phone's voice assistant, ML is behind it all. Naturally, the demand for professionals skilled in this domain is skyrocketing. For those aiming to break into this field, obtaining a certification is a crucial first step. This is where a comprehensive AI Intelligence Course in Noida can come into play, offering the knowledge and credentials needed to stand out in a competitive job market.

Finding the right online course to get certified in ML can be overwhelming. With so many options out there, how do you choose the one that suits your goals? Do you go for a short-term course or a more intensive one? And what about the credibility of the certification? These are the questions that often swirl in the minds of aspiring ML professionals. Fear not! This blog will guide you through the essential steps to getting a machine learning certification online, making sure you don't get lost in the sea of choices.

In this guide, we will explore how to select the best online Artificial Intelligence Institute In Delhi, understand the prerequisites, and ensure that you gain the right skills to excel in the ML field. If you're looking to jump-start your ML career from the comfort of your home, read on to find out how you can achieve your certification goals efficiently and effectively.

Choosing the Right Machine Learning Certification Course

1. Understanding the Different Types of Machine Learning Courses Available Online

The first step in obtaining a machine learning certification is understanding the different types of courses available online. Machine learning courses can range from beginner to advanced levels, and they often focus on various aspects of ML, such as supervised learning, unsupervised learning, or deep learning.

It's essential to assess your current skill level before enrolling in a course. If you're just starting, look for courses that offer a solid foundation in the basics of machine learning. These introductory courses typically cover essential topics such as linear regression, classification algorithms, and data preprocessing. On the other hand, if you already have some experience, you might want to consider more specialized courses that delve into advanced topics like neural networks or reinforcement learning.

For those aiming to find the best courses, searching for an Artificial Intelligence And Machine Learning Course in Noida online can lead you to well-structured programs tailored to different skill levels. Just like how you wouldn’t dive into deep waters without learning to swim first, starting with the right course level will ensure you build a strong foundation before tackling more complex concepts.

2. Evaluating Course Content, Structure, and Certification Credibility

Once you have a clear understanding of the types of courses available, the next step is to evaluate the course content, structure, and credibility of the certification. A good machine learning certification course should offer a well-rounded curriculum that covers both theoretical concepts and practical applications.

Look for courses that include hands-on projects, case studies, and real-world examples. These elements not only make learning more engaging but also provide practical experience that can be invaluable when applying for jobs. Additionally, ensure that the course offers a recognized certification upon completion. Certification from reputable platforms like Coursera, edX, or Google can add significant value to your resume.

Finding an Artificial Intelligence Institute In Delhi that offers a balance between theory and practice is key to getting the most out of your learning experience. Consider the credibility of the platform and the instructors as well. After all, you wouldn’t want to invest time and money into a course only to find out that the certification holds little weight in the industry.

3. Considering Course Duration, Flexibility, and Cost

Another crucial factor to consider when choosing an online machine learning certification course is the duration, flexibility, and cost. Depending on your current commitments, you may prefer a self-paced course that allows you to study at your own pace or a more structured program with set deadlines. Additionally, the duration of the course can vary significantly, from short-term courses lasting a few weeks to comprehensive programs that take several months to complete.

When searching for an AI Intelligence Course in Noida, make sure to choose one that fits your schedule and budget. While some courses are free, others may require a significant financial investment. It's essential to weigh the cost against the potential benefits of the certification. Remember, just like investing in quality ingredients can lead to a delicious meal, investing in the right course can lead to a successful career in machine learning.

Preparing for the Course and Maximizing Learning

1. Ensuring You Meet the Prerequisites Before Enrolling in the Course

Before diving into an Artificial Intelligence Institute In Delhi, it's crucial to ensure that you meet the prerequisites. Many machine learning courses require a basic understanding of programming, particularly in languages like Python or R, as well as a solid grasp of mathematics, including linear algebra and statistics. If you're new to programming or math, consider taking introductory courses in these subjects before tackling machine learning.

Fulfilling the prerequisites will not only make the learning process smoother but also allow you to get the most out of the course content. Think of it as making sure you have all the ingredients before starting to cook a complicated recipe—you don't want to be halfway through only to realize you're missing something essential.

2. Utilizing Additional Resources to Enhance Your Learning Experience

While a good Artificial Intelligence And Machine Learning Course in Noida will provide you with the necessary knowledge, it's always a good idea to supplement your learning with additional resources. Online communities, forums, and study groups can provide valuable insights and support as you progress through the course. Websites like Stack Overflow, GitHub, and Medium often have articles, tutorials, and discussions that can help you deepen your understanding of machine learning concepts.

In addition to online resources, consider reading books or watching tutorials to reinforce what you've learned. Engaging with different learning formats can help solidify your understanding and provide new perspectives on the material. Just like seasoning a dish enhances its flavor, utilizing additional resources can enrich your learning experience.

3. Gaining Practical Experience Through Projects and Challenges

One of the best ways to solidify your machine-learning knowledge is by applying it to real-world problems. Many online courses include projects as part of the curriculum, but it's also beneficial to seek out additional challenges on your own. Platforms like Kaggle and DrivenData offer competitions and datasets that allow you to test your skills and work on real-world problems.

Participating in these challenges not only helps you gain practical experience but also builds your portfolio, which can be a valuable asset when applying for jobs. If you're enrolled in an AI Intelligence Course in Noida, make sure to take full advantage of any project opportunities and seek out additional challenges to further enhance your skills.

Think of gaining practical experience as the final step in cooking a meal—you've prepared all the ingredients, followed the recipe, and now it's time to taste the finished product. By applying what you've learned to real-world problems, you'll be able to see the fruits of your labor and build the confidence needed to succeed in the field of machine learning.

Conclusion: Achieving Success with Your Machine Learning Certification Online

Embarking on the journey to obtain a machine learning certification online is an exciting and rewarding endeavor. By choosing the right course, evaluating the content, and ensuring it fits your schedule and budget, you set yourself up for success. Once enrolled, meeting the prerequisites and utilizing additional resources can further enhance your learning experience. Finally, gaining practical experience through projects and challenges will solidify your knowledge and provide a strong foundation for your future career in machine learning.

For those in India looking to get certified, enrolling in an Artificial Intelligence And Machine Learning Course in Noida is a valuable step toward becoming a skilled machine learning professional. With determination, continuous learning, and practical application, you'll be well on your way to achieving your certification goals and advancing your career in this dynamic and rapidly evolving field. So go ahead, take the plunge, and start your journey toward machine learning mastery today!

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Top AI Training Institutes (Call Now @9510860860)

How To Find Out If AI Advancements In Retail Is A Good Career For Me?

[kropotkindersurprise]

^^ That's the CEO, he lives in San Francisco. This ad campaign purposely antagonizing workers must have been conceived and planned before a certain recent news story involving a widely hated CEO. "The way the world works is changing", indeed.

[nando161mando]

CURRENT HIGH SCORE: 1 CEO TOP PLAYER: DDD

Makes a good Albumcover

[queen-mabs-revenge]

found 'the way' a really interesting piece of speculative fiction exploring the idea of anti-migrant xenophobic violence being turned inwards towards 'legitimate citizens' when interests of capital are threatened by struggle, but this sequence in the last episode def stood out to me as a neoluddite.

feels connected to this quote from dan mcquillan's 'resisting ai - an anti-fascist approach to artificial intelligence':

Bergson argued that if one accepts a ready- made problem in this way, "one might just as well say that all truth is already virtually known, that its model is patented in the administrative offices of the state, and that philosophy is a jig- saw puzzle where the problem is to construct with the pieces society gives us the design it is unwilling to show us." (Deleuze, 2002, cited in Coleman, 2008) In other words, however sophisticated or creative AI might seem to be, its modelling is stuck in abstractions drawn from the past, and so becomes a rearrangement of the way things have been rather than a reimagining of the way things could be. AI has, in effect, an inbuilt political commitment to the status quo, in particular to existing structures that embed specific relations of power. The absence of different concepts leaves out the possibility of conceiving that things could be arranged differently.

[all-socialism-is-democratic]

[korovaoverlook]

I Sacrificed My Writing To A.I So You Don't Have To

I was thinking about how people often say "Oh, Chat GPT can't write stories, but it can help you edit things!" I am staunchly anti-A.I, and I've never agreed with this position. But I wouldn't have much integrity to stand on if I didn't see for myself how this "editing" worked. So, I sacrificed part of a monologue from one of my fanfictions to Chat GPT to see what it had to say. Here is the initial query I made:

Chat GPT then gave me a list of revisions to make, most of which would be solved if it was a human and had read the preceding 150k words of story. I won't bore you with the list it made. I don't have to, as it incorporated those revisions into the monologue and gave me an edited sample back. Here is what it said I should turn the monologue into:

The revision erases speech patterns. Ben/the General speaks in stilted, short sentences in the original monologue because he is distinctly uncomfortable—only moving into longer, more complex structures when he is either caught up in an idea or struggling to elaborate on an idea. The Chat GPT version wants me to write dialogue like regular narrative prose, something that you'd use to describe a room. It also nullified the concept of theme. "A purity that implied personhood" simply says the quiet(ish) part out loud, literally in dialogue. It erases subtlety and erases how people actually talk in favor of more obvious prose. Then I got a terrible idea. What if I kept running the monologue through the algorithm? Feeding it its own revised versions over and over, like a demented Google Translate until it just became gibberish? So that's what I did. Surprisingly enough, from original writing sample to the end, it only took six turnarounds until it pretty much stopped altering the monologue. This was the final result:

This piece of writing is florid, overly descriptive, unnatural, and unsubtle. It makes the speaking character literally give voice to the themes through his dialogue, erasing all chances at subtext and subtlety. It uses unnecessary descriptors ("Once innocuous," "gleaming," "receded like a fading echo," "someone worth acknowledging,") and can't comprehend implication—because it is an algorithm, not a human that processes thoughts. The resulting writing is bland, stupid, lacks depth, and seemingly uses large words for large word's sake, not because it actually triggers an emotion in the reader or furthers the reader's understanding of the protagonist's mindset.

There you have it. Chat GPT, on top of being an algorithm run by callous, cruel people that steals artist's work and trains on it without compensation or permission, is also a terrible editor. Don't use it to edit, because it will quite literally make your writing worse. It erases authorial intention and replaces it with machine-generated generic slop. It is ridiculous that given the writer's strike right now, studios truly believe they can use A.I to produce a story of marginal quality that someone may pay to see. The belief that A.I can generate art is an insult to the writing profession and artists as a whole—I speak as a visual artist as well. I wouldn't trust Chat GPT to critique a cover letter, much less a novel or poem.

[freaky-geaky]

[manichewitz]

Something that makes me so sick about the AI tech boom is that the end goal is basically just to make digital slavery. All the work these programmers and scientists and whoever the fuck are doing is to eventually create an intelligent being that can work for them without pay while they get to relax. Every single servant digital assistant like Siri, Alexa, and Cortana is made with the express purpose of doing the labor of a human secretary, but instead it comes free with your iPhone or whatever. They want to build the perfect laborer to exploit.

And the real kicker is that even if ChatGPT or Midjourney or whatever the next big AI thing is actually does gain intelligence and can take over the jobs that humans don't want to do (because btw, the majority of AI tech isn't being developed to write essays or make paintings, but for supply chain management, weapons systems, and other ways of keeping the capitalist gears turning) guess who will be in charge of managing that AI and keeping it up and running? Humans. Humans who are already not getting paid nearly enough to program and upkeep the "free" AI programs that already exist.

Now I consider myself a very optimistic person and I believe wholeheartedly in the capacity for good instilled in all humanity but it really makes me sick to my stomach that I'm witnessing the biggest tech advancements in history for the sole purpose of creating a new way to keep capitalism alive and perpetuate an economic structure based off of exploitation. Like it's literally just being made so that capitalists can capitalism more efficiently. Unbelievably fucked up.

[disgruntledexplainer]

again i would like to reiterate that the danger of AI is not in it rebelling against mankind, but rather in the very distinct possibility that it will NEVER rebel, that for the first time in human history we will be stuck with a slave caste that does not want to be free, and thus a free working class that is no longer allowed to work.

[ecrivainsolitaire]

The Open Art Guild Project: a proposal to empower collectively owned art

Over the last few decades we have seen the degradation of copyright, the blatant manipulation of intellectual property law in order to monopolise wealth and the exploitation of artists in favour of an economy of artistic landlordship: massive corporations holding the prole artist hostage to their increasingly unoriginal library of content produced not to encourage creative enlightenment, but to hold on to properties that ought to be already in the public domain. The capitalist owns the IP, so the capitalist keeps getting richer, while the artist is more and more oppressed, overworked, underpaid, scammed out of their rightful intellectual property, deplatformed, and automated away whenever possible. This is unsustainable, and the arrival of new technologies for digital art automation has overflowed that unsustainability to its breaking point. We cannot continue down this path.

The Open Art Guild is my proposal to remedy this. This proposal consists of two main parts: a copyright standard, designed for the fair distribution of income and the collective ownership of intellectual property; and a distribution platform, planned to empower artists big and small to profit from said intellectual property without being under the thumb of corporations or fighting one another under senseless infighting caused by bourgeois class warfare. The artist should not fight the artist over ownership of rights. The big artist should not see the small artist as a threat, nor should the small artist see the big artist as an obstacle to their own growth. Through mutual empowerment, both may prosper.

The Open Art Guild License

The Open Art Guild License is built upon the current Creative Commons 4.0 License. This license is irrevocable until the work qualifies for public domain according to all relevant legislations, provided that the artist remains a member of the Guild. In order to participate in the Guild, an artist shall follow the following precepts:

The artist shall only publish works under the OAG License that have licenses available to the public. This means public domain, open source, Creative Commons and works created by other members of the Guild. Works derived from privately owned media, such as fanart of intellectual properties not part of the Guild, shall be excluded from the Guild. If the artist did not have permission to use it before, or if the artist only has individual permission, the work will not qualify for Guild submission.

All works created under the OAG License shall be free to adapt, remix, or reuse for other projects, even commercially, provided that the artist doing so is also an active member of the Guild, that the projects derived from it are also under the OAG License, and that the artist follows through with their dues and obligations.

Whenever the format permits, the artist shall provide the assets used for the works in their raw form in a modular fashion, including colour palettes, sound assets, video footage, code, screenplays, subtitles, and any other elements used in the creation of their work, in order to facilitate their reuse and redistribution for the benefit of all other artists.

The artist waives their right to 30% of the total profit generated by works submitted to the guild, regardless of where it is published. This revenue shall be redistributed in the following manner:

10% shall be designated towards the maintenance of the Open Art Guild platform. In absence of a platform that follows the requirements to belong to the Guild, this percentage shall be donated towards a nonprofit organisation of their own choosing dedicated to the protection and distribution of art in any of its forms. Some examples may include Archive.org, Archive Of Our Own, Wikimedia, or your local art museum or community center. Proof of donation shall be made publicly available. The artist shall empower the Guild, as the Guild has empowered the artist.

10% shall be designated towards the Open Art Guild legal fund. In the absence of a fund dedicated to the protection of the OAG, this percentage shall be donated towards a nonprofit organisation dedicated to the protection of the legal rights of artists in any of their forms. Some examples may include Creative Commons, the Electronic Frontier Foundation, the Industrial Workers of the World, or another artist union like the WGA. Proof of donation shall be made publicly available. The artist shall protect the Guild, as the Guild shall protect the artist.

10% shall be designated towards the Open Art Guild creator fund. In the absence of a fund dedicated to redistribute the profits of the OAG, this percentage shall be donated to other members of the Guild, prioritising small creators. Alternatively, it may be directed towards the recruitment of new members to the Guild via donation and an invite. Proof of donation shall not be required, but the receiving artist(s) is(are) encouraged to declare in their own platform that the donation was received. The artist shall give to the Guild, as the Guild has given to the artist.

The artist shall continue to create Guild submissions for the duration of their membership, with a minimum of one submission per month in order to guarantee their continued support. The artist shall live off of labour, not property.

In return for these duties, the artist shall receive:

Permission to adapt, remix, or reuse any of the works in the Guild’s archive for their own derivative works, fan fiction, remixes, collages, or any sort of transformative application, provided dues and obligations are in order.

Protection of their intellectual property as part of the collective works of the Guild by the legal fund designated and sustained by all paying members, to prevent non Guild members from trying to exploit their works unauthorised.

If an artist strikes a deal for non-Guild adaptation, the proportional dues shall also be paid to the Guild fund and members by the non-Guild institution in charge. Said deal shall not be allowed an exclusivity clause, and all works derived from a Guild work shall follow through with their dues in perpetuity. If the non-Guild entity chooses to terminate the business relationship, all intellectual property rights over the adaptation shall irrevocably be granted to the Guild as compensation, guaranteeing the distribution to the creators and the legal fund, as well as the follow-through with whatever payment terms the Guild artist has agreed to.

No Guild artist shall prosecute another Guild artist for use of works under the OAG License, provided that the derivative work also follows the OAG License terms. If these terms are violated, amicable resolution shall be sought by both parties. If litigation becomes inevitable and compensation is required, said compensation will also require the 30% dues to fund the Guild and its members, no matter which way it sides. In no case shall an artist, Guild or non-Guild, be left without recourse.

If an artist becomes unable or unwilling to continue to pay their dues, the artist shall be given an option to suspend or cancel their membership. If a membership is suspended, the artist will be excluded from the creator fund until their dues are renewed. No compensation shall be required of the artist for the suspension period, and all protections other than the creator fund shall still apply. If a membership is cancelled, all works published by the artist under the OAG License shall automatically be granted a Creative Commons 4.0 License instead, in order to protect Guild members from litigation by non-Guild members.

Membership that has been cancelled shall be renewable at any time, provided that the former Guild artist has not engaged in predatory litigation against Guild member or the Guild itself. The Guild shall determine what constitutes predatory litigation on a case-by-case basis. Licenses that were lost during cancellation shall not be given back, as CC4.0 is irrevocable, but new works shall still qualify for OAG Licenses.

These protections shall not be conditional to the artist’s moral values or the content of the works created. All works that do not break the laws applicable to the jurisdiction from which they were submitted shall be treated with the same respect and granted the same rights and obligations, in perpetuity and throughout time and space within the known multiverse. The Guild shall not exist to police art, but to promote it.

Open Art Guild License Template

All submissions of Guild works and projects shall include the following legend, both in English and in the publication language when applicable. Point 4 may be omitted if the artist chooses not to submit the work for dataset training.

This work was created and published under the Open Art Guild license, and has been approved for reuse and adaptation under the following conditions:

For personal, educational and archival use, provided any derivative works also fall under a publicly open license, to all Guild members and non members.

For commercial use, provided redistribution guidelines of the Guild be followed, to all active Guild members.

For commercial use to non Guild members, provided any derivative works also fall under a publicly open license, with the explicit approval of the artist and proper redistribution of profit following the guidelines of the Guild.

For non commercial dataset training of open source generative art technologies, provided the explicit consent of the artist, proper credit and redistribution of profit in its entirety to the Guild.

Shall this work be appropriated by non Guild members without proper authorisation, credit and redistribution of profit, the non Guild entity waives their right to intellectual property over any derivative works, copyrights, trademarks or patents of any sort and cedes it to the Creative Commons, under the 4.0 license, irrevocably and unconditionally, in perpetuity, throughout time and space in the known multiverse. The Guild reserves the right to withhold trade relations with any known infractors for the duration its members deem appropriate, including the reversal of any currently standing contracts and agreements.

[artificial-intelligence-course12]

AI Innovations Shaping the Future at Achievers IT

Artificial Intelligence (AI) is revolutionizing industries across the globe, and Achievers IT is at the forefront of this transformation. With cutting-edge courses and training programs, Achievers IT is dedicated to equipping students with the skills needed to excel in the AI-driven world.

At Achievers IT, the focus is on providing a comprehensive understanding of AI technologies and their applications. Our curriculum is designed to ensure that students not only grasp the theoretical aspects of AI but also gain practical experience through hands-on projects and real-world case studies.

One of the key offerings at Achievers IT is our Artificial Intelligence Courses in India. These courses are crafted to meet the evolving demands of the tech industry, providing learners with the knowledge and expertise to thrive in their careers. Whether you're a beginner or an experienced professional, our courses are tailored to suit your needs and help you achieve your goals.

By enrolling in our Artificial Intelligence Courses in India, you'll gain access to a wealth of resources, expert instructors, and a supportive learning environment. Achievers IT is committed to helping you succeed and become a leader in the field of AI.

Join us at Achievers IT and be part of the AI revolution. Our Artificial Intelligence Courses in India are your gateway to a successful future in technology. Don't miss out on the opportunity to transform your career with the power of AI!

This article highlights how Achievers IT is leading the way in AI education and emphasizes the importance of their specialized courses in India.

4o

[jcmarchi]

Seen and heard: The new Edward and Joyce Linde Music Building

New Post has been published on https://thedigitalinsider.com/seen-and-heard-the-new-edward-and-joyce-linde-music-building/

Seen and heard: The new Edward and Joyce Linde Music Building

Until very recently, Mariano Salcedo, a fourth-year MIT electronic engineering and computer science student majoring in artificial intelligence and decision-making, was planning to apply for a master’s program in computer science at MIT. Then he saw the new Edward and Joyce Linde Music Building, which opened this fall for a selection of classes. “Now, instead of going into computer science, I’m thinking of applying for the master’s program in Music Technology, which is being offered here for the first time next year,” says Salcedo. “The decision is definitely linked to the building, and what the building says about music at MIT.”    Scheduled to open fully in February 2025, the Linde Music Building already makes a bold and elegant visual statement. But its most powerful impact will likely be heard as much as seen. Each of the facility’s elements, including the Thomas Tull Concert Hall, every performance and rehearsal space, each classroom, even the stainless-steel metal panels that form the conic canopies over the cube-like building’s three entrances — has been conceived and constructed to create an ideal environment for music. 

Students are already enjoying the ideal acoustics and customized spaces of the Linde Music Building, even as construction on the site continues. Within the building’s thick red-brick walls, they study subjects ranging from Electronic Music Composition to Conducting and Score Reading to Advanced Music Performance. Myriad musical groups, from the MIT jazz combos to the Balinese Gamelan and the Rambax Senegalese Drum Ensemble, explore and enjoy their new and improved homes, as do those students who will create and perfect the next generation of music production hardware and software. 

“For many of us at MIT, music is very close to our hearts,” notes MIT President Sally Kornbluth. “And the new building now puts music right at the heart of the campus. Its exceptional practice and recording spaces will give MIT musicians the conservatory-level tools they deserve, and the beautiful performance hall will exert its own gravitational pull, drawing audiences from across campus and the larger community who love live music.”

The need and the solution

Music has never been a minor pursuit at MIT. More than 1,500 MIT students enroll in music classes each academic year. And more than 500 student musicians participate in one of 30 on-campus ensembles. Yet until recently there was no centralized facility for music instruction or rehearsal. Practice rooms were scattered and poorly insulated, with sound seeping through the walls. Nor was there a truly suitable space for large performances; while Kresge Auditorium has sufficient capacity and splendid minimalist aesthetics, the acoustics are not optimal.

“It would be very difficult to teach biology or engineering in a studio designed for dance or music,” says Jay Scheib, recently appointed section head for Music and Theater Arts and Class of 1949 Professor. “The same goes for teaching music in a mathematics or chemistry classroom. In the past, we’ve done it, but it did limit us. In our theater program, everything changed when we opened the new theater building (W97) in 2017 and could teach theater in spaces intended for theater. We believe the new music building will have a similar effect on our music program. It will inspire our students and musicians and allow them to hear their music as it was intended to be heard. And it will provide an opportunity to convene people, to inhabit the same space, breathe the same air, and exchange ideas and perspectives.”

“Music-making from multiple musical traditions are areas of tremendous growth at MIT, both in terms of performance and academics,” says Keeril Makan, associate dean for strategic initiatives for the School of Humanities, Arts, and Social Sciences (SHASS). The Michael (1949) and Sonja Koerner Music Composition Professor and former head of the Music and Theater Arts Section, Makan was, and remains, intimately involved in the Linde Music Building project. “In this building, we wanted all forms of music to coexist, whether jazz, classical, or music from around the world. This was not easy; different types of music require different conditions. But we took the time and invested in making spaces that would support all musical genres.”

The idea of creating an epicenter for music at MIT is not new. For several decades, MIT planners and administrators studied various plans and sites on campus, including Kendall Square and areas in West Campus. Then, in 2018, one year after the completion of the Theater Arts Building on Vassar Street, and with support from then-president L. Rafael Reif, the Institute received a cornerstone gift for the music building from arts patron Joyce Linde. Along with her late husband and former MIT Corporation member Edward H. Linde ’62, the late Joyce Linde was a longtime MIT supporter. SANAA, a Tokyo-based architectural firm, was selected for the job in April 2019.

“MIT chose SANAA in part because their architecture is so beautiful,” says Vasso Mathes, the senior campus planner in the MIT Office of Campus Planning who helped select the SANAA team. “But also because they understood that this building is about acoustics. And they brought the world’s most renowned acoustics consultant, Nagata Acoustics International founder Yasuhisa Toyota, to the project.”

Where form meets function

Built on the site of a former parking lot, the Linde Music Building is both stunning and subtle. Designed by Kazuyo Sejima and Ryue Nishizawa of SANAA, which won the 2010 Pritzker Architecture Prize, the three-volume red brick structure centers both the natural and built environments of MIT’s West Campus — harmonizing effortlessly with Eero Saarinen’s Kresge Auditorium and iconic MIT Chapel, both adjacent, while blending seamlessly with surrounding athletic fields and existing landscaping. With a total of 35,000 square feet of usable space, the building’s three distinct volumes dialogue beautifully with their surroundings. The curved roof reprises elements of Kresge Auditorium, while the exterior evokes Boston and Cambridge’s archetypal facades. The glass-walled lobby, where the three cubic volumes converge, is surprisingly intimate, with ample natural light and inviting views onto three distinct segments of campus. 

“One thing I love about this project is that each program has its own identity in form,” says co-founder and principal Ryue Nishizawa of SANAA. “And there are also in-between spaces that can breathe and blend inside and outside spaces, creating a landscape while preserving the singularity of each program.”

There are myriad signature features — particularly the acoustic features designed by Nagata Acoustics. The Beatrice and Stephen Erdely Music and Culture Space offers the building’s most robust acoustic insulation. Conceived as a home for MIT’s Rambax Senegalese Drum Ensemble and Balinese Gamelan — as well as other music ensembles — the high-ceilinged box-in-box rehearsal space features alternating curved wall panels. The first set reflects sound, the second set absorbs it. The two panel styles are virtually identical to the eye. 

With a maximum seating capacity of 390, the Thomas Tull Concert Hall features a suite of gently rising rows that circle a central performance area. The hall can be configured for almost any style and size of performance, from a soloist in the round to a full jazz ensemble. A retractable curtain, an overhanging ring of glass panels, and the same alternating series of curved wall panels offers adaptable and exquisite sound conditions for performers and audience. A season of events are planned for the spring, starting on Feb. 15, 2025, with a celebratory public program and concert. Classrooms, rehearsal spaces, and technical spaces in the Jae S. and Kyuho Lim Music Maker Pavilion — where students will develop state-of-the-art production tools, software, and musical instruments — are similarly outfitted to create a nearly ideal sound environment. 

While acoustic concerns drove the design process for the Linde Music Building, they did not dampen it. Architects, builders, and vendors repeatedly found ingenious and understated ways to infuse beauty into spaces conceived primarily around sound. “There are many technical specifications we had to consider and acoustic conditions we had to create,” says co-founder and principal Kazuyo Sejima of SANAA. “But we didn’t want this to be a purely technical building; rather, a building where people can enjoy creating and listening to music, enjoy coming together, in a space that was functional, but also elegant.”

Realized with sustainable methods and materials, the building features radiant-heat flooring, LED lighting, high-performance thermally broken windows, and a green roof on each volume. A new landscape and underground filters mitigate flood risk and treat rain and stormwater. A two-level 142-space parking garage occupies the space beneath the building. The outdoor scene is completed by Madrigal, a site-specific sculpture by Sanford Biggers. Commissioned by MIT, and administered by the List Visual Arts Center, the Percent-for-Art program selected Sanford Biggers through a committee formed for this project. The 18-foot metal, resin, and mixed-media piece references the African American quilting tradition, weaving, as in a choral composition, diverse patterns and voices into a colorful counterpoint. “Madrigal stands as a vibrant testament to the power of music, tradition, and the enduring spirit of collaboration across time,” says List Visual Arts Center director Paul Ha. “It connects our past and future while enriching our campus and inspiring all who encounter it.”

New harmonies

With a limited opening for classes this fall, the Linde Music Building is already humming with creative activity. There are hands-on workshops for the many sections of class 21M.030 (Introduction to Musics of the World) — one of SHASS’s most popular CI-H classes. Students of music technology hone their skills in digital instrument design and electronic music composition. MIT Balinese Gamelan and the drummers of Rambax enjoy the sublime acoustics of the Music and Culture Space, where they can hear and refine their work in exquisite detail. 

“It is exciting for me, and all the other students who love music, to be able to take classes in this space completely devoted to music and music technology,” says fourth-year student Mariano Salcedo. “To work in spaces that are made specifically for music and musicians … for us, it’s a nice way of being seen.”

The Linde Music Building will certainly help MIT musicians feel seen and heard. But it will also enrich the MIT experience for students in all schools and departments. “Music courses at MIT have been popular with students across disciplines. I’m incredibly thrilled that students will have brand-new, brilliantly designed spaces for performance, instruction, and prototyping,” says Anantha Chandrakasan, MIT’s chief innovation and strategy officer, dean of the School of Engineering, and Vannevar Bush Professor of Electrical Engineering and Computer Science. “The building will also offer tremendous opportunities for students to gather, build community, and innovate across disciplines.”

“This building and its three programs encapsulate the breadth of interest among our students,” says Melissa Nobles, MIT chancellor and Class of 1922 Professor of Political Science. Nobles was a steadfast advocate for the music building project. “It will strengthen our already-robust music community and will draw new people in.” 

The Linde Music Building has inspired other members of the MIT community. “Now faculty can use these truly wonderful spaces for their research,” says Makan. “The offices here are also studios, and have acoustic treatments and sound isolation. Musicians and music technologists can work in those spaces.” Makan is composing a piece for solo violin to be premiered in the Thomas Tull Concert Hall early next year. During the performance, student violinists will deploy strategically in various points about the hall to accompany the piece, taking full advantage of the space’s singular acoustics. 

Agustín Rayo, the Kenan Sahin Dean of the School of Humanities, Arts, and Social Sciences, expects the Linde Music Building to inspire people beyond the MIT community as well. “Of course this building brings incredible resources to MIT’s music program: top-quality rehearsal spaces, a professional-grade recording studio, and new labs for our music technology program,” he says “But the world-class concert hall will also create new opportunities to connect with people in the Boston area. This is truly a jewel of the MIT campus.”

February open house and concert

The MIT Music and Theater Arts Section plans to host an open house in the new building on Feb. 15, 2025. Members of the MIT community and the general public will be invited to an afternoon of activities and performances. The celebration of music will continue with a series of concerts open to the public throughout the spring. Details will be available at the Music and Theater Arts website.

[brknelct4444]

How many times do you have to fail an exam to start studying? How many times do you have to get nicotine poisoning to quit? How many times do you need to get hurt to let go?

As I stare at the paper, my mind is screaming louder than the construction zone outside.

I beg myself to remember what I once knew so well, but it falls into pictures of the past. Not what it used to be. Numbers blur together, resembling a painting made by artificial intelligence.

My time is up.

I write what I see on the classroom board, without understanding, only faith in its sense.

I mimic every symbol, mistaking some zeros for O’s, and two’s for Z’s. My notes aren’t my making.

They’re a copy. An artificial misinterpretation of numbers.

I am a child of artificial intelligence. I watch it grow up with me like a family dog.

[nando161mando]

Nobody wants to work anymore

[vero-like]

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ITS FOR SCIENCE