#Arthur Costa

[bluebittersuite]

Se não haver loucura, não seremos normais nunca.

- Arthur Costa como o seu Autor revoltado

[somosorigen]

La Puerta Secreta…  Adaptaciones Decorosas

Película basada en el libro del mismo nombre, nos narra como un buen día, un joven desempleado sin suerte , ve su vida cambiar cuando una misteriosa organización lo recluta para un trabajo algo especial. Obvio, como en este tipo de producciones, el joven salvará a la compañía y al mundo de una amenaza peligrosa. Continue reading La Puerta Secreta… Adaptaciones Decorosas

[jetslay]

DC Super-Heroes by Tom Derenick.

[dailydccomics]

Justice League of America by Ed Benes and Brian Miller

[sapphyreblayze]

"Look out, bozos! The Justice League is alive and well - and ready to kick butt! Bwah-ha-ha-ha-haaa!"

Justice League Spectacular by Dan Jurgens and Ron Randall

[smbhax]

From "Home Is Where the Heart Is" in New Mutants Special Edition #1, January 1985. Chris Claremont script, Arthur Adams pencils, Terry Austin inks, Christie Scheele colors, Lois Buhalis & Tom Orzechowski letters. Photoshop color reduction.

[russadocachorrobranco]

Arthur Timótheo da Costa. Rio de Janeiro, 1919.

Артур Тимотео да Кошта. Рио-де-Жанейро, 1919.

[wwprice1]

X-Factor and the New Mutants by Art Adams! 🔥🔥🔥

[wayward-persephone]

which of ethans characters would have an innocence kink 🫠🫠

I think I answered something like this before but I can't really remember lol

In no particular order I'd say...

Albert Shaw/The Grabber

James Costa

Jolly

Arthur Harrow

Les Keffy

[portraituresque]

Arthur Timtheo da Costa - Self-Portrait

[dailyordem]

A única coisa q dá pra esperar de bom se o arthur morrer antes do dante é a atuação impecável do rakin, nossa senhora não ia sobrar uma única alma viva. Um dia q o dante perde é um dia q a humanidade ganha 🙏

[somosorigen]

Trailer Oficial: The Portable Door

Mucha magia y mucho Londres últimamente y como siempre nuestro Christoph Waltz haciéndola de villano o por lo menos eso parece… Continue reading Untitled

[jada-b]

Based on this:

[dustedmagazine]

Arthur King — Changing Landscapes (Zompopa) (AKP)

Changing Landscapes (Zompopa) by Arthur King

The Zompopa, or leaf-cutter ant, lives in large, complex societies, organized into a caste system, with different types of ants taking on different roles in maintaining the colony. Like humans, they are agriculturalists, fertilizing and cultivating various types of fungus which, in turn, feeds their populations. Peter Walker — not the flamenco-influenced guitarist but the ambient composer from Los Angeles at the center of Arthur King — spent time in the Costa Rican rainforest, recording the sounds of this insect society. With David Ralicke and Mia Doi Todd, he then improvised music over these recordings for a haunting set of tracks.

Through Arthur King and other projects, Walker explores the act of listening as a spiritual practice. In an interview with 15Questions, he describes his affinity with the writings of Carl Jung. “Jung suggests that by aligning and opening our senses away from our usual, intellectual filter, we can experience the vast world of the unknown, the unconscious, and even the numinous,” he said.  Changing Landscapes (Zompopa) is, indeed, a deeply affecting listening experience, melding the twittering, chittering serenity of the tropical wild with angelic vocals (Mia Doi Todd in particularly lovely form), electronics and other instruments.

The disc begins in a lingering drone, the high wordless singing of Doi Todd floating weightlessly over it, a slow gathering of timbres coalescing in serenity and meditative contemplation. This is “La Reina” the cut dedicated to the ant colony’s queen, and it is very subtly laced with a high, scraping, percussive sound that must be some magnified version of the sound that Zompopa ants produce.

Walker is frank about the limits of entering an alien world through sound. We don’t hear what the ants hear because we’re not ants. We don’t have the same equipment for sensing vibration. And yet, there is something very immersive and foreign about these musical piece, even embellished as they are by recognizable human elements—blasts of synthesizer, delicate chimes and bells, even a saxophone wandering through these eerie landscapes. “March Into the Colony” stirs into action on a propulsive, glitch-like beat; you only realize in retrospect that its rhythms are constructed out of insect sounds. The long closer “Funeral de Zompopa” brings these sounds the furthest into the forefront, so that Doi Todd’s melodic musings and dream-like drifts of trumpet drift over a bed of intricate, unfamiliar scratchings.  

As humans, we don’t like ants very much. The idea of hundreds, thousands, even millions of them coordinated in their own purposeful existence, growing food, protecting against enemies, reproducing, might well give you the willies. Changing Landscapes (Zompopa) brings us into alignment with this strange, unexplored world and lets you feel connection with a species you might not have considered otherwise.

Jennifer Kelly

[sayiklamalarim]

renkleri karıştırmıştı birbirine; beyazdan biraz, siyahtan biraz.. aklında biriken bütün düşünceleri bir kenara süpürüp beklemişti zamanını yeni doğumların. yeni acıların.

hep buradaydı. hep bu anda var olmuştu benliği. günler geceler sürükleyememişti başka diyarlara. umutla, inatla duruyordu durduğu yerde.

belli ki bir süre daha devam edecekti hikaye. bir süre daha kalem elinde, yazacaktı yaşam öyküsünü defterlere.

sonra.. sonra kapanacaktı kapılar, pencereler..

hep olduğu gibi, olması gerektiği gibi.

[sheltiechicago]

Mirror Gate by Pilar-Zeta ©M04 Network

Contemporary art at the foot of the Pyramids of Giza

RA' by Sabine Marcelis © M04 Network

Meta Oiko Observatory, Arthur Lescher ©M04 Network

Horizon, Costas Varotsos © M04 Network