#Art really doesnt love me no more :')

[mochela]

alll-mer and sulfur if they were girls

[fatedroses]

More than just the Demon.

[deoidesign]

I met the me who made different choices

[caramelldraws]

A girl dreaming of marriage and children

Aaand one year later: I added some colors!

[lilpuffyart]

More roommate AU (ig that name will do for now lmao) doodles while working on this AU's comic (hopefully it'll be out by next month yippiee)

[washiinmachiine]

helloo long time no briar

extra briar stuff under cut

[lunarharp]

played dragon age 2...just simple scribbles

[starrysharks]

i am the cattt just chillin outt but in the night she's all i think aboutttt

[sallymew4]

stageplay shouteru is a whole other beast

fun little extras below cut vvv

look. they are holding hands

[nyatbinary-81]

Its Odette Time! this is a slightly late submission for the ptutu aspec week prompt ‘Courage’. its a redraw/reframing of one of my FAVORITE shots in the show, the s1 finale pas de deux lift, seen under the cut.

now, you may be wondering, "nyan, who the hell is odette?" and. well. thats on me i havent actually posted her to tumblr yet. partially bc odettes main design is made by my brother, partially bc im not sure the people will like her, shes on my artfight (nyanbinary87) if you have that, but if you dont, the TLDR is that shes mytho AND tutu. like, post-finale, if the "the pendant was a heart shard" was more literal and transgender.

but hold on, this is ASPEC week, not trans week! why is she here? well, its up to the mods if this is okayed as a submission, since odette is primarily a trans headcanon of mine. but, she is Also aspec, and this piece aims to emphasize that aspect of her. see, one of my favorite things about odette is how she completely reframes mytho and tutus relationship from a semi-romantic one to one of self love. theres something so beautiful in your true self putting together your false self because she only wants your happiness, even if it means her disappearance.

to emphasize that, this tutu takes on a form less like duck's tutu form. she borrows elements from my brothers odette design, which is basically siegfrieds design on a dress, as well as dropping elements from duck to favor the actual swan lake odette, particularly in the hair.

[yumedoca]

It's them, the sillies!!!:P

Redraw of the photo from this screencap:

[grif-hawaiian-rolls]

Is this canon? Technically no.

Is it even In character? Absolutely not!

Do I care? Not really!

Locus is my blorbo and i can put him in annoying situations, like having a small squad of annoying but just-good-enough-to-not-kill-them Feds, if i want to

[biblically-accurate-dca]

these are all kind of Bad but this was the best of the bunch so i am posting it :p

i've been trying to draw vanessa more... she is so important to me... sun is here too i guess

[deoidesign]

Hi, how did you learn to draw Steve's physique?

Ohh what a complicated thing to answer...

When it comes to how I learned to draw anything, it's hard to say anything too specific since it's always a culmination of many years of assorted study and practice... but I can try to do my best to explain some of the biggest things that helped me learn, some tips I keep in mind, and maybe at least some places to start/delve further.

(just a little disclaimer it's not like my drawings here are going to be 100% medically accurate.. they're just to illustrate concepts!)

The main thing about learning various physiques is understanding anatomy. Which feels obvious, but I don't mean proportions; these are important, but perhaps more important is understanding the skeleton and how it moves and learning where muscles connect to bones and where fat grows on the body. When you understand how these function on a more mechanical level, depicting form and movement in a way that feels natural comes in tow.

For instance, understanding things like the pronation and supination of the radius and ulna, as well as the fact that muscles can ONLY contract or relax, will help you understand a bit better which muscles will be flexed and which will not while someone moves. It's inherent to the positioning based on the structural makeup of the body... It's not like you NEED to memorize all the muscles and bones, of course, but understanding and gaining at least a passive familiarity with the concepts really helps.

In tandem with this concept is the way parts of the body flow into eachother. Muscles ALWAYS come in groups because they can only contract. Whatever muscle is there to lift something, there is a muscle on the other side to pull that bone back down. What this results in is a series of straight edges next to curves, which gives us a lot of really lovely "s curves" and dents and folds and so on and so forth just naturally occurring.

I would suggest at least learning the "bony landmarks", which are bones (usually) visible on the surface of the body. things like the iliac crest, the great trochanter, the 7th vertabrae, the acromion process... These can be used to help you understand the parts of the body as angles and relationships, rather than trying to remember lengths and sizes, which vary immensely... (since you asked about steve, he can be our model... also study these on your own don't just take my word for it haha, these are the ones I personally keep in mind)

I've done the same thing with body hair... learning where it grows and in which directions... It helps me make up variations without needing reference, because I have a set of rules I can follow.

The biggest thing that helped me understand all this on a much deeper level was my ecorche course. I sculpted this guy. We started by sculpting the entire skeleton to understand the bones, and then we added muscles on top. Not every single muscle, of course, but the "artistic muscles" AKA the ones which directly affect the surface of the body. Doing this let us see where muscles connect, because we would make a shape, put it on the bone where it actually goes, and then you get to see how other muscles overlap that.

This helped me, perhaps, more than anything else. But I also didn't just start with this course, I had been drawing for years before I even took it. I had been in school for years before I took it. Not that I think it wouldn't be helpful to someone just starting out, but I do think that the more you know going in, the better an in-depth course like this will help you and stick with you. Classes are also expensive, though so I'm not really like... recommending you pay potentially thousands of dollars to take one... But it did help me a lot, personally.

I also, of course, have done many figure, gesture, and master studies...

These just help you quickly gain a stronger understanding of generalized anatomy, and gives you real life examples of and practice with of how people move and balance.

What all this does when combined, is gives me a very solid ability to depict movement and form in a way that feels relatively natural from my subconscious without the need for reference.

The rest of how I've learned to draw his physique is honestly mostly just stylization. I understand the body, and this is how I am depicting it for his level of musculature.

And as I move into depicting him in other ways, either moving in comics or in animation, realistically rendered, or extra stylized, these concepts inform every step of that process for me! When he keeps the same/similar relationships between parts, he gets to still look like himself.

It ALSO really helps when putting clothes on, because the way cloth falls and bunches and lifts is all directly related to the form it is on... So the more you understand that form, the more you can depict clothing and movement in a way that feels natural.

This is all, of course, true when I draw anyone, you asked about Steve so I'm trying to mostly show with him! But because I'm just drawing from raw information of general anatomy rather than trying to study one body type at a time, it allows a lot more "give," I think!

Like, here's most of the cast from TTA so far... actually, they're not as varied as I thought they were nevermind LMAO ignore this part

But, it also makes monster and alien design much easier! It's a lot easier to come up with non-human anatomy when I understand human anatomy, because I can manipulate the knowledge I have...

There is infinite more to study in the world of anatomy... The complexity of the human body goes extremely deep. For our purposes as artists, we need only depict a fraction of it, but more information rarely hurts the process.

I'm sure there's something in here that's wrong on a technical level, I'm mostly going off of memory. But that's kind of my point - I understand enough generally and conceptually that when I am missing something and need to find reference for it, I understand what I'm looking at. It's much easier than trying to learn AND draw at the same time.

I hope even one thing in here helped you! Sorry it's so long.

[ferretpajamapants]

OVA Hatty actually means the world to me. I don't think I've shared this part about me — but with being autistic, I'm actually near nonverbal at all times! I'm not as chatty as I am on the internet LOL

so Hatty Canonically not being able to speak verbally means the literal world to me. It's one of my favorite parts about watching the cc OVA's aaa...

@kokorohatsaru

[uniquezombiedestiny]

come on

please tell me