#Are you uh... For real? Really really???
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mrfoox · 10 months ago
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Ok so.... The tinder Romanian is making me sob he's being sososososo sweet
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warper-in-training · 6 months ago
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[ 1:39 am ] I feel like he's watching me – maybe he's as obsessed with me as I am with him.
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wasyago · 1 year ago
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the brainrot won
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persimmonbread · 2 months ago
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to adore and be adored
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amphibianaday · 1 year ago
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day 1421
#uh just a heads up if you expand the tags to see all there's. a lot. very long#amphibian#frog#poison dart frog#based on my most popular frog to date (day 651)#inspired by everyone pointing out what they think it looks like#here's a fun secret fact the original guy is actually a phantasmal poison dart frog (Epipedobates tricolor)#(according to the original artists title of the drawing)#not Anthony's poison arrow frog (Epipedobates anthonyi)#i feel too awkward to really point it out though because they look the exact same. i cannot tell if there is a difference#im half convinced the same frog was just discovered and named twice#its very curious btw if you go on the (english) wikipedia page for either species it doesn't mention the other#while hereptiles.info (no idea if this is a trustworthy site) lists both names as common names for the same frog (incorrectly??)#while inaturalist lists them as two different frogs. curiously with tricolor having wayyyyy fewer photos#ok anyway that's my rant i went on a whole journey trying to figure out if these are the same frog or not and i have no answer#i did some more 'research' and i am more confused. some sources seem to imply they are now considered the same species ( e. tricolor)#i think my conclusion is i am willing to agree the drawing looks more like e. anthonyi. it seems like tricolor is generally less vibrant re#and the white is darker and more green?#i feel like thumblr should stop me from typing more in the tags at this point this is a whole essay#at this point i am failry convinced this is specifically the Santa Isabel frog. isthat the real subspecies or morph or whatever#or just the name pet sites are using to sell it??#i even found some sources (frog selling websites) refering to it as “Epipedobates Anthonyi 'Santa Isabel' Phantasmal Poison Dart Frog” lol#Anyways if you read this far hi. species are confusing. i am not a frog scientist#the first few tags are like an hour old now i just kept trying to figure it out and adding more tags
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eggsploded · 1 year ago
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cant keep their quadrants straight
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butwhatifidothis · 7 days ago
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I guess the ultimate thing that kills CF for me - or at least nudges it away from me saying I definitively like it - is just how much Edelgard is clearly written with the player in mind before she's written with her character in mind.
Because on all of the other routes, there's a power to Edelgard's presence. Even on BE, there's a sense that for as lonely as Edelgard might be, she still ultimately will do whatever it takes for her to get what she wants. Be that be killing her citizens (or otherwise letting them be killed), endangering her friends, assisting in kidnapping people, allowing Byleth to support her only when they have the Sword of the Creator, covering for TWS - no bar is too low for her to limbo under if doing so means she's even a step closer to her goals.
She's manipulative! She's deceitful! She doesn't care for the lives of her people! Even her friends are forfeit if they try to stand in her way! And this happens no matter how close you, the player, get to her, in the case of BE - C+ ain't stoppin' Remire, and going to the coronation ain't stopping the Holy Tomb.
And in the war phase, she is dominating the field. She has the Kingdom completely on the ropes, down to a few houses standing against Imperial rule, and the Alliance is stuck in neutrality - she may not be able to do much to it, but neither can they do anything to her (to say nothing of the Alliance houses who stand with her). She's far from the underdog in this race, and she shows off how threatening she can be.
CF? Her route?
She scweams at scawy rats. She gets embawwassed when you find her dwawings. She's just so wonewy, and she's just so gwad that you chose her. She somehow fails to capture Rhea, or frame Dimitri for regicide, and so now has to deal with that on the Kingdom's side of the war. But that doesn't stop Elly Welly-kins fwom twying to find her pwecious teacher, because you're just so important to her. She cwies and hugs you when you meet her in the Goddess Tower!! Because she missed you so much!!
It's like... Dimitri and Claude certainly show different sides of themselves on their respective routes. It's the whole point! You grow closer to them and thus see how they treat those close to them, as opposed to being the Kinda Neat Teacher they see run along every now and then. But, like... Claude doesn't become a blushing maiden whenever Byleth speaks with him on VW. Dimitri doesn't scream at scary rats and get called cute for it on AM. They don't get Basic Bitch Gap Moe Traits slapped onto them that are only ever shown to the player and only on their routes. Unlike Edelgard.
Dimitri's endearing trait is that he's this big huge dude who can bench-press forests and arm-wrestle god who still wants to learn to sew and who teaches kids to protect themselves and who buys candies for his friends. Claude's endearing trait is that he's this mastermind planner who has contingency and lie and obfuscation as three separate legal government names who still wants everyone to be safe and happy and hold hands and be friends.
Edelgard is strong, confident, and willing to do some of the shittiest things known to man for her goals. Her endearing trait is that her screams are cute. She's shy about her drawings of the player character. She blushes over the player potentially joking about having sex with her per her JPN version of her C support; you know, the one about how Byleth walks in on Edelgard muttering in her sleep from a nightmare about her tortured family? Perfect time to joke about fucking her! Dimitri and Claude's endearments are, well, endearing; Edelgard's are all straight up embarrassing for her.
Hell, even the smaller stuff is affected! Claude's passion for poisons and mushrooms are things he has no qualms about having others know about, despite how weird they are. Dimitri laughing at shitty jokes brings him no personal discomfort or embarrassment, despite just how loudly he laughs at them. They have traits to them that can easily be uwu worthy, and they don't care! Of the lords, only Edelgard does! Because, it feels like, the only way for a strong, resolute female character to come off as approachable is if she's knocked down a few pegs for specifically and only you, the player.
And that sucks ass! I'm sorry, but when I'm playing Edelgard's route I don't want to deal with her hiding herself away in her room for a month IN THE MIDDLE OF HER FUCKING WAR because she's just so embawwassed! It is so fucking insensitive that Edelgard is literally the only lord of the three who can have her trauma openly belittled at any point in the story by Byleth, all to have some cheap cutesy uwu moment about her fear of rats (calling her screaming in fear cute and INSISTING that it's really cute which is just. Fucking ew man)! Why can we fucking mock Edelgard's manner of speech during the MASSACRE OF REMIRE?
This shit doesn't happen to Claude or Dimitri! And saying "oh just don't pick those options then" is bullshit because no equivalent options exist for the male lords! It's piss-boilingly annoying that the second you choose to see things from the strong confident villainous ambitious female lord's perspective you can reduce her down to this bumbling moeblob just for you (sometimes unavoidably!) like!! Dude!
#legit not even sure what to tag this because for once I'm going to bat for Edelgard LMAO her writing treats her BAD when it comes to this#this is also a huge thing that fucks me off from liking Edel/eth because Byleth can be SUCH a huge fucking dick to her for no reason#and can be UNIQUELY mean to her for no reason. off the cuff i can't think of another character you can have Byleth act like this to#and most of this shit is well before Byleth as a character has any real reason to actively dislike her so they're just.#bullying Edelgard for fun?? I guess??#among uh. other reasons the ship doesn't exactly Work Out lmao#but yeah for CF it really REALLY brings down my ability to enjoy it fully despite me REALLY wanting to#because it encapsulates just how like. shallowly Edelgard can be written?#because it's not just that no character can meaningfully react to everything she's done (though that is a huge factor too)#but also as SOON as the writing wants you to REALLY like her it goes out of its way to diminish her powerful presence and UwU her#and not to say that she doesn't have her powerful moments - she does! and they're really great to see!#but that her cutesy moments stand out SO much BECAUSE the other two lords very noticeably have nothing akin to that for them#like. you can't jokingly call Claude a loser for having no friends growing up due to the racism he faced#you can't pretend to be one of voices Dimitri hears to fuck with him#you straight up CANNOT joke about their trauma which like. duh?? why would you??#but Edelgard just woke up from a horrible nightmare and that's just the perfect setup for a sex joke#and it's perfectly fine to joke about forgetting what Edelgard said about her trauma she opened up to them about cuz ''she said to forget''#and it's a-okay for Byleth to brush off her opening up about why she has a rat phobia to embarrass her over drawing them#WHY CAN YOU DO THIS. or better yet WHY *CAN'T* YOU DO THIS TO THE OTHER TWO.#it is just so brazenly sexist and i hate it every time i think about it 😭
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halflifebutawesome · 2 months ago
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you used to be such a baby.
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syn4k · 1 year ago
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to be, or not to be (romanticization of the inevitable)
#ray's tag#keys' art#undescribed#skeletons#ok to reblog#the skeleton model that i traced for this was provided by the incredible kiku @kikunai whom you can find right here on tumblr!#so uh. This is a piece about chronic fatigue although the original idea i had for it drifted a bit as soon as I started coloring the linear#(i really enjoy shading and lighting things and got a bit carried away here but i stand by my choice because this is my favorite thing#that i've ever drawn)#anyways. i often feel especially lately with school being back in season that my bones are leaden with this sort of. weariness. theyre heav#it weighs on our mental health and energy a lot and although there's a couple of reasons we have been given for it#that doesn't remove the fact that this is still a thing that affects us in a very real way day to day although we are good at masking it.#often i come home to find that i do not have the physical mental or creative energy to work on things i really want to#especially project: nexus which i feel extra bad about even though i can't help it because i just started it so recently#it is a mild to moderate struggle to make it day to day and i just. wanted to represent this somehow#my original concept for this was a skeleton with some black goop gunk whatever leaking from its joints#but as i started adding the cracks and coloring them gold (a personal touch; kintsugi is a concept that is very dear to us)#i realized that the focus here was less on the condition itself and more on the body that it afflicts.#so i put it into a spotlight.#ironic i know since very little people acknowledge this irl or even know it exists at all but i added rim lighting. I added color gradients#I colored the lineart and made it all fancy and even added a flare for the head to get the point across that even at its core; disability i#a performance. this is not implying that disabilities are fake in fact this is the opposite of that. i wanted to show that with disabilitie#especially i think in my personal opinion the invisible ones#we are all masking at least a little bit during the vast majority of the day. humans are social creatures and it is only when we are alone#or with someone we deeply trust where we allow ourselves to be who we truly are without fear and even then that can be rare#so i wanted to show this bit of the soul in as broad a limelight as i could. idk this is a really abstract piece and i dont know if anyone#will even get it but it matters to me at least. and even though we've been largely bedridden for the past week i think that's okay#we will get it figured out. all of us. okay? okay. i love you. i fucking love you. we are going to fucking make it#(also the xes over the eyes are because i thought they looked cool they have no deeper meaning at least i think they dont#actually i think they do but i cant put it into words idk. Art is subjective assign your own meaning i'm gonna go get a shower)
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bambiraptorx · 1 year ago
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the idea of Draxum in academic settings is vastly entertaining to me
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dailyjevil · 5 months ago
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Day 300 of posting Jevil every day
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starscreamingg · 1 month ago
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Detroit Become Human and why does this game decide that the problem in society is individual people treating androids poorly because those androids are choking them out of the workforce and NOT the corporations and governments who deliberately designed the androids to do this
#AUGHHGHH#I promise you dbh is still one of my favourite games I really do#But ohhhhhhhjghh my GODDDD it makes me mad#Like ESPECIALLY this year. With artists and writers being so fucked by ai#Like the game has less than no sympathy for people who were screwed over by cyberlife deciding their labour wasn't worth anything#Like everybody has to be a strawman. Everybody has to be the violent 'android bad because (some vague reason that draws on the#'immigrants are stealing our jobs' line despite the fact that these things aren't equivalent at all)#Like yes. Robots being placed in positions where a real human would be paid a real wage to do that job is bad. This is a bad thing#But the game. Does not CARE#It's so morally neutral for cyberlife to be allowed to mass produce androids in the middle of a poverty epidemic that they created#It's fine! Says Detroit Become Human because everyone rendered homeless or struggling by this company's actions is a violent drug addict#Or something#It's like HUH#H U H#This game was so enamoured with it's weird bad civil rights allegory that it forgot that people do actually need jobs to uh. Pay to live#Because things are hell#And I think it could've been SO much better if the game acknowledged this AS WELL as acknowledging that no android chose this#Like a fresh deviant didn't ask to cause a real person to not have a job. The company who made them did#But dbh doesn't care. Cyberlife is morally neutral in this. I swear#Loses my mind this game is such a mess#Uhhh if anyone's reading this please don't get mad at me I promise I do really love this game. Like this game is the reason I#Met the love of my life. I am physically incapable of hating this game#I just think it's so worth discussing the ways it fails in (what I think is) a constructive manner#detroit become human#game analysis#I guess#If anyone has any contributions or disagrees with me I would LOVE love to hear. Genuinely I love talking about things like this#Essay in tags
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flagellant · 1 year ago
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The more I think about Wildmender the more I grow invested in it. It's a fascinating interpretation of terra nil and solarpunk since so often the genre is fundamentally rooted in settler-colonialist philosophy, and even games which are intended to be the opposite of that--terra nil comes to mind as the obvious one--just end up actually revealing a different side of the factorio problem, because terra nil is an incredible impersonal restoration of ecological systems. Terra Nil acknowledges climate destruction on a global catastrophic scale and it accepts the responsibility to fix that, but it isn't shown as a human act, nor does it really allow itself the realism of just how terrifyingly impossible the task is to try and literally fix the entire world. Its game structure is supposed to be the anti-factorio but its puzzle structures focusing on efficiency and robotic engineering patterns of rewilding end up feeling more like a dialogue than an inversion. It's trying to say that the idea of humanity as fundamentally destructive is wrong while it doesn't actually ever address the human element.
And then there's fucking Wildmender. A game where you are a single human child in a world of endless wasteland and death, where the only other things are ghosts who remember a halcyon era and the hubris that ended it, wraiths which are consumed by their own greed and destruction of the land for their cursed immortality, and a couple god statues. The entire map is just ceaseless grief, filled with the literal dessicated remains of all the biodiversity that came before the countless disasters. And it's a big fucking map.
And then...the game gives you a shovel and a sickle and a mirror that shows the wraiths what twisted reflections they've become.
And the game says, "The entire world is waiting to be better, and the only way to do that is by doing it yourself, long and hard and hopeless as it seems."
I cannot emphasize enough how overwhelming the task you're handed. There is not a single speck of life left in the world. You are given a shovel and a water bottle and just...expected to do something about it. To look at the literal endless wastes and think you can heal it.
This is what Wildmender cherishes that Terra Nil denies: This is an impossible task for you alone. But it has to be done...and you can actually do it. The way you can turn sand into soil and dig irrigation channels is beautiful. Every single scrap of land that you reclaim is something you had to do on purpose. You had to do it yourself. You had to actively choose how to do it.
And the game makes the reward of even just getting a bit more water into the sand feel like victory. Your starting oasis turns from soil into lush and beautiful meadows--sure, technically instantaneously by doing magic on a specific type of plant. But it took me 4-5 hours before I got there. You have to travel so far into the desert to learn how to grow grass again, and then you realize that this endless hostile wasteland is a fraction of the map you're given. And you look at this sudden profusion of meadowy grassland surrounding your spring and despite how sudden it feels you remember how big the world is. You made more progress in a minute than you did in 5 hours and it's not even a speck on the map. How the fuck is this gonna happen?
And the answer is by accepting that it's going to take a long fucking time and a lot of hard work.
That's how it's gonna happen. Get to work.
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existencebringsonlypain · 9 months ago
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hey can someone describe what imagining something is like? like imagining an image?
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madbard · 3 months ago
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Quick question for my fellow UTMV fans…
(Glances around, then drops poll and runs.)
(This may or may not be an extension to that Dustplates post from earlier…)
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snek-eyes · 1 year ago
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Andi Osho as Sitis (wife of Job) in Good Omens 2.02
[Image ID: A series of gifs from Good Omens season 2, featuring the character Sitis, an older dark-skinned woman dressed in blue.
The camera zooms into a Bible illustration of Sitis lamenting to the sky.
Sitis's face becomes concerned as Job says: "Sitis my dear, this person was looking for the children." She turns, looking defensive, and asks, "Why? Who're you?"
Sitis looks stressed as she chuckles humorlessly and gestures to their ruined house. It is slightly smoking. She says: "Not now, Bildad the Shuhite. Good of you to look in, but we're a tiny bit busy weathering the wrath of God."
Close up on Sitis as her face becomes confused, then changes to horror and disbelief. "…No. God wouldn't!"
Sitis holds back tears as she asks something of her husband. He is about to burst into tears as he shakes his head no.
Sitis implores the angels as Job falls to his knees beside her. "I don't, I don't want more children." A close up of her desperate face. "If my children are dead, then… I will curse God, and—"
Crowley, as Bildad the Shuhite, clasps his hands and rubs them together in a "let's get started" motion. Sitis looks scared and backs away.
Crowley stands framed between Sitis and Job, who are facing each other. He makes a switching motion between them as he says, "Now good lady, simply turn to your husband, reach into his robes…" Sitis looks dubious but reaches towards Job, who abruptly looks very surprised. Crowley interjects: "N-h-higher. Higher."
Sitis and Job's children stand between them. Jemimah throws her arms around her mother who embraces her joyfully.
Job, looking confused, gestures to his restored children as he says to the angels. "But, it is—" Sitis quickly reaches out to Job and interrupts. Clearly frantic and trying to hide it she says, "A-a miracle. It is a miracle, that our new son should look so much like our old son."
Sitis explains very deliberately to Job as she pats her son who is definitely not Ennon on the arm: "No, Job. Look, it's not Ennon, it's… a new child. These are all… They're all… new… children."
Sitis anxiously watches Job speak, and starts to relax until a baffled and annoyed Ennon says something. She tenses and turns to him.
End ID]
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