#April Model Casting | Explore Tumblr posts and blogs

lovecla · 5 months ago

Text

TAKE YOUR PAIN AWAY | quinn hughes.

chapter five:

➴ chapter warnings: none!

➴ word count: 3.9k

💌 from me to you: honestly, today was a lot! i broke my phone yesterday and had to buy a new one today (i’m now poor :,) and i deadass forgot my email and i lost all of my works AHAH (quinn’s voice: it’s funny but it’s not funny). thankfully, i had already saved all of TYPA chapters here on tumblr so they’re safe and well. anyways, enjoy! 🤎

౨ৎ

2024, APRIL.

lavieenrose

Vancouver, Canada

liked by madisoncarter, adrianalima, zayn and 528,012 other people

lavieenrose We are thrilled to announce our newest Flower, Madison Carter! Welcome to our garden, gorgeous! 🌹

View all 1,203 comments

madisoncarter i love u guys thank u so much

user1 I love Madison employed era 🤭 like yass girl pay your bills

bellahadid proud of you, sis xx

madisoncarter bellahadid <3

user2 she looks kinda fat in this 🤢

maddiecarter_updates user2 girl that’s ur momma

imgmodels That’s our girl!!!

౨ৎ

“SO QUINN Hughes is your childhood best friend?” Victoria sounded amused.

You chuckle. “Something like that, yeah.”

“What a small world we live in!” She raised her arm, making prayer hands. “God, if you’re out there, make my dream of fucking Luke Hughes come true.”

“Oh my God, you’re the worst.” You joke, watching as she winks at you, going back to her rambling about how funny it was that you and the Hughes were familiar with each other.

It was the week before your first official fashion show in Vancouver, and things were extremely busy. Today you and the other models had to visit the hall where the show would happen so you could practice your walk and get familiar with the runway’s layout.

Victoria wasn’t a model per se, even if she was one of the most gorgeous women you have ever seen, but she still made sure to be there with you so you wouldn't be totally alone.

The other models were nice to you but you were still extremely shy, and it usually took you a while for you to get used to new people. Thankfully, Victoria could help you just fine.

“But like,” she raises her voice again, staring at you funny. “Should I tell Gil to send the Canucks some invitations?”

You raised your brow at her, ready to say no. After that night at your house, a week ago, you and Quinn were… different. Being one hundred percent honest, you were different with Quinn. He was still the same as always, texting every day and asking about how you and Bella were doing, since he was away— again— and couldn’t check on you in person.

And you thought it was sweet.

Awfully sweet.

Dangerously sweet.

After the thoughts you had while he sat on your couch that night, thick thighs spread cozily across your couch, dress shirt opened and hair falling perfectly on his face, you decided that being away from him was probably the best thing you could do for your relationship.

“I don’t think they’ll be interested in coming,” you lie, shrugging. “It’s not like they’re interested in lingeries.”

“Hum—”

“At least not in the way you want them to be!” You quickly added, not letting Victoria’s mind wander to horny places.

“I don’t know about that, Mads,” she clicks her tongue, watching as the crew move around you both, lunch break already about to end. “We could invite only the single ones. What do you think?”

You laugh and joke: “I think that’s a great idea.”

Obviously, it wasn’t. Nothing about Quinn seeing you in lingerie was a good idea, but who were you to crash Victoria’s dream? Besides, the Canucks would never actually go to a fashion show unless they were forced to, so you had nothing to worry about.

“Okay, Madison, I need you to walk up there again.” Rory, the casting director called you, and you promptly got out of your seat to do what he needed you to.

And just like that your thirty minute lunch break was over.

౨ৎ

“THIS IS the day you all have been waiting for, girls,” James yells, loud enough to be heard by all the fifty girls standing backstage. “I need you all to shine today!”

You could feel your hands sweaty and your heart beating faster than ever. Today was the fashion show you've been preparing for everyday ever since you moved to Canada and watching it all unfold in front of you was anything but not stressful.

This was the first fashion show you did in months and you knew people were expecting something big.

“Madison,” James calls you, and you immediately go to his side, excluded from the other girls. He looks at you with his fierce, cat eyes and you almost gulp. “Today’s your night. The majority of the people are here to see you, they’re here to see Madison Carter. Do you understand that?”

You nod, blinking fast. “I do.”

“Great,” he crosses his arms over his chest. “I didn’t say this in front of the other girls because I don’t want them to feel bad, but having you here is pure gold, and the press is ready to put any mistake in a headline. So, can you be my prettiest flower tonight, baby?”

You smile, feeling confident all of a sudden. You had to remind yourself that you were pretty, even if sometimes your brain liked to tell you otherwise. People were here to see you, they paid money to watch you walk down that stage, and you’d give them a show.

You’d prove to everyone that you were just that girl. Even your own family.

“I can, J.” You confirm, shaking your arms slightly.

“Then great. You know when you have to enter the stage, don’t you?” You nod again, of course you did. You all rehearsed this so many times that it would be hard for you not to know. James turns around and starts speaking loud again, trying to talk to all fifty girls at once. “RAYE is here tonight and even though your job is to walk, I want you all to interact with her and her songs. I want you all on time and I want you all on your best behavior.”

Celestial Allure was the name of tonight’s collection, all of you wearing different shades of white, pastel pink, blue and purple, not to mention the tiny golden details in your hair and heels. Your makeup consisted in white eyeshadow, heavy eyeliner and big, angelic lashes. You had little to no blush in your cheeks, the focus on representing a pale, unreal face. Your lips had a natural pinkish color and you had highlighter all over your collarbone and nose.

Your opening outfit couldn’t even be called an outfit; it was simply a white, twinkle strap lace corset with matching panties, heels that adored your legs and reminded you of something Barbie would wear, your hair was perfectly styled with waves falling down like a waterfall.

You took a deep breath, the first notes of Escapism echoing through the entire place, and you knew it was the time for your entrance.

After saying a quick prayer, you enter the stage, immediately putting on your work mindset, not letting any of the hundred eyes make you feel nervous. One step and then another, your body moved alongside the music’s beat, RAYE’s warm smile and powerful presence making you feel less nervous. You made sure that your body was moving like James and Rory had instructed, lightly and featherly.

The camera flashes didn’t hurt your eyes anymore, thankfully, because there were so many of them that even if the building had dim lighting, the stage looked as bright as the sun.

“A little context if you care to listen, I find myself in a shit position,” you mouthed the words, walking down the stage like you owned, because, in fact— you did. “The man that I love sat me down last night, and he told me that it's over, dumb decision.”

You waved to some of the cameras, smiling from ear to ear, genuinely happy.

Even if it was a hard world, the happiness you got from modeling and wearing beautiful, delicate pieces like the one you were wearing right now was unbeatable.

Outfit after outfit, walk after walk, you made it to the end of the show, letting your eyes get shiny with tears when James grabbed your hand and walked with you to the end of the stage, raising your arm and bowing with you. You smiled, watching as people clapped for you and shouted your name.

Backstage, you ran around hugging the other models, all of you so emotional and happy. Your favorite part about working with La Vie en Rose was that they prioritized girls who supported other girls, and not girls who tried to get on top by dragging other girls, something that happened daily in the fashion world.

Victoria also hugged you, taking pictures and handing you your outfit change so you could talk to the press.

“Madison, Madison,” your name was on every reporter’s mouth, flashes and cameras being shoved in your face. You smiled through the uncomfortable feeling of all of your actions and breathing being recorded and pointed to one of the interviewers there, letting her speak.

“You were absolutely divine today. How are you feeling?”

“Honestly, I have no idea,” you smile, shaking your head. “This is the first show I’ve done in a while and I’m still getting back from the high.”

“The crowd’s reaction was amazing. Did you expect such a strong response?”

“No,” you laugh, sincerely. “I am used to my supporters in Los Angeles but knowing this many people would show up here in Vancouver? It’s insane. But I’m grateful anyway.”

“Speaking of moving to Vancouver, what can we expect from your Canadian side?”

“Everything. I’m always open to new opportunities and signing a contract with a brand as special to me as La Vie en Rose can mean a lot of good things.” You move to the next reporter, who was almost shoving the microphone down your throat.

“What can you say about the Canucks team being here? Do you know any of them personally?”

That caught you so off guard you had to hold back a gasp.

“What do you mean?” You ask carefully, trying your best to keep your smile from falling. “The… Canucks are here?”

“You didn’t know?” The reporter scoffs. “We have players like Quinn Hughes, Brock Boeser, Conor Garland and Elias Pettersson in the audience.”

“Oh,” you say, moving your head to the side, trying to see something past that sea of cameras. “Hum. I didn’t know they were here. I think it’s, hum, great and… yeah.”

“Time’s up, fellas!” Victoria shouts, grabbing your shoulders and pulling you to the side. “The other models are right there, ready for your questions. Thank you all, bye.”

“Thank you guys, have a good night,” you say before heading backstage. You turn your head to Victoria’s direction, eyes doubled in size. “Did you know the Canucks are here?”

“‘Course I did. I sent the invite.” She answers like it was nothing.

“You what?”

“Well, basically it wasn’t me, it was Gil, but I was the one who told him to invite them— and why are you so surprised anyway? We talked about this and you said it was a great idea!”

“I was joking, obviously,” you shout-whisper, walking around the room with Victoria beside you. “You’re crazy.”

“Well, now they’re here and we have to greet them.” She smiles, walking around people with a gorgeous smile plastered on her face. “Hi, good night.”

You had to set your apprehension aside and greet the other people there, so many designers, fashion students and artists congratulated you and asked for pictures. You were happy people were as pleased as you about you moving to Canada and even happier to see that you had so many supporters.

“Oh my God, there’s Quinn Hughes,” Victoria whispers beside you, making you snap your head in his direction.

And there he was. Wearing a gorgeous, dark blue suit, hair slicked back and hands in his pockets, standing there like Prince Charming himself. He was surrounded by three other men, who you could only imagine were his teammates, chatting quietly with one of them.

“Let’s go say hi.” Victoria grabs your hand and makes her way to their little chatting circle, Quinn noticing you before anyone else.

His eyes held a different kind of feeling that night, with him eyeing you up and down. His eyes discreetly trailed your body, the tiniest smile adorning his lips when his eyes met yours.

“Maddie.” He said your name with that raspy voice of his, making you shiver internally.

You smile shyly, watching as he leans down and kisses your forehead.

“Hi, Quinn,” you greet him back, face warm with all the attention. “Hum. Hi, guys,” you greet the other men, as six pairs of eyes stare back at you. “I’m Madison.”

They all give you a cheek kiss and a hug, broad bodies embracing yours like a giant blanket. They introduced themselves, and you were right; they were Quinn’s teammates.

“This is Victoria,” you introduce your friend, who eagerly hugs the players as well.

“Did you guys enjoy the show?” She asks and you watch as they all laugh and nod.

The one you remember being called Conor speaks first. “Honestly when we got the invitation I thought it was really random. But it was actually fire.”

“Yeah,” one of them, Pettersson, you think, agrees, putting his hands inside his pockets. “The girls are pretty. You’re pretty.”

You ran your fingers through your hair, smiling and thanking them.

“We were just going out for drinks at a bar just down the street, do you want to join?” One of them— you didn’t remember the name— asks, and before you could even think of what to say, Victoria jumps in front of you with her eager yes.

You looked at Quinn, watching as he stared right back at you, pointing to the entrance with his head.

You all walked out of the event hall together, photographers going crazy with the flashes and you knew that besides talking about your performance that night, people were also going to talk about your proximity with the Hughes and the Canucks.

The other players chatted with Victoria in front of you, while you and Quinn walked behind them, close enough that your naked shoulder touched his covered arm.

“Aren’t you cold?” He blurts out of nowhere, and you smile, shaking your head no.

“Not really. I’m still coming down from the high from earlier.”

“You were amazing, Mads,” he praises you, licking his lips. “Never seen you like that before. Just… stunning.”

“Thanks,” you mumble, not sure why Quinn’s compliment made you feel better than if it were anyone else’s. “Did you like it?” Even though Victoria had already asked them this question, you asked it again, because you wanted to know what Quinn had thought of it.

“Yes,” he winks, smirking at you. “Yes, I did.”

“Great.”

You continued to make small talk on your way to the bar, underestimating how crowded it would actually be. Thankfully, there were a lot of Canucks fans there, and a group of random people let you stay at their table in exchange for a picture with their captain, Quinn, which he promptly took.

“Do you want to drink anything?” The handsome brown-haired fella, Garland, you think, asked you, a few seconds after you sat down.

“Let her breathe first, idiot,” you heard Quinn mumble beside you, making you laugh.

“Maybe a Sex on the Beach?” You said simply, not really interested in Conor’s flirting. He’s hot, but he isn’t Quinn.

Maybe it’s time for you to stop thinking that you can actually have anything with Quinn, you thought, feeling yourself deflate just a little.

“Freaky,” Connor answered, before moving to the bar with the other guys.

“You won’t drink anything?” Victoria asked Quinn, since he was the man who stayed at the table.

He shrugs. “I’m driving.”

“Oh, we love a responsible king,” she nods to herself, giving you an approving smile. What she was approving was still a mystery.

Quinn eyes you, silently questioning you where you’d found that girl, and you only smiled, raising your shoulders.

The rest of the team took a while to come back, something about the bar being too crowded, but Conor handed your cocktail and winked at you.

“So, Madison,” he starts, sitting in front of you. “Are you single?”

Boeser whistled while Pettersson laughed out loud, hitting Conor’s shoulders.

“You’re very straightforward, aren’t you?” You retort, roiling your eyes but smiling nonetheless. “But, yes, I am. I’m not interested in anything serious at the moment, though.”

“One step forward for Conie here but at what cost?” Boeser shouts, clicking his beer on the table. You can hear Victoria laughing with Pettersson beside you, and you seriously want to pinch her cheeks.

“I wouldn’t be so sure of that,” Quinn speaks beside you, and suddenly all eyes are on him, yours included. He seems to realize what he had just said because his cheeks turn a very light shade of pink. “I mean, with a face like yours, I’d find it pretty hard to believe that any woman would be interested in you.”

“Fuck you, Cap,” Conor gives him the finger, sipping on his beer before winking at you. “Maddie here knows what’s good.”

“Don’t call her that,” Quinn hisses and both you and Victoria share a stare with each other.

Thankfully, Vic’s really good at changing topics and after five seconds she got all of the Canucks players talking with her at the same time. Garland seemed to have forgotten about you momentarily, and you were thankful for that.

You turned your head to the side, staring at Quinn who looked like he was having the worst time of his life. You frowned.

“What got you so upset?” You whisper, watching as he stops staring at his water bottle to stare at you.

“I’m not upset.”

“This little thing here…” you place your finger between his eyebrows, watching the furrow disappear underneath your finger. “…tells me a different story. Was it Conor?”

“Why would I be upset with him?” He taps his fingers on the table, once, twice.

“I know that you don’t like it when people call me Maddie.” You tell him, smiling softly. You would never confess it to him, but you didn’t like when people called you that too. Quinn had been the first person to call you that, to give you a nickname, and you wanted to keep that one between you both.

“He just can’t keep himself inside his pants,” He admits, and you smile even wider, finding the entire situation entirely funny. “It’s not funny, Madison.”

“It is to me,” you rest your chin on your hand. “Well, I know he won’t get inside my pants any time soon.”

“Yeah?” He smirks, and, finally, you watch his face transform into something that wasn’t a scowl or a frown. “Good.”

You gulp and pray to God that he doesn’t notice the way your thighs slowly close together, your body clearly desperate for something. Something that anyone else could give you, but you wanted it from the only person who was out of your league.

But perhaps God wasn’t listening to you like He usually did, because the way Quinn’s blue eyes turned into a grayish shade before he calmly placed his right hand on your left thigh told you a different truth.

Then he somehow inserted himself back in the conversation, leaving his hands on your thigh for the rest of the night, while you tried to keep up with what they were saying but failed miserably since all you could think was how his hands looked so big on you that maybe, just maybe, some of his other parts would be big too…

You sighed, forgetting for a few seconds that you were in public. Being around Quinn made your head work in the wrong way and trying to get back on the right path was tiring and exhausting.

“Are you not having fun?” You scared yourself with how close Quinn actually was, his lips almost touching your ear.

“‘M just tired,” you mumbled, feeling bad for interrupting Quinn’s conversation, even if the rest of the people at the table were still talking animatedly between themselves. “And I miss Bella.”

You hear his breathy laugh beside you. “I miss Bella too. Come on, let me take you home.”

“You don’t need to,” you say, shaking your head slowly. “I’ll call a cab.”

“You’re funny.” he says before opening his wallet and placing two hundred Canadian dollars on the table. “Madison and I are going home.”

“Uh, well… bye?” You say, uncertain of what you should do. It seemed rude to you to just leave like this, but you also knew Quinn wasn’t backing up now, and you were telling the truth when you told him you miss Bella. “It was nice meeting you all.”

“The pleasure was all ours, baby,” Conor says, winking at you. “Come see our next game. We’ll save you and Vicky a spot.” You tell him that you will, and then you smile politely, kissing Victoria’s cheek.

“Do you want me to take you home?” You ask, and she turns the cutest shade of red, eyes staring at Boeser for just a brief second before turning at you again. Oh. “Alright. Call me if you need anything.”

“Will do,” she winks, kissing you too. “Drive safe.”

You briefly hug the other players, wishing them a good night before you leave the bar with Quinn’s hand on your lower back, gently guiding you to his car. The drive to your house was quiet, with Quinn making tiny remarks here and there, but you were so close to saying fuck to all of your beliefs and kissing him that you realized that staying quiet was probably the best move.

It wasn’t like you thought Quinn wasn’t into you. You weren’t dumb, and you knew what the stares he gave you meant, but you also knew that what you had with him, your friendship, was precious and not something that happened to everyone.

Even if you’d just restarted seeing each other a short while ago, it was like you hadn’t stopped talking at all. He still took care of you like he did to young Madison years ago, and he still let you take care of him like you would’ve done if he’d stayed in your life when you grew up.

So risking it all just because you were horny? Not a chance.

“You’re so quiet,” he points out, making a U turn. “Do you miss Bella this much?”

You smile, resting your head on the window. “I do, yeah. But I’m also just tired. Today was a lot.”

“I was telling the truth when I said you were stunning, Maddie. You owned that stage. No one was looking at anyone else.”

“Oh, stop it, Quinn,” you tried to hide the fact that his compliments made you want to start running around while shouting his name. “It’s just my job.”

He raised his eyebrow at you, but didn't say anything else, what was probably for the better. If he complimented you again, you wouldn’t sure that you would be able to stay in your seat without climbing on his lap and begging him to fuck you.

Quinn parks in front of your apartment building and smiles at you, tired eyes shining like the moon that decorated the sky that night. “Want me to go upstairs with you?”

“No, no, it’s fine, I know you’re tired,” you bit your lip, fidgeting with your fingers. “Thank you for coming. And for the ride too.”

“I enjoyed tonight. We should… we should do this again.”

You smirk, playfully. “And invite Conor too?”

He groans, laughing softly.

“No, definitely no,” he shakes his head. “I know that dork already invited you but… if you want to come watch our next game, just give me a heads up. I’ll get tickets for you and your friend.”

“Only if we get to stay in that seat where we can watch the players beat each other up from up close.” You joke, watching as he laughs, wrapping his hand around his abs.

“Consider it done, M,” he blinks, an adorable smile adorning his face. “I’ll text you the details, alright?”

“Mhm,” you nod, removing your seatbelt and pushing your body forward, until you place a light kiss on his cheek, feeling his stubble softly scratch your lips. “Night, Quinn.”

“Bye, Mads.” he whispers, watching you leave the car and only driving away when he sees you enter your building.

You sigh out loud, trying to understand what the hell happened tonight.

౨ৎ

liked by vic_alonso, _quinnhughes, imgmodels and 828,023 other people

madisoncarter little dump from tonight. thank u all for coming 🌟 lavieenrose

View all 3,209 comments

raye this show was yours. Prettiest woman in the world. Xx

vic_alonso we look soooo good in that pic babe

vic_alonso also lowkey wanna kiss u again

user1 vic_alonso 📸🤨

madisoncarter @vic_alonso ‘m all urs baby

user2 why is my husband liking this when he doesn’t even know how to post a picture without Jack’s help pls I need answers

user3 oh both luke jack and quinn liked this we are cooked

maddiecarter_updates We don’t know if we want to be you or have you 🙂‍↕️ stunning as always, queen!

taglist: @hischierswhore @ru-kru @alwaysclassyeagle @he6rtshaker @nope-i-am-done @nngkay 🤎

#quinn hughes x oc #quinn hughes x y/n #quinn hughes x you #quinn hughes angst #quinn hughes fic #quinn hughes fluff #quinn hughes x reader #quinn hughes smut #quinn hughes imagine #quinn hughes #nhl x reader #nhl players #hockey #TYPA

192 notes · View notes

sha-biest · 11 months ago

Note

MODEL MIKEY ACTOR LEO INFLUENCER/TECH BILLIONAIRE DONNIE PR APRIL OH OH OH OH I AM LOSING MY MIND I AM GOING FERAL !!! HEHEHEHEH IM HAVING SO MUCH FUN READING ABOUT THIS

What roles do you think Leo would play?? Is casting a mutant turtle man still difficult in Hollywood or has humankind pretty much warmed up to everyone now? :D

Would Mikey, as a hobby, be one of those makeup gurus who can make like, crazy beautiful works of art out of their makeup?

DOES RAPH LIKE MODELING??? I can imagine him being kinda shy about it at first in my head, but that characterization might just be the influence of fanon lmao

WHAT ARE EACH OF THE BOYS FAVORITE BRANDS/DESIGNS TO MODEL FOR? Off the top of my head I can see Mikey doing high fashion/haute couture, Donnie in luxury suits, Leo doing street wear maybe?? And Raph in sports/fitness?

Who does April have the most PR trouble with? My mind immediately jumps to Donnie cuz I feel like he wouldn't have a filter at all pffft

IM SO EXCITED FOR THIS AU HEHEHE THANK YOU FOR MAKING IT IM BRAINROTTING SO HARD <3333

ALSO!! I was thinking that Raph could just step into the footsteps of his father and make clothes.. princess dresses to be precise and just.. the thought of big buff Raph sewing pretty dresses is everything to me!! I can totally see him doing some modeling for his own dresses but more for himself than anyone else and like you said, he'd be really shy about it! I see both Donnie and Leo in luxury suits and then the fit they typically wear and Leo would be more into adventure type movies/series! And again PR trouble would come from both Donnie and Leo and she is trying not to put them together in one interview because she knows she will have a field day with them fjhbfeikb As for Mikey.. I feel like he'd be really into street wear when he's outside his job and then fod his jobs he's wearing the most expensive dresses CW for eyestrain/bright colors! They are really popping here

#rottmnt #biestart #bodyguard au #cw eyestrain #bright colors #rotating them in my brain

186 notes · View notes

niteshade925 · 5 months ago

Text

April 14, Xi'an, China, Shaanxi History Museum, Qin and Han Dynasties Branch (Part 3 – Innovations and Philosophies):

(Edit: sorry this post came out so late, I got hit by the truck named life and had to get some rest, and this post in itself took some effort to research. But anyway it's finally up, please enjoy!)

A little background first, because this naming might lead to some confusions.....when you see location adjectives like "eastern", "western", "northern", "southern" added to the front of Zhou dynasty, Han dynasty, Song dynasty, and Jin/晋 dynasty, it just means the location of the capital city has changed. For example Han dynasty had its capital at Chang'an (Xi'an today) in the beginning, but after the very brief but not officially recognized "Xin dynasty" (9 - 23 AD; not officially recognized in traditional Chinese historiography, it's usually seen as a part of Han dynasty), Luoyang became the new capital. Because Chang'an is geographically to the west of Luoyang, the Han dynasty pre-Xin is called Western Han dynasty (202 BC - 8 AD), and the Han dynasty post-Xin is called Eastern Han dynasty (25 - 220 AD). As you can see here, in these cases this sort of adjective is simply used to indicate different time periods in the same dynasty.

Model of a dragonbone water lift/龙骨水车, Eastern Han dynasty. This is mainly used to push water up to higher elevations for the purpose of irrigation:

Model of a water-powered bellows/冶铁水排, Eastern Han dynasty. Just as the name implies, as flowing water pushes the water wheel around, the parts connected to the axle will pull and push on the bellows alternately, delivering more air to the furnace for the purpose of casting iron.

The Nine Chapters on the Mathematical Art/《九章算术》, Fangcheng/方程 chapter. It’s a compilation of the work of many scholars from 10 th century BC until 2 nd century AD, and while the earliest authors are unknown, it has been edited and supplemented by known scholars during Western Han dynasty (also when the final version of this book was compiled), then commented on by scholars during Three Kingdoms period (Kingdom of Wei) and Tang dynasty. The final version contains 246 example problems and solutions that focus on practical applications, for example measuring land, surveying land, construction, trading, and distributing taxes. This focus on practicality is because it has been used as a textbook to train civil servants. Note that during Han dynasty, fangcheng means the method of solving systems of linear equations; today, fangcheng simply means equation. For anyone who wants to know a little more about this book and math in ancient China, here’s an article about it. (link goes to pdf)

Diagram of a circle in a right triangle (called “勾股容圆” in Chinese), from the book Ceyuan Haijing/《测圆海镜》 by Yuan-era mathematician Li Ye/李冶 (his name was originally Li Zhi/李治) in 1248. Note that Pythagorean Theorem was known by the name Gougu Theorem/勾股定理 in ancient China, where gou/勾 and gu/股 mean the shorter and longer legs of the right triangle respectively, and the hypotenuse is named xian/弦 (unlike what the above linked article suggests, this naming has more to do with the ancient Chinese percussion instrument qing/磬, which is shaped similar to a right triangle). Gougu Theorem was recorded in the ancient Chinese mathematical work Zhoubi Suanjing/《周髀算经》, and the name Gougu Theorem is still used in China today.

Diagram of the proof for Gougu Theorem in Zhoubi Suanjing. The sentence on the left translates to "gou (shorter leg) squared and gu (longer leg) squared makes up xian (hypotenuse) squared", which is basically the equation a² + b² = c². Note that the character for "squared" here (mi/幂) means "power" today.

This is a diagram of Zhang Heng’s seismoscope, called houfeng didong yi/候风地动仪 (lit. “instrument that measures the winds and the movements of the earth”). It was invented during Eastern Han dynasty, but no artifact of houfeng didong yi has been discovered yet, this is presumably due to constant wars at the end of Eastern Han dynasty. All models and diagrams that exist right now are what historians and seismologists think it should look like based on descriptions from Eastern Han dynasty. This diagram is based on the most popular model by Wang Zhenduo that has an inverted column at the center, but this model has been widely criticized for its ability to actually detect earthquakes. A newer model that came out in 2005 with a swinging column pendulum in the center has shown the ability to detect earthquakes, but has yet to demonstrate ability to reliably detect the direction where the waves originate, and is also inconsistent with the descriptions recorded in ancient texts. What houfeng didong yi really looks like and how it really works remains a mystery.

Xin dynasty bronze calipers, the earliest sliding caliper found as of now (not the earliest caliper btw). This diagram is the line drawing of the actual artifact (right).

Ancient Chinese "Jacquard" loom (called 提花机 or simply 花机 in Chinese, lit. "raise pattern machine"), which first appeared no later than 1st century BC. The illustration here is from the Ming-era (1368 - 1644) encyclopedia Tiangong Kaiwu/《天工开物》. Basically it's a giant loom operated by two people, the person below is the weaver, and the person sitting atop is the one who controls which warp threads should be lifted at what time (all already determined at the designing stage before any weaving begins), which creates patterns woven into the fabric. Here is a video that briefly shows how this type of loom works (start from around 1:00). For Hanfu lovers, this is how zhuanghua/妆花 fabric used to be woven, and how traditional silk fabrics like yunjin/云锦 continue to be woven. Because it is so labor intensive, real jacquard silk brocade woven this way are extremely expensive, so the vast majority of zhuanghua hanfu on the market are made from machine woven synthetic materials.

Chinese purple is a synthetic pigment with the chemical formula BaCuSi2O6. There's also a Chinese blue pigment. If anyone is interested in the chemistry of these two compounds, here's a paper on the topic. (link goes to pdf)

A list of common colors used in Qin and Han dynasties and the pigments involved. White pigment comes from chalk, lead compounds, and powdered sea shells; green pigment comes from malachite mineral; blue pigment usually comes from azurite mineral; black comes from pine soot and graphite; red comes from cinnabar; ochre comes from hematite; and yellow comes from realgar and orpiment minerals.

Also here are names of different colors and shades during Han dynasty. It's worth noting that qing/青 can mean green (ex: 青草, "green grass"), blue (ex: 青天, "blue sky"), any shade between green and blue, or even black (ex: 青丝, "black hair") in ancient Chinese depending on the context. Today 青 can mean green, blue, and everything in between.

Western Han-era bronze lamp shaped like a goose holding a fish in its beak. This lamp is interesting as the whole thing is hollow, so the smoke from the fire in the lamp (the fish shaped part) will go up into the neck of the goose, then go down into the body of the goose where there's water to catch the smoke, this way the smoke will not be released to the surrounding environment. There are also other lamps from around the same time designed like this, for example the famous gilt bronze lamp that's shaped like a kneeling person holding a lamp.

Part of a Qin-era (?) clay drainage pipe system:

A list of canals that was dug during Warring States period, Qin dynasty, and pre-Emperor Wu of Han Han dynasty (475 - 141 BC). Their purposes vary from transportation to irrigation. The name of the first canal on the list, Hong Gou/鸿沟, has already become a word in Chinese language, a metaphor for a clear separation that cannot be crossed (ex: 不可逾越的鸿沟, meaning "a gulf that cannot be crossed").

Han-era wooden boat. This boat is special in that its construction has clear inspirations from the ancient Romans, another indication of the amount of information exchange that took place along the Silk Road:

A model that shows how the Great Wall was constructed in Qin dynasty. Laborers would use bamboo to construct a scaffold (bamboo scaffolding is still used in construction today btw, though it's being gradually phased out) so people and materials (stone bricks and dirt) can get up onto the wall. Then the dirt in the middle of the wall would be compressed into rammed earth, called hangtu/夯土. A layer of stone bricks may be added to the outside of the hangtu wall to protect it from the elements. This was also the method of construction for many city walls in ancient China.

A list of the schools of thought that existed during Warring States period, their most influential figures, their scholars, and their most famous works. These include Confucianism (called Ru Jia/儒家 in Chinese; usually the suffix "家" at the end denotes a school of thought, not a religion; the suffix "教" is that one that denotes a religion), Daoism/道家, Legalism (Fa Jia/法家), Mohism/墨家, etc.

The "Five Classics" (五经) in the "Four Books and Five Classics" (四书五经) associated with the Confucian tradition, they are Shijing/《诗经》 (Classic of Poetry), Yijing/《易经》 (also known as I Ching), Shangshu/《尚书》 (Classic of History), Liji/《礼记》 (Book of Rites), and Chunqiu/《春秋》 (Spring and Autumn Annals). The "Four Books" (四书) are Daxue/《大学》 (Great Learning), Zhongyong/《中庸》 (Doctrine of the Mean), Lunyu/《论语》 (Analects), and Mengzi/《孟子》 (known as Mencius).

And finally the souvenir shop! Here's a Chinese chess (xiangqi/象棋) set where the pieces are fashioned like Western chess, in that they actually look like the things they are supposed to represent, compared to traditional Chinese chess pieces where each one is just a round wooden piece with the Chinese character for the piece on top:

A blind box set of small figurines that are supposed to mimic Shang and Zhou era animal-shaped bronze vessels. Fun fact, in Shang dynasty people revered owls, and there was a female general named Fu Hao/妇好 who was buried with an owl-shaped bronze vessel, so that's why this set has three different owls (top left, top right, and middle). I got one of these owls (I love birds so yay!)

And that concludes the museums I visited while in Xi'an!

#2024 china #xi'an #china #shaanxi history museum qin and han dynasties branch #chinese history #chinese culture #chinese language #qin dynasty #han dynasty #warring states period #chinese philosophy #ancient technology #math history #history #culture #language

96 notes · View notes

stormcrow13 · 11 months ago

Text

Rolling with Difficulties and a breakdown of project creep

Rolling with Difficulty is a live play 5e D&D Planescape podcast. Sophia, who plays Dani (does the Moviestruck podcast and is Overly Sarcastic Productions editor/producer) made several jokes about precious moments figurines in Season 3 so I wanted to make precious moments figurines of the characters. I started that in January of 2023 when Season 3 was playing and I posted it on April 1 of last year.

Since I made those I thought I might as well make minis and since I wanted to reduce the number of packages I held off on sending the precious moments to the RWD PO Box. And since I wanted everything, other than the precious moments figures(because I showed them off while making them), to be a surprise I didn't post any of them. Austin the DM thought that Intellect devourers are too goofy with dog legs so he gave his spider legs which I though was cool so I made it and printed a few. @comicaurora, who plays Kyana, posted some concept art of an ancient drone that appeared for a chapter of Aurora and I was inspired by the one she labeled as dumb so I modeled it. I thought it would be weird to only send one concept and not the one that appears in the comic so I did those too. They got posted earlier and separately since they are not RWD.

By the end of Season 3 I had modeled the original crew and Dani's robot cat Plug and printed a mini of each(plus and extra Dani for season 1 red Dani) for their player and Austin. I though I should send a Plug in scale with the Precious Moments figures and that the rest of the crew would want them. So I printed one for every cast member.

And then between seasons 3 and 4 they did a Weird Little dude one shot giving official art for every crew member's companion. One of Finbar's pixies Old Bay, one of VR-LA's mechanical bugs Drone, and Kyana's pseudo dragon Sunny. So I modeled all of them and printed one for their player and one for Austin. I was trying to paint and send out all them before Season 4 started so I wouldn't have to model Vhas. Well Season 4 ended in September 2023 and I'm posting this now. Season 5 was announced to be the last about the crew of the Per Aspera and I was still procrastinating on painting them so I made peace with them not being painted and just sent them. Austin told me he opened the packages right before recording the last episode of Season 5.

And I ended up needing to send them in two boxes despite not wanting to send more than one being the reason I delayed sending them.

The Models can be Downloaded for free from

Printables: Crew, Weird Little Dudes, Intellect Devourer

Thingiverse: Crew, Weird Little Dudes, Intellect Devourer

If you want to help me keep making free models or to tell me what I should make next please check out my Patreon

#dnd miniatures #28mmminiatures #miniature #mini #dnd #3d model #mini painting #rolling with difficulty #vr la rwd #dani rwd #kyana rwd #vhas rwd #finbar rwd #thing i did

264 notes · View notes

mirai-e-jump · 11 months ago

Text

Uchusen Vol.184 (Spring 2024) Bakuage Sentai Boonboomger | Detail of Super Sentai ft. Main Cast & Staff Interviews (translations below)

Publication: April 1, 2024

Iuchi Haruhi x Hayama Yuki x Suzuki Miu

"First, regarding the three of you, we'd like to ask, what motivated you to pursue the entertainment industry and acting in the first place?"

Iuchi: When I was in my second year of middle school, I saw the TV drama "Death Note" starring Kubota Masataka-san, which motivated me to become an actor. When I was in elementary school, I was really lacking confidence and always wanted to be someone other than myself, so when I saw Death Note, I felt that I could become someone else if I was an actor.

Hayama: I joined my current agency at 16 after being contacted in Osaka. At the time, I wanted to become a hairstylist, and at first I was thinking of turning down their offer, but the agency contacted me for over six months, and my mother said, "Since they're going this far, why don't you take atleast one audition?" And so, I took it and passed, and now I'm sitting here (laughs). I can say this now, but I did my first job without knowing what I was doing……But as I did it, I learned to enjoy the work, and from there I decided to become an actor.

Suzuki: When I was little, I was a regular reader of "Nicola," a fashion magazine for middle schoolers, and I'd carry it with me everywhere I went every day. It started when my sister recommended that I audition as an exclusive model. I applied when I was in my fifth year of elementary school and made it to the final round, but was rejected there. I was so disappointed, that I applied on my own the following year and was accepted.

"Why did you decide to also pursue acting after joining as a model?"

Suzuki: It started when I took acting lessons at my agency. At first, I wasn't very good at the lessons, but after 2-3 years, I had a moment where I felt that acting was fun. It all started with something trivial during a lesson, but from there I wanted to become better, and now I'm working hard at acting.

"Have you watched any of the previous Super Sentai or other tokusatsu productions?"

Hayama: I loved "Kamen Rider Kabuto," and had the transformation items for all the Kabuto Riders and I used to play with them with my younger brother.

Iuchi: I also watched alot of them. My house was full of Kamen Rider toys and my cousin's house was full of Super Sentai toys, so we used to play with them at each other's houses. I remember "Kamen Rider Wizard" being my favorite.

Suzuki: My older sister liked Super Sentai, so because of her, we used to watch "Mahou Sentai Magiranger" together. The other day, when Director Watanabe Katsuya asked me, "Have you seen any of the older tokusatsu shows?" I said, "I watched Magiranger!" and he said, "I used to film that too." I was deeply moved and happy to think that I'm now creating new heroes together with the people who created heroes for me to admire when I was a kid.

Hayama: Someday, we'll also become the ones who people admire.

Suzuki: I want to become one!

Iuchi: There's no doubt.

"What were your first impressions of Boonboomger?"

Iuchi: When I saw the materials for Boonboomger at our meeting, I felt that the designs and naming were back to the "taste" of the old days compared to the recent Super Sentai (laughs).

Hayama: When I read the script, my impression was that Boonboomger would be a cheerful and easy to understand show that both parents and children could enjoy together.

Suzuki: When I first saw the visuals, I thought it was quite original (laughs). It's like it was etched into my mind at first sight. The tires being slapped onto their faces leaves an unprecedented impact.

"How do you feel about the characters you're playing?"

Hayama: I had heard that he was a really cool character, and that's what I thought when I read the script, but as the story progressed I couldn't help but wonder……Is Ishiro really that cool? (laughs). My impression of him changed.

Suzuki: Mira is an innocent, energetic and cheerful mood maker, and I get the impression that she's similar to me. I think it's very easy to play, and that I'm able to project what I have into the role.

Iuchi: My first impression of Taiya was that he was interesting but difficult. When I read a script, to form my first impression, I often think about how the character's personality is similar to that in an anime or movie, but that didn't come out at all with Taiya. Gradually, I'm trying to find my own version of Taiya.

"What were your first impressions of each other?"

Iuchi: I've been together with Yuki-kun since the audition. I was Red and Yuki-kun was Blue, which is a common combination, and while everyone at the audition was nervous, my first impression of Yuki-kun was that he was sharp, cool, and very much Blue. It's completely different now (laughs).

Hayama: Hey?! (laughs).

Iuchi: Once I got to know him, there wasn't a hint of coolness (laughs).

"What about Suzuki-san?"

Iuchi: My first impression at the meeting was that she's someone who pays close attention to her surroundings, and she gives off the image of treating each person in the way they'd like to be treated.

Suzuki: That was your first impression?! I'm glad (laughs).

Iuchi: My impression of Suzuki-san hasn't changed (laughs).

"Hayama-san, what about you?"

Hayama: As Haruhi mentioned, I often worked with him from the early stages of the audition. I wasn't aware of it at first, but Haruhi had also passed the audition, and I was happy that the partner I was competing with for so long was there. My first impression of Haruhi was that he was a quiet person. But when it comes to acting, his voice changes, or rather, the way he speaks changes. His on and off switch is amazing. Now that I can see more of Haruhi's natural side, the image I get is that he acts appropriately for his age (laughs).

"What about your impressions of Suzuki-san?"

Hayama: The four male members of Boonboomger are surprisingly shy, and when we're unsure of what to say, Miu-chan will talk to us and bring the four of us together, so I have the image that she's a caring person. Now, she's surprisingly outspoken and is showing new sides of herself.

"Suzuki-san, what are your impressions of these two?"

Suzuki: Haruhi-kun has a very distinct voice. I got the impression that he was someone who spoke in a very calm and comfortable tone. Also, at the first costume fitting, when they asked if anyone had any problems with their costume, Haruhi-kun raised his hand and said, "I don't know how to walk in these sneakers." The heels on Taiya's sneakers are about 6cm high, and I was really impressed by the way he walked in a very unusual way, without bending his knees, he looked like a penguin (laughs).

Iuchi: They had a high bottom like heels. I've never worn heels before, so I didn't know how to walk in them (laughs). I ended up having the insoles lowered so I could walk safely.

"What about Hayama-san?"

Suzuki: My first impression was that he was a cool person. It's different now (laughs). He's very silly, very meddling, and an interesting Kansai person.

Hayama: How strange (laughs).

"Filming has progressed and we think you've gotten a feel for your characters, but what parts of your performance are you mindful of?"

Iuchi: As mentioned earlier, I still haven't fully grasped Taiya himself yet, but I decided to create Taiya not by thinking about him, but by thinking about the kind of character he is when he's with "this person." I'm getting to know Taiya through his relationships with the people around him, such as the sense of distance between him and Ishiro, and between him and Mira.

Hayama: There are many things about Boonboomger and our character's pasts that I can't talk about yet, but I've had the opportunity to learn more deeply about Ishiro's relationships and the way he interacts with people, and thanks to that, I feel I have a better grasp on my performance as Ishiro.

Suzuki: It's a small detail, but when I speak with a loud voice, my voice tends to come from higher up. However, Mira is an aggressive kid who's always moving forward on her own, so I try to act with the image of putting her voice forward as much as possible. When I saw the broadcast of the first episode, I felt that my voice came out too high, so now I'm trying to express Mira's momentum by bringing my voice forward.

"Did you two get any feedback on your performance from watching the finished footage?"

Iuchi: Taiya's a character who isn't overly emotional, but the Director pointed out that I was too conscious of this and that there was little intonation in my line delivery. When I watched the first episode again, I realized that when the sound effects and BGM were added, my dialogue was drowned out and lost. My voice is loud during battle scenes, but I thought it sounded kind of monotonous in other scenes. I felt that alittle more inflection and speed could be added from the time I'm Taiya before transforming into BoonRed.

Hayama: For me, it was more a reflection than a new discovery. At first, there were parts where I didn't fully understand what the Director was saying, but after watching the footage, I finally realized what it was he was trying to say. I'd like to make the most of it in future shoots.

"After watching the footage, It seems that everyone's performance may change in future episodes. So, is there anything you'd like to challenge yourself with in Boonboomger?"

Iuchi: I'd like to act with more emotion. Like Mira, she's happy, angry, or sad to the fullest, Taiya hasn't had a scene like that yet, so I'd like to try it.

Suzuki: I'd like to try the so called "swapping episode." The other day, we all practiced for a possible situation where our roles have been swapped. For example, I tried predicting what Ishiro would be like in Mira by saying certain lines. So, if there was a swap, I think everyone would be able to do it at a pretty high level (laughs).

Hayama: For me it's action. The first time I practiced action, it was so difficult that I couldn't imagine what it would be like to film it while acting and saying lines. But, I think I can learn alot from it, so I want to give it a try.

"And finally, please tell us some key points to watch out for to make Boonboomger even more enjoyable."

Hayama: Some may feel that Ishiro is a cold person based on his attitude toward Mira at first, but he's a character kinder than anyone else. He doesn't view things with a biased perspective, and is a man who treats people with respect. So, as the story progresses, please pay attention to the relationships between Ishiro and the people around him. I especially hope people look forward to his relationship with Mira.

Suzuki: The five of us are all unique, and if we were in the same class, we would never belong to the same clique. What will happen to these five going forward? I think we may clash with each other when we're together, but how will we change and "become one color"? I'd like you to pay attention to that.

Iuchi: I'd also like you to pay attention to the battle scenes. The staff told me that they place importance not only on coolness, but on how to incorporate a comical touch to the coolness. The voice actors adlibs are also amazing, for example, in the first episode, Mizuki Nana-san, who plays Ittasha, adlibbed "Ka-click" before saying "Ignition," and Matsumoto Rica-san, who plays Bundorio, also adlibs, which is always fun. Because I've read the scripts, I can see that there are alot of lines that aren't in them, and I think you can especially see that in the battle scenes. I'd be very happy if you could pay attention to the comical side within the coolness.

Saito Ryu x Soma Satoru

"First, please tell us how you both became interested in the entertainment industry and acting."

Saito: When I was in my second year of high school, I won the Grand Prix in the Junon Superboy Contest, and that's when I entered the entertainment industry. When I was in middle school, I had the opportunity to think about my career path, but at that time I couldn't find what I wanted to do. However, I admired heroes and wanted to do something to help others, and after that I studied to become a high school teacher. Still, since we only have one life, I wanted to do something even bigger, so I applied to Junon, and that's when I decided to pursue a career in the entertainment industry.

"Does that mean you admired (super) heroes? Did you watch tokusatsu shows?"

Saito: I watched Super Sentai and Kamen Rider. Heroes who purely fight for the sake of others are cool, I admired them. Boys like that kind of thing even after they grow up, don't they? I thought that I wanted to get a job where I could protect people, like a firefighter, policeman, or a school teacher who leads people.

"BoonBlack, who's also a police officer, is a perfect role for Saito-san."

Saito: This character is the very embodiment of my dream!

"Soma-san, what about you?"

Soma: When I was in high school, I was thinking about what I wanted to do, but nothing came to mind. I thought that I might be able to change if I came to Tokyo, so I moved to Tokyo, found employment, and worked in sales for four years. I had alot of connections during that time, and as I worked at my current agency, and was given the opportunity to do things like model, my desire to do acting grew stronger……and that's how it all started.

"What kind of roles do you want to play?"

Soma: I'd like to play characters who are psychopaths (laughs). Genba Bureki isn't a psychopath, but he's a mysterious person whose true identity is unknown, so I think there are some similarities. I've always wanted to take on a role like that, so I'm really looking forward to discovering many new things about myself by playing the role of Genba.

"Saito-san, you said you admired heroes, so can you tell us about the tokusatsu shows you watched during your childhood?"

Saito: I'm from the generation of "Engine Sentai Go-onger," but I was really into "Kamen Rider Ghost." I love historical stories, especially "Romance of the Three Kingdoms," so I was waiting to see if any generals from the Three Kingdoms would appear in Ghost.

Soma: I used to watch "Kamen Rider 555" and "Kamen Rider W," and for Super Sentai, I still have the "Ninpu Sentai Hurricanger" book that I got in preschool at my parents house.

"Soma-san later made an appearance in Avataro Sentai Donbrothers……"

Soma: After playing the role of a playboy (the one who tried to pick up Sononi in episode 8), I finally became a hero this time (laughs). The first filming location for Boonboomger was the same for me in Donbrothers, so I thought, "This is where I was picking up women!" It's kind of inappropriate to say though (laughs).

"When it was announced that the two of you would be appearing in the next Super Sentai production, including your family, what was the reaction from those around you?"

Saito: I didn't tell my family until the very last moment before the production announcement. On the day of the announcement, I told them in a video call that, "I'm going to be playing the role of Black in the next Super Sentai." My father, mother and older sister froze for a moment and then burst out laughing for some reason (laughs). They congratulated me, but then my mother immediately said, "More importantly, there's no snow in Akita, so we can't make snow huts (kamakura)." I thought, "What do you mean more importantly?!" (laughs). No matter how hard I tried to explain it to her, my mother kept talking about snow huts. Especially since I don't come from a family that makes a living off building them (laughs). Still, rather than them expecting too much, I think I preferred it being this easy, so I didn't feel any pressure.

Soma: I think my mother was particularly pleased. Also, my older sister has a 3 year old child, so I'm hoping that when they're older, they'll watch Boonboomger. I want to tell them that their uncle is a Boonboomger.

Saito: If my nephew asked me to "Henshin!" I think I'd do it immediately (laughs).

Soma: I'd call Ono Yukimasa-san (BoonOrange's Suit Actor) to transform for me (laughs).

"What were your initial impressions of Boonboomger during the auditions?"

Soma: At the time of the audition, I didn't even know the name "Boonboomger" yet. However, when I read the script, I felt that the atmosphere would be alittle different compared to recent Sentai.

Saito: I went into the audition thinking that I wanted to be Red, but my image of Red was that from older productions……I imagined Red as a super hot blooded and serious character, but Taiya isn't like that at all. Rather, I'm more like Jou, and as a result, I perfectly fit into his character (laughs).

Soma: Since I'm 27, I didn't aim for Red. I have the impression that recent Sentai casts include older members among the younger ones, so I was auditioning with a pinpoint aim for that position.

"Did you two meet each other at the audition?"

Soma: We met in the third or fourth round of the audition, right?

Saito: I remember my impression at that time. Satoru-kun was really mysterious and I didn't know what he was thinking. Because it was an audition, everyone was very intense, but for better or for worse, only Satoru-kun was just mysterious. He was so laid back, but he had such a strong presence that I thought, "Who is this guy?" That's why I was scared of him at first. But when I talked to him, I found out that he wasn't like that at all (laughs).

Soma: He spoke clearly and had a fresh feel to him, and I felt at ease knowing that he wouldn't be playing the same role as me.

"What are your impressions of Red, Blue and Pink?"

Saito: To be honest, from the beginning of the audition, I felt that Haruhi and Yuki-kun were Red and Blue.

Soma: That's for sure.

Saito: Haruhi's voice and way of speaking are truly Red. The moment I heard his voice at the audition, I immediately "shifted gears" that Haruhi was already Red (laughs). It's not good to focus solely on Red, as Yuki-kun's way of speaking and personality are also Blue. Then I thought about what I could do and gave it a try.

"What about Suzuki-san?"

Saito: I'm not very good at remembering women's faces and names, and I don't really remember much about Miu-chan from the audition……However, I was impressed by a girl who gave me a fist bump, and later I found out that that girl was Miu-chan (laughs).

"Now, please tell us about the characters you're playing."

Saito: Jou's a character with a high amount of freedom, and I'm often asked to adlib or "try something" on set. It's a really incredible role, but it's difficult. The other three male members are cool or mysterious and don't show much emotion. Jou shows his emotions, so I try to express them through my face and body, but it's still difficult. I'm learning how difficult it is to express myself, because I sometimes feel that I'm not expressing myself well, or that it's unnatural. I hope to bring out more of the pitiful and clumsy, yet still lovable character of Jou.

Soma: Up to the current episode that's aired, there are many aspects of Genba that even I don't understand. However, he's the kind of character who will reach out to you when you need him, so I hope I can express both his sketchiness and kindness. He's a character I've never played before, so it'll be difficult.

"What are you mindful of when playing your roles?"

Soma: I'm the oldest of the Boonboomger members, and Genba is also older than the other characters, so I'm conscious of giving off a sense of seniority by speaking in a calm manner. And then there's being suspicious (laughs).

Saito: I feel that Jou's a character that's as close to me as possible, and I think it'd be good if I could bring him closer to me. However, when I try to express Jou's straightforward feelings, I find it difficult to do so. Because the character is so close to me, it's difficult to express the parts of him that are different from me.

"Was there anything that the Director told you during filming that left an impression on you?"

Saito: Director Watanabe Katsuya told me, "You're a rugged and passionate guy like the old Reds, give it your all." I was happy and could feel the Director's passion.

Soma: Genba's hair is orange and permed, so the Director's first order to me was, "I don't want him to come off as a player." I was conscious of the way I spoke and the tone of my voice, keeping my voice low so it doesn't sound too loud.

"Have you spoken with the post transformation Suit Actors?"

Saito: At the beginning of the story, when Jou doesn't appear much and doesn't transform, I didn't have much of a chance to talk to Shige-san (Ito Shigeki). However, I had alot of performances where I was suspended by wires, and Shige-san gave me advice on how to move.

Soma: I can't talk about BoonOrange in detail yet, but I'm trying to make him look more mature while talking with the Suit Actor Ono Yukimasa-san and the Directors. Other than my own role, I'm paying attention to the performance of the Nejiretta. Within Boonboomger, I like the Nejiretta the most!

Saito: Satoru-kun imitates the Nejiretta any chance he can get (laughs).

"Going forward, is there anything you'd like to do in an episode of Boonboomger, or is there anything you'd like to try as an actor?"

Soma: I'd like to do a swapping episode, which may become an annual thing. I'd like to play a character that I'd never play, someone like Mira.

"In our interview with Suzuki-san, she also mentioned that she'd like to do a swapping episode. However, she predicted that Ishiro would be in Mira (laughs)."

Soma: She's been taken (laughs). But, it'd be fun to swap characters with anyone.

Saito: You love the Nejiretta so much, that you'd swap with one of them (laughs).

Soma: I'll go all out when the time comes! (laughs).

"Saito-san, what about you?"

Saito: I'd like to do a battle scene before the transformation. Of course, I want you to see Black's battle after his transformation, but I also want to fight myself. I've been taking action lessons and I think I can do some basic things, so I'd like to do some pure action scenes. I hope the time will come when I can show you the results of my daily muscle training (laughs).

Soma: When changing clothes, everyone else changes in the dressing room, but he changes his clothes on set and shows off his muscles (laughs).

Saito: I'll pull myself together and make sure I'm ready for you all to see me without being embarrassed (laughs).

"And finally, could you tell us about some key points to watch out for to make Boonboomger even more enjoyable?"

Saito: I think Super Sentai in recent years has had many heroic action scenes, and the Robo battles are also very powerful. I hope you'll enjoy the real thrill of tokusatsu. And then there are the Sanseaters. They're not just villains, but rather, lovable characters who are somewhat clumsy, so I think you'll enjoy it even more if you pay attention not only to us Boonboomgers, but also to the enemy characters.

Soma: Don't forget the Sanseaters and Nejiretta (laughs). The members of Boonboomger have distinctly different colors and personalities, so I think you'll be able to discover new aspects of each character every time. I'd be happy if you enjoy discovering these new aspects of every character each time you watch.

Producer Kuji Yoshito x Main Writer Tomioka Atsuhiro

"Kuji-san has been involved in the production of many Super Sentai series, but this is his first interview with this magazine. May we ask about your background?"

Kuji: I joined Toei in 2011, and was one of the rare new employees at Toei who loved tokusatsu (laughs). I was involved with "Space Sheriff Gavan The Movie," and for Super Sentai, "Zyuden Sentai Kyoryuger" and later "Shuriken Sentai Ninninger," but after that, I was transferred to the Educational Video Department and was separated from tokusatsu. Last year, I heard about the use of LED walls in King-Ohger and was very interested, so I gathered information within the company and visited the filming location. I don't think this had anything to do with it, but I was later transferred to the Drama Planning and Production Department and joined the team as a Producer for King-Ohger. As a tokusatsu enjoyer, this was something I couldn't have hoped for, but on top of that, as I was entrusted with the job, I was told that, "You'll also be the Chief Producer of the next Sentai…"

"In addition to the production currently being aired, he'd soon take charge on a new one…! Did you have an idea who the Main Writer would be at that point?"

Kuji: I originally loved "Battle Spirits," which Tomioka-san wrote for. Because of that impression, I was hoping to work with him someday. So, as soon as I started thinking about the new project, I consulted with Tsukada Hideaki, who had worked with Tomioka-san on the anime "Fuuto PI" as Chief Director, and said, "I'd like to meet Tomioka-san! Please introduce me!"

Tomioka: Suddenly, I received an e-mail from Toei, so I assumed it was a request from Toei Animation.

"Tomioka-san has participated in many productions by Toei Animation, such as ONE PIECE and Dragon Ball Super."

Tomioka: When I read it carefully, I was so happy that I jumped up and down because it was a request for a live action production, which I had longed to do. However, there was no mention of the "to" character for "tokusatsu" in the e-mail, so when it was decided that we would meet……I wondered if I'd be able to write about "Kasouken no Onna." After hearing about the Super Sentai series, I wanted to write a live action drama, which is why I originally entered this industry, and furthermore, I wanted to write a tokusatsu hero story, so I said, "I'll do it!"

Kuji: He was very enthusiastic. I was also very happy because we were taking a chance. Joining in on Tomioka-san's high motivation, the conversation proceeded at a rapid pace from there.

"What was the reason you originally wanted to write tokusatsu?"

Tomioka: I love toys! Even when I was working on my debut work in anime "Brave Exkaiser," I was collecting toys of the Gattai Robos. I always wanted to write a tokusatsu show that's closely intertwined with the toys, but I could never find the right opportunity to do so. And then, Kuji-san approached me. I had written stories for various productions in the past while keeping pace with the toy release schedule, so there was no trouble in creating the story. When I heard that the motif this time was cars, I was excited and thought, "I can do car action!" but then I calmed down and realized that you can't really do car crashes in the city nowadays. Nagahara Hideichi-san, my Scriptwriting mentor, wrote "Seibu Keisatsu" in which they drive an armored car through Ginza and had car action, so I'd like to create a world like that someday (laughs).

"It was decided from the beginning that cars would be one of the motifs, right?"

Kuji: Although the keyword was ultimately decided after discussions with TV Asahi and Bandai, I originally wanted to use "creative" as a keyword. Of course, there are many Sentai productions that use cars as a motif, but if we were to upgrade them to modern values, I thought it would be possible to incorporate the "manufacturing" that children are familiar with from videos and games. For example, in the past, the super machines would be given to them by a large organization or an unknown entity like, "We'll give this to you guys!" So instead of that, I thought that building and riding machines from their own hands would be an easier choice for admiration in the modern day. From there, I expressed to Tomioka-san this desire to portray a team doing something creative while gathering together for a mission.

Tomioka: In other words, it's like "Fast & Furious" (laughs). In addition, it's tempting to make cars talk as a way to appeal to younger viewers, but if you're really conscious of the fact that they're cars, it's better not to make them talk. I wanted to express that a machine is the best it can be because of the awesome power of the human driver. Also, in addition to the Boonboom Cars, the five of them would've had a car (through production), and I suggested that their occupations be car related, but that didn't work out……As you can imagine, we can't send out five cars all at once.

"At the same time as Tomioka-san, was pilot Director Nakazawa Shojiro also sent an offer?"

Kuji: When I was thinking about the image of the heroes I wanted to create, I wanted a Director who would take the direction I had created with Tomioka-san and push it even further beyond our imaginations. I think that Nakazawa-san is a Director who adds twists to the story, not just pure coolness. I asked Nakazawa-san to direct the pilot because I wanted him to take Boonboomger to a place where my sensibilities couldn't go. Besides, Tomioka Atsuhiro x Nakazawa Shojiro was the combination I most wanted to see. This combination is "alchemy" at its finest.

"Because of the use of LED walls in the previous work King-Ohger, we think there was more filming on set than on location. On the other hand, in this production, there's alot of filming on location due to driving cars. What were your guidelines for filming?"

Kuji: They really pushed King-Ohger to the limits to see how far they could go with their technological capabilities. This allowed the staff to share the work "calories" for each process. As Tomioka-san mentioned earlier, it's difficult to produce five regular theatrical cars. However, I had alot of discussions with the staff about the possibility of producing many Boonboom Cars by using assets (3DCG model data). Live compositing is used to represent the Boonboom Cars cockpit, the highway space, and the maintenance room. While considering sustainable work calories, I thought about how to produce the best image in a timely manner.

"In the first episode, Mira joins the Boonboomger and the story begins with a three member team. How did you come up with the story?"

Tomioka: We were thinking of doing something that would be most pleasing for children, our main audience, in other words, the classic battle hobby for boys. Taiya and Ishiro, and even Bundorio were already a team, and were strong from the beginning. In my experience, this structure, where it's important to be strong from the beginning, and then add the newcomer Mira to further strengthen them, is something that children feel good getting into. When I heard Kuji-san's idea of each person being a car related professional, Shirakura Shinichiro-san, who happened to be present at the meeting, said, "It's like the Hissatsu series." Actually, I love the Hissatsu series, and Shirakura-san's words made me really excited, thinking, "I can do something that I've always wanted to do but haven't been able to do!" I hope I can portray adults that children will admire to become. The style that's often depicted in the Hissatsu series is that a newcomer (Mira) joins the professionals, and the pasts of the other members are slowly revealed. Then it naturally becomes a story about the bonds of the team. The story line of Boonboomger is moving in an increasingly interesting direction as we incorporate ideas from other Scriptwriters one after another.

"Looking back at the Super Sentai series over the past few years, Ohsama Sentai King-Ohger, Avataro Sentai Donbrothers and Kikai Sentai Zenkaiger have been written almost exclusively by a single Scriptwriter. Tomioka-san, you're working with multiple Scriptwriters to create Boonboomger, what's your goal?"

Tomioka: I believe that by incorporating ideas that come from other people, not just myself, the characters will be able to develop. I'd love to write all the episodes by myself, but I think it's more appropriate if this production is written by a team of multiple people. Besides, it'd be boring to keep the heroes I've always wanted to myself. The style I like is to call my friends and then we all go wild in this new world together. First, since I was approached for "Fuuto PI" by chance, I was sure that Higuchi Tatsuhito-kun, who was in charge of the composition for the Fuuto series would be invited. Additionally, I approached Yamaguchi Hiroshi-san, who worked with me on "K-tai Investigator 7," once the project had been decided to a certain extent. Yamaguchi-san also writes to the extreme at full power. When I came to the Toei Tokyo studio with Yamaguchi-san, he said, "You're always on the opposite side, right? (at Toei Animation)" (laughs). Also, we have a younger man named Morichi Natsumi-san participating. Higuchi-kun and I are inspired by each and every tokusatsu scene, and our members have a deep and reassuring love for the characters. I've also reached out to Konuta Kenji-san, a former Writer for "Uchusen," and I'm hoping to work with this team until the final episode. There's also the fact that each of us wants to write only for the characters we have a strong attachment to (laughs). Like the Sanseaters……

"We'd like to ask you about the enemy characters here, but the Sanseaters seem to have a formation that we've seen in a production that Tomioka-san has worked on…….?"

Tomioka: Team Rocket from "Pokemon," right? (laughs). This time, due to various restrictions, the enemy doesn't have a hideout, so I wondered what kind of enemy I should make…..When I thought about it, I suddenly remembered the Greeed from "Kamen Rider OOO" and Heart and the others from "Kamen Rider Drive." Every time they're in some unknown place, they're talking to each other. When I thought about if I could get any inspiration from that……I came up with Team Rocket. I thought, "Villains who sleep outdoors!" (laughs).

Kuji: It was Tomioka-san's idea. There was no reason to hit the brakes anymore. We all stepped on the gas during the meeting.

Tomioka: To begin with, Yamaguchi-san and I grew up watching "Himitsu Sentai Gorenger," so when we think of Sentai enemies, we got the impression that they're monsters who are abit stupid and do interesting things.

"Listening to his story, we can see that Tomioka-san, who is an authority in children's productions, is putting into full use what he's cultivated. However, you haven't worked on a tokusatsu show since K-tai Investigator 7, and this is your first time working on a Toei tokusatsu production. Did you feel at a loss in that respect?"

Tomioka: In "K-tai," the enemy wasn't monsters. The main focus was on fighting hackers, and the only thing "tokusatsu" was the cell phones (Phone Braver) moving. In contrast, in the Super Sentai series, there are monsters, they become giant, the heroes announce themselves, they transform, and…..alot of other things. I thought I knew what I was getting into, but when it came time to actually write the script, it was difficult.

"There's something you have to do each time."

Tomioka: That's right. On top of that, in order to create something interesting, we received a variety of ideas from tokusatsu Director Butsuda Hiroshi for the giant battles, as well as feedback on what to do with the regular sized battles from Directors with past experience. The interesting part is the drama part, where the Directors don't often express their opinions. Therefore, when thinking about the drama part, I prioritized what Kuji-san wanted to create. I think this is the biggest difference from anime.

"Do you mean that you put the Producer's opinion first?"

Tomioka: In my experience, it's rare for a Producer to lead a production by himself, because in the case of anime, the opinion of the author is important if it's an original story, and the opinion of the Director or series creator is important if it is an original production. However, when Toei's tokusatsu shows are first announced, fans are always wondering who the Chief Producer is, aren't they? It's refreshing to know that fans are also paying attention to who will lead the production.

Kuji: That's what Tomioka-san says, but from my point of view, I'm being too dependent on him. Normally, the Chief Producer of Toei tokusatsu productions usually leads the discussion in meetings, but Tomioka-san took my opinions into consideration and organized the discussion by saying, "This is what you want to do, isn't it?" By incorporating the opinions of other Writers, he makes it even more interesting by saying, "This one's more explosive!" I think this is reflected in the footage in a good way. Maybe this is a style that hasn't been used in the past 47 series.

Tomioka: Come to think of it, in anime, a series composition chart is created to show what happens from the first episode to the final episode, but it seems that they don't usually prepare one for the Super Sentai series.

Kuji: Even though we have a rough idea of what we want to do, it has a strong "live" feel, so there's a possibility that we'll have to adjust the story halfway through.

Tomioka: I couldn't help but be anxious about that……So, before writing episodes 3 and 4, I told Kuji-san, "I want to decide how the story will develop until the end." Of course, taking into consideration the scheduled release of items and Robos, I made a series composition chart, and decided to some extent how many episodes with Taiya would be depicted in the series. But basically, we hope that everyone will enjoy each week's explosive episodes. And then, I'd be very happy if you thought, "That was fun! Let's play with toys too!"

"Boonboomger is finally airing, and it's going to be a year of excitement. We'd like to ask you about some key points of interest that readers who are looking forward to Boonboomger can enjoy even more."

Kuji: Boonboomger is a show that'll cheer you up when you watch it. The staff has put together what they think is "cool," so whether you're an adult or child, there's sure to be a key point in each episode that'll stick with you. We're working diligently on this production, hoping that it'll be a show that'll allow people to absorb the exciting energy on Sunday mornings and look forward to the following week. We'll continue to rev our engines so that we can provide excitement to everyone of all ages and genders!

Tomioka: I see this production as a story of friendship between Taiya and the alien Bundorio, and a growth story depicting the relationship between the Boonboomgers. In addition, as a toy lover, I'm excited to write about how much I can make the Boonboom Changer and Gattai Robos more appealing. Of course, we'll do our best to bring out the charm of the untransformed actors and make this a production that'll make children want to play as Boonboomgers. Now that they've finally started running, where will they go from here? I'd be happy if you look forward to watching them all year long!

198 notes · View notes

humansbgone · 1 month ago

Text

The storyboard is done! On top of that, all the lines have been recorded, and I've just about finished placing them in the file for the final animatic render!

Voice work took a little longer this time around because, as you may have seen earlier this week, this time it wasn't just me doing them! We've got a whole cast for some new voices:

Cashier: e_doodlesnstuff

Clef: Manfred King

Bombardier Beetle: Will Quisenberry

Unsure Hiver: Snager

I'm incredibly excited to share their performances with you. They definitely brought something to the table that I couldn't have just talking to myself!

In the interest of not spoiling too much, I've limited this preview to a beginning sequence with Rose and Soph. A lot of you have wondered what carnivorous macrovolutes eat, and here's your answer!

Now, the bad news. This episode is going to be...INCREDIBLY long, compared to what I've done previously. The last episode already had the longest pre-Gregorsa animation at almost exactly 7 minutes, and this one is going over 11--not counting the Gregorsa lecture or credits. I am getting some help on the work for this one, but even so, it's going to take a while.

I'll wrap up animatic work this week and get it shipped out to SinclaireDeLune (https://www.instagram.com/sinclairedelune ) and DDX.EXE (https://ddxexe.bandcamp.com/ ) for backgrounds and music, respectively. DDX.EXE will also be handling sound effects this time, which helps a ton!

Next week, a break from HBG work to watch some tutorials on rigging. The latest Blender version has finally broken half of my rigging process, and the other half is a precarious Jenga tower on its own, so I'm going to have to get a new system going entirely and rerig every character. Additionally, every character model in the episode needs an overhaul (some more dramatic than others), and I've got some new models to make. Including a very intimidating one that I've been putting off.

So, we're looking at over a month for all that. Then, staging!! Even at this length, that should only be a week or two. Luckily, none of the assets are too difficult, and I can ask for help with those, so that will also probably be a week or two. Hopefully, background art will be mostly done then, and work can begin on animation! ...Which will anywhere from one to two months. Luckily, work on Gregorsa's lecture and notes should be brief after that, just a couple days.

So, all told, we're still in the realm of an April-May release. We'll see what happens. Until next time!

#bugblr #animation #bug #insect #praying mantis #spider #tarantula #mantis #update #sophodra #rose

53 notes · View notes

harveyguillensource · 11 months ago

Text

Harvey modeling pieces from the Pansy Ass Ceramics collection, run by two of his Torontonian friends.

#harvey guillén #harvey guillen #wwdits cast #pansy ass ceramics #floral padlock choker #candy heat pendant #plus size model #april 2024 #wwdits #guillermo de la cruz

88 notes · View notes

maybe-boys-do-love · 3 months ago

Text

The Only Friends Conspiracy Corner

Welcome to my Only Friends conspiracy theory corner, where I lose my mind on the regular and explain why I believe Only Friends is a veiled commentary on the Thai BL entertainment industry and its relationship to Thailand's soft power economic model, especially Thailand's gay (aka pink money) tourism. As The Heart Killers gets relatively explicit about issues of structural political and economic power, now seems as good a time as ever to talk about Jojo’s last show that seemed to me to put so much of its political work in the subtext. This is just the starter pack. Hit me up with more thoughts anytime!

The Only Friends Hostel business. We have business majors in this show, a rarity in Thai BL, and for their class project they're opening a hostel. Each member of the friend group has a business role to play--Ray provides the real estate, Mew takes on leadership of finances and accounting, Cheum provides PR, and Boston's tasked with creative direction--but the value of the individuals, their roles in the business, and their willingness to collaborate with one another is the tension that drives the series. The characterizations, dialogue, and events in the series ought to be viewed in light of this. Mew, for example, partners off with Top, who encroaches on the friends' trivia group to answer for them a question about Thailand's first hotel, The Oriental, which two Americans established for sailors in Bangkok shortly after the opening of the Kingdom of Siam to international trade in 1855 and later two Dutch business partners reestablished after a fire. A single answer links Top to the influx of Western capitalism in the form of a hotel in Thailand! To count up the economic references in Only Friends would take a massive spreadsheet.

Artistic Passions. Each boy in the Y.O.L.O. bar friend group is associated with one artistic medium. Boston with photography and visual arts more broadly, Ray with music, and Mew with books (lol there's a scene in the last episode in which the translation has Force use the word force in a sentence immediately followed by Book as Mew mentioning his "books"). These are the components of the television and film medium: visuals, sound, and writing. Their romantic entanglements are also colored by their preferred medium and the narrative styles associated with them. Boston has his sensual dark room developments *wink wink,* Ray hooks up with a musician to visit record stores and concerts like a romantic movie couple, Mew makes his ideal seme court him in bookstores and dates straight out of a BL romcom novel. Even Cheum’s girlfriend, April, makes indie movies that go over our token lesbian’s head.

Atom, Cheum, and Mew’s BL Fantasies. It’s not surprising Cheum’s not about those art house flicks. Her, her brother, and Mew all espouse some BL tropes with harmful consequences. The most blatant is Atom’s stated belief that he ‘turned gay’ because of Boston, which he’s corrected on, but Atom, Nick, and Mew all commit to the BL (and broader romance) trope of equating first affections with true love. And Cheum sorts the gay men of her life into simplified categories of red flags or green flags, predators or cinnamon buns. Not all BLs are so simplistic with their trope usage and characterizations, but Only Friends highlights damaging tendencies that occur in the genre and among its fans.

The Pairings. Speaking of fans, one of the key strategies for creating fan interest are the pairings. While not unique to the BL industry entirely—Hollywood’s been pairing actors for publicity and dollars from pretty early on—BL pairs have a pretty distinct flavor, and Only Friends’ casting takes advantage of that. For our pair associated with the most fluffy BL narratives, we have ForceBook, a CP only ever paired together who have known one another since kindergarten. The maturer second love romance goes to FirstKhao, who both worked in other pairings before landing in their current contractual partner relationship. The situationship to end all situationships goes to two actors who, at the time, were not in a CP, something that Jojo has specifically mentioned as relevant to his interests when casting.

The Boeing of it all. Named after a fucking airplane manufacturer, with multiple references to his dreams of traveling internationally (concerts with Sand), flight (he's working to be a airline attendant), and flightiness (both his flightiness toward his bf’s and his encouragement of others to fly away from their partners). In a show explicitly about the hospitality industry? In a genre dependent on international viewers??? In one name, we get such a fountain of economic insight!

Begin Again. In the finale episode, Ray tells Sand he always wanted to wander around listening to music like they did in Begin Again. In fact, Mew and Top’s silent disco moment plays homage to the same sequence. Begin Again, however, is not a romance, despite what the marketing and weak reviews (from critics who expected a swooning repeat of indie gem Once from its director) implied. Instead, Begin Again uses romantic expectations as a trojan horse for an insider portrait of the music industry as the streaming industry changed its operating models. The leads are Mark Ruffalo who plays a has-been alcoholic producer (an important reference to even better understand Ray’s role in the hostel business) and Kiera Knightly, playing a singer-songwriter betrayed by her rising star boyfriend (acted by Adam Levine from Maroon 5). Spoiler alert: If you imagine something more between Knightly and Ruffalo’s characters than the deep relationship creatives can form making art together, you’ll be sorely disappointed. Ruffalo’s character goes back to his ex-wife (a bad omen for SandRay stans since the characters spend the time preceding their romantic walk in the last episode arguing about whether they still have feelings for their exes). Knightly’s chanteuse gets her former boyfriend to apologize and sing her song without pop theatrics on stage but she chooses not to join him and stick to her own independent path. Importantly, the film by the end respects both the popular and auteur artistic sensibilities, reserving more ire for the business models. No one character or method is completely demonized or sanctified. I can’t help but recognize a similar spirit in the portrayal of the three gay romance narratives in Only Friends—Boston’s queer tragedy, Ray’s tear-jerking gay romantic drama, or Mew’s BL comedy. The show acknowledges the formative role of those storytelling modes in the BL industry and even touches on some economic realities of choosing one mode over another. Some exemplary dialogue from the Begin Again:

“I just think that an A&R [a record label’s artists and repertoire representative] man telling an artist how they should dress or come across is total bullshit. People don’t want that. They want authenticity”

“Authenticity! Give me the name of one artist that you think passes your authenticity test…I’m not saying you can’t be a real bona fide motherfucker in this business but you’ve got to do whatever it takes and get people in to see your shows where THE MUSIC can start to do its real work.”

Personal Hygiene Lessons. In the last two episodes, we witness Ray’s community service teaching children about hygiene. “Once upon a time…” he begins, which immediately alerts me to television writers depicting the act of storytelling. It’s a story attempting to encourage daily toothbrushing to protect from plaque, but Sand steps in and scares them with the threat of a bug crawling into their body if they don’t brush their teeth—suspiciously more similar to issues of sexual health than teeth brushing. The next clinic presentation is about washing out your nose. Either Thailand’s got some hygiene practices I don’t know about, or Jojo’s writing team snuck in a sneaky reference to douching. Watching, I was reminded that Jojo and his good friend and fellow director Aof Noppharnach (Bad Buddy, ATOTS, so many other huge GMMTV series!) began their careers writing and directing a series directly about sexual health for GayOK Bangkok, produced by an HIV testing organization. After the first presentation, Sand explains, “I’m approachable to all ages and genders,” a prime marketing demographic if I’ve ever heard one! Just like Sand, Aof, who is now the senior director of content production at GMMTV, has made inroads for himself and others into a massive market by developing a writing, directing, and producing strategy for integrating queer content (here’s my post about his recurring motifs around HIV treatment) within family-friendly BL shows, often with a romantic fairytale-like quality hearkening back to Ray’s “Once upon a time…”

The Politician. The parents included in the series have distinguished economic and political circumstances they're associated with. Bear with me on the political-economy history lessons here. Boston, most prominently, has a father running for political office, and we meet him for the first time while Boston's wearing a 1998 t-shirt, the year the Thai Rak Thai (Thais Love Thais) party was founded by Thaksin Shinawatra, telecom billionaire and Thailand's first prime minister to lead a democratically elected government through a full-term in office beginning in 2001. He led key initiatives to promote tourism, make healthcare accessible, and, controversially, crackdown on drugs. Essentially, he provided the vision for the government that kick-started Thailand's move to its current project of soft-power. In fact, his youngest daughter, Paetongtarn Shinawatra, (who describes herself as a "socially liberal capitalist") is the current prime minister partly responsible for overseeing the equal marriage bill into law. Thaksin was ousted by a military coup in 2006 following his family's decision to sell its shares in major Thai telecom group to a Singaporean company and, faced with corruption charges in 2008, lived in exile (until September 2023, less than a month after Only Friends started airing). Ousted for not playing his part in supporting a Thai business? Boston, is that you? There is also a comment in the first episode about the massage parlor Boston's father built his financial success off of, and there's a conversation to be had there about Thailand's Thaksin-led shift away from and crackdown on its sex tourism industry. (The Department for Communicable Disease Control shirt on Style's shirt in episode 3 of The Heart Killers is a government organization in Thailand, not Alabama as the shirt says, which among other things monitors direct sex workers for STDs.) How might a focus on constant financial and moral improvement harm those who fail sanctions against promiscuity? What I find so artful about Boston's potential linkage to Thaksin is how he's constructed as Thaksin's parallel--in his journey toward exile and the over-consumption that led him there--and his antithesis. Boston's the victim, at least in his emotional well-being, of a neoliberal legacy. Thaksin's policies, similar to those of Rudy Giuliani and his predecessors in NYC, promoted family-friendly tourism and industry growth by supporting the corporate partnerships and broken window policing to price out and criminalize those unconventional populations who had taken refuge or even just found themselves in these locales after being marginalized elsewhere. In the same vein, the privileging of monogamous pairing in both BL narratives and BL fan-service expectations serve important goals encouraging breadths of people to accept and embrace gay love socially and politically—Thailand’s upcoming marriage rights bill, more expansive than most western countries, certainly has the BL industry’s influence to thank. Without further input, however, they neglect queer experiences beyond the realm of the first love or marriage plot. They neglect greater issues of equity, compassion, and freedom due to each individual human being (both actors and the general population), which the LGBT population, among others, has historically had an intimate experience with being denied or limited.

Nick’s Digital Underworld. Nick’s our little tech wunderkind in OnlyFriends. His character fixes phones, hooks up cameras and recording equipment, makes digital campaign posters, you name it! And I personally love that he’s both a skeevy pathetic tech wizard and radiantly beautiful. His cute-factor almost lets us forget about his voyeuristic tendencies. He’s just a content enjoyer, and Boston loves creating content—he just doesn’t want himself recorded…So why doesn’t Nick just get off to some porn instead? Only Friends didn’t name itself so closely to the amateur adult content website for no reason! In fact, we got an OnlyFans reference in The Heart Killers episode 4. Imma have to thank this post for noticing an OnlyFans sign in the background of Addicted Heroin Th and pointing out that it’s illegal in Thailand, cuz I had never considered anything about the country’s pornography laws or internet censorship. I’ll try to restrain myself from blabbering too much about the history I found here and here, but the important part: Thaksin’s once again our guy kicking it off. The Thaksin government censorship focused heavily on antipornography and the 2006 military coup brought in a more Orwellian political flavor to the proceedings, both of which have basically proliferated with continuing regime changes. In 2020, mainly because of increased censorship of adult websites (which is a current global conservative trend—I’m looking at you Project 2025—so don’t hate on Thailand too much), Thailand dropped to the third-lowest tier of internet freedom, according to the company Comparitech (which focuses on cybersecurity and online privacy), only above North Korea, China, and Iran. Both content creators and consumers can have some harsh punishments under the laws. With that in mind, it’s hard to imagine Jojo’s team giving us Boston’s pornographic art and Nick’s digital pornographic consumption as mere character dressing. The fact that they are the two excluded from the friend group at the end, excluded from the local business, from acceptance! Meanwhile, having censored the “deviant” contingent out of the equation, romance is alive and well at the OnlyFans—I mean, Only Friends hostel. As one kind of gay content is uplifted, another is suppressed and banished. No, Boston and the pornography industry he seems to signify are not perfect, but neither are his friends, nor the entertainments and political-economies with which they’re equated.

Without too much moralizing, these are the sorts of observations and hypocrisies Only Friends highlights. In my reading, at least, it depicts these media and economic trends through its characters, allowing them to play out and contend with one another as they have in reality. Sometimes the allegorical tensions or pairing of genres and capital occurs in the dynamics between characters. Other times, as I pointed out with Boston and his Thaskin connection, the tension exists within a single character. These strategies allow the show to engage with political issues while under the government’s censorship laws, but this is also just what great literary political writing looks like! It speaks to its time, but it will stand much longer as simply a character-driven story about the contentions that arise between money, sex, love, and friendship. I cannot wait for Girl Rules to give us Jojo’s GL perspective on related issues and for Only Friends Dream On to explore this territory in the context of an actual BL production! Let the chaotic theorizing ensue!

#only friends #only friends the series #only friends meta #only friends dream on #girl rules the series #jojo tichakorn #thai bl #bostonnick #sandray #topmew #the heart killers #bl discourse #ofts #bl drama

47 notes · View notes

brian-in-finance · 6 months ago

Text

Instagram

•••••

WHAT THE STARS ARE SAYING

Check out why so many famed actors use Backstage

Trusted since 1960

Founded in 1960, Backstage has a storied history of serving the entertainment industry. For over 60 years Backstage has served as a casting resource and news source for actors, performers, directors, producers, agents, and casting directors.

Over that time, Backstage Magazine has also appeared on numerous TV shows, such as “Mad Men,” “Entourage,” “Glee,” “Oprah,” NBC's “Today” show, Comedy Central's “@Midnight”, NY1's “On Stage,” and “Saturday Night Live,” as well as multiple mentions on shows like “Inside the Actor’s Studio,” “Girls,” and appearances in films such as “13 Going on 30,” the Farrelly brothers' “Stuck on You” and Spike Lee's “Girl 6,” and even a mention in Woody Allen's short-story collection “Mere Anarchy” and Augusten Burroughs' novel “Sellevision” – and Backstage has received accolades from multiple Academy Award-, Emmy-, and Tony-winning actors and directors. (Plus, the hit musical “The Last Five Years” even includes Backstage in its lyrics: “Here's a headshot guy and a new Backstage / Where you're right for something on every page.”)

CAITRÍONA BALFE

ACTRESS

"I still get Backstage emails 'cause I still subscribe to Backstage. [Backstage is) kind of the Bible in the beginning, which is amazing. Samuel French and Backstage go hand in hand, you know? You go there for your plays when you're in classes, and then you get your Backstage."

Backstage 1

•••••

Brian’s Note: The following story originally appeared in April 2015. Most recent update is December 2020.

The Gorgeous Determination of Caitríona Balfe

Caitríona Balfe is on the move. That's been true most of her adult life— especially the 10 years she was modeling for Victoria's Secret, Dolce & Gabbana, and others—but as she sits on the rooftop patio of a West Hollywood hotel in mid-March, she mentions that she's pulling up stakes from Los Angeles.

"It just feels silly to have an empty place for 10 months until I figure out what I'm doing with my life," the Irish-born actor says. "I've rented the same place for the last four years and now I have to give it up." Her apartment is being razed to put in condos, but her departure from L.A. is extra poignant considering this is the city where Balfe journeyed when she decided to put aside that successful modeling career and focus on the vocation she'd always wanted: acting.

Photo: Luc-Richard Elie

"I've moved so much since I was 18," she says. "I mean, l've lived so many places. New York, I lived in for almost eight years [while modeling], and that's been the longest of anywhere since I left Ireland. But L.A. is where I came and said, 'OK, this is what I wanna do with my life.' "

She refuses to think of her move as a permanent one, though. "I'll be back," she declares, "but it feels really sad. My little apartment, it's got so many memories."

Balfe's sadness is no doubt mitigated by the fact that part of her need to move is due to the precipitous rise in her fortunes. She'll soon be flying to Scotland to shoot the second season of "Outlander," which returns to Starz April 4 to conclude Season 1.

When last we saw Balfe's Claire, the resourceful British nurse who comes home after World War |I only to be inexplicably teleported into the 18th-century Highlands, she was half-naked with a knife to her breast. Don't worry: Claire will get out of that scrape, but more perils await-to say nothing of the emerging multi-era romantic triangle developing between her, the Scottish warrior Jamie Fraser (Sam Heughan), and her 20th-century husband, Frank Randall (Tobias Menzies), who wonders where she's gone.

Based on the much-beloved Diana Gabaldon novels and developed for television by "Battlestar Galactica" rebooter Ronald D. Moore, "Outlander" is an ostensibly lush period-piece-within-a-period-piece drama that's consistently richer and thornier than its romance-novel trappings suggest. And much of the credit goes to Balfe, who had managed small parts in films such as “Super 8” and “Now You See Me” before landing the central role in this adaptation.

In person, Balfe is far less imposing than the steely Claire, who has to weather the dangers of being a woman in sexist, violent Scotland in the 1740s. Cast late in the preproduction of “Outlander”—Moore has mentioned in interviews how hard it was to find the right Claire—she didn’t have time to consider what the role would do to her life. “I’m so bad on social media," she confesses on this warm afternoon, nestled underneath a cabana. "I had set up an account on Twitter maybe a year or so before I got this job and had, I thought, a lot of followers — 250 or something, and most of them are my friends. Within about a month or two, it was thousands of people — and my phone, I didn't know how to turn off the alerts, so it was just going all the time. That was the beginning of the awareness."

Growing up in the small Irish community of Monaghan, Balfe had considered acting from an early age. ("I was devastated that I wasn't a child actor," she says, smiling. But after traveling to Dublin to study theater, she changed course once she received an offer to model. It wasn't a secret passion of hers, but who turns down a trip to Paris? "My parents felt that I should finish college," Balfe recalls, "but l'm slightly headstrong, so l took their advice and I completely ignored it."

Over the next decade, she lived in France, Italy, Germany, and Japan, her modeling inexperience hardly a detriment. "You'd be amazed how little information or training goes into it," she says. "When I first arrived in Paris, I was told to take a bus to the office. I left my suitcase — I barely spoke any French — and someone took me across the street, helped me buy a Carte Orange. They printed out five addresses that I had to go to that day, and then they sent me off." She still remembers at 18 riding the subway alongside 16-year-old aspiring Russian models, who knew no French or English, homesick and sobbing their eyes out. "That was just the way it was," says Balfe. "You become pretty tough. When I went to Japan, it was similar: They would drive you to their castings, but the minute you got a job, it would be like, 'Here's an address, here's a map. Good luck.' They don't have signposts in English in Japan, so the map and the address are not always very helpful."

Hear Balfe recount her early misadventures in modeling and you can't help but think of Claire, who's equally thrown to the wolves once she arrives in the 18th century amid people wary of the English in general and assertive women in particular. "Honestly, l've been in so many situations in my life where you just are completely displaced," Balfe says. “You have to adapt very quickly and figure it out. I definitely think that informs Claire a lot. It helped me understand her."

Did moving to Paris at such a young age teach Balfe that she can cope in any circumstance? "I think I didn't really realize that until many years later," she replies. "I have a great knack of not thinking about things and just going for it. You learn the hard way sometimes that you're able to get through, but sometimes it's quite tough when you're in a situation where you don't know anyone and you're trying to find your way around cities. But if an opportunity presents itself and it seems like a good idea, l'm just like, 'OK, let's do it, then I'll figure it out.'”

The decision to reconnect with her acting ambitions was conducted just as boldly. Ready to quit modeling, she moved to Los Angeles because a writer she was dating lived there. He was the only person she knew, but she had read a Vanity Fair interview with Amy Adams in which she said she trained with Warner Loughlin. "I could walk to that place from my ex-boyfriend's house," she says, "so l was like, 'Well, I'm gonna go there because I can't really drive. I started from scratch. I didn't have any managers, I didn't know any agents, I hadn't acted in almost a decade." But she just kept taking classes, moving from Loughlin to the studios of Sanford Meisner and Judith Weston. "I think when I first got here, I had a nice little air of delusion: 'It's gonna work out,'" she says with a laugh. “You just don't know how."

And then came "Outlander." By email, Moore admits that he didn't know Balfe's work until her audition tape came unsolicited to his office from her agent. Once she was chosen for Claire, he made it clear how demanding the job would be. “I told her in our first meeting that this was going to be an even bigger responsibility and workload than the normal TV lead," he writes. "Because the story was being told from Claire's point of view, Cait was going to be in every scene, every day for months, which is an extraordinary amount of work, far beyond what most actors are ever asked to do."

Moore's warning didn't faze Balfe. Writes Moore, "After she met with the president of Starz... and it was clear that she was going to land the role, I walked her to the elevator and just before the doors closed on her, I said 'Your life is about to change forever,' and she gave me a grin that was both thrilled and slightly nervous. I never saw her hesitate after that."

She's never hesitated before. As Balfe prepares to say goodbye to L.A. (for now, she thinks back to her early days in the city, trying to convince casting directors that she was more than just a model. "I went on many, many, many, many auditions that were Hot Girl No. 2 — you wanna shoot yourself," she says, laughing. "But, you know, I'm very lucky that l was even getting those auditions in the beginning. And it toughens you up. At least for me, to have that fuel to prove people wrong—it definitely spurs me on and makes me wanna work harder." Then she smiles conspiratorially. "And shove it to them."

Backstage 2

Remember… I told her in our first meeting that this was going to be an even bigger responsibility and workload than the normal TV lead. — Ronald D Moore

#Tait rhymes with hat #Good times #National Actors Day #8 September 2024 #Backstage #April 2015 #Story last updated December 2020 #Instagram

40 notes · View notes

iwtvfanevents · 1 year ago

Text

Rewind the Tape —Episode 1

Art of the episode

During our rewatch, we took note of the art shown and mentioned in the pilot, and we wanted to share. Did we miss any? Do you have any thoughts about how these references could be interpreted? How do you think Armand and Louis go about picking the art for their penthouse in Dubai?

The Fall of the Rebel Angels

Peter Bruegel the Elder, 1562

This painting is featured in the Interview with the Vampire book, and it was important enough to be included in the draft pilot script!

Bruegel the Elder was among the most significant Dutch and Flemish Renaissance artists. He was a painter and print-maker, known for his landscapes and peasant scenes.

Three Studies for Figures at the Base of a Crucifixion

Francis Bacon, 1944

Bacon was an Irish figurative painter, known for his raw, unsettling imagery and a number of triptychs and diptychs among his work. At a time when being gay was a criminal offense, Bacon was open about his sexuality, and was cast out by his family at 16 for this reason. He destroyed many of his early works, but about 590 still survive. The Tate, where these paintings are displayed, says this about the work: "Francis Bacon titled this work after the figures often featured in Christian paintings witnessing the death of Jesus. But he said the creatures represented the avenging Furies from Greek mythology. The Furies punish those who go against the natural order. In Aeschylus’s tragedy The Eumenides, for example, they pursue a man who has murdered his mother. Bacon first exhibited this painting in April 1945, towards the end of the Second World War. For some, it reflects the horror of the war and the Holocaust in a world lacking guiding principles."

On the Hunt or Captain Percy Williams On A Favorite Irish Hunter and Calling the Hounds Out of Cover

Samuel Sidney, 1881 [Identified by @vfevermillion.] and Heywood Hardy, 1906 [Identified by @destinationdartboard.]

Sidney was an English writer, and his prints usually accompanied his publications about hunting, agriculture, and about settling Australia during the colonial period. Hardy, also British, was a painter, in particular an animal painter. There's also a taxidermy deer, ram, and piebald deer on the wall.

Iolanta

Pyotr Tchaikovsky, 1892

The opera Louis and Lestat go to was composed by Tchaikovsky, another gay artist. The play tells a story "in which love prevails, light shines for all, lies are no longer necessary and no one must fear punishment," as put by Susanne Stähr for the Berliner Philharmoniker.

Strawberries and Cream

Raphaelle Peale, 1816 [Identified by @diasdelfuego.]

Peale is considered to have been the first professional American painter of still-life.

Outfits inspired by J.C. Leyendecker

Leyendecker was one of the most prominent and commercially successful freelance artists in the U.S. He studied in France, and was a pioneer of the Art Deco illustration. Leyendecker's model, Charles Beach, was also his lover of five decades. You can read costume designer Carol Cutshall's thoughts on these outfits on her Instagram.

The Artist's Sister, Melanie

Egon Schiele, 1908 [Identified by @dwreader.]

Schiele was an Austrian expressionist painter and protege of Gustav Klimt. Many of his portraits (self portraits and of others) were described as grotesque and disturbing.

A Stag at Sharkey's

George Wesley Bellows, 1909 [Identified by @vfevermillion.]

Bellows was an American realist painter, known for his bold depictions of urban life in New York City.

Mildred-O Hat

Robert Henri, undated (likely 1890s) [Identified by @nicodelenfent, here.]

Henri was an American painter who studied in Paris, where he learned from the Impressionists and determined to lead an even more dramatic revolt against American academic art.

Starry night

Edvard Munch, 1893 [Identified by @vfevermillion.]

Munch was a Norwegian painter, one of the best known figures of late 19th-century Symbolism and a great influence in German Expressionism in the early 20th century. His work dealt with psychological themes, and he personally struggled with mental illness.

If you spot or put a name to any other references, let us know if you'd like us to add them with credit to the post!

Starting tonight, we will be rewatching and discussing Episode 2, ...After the Phantoms of Your Former Self. We hope to see you there!

And, if you're just getting caught up, learn all about our group rewatch here ►

#louis de pointe du lac #daniel molloy #lestat de lioncourt #vampterview #interview with the vampire #iwtv #amc interview with the vampire #interview with the vampire amc #amc iwtv #iwtv amc #IWTVfanevents #rewind the tape #in throes of increasing wonder #analysis and meta #art of the episode

97 notes · View notes

mariacallous · 10 months ago

Text

Tens of thousands of demonstrators have taken to the streets in Georgia in the South Caucasus in recent weeks to protest a controversial proposed new law that many fear, if passed, would be the death knell of a once-promising young democracy and drive the country firmly into Moscow’s orbit.

The “foreign agents” law would require organizations that receive more than 20 percent of their funding from abroad to register as “agents of foreign influence.” It is modeled on similar legislation that Russia enacted in 2012 and has used to cast independent media and civic society groups as doing the bidding of foreign governments and to crack down on dissent.

Georgia has been convulsed by bouts of street protests in recent years over the proposed law and other actions by the ruling Georgian Dream party that critics fear could consolidate its power and draw the country closer to neighboring Russia, a deeply unpopular move in the former Soviet nation where an overwhelming majority of the population supports joining the European Union, according to opinion polls.

Georgia was offered long-awaited EU candidate status by the bloc last year, which could be placed in jeopardy if the foreign agents legislation is adopted. In a statement last month, Brussels’s diplomatic service urged the country’s leaders to “adopt and implement reforms that are in line with the stated objective of joining the European Union, as supported by a large majority of Georgia’s citizens.”

On Thursday, Georgia’s ambassador to France resigned in protest over the proposed legislation, becoming the first senior official from the country to do so. “I no longer see my role and resources in this direction: the move towards Europe,” said Gotcha Javakhishvili in a post on social media.

The law was first introduced in February 2023 but was quickly withdrawn in the face of massive street protests in the capital, Tbilisi. It was then reintroduced in April of this year. Georgian President Salome Zourabichvili, who is independent of the Georgian Dream, has promised to veto the legislation if passed, but her veto would likely be overridden by the government’s parliamentary majority.

“It seems clear to me, anyway, they have made a decision to go the path of one-party rule, of shutting down basically all checks and balances on executive power, and this Russian law is the last instrument that they need to put in place,” said Ian Kelly, former U.S. ambassador to Georgia.

The protests this time around are markedly different from earlier iterations, though—but not because of the demonstrators or their demands. What makes the latest round of unrest different is the level of violence and intimidation meted out against protesters and civil society as well as the government’s apparent determination to pass the law, which is due for a final reading on May 13, despite the public outcry and condemnation from the European Union and the United States.

Security forces have used water cannons, rubber bullets, and tear gas in a bid to disperse crowds of demonstrators in the capital, Tbilisi, while protesters have reported being violently assaulted by groups of men dressed in black in what they say appear to be premeditated attacks.

In recent days, civil society activists, journalists, and their relatives have reported receiving menacing phone calls from anonymous callers threatening them in Georgian and reciting their home addresses in an apparent bid to intimidate them, said Eka Gigauri, executive director of Transparency International Georgia. Gigauri said she had received dozens of calls from unknown numbers in recent days but declined to answer them.

On Wednesday evening, four government critics, including two members of the United National Movement opposition party, were attacked by unknown assailants outside their homes and in the street. Overnight on Wednesday, posters featuring the faces of prominent civil society activists, journalists, and opposition politicians branding them as enemies of the country and foreign agents were plastered near their homes and offices across the capital.

“What happened during these two days is just an unprecedented level of targeting,” said Eto Buziashvili, a former advisor to the Georgian National Security Council based in Tbilisi.

In 2019, when police used water cannons, rubber bullets, and tear gas to disperse protesters, it sparked a national outcry and further protests calling for snap elections and the resignation of the interior minister, Giorgi Gakharia.

Now, accusations of more sinister tactics are afoot as the role of the unknown assailants dressed in black has drawn comparisons to pro-government thugs known as titushki who were allegedly paid for by the embattled government of Viktor Yanukovych to cause disruption and attack protesters during the Ukrainian revolution in 2014, Buziashvili said.

After a 2003 uprising known as the Rose Revolution, Georgia embarked on a dizzyingly ambitious reform program under the presidency of Mikheil Saakashvili, who was then a darling of Washington’s. He sought to stamp out corruption and put the country on a firmly Western trajectory, tilting it away from Moscow, which fought a short but shocking war with Georgia over the breakaway regions of South Ossetia and Abkhazia in 2008.

Saakashvili was imprisoned in 2021, accused of abusing power while in office. His supporters see the charges as politically motivated.

The Georgian Dream, established by the eccentric Georgian billionaire Bidzina Ivanishvili, came to power in 2012 promising a less confrontational approach to Moscow while paying lip service to the country’s aspirations to join NATO and the European Union.

Ivanishvili, who made his fortune in Moscow in the 1990s, served as prime minister for just over a year, stepping down in 2013, but has widely been viewed as the one still calling the shots behind the scenes as the Georgian Dream has undermined the country’s hard-won democratic gains and poured salt on the relationship with the United States.

“The person who seems to be driving all of this is Bidzina Ivanishvili,” said U.S. Sen. Jeanne Shaheen, a Democrat from New Hampshire who sits on the Senate Foreign Relations Committee, speaking about the foreign agents law.

In October, the Georgian government accused the United States Agency for International Development of trying to foment a coup in the country.

The Georgian government’s claims echo similar allegations made by Moscow over the years that have accused Washington of pulling the strings in a series of pro-democracy uprisings in the former Soviet Union known as color revolutions, including in Ukraine.

“I think it’s Russian disinformation. It’s a deliberate effort by Russia to stoke divisions in the country,” said Shaheen, who has a long-standing focus on Georgia.

On April 29, in a rare public address infused with conspiracy theories, Ivanishvili—who formally serves as the party’s honorary chairman—depicted the country as wrestling for its independence against shadowy, unnamed foreign forces, describing Georgia’s nongovernmental organizations as a “pseudo-elite nurtured by a foreign country.”

Although Ivanishvili’s personal wealth is equivalent to roughly a third of the country’s gross domestic product, he is “borrowing from the Orban and Trump playbook, highlighting how the urban elite is running counter to Georgian traditional values,” Kelly said, referring to Hungarian Prime Minister Viktor Orban and former U.S. President Donald Trump.

In March, a senior member of the Georgian Dream announced a raft of constitutional amendments cracking down on LGBT rights and banning any public efforts to promote same-sex relationships, echoing Russia’s “gay propaganda” law passed in 2013.

In the April speech, Ivanishvili explicitly referenced parliamentary elections set to be held later this year as a motivation for reintroducing the foreign agents law and the anti-LGBT legislation, noting that it would force civil society to “expend the energy” ahead of the vote, saying it would leave them “weakened” and “exhausted.”

Kelly criticized the Biden administration for not taking more concrete steps to deter Georgian politicians from pursuing the legislation. “Right after April 29, they should have started the first round of imposing costs, and the really easy one is, ‘You’re not welcome to get a visa,’” he said.

State Department spokesperson Matthew Miller condemned the violence against protesters on Thursday and called for a “full independent and timely investigation,” but Kelly said that such statements don’t go far enough.

“It’s useless. It’s worse than useless,” he said. “I don’t know if they really take us seriously.”

76 notes · View notes

lovecla · 5 months ago

Text

TAKE YOUR PAIN AWAY | quinn hughes.

chapter four:

➴ chapter warnings: drinking and kinda suggestive? sex is mentioned!

➴ word count: 3k

💌 from me to you: i think one of you cast a spell on me because i cannot wait until friday to publish this. also, i listened to self righteous by bryson tiller while i wrote this. just saying!

౨ৎ

2024, APRIL.

liked by nickharris_img, imgmodels, lhughes_06 and 390,813 others

madisoncarter mood because bella and i are the newest vancouver girlies

View all 1,283 comments

vic_alonso 🤩🤩🤩

ellecanada Welcome, love 💛

madisoncarter_updates Omggg we’re so excited for you babe!!!!!!!

user1 she’s never beating the “idk who the hughes brothers are” allegations

nickharris_img I miss you already Mads 💔

lavieenrose Welcome home, Flower! 🌷🌼🌹

user2 bella looks so cute

౨ৎ

“WHAT DO you think, baby?”

Bella stared at you before she started running around the place, sniffing every corner.

It was officially your first day living in Vancouver. You had been coming and going to Vancouver ever since you’d signed your contract with La Vie en Rose, arranging things and getting your shit together.

Nicholas was right, their team took care of everything, and they got you a nice place too. You still had to pay rent but at least you didn’t have to go apartment hunting, which was something you hated.

You and Bella landed in Vancouver last night, and you didn’t have the energy to do anything but lay on your bed with her and sleep the entire Saturday. It was Sunday now, and you were trying to get Bella used to the rooms before you had to leave for your first shooting on Monday.

“It’s not so bad, is it?” You asked her, putting your hands on your waist. “I think it’s nice.”

Your phone rang and you picked it up, reading Quinn’s text with a smile on your face.

You’ve been texting everyday since that day at his house, and you felt like the world was finally spinning right again. Having Quinn back in your life— and consequently Ellen, Jim, Luke and Jack as well— made you so happy it was almost unbelievable.

He texted at weird hours, sometimes at three a.m. and sometimes at six p.m., but he always asked about you and how you were doing. Have you eaten? How’s the moving going? Do you need any help?

You’d stare at those texts and ask yourself the same thing you’ve been asking since you were eleven: why he was so kind to you? Not that you were complaining. It just felt weird to have someone who cared as much as he did again.

You told him you were now permanently living in Vancouver and he told you he’d come see you whenever he got back from Seattle. You felt your heart beating faster just with the thought of him at your place, both of you alone for the first time after that awkward moment at his house, with you hangover as fuck.

Now you would be sober and in your space, not his.

You sighed, watching Bella preparing herself for a nap in her massive bed by the balcony and you decided that napping was the right solution for you too.

౨ৎ

YOUR FIRST day at La Vie en Rose had been a success, not that you expected anything else.

Turns out your editor-in-chief, Victoria, was one of the nicest people you had ever met; she talked you through the process of working for La Vie en Rose and answered all of your questions with patience and kindness.

“You were our target for a long time before we managed to snatch you,” she joked when you mentioned that working with them was a dream come true. “So we’re the ones who should be thankful.”

She took you to her favorite restaurant and bought your lunch while she talked your ears off, in the best way possible. You never had a girl friend before. Between casting and auditions, you never got to make many friends. And in the world of modeling, there weren’t friends— you had to see the other girls as your opponents, people you had to defeat. Your body had to be better, your hair had to be shinier, your catwalk had to be smoother.

So when Victoria treated you as a friend, even if you’d met each other a few hours ago, it was like the universe was being kind to you again.

You were on your way home, enjoying the view as you walked down the streets, grateful that you still didn’t have a car because the city was really beautiful, even with the cold weather.

You arrived at your apartment, going all the way up to the ninth floor. When you opened your door, Bella almost knocked you down, jumping on you and licking your face.

“You’re going to hurt mommy, baby,” You laughed, caressing her fur. “I missed you too.”

She barked and you got up, finally closing the door and removing your heels. You left your bag on the couch and ran to your bathroom, desperate for a hot shower and pajamas. The best part of your house was the central heater system, and the fact that you got to wear your tiny pajama sets even when it was snowing outside.

You did your nightly skincare and spread the vanilla scented lotion on your entire body, before applying your favorite perfume— no need to specify the scent. You were a vanilla girl through and through and you would never leave the house unless you smelled like a bakery.

It was only eight p.m. but you were so tired that all you wanted to do was crash in your bed and sleep, but you still had to give Bella her dinner. So you walked to your laundry room, where you kept all of her things— you were that king of dog mom who buys your dog three hundred winter clothes and five hundred chewing toys— and grabbed her food pot, shaking it lightly to grab her attention.

Which worked momentarily because next thing you knew the doorbell was ringing and Bella was running to the door, barking loudly.

“Bella!” You reprimanded her, putting your index finger in front of your mouth and shushing her. “Quiet, please.”

You opened the door even without knowing who was on the other side, which was probably a bad and dangerous thing to do, but it was just Quinn, wearing a suit and holding a suitcase.

“Quinn?” You watched as Bella jumped on him, excited to see someone else. “Bella, down, please. Leave him alone.”

“Oh, hello there,” he bent over and patted Bella’s head, caressing her fur while she licked his hands. “Who are you, hm?”

“That’s Bella,” you said, opening the door so he could get inside. You watched as he got up and stared down at you, eyeing you up and down. You followed his gaze and realized that you were still only wearing your pink, almost see through pajama set and with the cold breeze that hit you when you opened the door, your nipples decided that now was a good time to mark through your shirt. “Um.”

Something flashed through Quinn’s eyes, but you didn’t know what. He coughed, closing the door for you. “I didn’t know you had a dog.”

“O-oh, right. Bella,” you looked at her, watching as she sniffed Quinn’s things. “I adopted her when I moved to LA. We were both alone and she was living at a shelter.” You smiled, remembering the day you took her home. “She was so small and so scared. She was sitting alone at a corner and I just… I couldn’t leave her there.”

Quinn chuckled, nodding. “You’re still the sweetest person I have ever met.”

“Oh, stop it,” you croaked, smiling.

“Just saying,” he shrugged, putting his hands on his pocket and resting his body against the door. “I just came to check on you. Nice place you got here.”

You looked around, agreeing with him.

“It is, I was just telling Bella this,” you started. “It’s not big but it’s perfect for us. I like it a lot. Especially the heater.”

“That’s nice too,” he agrees. “What are you having for dinner?”

You stared at him, confused. Only that you couldn’t tell him that dinner wasn’t something that happened everyday in your world.

“Hum,” you stutter. “Nothing? I was just ready to go to bed, actually.”

“That’s too bad,” he removed his shoes and started walking around your place like he’d been there a million times before. “I’m starving. We just got here from Seattle. What do you want me to cook?”

“You don’t need to cook anything,” he cocks his head at you, eyes staring deep into your soul. “I’m not hungry. But I can cook something for you if you want to.”

“I don’t like eating alone. And you can’t just go to bed without eating anything.”

“Quinn…” you sigh, placing your hands on your hips. “Don’t do this. Please?”

“I’m not doing anything, I’m just saying. So,” he claps his hands. “What are we having?”

“Jesus, I forgot how annoying you are,” you roll your eyes, holding back a smile. “We can maybe have a salad.”

“If you want to kill me, there are faster ways to do it,” he whines and you laugh. “Can I take care of dinner and you take care of Bella while I cook?”

“I wanna help.” You pout and he smiles.

“You can help by sitting there,” he points at your dinner table. “And looking pretty. You’re good at that anyway.”

You laughed out loud, wrapping your arms around your chest. “You’re old and annoying, Quinn Hughes.”

He opened your cabinets, searching for something with his eyes.

“What do you think about rice and salmon?” He asks, picking up the rice package.

“Maybe potatoes instead of rice?” You suggest, pointing at the potato sack sitting in your kitchen trolley.

“Alright,” he pulls up the sleeves of his suit, and goes to the sink to wash his hands. “Let’s get to work.”

To your surprise, Quinn moved around your kitchen with ease, even when he had never visited you before. He finely chopped the potatoes, putting them in the oven to let them roast before he moved to the salmon, seasoning it with the spices you had in your cabinet.

He listened to you the entire time, with you yapping about your day and how nice Victoria had treated you and how Nicholas had called you mid-shooting to ask how you were doing.

“What exactly do you do?” He asked, while you grabbed a wine bottle from your fridge.

“Well, it depends,” you replied, grabbing wine glasses from your cabinet and opening the bottle. “Sometimes I just take pictures all day, in different locations and outfits. Sometimes I have to go to runways. Sometimes both. Not to mention the social media work, the TikToks and all of that.”

“I don’t even wanna hear about TikToks,” he rolls his eyes, making you laugh. “The Canucks media team are always asking us to do stupid trends and answer weird questions. What does ‘very demure’ even mean anyway?”

“You’re too old for that, Quinny,” you joke, filling your glasses up. “Do you know what I think?”

“Hm?”

“I think you should come see me at a runway show,” you suggest, knowing damn well Quinn would never sit on a chair for an hour and a half just to watch women wear weird, provocative clothes and catwalk on a platform. “It’d be interesting.”

“Only if I get to bring my team with me so it’ll be less boring.” He fires back, checking on the salmon in the pan.

“I’m sure they won’t mind watching women in underwear or something similar.” You smile, watching as he nods with his head and sips on his wine too.

“I’m sure of that too.”

He resumes cooking while you finish your first glass of wine, already in for your second. You set the table, turning the TV on for Bella— she likes watching TV sometimes, and that’s fine!— before sitting down to eat Quinn’s tasty-looking meal. After you got your first bite of the salmon, you couldn’t help but moan.

“I didn’t know you knew how to actually cook, Quinn Hughes,” you say, chewing on the fish. “When did you even learn that?”

“I’m a grown man now, Maddie,” he laughed and you rolled your eyes at him.

“Like that means anything. I know Ellen would cook for you everyday if you asked her to.”

“Yeah, but I’m not around her so much anymore, so I just figured out it’d be good for me to know how to take care of myself. And turns out I really like cooking.”

“This is heavenly, thank you so much,” you sip on your wine as the same time he sips on his, smiling because you liked his company a lot.

౨ৎ

“AND THEN, Jack asked them to flash him and the worst part is that someone caught that on camera.”

You laughed, letting your body fall forward, feeling lighter than ever. You and Quinn were sitting on your couch, already in your second bottle of wine. Bella was chewing on one of her toys and it was already ten thirty.

Quinn was now wearing just his white, dress shirt with the first two buttons open, his jacket lost somewhere alongside his tie. You couldn’t help but notice how the fabric of the shirt held his muscles in all the right places, getting tighter every time he flexed his muscles.

Quinn was hot, and he had always been in your eyes. He was only twenty-four, almost twenty-five, but he looked older, mature. Something about him being a hockey player, the captain, made you feel confused and hot at the same time.

“Jack girlies must have gone crazy with that video,” you add after you stop laughing, watching as Quinn nods.

“Tell me about it,” he runs his fingers through his silky, somehow hydrated hair, and you find yourself wondering how it’d feel for you to do the same. “It was crazy. But I don’t really get the appeal.”

You scoffed. “You don’t get the appeal? Have you seen you or your brothers?”

He raised an eyebrow at you. “So what? We’re alright, I guess,”

“You’re crazy,” you roll your eyes at him, incredulous. “I spent my teenage years ignoring guys because you ruined all of them for me and you’re saying you’re just alright?”

He chuckles, turning his head around and staring at you, blue eyes darkening.

“What do you mean by that, Madison?”

Maybe it was the fact that it was already late at night and you were tired, or maybe it was the alcohol, or maybe the fact that the last time you had had sex with someone had been more than six months ago, but something about the way Quinn asked you that question, calling you by your name out of all things, made you wonder.

You were both grown up now. You weren’t fifteen anymore, innocent and afraid of voicing your needs. And Quinn looks like he knows how to make a woman see stars…

Besides what they say about big noses, you caught yourself thinking, before you could even stop yourself.

Crossing your legs and unconsciously squeezing your thighs together, you answered, softly:

“It’s silly,” you bit your lip, unsure of what you would even say. This is definitely the wine’s fault. “I had a crush on you growing up.”

You expected him to laugh and play it off, like he used to do whenever Jack or Luke mentioned that one of their girl friends had a crush on their older brother, Quinn. You expected him to give you that brotherly look he used to give you when you were younger and asked him questions about his life and family.

But the look he gave you had something different, something rawer. Something that made your skin crawl in the best way possible, that lightened something inside you.

“Did you now?”

“Mhm,” you nod with your head. “That’s why I’ve never had any boyfriends or hook-ups, even after you left. You ruined them all for me.” You wanted it to sound like a joke, but it hadn’t. How could it, when you were telling the truth.

“Should I apologize, Maddie?” He manspreads on your couch, and you let your gaze fall on his thighs for a brief second— just not brief enough for him not to notice.

“No, it’s— it’s fine. I’m not fifteen anymore.”

“I can see that,” he whispers, and you can feel yourself slipping into his little trap, slowly.

You were so fucked. Ultimately, stupidly fucked, and not even in the way you wanted to. After all these years of swearing to yourself that Quinn wasn’t meant for you, and that you wouldn’t see him again with lovey eyes anymore, you couldn’t believe the reactions your body was having to just his words and stares. This isn’t normal.

You needed to do something because— you will not fuck this up again. Quinn’s friendship’s too precious for you to ruin it with horny thoughts.

So what if Quinn looked like he could fuck you six ways to Sunday? He was your friend. It hadn’t even been a month since he got back in your life.

“Yeah, but I’m over it now,” you brushed it off, making a pft sound with your mouth. “Grew up and all of that.”

He takes a while to answer, but when he does, you can feel he wants to say something else.

“Got it.”

After that, the tension between the two of you is almost ten times bigger, and you have to stop your brain from blaming yourself. Whatever happened between you and Quinn seconds ago could never happen again. He was your friend.

“Think I’m gonna go now,” he says, getting up. Bella runs to his body, licking his hands and asking for pets. “Hey, baby girl. I’m going home now.”

“You don’t have to,” you suggest, the thought of him leaving because of you making you sick to your stomach. “I have a spare bedroom. You drank, it’s not safe.”

“You’re right, but I’m not drunk and I’ll drive slowly, I promise,” he smiles, leaning down to give you a peck on your forehead. “Great to see you.”

“Drive safe, please,” You watched him leave with Bella by your side, heart squeezed tightly inside your chest. “Text me when you get home.”

“Will do it.” He answers, before putting on his jacket again, grabbing his suitcase and closing the door of your apartment.

And just like that, you had to spend the night trying to convince yourself that you did the right thing by pushing whatever that was away.

taglist: @hischierswhore @ru-kru @alwaysclassyeagle @he6rtshaker @nope-i-am-done @nngkay 🤎

206 notes · View notes