#Anyway FUCK Sunrise

[shinidamachu]

I also noticed in my reread of the manga that the anime made Kikyo seem more powerful. In the manga Inuyasha easily parried Kikyo’s attack when she was first resurrected and chose to throw aside the sword to reason with her, and even got ready to strike her down and cracked his knuckles in order to bring Kagome back. In the anime he was easily overwhelmed by Kikyo and was only saved by Kagome waking up. I’m seeing Sunrise’s bias 🙄

And there's nothing wrong with making Kikyo seem more powerful. Inuyasha was constantly getting upgrades for Tessaiga without us as much as batting an eye over it.

The difference is that we were there when he found and got Tessaiga. We were there to see him struggle to master it. We were there for each and every single breakthrough. We know the how and we know the why.

Kikyo's power-ups, on the other hand, seem to come out of thin air most of the time. I'm sure she must have worked for it, but it wasn't shown, so there's a bit of a disconect between her journey getting there and the audience, which makes her achievements turn out to be not as satisfying as they could have been.

It's like, we know what the stabilished powers of a pristess are and so we think we know what Kikyo's powers are limited to, but then she does something new that doesn't fit that criteria and our only explanation is that she was the most powerful priestess of her time. Which makes sense, but also tells us that it's not important how she came to be so powerful, only that she is.

So why should we care when she uses a new trick? It's probably something she has known how to do for a while, anyway. We weren't rooting for her to get it right. We weren't anticipating it. We just roll with it.

The problem is that, in order to make Kikyo seem more powerful, Sunrise often gave her scenes where Kagome was originally the one kicking ass and taking names. And that's what I have issues with. Take this scene for instance:

Kikyo is the kind of character who doesn't do anything without a reason, so why would she interfere? She doesn't really knows Koga. She has probably no idea of his connection to Inuyasha — and even if she had, I don't peg her for comeone who'd care, considering how she treated Kagome most of the time. Koga is a demon with two jewel shards. Why help him out instead of taking them from him herself or waiting Naraku's incarnation finish the job to sweep in and do it? Because in the manga, Kagome is the one who saves Koga:

Which makes infinitely more sense and proves that there was no actual reason behind this "creative" change other than making Kikyo look cooler. The entirety of Sunrise's adaptation is full of these little shenanigans. Do you want to see a practical example of how this affects the general perception of the audience regarding the characters?

Here's Kagome diligently destroying a Naraku puppet to save an unconscious Kikyo. She actively uses the bow and arrow she didn't know how to shoot in the beginning of her journey to save someone she judges to be her love rival. And she suceeds without overthinking it or breaking a sweat.

But Sunrise thought it would be better to just do this instead:

The result? People naturally praise Kikyo for being the biggest girl boss in Inuyasha for stuff that was originally done by Kagome:

Don't get me wrong, it's great that people will appreciate Kikyo — this was exactly what Sunrise was going for, anyway — but it rubs me the wrong way that it came with the price of Kagome getting constantly criticized for being a "damsel in distress" who never does anything.

When your adaptation changes the story so much that people wrongfully perceives your female lead as useless despite the many, many scenes you still animated of her saving the day — and specifically saving the life of her supposed rival, who they judge to be much stronger and independent than her — that's when you know you fucked up.

And the worst part is that people are either blissfully unaware of this irony — because they haven't read the manga — or straight up dishonest about it.

The funny thing is: Kikyo didn't need any of that. What Sunrise did was the equivalent of taking original scenes of her being kind or compassionate and giving it to Kagome instead. It wasn't necessary. Kikyo was stabilished as a powerful woman from her very first appearance:

Kagome was the one who needed to prove herself in battle because she was the 15 year modern girl who was tossed untrained in the middle of a feudal era "life or death" situation. She was the one I wanted to see exploring and using her spiritual powers, because that's what her character needed to grow.

What Kikyo needed was humanization, glimpses of the ordinary woman she has always wanted to be. Empowerment is important, but it's also multifaceted and it falls flat when it focuses on power for the sake of power.

I'd gladly exchange any of those changes for scenes of Kikyo coping with taking a human life or using women's souls to stay on the world of the living. Scenes of Kikyo realizing she has become the very thing she used to fight against and how seeking for revenge affected the people she loves.

Scenes of Kikyo regretting decisions she can't take back, scenes of Kikyo bonding with Kaede both before and after her death, scenes of Kikyo acknowledging the part she played on the way her relationship with Inuyasha ended and apologizing for the hell she put him through over it.

That's how you make her character relatable and empathetic. That's how you highlight her complexities and makes her interesting. Kikyo being pretty while shooting arrows is absolutely stunning on screen, but it does little to create a truly emotional attachment to her character, at least for me.

As for the particular scene you brought up, Inuyasha was, in fact, easily overwhelmed by Kikyo in the anime. When she first attacks him, he just... lets her.

While in the manga, Inuyasha is quick to dodge it.

He does try to defend himself in the anime. However, Kikyo's arrow manages to stop Tessaiga's transormation and almost hits his heart.

None of which happens in the anime, where Inuyasha not only defends himself but also actively pushes back.

Sure, Kikyo still succeeds in zapping the hell out of him, but only because Inuyasha threw Tessaiga aside to reason with her, like you pointed out. When that didn't work, he cracked his knuckles in order to strike her down, before realizing he couldn't do it and then Kagome comes in with the save. In the anime, he didn't even try.

And the hug I mentioned, when he's attempting to appease Kikyo and she cries on his arms for a moment? Completely erased in favor of making her push her elderly sister aside twice and hurting Inuyasha more than originally intended while also referring to him as "beast", "monster" and "half breed."

I understand why Sunrise wanted to give Kikyo more screen time – she's a key character and people seem to have a good time drawing and animating her – but they focused mostly on making her look "cool" by kicking up a notch on the whole "vengeful spirit" thing and ended up shooting themselves on the foot by going too far.

They really thought the nonsense added scenes, like Inuyasha watching her bath or telling the audience they were always by each other's side – while actually showing them sitting far apart, Inuyasha being left to chase after the carriage she was in instead of being there with her, etc – would make up for the hug they cut out in order to give Kikyo more "badass" moments.

That's because they realized the couple had no substancy whatsoever and to remedy that, prioritized telling us that they were together for at least a couple of seasons instead of making the effort to show us this so called deep love. The hug was meaningful and made sense. Inuyasha dramatically laying on the ground while mentally screaming her name after telling her she needed to return the last piece of Kagome's soul – which is how Sunrise decided to end the episode – did not.

Especially because in the manga, he checked on Kagome before...

And after he left to try and get the remaining piece of her soul back – knowing what it would mean to Kikyo.

Plus, while obviously sad about Kikyo's "death", he also seems to accept this was for the best and acts like he is pretty much ready to move on.

Not to mention how he panicked when Shippo brought up the possibility of Kagome not being Kagome anymore and how absolutely relieved he was when he realized it wasn't the case.

And if this wasn't enough, he spent a good three panels blushing over Kagome right after the whole ordeal.

Those scenes had two purposes. One was to solidify, once more, Kagome as her own person to the audience and to Inuyasha, as well as a love interest. He had the opportunity to get Kikyo back and still wanted her to return the soul – even if it meant Kikyo would cease to exist – because he didn't want to risk Kagome not waking up or not being herself anymore, since he was already falling in love with her. Kikyo herself guilt trips him about it when he tries to convince her.

The other was to contrast Inuyasha's first reaction to Kikyo's ressurection and the information that they were both set up with his reaction after he was told that Kikyo died for him and therefore he owes her his life. The former consists on him standing up for himself and rightfully seeing himself as a victim, the latter consists on him blaming himself out of proportion based on a blalant lie. That's why in the manga he takes her "second" death so well, while the others really take a toll on him. In the anime, however, it's like he is already blaming himself when she falls off that cliff.

I attribute this change of attitude to another scene Sunrise thought fit to delete:

Of course the anime also has Inuyasha denying Kikyo's accusations, but he is way less effusive about it in there. Originally, when he realizes they were fooled into thinking they betrayed each other, he acts like they were both at fault for distrusting each other and are, therefore, even. So when she "dies" there's nothing he can do but wish for her to rest in peace and move on despite how sad it makes him.

All of this really sucks, because as you can see, the changes they did in favor of Kikyo either didn't work on her favor at all or heavily impacted the characterization of others – Inuyasha and Kagome especially – in a negative way, in addition to creating huge inconsistencies plot and narrative wise.

TLDR: yes, Sunrise's bias is obvious. And ironically, I think if they had liked Kikyo less, she would have been a much better written character because they wouldn't be afraid to give her the development she needed.

[rendevok]

step into the light

what do you see?

my sun,

my stars

shining on me

[rottmnt-residuum]

Part 4 of Arc II (Part 30)

we've hit the stuff that actually came from the dream baybee!!! it only took what? eight months?

⇇ | ⇽ | index | ⇾

[thebrainrotsreal]

If this does/does not happen in the comics, please don't tell me anything, but if they give us a Mark versus Mark fight scene I will actually implode. Violently. I will lose my mind. Let Mark physically face the fact that he is the outlier. And oh, imagine all the potential for some deeper analysis, like self versus self, killing off a part of yourself, etc,,, it’s so potentially yummy! I want it.

[scorpiusmalfoylovesoscarwilde]

headcanon that scorpius was a sick child and was in and out of hospital constantly, perhaps related to astoria's blood curse but not directly. his immune system isnt very strong, and everytime he gets sick they're terrified that it's the blood curse but also whatever else it could be, because it's always so sudden and so intense and they call healers over to the house who recommend this delirious feverish 4 year old is hospitalised immediately, and you'd think it'd get easier to some extent because they'd be used to it, but everytime they feel like this is it, this is the time he'll walk in to the hospital and not walk out again

[fuedalreesespieces]

inuyasha after sunrise fucks him over for the hundreth time

[akaikali]

Aaaaand that's the last part of Michael in a dress. Okay no there will DEF be more of Michael in a dress just not THIS ONE.

God GerryMichael cuteness. They're so. Ugh.

[sideblogdotjpeg]

learned the term "knitworthy" from the patreon comments . anyway. the polycule does NOT respect the fiber arts grind

[peachdues]

watch me procrastinate the FUCK out of writing Netherwood IV because I don’t want to let Werewolf!Sanemi go 😭

[volivolition]

Any updates on all wip fics? and what is your ao3 username if you have one?

if you don't want to share any info, it's all good

i hope you know how hard i am YIPPEE-ing after getting this ask, I LOVE TALKING ABOUT MY FIC WIPS!!!! YEAHGKJH!!!! <33 my AO3 is also volivolition, but i dont have anything posted there yet :]

TL;DR: I have 4+ WIPs im working on simultaneously: Unstoppable Force Kisses Immovable Object - A Voli/Echem enemies -> enemies with benefits -> friends with benefits -> lovers fic that started as PWP but whoops its not just smut anymore lmao? Meet the Parts that Make You - A "Kim introduced to the Skills" fic! Let's Make It (a) Home - A Skills fic showing the aftermath of the amnesia wiping out Harry's mindspace, with the Skills working together to rebuild it into a home during the Hanged Man case. Mostly domestic fluff. Swept Up in the Feeling - An Empathy-centric fic, originally an excuse to do Skill character studies. Empathy understanding each skill while they do activities together <3 (gained a plot. suddenly.)

ANYWAY!! more info, snippets and musings under the cut!

Unstoppable Forces Kisses Immovable Object Word Count: 18722 Rating: Explicit Okay, so technically this document isn't just one story. It's my catch-all "any Volistry writing goes HERE" containment zone. Like I said, this wasn't supposed to be anything big, I just wanted to write a bunch of drabbles and practice writing smut because I've never done that before. But then the drabbles started connecting to each other and Voli and Echem started falling in love without asking me and so it's like. A whole thing now lmao?

they bring me so much joy. they're so fun to write, because volition will say something so normal and echem will find some way to misconstrue it and volition will bicker and echem will flirt back and volition will sigh and they're so fucking funny to me. they just keep talking, their back-and-forth banter is so natural to write, which is why this fic is so long hkgjh

they learn to balance each other out!! i want them to be soft and witty with each other and i'll. cry about them. if you catch me at the right time i will wax poetic about their relationship but right now they're just being incoherently rotated in my brain.

anyway here's a snippet, i have so much written for this damn fic that i had trouble choosing lmao. it's like. mildly suggestive? but truly nothing blatant, just cutesy shit lmao

Meet the Parts that Make You Word Count: 3886 Rating: Mature This fic is the closest of the four to being abandoned lmao? Or at least I want to finish Swept Up before writing this one, because as it stands I feel like I can't grasp everyone's characters right without doing some character study beforehand. It might also be because I'm currently more obsessed with the Skills instead of the humans, though i still love them.

but yes! Meet the Parts that Make You is a fic after Martinaise, established relationship for KimHarry, where Kim is casually introduced to the skills over dinner, and they document their findings in Kim's notebook over the course of about a week. it's a lot of skills banter and silly moments!! harry can honestly say that every single part of him loves Kim.

here's where they're trying to show off each of their different specialties, featuring Reaction Speed and Hand/Eye Coordination who are my sillies.

Let's Make It (a) Home Word Count: 1896 Rating: Teen+ I think if I want to finish any fic first, I want it to be this one, because it really sets the scene for the rest of the universe of all my other fics. The main gist is that Perception can pull in anything that Harry's looking at into the mindspace, and once they figure this out, most of the skills go "Hey we should bring in more things so we can decorate!"

volition my friend and perpetual spoilsport :3 anyway, different skills affect the object's properties! Perception can pull things in, Interfacing can give it texture, Conceptualization can make it different colors and Reaction Speed can duplicate it. Empathy makes it so the object has the correct feelings attached to it (Dora's letter, for example) and Half Light can immediately destroy the object (Dora's letter, for example).

this fic is basically The Hanged Man case, but from the perspective of the Skills. i think it focuses on some specific skills, but maybe not all of them because I'd die if i had to give each one of them an individual chapter. maybe i'll smoosh some skills together? i love all of them and i want all of them to get some screen time, but it would wreck me lmao

i have a whole Volition scene written out and i think its so fucking gorgeous bro... i love writing. it's like... rebuilding after death, the skills have a kind of blank slate too, you know? they're learning to work together again, regaining memories, making new ones, making a home together. the way different skills need to work together to make an object in the mindspace real. I WANT THEM TO BE A HAPPY FAMILY. AUHG.

Swept Up in the Feeling Word Count: 5103 Rating: This is Mature. Except the Echem chapter. Which is Explicit.

EMPATHY MY FAVORITE SKILL. OUGH. EMPATHY. MY FRIEND. this fic is about Empathy getting roped into a bunch of shenanigans with the other skills, and goes along with it all while better understanding each of them.

so remember when i said I'd die if i had to give each one of them an individual chapter? yeah. that's because THIS is the story where i give each one of them an individual chapter.

24 chapters, one per each skill. Including, but not limited to:

Exercising with Physical Instrument!

Art time with Conceptualization!

Performance with Drama!

Listening to Encyclopedia infodump!

Reminiscing with Volition!! (THEY ARE CHILDHOOD BEST FRIENDS!!!)

Staying up late with Endurance

"Overstimulated Skills Support Group" with Perception

Talking about understanding people vs understanding machines with Interfacing

Talking about understanding people vs understanding specific people with Esprit de Corps

Apologizing to Composure about making their life harder with UNNECESSARY FEELINGS ("as if we don't deal with enough of our own, you bring in other people's emotions for me to hide?" "why do we always need to hide them?" "BECAUSE... :| Just because.")

A Talk with Half Light.

Y'know... with Electrochemistry (there's more to it than just that though lmao)

This fic will be the death of me, with all the skills, but I really really want to do skill character studies. I need to research their lines on Fayde and understand each of them so I can write all of them better.

This is also so I can be obsessed with each of them. Currently I have a lot of faves, but I don't care about all of them yet when i WANT TO!! i want to know each of them intrinsically!! I wrote a bit of the Endurance chapter and I didn't use to care for him very much, but then I wrote the lines

"Endurance is not tired; he can't afford to be. Not when everyone else is. He would stand before any of them, from the first intellect to the last motoric, in order to take a blow meant for someone frailer, less capable of surviving it. He will endure it instead."

and now I'm sympathetic to him. like, ough. If I understand them, then I learn to love them, and that's also why I'm writing it from Empathy's perspective! Empathy feels what other the other skills feel and does bonding activities with them with similar feelings, does that make sense? i really want to learn characterization for each of them, this fic truly is just an excuse for me to do character studies so i know all their character motivations.

BUT. it also has backstory plot now that im invested in lmao? based off of character design that i have. I STILL NEED TO POST MY SKILL REFS. RAUGH. but yeah all of my stories get too big for me really, i always bite off more than i can chew for projects like this lmao.

Other Fics: Skill Body Swap Fic! its shoved into Unstoppable Force's document for the time being, since this is mostly an excuse for Volition/Echem swap (Echem's body is ~sensitive~ if you're not used to it and i love putting voli through Situations. meanwhile Volition's body has the morale health pool in it that echem has to take care of), and ive only written that specific swap, but i think it'd be cool if i swapped EVERY SKILL.

Logic and Drama would be funny hkjgh Drama would 1) immediately slot into the new role and be extremely good at pretending nothing is wrong. What do you mean, he hasn't switched bodies with anyone? That's highly improbable. 2) love saying lies as if they were appropriate conclusions, and actual Logic would be like "That's literally wrong. Stop that."

Empathy and Composure would be interesting! Empathy's body is constantly picking up on everyone's emotions, and also is always on the brink of tears. Composure's body is not made to experience the same emotions, much less the emotions of others. Empathy's cut off from feeling and Composure is struggling not to fucking cry, poor guy.

Shivers and anyone? I just think Shivers should be small and worried about her connection to Revachol. and some other skill is just like "WHY IS THIS SO OVERWHELMING. HELLO??"

i dont know, theres a lot of ways i could go with this, i'll figure it out lmao. if anyone has suggestions for interesting/funny swaps and is even reading this far, let me know

The Sunrise Momentum. I SWEAR TO GOD IF I DONT WRITE THIS FIC. I NEED TO FUCKING WRITE THIS. Volition's vow with Harry that i cry about once per day. VOLITION IS TO HARRY AS HARRY IS TO REVACHOL. AUGH. "I will do everything in my power to keep you alive. I will keep you on this earth." my knight in lavender armor i am OBSESSED WITH YOUUUU!! *vibrates at high velocity*

okay that's about it, thanks for reading my RAMBLES!!

[tallytals]

missing a milestone event is actually so evil. the whole damn timeline should be reset just for me

[broke-on-books]

☕

The live action Scooby-Doo movies?

I did not see this ask until RIGHT now (first time on desktop since crab day, second time since Nov 5 2020 [which was DOUBLY experience since I got my phone taken the same day]) so I'm going to assume this ask got eaten on mobile because tumblr, HOWEVER you poked a bear with this ask anon (as I'm sure you knew when asking) SO without further ado: my Scooby Doo live action opinions

So when you say 'live action Scooby-Doo movies' I'm assuming you're talking about the James Gunn films, starting with Scooby-Doo (2002) followed by Scooby-Doo 2: Monsters Unleashed, just due to like, generally popularity and also the fact that I have actually seen those films. However shoot another ask if you wanted me to include Curse of the Lake Monster in this (because I will if anyone cares and turn this into a live-action scooby dissertation, i'd just need to like. watch the movie first) But anyways where I'm going with this is that this post is about the Gunn movies aka the ones with SMG, Freddie Prinze Jr., Linda Cardellini, and ofc our #1 man, Matthew Lilliard.

Okay so my take on these movies is... complicated. I wouldn't say it's as complicated as my feelings towards SDMI, because I watched the live actions way less as a kid and generally care less about them, but still no matter how much shit I throw at these two movies there are parts that I generally like (even love) that stops me from totally condemning them wholesale. Like the fact that these movies are FUNNY! There's so many moments from this duology that are just beyond iconic "like, that's one of my favorite names!" the whole thing with Scooby in the dress at the airport, ET. CETERA (like I can go on!)

The Gunn movies are genuinely SO fun and I can 100% see and understand how they've stood so well in the public view as a representation of Scooby. HOWEVER, this is where you start to see my problems with them. For the general American, (because that is the audience I'm familiar with) ESPECIALLY millennials and younger, who happen to make up the majority of both people on this site AND people I talk about Scooby with in real life, these movies, and the elements they introduced as "quintessential scooby tropes" are the base of their understanding of the Scooby franchise, along with likely some miscellaneous WAY episodes and maybe SDMI.

Which is where I get pissed off. In the pushing of the narrative of "breaking away" from the Scooby norm, Gunn basically invents (aka totally makes up) an idea of what classic era Scooby was like, cementing an idea of classic Scooby into the public mind that is totally disingenuous and just straight up false. For example, in attempting to portray Daphne as having taken strides to be seen more seriously in solving mysteries and defending herself, it pushes the narrative that in the classic era she WASN'T taken seriously, and only existed as a damsel-in-distress prop of a character, which is just not true??? Like yes, Daphne is clumsy, that's a part of her character, and her friends (because, fun fact, the gang ARE friends) joke about it sometimes because that's what friends DO. Framing that in some kind of sexist "that's all she does" lens is just total bull, especially as gang members fall into secret passageways/get lost etc. in WAY ALL THE DAMN TIME because that's how the plot functions! Like are we calling Velma ditzy for losing her glasses every other episode? Of course not, and Fred falls into passageways all the time, not to MENTION Shaggy and Scooby and all they get up to. Also one last thing on the topic of Daphne, like this idea of her mystery solving skills not being respected by the gang is just so supremely bullshit it amazes me sometimes, especially when she was the LEADER (or leader adjacent) through pretty much all of her appearances in the 1980s [Not that James Gunn could look at '80s era Scooby without spitting on it, but I digress]

AND THIS IS JUST DAPHNE! Like the perceptions pushed towards Fred (and Velma, but mostly Fred) through these movies are just as bad! Like okay, with Fred---In these movies Fred is just an asshole. I hate Gunn Movies!Fred. I mean yeah he can be funny but it's almost always so mean! Almost nothing makes me madder than a mean Fred by the way. If he's putting other gang members down (even halfway, like with his whole "dorky chicks like you turn me on too" line, which... ew) then to me something has gone very, very, VERY, wrong in your basic understanding of Frederick Herman Jones as a character. Like he's the cheerleader! He puts himself in between his friends and danger! He loves nets, and traps, and Elvis impressions, and wrestling, and the trapeze, and cars, and most of all he LOVES sharing the things he loves with his friends! (Sometimes to a bit of an extreme. No one wants to hear about your net facts, Fred) And the live action movies just don't understand that at all. And I know there's maybe something to say I suppose in that some of those aspects of his characterization hadn't been "established yet" by the time "Scooby-Doo" came out in 2002. But it's there if you look. For Fred Jones, being the leader means being the caretaker, (he's the Mom friend what can I say) and any version where he's cruel and arrogant and just DOESN'T CARE about his friends in the way he's shown to in the Gunn movies is just so far from Fred to me it's not even funny. And what makes it even worse for me is that this (or at least something similar) is the idea of Fred that has really spread to the popular culture. Just the "leader", the jock that makes the rules, the one that [insert X adaptation here] finally gave a personality and made interesting (something that has been said more times than I can count for pretty much every gang member, save Shaggy and Scooby).

And I haven't even touched on Velma, and how they gave her a bit of a early 2000s smart superiority girl complex against Daphne, plus the whole makeover thing and etc. etc. The Gunn Movies are pretty much what would happen if you took someone who hadn't seen Scooby since they were 7 years old (and honestly had a pretty negative outlook against it then) and tried to "fix" it, only his memory was so bad he just made up problems (and threw in a good helping of early 2000s style sexism with it) convincing pretty much the entirety of the popular culture that said problems exist and that Gunn was absolutely brilliant for fixing them (and then bringing up said "problems" whenever anyone wants to talk about Scooby) and this entire rant has been without even fucking MENTIONING what is probably the reason you, anonymous tumblr user sent this ask in the first place, to I, Swishy "Scrappy Doo Redemption Arc" Broke-on-books (dot tumblr dot com), which is his HIGHLY SUCESSFUL and utterly sadistic character assassination of my number one man, Scrappy Doo.

And I am going to try my damnedest here not to get totally into my highly passionate opinions over what James Gunn did to Scrappy in the first of his Scooby movies and how thoroughly it has pissed me the fuck off because I have been writing this post for over an hour now and if we start to really get into my feelings on this topic it will certainly be a couple of hours more but like. That Fucking Bitch. I give James Gunn personally a solid eighty-five percent of the blame for making my life as a Scrappy Doo fan UTTERLY unbearable with this stupid fucking movie alone, and just his Scrappy crimes would honestly be enough for me to say that I hate this movie, not even considering the numerous Scooby crimes I've been talking about here for the past million paragraphs, but the part about this movie that makes me the MOST mad the most pissed off is that it's actually a good fucking movie. James Gunn wrote two hilarious and entertaining movies that have become beloved in the popular culture for their successes in that arena, while at the same time pissing all over the core themes and messages of the franchise of which it was based, that of friendship.

TLDR; The Live Action Scooby Doo movies (written by James Gunn) are highly entertaining and fun pieces of media to watch, and are widely loved by the general public and looked at with fondness and nostalgia because of that. However, as a hardcore Scooby Doo fan (writing that phrase sounds so ridiculous but oh well) the existence of these movies and their impact on the popular culture can be extremely frustrating (despite any personal nostalgia said fan may have) due to their spreading of a misinformed picture of what "typical Scooby Doo" looks like. This picture is especially frustrating due to the fabrication or exaggeration of problems present in classic Scooby (such as sexism in regards to the girls), as well as giving more ammunition to other problems in Scooby fandom (such as oversexualization, and sexualization in general, which no one wants to see in regards to their children's cartoons, like HONESTLY.) Discussions of sexism and sexualization in Scooby (both of which ARE present and are issues, although not at their worst in WAY) can often lead to an overlooking of the issues that are very present and clear in WAY and have continued since then with far too little resistance (I'm 100% talking about the racism here) HOWEVER that topic deserves at least a dozen posts of its own that I am no way informed or qualified enough to even begin to think about writing. The Gunn Movies are frustrating to many longtime Scooby fans because of these reasons, but for me, and fellow Scrappy Doo fans there is also the added aspect of the demonization of Scrappy Doo in the live action movies and the affects that has had on the popular culture as well, making it uniquely inhospitable to like or enjoy the character of Scrappy. End post.

[asteracaea]

she is really gunning to break records with 1989 tv isn't she!

[en-chi-la-da]

i think i would be more of a morning person if i wasn't constantly associating them with things like waking up for work, school, early appointments, being late, traffic, exhaustion,, hunger... that one very specific iphone alarm tone. ughh

[international-sunrise]

I LOST MY FEAR OF FALLING

CHAPTER 16: i mean this more than words could ever say.

Fandom: 외모지상주의 | Lookism

Rating: Teen And Up Audiences

Warnings: Creator Chose Not To Use Archive Warnings

Relationships: Hong Jae Yeol | Jay & Park Hyung Suk | Daniel, Minor or Background Relationship(s)

Characters: Hong Jae Yeol | Jay, Park Hyung Suk | Daniel, Hong Jae Hye | Joy, Lee Jin Sung | Zack, Lee Eun Tae | Vasco, Choi Soo Jung | Crystal, Park Ha Neul | Zoe, Kim Mi Jin | Mira

Additional Tags: Character Study, Relationship Study, Pre-Relationship, Canon-Typical Violence, Implied/Referenced Child Abuse, Implied/Referenced Homophobia, Canon Compliant, Angst, Drama, Hurt/Comfort, Angst and Hurt/Comfort, It Gets Worse, Other Additional Tags to Be Added, Additional Warnings In Author's Note, POV Hong Jae Yeol | Jay, Spoilers for Lookism

CHAPTER 16: I MEAN THIS MORE THAN WORDS COULD EVER SAY.

Summary:

“What would you rather, ten goose sized Jinsungs or one Jinsung sized goose?”

[whatimdoing-here]

Friday.