#Antony Penrose

[bob-the-movie-man-film-reviews]

Lee (15): A biopic of an amazing woman that really deserves to be a mini-series.

One Mann's Movies FIlm Review of "Lee". Kate Winslet excels in this biopic of war photographer Lee Miller. 4/5.

A One Mann’s Movies review of “Lee” (2024). A passion project for Kate Winslet, “Lee” lays out the fascinating life story of war photographer Lee Miller. It’s a majestic film and one for which Kate Winslet might well be in with a shout for an Oscar Nomination. Bob the Movie Man Rating: Plot Summary: Lee Miller (Kate Winslet) is an aging Vogue model. She’s looking for “what’s next” (as “The…

[cinemaquiles]

BASEADO EM UMA HISTÓRIA REAL: "LEE MILLER NA LINHA DE FRENTE" (LEE, 2024) COM KATE WINSLET

[intellectures]

Die Ikone in Hitlers Badewanne

In dem neuen Film von Ellen Kuras spielt Oscar-Preisträgerin Kate Winslet mit aller Überzeugung die Fotografin und Kriegsreporterin Lee Miller. Nun ist er für das Heimkino verfügbar.

In dem neuen Film von Ellen Kuras spielt Oscar-Preisträgerin Kate Winslet mit aller Überzeugung die Fotografin und Kriegsreporterin Lee Miller. Continue reading Die Ikone in Hitlers Badewanne

[justforbooks]

Who was Lee Miller?

Why the model-turned-war photographer is finally getting her due

A surrealist with an incisive eye, finding the beauty and absurdity of everyday life. A model who posed for Vogue and sat for Pablo Picasso and Man Ray, but whose fashion career was suddenly cut short. A war photographer who embedded with the US military to chronicle the harrowing events of World War II — and posed defiantly in Hitler’s bathtub on the day of his death.

Lee Miller was an American artist who remade herself many times without straying from the principles that guided her life and career. When she died in 1977, her photographic work had largely been forgotten; her own family was unaware of the scope of her practice, and what she witnessed in the war, until they found her cache of negatives. Now, five decades later, she’s the subject of the Kate Winslet-led biopic “Lee,” which premiered at the Toronto International Film Festival in September, as well as a recent monograph of her work and an exhibition at mega-gallery Gagosian in New York, where some of her prints were for sale.

Her son, photographer Antony Penrose — whose father was the British surrealist painter Roland Penrose, whom Miller married in 1947 — has made it his life’s work to bring attention to his mother’s legacy. He co-directs her archive with his daughter, Ami Bouhassane, and has authored multiple books about Miller, including the most recent, “Lee Miller: Photographs.” For the past decade, he’s consulted on “Lee” as it came together, and has finally begun its run in both the United Kingdom and Spain.

“There were movies proposed and very nearly made before,” Penrose said. “This is the one that we’ve been waiting for, because I feel it is a brilliant rendition of Lee’s life, values and personality.”

He still recalls how “bewildering” it was when he and his late wife, Suzanna, found some 60,000 of her negatives and prints in their attic shortly after Miller’s death. She had developed a unique surrealist way of looking at the world, capturing everyday eccentricities that play with the viewer’s perception: a scratched-up door at a jewelry store becomes a small explosion of sparks; tar spilled on the street glistens darkly like some deep-sea or cave-bound creature.

But her range was staggering. Here was Elsa Schiaparelli supine among two cheetah sculptures, and Marlene Dietrich posing in dramatic sun in the designer’s ruched house coat. Here was a crowd of people spitting on four women, their heads shaved, as they went to trial for accusations of associating with Nazis. Here were the bodies of concentration camp victims in Dachau, and the liberated prisoners standing over a pile of human bones.

“None of us — and that includes my father — knew the scope of Lee’s work, particularly her war work,” Penrose said of his mother. “She deliberately didn’t tell him what was going on, because she didn’t want him to be worried.”

After the war, Miller struggled with depression and alcohol dependency, decades before post-traumatic stress disorder — and its symptoms — was officially recognized. When the occasional curator or art historian would turn up to better understand the depth of her work, Penrose said Miller would deflect the focus and downplay her career. It’s only been through her archive that he was able to understand the life she lived.

“It was a voyage of discovery,” Penrose added. “It was like finding a person that we had not known before — way beyond our kind of understanding and knowledge.”

Reinventing herself

For many years, Miller was remembered primarily for her modeling work in New York and with the reductive label of “muse” during her time in Paris. She sat for Pablo Picasso as he painted her in lurid yellow and green, illustrating her “extraordinary wit and liveliness… and a very bold, confrontational approach to life,” according to Jason Ysenburg, a director at Gagosian and co-curator of the gallery’s show “Lee Miller and Friends”.

She was also often remembered — but not credited — for her portrait collaborations with Man Ray, with whom she was romantically involved and remained friends throughout her life.

“Those images of Lee were as much by Lee as by Man Ray,” added Richard Calvocoressi, the show’s other co-curator.

Miller has been described by many as a supermodel on the cusp in her early twenties, a period just before she met Man Ray. But she was seemingly blacklisted by fashion clients overnight, after a portrait of her by the photographer Edward Steichen was licensed for a Kotex ad promoting menstrual products.

“She absolutely came to a crash stop. Nobody wanted the Kotex girl modeling their frocks,” Penrose said. “She didn’t even know that the photograph was going to be used for that purpose — it was bought through an agency.”

Though Miller used the setback as a sign to shift her practice, sexist social structures continued to shape her career. Art historians and curators of the 20th century relegated female surrealists — many of whom appear in Miller’s images, like the painter Leonora Carrington and the photographer Dora Maar — to the sidelines of the movement when they were, in actuality, crucial figures; Penrose recalls that his own father referred to them more as “muses” than artists in their own right, despite their prolific outputs.

But despite the imbalances within their group, Miller’s time with her friends ahead of World War II was seemingly idyllic. She’d left Paris in 1932 for New York when her relationship with Man Ray ended, and then unexpectedly married Egyptian businessman Aziz Eloui Bey and moved to Cairo. When she spent the summer of 1937 back in Paris and met Roland, it sparked a two-year affair (and series of love letters when they were apart), that eventually resulted in the dissolution of her marriage.

Some of Miller’s emblematic images of the period show their vacations across the south of France from beach outings with Roland, Picasso and Maar and the model Ady Fidelin, to a picnic that has drawn comparisons to Édouard Manet’s famed painting “Le Déjeuner sur l’herbe” as a topless Fidelin is pictured alongside Man Ray, the poet Paul Éluard and artist Nusch Éluard.

But as Ysenburg points out, the tumult of the era had already begun — Nazism brewed in Germany and the Spanish Civil War broke out, prompting Picasso’s monumental and career-defining work “Guernica” which was painted the same year Miller returned to Paris.

“It was a community that in the sense that they were friends and lovers,” Ysenburg explained. “It seemed a very carefree time for them in a world that was changing very quickly.”

She saw ‘what we’re missing’

Many artists fled Europe in the 1940s, and Miller could have gone back to New York to safety, Penrose said. But she’d settled down with Roland in London and refused to leave, instead becoming a photojournalist for British Vogue, documenting women who were contributing to the war efforts, and taking both fashion and street images during the Blitz.

Later, she was accredited as an official correspondent with the US armed forces — one of just four such female photographers. During this period, in Normandy and in Munich she worked closely with the Life photojournalist David E. Scherman. Together, they entered Hitler’s apartment with soldiers on April 30, 1945, the same day that Hitler shot himself in his bunker in Berlin. Just that morning, Miller and Scherman had taken photographs in Dachau; Miller tracked mud from the concentration camp all over the apartment’s floor before stripping down to pose in the bathtub. She took the same photo of Scherman, who was Jewish, as well.

“Those boots carried her that morning around the concentration camp, and now she’s grinding the filth of that place into Hitler’s nice clean bathroom,” Penrose said. “They prove that she’s not there as a guest in his house. She’s a victor.”

Even as Miller faced the harrowing effects of the war across Europe — sights that would take a toll on her in its aftermath — she still maintained her keen artist’s eye. After all, she believed there was nothing “more surrealist, more mad, more nightmarish” than the war, according to Calvocoressi.

“Even in the most dangerous and demanding circumstances, she’s still looking out for weird, quirky images,” Penrose said. “I find that that so endearing — the hallmark of her artistry is just to see what we’re missing.”

Miller took her last assignment for Vogue in the early 1950s, as Penrose notes that she could no longer meet deadlines because of her declining mental health. But she didn’t stop photographing, taking some 1,000 photographs of Picasso as Roland worked on his biography, which published in 1958.

Penrose said that throughout the course of her career, she was always “looking for the metaphor” in her surroundings. Of the many poetic moments she captured, one took place in front of the Vienna Opera House in Austria’s capital in late 1945 amid the lingering destruction of war. Framed by twisted metal support beams and rubble, the soprano Irmgard Seefried is photographed singing an aria from the Italian opera “Madame Butterfly,” in what Penrose believes to be an image set up by Miller — who captured her with arms outstretched, completely in silhouette.

“In a way, it’s a reversal, because you would have expected the singer to be beautifully lit from all kinds of sources.” Penrose explained.

“Gone is the costume. gone is any kind of glamorization… what we have is this absolute passion, about the triumph of art over destruction.”

Daily inspiration. Discover more photos at Just for Books…?

[skarsjoy]

photo used in 'Lee' of Alexander Skarsgård as Roland Penrose holding baby Antony Penrose via skytv IG

[aletterinthenameofsanity]

Art References for Chapter 4 of underneath of your sunrise (show me where your love lies)

(Is this the longest one yet? Maybe. Listen, this was the finale, I went all out.)

Paloma à la Guitare, Françoise Gilot, 1965

"But Monty also thinks about Francoise Gilot, an accomplished painter in her own right. She and Picasso spent ten years together, him cold and distant and cruel, but in the end, she was the one who left him. There was this one friend of the family, Antony Penrose, who said that it was “proof that she never gave up her own spirit.”

And despite two years of letting Tommy color his relationship with Charles and Edwin, Monty’s not going to do that anymore."

Apocalypse Tapestry, Jean Bondol and Nicholas Bataille, 1377-1382

"Monty’s fingers drum against the steering wheel. Just because he logically knows that things are alright- that they are more than alright- he can’t help the slight sting of unease, of doubt, of insecurity that is sewn through him like revelations through the Apocalypse Tapestry."

Arches of the Great Mosque of Córdoba, 785-787

"Because to be touched like this, to be bare beneath their attention, their touch, is like the first time he stood inside of a mosque, looking up at the arches, understanding how geometry could truly be divine."

Persian Ceiling, Dave Chihuly, 2008

"Though, of course, nothing takes Monty’s breath away like the two men highlighted by the glimmers of blue and green and yellow and orange reflecting and refracting off the sculptures above their heads, like walking beneath the kaleidoscope swimming above their heads in an aquarium."

Woman In A Yellow Dress, Max Kurzweil, 1899

"Monty is pushed back against the bed, laid out like a yellow dress draped over a Kurzweil lady, and he goes without protest. He goes with fucking reverence."

Electric Fan (Feel It, Motherfuckers), John S. Boskovich, 1997

"Such an idea would have been staggering a couple of weeks ago. It would have been impossible to believe, like someone trying to argue that modern art is garbage, seriously, have you ever seen Boskovich's Electric Fan (Feel It Motherfuckers) and not felt the absolute agony of the ghosts of your community screaming out at you louder than any painting ever has?"

Madonna painting on caterpillar silk, Chester Cathedral

"He feels as fragile as a gossamer painting, art painted on delicate cobwebs, as he catches his breath."

Radha and Krishna Walk in a Flowering Grove, the Kota Master, c. 1720

"The woman looks rather familiar. In fact, Monty’s pretty sure he’s seen her photo in their apartment, all long dark hair, a striking profile, and warm, familiar brown eyes, as beautiful as Krishna walking in the garden with Radha- if Krishna’s golden earrings gleamed against a pea coat."

At the Moulin Rouge- The Dance, Henri de Toulouse-Lautrec, 1890

"This is what Kala and Edwin walk in on: Charles dipping Monty in the middle of the kitchen, helpless laughter spilling from Monty's lips, like two dancers in a Lautrec painting of the Moulin Rouge."

@deadboy-edwin @icecreambrownies @anonymousbooknerd-universe @ashildrs

@tragedy-machine @just-existing-as-you-do-blog @orpheusetude @mj-irvine-selby

@pappelsiin @itsbitmxdinhere @rexrevri @sweet-like-h0ney-lavender @saffirez

@the-ipre @sunnylemonss @days-light @agentearthling @helltechnicality

@sethlost @catboy-cabin @secretlyafiveheadeddragon @vyther15

@anything-thats-rock-and-roll @queen-of-hobgobblers @every-moment-a-different-sound

@nix-nihili @mellxncollie @tumblerislovetumblerislife @lemurafraidofthunder

@likemmmcookies @wr0temyway0ut @thelakeswillbreakourfall

[artphotocollector]

"There were lots of things, touching, poignant, or queer I wanted to photograph." --Lee Miller

Lee Miller led an extraordinary life in her 70 years. While not as appreciated in the photography canon as she deserves to be, or as widely known for the pioneering contributions she made, with the publication of Lee Miller: Photographs from Thames & Hudson, along with a new film, Lee, starring Kate Winslet, her story is being freshly shared with a younger generation.

Lee Miller's story is told in these pages by her son Antony Penrose, who also compiled the more than 100 images that reveal Lee Miller's diverse interests from surrealism and solarization to fashion and portraiture to wartime photojournalism. For anyone who has not discovered Lee Miller's work, this new edition from Thames & Hudson is an ideal introduction.

What is not told, respectfully so, is the sexual trauma Lee Miller suffered as a young girl to the peculiar relationship with her father who often photographed her nude. And how these experiences impacted her. Lee Miller endured the best and the worst in people. As a photography correspondent in WWII, she also witnessed the unique horrors of Dachau and Buchenwald concentration camps. While there was much beauty in Lee Miller's life, there was also much unhappiness.

Yet, what a life! Lee Miller's legacy endures. Her passion for art, travel and adventure will always inspire. Lee Miller: Photographs, shows us why her work still matters. --Lane Nevares

[fashionbooksmilano]

Lee Miller Fotografie

Antony Penrose

Prefazione di Kate Winslet

L'ippocampo, Milano 2023, 144 pagine, 25,5x28cm, rilegato, ISBN 978-88-6722-775-4

euro 25,00

email if you want to buy booksinprogressmilano@yahoo.it

Un volume prezioso per celebrare l’arte di Lee Miller, fra le maggiori fotografe del Ventesimo secolo. Bellissima e piena di fascino, viene notata per strada a 19 anni da Condé Nast in persona, che la ingaggia come modella per Vogue. Questo è solo l’inizio di una vita ricca di avvenimenti, vissuta con coraggio e intraprendenza. Amante di Man Ray e grande musa surrealista, Lee Miller si rivelò ben presto una fotografa straordinaria e poliedrica, capace di immortalare i grandi artisti del Novecento ma anche gli orrori dei campi di concentramento. Curato da Antony Penrose, figlio della stessa Lee Miller, il presente volume raccoglie 100 fra i suoi scatti più celebri, a cavallo tra moda, ritratti, reportage e pubblicità. La prefazione è firmata da Kate Winslet che nel film, di prossima uscita nei cinema, interpreta il suo personaggio. Dal 9 settembre 2023 al 7 gennaio 2024, la Palazzina di Caccia di Stupinigi ospita la mostra “Lee Miller: Photographer & Surrealist”, celebrativa delle sue opere.

10/05/24

[icariebzh]

photos de Lee Miller et de David E. Sherman-

1: David E. Sherman dans la baignoire de l'appartement d'Hitler à Munich. Photo de Lee Miller -1945- 2:Imrgard Seefried, chanteuse d'opéra dans una ria de Madame Butterfly, opéra de Vienne, Autriche,1945-photo de Lee Miller 3:Paul Eluard et Antony Penrose-Farleys house--Muddles Green-East Sussex-Angleterre 1951-photo de Lee Miller 4: Lee Miller dans la baignoire d'Hitler appartement de Munich photo de David E. Sherman -1945- les photos proviennent du livre: "Lee Miller photographies " de Antony Penrose

[cetaceous]

Parachute Packer, Fleet Air Arm, RNAS Yeovilton, Somerset, 1941 Photograph by Lee Miller from 'Lee Miller: Photographs' by Antony Penrose published by Thames and Hudson, London image credit: Lee Miller Archives via: The Guardian

[mescharmantsouvenirs]

Lee Miller

1927 : New York : Possédante peut-être du visage et de la silhouette les plus classiques de sa génération...

1929 : Paris : Protégée et amante de Man Ray, elle invente avec lui sa technique de photographie solarisée...

1935 : Le Caire : Lassée de sa vie d'épouse d'homme d'affaires égyptien, elle voyage sans fin à travers l'Egypte...

1939-45 : Europe

Elle devient et accréditée correspondante de guerre américaine et couvre le siège de Saint-Malo et la libération de Paris...

Ce ne sont là que quelques-uns des vies de Lee Miller, intimement et entièrement enregistrées ici par son fils, Antony Penrose. C'est le premier livre à révéler son extraordinaire vision en tant que photographe.

Il donne également vie à l'histoire d'un femme qui a traversé de nombreux mondes -

[tinydooms]

Questionnaire time! Thanks for tagging me, @counterwiddershins

Name 3 ships: Rick/Evie, Tarzan/Jane, Belle/Prince Adam

Last song: Mary on a Cross, Ghost

Last movie: A Man Called Ove

Currently reading: The Lives of Lee Miller by Antony Penrose

Currently watching: Wednesday on Netflix

Currently consuming: Coffee brewed in a moka pot, mixed with hot sweetened milk in my favorite Edward Gorey mug

Currently craving: some new fabric to make a 1920s coat with

Tagging with no obligations: @belphegor1982, @sweetfayetanner, @oldshrewsburyian, @accidentallylita and anyone else who wants to play!

[o-the-mts]

Movie Review: Lee (2024)

Title: Lee Release Date: September 12, 2024 Director: Ellen Kuras Production Company: Sky Original | Brouhaha Entertainment | Juggle Films Main Cast: Kate Winslet as Lee Miller Andy Samberg as David Scherman Alexander Skarsgård as Roland Penrose Marion Cotillard as Solange d’Ayen Andrea Riseborough as Dame Audrey Withers Noémie Merlant as Nusch Éluard Josh O’Connor as Antony Penrose Arinzé Kene…

[surrexi]

FOR ANYONE NOT AWARE OF HOW FUCKING BADASS THIS WAS:

Lee and her friend/fellow photojournalist David Scherman (Andy Samberg in the movie), who teamed up on many assignments during the war, had just been to Dachau in the morning. The mud on the boots/bathmat you can see in the bathtub photo is mud from Dachau. That day, they also heard the news that Hitler was dead. They decided to go to Munich and found Hitler's apartment there. It's a normal, if surprisingly well-appointed, apartment, and Lee and David feel like this just underscores Hitler's monstrosity in inhumanity.

So they were like "let's do photojournalism/art about this to process our anger" and took turns posing in Hitler's bathtub, with Lee's muddy boots prominent in their photos. David took the iconic photo of Lee, but she also took a similar photo of him - same setup, him naked in the bathtub, muddy boots, etc. And I think it's sad that the photo of Lee isn't more often displayed as a pair with the one of David, because as much of a "fuck you" the photo of Lee is, I feel like the one of David is even more of one because of his Jewish background.

After they finished taking the photos, Lee took a whole bath in the bathtub and got some sleep in Hitler's bed. At some point David also took pictures of her in Eva Braun's bed.

The photo of Lee was printed (in a small size, according to her son and biographer Antony Penrose) in Vogue at the time (her war correspondent work was all done for Vogue) but was not well known until much later, when her son began cataloguing, preserving, and promoting her work after her death.

Lee Miller in Hitler’s bathtub, 1945. // Kate Winslet on the set of “Lee,” 2023.

[wankerwatch]

Commons Vote

On: High Speed Rail (Crewe - Manchester) Bill: Instruction (No. 3)

Ayes: 323 (69.6% Con, 27.0% Lab, 1.6% Ind, 0.9% DUP, 0.3% WPB, 0.3% RUK, 0.3% LD) Noes: 7 (62.5% Con, 37.5% LD) Absent: ~320

Likely Referenced Bill: High Speed Rail (Crewe - Manchester) Bill

Description: A Bill to make provision for a railway between a junction with Phase 2a of High Speed 2 south of Crewe in Cheshire and Manchester Piccadilly Station; for a railway between Hoo Green in Cheshire and a junction with the West Coast Main Line at Bamfurlong, south of Wigan; and for connected purposes.

Originating house: Commons Current house: Commons Bill Stage: 2nd reading

Individual Votes:

Ayes

Conservative (222 votes)

Aaron Bell Adam Afriyie Alan Mak Alberto Costa Alec Shelbrooke Alex Burghart Alexander Stafford Alicia Kearns Alok Sharma Alun Cairns Amanda Milling Amanda Solloway Andrea Leadsom Andrew Bowie Andrew Griffith Andrew Jones Andrew Lewer Andrew Murrison Andrew Rosindell Andrew Selous Andy Carter Angela Richardson Anne Marie Morris Anthony Browne Antony Higginbotham Ben Bradley Ben Spencer Bill Wiggin Bim Afolami Bob Blackman Bob Seely Brandon Lewis Brendan Clarke-Smith Caroline Ansell Caroline Dinenage Caroline Johnson Charles Walker Cherilyn Mackrory Chloe Smith Chris Clarkson Chris Green Chris Philp Claire Coutinho Damian Collins Damian Green Damian Hinds Danny Kruger David Duguid David Johnston David Jones David Rutley David Simmonds Dean Russell Derek Thomas Desmond Swayne Duncan Baker Eddie Hughes Edward Argar Edward Timpson Elizabeth Truss Fay Jones Felicity Buchan Fiona Bruce Flick Drummond Gagan Mohindra Gareth Bacon Gareth Davies Gareth Johnson Gary Streeter George Eustice Gillian Keegan Gordon Henderson Graham Stuart Grant Shapps Greg Knight Guy Opperman Harriett Baldwin Heather Wheeler Helen Grant Henry Smith Holly Mumby-Croft Huw Merriman Iain Duncan Smith Iain Stewart Jack Lopresti Jacob Young Jake Berry James Davies James Gray James Grundy James Heappey James Morris James Sunderland James Wild Jane Hunt Jane Stevenson Jerome Mayhew Jesse Norman Jo Churchill Jo Gideon John Glen John Hayes John Howell John Lamont John Penrose John Stevenson John Whittingdale Johnny Mercer Jonathan Djanogly Julia Lopez Julian Lewis Julian Sturdy Julie Marson Justin Tomlinson Karen Bradley Karl McCartney Kate Kniveton Kelly Tolhurst Kevin Foster Kevin Hollinrake Kit Malthouse Laura Farris Lia Nici Liam Fox Lisa Cameron Louie French Lucy Frazer Luke Hall Marco Longhi Marcus Jones Maria Caulfield Maria Miller Mark Fletcher Mark Garnier Mark Harper Mark Logan Mark Pawsey Mark Spencer Martin Vickers Matt Vickers Matt Warman Michael Ellis Michael Tomlinson Mike Freer Mike Penning Mike Wood Mims Davies Miriam Cates Nadhim Zahawi Neil Hudson Neil O'Brien Nick Fletcher Nick Gibb Nickie Aiken Nicola Richards Nigel Huddleston Nigel Mills Paul Beresford Paul Bristow Paul Holmes Paul Howell Paul Maynard Paul Scully Pauline Latham Penny Mordaunt Peter Aldous Peter Bottomley Priti Patel Rachel Maclean Ranil Jayawardena Rebecca Harris Rebecca Pow Richard Bacon Richard Fuller Richard Graham Richard Holden Robbie Moore Robert Buckland Robert Courts Robert Goodwill Robert Halfon Robert Neill Robert Syms Robin Millar Robin Walker Ruth Edwards Sally-Ann Hart Saqib Bhatti Sara Britcliffe Sarah Dines Scott Mann Selaine Saxby Shailesh Vara Shaun Bailey Sheryll Murray Simon Baynes Simon Fell Simon Hart Simon Hoare Simon Jupp Stephen Crabb Stephen Hammond Stephen McPartland Stephen Metcalfe Steve Barclay Steve Tuckwell Stuart Anderson Stuart Andrew Suzanne Webb Thérèse Coffey Tobias Ellwood Tom Hunt Tom Pursglove Tom Randall Tracey Crouch Trudy Harrison Vicky Ford Victoria Atkins Victoria Prentis Virginia Crosbie Wendy Morton Will Quince

Labour (86 votes)

Abena Oppong-Asare Afzal Khan Alan Campbell Alex Davies-Jones Alex Norris Alison McGovern Alistair Strathern Andrew Western Andy Slaughter Angela Eagle Anneliese Dodds Bambos Charalambous Barry Gardiner Bell Ribeiro-Addy Ben Bradshaw Cat Smith Catherine McKinnell Chris Elmore Chris Evans Chris Webb Damien Egan Dan Jarvis Dawn Butler Emma Lewell-Buck Fabian Hamilton Gareth Thomas Gen Kitchen George Howarth Gill Furniss Grahame Morris Harriet Harman Helen Hayes Hilary Benn Holly Lynch James Murray Jeff Smith Jim McMahon Jo Stevens John Cryer John McDonnell Judith Cummins Julie Elliott Karl Turner Kate Hollern Kevan Jones Kevin Brennan Kim Leadbeater Liz Twist Lloyd Russell-Moyle Luke Pollard Margaret Beckett Marie Rimmer Mark Hendrick Mark Tami Mary Glindon Matt Western Matthew Pennycook Mick Whitley Natalie Elphicke Naz Shah Neil Coyle Pat McFadden Paul Blomfield Paula Barker Preet Kaur Gill Rachael Maskell Rachel Hopkins Rebecca Long Bailey Rosena Allin-Khan Ruth Cadbury Ruth Jones Sam Tarry Samantha Dixon Seema Malhotra Sharon Hodgson Simon Lightwood Stephen Doughty Stephen Kinnock Stephen Morgan Stephen Timms Steve McCabe Taiwo Owatemi Tanmanjeet Singh Dhesi Thangam Debbonaire Vicky Foxcroft Wes Streeting

Independent (5 votes)

Bob Stewart Claudia Webbe Conor McGinn Diane Abbott Nicholas Brown

Democratic Unionist Party (3 votes)

Gavin Robinson Gregory Campbell Jim Shannon

Workers Party of Britain (1 vote)

George Galloway

Reform UK (1 vote)

Lee Anderson

Liberal Democrat (1 vote)

Helen Morgan

Noes

Conservative (5 votes)

Adam Holloway Gavin Williamson Jack Brereton Philip Davies William Cash

Liberal Democrat (3 votes)

Helen Morgan Richard Foord Wera Hobhouse

[skarsjoy]

Swedish poster for LEE featuring Kate Winslet as Lee Miller, Josh O'Connor (as Antony Penrose), Andrea Riseborough (as Audrey Withers), Andy Samberg (as David E. Scherman), Alexander Skarsgård (as Roland Penrose) and Marion Cotilliard (as Solange D'Ayen).

via Scanbox Entertainment Sverige Facebook. Photographer is Kimberley French.

The premiere in Sweden is September 27 (as well as the US)

✨ there is an early screening in Stockholm on September 17 at Cinemas Scandia (get tickets)