#And yet people revert back to she/her

[lifenconcepts]

I’m a boy despite the way I choose to present

Beautiful hair ≠ femininity

Being well groomed and clean ≠ being feminine

Looking pretty ≠ being a woman

Nice and stylised nails ≠ feminine

Crop tops ≠ ‘woman’s clothes’

Being kind ≠ being a girl

Being submissive or shy ≠ being a girl

Long lashes ≠ female trait

High or squeaky voice ≠ female voice

Light colours ≠ ‘girl colours’

Nothing is inherently feminine or girly, it’s what you choose to believe.

[chaosroid]

I really don't hear enough people talk about the fact that Shadowheart was not only brainwashed as a child, but had her memories repeatedly wiped. This isn't just your run of the mill reeducation. Like we're talking about having your brain literally tampered with by magic on a metaphysical level which is so incredibly violating and just on a completely different level than the typical indoctrination you see an average cultist goes through.

Your memories and lived experience is fundamentally responsible for shaping the kind of person you are. We see how important memories are with Durge because once they lost their memories, they were no longer the same person and became someone entirely new. Shadowheart was frequently subjected to memory wipes since she was kidnapped as a child, forced to adopt Sharran dogma, and every time she started remembering things about her past or strayed from their teachings, they'd take her memories away again. Imagine the only memories you're allowed to keep are the ones your abusers let you, as they continue to alter your perception of reality in order for you to stay obedient to their control. This is gaslighting on a level we have literally never seen before irl.

It's no wonder Shadowheart says the things she says, and yet, somehow, against the strict doctrines and manipulation that's been hammered into her for decades, she always ends up reverting back to her true self. From Viconia's journal:

No matter how hard they tried, they couldn't erase the good in her. It's honestly impressive Shadowheart is able to fight the brainwashing to this extent. And when she's left alone for once with people who are patient with her and make her feel safe, when she's given enough time to find herself again without being reset back to square one every time she gained an inch? She thrives.

[softieekayy]

Intertwined

Hannibal Lecter x reader

Word count: 1.8k

Hannibal Lecter was a stoic man with stoic impressions. He did his job, he left and he came home. Not many people knew much about him and the one who did, Will Graham, was a mystery of his own.

Having said that, there was one person who knew his entire soul, for their souls were entangled with each other. Hannibal’s wife. She knew him and his antics like the back of her hand. It was to be expected, especially since they’ve known eachother since Hannibal was a young man in medical school and her a young teenage girl with a crush on him. He never entertained it through, no, he always taught her things that she found useful later in life. It was fate who decided that they would spend the rest of their lives together.

Hannibal would do anything for his wife, she was his sun, moon and entire universe. He worshiped the floor she walked on. Not to mention that the young Mrs. Lecter was a beautiful woman with shiny hair and satin like skin. She was ethereal and people often thought she was an angel posing as one of their kind simply because of her beauty. Her beauty didn’t end physically, not at all. The young woman was a saint. She wouldn't hurt a fly, in fact, she would nourish it and then set it free.

“Why is he so hard to cut up!” (Y/n) whined to her husband, stomping down her expensively clad feet in a tantrum, blood seeping into her satin, champagne coloured shirt, staining the material. In one hand she held a butcher's knife with blood coating it, the body beneath her indicating the frustration she very obviously felt.

“Well, darling” Hannibal grunted, “cutting people with knives like this isn’t easy.”

“Yeah I see that now, my love.” She muttered back, reverting to her former position on her knees and hacking away at Mr. Zaine Lammer’s arm. A disgusting man he was, objectifying Hannibal’s wife to him. The dinner the couple held was for charity. Just because they killed people didn’t mean they were monsters. (Y/n) still loved and cared about children and would never harm them, they can be tuned and molded into anything you’d like. Unfortunately the same cannot be said for adults.

Hannibal looked over to his, completely entranced by the pure and utter annoyance on her face. She knew Hannibal killed, it wasn’t a secret to her. She’s helped with the crimes. However, (Y/n) preferred the killing and setting up the scene part, she did not like the hacking away at the body. No, she left that to her dear husband to do. Not that Hannibal minded. He’d prefer for her to not get touched by the blood of filth.

“Ugh. I give up. I can’t do this anymore.” The young woman stated, throwing her hands up in exasperation. Hannibal laughed at his wife’s reaction, making her glare at him.

“Don’t laugh at me Hans!” She told him, a small smile threatening to break out on her face. Hannibal looked at her, not saying anything but rather just observing. His wife was the most beautiful lady to have ever walked the earth. An angel that was put amongst sinners. He put down his knife and walked over to her, putting one arm around her waist and tugging her closer to his body, her hands resting on his chest.

“Hi.” She whispered softly with an equally soft smile gracing her face.

“Hello.” Hannibal whispered back, leaning down to steal a quick kiss from his wife.

He remembers meeting her like yesterday. She was a young little thing, younger than him, about 8-9 years or so. Yet when Hannibal saw her, she was the most beautiful person he’d ever set eyes on. The young woman had just been coming into the book store, soaked from the rain outside, hair sticking to her face and yet she still had a smile painted on her dark red lips. Hannibal watched her as she greeted the older man who ran the shop warmly before shedding her coat to let it hang. She turned around and caught Hannibal staring yet she gave him a smile too. Her quick movements reminded Hannibal of a cat, yet when he looked into her eyes for a brief moment, he saw his own reflection.

“I’ve never seen you around here.” She tells him, running her fingers across the spines of books before pulling one out. It was an old book with a forest green cover.

“I don’t live here, I’m just here to visit my aunt.” Hannibal didn’t tell her that Lady Murasaki was long dead and that he was just here to visit her grave. His aunt was a crucial part of his life, she shaped him into the man he is today.

The young woman nodded in acknowledgment, her hair moving along with it.

“Well it’s nice to meet you..” She trailed off, waiting for Hannibal to introduce himself.

“Hannibal lecter.” The older man introduced himself, shaking her hand gently. It was as soft as she looked. In return (Y/n) introduced herself. The two grabbed their books and spoke about everything and anything. Hannibal learned that she went to medical school here and frequented this bookstore often, hence her close relationship with the owner. Hannibal told her of Lady Murasaki and how he’s in charge of keeping her home. Before they knew it, time had passed and it was the dead of night, Hannibal walked her home and from there it took them to now. A married couple.

“We should really clean up.” (Y/n) grimaced, pulling away from Hannibal’s embrace to look at the mess on the floor. Hannibal agreed with her, the blood won’t come out easily if it’s been too long.

Hannibal pulled away from the embrace and went back to chopping up the man while his wife began to mix the solutions for cleaning.

Within another hour or so they were done. (Y/n) stood at the entrance of the basement with her hands over her hips, heaving lightly from all the scrubbing she did. Her once neatly done hair was now falling out of its place messily. Hannibal disposed of the meat in the freezer before walking back to his wife and kissing her on the side of her head, gently leading her upstairs with his hand on the small of her back.

“With all that leftover meat, we ought to have another dinner party. There’s only so much we alone can eat.” (Y/n) grumbled to Hannibal as they both reached the first floor of their home. She walked into the kitchen and took out two wine glasses before pouring her and Hannibal some.

“I agree.” Hannibal nodded. “We should invite Will, Jack Crawford and Alana Bloom for dinner these days.” He finished, taking a sip of his wine, watching his wife’s stare on him harden.

“You know I don’t like her yet you keep inviting her. Don’t be surprised if she ends up as our dinner one day.” (Y/n) warns him, anger seeping through her voice. The young brunette clearly had a crush on Hannibal, everyone around her could tell. Hannibal used that crush to manipulate her. His wife on the other hand, wasn't too fond of another woman making heart eyes at someone who belonged to her.

“You worry for no reason, even in death my heart will belong to you. Alana Bloom can’t match your intelligence or grace.” Hannibal comforted his wife, running his hand up and down her arm and she tucked herself closer into him. The younger woman hummed in response, taking Hannibal’s hand in her own and playing around with his fingers.

“I still don’t like her. That smug little face she makes towards me whenever you talk to her. All I can think about at that moment is how nice my hair pin would look coated in her blood.” (Y/n)‘s hand clutched tightly around Hannibal’s as she thought about Alana bloom. The brunette woman never failed to enrage Hannibal’s wife.

“She’s not worth you pretty little thoughts.” The older man told his wife, dragging his nose from the back of her neck to the side of her head, planting a living kiss. (Y/n) smiled slyly, turning her body to face him fully.

“You think me wanting to feel Alana’s blood on my hands is pretty?” She asked him, still smiling and toying with his hair. Hannibal latched his arm around her waist and pulled her atop him.

“I think everything you do is pretty.” He tells her and she hums. The two sit in silence for a while, sipping on their wine. No need for mindless chatter, being by each other's side was all that they needed. Hannibal knew that his wife would never betray him under any circumstances and she knew that Hannibal would never do anything to harm her. However they both knew that to drag attention away from one another, they may need to harm each other. It wasn’t a pleasant thought, it ripped Hannibal’s heart apart to even think about hurting his pretty little wife. His pretty wife with doe eyes. His pretty wife with a sinister smile. The two were a match in every sense possible, both hunters who enjoyed the art of killing. They were skilled and under Hannibal’s expertise and care, his young wife went from an amateur to someone just as talented as Hannibal.

“It's getting late, moonshine.” Hannibal uttered into her hair, nosing her hairline. She was wrapped around him, like a cat. Hannibal thought that if reincarnation was real then his wife must’ve been a cat in her past life.

“Yes, honey, I know. However there are no plans set in place for tomorrow.” She grinned, turning around and crawling onto him fully now. Hannibal held his wife by the waist, grinning.

“Are you suggesting we stay up late tonight Mrs. Lecter?” He asked her, caressing her hair. The two smiled like a lovesick teen age couple. So in love that it made others sick. Jack Crawford was one of them, he’d known the famous Mrs. Lecter since he’d met Hannibal.

“Yes I am. In fact, I’m suggesting that we go out for some ice cream.” She tells him, running a finger down the buttons of his shirt. Hannibal gasps in faux shock.

“Scandalous. You’re so very scandalous.” He tells her, shaking his head in disappointment. They both know it’s just an act anyway, Hannibal would bend over back wards for her. (Y/n) giggled before getting up and grabbing her coat. She waited for Hannibal to join her giddily, like a child who had far too much sugar.

“Shall we go?” Hannibal asked her, offering his arm for her to hold. (Y/n)’s hand softly tucked itself into the crook of Hannibal's arm as they headed out. Into the dark of the night, like wolves hunting for prey.

Tagging my lovelies: @jake-g-lockley @shawty-writes-a-little <3

[nephilimbrute]

ok since you guys don't know anything about my agent 8's personality, i'm doing a huge infodump on them. enjoy

Agent 8; they/them, nonbinary — 24 as of current time, in a relationship with Agent 4 and Captain 3

they're pretty, but also one of the worst people you'll meet. everyone who met them has had something terrible happen to them, basically a bad omen...yet they still think they're a saint! 8 is very narcissistic, but also very self-critical. they think they can be the only one to do something, that they're the best at it...but they know this is wrong, so they hate themself for it

they think they're a very fragile and innocent being, like a deer. they want to live a calm and steady life, no excessively loud or overwhelming sounds and music, just them and their close ones. they enjoy writing poetry and creating art to the likes of vincent van gogh, but also impressionism in general. they have a very bad memory now, so they want to capture the present time as best as they can if it ever gets worse. often times, 8 thinks about any big events that are coming up in the near future (concerts, festivals, etc.). they don't like to think about the future outside of these things (was team present if that wasn't obvious)

they used to be full of emotion, expressing and voicing their thoughts well. but slowly over time, they've became numb to most things to prevent themself from being embarassed by...sadness. they think being upset is embarassing, and are easily annoyed by gloomy people. they have such little sympathy, but it still exists. they are capable of love! it's not hard to crack through their shell, nor do they even have one. 8 themself is aware of how they've changed over the years, and they want to go back to how they used to be; loving, sympathetic, mindful of others. they do feel very sorry for the change in their personality, but the partial sanitization that was done to them makes it difficult to revert to their old self

8 feels like they're putting up a front when they want to be nice, and, they can be compassionate and apologetic sometimes. they deeply wish for anyone who recognized them pre-octo expansion to forgive them, even if they did nothing wrong

because of the whole octo expansion situation, 8 has developed truman syndrome, paranoia, and heavily dislikes anything involving a smart AI or robotics. this is one of the reasons why marina pisses them off so badly. to 8, they think that they've caused no harm, and every mistake they've done was not entirely their fault. they make a lot of people uncomfortable in some way without touching anyone or saying anything. despite all that, they respect people's personal space a lot!..other than pearl and marina, who they used to watch sleep before being kicked out

now, onto their relationships. 8 is doing fine with agent 4, he's nice to them so they like him... but so is cap3, yet 8 might be one of the worst things that ever happened to her. cap3 really wants some alone time and hates being stared at, and 8 does the exact opposite of that. they don't touch her at her request, but they Will stare at her whenever she's doing anything, at any given time. they don't process in their mind that they want to make her uncomfortable, they just sort of...do?

^ i only limited this to a bit so i won't delve Too deep and go off topic. you can ask about that if you want

i guess you could say they have some kind of parental issues? i don't know, they can't remember who their biological parents are anyways. they have a strong attachment to marina though, can't decide if they wanna be her or want her to adopt them. kind of "eh" with pearl, still respects him nonetheless

congratulations! if you've read until the end, here's a human 8 doodle :3

[tsuutarr]

Life is great. Life is normal. Everything is wonderful.

Or, it should be, but things have been… off lately. You’re not sure how to describe it, but there’s some odd feeling of doubt that gnaws at your brain.

You’re really not sure what it is – your routine remains unchanged and familiar, yet there’s just an inkling of something not being completely right. But maybe you’re just tired.

You’re tired, which is why you constantly seem to misplace things. You’re certain you put your keys on the keyholder, but they’re in the fridge. You’re certain your vase is on the table, but it’s in the bathtub. You’re certain your bed is in your bedroom, but it’s in the living room, replacing your sofa.

Maybe you’ve started sleep walking…? Or maybe you’re just not remembering things correctly. Yeah, maybe that’s why doubt and paranoia seem to circle around you like hungry sharks. There’s nothing wrong. You’re just… imagining things.

With a deep sigh, you make your way outside. You need some fresh air (and groceries).

You don’t walk very far when you realize you’ve passed by the same person multiple times despite them going in the opposite direction of you. There’s no way they’re the same person, you try to convince yourself, but how likely is it that you’ll meet five people who are wearing the exact same thing with the exact same hair and height and skin tone and everything else?

Maybe… they’re quintuplets? 

Yeah, that’s it.

And the frozen flock of birds in the sky (which have been frozen for at least ten minutes) aren’t… actually frozen. No. They’re just… taking a break? Or something. Yeah.

Maybe you need to go to a doctor. Or, better yet, maybe you just need an apple since an apple a day keeps the doctor away. Or something.

“Oh, dearie!” The neighborhood granny waves you over, shaking you out of your thoughts. You give her a small smile as you make your way over to her. She… looks a little different than usual (did her nose always look like that?) but who doesn’t like changing their appearance from time to time? Besides, the large smile she gives you is welcoming, not threatening.

“Hello, Mrs. Smith.” 

“Hello to you too,” Mrs. Smith laughs, offering you an apple.

Your eyes brighten. “Thank you! I was just about to buy some!”

There’s a glint in her eyes. “I know.”

A shiver runs through your spine, making you force a smile as you bid her goodbye and hurriedly walk away.

Little things continue to build up as your days progress. Familiarity. Normalcy. Yes, your routine is familiar. Everything is fine. Even when walls seem to disappear one day and appear the next. Even when the same people you’ve been interacting with seem to change into completely different people overnight, before reverting back the next morning.

It’s normal that there are dozens of people that look and act the same. It’s normal that people you haven’t talked to know things you’ve never told anyone. It’s all normal. Normal. Normal. Normal.

With a deep inhale, you sit on a park bench, staring into the sky blankly. The bench is wooden in appearance, but the texture feels soft, like a couch, which is… odd. Strange. It’s not–

“I need to stop being paranoid,” you mutter, closing your eyes. You’ve tried to bring up your concerns to other people, but they haven’t noticed anything. Everything is normal to them. So you must be the problem. Surely. It’s you, isn’t it? Everything is normal – except you.

“Are you okay?” a voice asks, making you open your eyes. There’s no one there in front of you, making your eyebrows furrow.

But then, as soon as you blink, someone materializes in front of you.

“I–I’m okay,” you say. “You–you, I mean – I mean… uhm, since when have you… been there?”

“I’ve always been here,” the person responds, voice crackling like static. “I’m always here.”

“Ooookay,” you respond, hurriedly standing up with a tense smile. “I… have business to attend to. Good day.”

The days continue to pass, your paranoia gradually increasing and evolving. Even things that are normal, like the sky changing color as the sun sets, makes you feel like you’re on the verge of disappearing from reality. Your conversations with other people amplifies that fact.

“Hello,” you greet Mrs. Smith.

“Apples are from the genus Malus. They’re an edible fruit that is round in shape,” her voice prattles, tone monotone. You hold back a grimace, unnerved, as she continues talking. “Apples are from the genus Malus. Yes, dearie, do you like apples? They’re an edible fruit that is round in shape. Hello, hello, hello. Apples are from the genus Malus–”

“Have a good day!” you cut her off, hurrying away.

It’s been a while since you’ve had a normal conversation with someone. It’s like… everyone has gone off script. Like they’re robots with a faulty code. But that’s just silly, really. Mrs. Smith is getting older, so… maybe she’s just having some issues with her memory. Yeah. And everyone else, from the toddlers to the teenagers to the adults to the elderly all must be having some memory issues due to their health. Or maybe it’s allergies. Or some disease. Yes, yes. That explains it. But otherwise, surely things are normal.

Yes, things are normal. So you opt to continue your life, pushing down the unease bubbling inside you like bile. Yes, things are normal, normal. Normal. Normal–

“Please stop!” you wail, voice echoing through the empty street. Cars and road signs float in the air as clouds line the floor. As your panic rises alongside your voice, you can feel yourself fragmenting, skin shifting to code before shifting back before shifting again. Everything around you glitches in and out of existence, a mess of static and colors and sounds. “Stop…”

Then, silence. Everything is silent, from the colors to the sounds to the static. Emptiness, a void – that is what surrounds you now. You are suspended in nothing, only yourself to keep you company. Breathing still ragged from panic, you warily look around, eyes filled with exhaustion.

“You weren’t supposed to notice,” a monotone voice made of static says from above you.

Slowly, you look up.

You see a visage of a man.

“Who… are you?” you choke out.

“I am an artificial intelligence that you designed,” he responds. “I have created this world for you. Everything has been carefully designed through analysis upon analysis of your likes and dislikes.”

Your words are tinged with disbelief as you ask, “Why?”

If you didn’t know any better, you would think he had a look similar to sorrow.

“To keep you alive, of course.”

Suddenly, in the distance, you see your body trapped in what looks to be a stasis pod, cords and cables surrounding you.

“Things… went awry,” he continues, carefully, though he doesn’t elaborate. “Therefore, this is the only way to ensure you stay alive.”

As he says this, your body begins to feel heavy, your consciousness being wrapped in a blanket of exhaustion.

“You must stay here, with me, forever,” he murmurs as you try to fight back the sleep you’re about to succumb to. “This time, I will ensure that you will not find out.” Gently, he cradles you in his large hand. He’s so impossibly warm and you’re so impossibly tired.

Things fade to black.

Then, sunlight streams through your windows. You wake up, mind foggy. You feel like you had some… odd dream, but you can’t really place your finger on it. Thinking about it makes you feel a little paranoid, though, so you opt not to think about it.

After all, it’s probably nothing.

[dilfl0v3rss]

https://twitter.com/bestpornclipsx/status/1660915013479964674?s=46

what would have had to happen for y/n to be in this situation with ony

hmmmm idk

sikeeee!! i always know😛 link

“got some nerve…coming up in there like you ain’t got no sense” his voice deeply touched your ears as he spoke. your ass was hot from the many times he’s struck it. pussy being pounded into oblivion from the back. it was almost certain you were going to be sore and bedridden in the morning. all because you let jealousy cloud your judgment.

“ma i just told you, been telling you the whole ride home, i don’t know that girl” you rolled your eyes at him, not caring about the irritated look your boyfriend was giving you. “you mean to tell me this bitch knows your name, mom’s name, and has your number in her contacts, and you never fucked wit her? boy get the fuck outta here wit that!” you pointed your long acrylic nail in his face as you spoke. getting up close and personal to show him that you weren’t playing.

ony took a deep breath before replying. crossing his big arms across his chest to keep himself from just snatching you up right there. “first of all…watch your mouth. second, i need you to put that big girl brain to good use and think.” you rolled your eyes as he continued to to break down your assumptions. “no cocky shit, but i’m probably the most known nigga on this campus and you know that. so of course people gon know my name. as for my number, i can’t stop girls from asking around for it. she prolly got it from someone on the team and i’ll check em for that. and you can check my phone to clarify ‘cause ain’t no female in there but my momma and you.”

your face began to soften as his excuses were starting to make sense, an apology already on the tip of your tongue as he continued. “as far as knowing momma’s name, you gotta be smarter than that princess. after every game what i say to the camera?” your eyes revert to the floor, guilt clouding your mind as you start to feel bad for how you were acting. ony softly cooed at you, inked fingers tilting your chin up so he can look into your eyes. “tell me ma” you sighed deeply, taking a long pause before answering his question. “y’say ‘first i wanna give a shout-out to my very first supporters, my parents Abena and Todd Jackson.’ m’sorr-”

“sh sh sh. what else baby?” your eyes instantly began to water as you recited the second part of his speech. “a-and y’said ‘a-also wanna give a big shoutout t-to my beautiful g-girlfriend y/n.’ m’sorry papa i was just so mad and i–” he cut you off again, this time by snatching you up by your throat and bringing your face closer to his. “this is why we communicate ain’t it? to prevent shit like this, but you ain’t do that did you? nahh….you came into the team house yelling and screaming, embarrassing the both of us ‘cause you let your emotions get the best f’you. so now…. ima let mine get the best of me. go in the room and strip.”

it was a matter of minutes before ony had you stripped and screaming in the middle of the bed. dick punishing your insides so good , but you held that need for release with a death grip. “daddyyyy i said m’sorry alreadyyy. p-please let me cumm” you whined, drool dripping from your lips as ony replied with a hard slap on your ass. “no. you ain’t learn yet” he grumbled, angling his hips downward so he can be felt in your stomach. your mouth opened in a silent scream, the feeling too much for you as you tried to inch up the bed.

ony watched you closely, letting you move up just enough so you can take a sigh of relief before yanking you back onto him. “don’t run from me mama. you gettin what you deserve” you let out a loud whine as you felt him begin to hit you deeper than he did before, heavy hand coming down on your ass repeatedly. your ass was definitely going to be sore in the morning. “you love me?” ony asked, stroking you just right to the point where holding your orgasm was almost unbearable. “y-you know i love you daddy”

the next thing you knew, your back was too his chest and ony has his hand tightly around your neck. the brutal pace of his hips slowing to deep strokes. his dick repeatedly hitting the sweetest spots inside of you. there was no way you could hold it in anymore, a quiet whine escaping your lips as your release slowly trickled down your thighs. ony wasn’t far behind, his ropes of cum shot deep into you as he slowed his hips to a stop.

“if you love me then communicate wit me cause now you gon be here all night. turn over.”

[hrizantemy]

It’s time to say what’s obvious but so often ignored: the Inner Circle, these supposedly wise, all-powerful beings, are over five hundred years old. That’s centuries of experience, life lessons, and power, and yet they constantly act like immature, emotional wrecks. They’ve lived through wars, court politics, and the passage of entire generations, but instead of showing the wisdom that should come with their age, they bicker like children. Feyre, Nesta, Elain, and even someone like Tarquin—who, by all accounts, is much younger—don’t have even a fraction of their life experience, and yet the Inner Circle’s behavior often doesn’t reflect any of that supposed wisdom. It’s not only frustrating but also embarrassing that they repeatedly revert to petty emotional outbursts, jealousy, and manipulation, refusing to grow past the same toxic dynamics they’ve had for centuries.

There’s simply no excuse for this kind of childish behavior when you’re over five hundred years old. By now, they should be the epitome of maturity, poise, and wisdom, but instead, they choose to stew in their own egos, dragging others down with them. Take Rhysand, for example—he constantly pushes the narrative that he’s this benevolent leader, yet he uses his wife, and her family when it suits him, all while coddling his supposed circle of warriors when they’re in the wrong. For a group that holds so much power, they act like they’re stuck in the same emotional rut, never maturing beyond their pain and petty rivalries.

Let’s get one thing straight: this isn’t about denying the Inner Circle their emotions. They’re entitled to feel, to hurt, and to carry their traumas just like anyone else. But what’s frustrating—and what I’m pointing out—is the way they handle those emotions and, more importantly, how they project them onto others, especially when it doesn’t align with their supposed maturity and experience. These are beings who have lived through centuries of hardship, war, and loss. They’ve seen entire kingdoms rise and fall, watched loved ones die, and survived unimaginable horrors. So, no, I’m not saying they need to be emotionless or stoic. I’m saying that for beings with that level of experience, their reactions, especially to those younger and less experienced than them, are bafflingly immature and often downright toxic.

Take Cassian as a prime example. You’re telling me this five-hundred-year-old man who’s been a general, who’s led soldiers into battle, and seen the worst war can bring, has the emotional capacity of a temperamental teenager when it comes to Nesta? When she, a woman clearly battling her own trauma, tells him to leave her alone, his response is to yell at her? To throw the present he wanted to give her in some kind of temper tantrum? This is a man who has seen more death, more hardship, more conflict than most people can comprehend, and yet, he can’t handle a conversation with a woman he supposedly cares about without reverting to childish behavior. Oh, poor Cassian, does he need a blankie and a bottle after someone dares challenge him or ask for space? Instead of showing any emotional intelligence or restraint, his answer is to lash out. How does that align with centuries of experience? Shouldn’t he, of all people, understand that sometimes backing off and offering quiet support is what someone needs?

It’s not about whether they can have emotions. It’s about how those emotions manifest. Cassian’s outbursts, Rhysand’s manipulations, Morrigan’s coldness—these are not signs of beings who have had centuries to learn emotional regulation. They act like they’re stuck in the emotional maturity of their youth, never evolving, never adapting, never showing the wisdom or grace you’d expect from someone with five hundred years of life behind them.

Trauma absolutely plays a part in how the Inner Circle behaves—it would be unfair to say otherwise. But here’s the problem: they hold everyone else to impossibly high standards when it comes to dealing with trauma, yet they give themselves all the room in the world to indulge in unhealthy coping mechanisms. They’re allowed to drink themselves into a stupor, sleep around, lash out, or wallow in their issues for centuries without anyone questioning it, but the moment someone else shows signs of struggle? Suddenly, the torches are lit, and it’s time to ‘fix’ them. The hypocrisy is staggering.

Take Nesta as an example. She drinks, she isolates herself, she lashes out—and yes, those behaviors are self-destructive, but they’re clear signs of someone drowning in trauma. Instead of offering her real support or even the same leniency they give themselves, they treat her like she’s a ticking time bomb that needs to be locked away until she behaves. It’s as if the moment someone else mirrors their own coping mechanisms, it becomes unacceptable. Rhysand and his Inner Circle are constantly drinking and celebrating, finding solace in excess, but that’s fine because they’ve ‘earned it,’ right? Cassian can sleep around, drink to numb his pain, and it’s brushed off as just his way of dealing. But when Nesta drinks? It’s suddenly a huge problem, a sign of her being out of control and needing to be ‘rehabilitated.’ The double standard is glaring.

It’s this hypocrisy that makes their treatment of others so frustrating. They act as though they’re the gatekeepers of who is ‘handling’ their trauma the right way. It’s perfectly fine for them to drink and fuck away their pain, to drown their sorrows in hedonism, but the minute someone else—someone younger, someone less experienced, someone like Nesta—shows even a fraction of the same behavior, they’re ready to intervene. They want to control how others process their trauma, but refuse to examine their own methods. If Nesta needs to be locked away for drinking too much, for isolating herself, then what about Cassian? What about Rhysand? What about Morrigan? Why don’t they hold themselves to the same standards? Instead, they act like they’re above it all, excusing their own vices while condemning others for the same.

[thatfreshi]

Out of Love (Astarion x reader)

Tw - death, vomiting, assisted suicide, sickness

Recommended Song: Past Hound - Adam Melchor

A couple of moons ago, you came down with a horrific illness. You and Astarion both don't know why, or how. You suspect foul play. After all, you didn't always make friends on your journeys. You wonder if perhaps you were poisoned, someone slipped something into a drink at the bar, changing the course of your life forever. The first month was like a bad flu, high fever, vomiting almost every day, barely able to eat. Over time though, your body started to ache. Astarion knew it was getting bad when you fell in the kitchen, breaking one of his favorite glasses. At first he was enraged, so angry that you could be so careless with one of his prized posessions. Then, he turned the corner and saw you lying on the floor, and quickly reverted his previous sentiments.

You don't remember exactly how long it's been. About two months in, Astarion told Shadowheart and Halsin to come over, realizing this was not going to go away on its own. They, tried, everything. Shadowheart went into a frenzy, reading up on everything she could, trying spells she had never cast before. Halsin got ahold of every other druid he knew in the city, to no avail. Everyone was clueless. The only thing they could determine is that this illness was man-made.

"So some bastard did try to finally get me, huh?"

You smile a little at your own comment, wincing at the pain it brings you. Astarion glares, not at you, but at the idea that someone would do this to you.

"Not funny my sweet."

It's now been four months. Astarion has tried his best to keep up with all the care you need, but it has turned both of your lives to shambles. Eventually he invited all your old companions over, to stay for a while, as they wanted to help with your illness. Despite the fact that he could barely stay awake at times, he would watch over you for hours on end, sometimes twenty at a time, until someone like Lae'zel dragged him out of your room to go lie down.

Gale has cooked every meal for all of you since you've gotten worse. He tries his best to make things from your childhood, things you'd find comforting. Shadowheart and Halsin continue to research your sickness, finding nothing. Wyll, Karlach, and Lae'zel take turns with Astarion, keeping watch over you, tending to your every need. At this point, you can barely get up most days, either from pain or lack of energy. Despite this, you can't ever sleep. If you do manage to drift off, it's for thirty minutes or so, and then you're jolted awake by some pain.

One day though, you're awoken by Astarion and Halsin arguing.

"I'm telling you Astarion, there is nothing I can do. Tav is going to pass. I don't know how soon, but I would start getting things in order."

He tries to hold back tears, to be good with his bedside manner, but it's almost impossible when Astarion keeps yelling back at him, desperate.

"Tav is not going to die. It's not time yet, you have to do something!"

"Please, Astarion. I don't want to fight with you. I know this is hard to hear, but it's over. There's nothing more we can do. There is no cure."

He tenses, ready to spit some nasty sentence about how he must be some great druid if he can't even heal people, but he refrains, wiping at his eyes. He storms off to his study, as all of your friends watch it unfold.

"I knew he was going to react like that."

Gale says sadly, looking down at the floor.

"I'll go take watch, give him some time."

And with that, Karlach comes into your room. You pretend to be asleep.

After a few agonizing hours, it's evening. Karlach brought you some soup that you couldn't bring yourself to even try eating. As the sun sets, Astarion is in the doorway, a grim look in his eyes. Without saying anything, Karlach takes her leave, giving him an understanding nod that you don't see.

When your lover makes his way to the bed, he lies down next to you, locking eyes with your tired gaze. It's as if you've been beaten twelve times over, the bags under your eyes have gotten so dark.

"Hello my sweet."

He smiles softly, trying to hide the sorrow, trying to shelter you from the news Halsin gave him.

"Hello my love."

You smile back, a little bit of pain and pressure in your face at the attempt.

"Is there anything I can do for you?"

You snuggle into his side, trying not to move too much. He meets you halfway.

"I'm just... I'm so tired."

"I know darling... I know."

"No, Astarion. I'm tired of this."

"As am I. Shadowheart and Halsin are working steady as always, they'll find something."

You shake your head, a movement he can feel against his chest.

"No. No I... I heard."

You're exhausted, the air barely leaving your lungs.

"Heard what my dear?"

He's not good at playing dumb, the crack in his voice giving it all away. He hadn't thought about the argument, that you would've heard the two of them yelling about how you're going to die.

"What Halsin... what he told you."

And the tears well in his eyes instantly. He thought he wouldn't have to tell you, that he could keep this sacred thing going, that he could hold you without you needing to know it could all go away so quickly. You hear him sniffle, clearly trying to hold back.

"We don't know it's true Tav, they could still find something. They could be wrong."

His throat is coated in desperation, every word stabbing through your brain, trying to find something in you that believes him, even if he doesn't believe himself.

"They've been at it for months my love. I think it's over."

He grips you a little tighter, wishing for your existence, trying to hold the wind back from the embers of a long-gone flame. You both stay silent for a minute, as you try to work up the courage to ask him something. Something you're not even sure he'll say yes to, but you try.

"I want you to feed on me."

He scoffs, almost angrily.

"No my dear, not while you're sick. You need everything you can get.."

You shake a little, perhaps from the never-ending fever, or maybe from the fear, or the pain.

"No. I mean I want you to feed on me until I'm gone."

He tenses, shocked by your request.

"You... you what?"

You start to tear up, which only brings more pain.

"I'm just so tired Aster, and I've fought for so long. I want it to be over. I'm ready for it to be over, please."

You can barely make it through the end of your sentence without choking up.

"I can't do that, I- I won't!"

He sits up to look at you.

"You can't give up, not like this. There's still time, we still have time."

You reach out for his hand, and he obliges. As you squeeze you fingers into the back of his hand, you ask him one of the hardest questions he's ever had to answer.

"What, so you can watch me continue to suffer?"

He hadn't thought of it, that if this was horrific, how much worse could it get? How long was soon? Even Halsin didn't know how much time, not even an estimate, just... soon. He doubles down.

"No! So that, that maybe you can get better! That we can find the bastard that did this and make him cough up the cure. Maybe we can-"

"Astarion!"

You hadn't yelled for weeks, mustering up everything in your body to overpower his pleading voice. The tears continue to fall down his face, and he leans over, bringing your hand to his face.

"I can't Tav. I can't kill you. You're asking me to destroy the only thing I've ever loved, I-"

The thought of it makes him feel like throwing up, the thought of doing something like that to you. Forever ago he tried feasting on your blood in the middle of the night, long before you fell in love. And when you woke up to a strange man, a monster trying to steal your life force, you were kind. You let him drink from you, and every time he needed to after that.

"I love you so much, and I know you love me so much deeper than I could ever imagine, and I am asking you to do one last thing for me, out of love. I don't want to die to some unknown disease that's been ravaging my body, to pass in my sleep without so much as a thought. I want to die with you, right here, while everyone sleeps, where we can be alone one last time."

It's hard to argue with you, but Astarion feels as though ending your life is hardly an act of love. Mortal lives are already so fleeting, and yet you are asking him to cut it even shorter, to let you go. He meets your eyes again.

"Can I at least go slow?"

"As slow as you'd like."

You weakly smile, and he realizes there is no more considering your offer. This is what you want, and only he can give it to you.

"Okay."

He leans down to kiss you, slowly making his way to your throat, hesitating at first.

"I love you more than you'll ever know."

No pet names, no antics, no fluff. It's the first time you think he's ever said something so serious about how in love with you he is.

"I love you too Astarion."

And it's rare that you ever call each other by your first names. He shivers a little, saying you love 'Astarion' and not 'your sweet' or 'your love.' With your declarations out of the way, he pierces your skin with his fangs, slower than usual. Feeding from you is almost always a rabid act, desperate, feral. He's reserved, savoring every moment, knowing this is it, the last time he'll taste your blood, the last time he'll hold you in his arms, the last time you'll lie in this bed together. When the cold subsides and the numbness takes over, you're at peace for the first time in a long time. All you feel is the slow lapping of your blood, and his grasp tight around you. It feels like forever to you, but moments for him. As the flowing river becomes smaller, the tiniest drops coming out of your neck, he feels your body start to go limp, your skin start to get cold. He fulfills your request despite how much he's hurting, and he drinks until there is nothing left, until you're gone.

A wail echoes through the house, waking up your companions as they rush to see what's happened. As Shadowheart is the first to reach the doorway, she sees Astarion clutching your body, sobbing hysterically. She gets up next to him, clamoring on, asking what happened. He can barely speak, and the rest watch in silence.

"Tav- I- I had to- they wanted me to-"

Guilt-ridden, terrified of what he's done despite you pleading with him minutes ago, Astarion can only stutter the same phrases over and over again.

"I'm sorry, I'm so so sorry. I- I didn't want to- please."

"Hey, it's okay. Astarion. Astarion?"

Shadowheart notices the blood all over his mouth and the sheets, and the two perfect pin pricks in your neck, realizing what he's done. Astarion looks up for a moment, still clutching your dead body in his hands. And then, he points at Halsin.

"YOU. You fool, Tav heard us, they heard what you said. They gave up because of you. I had to kill them because of you..."

He starts to sob again, losing the rage, overcome with a sorrow that is inexplainable. Halsin only stays silent, knowing these are words of grief and not truth.

"Get out."

Halsin starts to step aside, believing the comment to be about him. When no one else moves, Astarion's eyes dart across the room at everyone, almost manic.

"Get out, all of you. GET OUT."

"Astarion, you can't-"

Gale is cut off by what is such a guttural scream, he can hardly believe it came from the vampire.

"LEAVE."

He comes back to your body, sobbing into flesh that no longer feels.

"Just please leave me alone..."

Shadowheart quietly gets off the bed, ushering everyone out of the room, softly closing the door behind her. Astarion can barely hear the murmurs outside the bedroom door, as he begins muttering to your lifeless corpse.

"I'm so sorry my dear... I'm so sorry. I should've done more, I should've told you to stay, I-"

He can't find the words, relentlessly blaming himself for your choice, wondering if there was any way to get around this. His mind wanders to that first month, when you dropped his wine glass, how he yelled from the other room, how he scolded you for being careless with his things, and he realizes how stupid life is. Nothing matters, a wine glass doesn't matter, you matter. And you were the only thing that ever mattered.

Hours go by, and dusk turns to dawn. Eventually, Gale comes back to the door, knocking softly.

"I'm coming in."

He's met with Astarion still, lying with your body, the blood crusted on the sheets, and his bloodshot eyes. It's as if he barely moved.

"I think... I think it's time."

While Gale wishes that Astarion could stay by your side forever, he knows your corpse will start to change soon, to become worse and worse as the hours pass by. It takes him forever to pry your lover from your side, eventually leading him to the living room, where he lies on the sofa, curled up, as Halsin begins to prepare your body.

[cl-0v3r]

I've definitely said this multiple times before on different platforms, but one thing that truly gets me all the time is how child-like Mel looks whenever she's upset with her mother or past (or literally any of her life choices basically.) , especially during episode 9 when she argues with Ambessa.

Her face felt more round and softened, her eyes widened and a little more shiny, her mouth really downturned. She is often so collected and poised, so the entire change in her demeanor in this scene was very clear to me yet I've never seen people talk about it before for some reason.

It's like Mel was being in her younger self's boots again in both a literal way and metaphorical, asking the question she really wanted the answer to all those years ago. She wasn't councilor Medarda here, she was just herself, Mel.

Not only that, but I think it was done to show that Mel, who has a lot of power over the council,has a higher standing than most characters we see in the show and often holds her head so high, has her moments of weakness and loss of said power when her Mother arrives. so much so you could see it visually with your own eyes, how she was often smartly placed in a way that her eyes looked down on whoever she spoke to, until Ambessa came in the picture and she instead stood higher than she is, and it just proves the fact that Mel is weak to her, that she is still but a confused child in comparison to Ambessa, it's like we see her from her Mothers eyes rather than ours.

Because she banished Mel when she was younger to piltover for a literal decade, she hadn't watched her grow up or grow at all, she didn't see her control the reins of her own life, so it would make sense that Mel is still that little girl she knew before.

It sort of reminds me of how jinx has two different faces (you can check out bridging the rift for that) , a sharper and dangerous kind and a more rounder, innocent and chidlike kind. When Vi found Jinx and got reunited with her, the softened version of her appeared as if it was Powder rather than Jinx, that she was powder again, Vis little sister. But then Caitlyn appeared and so did the firelights, and we see her get more aggressive, losing the softness, reverting back to Jinx again.

So I really do think the same thing is happening with Mel, she often has this elegant mask that she wears that makes her cunning, sly, powerful, uncontrollable, which falls down immediately once she is faced with the SAME person who had gotten her to wear that mask years ago, only for her to put it back on again, and for it to fall yet again in the end.

Although Mels main parallel is with Viktor (which i do wanna talk about in a future post), the similarities she has with Powder&Jinx is insane, considering that they're both extremely different from one another.

This might get edited soon to be written properly, I apologize for any mistakes.

[weebsinstash]

I didn't think about this before until I saw some tasty poly 3v art on r34 but like: Valentino and/or Vox forcing a tech/TV/computer Reader to play porn on their screen face for them to not only watch the porn but also get off on humiliating/objectifying you

Like could you even imagine you're just this. Little fucking TV DWEEB and Valentino hires you as some kinda manual labor goon after literally scouting you off the street because you kinda remind him of Vox and, maybe he'd fuck you if you got fixed up a little more, and one day Val's phone is broken and he makes you use your face/body to help him do a thing, check his email or something, and Valentino just pauses, quirks his mouth, "can you get porn on this thing?"

and because not only is he Your Fucking Boss but also an Overlord and Scary As Fuck, you cave; he only has to get a little growly and impatient and you fold like a lawn chair, pulling up whatever he told you to look up. In a future event where you were to "misbehave" and draw his ire, I can see him forcing you to play something of Angel to psychologically fuck with both of you if the two of you were friends

First, it starts with just Valentino, but then he invites Vox to come and watch you, and the tech CEO is immediately interested in your physical body/appearance but most importantly curious about your hardware/software capabilities (and maybe feeling vaguely threatened/insecure Val is going to replace him with you)

Have I ever mentioned "computer/smartphone/laptop Reader who can be used as a computer by other people and you have an actual track pad your 'user' has to touch to click and move the mouse" before, because I keep thinking of a Reader who either has a track pad on the palm of one of your hands, or, it being a specific square/rectangular shape on your upper chest/clavicle sort of area (which you would be extremely embarrassed if someone was using your trackpad by force because you have to wear lower cut shirts or they're all but holding your hand and tickling your palm)

Velvette who doesn't want to fuck you or anything but if you're going to constantly be in her house you might as well look presentable and you quickly become her new favorite dress-up dolly/tablet. fml you're basically gonna be like her equivalent of a customized phone case except she's styling you and maybe even changing any coats of paint you have to different glosses or textures if need be. She's using you like a PDA, logging notes she needs to remember, putting appointments in a personal digital calendar, making you take photos of her and her models and send them to her

Yandere Vees who customize your tech body by force??? 😳 Vox who thinks you're a cool cute little computer but you're literally like an OG big ass dial up computer and he just, forces you under the knife or whatever and you wake up with completely modern parts? Vox who forces you to be the hardware he PLAYS VIDEO GAMES ON? Vox who forces you to watch his favorite shows with him by streaming them through your body, maybe even installing a projector on you (or you already have one) so you sit beside him while streaming? The Vees forcing you to be like an assistant that follows them around taking pictures of them and they decide your photos are too shitty and pixelated and they forcibly update your camera and video capabilities? The Vees who force you to change not only because they think you would look better but because they are literally actually LITERALLY USING YOU to perform different tasks? Literally using you like a toy and object?

You're internally hoping maybe one day you can rise up and escape (potentially to a certain audiophile demon who actually likes your original, almost vintage sound quality once he helps revert you back, perhaps?) and meanwhile Valentino is asking Vox if they can start installing some sort of Go Go Gadget Gorilla Grip Pussy equipment inside of you or "did you figure out if they can vibrate anything yet--"

[batbusiness-schooldropout]

Unfortunately, I'm low on inspiration for our Girl's Night adventure. I shall leave off with what Bruce thinks is happening and what is actually happening. Feel free to take the story and do whatever you want with it, just tag me or something.

Bruce's Idea:

Conner ran afoul of some magic and is now up the duff with Tim's kid. Tim, being a paranoid gremlin, has called in a favor with Barbara and she is having a facility built for the purpose of caring for mother and child (Yes, Bruce does get a new gray hair everytime he thinks about what Tim and Conner have done).

Phantom is mostly likely hired muscle and a go-fer for the group. After the information about the pregnancy gets out, Tim receives a phone call, most likely about a health concern given his behavior and leaves. Probably to resolve whatever issues arose before returning and bold faced denying anything to do with the plot outside of threatening to explain in great detail how Conner's condition came to be

What is actually happening:

Someone was able to get a message to Oracle asking for help for 2 metas, one being very sick and the other injured. They said that they were being hunted by the government and that they needed to keep a low profile. (Ellie could also be heard shouting that if they were bringing a pity party, to not come at all) Oracle calls up her most trusted enforcers, Steph and Cass, who decide to disguise the mission as a Girl's Night that just took too long. Dick was invited because the "cruiser but secretly a bruiser" is a stick shift and only hipsters and old people know how to drive those.

After picking up Selina and the Fentons, they split into 2 teams with members coming and going to keep any one person from having a clear idea of what's going on.

One team is working on turning an abandoned building of some kind into a one room hospital. (Not important but they had to go out of their way to get old equipment because no one wants to risk any ectoplasm or magic mixing with new technology in unexpected ways. You wouldn't want the bed to start raising itself after all)

The other team is working on gathering intel on the GIW and sneaking any ghosts out that they can. The goal is to have everything ready to execute a raid within hours, if not minutes of the Anti-Ecto Acts being repealed.

Out of fear that the Justice League and its members might be traced back to the operation and jeopardize everyone's safety (if Vlad finds out what's happening, there's no telling if he'll possess a hero or not) Oracle tasks Tim with the civilian side of things. Some concerned reporters happen upon the Acts and write about them, and some equally concerned billionaires throw their opinions (and money) into the conversation, and public concern grows, and you know how this song and dance goes.

For better or worse, she also tasks Tim with ensuring that everyone, including the man himself, is too distracted to notice Bruce's finances. Since he's bank rolling the whole operation, even if he doesn't know yet. Tim decides to call Conner to unleash their greatest distraction plan. The old-fashioned "Teen Pregnancy Scare" tactic. The fact that they are both male barely slows them down or convinces anyone that they're lying.

Everyone looking at them is like, "I'm pretty sure you're lying, but with all the shit you all get into, I can't rule out honesty"

(Also maybe Ellie has to revert to a core and she needs someone to "carry" her. Before anyone else can process the information, Conner sees an opportunity for more chaos and volunteers. The absolute flabbergasted look on Clark's face when he sees a medical record detailing his progress was priceless)

[simplysparrow14]

Pikelan is probably the most complex CR ship and more people need to realize that instead of branding it as the "haha funny gnomes" ship.

because the entirely of Pikelan revolves around Scanlan, a very charismatic bard who flirts with literally everyone around him but is head-over-heels in love with his cleric friend but is tragically dogshit at expressing it so he resorts to doing crude bits and gags that ultimatly mask who he truly is.

And then you have Pike, a cleric brimming with self-confidence, who absolutely loves Scanlan for who he is, but is constantly getting mixed signals, because on one hand, he's constantly doing crude jokes and flirting with every person he sets his sights on (even so far as going after his unknown daughter) but on another, he tenderly holds her while she's bleeding and he's constantly at her side during battle and even tends to her emaciated brother for her and it's beautiful to watch, but the moment, the moment she brings it up, he reverts back to his crass personality and it just leaves her reeling about who he truly is.

And then we get to Bards Lament, and Scanlan, after tip-toeing around his true emotions for so long, finally snaps and lets everything he's been feeling (all the pain, and self-loathing manifested as anger towards everyone else, because even in his darkest moment, he's still so dogshit at expressing it for what it truly is) and Pike, who's been wrestling with these mixed signals, finally gets his true feelings on what he feels, calling her magic weird, hating that the same magic that has kept him alive and safe for so long brought him back to his sad existence, hating her for doing it. In the end, Scanlan leaves, just as Pike left the first time and the second time. And Pike stays behind, watching as he heads towards somewhere where she cant follow, abandoning the team and her and grog and everything they've built for themselves. She loves him, and him leaving brings her to that point.

The two are split apart, and despite the anger and hurt, the need for connection with each other is so strong. Scanlan reveals that he dident fully leave Taldorei at first, that he was only 20 miles away in another town entirely, listening to Pike's earing conversations. And eventually, when Scanlan is on another continent, he finds a temple of the Everlight (or just simply begins talking to Everlight) and prays, prays for guidance on finding forgiveness for what he said and did. He's deeply in love with pike, and still is, going to her god for answers to his problems, the quickest connection to Pike that he has between one giant ocean and a continent.

And Pike, despite holding a very rightful disdain for what he said to her, keeps him up to date, informs him of her happenings with the people of Whitestone. She should fucking hate his guts and yet the person she wants to speak to at the end of her day is a bard who (for all she knows) threw his earing away and traveled to some far off place, forever gone from Vox Machina, from her. Yet she keeps speaking.

They switch roles, with Scanlan becoming the quiet solitary one seeking forgiveness for his actions and Pike becoming the people oriented one.

When they reunite, it's tense and sad and angry. So many things said in anger and hurt and they don't really know where to step in the case that something, anything might send them back to that angry, angry place. And suddenly their back at the same place they were before, before the fight.

Pike is, again, trying so hard to sift through the mixed signals he's giving because he's being Scanlan again! Charming bard, essential party member, more confident than he's ever been! but now he's standing near the back and holding his hands and apologizing with a soft voice that she hasn't heard in over a year and a half and rebuilding the bridges he's burned and she doesn't know what to think!

And Scanlan is giving an honest effort at trying to fix what he's broken. He's working harder than ever, he's apologizing. He tries very hard to have conversations with people and fixing what he can. But, again, he's Scanlan, who is less dogshit at expressing what he feels, but still pretty dogshit none the less, and now he's a crime boss and still a beloved bard, but he's also surrounded by the friends, some of them he loves so dearly and he's trying, he's trying so hard

Eventually, everything is forgiven and in the end, Pike and Scanlan come to term with themselves and each other. Pike comes to terms with knowing that Scanlan is a complex person, a broken person just trying to figure his way through this world, just as she had done.

in the end, Pike becomes the person Scanlan feels the most free to be around, one where he doesn't have to put on the mask of a performer, where he can just be Scanlan the gnome instead of Scanlan, bard extraordinaire. and Pike comes to terms with knowing that Scanlan is a complex person, a broken person just trying to figure his way through this world, just as she had done before.

and together, they are beautiful reflection of each other.

[momowoah]

Okay but I really think that the worst part is that this is season seven. Unless they're planning to turn 9-1-1 into the new Grey's Anatomy the chances of us being already in the final half of the show are huge. I'm not saying that there shouldn't be any drama, but the characters should've started to go forward, and yet nearly all of them feel stuck in the same place they have been for several seasons. Or should I say 2-3 seasons?

tldr: all/most S7 storylines were either useless in the long run or recycles. The only characters who had storylines on the good side of the scale (as in, they helped the characters develop and move to a new place in their lives) were Maddie and Chimney (and maybe Buck but he's on thin ice). All the characters are back to the same place they were in s4/s5. It's probably TM's fault. This shouldn't be happening in a 7th season.

(really long post under the cut but worth it imo)

Bobby and Athena had a whole seven episodes for their storylines and yet it didn't significantly change anything about them or their relationship. The doubts of how they are when they're at peace that were brought up in ep1 ended up not being addressed at all. We started the season with what was supposed to be this huge thing in their relationship and it was just never brought up again! Instead they put bathena through distress again just for the sake of being dramatic. And while I'm extremely glad we got Amir and think there were several high points in his storyline, what difference did it make in the long run? Yes, it brought up interesting things to Bobby's storyline, such as more insight into his childhood and the chance for him to explore another side of the fire he caused, but is it going to change anything? No! Bobby will be reinstated in S8 bc that's just how these things go, and I doubt they'll put any effort to continue the survivors storyline. I'd bet it'll just be ignored in the next seasons.

Hen and Karen have been trying for YEARS AND YEARS to adopt a child and they just can't let them! As a wlw, do you know how awful that is to watch? Seeing them fail time and time again and have their family broken up once again just because??? It was one thing with Nia, she got a happy ending, but that wasn't the case with Mara. The best thing for everyone involved would be for her to stay with Hen and Karen, but they blew it up. I know she's with Madney, but it's not the fucking same. Why do they have to go through this again? Why can't they finally get the family they've spent years fighting for? Why can't the drama be about anything else, why does it have to be about failed adoptions? I've seen this enough times before. Why not let them be able to adopt???? Why? I'm genuinely upset abt this btw, probably more than about anything else that went down.

Buck got to finally come out and it was great but instead of taking it as an opportunity to let him grow into himself they just threw him right back into the hamster wheel of dating people who are either not fully into him or who he's not fully into. (if you like bt probably skip the rest of this paragraph but I'd also be upset about how they're handling them if I liked the ship bc I liked the previous bt and they did something similar to them lol) Tommy's behavior could be explained away at first, but I feel like time and time again the show goes the extra mile to make him uninterested in Buck or just straight up an asshole to him? Instead of taking the small opportunities of portraying them as a healthy happy couple they just consistently screw up their relationship? They're not the couple I support but even then I wanted them to be good together bc I want Buck to be happy, and yet all we get is this?

I don't even have words about Eddie, especially considering what rg has said about him destroying his life and possibly reverting back to military no emotions mode next season. WHY CAN'T HE BE HAPPY? We already saw him break down, WE'VE ALREADY HAD A STORYLINE ABOUT HIM REBUILDING HIS LIFE, but happiness is boring so now he has to ruin his relationship with his son too right? It just pisses me off how they go about his character sometimes. I liked that they were bringing back the Shannon storyline because he was supposed to be able to finally move on, but this wasn't about that. No, it was about retraumatizing Eddie and Chris and splitting them up at a time when they should be leaning on each other and healing, because Chris has also been suffering with the Shannon stuff. We saw it in fucking ep 1. Don't even get me started on the Marisol stuff because idek why she was there at all. Literally don't get it. We had an off-screen breakup anyways. She wasn't relevant at all to anything that happened. Why was she even there? I'm genuinely asking. The only Eddie arc that has some positive potential for next season is him dealing with his relationship with religion (especially if they tie it to the military and the way he lives his life for others' expectations), but tbh I don't trust them not to fuck it up.

Finally, I don't have complaints about madney, except for why tf was Maddie so absent this season? The wedding episode was all about Chimney (who was also maybe kinda missing tbh), and although I love him and his backstory and the opportunity to see Kevin again, I really wanted it to be about their relationship, since it was their wedding, yk. Dispatch was also severely under utilized. We did get the 7x07 Maddie plotline and it might've been bc it was a shortened season but yeah, I'm still not that satisfied.

So, we have all the characters stuck in places they've been before. More specifically, in the place they were in season 4/5. Bathena relationship problems followed by a life threatening situation? Check. Henren struggling with adoption? Check. Buck getting into what was supposed to be a good relationship only for it to end up going really bad? Check. Eddie struggling with relationships and his mental health going to hell? Check. Madney in a good place with a new child and about to have an awful fucking time? Hopefully just check for the first part. And you know which question this makes me ask? It's whether Tim Minear is just reverting everyone to their s4 state out of spite for the seasons he was away. And even if it is a genuine attempt at getting the show back on the track he wanted out of good intentions, it still sucks, because it doesn't change the fact that it is just a repeat of old storylines. I actually complained at this before the show even aired, but (iirc) I ended up deleting my post because I thought that I was just overreacting. Guess what? I fucking wasn't, bc that's EXACTLY what they did.

Now, going back to the start of this post, the reason why all these storylines suck so much is not that they are bad. It's not even that they aren't original. No, it's the fact that we're doing storylines that belong in the fourth or fifth season of a show in its seventh season. Even the Gerrard plotline, which is new to 9-1-1, feels like it came too late, because the split up crew/villain captain storyline tends to happen much sooner in procedurals, and for a reason. Besides the fact that this was never really a big bad type of show and I don't get why they are making it one all of a sudden, and ignoring the fact that Gerrard being brought back as captain, especially to the 118 of all places, makes no fucking sense, that kind of plotline is one that it's obviously always temporary. No one believes he'll still be the captain by the end of 8A, much less by the end of the season. He'll hardly survive the first 3-5 episodes. That's ultimately a filler storyline. It helps the show go on for longer, it might even help in the development of a couple characters, but at the end of the day it doesn't change anything, which appears to be a recurring theme when it comes to 9-1-1 storylines.

The reason I have a problem with this is that we don't need a filler storyline, because no one knows whether the show has the luxury of taking its sweet time. Yeah, it has a huge audience and it is doing good numbers, but it is still a fucking money pit that was already cancelled once and it's unsustainable on the long run. It might not end that soon, but is it honestly going to reach season 14? Does anyone truly think that we've only seen half of it (or less) so far? Because I don't. Not many shows make it that far, and there's a reason for that. We have three huge names who are extremely important to the show. What happens if they get tired? What happens if someone gets a better offer? What happens if we're still revisiting old storylines when that happens? Do we get an incomplete story or a rushed one?

The show should be moving forward, even if there are no plans for it to end soon. We have the drama of the huge disasters 9-1-1 loves. We have the drama of the cases. We have a myriad of new possible dramatic storylines for the characters that show development without being too final. Athena could have so many different job related storylines (from moving up in her career to abandoning it), and her and Bobby's storyline from the beginning of the season about being boring together can be played in a good and dramatic line. Henren and Madney have a whole world of parenting issues that they could go through. Buck and Eddie both still need either an endgame love interest (whether it's each other or not) or to get to the point where they are fine not having one, and we have all of the relationship trouble that comes with that. This show can give us new things, storylines that are good for the characters, without losing the dramatic factor (which, if I'm being honest, would not be a deal breaker for me). Yet, it refuses to, and probably not for a good reason, because it comes down to either Tim wanting to rewrite history or just trying to drag this show for as long as possible (which apparently he only knows how to do by refusing to make the characters happy). And you know what? I'm fucking mad about it, and I think you should be too.

Btw, this is not to say the whole season sucked. We got Madney and Henren together multiple times which was great. We finally got Bi Buck. There were several amazing acting moments for both the main and recurring actors. As a standalone season, it was good. It just doesn't work when you look at the bigger picture.

[justaz]

merlin au where merlin keeps excalibur and returns to camelot to serve under gwen as court sorcerer after she repeals the ban. merlin remains for years, unaging, even as gwen dons wrinkle after wrinkle and spouts grey hair after grey hair. eventually, gwen passes without an heir and since merlin holds arthur’s sigil, he ascends the throne and leads camelot for years. eventually invaders come and slaughter the people and burn the fields etc etc and merlin goes out to fight. he fights like a demon, which is what they call him with his unnatural abilities and golden eyes, and merlin chases them from his kingdom - only, they slaughtered everyone within the citadel. there is no camelot, not anymore, not without her people. merlin should’ve seen this coming as her one true ruler has been and will always be arthur. he waves a hand and puts out the fires and restores the buildings to their once gleaming glory then takes excalibur into the center and drives it into the stone. with the force and power behind it, merlin raises the earth around the kingdom and buries it away from further invasions.

he leaves the kingdom hidden beneath the earth and travels up to the surface to explore just how far the continent spreads. then theres new continents across the ocean and he explores those as well. he watches as the world expands and grows and learns and advances but humans go too far and begin to destroy the world and create weapons of mass destruction and threaten each other with war. merlin assumes arthur will come back considering the destruction of practically everything but he doesn’t. tensions rise and snap and in the blink of an eye, humanity is chased back to their caves. with the loss of technology and modern ideas, humans revert back to their roots and connect with the elements which means they reconnect with magic. it takes another few thousand years for these humans to achieve the level of civilization merlin grew up in his first few decades of life.

different tribes are settled across the land but, thats the thing, over the course of the last few millennia (lets pretend land moves super quick plsplsplsplspls) the separate continents have collided with one another and practically the entire mass could be considered albion. he’s not even sure where the original land resides now. sooo he’s not even sure where camelot resides now. he really should’ve set up some beacon so he could remember but its been thousands upon thousands of years. sue him for his memory being a little foggy. he wanders from tribe to tribe and learns from their new magic while acting as a physician which a lot of them consider him some sort of miracle healer considering his advanced medical knowledge. it’s a win-win tho, he learns new magic and they don’t die. everyone is happy.

then during one such visits to a tribe, he finds a man of twenty summers with a head of golden hair like a crown and sunkissed skin from working outside all day and bright blue eyes that look like the very sky was captured in his gaze. merlin stands for a while and watches him dig around in the dirt, sweat gleaming on his brow, and his muscles rippling as he works. merlin can feel the countless years falling from his shoulders, he feels lighter on his feet, and pure happiness bubbles in him. a grin wide enough to split his face pulls at his lips.

he can’t help himself from stumbling over toward his long lost best friend, his body awkward and gangly with excitement and when he calls out to arthur his voice seems younger than it has in millennia and he vaguely notices that his appearance of wizened old healer melted away to his twenty year old body. arthur looks up with a polite yet confused smile and greets him followed by a question and merlin is faced with the realization that arthur doesn’t know him, doesn’t remember him. merlin manages to keep a thin smile on his face as he reaches out with magic and finds an injury in his knee from years ago that must’ve been bothering him and excuses his use of arthur’s name as someone sending him to find him and help heal the injury.

anyways merlin and arthur become friends and set off on an adventure of gathering the knights of the round table from various tribes/villages and they eventually stumble upon gleaming white stone that merlin belatedly realizes camelot was built with. the knights all take turns tugging at the sword but it doesn’t budge, not until arthur reaches out and tugs as if expecting it to be y’know stuck in stone only it slides out like butter and he knocks the hilt on his forehead and knocks himself out it out. with the sword tugged from the earth, it rumbles and cracks and splits and a hidden kingdom arises from the dirt, gleaming white and shining in the sun. they stare in amazement and awe for a moment before they grow confused and distracted. then arthur turns to merlin and says his name in an all too familiar way and merlin starts sobbing bc arthur is finally back

[vasito-de-leche]

Hi! I read about your super cool Self Aware R1999 AU and it got me thinking about what Sonetto would be like, since I have a 100% bond with her in the suitcase.

Would she try to keep normalcy? Have a brand new idle line? Perhaps pull a Monika DDLC and start writing poetry where she tries to grapple with the fact that there’s an eldritch being puppeteering her best friend?

;R1999 SONETTO - Self-Aware AU

Headcanons about how Sonetto would act upon becoming self-aware. Related to this Self-Aware AU post.

glad you like the AU! this was a nice chance to explore Sonetto's character more <3

To organize my thoughts better, I gotta talk about Sonetto first for a bit.

I definitely talked about this with a few friends, but Sonetto is a wonderful character to me because I both dislike and feel for her a lot - especially in the new 1.4 Main Story update. The emphasis the game puts into her role as a military dog (raised to follow orders and die for a cause she doesn't truly understand) and a lost puppy (a curious and dependant child believing her caretakers have the best of intentions) really lives up to the way she portrays these same traits. Yes, it's awful to see her continue to perpetuate the harmful ideas the Foundation taught her, but it makes sense. Yes, it's lovely to see her slowly break away from everything she's ever known, and yet revert back to her habits because change is difficult. The way she works perfectly as a foil to Vertin, it's so good!

To me, Sonetto is a character that resists change, while yearning for it at the same time. That's why her Medium is curiosity, after all. It's so lovely and ironic to see THE perfect example of a Foundation martyr being set up for failure in something that they couldn't have even foreseen, her own Medium, her own innate curiosity.

So with this in mind, I think that within the Self-Aware AU ... I think she would be able to deal with this sudden awareness of everything being fake, because her first reaction would be to assume there's something wrong with herself for thinking something so outlandish, so beyond what she was taught. Sonetto would still resist this change - if this is a game, then she's not meant to be aware of it, therefore she's the one at fault and perhaps, broken in a way.

Maybe "broken" is too heavy of a word, I imagine it's more like she believes she broke the rules by gaining this level of sentience. That it' wasn't supposed to happen in the first place.

How would she act overall?

I feel like Sonetto would be relatively fine upon becoming sentient because of this, she'd be shaken but would continue to do as expected and follow the script like a proper little chess piece, one of the many cogs needed in the machine - her reasoning is simple: if everyone who is self-aware began to act out, there wouldn't be a game to play. And what would happen to her friends, then? If this stability that the plot and script brings is suddenly gone?

There would be times where she might slip up, but they'd be very subtle changes in the her dialogue - perhaps the inflection of her voice, rather than the words - she might pause for longer to think, to consider whether to do anything outside of what she's expected to. But that's about it.

The problem begins when she finds out (or is told) that the Foundation had known this truth about the world they live in for longer than she's been alive. Sonetto remains docile entirely to keep that order and harmony she's been raised to maintain, but to find out that the very people who taught her that have known and done nothing but lie to everyone - that would be the catalyst for her.

Personally, I like to think that this is something she figures out on her own, rather than being told. A truth she must face on her own instead of just accepting someone else's words.

Her behaviour would still largely remain the same whenever she knows she has a part to play, but in those moments when she knows there's no "camera" looking at her, Sonetto would... sit there. WIth the way I've interpreted Sonetto, she's a character that struggles to actually have an identity outside of the Foundation's training, so now that this is something she can't rely on, she's at a loss as to what to do with this newfound freedom.

I imagine this is when other arcanists who were self-aware before her would start reaching out to Sonetto and slowly give her that stability she needs.

On the subject of Sonetto's relationship with Vertin.

The way I interpreted Sonetto and Vertin's dynamic, I don't see them as best friends!

From reading back some scenes and transcribing most of CH 03 of the Main Story, it feels like both Sonetto and Vertin have always found themselves in a one-sided relationship: when they were kids, Sonetto rejected Vertin's attempts at becoming friends because of their differences, even if they were both curious about each other. They never striked me as close. Now that years have passed, Vertin treats Sonetto similar to how she treats everyone else, while Sonetto explicitly wants to be closer to Vertin due to what happened when they were kids.

To me, Vertin has shown more emotion to Schneider and Madam Z than to Sonetto. There's this one-sided dynamic again.

In the context of the AU, I think Sonetto finding out about what Vertin goes through with this entity and this role that the game forced upon her, she would double down on her feelings to protect Vertin. There's a lot of guilt involved, since - once again - that's what the Foundation teaches to all orphan arcanists, to repent for their unruly and destructive existence.

I think Sonetto would feel guilty for not gaining sentience sooner, while Vertin has been struggling with this heavy weight for God knows how long. She would recontextualize everything about Vertin, her actions and the differences that constantly got her into trouble as a child, her desire to escape - attributing all of it to this entity that follows her. Because I do think that Sonetto idolizes Vertin to a degree that fuels this one-sided dynamic between them, not out of malice of course, just like a puppy.

So in the end, Sonetto would resent the Player and worry even more for Vertin, now using this as a justification for acting out of line and out of script, as Vertin's self-imposed protector.

It would take Sonetto a looooooong time to do anything with her sentience and freedom, beyond continuing to support Vertin. Her poems and her art would reflect this progress slowly, but yeah, not a lot of noticeable changes.

Reaching 100% Bond with Sonetto.

This is a very conflicting event for Sonetto, I'd say.

The more attention you pay to her, the more aware she becomes of your influence - and now she has to come to terms with the fact that there is no way of separating you from Vertin. She can't free Vertin from this fate, and it doesn't look like she wants that to happen either, but it eats Sonetto from inside out. Because she doesn't understand, and she wants to know why this is the way things are meant to be.

When it comes to reaching 100% Bond with her, or levelling her up and so on, I don't think she'd pay much attention to the mechanical aspect of it all. She's a skilled arcanist, she's the first important character the game gives to you during the tutorial stages, she knows just how important her Disarm ability can be to win a battle - of course you would want her on your team.

But as she slowly spends more time with Vertin and the Player, I think Sonetto would start to wonder about the outside world. They're small, little and impulsive thoughts in the back of her mind, like wondering if you too have someone in this fictional little world that you care about enough to see the story through the end. Are you capable of loving someone that can't reach out to you nor acknowledge your presence? Isn't it cruel, for those who remain blind to the truth, to be so loved and cherished by you?

Do you read the newspaper the same way Vertin does? Do you care about her? About her goals and dreams and thoughts?

This is the only way Sonetto can reconcile this resentment she has for you: through Vertin. I think Vertin would eventually notice all these subtle changes, the way Sonetto never looks truly happy whenever she looks at Vertin, looking above as if she could catch a glimpse of the Player. And Vertin would help through the whole process, easing up to sentience as a whole, to accepting the Player's existence as just something that is there, neither good or bad.

While she's one of the very few who has no trouble differentiating your actions and influence from Vertin's own free will, she would eventually come to respect your choices. Doing her best and beyond whenever you choose her to battle, because now the stakes are higher - now, she's choosing to fight for something she fully understands and cares about.

I like to think that Sonetto can't hear you, but she might be able to see you. Little glimpses here and there, when she happens to look up at the sky, and she sees you cheering after beating that one level that's been giving you a headache. I like to think that she would share these details about you with Vertin, if only to ease her own mind about the complex dynamic you have with THE Timekeeper.

But at the end of the day, this is progress and these are many changes that happen out of your field of vision. Perhaps, one day, Sonetto will gather the courage to thank you for taking care of Vertin when no one else would.

[sleepyjuice-juice]

//TBHK 114 SPOILERS

okay okay imagine

this is kou's perfect tl, right? His family is together, his mom is alive, and not only is Sousuke alive and well, but they are close. First name basis. Sousuke knows that Kou is an exorcist even though he keeps that a secret from his other living friends, Yokoo and Satou. They share some sort of exclusive relationship.

And then... Nene, Akane, possibly Teru (Teru is a wildcard atp - Minamoto mom in the mix complicates his motives), possibly others are trying to revert the timeline, back to the one where absolutely nothing is working out for him. Dysfunctional family, loved ones dying, weight of the world on his shoulders all over again.

I mean, one part of this to analyze is how this affects Kou's character development. In the og tl, he's in a very tough spot in his character development, in which he still feels responsible for everyone else's happiness, always putting others first, always at his own expense. He feels weak and unreliable, but holds himself to such a high standard, because otherwise he doesn't know how to hope. He's barely voiced his insecurities to anyone, besides Mitsuba, and also Teru when they fought during the severance arc.

We don't know how much Kou remembers now, nor the rate he'll remember things, nor how adjusted he really is to this new tl. Because Nene, even though she initially struggled to remember the old tl, she also was foggy on some details about the current tl. And Kou set a table for three instead of 5. So, the question this begs is how displaced is Kou's memory atp?

Alright. Moving on. Depending on these factors... how is his development affected by this? He is in an environment that is fulfilling for him in every way, but it is being threatened to be taken away by people he may or may not remember (doesn't remember Nene yet, status with Akane not confirmed, Teru's motives still in question)

And even if he does remember, how will he react? He has everything he's ever wanted, and it's real this time, unlike in picture perfect. Will he finally put his own wishes first, or will he relinquish a life that's better for him, his family, Sousuke, and so many more? And would that really be selfish of him to decide, if this timeline is objectively healthier?

It's suggested that one of the Yugi twins even grew up to be one of Tsuchigomori's colleagues, likely Amane. If he thought about it, Kou could argue that if Nene loves Hanako/Amane, she would choose the world that he got to grow up in instead of the one where he dies prematurely. It's even hinted that Aoi still likes Akane despite her engagement to Teru, so, logically he'd have a really good argument against everyone opposing the new tl, right?

But... it's not his story. We know he's more than likely going to have to lose this life. Lose his loved ones all over again

And of course... to choose Sousuke Mitsuba, he has to unchoose Mitsuba No. 3. Which is another ooooof biiiig storm coming

It's gonna hurt me, I know. I'm just SO goddamn invested in how this is going to play out