#And some really bad symbolism I tried to add in

[glowing-wasteland]

Dade-County Factions

What was Miami-Dade is now but a shadow of what it once was. The Dade-County area has been mostly reclaimed by The Glades and Wilds. The area’s total population is much less than its Central Florida counterpart. It’s isolated from Orange County due to The Wilds separating the two areas. Trade with the rest of the country’s wastelands is harder to establish because of the dangers of The Wilds, leaving spiked prices and short supply for import goods. While there are many smaller, lesser known tribes in the area there are nine major factions of varying sizes.

Black Dust Gang | BDG

HQ |  Piña Health Hospital {Baptist Hospital}

Leader | Lorenzo Myers

Although the Black Dust Gang could be labelled as raiders, they are actually neutral and not outwardly violent to the other factions and smaller tribes. The Black Dust Gang is the second largest faction, however that’s mostly due to the fact it handles a lot of the trade and importing of exotic and rare goods. The gang is best known as chem dealers and chem manufactures. A lot of Black Dust Gang members live and operate in New Law Order under treaty agreements. 

Brotherhood of Steel | BoS

HQ | Florida International University

Leader | Julia Roberts

A medium sized faction, that what sent to settle in the Glowing Wasteland. However, due to the factions already established in the Orlando area, The Brotherhood of Steel had to relocate to Dade County. If the Brotherhood had tried to establish a base in the Orlando area, they would quickly be wiped out by the much larger factions such as by the Caspian Company. The Brotherhood have some knowledge about the existence of the Eclipse Republic, however that information is labelled as classified. The core purpose of preserving and reclaiming advance technology still is maintained. 

Eclipse Republic

HQ |  NAVAIR { Naval Air Systems Command Interim Supply Support Facility}

Leader | Eclipse

The Eclipse Republic is an all synth based faction, founded and led by pre-war synth Eclipse. The faction is secretive and not widely know, preferring to work in the shadows and focus on infiltration and sabotage. A small few members originated from The Institute in the Commonwealth of Massachusetts. The main belief is that humanity has degraded over time and that synths are the path forward. They aim to free all synthetics from humanity. Most Eclipse Republic synths are heavily modified to achieve “perfection”. Despite being made of different generations of synths, the faction is medium size-- rivalling that of The Brotherhood of Steel due to the continued production of developing new synths. 

Gator Wings

HQ | US Armed Forces Military Base {Doral}

Leader | Enrique Gomez ; Gatorhead

A small, but widely infamous, raider tribe that is know as slavers and conquering standalone smaller tribes. They are extremely aggressive and merciless, and are to be avoided at all costs due to their complete savage behaviors and tactics. The gang is lead by its leader, Gatorhead. 

New Law Order | NLO

HQ | Miami International Airport

Leader | Gino Balliol

The New Law Order is the largest faction in Dade County. They maintain justice, and enforcement of the law among majority of the settlements. They provide protection for citizens of the NLO. They often prefer not to get involved with other factions, and try and maintain neutrality. They accept anyone into their settlements as long as there is no malicious intent and remain peaceful. The NLO allow settlements to function independently, as long as peace is kept. 

New World Syndicate

HQ | Vault 55 ; Lil Havana

Leader | Sabina Gomez

A small faction base in an open trade Vault 55. All of the members are vault dwellers, not just of Vault 55 but other members of other vaults. They are rather puritan and while they preach about the new age of Vault-Tec, the New World Syndicate still practice Vault-Tec’s inhumane human experiments. While they hold belief that vault dwellers are still ‘pure’ compared to the parasitic wastelanders, they still practice open trade and establish it’s own caravans. 

The Cleansed

HQ | Bythel Memorial Hospital {Jackson Memorial Hospital}

Leader | Lola Martinez ; The Enlighten One

The Cleanse originally was a branch of the Children of Atom, however broke off when there were conflicts of beliefs. They still are rad eaters and are a religious movement around radiation and nuclear weapons. However the Cleanse believe that radiation can cleanse the body, enlightening one to a new pure form. The faction is very militant, and are solely made of ghouls-- most are self-made ghouls, as in they turned themselves into ghouls by voluntary over-exposure to radiation. Those that survived being turned without dying or becoming a feral ghoul, have been considered ‘cleansed.’

The Flock

HQ | Seasons Surfside Club

Leader | Sera Oliver ; Overseer Oliver

A very small, but dangerous settlement that is isolated from the rest of the world. The Flock is self-sufficient settlement, and not much is known about it. It is rumored that The Flock hold cult-like behavior and increases its population by buying slaves and condition them to accepting the faction as home and family. 

Warheads

HQ | Riton Grove {The Ritz-Carlton, Coconut Grove}

Leader | Adrian Samuels

A faction that is made up of bounty hunters, and mercenaries. They’re neutral, in that they won’t attack or provoke other factions unless they have been wronged in someway or are paid enough to cause trouble. While they are known to be the best of the best, and high efficient, commissioning a Warhead is far from cheap. 

[peachyforthis]

Genshin men when YOU try to make their signature dish (pt 1)

+ when they make yours

Featuring: Kaveh, Neuvillette, Alhaitham

Kaveh

Would accidentally snort in laughter when seeing you struggle to put those biscuit crusts in place.

But would refrain from laughing more in seeing your dedication to make this dish for him, a sincere smile on his lips and heart swelling with love.

Might actually start telling you the mathematically calculated way to position the crusts while you get tired eventually and remind him that these biscuits have to be broken down to eat anyways, for which he would dramatically gasp and pout while saying, “It’s all about the art and presentation!”

Would definitely add a touch of his architect designs on your favourite food that you’ll be in awe of his skills, while simultaneously thinking if you really wanna break and eat this masterpiece.

“You are truely a genius. Now i feel guilty for eating your art.”

“Nonsense!, I can make these new structures a thousand times for you. Only if you’d want that.”

How could you say no to seeing what new designs he comes up with every time.

Would feed the food to you himself, since you felt bad breaking his structure.

He wouldn’t mind. Honestly, he would be secretly so proud since you loved his passion so much too.

Neuvillette

Would have to request his Melusine assistant for his favourite, chilliest water stash to make this.

Honestly, when you sample some to check, it’s not that different from the normal consomme you make except it’s more… refreshing with his imported water (why are you even surprised anyways).

But you’d make it anyday for your beloved Dragon as you see him devour it (in his proper manners of course), while telling you how delicious it was after you finally settle down on his lap, with him lovingly kissing your cheek.

“Exquisite flavours, my beloved.”

You lean up and kiss him.

“I did use your water stash though. Never knew it would be this hard to convince Sedene that i won’t waste it. She definitely guards it like mora,” to which he chuckles.

On a rare free day, you would catch him suffering trying to learn to make your favourite food, even if the said food is fried or dried like those Mondstat hash browns or Charcoal baked Ajilenakh cakes.

“I often have wished to make some of these hash browns for you, ahem… although these oil fumes do make me feel like I’m losing my Hydro constitution.”

And honestly, to you this is more than enough proof of his eternal love.

Alhaitham

You wanna make his signature food as a surprise for him since he’s a bit stressed these days. So you make up your mind to cook it on your free day while Alhaitham is away at the Academiya.

At first, spends too much time thinking if you really wanna write the word “contemplation” on the finished dish.

Eventually, you’d add it since you wanna make this just like Alhaitham likes, even if you don’t understand the aesthetic. But if that’s how Alhaitham likes? You’ll do it willingly. Like how love is a feeling which sometimes cannot be understood fully, yet you both have it for each other.

Fishes out his special patterned frying pan and measures the spices he likes to add to the dish.

When Alhaitham comes home in the evening he immediately recognizes the smell and goes to the kitchen first to see you fully focused on making his dish, marking out the symbols albeit a bit clumsily, not noticing Alhaitham watching you with a warm, tender gaze.

Later, tries to be nonchalant when you serve him lovingly, but you know better when he kisses your head and blushes a bit after while you have that grin on your face. Smiles seeing your clumsy handwriting of “contemplation” word on his dish.

He is a methodical person. Would search up your favourite dish and measure out the exact ingredients, time and procedure. Wouldn’t mind redoing it since he wants your favourite to taste precisely how you like.

“You know I wouldn’t mind if it doesn’t taste the exact same. Whatever you make, I’ll eat it heartily,” you giggle.

“Only the best for you. Plus, don’t worry about the wastage of the previous failed attempts. I have enough mora and I know Kaveh wouldn’t mind gobbling anything since he’s always starved.”

reblogs would be very appreciated ^^

[reds-skull]

CW FLASHING IN THE VIDEO (3rd from the bottom)

This is it. 3 months in the works, the comic (and video) are finally done.

A little over a year ago, I uploaded the first work in Revenant AU, Ghost's origin comic. I never thought I'd write a whole series for this, but I'm so glad I did. I got a whole new hobby out of it, haha.

I already began working on part 2, but this for me marks the start of it. I'm really excited to get back into this world!

Under the cut there are some comments on the comic I thought some people might be interested in (don't wanna make this post longer than it already is lol). I will upload the frames from the video separately, with comments on it there.

Bottom line is, thank you for letting me just go wild with this :)

Okay, I'm mostly gonna talk about the part where Fate shows Makarov the 141+Farah. Makarov doesn't see the Fate of people as literal images, he often has to interpret odd symbolism in the flashes he gets from the Weave of Fate.

I decided to go for a style I saw in a collection of calling cards in MW3, mainly from this one:

You can really see it in the faces and pitch-black cel shading.

I'll be going in order of appearance, starting with Farah.

Obviously, each of the "flashes" shows the Reaping of each person, Farah being crushed under rubble. Behind her is a helo of green gas, which symbolizes the Russian experimental gas. The motifs around her are more interesting imo - they're taken from the Urzik flag (and yeah apparently it's "Urzik" and not "Urzikstani"... according to the wiki at least). Wings, plants (feels to me like a pomegranate and some sort of crop, but I couldn't find what it is specifically), and a moon, upside down.

I'm skipping ahead a bit, but I've had the idea to make a drawing of Gaz in the Hanged Man pose since I started the AU basically. I tried sketching it once, and it went bad so I gave up lol. But I decided to come back to that here, and add some sort of tarot connection to all of them. I know practically nothing about tarot, googled the meanings of each, they fit well enough, I called it a day lol.

So Farah is the Moon, upside down.

Price is next, showing him taking control of the brain of someone. I didn't use the flag of the UK for the 141 (it'd be kinda boring...), instead I took the Taskforce 141 logo, and broke it down to different elements.

I took the laurels for Price, both framing his illustration and sitting above his head like a crown. I decided he will be the Emperor.

Next up is Gaz, the Hanged Man of course. Gaz gets both the wings and the stars (I changed mine to 4-pointed because... I like them better). Pretty clear why, both symbols relate to the sky. The illustrations kinda follow a rough day cycle, if that makes sense. Farah being night, with the moon. Price with his golden and purple color palette, twilight. Gaz being sunrise, and Ghost and Soap, day. This is why Gaz has a sun behind him.

Ghost was fun because he's the only inhuman one out of the group. I'll let you think what that implies, that even in Fate's Weave, Ghost is an outlier... Ghost gets the skull, and the card "Death". That one was easy, but what I did add is blood flowing down the skulls, like tear tracks...

Soap, the problem child, gave me the most issues as always. For once, it wasn't his fucking face, it was the flames behind him, and overall contrast and readability issues. Soap's illustration is probably packed with the most "hidden" details, though they're obvious if you've read the fic and Konchar's side story. The headless man behind Soap is Konchar himself, holding 4 chains with dog tags on them. The 4 soldiers from Soap's squad, who he killed before Soap was Reaped. Soap's pose is from the moment he came to his senses, after getting shot in the head and destroying a large part of Verdansk. He has 4 swords, pointing at him and downwards, so his card is 4 of Swords, upside down.

Between Soap and Ghost is a circle and a triangle. I'll explain that in the post concerning the video, since that's where I got that from.

If you read all of this, thank you so much! There will be another post for you to read in a moment lol

[thiscoldheart]

some details that i loved in la chimera (spoiler heavy) :

i posted this on twitter as well but i wanted to include it here too. i love this little moment here where italia rests her head on arthur's shoulder and for a brief moment, he's anchored to the present by that touch, but him being the orpheus that he is, just HAD to turn back and find himself gravitating towards the tombs, the past and his eurydice.

the fact that italia's name is literally italy in italian and by the end of the movie she creates a community of her own where she's looking out for those that are outcasted by society, in an abandoned train station named riparbella which literally means "to start again".

arthur's eye always being blocked by shadow throughout the movie until he sees the light at the very end

according to wiki, the goddess the statue is based on is cybele, goddess of nature, animals, wild places and represents the "creative and destructive force of nature." her phrygian name matar (mother) alludes to the fact that she was a "mediator between the boundaries of the known and unknown, the civilized and the wild, the worlds of the living and the dead." i love that this goddess' presence in the movie symbolizes arthur traversing between the living and the dead worlds and getting closer to beniamina. i love that by the end of the movie, the statue itself becomes unknown to human eyes and returns to the wild, far away from civilization, which is arguably the same fate that arthur meets as he dies.

the red string that's following arthur around is very reminiscent of the red string ariadne gives theseus to find his way through the maze. it's beautiful how this red string seems to appear only in his dreams at first but slowly starts crossing the boundaries of dreams and reality as the movie goes on until he is able to tug at it by the end and cross over into beniamina's world.

arthur, at the beginning of the movie, says "so it's you. my last woman's face." how cool is it that beniamina's face resembles cybele's?

arthur goes back to flora's house after being injured and her daughter finds him in the bathroom. spooked, she says "i thought it was a ghost" which arthur might as well be considering how he's essentially been a walking corpse this entire movie.

also a special shout out from the bottom of my heart to the sped up sequences, didn't even realize how badly i needed them until i saw them. the chaos in these sequences is everything to me. this is REAL cinema!

in general, one of the themes that i've come to love about this movie is how objects can have different meanings to everyone. an object like the bell arthur found was just "a thing that rings" whereas italia interprets it as a gift until she comes to realize it's been excavated from a grave. the statue was part of a shrine back when it was made, but to the tombaroli and the sellers, this is only a means to make more money. the train station started off as a place that symbolizes movement of people from the city to the countryside but has now become a home for the outcasts of society. the apotropaic phallus would've have warded off evil and bad luck back in the day, but is now used as a means of escape from the law. a simple red string is the literal lifeline for arthur as he tries to find his way back to his lover.

also want to give another shout out to the inclusion of the italian troubadours (our greek chorus) who beautifully spell out the tragedy of our protagonist and his gang.

speaking of music, i really liked this particular song italia was singing as she was practicing. the lyrics go "i'd like to explain to you, o god/ where my suffering lies/ but fate condemns me to weep/ to weep" and that's exactly when arthur finds her crying son. at least italia finds a way for her suffering to end by the end of the movie. maybe we can say the same about arthur too?

i'll probably add more as i keep rewatching the movie lol and make a thread of this on twitter too (x) thanks for sticking around and let me know what other cool details y'all noticed!

[gem-de-lune]

Daily Vibe Check 11/11

Some of yall were saying that 1111 seems very special, and I agree after doing this read today!

Seunghan

Knight of Pentacles

Today it seems as though he is being very patient. Honestly this energy is very...different than usual. Leading me to believe he has been in direct contact with something that has solidified such a perspective. The Knight of Chalices tried to come out while I thought about this. I will revisit this later.

But generally, these are good vibes, and a sign of hard work and endurance. He is willing to wait for good results and feels good about how he is approaching the situation.

Sungchan

Ace of Wands

With the Ace of wands I believe he is very excited for something. This card came out quickly before I even asked him what's up lmao. Just by saying his name it flew out. This adds to that sentiment. I think there has been some news delivered to them because as you may notice while I go through the members, he energy has shifted slightly as they are a lot less "accepting passive waiting" and more so dreaming, excitement, satisfaction. This stands true for Sungchan. He is actively throwing himself into this news or new endeavor. Generally good vibes today.

Anton

Knave of Wands

This has a similar vibe to Sungchan, except he seems to be a bit weary over getting too excited. Still, this is very naiively active and exciteable energy. The Knave here symbolizes a lot of thrill to the situation. There may be fun sides as well, but Anton seems to have some anxiety, or maybe he is distrustful of the messemger sending the good news. Either way, the energy is still generally good. He is just anxious.

Eunseok

Knight of Chalices

Lol so here with the Knight of Chalices, I had mentioned earlier that this tried to come out during my pull for Seunghan as well. This, to me, indicates that Eunseok and Seunghan may be interacting closely today and on the same wavelength. It seems they are bringing something to the table for each other that is much needed; being supportive physically and emotionally.

Focusing on Eunseok, today is very good energy for him. He is feeling a lot more expressive and open and able to relax a lot more than he may normally. At the same time, he is very pointedly not alone in doing that. Both his and Seunghan's cards are also knights. I really do think they are in direct, prolonged contact.

Wonbin

5 of Swords

This was a little weird. It seems that Wonbin feels very thrilled about something himself, but is acknowledging that others may not feel the same and is concerned about this a little bit- more so annoyed than actually feeling bad. The vibe is like "lol get over it" but it's a clear bitter acknowledgment. This is the first time he has really been particularly bitter towards any party while I read for him. I pulled the 9 of Pentacles while thinking over this and confirming this was how he felt (which i did not keep and will discuss later) and then 6 of Wands (victory) when revisiting to finalize the take. He is feeling victorious and laughing at the people against him right now. Good vibes, lmao.

Shotaro

4 of Chalices

To me, it made sense why Shotaro went when he went in this order because it makes his card make a lot more sense. I think that everyone is desperate for the good news, for a resolution. I think that Shotaro is really not satisfied with this. I don't see this in a harsh way, but in a semi playful or maybe sarcastic way. Kind of like, "And why couldn't you do this before??" He is not acknowledging any effort being put in to relay whatever news was received. And/or he may not even be satisfied enough with the content altogether. Is he feeling not good? No. He is just annoyed.

Sohee

9 of Pentacles

So, going back to Wonbin- I also pulled this card when clarifying if he really felt that way before. Since Sohee got this card, I think they are sharing very similar feelings today. Sohee is very satisfied with something/some news received, and if feeling like he can finally sit down and breathe without going crazy. He feels as though things are falling into place.

Bottom of deck:

The World

Very very strong vibes here. The end of a cycle and the beginning of the new. The energy surrounding them all right now is seriously giving "flipping to the next chapter".

I also want to note the fact that I kept on seeing the Chariot (7) card every time I split the deck to bridge shuffle.....👀👀

Final Notes:

This "good news" i spoke of seems to be something that is a good omen. But to be very clear, this news was not something that was 100% the outcome, the verdict, nor what was to happen. In simple terms, it's like if you are writing a paper and turn it in to peer review and everyone tells you great news that it's looking really good. That doesn't mean your professor will find it very good, too. It just means that there are some active things working in your favor.

So here, it seems there are some things that SM has expressed to the members that have lifted their spirits. Some take this at face value with caution, and others are taking it as positovely as possible. But this is not the end all be all. It is just the beginning and a good sign.

Please continue to boycott as usual and support Seunghan.

[writingforstraykids]

I owe you a kiss - Pt.8

Pairing: Minchan x femReader (mention of Changlix)

Word Count: 3478

Summary: Three weeks later, you're still feeling left out. Your therapist suggests communicating your worries to your husbands, but this doesn't go as planned.

Warnings/Tags: fluff, angst, therapy, verbal fight, anxious!chan, min gets defensive

A/N: After part seven I thought I'd be done with one part more tops...well. Once more, there'll be another chapter after this. Ideas/wishes are always welcome, I'll see what I can include🤭🖤

PART SEVEN | PART NINE

Three weeks later 

“And you still don't want your husbands there for the appointments?” your therapist asks kindly. She has been for weeks now. 

“No,” you shake your head firmly. 

“May I ask why?” she asks patiently. 

“Minho has a lot to deal with on his own because he remembers���also, he hates hospitals,” you start and nervously fidget with your hands. “Chan is…different.”

“Different, how?” she responds with another question. 

“Distant is the wrong expression by now. He's trying to show me how much he loves me, but I can tell when he gets overwhelmed. He's still figuring things out, finding his place back home,” you tell, and she nods along, taking some notes. “I just…It's not all bad. He gets enough sleep now, makes sure to eat enough, and takes care of himself. It's just so different from what I remember.”

“And Minho? Is he getting the help he needs?” she asks. 

“Yes, he sees his therapist every two weeks. Weekly, if it's really bad, she always manages to squeeze him in,” you tell her. “He tries to hide it, but he still has nightmares. He's able to drive again if he has to, but he gets anxious easily.”

“And where does that leave you?” she asks patiently, nodding at the wooden board between the two of you. There's a figure for Chan and another for Minho, standing close next to each other. Behind them are several smaller figures in darker colors, symbolizing their fears and struggles. And there's you. Yours is smaller than theirs, standing further away as if you're facing them. 

“Alone,” you say, swallowing hard as you notice the distance between the figures. You hadn't thought much about it putting them there but they're painting a clear picture. 

“Are you?” she asks gently. 

“Sometimes,” you nod. “I don't feel like it when I'm alone with one of them. But if it's all three of us…I feel like they don't need me,” you say and subconsciously fondle the tiny head of the figure behind you, symbolizing your negative thoughts. 

“Do you want to change something?” she asks, picking up on it, and you set it between yours and the ones of your husbands. “Add anything?”

“I'm scared of losing them,” you say, and she nods at you, letting you choose another one. You put it next to the one you just moved. 

“May I comment on something?” she asks, and you nod. “You put your husband's fears and struggles behind them. But yours are in front of you, forming a wall between you all. Why's that?”

“Uh…because they've communicated theirs openly with me and are working on them. I didn't tell them I'm scared to lose them or all of the other thoughts running through my head,” you admit. 

“Mhm, so theirs are out in the open…why aren't yours?” she asks patiently, and you drop back into the comfortable chair. 

“I don't know,” you confess. “Maybe because I feel like I can't put more on their shoulders.”

“What happened when Chan told you he's scared to push your boundaries? What happened when Minho panicked?” she asks, flashing you a kind smile. 

“I comforted them, told them it's okay,” you say quietly. 

“And what makes you fear they wouldn't do the same with you?” she asks, making you lower your head a little embarrassed. 

“I don't know,” you admit quietly, feeling tears burn in your eyes. “I should tell them, right?”

She hums gently. “Communication seems to be very important to keep your relationship intact as you're all dealing with certain things.”

-

You're exhausted after your session, but you know you'd have to open up more about your own fears. You follow her outside into the waiting area to pay and frown as you see Chan talking to the receptionist. “Channie?” you ask, confused, and he looks up with a soft smile. 

“Hey, baby girl,” he says sweetly. “I thought I'd come pick you up, I finished early today.”

“Oh,” you nod and open your handbag to get your wallet. Chan introduces himself to your therapist, a warm smile brightening up his gorgeous face. You take out your card, and Chan gently shoves it back inside. 

“Already handled,” he tells you. 

“What? Channie, I had to pay for the whole month today,” you protest. 

“I know,” he nods and gently zips your handbag closed. “It's fine.”

“Thank you,” you nod gently, smiling as his hand finds yours. 

“You got everything?” he asks, and after you nod, you two say goodbye. Once you're in the elevator, Chan pulls you into a strong hug and kisses your hair. “You look like you've been crying. Rough one?” he asks caringly. 

“Yeah,” you nod, burying yourself in his warmth. “Thank you for picking me up, Channie angel.”

“Of course,” he tells you, rubbing your back. 

As you lean into Chan's embrace, you're reminded of the session's revelations. His warmth is reassuring, and it pushes against the shadows of your own unspoken fears. You wonder how to begin sharing them with him, how to bridge the gap that your silence had unknowingly broadened. "I have a lot on my mind," you finally say, your voice muffled against his coat.

Chan's response is soft, filled with his sweet patience. "I'm here whenever you're ready to talk," he assures you, his hand steady on your back. The simplicity of his promise makes something within you ease slightly. Perhaps sharing your inner conflicts wouldn't be as horrible as you feared.

“Thank you,” you nod gently. 

Chan leads you outside the building and to his car, your hand still in his. “I wanted to take you out for coffee, but would you rather go home? Whatever you say is fine, beautiful,” he assures you, and tears brim your eyes. 

“Our favorite spot?” you ask gently. 

Chan smiles sweetly, dimples showing. “Yeah,” he nods, giggling as your face lightens up. 

“I would love to,” you tell him. 

-

When you're back home, the atmosphere shifts as Minho greets you both from the sofa. His smile is shy, a reflection of his ongoing struggles, yet sincere. His eyes light up when he sees you. "Everything okay?" he asks, a subtle concern in his tone.

You nod, squeezing Chan's hand before letting go. "We need to talk, all of us," you say, surprising even yourself with the firmness in your voice. Minho's brow furrows slightly, but he nods, understanding the seriousness of your tone. He gestures towards the empty space next to him. 

As you all sit down, the weight of the moment hangs heavily in the air. You take a deep breath, gathering the courage to be as open as possible. "I've been feeling a bit overwhelmed," you begin, your voice stronger than you feel. "Not by you two specifically, but by everything. The fears I've kept to myself are... they're getting heavy."

Chan reaches for your hand again, his touch a silent promise. Minho leans in, ready to listen, to help shoulder the burden you've carried alone for too long. You share your fears—of losing them, of not being enough, of the future that seems so uncertain sometimes. With each confession, the walls you built crumble.

“You know you can always come to us when those thoughts get too much to handle, yeah?” Chan asks gently. 

“You're always there for us, honey, don't forget we're there for you too,” Minho adds agreeingly, gently rubbing your thigh. 

“I know…A lot of it is in my head, but I miss you two,” you admit. “I can't even explain it, but I miss you so much, and I just wish everything would be normal again,” you say, tears brimming your eyes. 

“Y/nnie,” Minho whispers and shakes his head, tears brimming his own eyes. “We have to work with what we got. A lot has happened, and we can't pretend it didn't. We have to find our new normal,” he tells you and timidly takes your hand.

“But we're always here, yeah? You're still our beautiful wife,” Chan chimes in. 

“Well, then start acting like it!” you suddenly burst out, and seeing the hurt and confusion lacing their features you quickly get up. “Start acting like I'm your wife and not just your crush you hold hands with from time to time.” 

“Seriously?” Minho asks dangerously low and Chan swallows, already fearing an outburst of both of you. “Tell me you're joking.”

“I'm not,” you snap at him. “Obviously, I'm not.”

“What the fuck do you need me to do then? What do I have to change, huh?” he snaps right back at you, getting up as well. 

“Guys, please,” Chan tries gently, but you both ignore him. 

“I don't know! But it feels like shit, I'm just some bystander to you two being all lovey-dovey all day!” you burst out. 

“You’re pushing us away, you know that?” Minho retorts, his voice dripping with frustration and hurt. “You say you feel left out, but you've got walls so high, I need a damn ladder to get over them! Every time I try to initiate anything more than the crush behavior, as you put it, you back away.”

“I-” you start, but you can’t form any clear sentence in response. Minho is right, you’ve been denying him to go any further repeatedly.

Chan’s face grows pale, his eyes wide as he watches the confrontation unfold, seemingly frozen in place. “Can we... please not do this?” he stammers, his voice cracking under the strain. “This isn’t helping any of us.”

“You stay out of this!” Minho snaps, turning his glare briefly to Chan. The sharpness in Minho’s tone slices through the tension like a knife, leaving Chan blinking back tears, his hands shaking slightly as he tries to compose himself. “You don’t have to participate in this fight, but let me say my piece.”

“I’m trying to help!” Chan protests weakly, his voice trembling at the thought of you getting into a serious fight. Minho and you almost never fought, but if you did, it was always ugly, hurtful, and fucking loud. He didn’t like it before, but he could barely take it now, getting overwhelmed.  “I don’t want to see us fall apart over misunderstandings and hurt feelings!”

“Well, it’s not just about feelings, Chan!” you shout, your voice breaking as the tears start to fall. “It’s about being seen and heard in this relationship. I feel invisible most days, like I’m just here to fill a space between the two of you! It’s like you don’t care about me.”

Minho blinks at you, and you can tell he needs a moment to process your words. Then he explodes. “If you really feel this way, if everything I do is that useless and meaningless…then I don't know what the fuck I'm still doing here!”

“Minho,” you whisper in shock, and Chan's tears fall freely now. 

“Minho, please don’t say that,” Chan shakes his head, looking at him anxiously. 

“No, seriously, fuck this. Fuck you,” he says harshly, and you know he's trying to cover his hurt with anger. “I don’t care about you, yeah sure,” he goes on. “I stayed by your bedside for weeks, praying that you’d wake up. I have done nothing but respect your boundaries, give you the time you need, and make sure you’re comfortable. What the fuck do you need me to do to think I actually give a fuck about you?!” he shouts at the top of his lungs, and it has both you and Chan flinching heavily. It’s rare he loses composure like this. He’s breathing heavily once he’s done, staring at you with fierce but such vulnerable eyes it makes you sick. He nods to himself as you don’t answer and grabs his phone from the sofa. “You don’t even know what you need. How the fuck am I supposed to, huh?”

“Min, please,” Chan whispers, sensing how hurt his husband truly is behind his mask of anger. 

Minho’s expression softens for a moment, his anger faltering as he sees the tears streaming down his face. “I need a break,” he announces. “I’ll sleep in the guest room; I can’t do this right now.” He shakes his head and meets your eyes for a brief second. “Thanks for the talk,” he says sarcastically as you don’t respond to his prior statements.

You stand still for a second as he leaves before collecting your things as well. 

“Y/nnie,” Chan tries weakly.

“Don’t,” you say sharply, shaking your head. 

Chan flinches as the door to your bedroom slams closed and slumps onto the sofa, biting back a sob. He blindly reaches for his phone and blinks away tears to find his best friend’s number. Felix picks up after the second ring. “Lix, I-I know it’s late-,” he starts weakly.

“Where are you?” he asks worriedly at the distressed sound of his voice. “Do you need me to get you?” he asks, already getting up to search for his keys. His husband shoots him a questioning look, and Felix mouths Chan’s name. Changbin frowns worriedly, getting up as well and grabbing his keys. 

“Can I stay at yours? Just for tonight?” he sniffles helplessly. 

“Of course, Channie,” Felix says soothingly, slipping into his shoes. “You’re at home?” he asks carefully, leaving the house with Changbin right behind him. 

“Yeah…home,” he says, choking on the word. 

“We’ll be there in ten minutes, okay?” he asks gently, waiting for Chan’s quiet hum in response. “Deep breaths, Channie hyung, I’m sure whatever this is it can be fixed.”

“I’m not sure,” he answers shakily. “I’m really not.”

“They got into a fight?” he asks carefully, knowing how much it upset Chan. 

“Yeah,” he whispers. “It was bad, Lix, really, really bad.”

“I’m sorry, Channie,” he says softly. Only a little later Chan meets them in front of the house and they pull him into a tight hug. 

Changbin soothingly rubs his back. “Come on, Channie hyung, let's go,” he gently urges him to the car, handing him a tissue. “You can stay as long as you need to, okay?”

Chan nods and gets into the car, sinking into Felix's arms as the younger one sits down next to him. Felix gently rubs his shoulder and sighs. “It's gonna be okay, Channie.”

Three days later

Waking up, you notice Chan's side of the bed is still made, untouched from the night before. Minho is already downstairs, the clatter of dishes breaking the uncomfortable silence that had settled over the house. As you walk into the kitchen, Minho’s posture stiffens, his usually warm eyes clouded with frustration.

“Good morning,” you say hesitantly, your voice barely a whisper, hoping to ease into the morning peacefully.

Minho nods without meeting your eyes, continuing his task. “Morning,” he replies shortly. 

“I was thinking we could all go out today, maybe get some fresh air together,” you suggest, trying to find a way to get you three to deal with what happened.

Minho pauses, placing a plate down a little too hard. “Chan isn’t feeling well,” he says shortly, finally looking up at you with a mix of irritation and exhaustion in his expression.

“Is it his headache again?”

“Probably,” Minho mutters, turning back to the dishes. “Or maybe it’s just an excuse.”

“What’s that supposed to mean?” you ask, your voice rising slightly in concern.

Minho sighs, a long, tired exhale. “It means maybe he’s just avoiding us. Avoiding this,” he gestures vaguely between the two of you.

“Minho, that’s not fair. You know how much he’s been struggling with everything,” you counter, feeling your heart rate pick up as the beginnings of anger mix with your worry.

“And what about us?” Minho snaps, his composure breaking. “When do we get to talk about how this is affecting us? You’re so focused on Chan. What about me? What about what I need?”

The accusation hits hard, opening a floodgate of emotions you’d both been tiptoeing around. “I’m trying to be here for both of you and fix this!” you exclaim, frustration overtaking your initial intent to keep the peace.

“Well, maybe try a little harder because I don’t feel it!” Minho’s voice escalates, his tone harsher than you’ve ever heard.

“Guys? What’s going on?” Chan’s weak voice comes from the doorway. His usual bright eyes are dim and shadowed with pain.

You both turn, startled, as Chan leans against the frame, looking between you two with a growing sense of dread. “I just needed some air, that’s all,” he murmurs, clearly caught off-guard by the newly thickened tension.

Minho’s expression softens slightly at the sight of Chan, but his frustration is far from appeased. “We’re just talking,” he says, though his voice suggests it was anything but a simple conversation.

Chan glances at you, his eyes searching for an ally. “It doesn’t sound like talking,” he comments softly, his tone hurt.

“You wouldn’t know; you’ve been avoiding us!” Minho’s outburst swiftly redirects the tension back to Chan.

“That’s not fair, Min,” Chan protests, his voice weak but filled with hurt. “I’m just trying not to make things worse.”

“By not talking? By hiding away?” Minho counters, his voice laced with bitterness.

“Enough!” you finally shout, unable to bear it anymore. “This isn’t helping anyone. We’re supposed to be in this together.” Both fall silent, the echo of your shout hanging between you. The air is thick with unsaid things, each of you caught in your own thoughts. “We need to fix this,” you say finally. “We can’t go on like this.”

Chan nods, looking exhausted. “I know,” he agrees quietly.

Minho doesn’t speak; his jaw clenches as he wrestles with his emotions, but his nod is agreement enough. You all sit down at the dinner table, facing each other.

Chan’s voice is gentle as he suggests, “Let’s each say something we feel without interruptions. Just listen to each other. Really listen.”

You nod, taking a deep breath. “I feel overlooked,” you begin, the words raw but necessary.

“I feel helpless,” Minho adds, his voice thick.

“I’m afraid of losing you both,” Chan admits, his eyes glossy with unshed tears.

The room grows silent as each confession hangs in the air. You all look at each other, the vulnerability shared creating a bridge that had been missing in the chaos of your misunderstandings.

Chan reaches across the table, his fingers brushing against yours. "I'm sorry," he says, his voice steady despite the emotion. "I’ve been so wrapped up in my own shit that I didn’t see how isolated you felt."

Minho exhales deeply, the tension easing from his shoulders as he acknowledges Chan's words. "And I... I've been so focused on not falling apart myself that I forgot to make sure we're all okay," he admits, his gaze shifting between you and Chan, a silent plea for forgiveness in his eyes.

It's your turn to respond, the atmosphere allowing for more open and heartfelt communication. "I've been afraid of burdening you both with my fears," you say, the admission freeing in its own way. "But I see now that keeping them to myself only creates more distance. I need to share more, not less," you continue, feeling a bit lighter with each word. "I need us to really be in this together."

Minho's hand finds yours, squeezing gently. "I've been scared," he admits, his voice cracking slightly. "Scared that pushing too hard or not enough could end up driving you away. But I see now that not communicating is just as damaging."

Chan, still visibly shaken but slowly regaining his composure, adds, "I thought I was protecting you both from my issues, but I was just isolating myself further. I promise to be more present, even when it's hard."

The conversation turns into a lengthy discussion in which each of you takes turns expressing thoughts and emotions that had been buried under daily routines and misunderstandings. It’s not just about voicing grievances; it’s about rediscovering each other's needs and reassessing how to support each other better.

Chan proposes a weekly check-in, a safe space where anything can be discussed without judgment, ensuring that no concern is too small or too trivial to be voiced. Minho suggests more one-on-one time with each of you to strengthen individual bonds that contribute to the health of the collective relationship.

In the following weeks, the impact of that conversation becomes evident. Slowly, the dynamics in your household start to shift. There's a newfound gentleness in your interactions, a deeper consideration for each other's mental spaces, and an active effort to engage without overwhelming one another.

Feeling less isolated, you find the courage to share your smaller daily fears and joys, discovering that these moments of sharing contribute significantly to your feeling of closeness with your husbands. 

In a relationship as complex and intertwined as yours, challenges are inevitable.

PART SEVEN | PART NINE

do not repost, translate, or plagiarize my works in any way here or on other platforms. ©️writingforstraykids 2024 -

MASTERLISTS | PROMPT LIST | GUIDELINES

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[xiaomainlmao]

Twst Dormleaders with a reader who fights very elegantly

Riddle Roshearts

He's amazed

Looks at you and your form very carefully and tries his best to appreciate even the tiny details

He knows that with his physical abilities, he most likely won't be able to do the same, but still asks you if you can teach him a trick or two

Gets the theory behind how it's done pretty quickly and due to his already strict nature, his posture is pretty good too

Can do some tricks to an extent, but gets tired very easily and needs constant breaks

If you praise him for getting something right, he'll internally scream "YES!" with the happiest Riddle face you could ever see

At the end, he'll thank you very sincerely and asks if he can assist you with something like studies in return

Leona Kingscholar

...are you trying to show-off?

Not very amused about it, in fact he compares you to Vil due to your elegance

Tbh i don't think he would care too much about how someone does their thing, as long as the job is completed

Wouldn't voice it, but he thinks you look really nice because your form is pretty clean

If he does voice it, he'll be very smug about it, calling you a "pretty but terrifying doll" and all, because unless you are really really close, he just wouldn't want to genuinely praise someone (or Ruggie's going to use it against him)

May want to fight you if he's in the mood, just to see "whether those pretty punches and kicks are actually worth flaunting"

Still, at the end he pats your back and says "that was a pretty good kick" and leaves before receiving a response

Azul Ashengrotto

"oh my..."

Yea he stares, very shocked and intrigued

If you ever ask him for a favour, he'll ask you to very patiently teach him a couple tricks

Isn't the fastest learner when it comes to physical activities, but it's alright

When you're teaching or showing him something, he's going to genuinely praise you by letting go of that businessman attitude of his (don't be fooled though, the businessman in him will return after your sessions are over)

He'll be letting his guard down for these sessions so please be patient with him, and don't tease him because he gets embarrassed easily

He does manage to learn some things, but it takes him some time

Thanks you for being patient with him and tells you to come over to Mostro Lounge whenever you require any sort of assistance

Will not openly admit it, but he makes less demanding deals with you, thanks to the soft spot he developed for you over your little sessions

Kalim-al-Asim

Has those wide, shiny Kalim eyes when he sees your form for the first time

Praises you so much and doesn't stop until you're all red-faced and stuttering due to embarrassment

I feel like he's the type of person to use a lot of symbolism, so he will probably compare you and your fighting form to all sorts of things- from actual people to the stars in the sky

May ask you to teach him a thing or two, and depending on how easy or difficult it is, he may even be able to do a couple tricks

Adds it to the list of things he can praise you about, so whenever you feel bad or insecure about yourself, he's rambling about how much he loves the way you fight

Very, very, very supportive- he'll likely find out if there's anyone in his connections that can help you get even better

Just be a little careful if he's introducing you to someone, because he definitely will ramble about everything your good at, including how good you look and how strong you feel when you fight using those cool tricks where you look almost like you're dancing and—

Vil Schoenheit

Observes you and your style intently

Just like Riddle, he'll try to appreciate the tiniest of details in the way you fight

...and also to point out any posture errors since he's Vil "always being a perfectionist because nothing should be below his standards" Schoenheit

From the Beans Day event, we know he fights pretty elegantly too

So he'd be very happy to practice with you, whether it be doing warm-ups together or actually sparring

Helps you with any trick you find difficult, or corrects you if your posture is not up to the mark

Expects you to be strict with him as well, he can make use of some criticism (and he really appreciates it if you find a genuine, note-worthy flaw in his form, because he's not egoistic about having been taught by professionals)

Over all, I think he can appreciate your fighting style (with proper criticism included) the best since he also has a similar form, and spotting the little details is easy for him

Idia Shroud

Who or what are you? Yun Jin from genshin impact?? Nilou from genshin impact???

No wait you are rather strong, so perhaps Eula? (even though she's been promoted to npc as of version 3.7) Hell Shenhe or even male characters like Albedo or Ayato can be said to have elegant fighting forms.

In short, he just thinks you are like a well-developed, well-animated character from a video game meant to get high sales.

This man hates going out, so he most likely saw you fight either during p.e. that Ortho forced him to attend, or because he was lucky enough to be out and witness it

Will actually voice out his thoughts in disbelief, speaking rather quickly about how if you were a game character, everyone would spend on the game for you

Gets embarrassed right after though and starts fumbling over his words after he is done with his out-burst.

If he feels comfortable enough around you, will try to practice with you, pretending as though you are both imitating some cool game characters

(even if all the fighting skills and poses he practices will go down the drain if someone else were to witness it in an actual fight)

Malleus Draconia

Has probably visited the knights while they were practicing, but has never seen them even try to fight as elegantly as you can

Is very intrigued

He probably won't want to fight you though, unlike the others, unless you suggest it

It's not because he thinks you're weak or anything, he thinks you are very strong and capable (and beautiful while fighting)

He just doesn't want to hurt you or scare you away, since he's aware of his own strength

But if you're very keen on sparring with him, he'll indulge you

Is very attentive to your needs- if he feels like you need a rest, he'll tell you outright, if he notices that one of the forms could potentially harm you, will ask you to reconsider using it

He really admires you and won't be afraid to voice his fascination towards you and everything you do

[miss0atae]

The anti-hero romance in Meet You at the Blossom (ep 5 & 6):

The romance finally started to kick in, in Meet You at the Blossom. At first, it was mostly Xiao Bao who was trying to court Huai En. It was love at first sight for the young man. Of course, it didn't start under favorable auspices because Xiao Bao was convinced Huai En was a woman. After learning the truth, he kept flirting with Huai En (because he is my precious little bisexual fool). They both shared the same bed several times and Huai En seems to have accepted Xiao Bao's feelings to be true. It wasn't easy for him, as the only love he witnessed was the doomed romance of his parents which wasn't exactly the healthiest comparison he could have. Since the death of his mother, his father has became obsessed with revenge. The way he is talking about her has only gave Huai En the impression that love is a dangerous poison. I've seen many people jokes about how Huai En dick's game is really powerful because Xiao Bao seems to always have trouble waking up the next day(s). However, I believe Xiao Bao's power is also really impressive because he found the way of charming someone who was unwilling to fall in love with anyone (for good reasons). Huai En is a very possessive lover and his obsession for Xiao Bao could be comparable with his father's romance with his mother. Could we say the apple does not fall far from the tree?!

After watching all the episode from 1 to 6, I would say that Huai En could be considered an anti-hero. The figure of the anti-hero is quite compelling as it challenges the traditional view of heroism and love. This type of character has moral ambiguities and when you find them in romance genre you can witness a more nuanced vision of love. Love isn't only a path to happiness when an anti-hero is involved, but it can be a journey of the darker aspects of love and human nature. It can also offer a possibility of redemption or transformation for the anti-hero as he tries to navigate the twists and turns of his love. Huai En was raised to be the armed wing of his father's revenge for the sake of his mother. He has known nothing else until he met Xiao Bao. Huai En is perceived by others as “cold as ice” and someone who “fights desperately and like a desperado he wants his opponents dead” (ep 5). He is also not talking much and doesn't smile that much. Huai En has no time to lose and only one mission to accomplish. He was beaten and treated poorly by his father making him feel like he can't escape his grasp. He can be perceived cruel and scheming. However, Huai En isn't only this person. He also has a softer side that he usually only shows to Xiao Bao.

In an anti-hero romance, the love interest serves as a counterbalance of the anti-hero’s actions. The good nature and affability of Xiao Bao has an effect on Huai En. Even if Huai En can remains sarcastic when he is with his lover, we can also see him smile more and be affectionate. It’s why I think we can say Huai En is an anti-hero: he is a man whose actions could be considered bad, but who ultimately possesses a core of goodness to redeem himself through words and actions. Even if this core is mostly for Xiao Bao. Usually the love interest in this type of romance represents a symbol of change for the anti-hero. It doesn’t mean they will make them “good” or “hero” but they will induces new change in their life. Xiao Bao’s love for him made Huai En changed his plans. Even if his father ordered the death of Xiao Bao’s family, Huai En decided to act to avoid this fate for his lover. His uncle’s henchman even confirmed that Huai En has done many bad deeds for his father and never disobeyed him before. Huai En’s enemies decide to use Xiao Bao as a bait to defeat him because they noticed how their relationship has affected his actions. The hero and anti-hero navigates in a world that isn’t just black and white and their love story with goes from conflict, growth, and love.

I also want to add some nuances. It may seem like I'm saying Huai En will become this good person through the power of healing love, but that's not exactly this. I can't deny that Huai En is also using some coercive control on Xiao Bao.

Before saying anything else, I want to say, I don't know anything about psychology and I may make mistakes in this post when using some terms. So take all of this with a grain of salt.

Huai En didn't hesitate to use a little bit of guilt trip, especially after the incident at the brothel. Let's not forget about the emotional blackmail to obtain the forgiveness of Xiao Bao if he ever does something bad too. He knows full well that he is going to need it later because Xiao Bao doesn't know every information. I would also say that the very tight hug could be considered a form of love bombing. The intimate embrace is also a way of showing what he wants to obtain from Xiao Bao. I'm not denying that Huai En has feelings for Xiao Bao, but they are tinged with a dose of unhealthy possessiveness.

I’m sure Huai En and Xiao Bao will be able to navigate their romance after a long series of ups and downs. I consider them endgame and I will have fun watching them trying to find their happy ending. It’s always interesting to get a love story with a real anti-hero almost villain who gets to be with the hero. It’s also fun to watch moral ambiguity in characters as it is reflective of the nature of most humans.

[wishful-thinking64]

Hazbin Hotel & Helluva Boss Rewrite Ideas #02

Hello! Hello! I've come to bring rewrite ideas for both shows once again! People seemed to like the first one and I like coming up with story ideas with and for practically everyone so here are seven more rewrite ideas for Hazbin Hotel & Helluva Boss! ______

#01.) Have Alastor's magic sigils be radio symbols over Vodou symbols as it not only makes way more sense with Alastor being the Radio Demon but to not play into a harmful stereotype about a real life religion.

#02.) On the topic of religion, don't be afraid to add a few more religious figures from the Bible or the Torah! As long as you're being mindful about the material you're pulling from, I really don't see this as much of an issue. People make their own spin on angels, demons, Jesus, and God all the time! But for once, this is where Viv gets cold feet even though she already has Adam & Eve there but not their two main children? Or the reason behind why their parents and everything else exists?? Seriously Viv??? #03.) In any case, if you do add the first two siblings then I suggest having Cain possibly work at the Hotel as some kind of repentance considering he's both the first real Sinner and for the fact that he feels guilt over killing his little brother. #04.) Alright, now for some ideas for Helluva Boss! I feel like we've all grown tired of seeing the, "Two people arranged in a loveless marriage," trope with how often it's been appearing and HB is no stranger to this trope and tries to use it as a way to rectify Stolas' affair with Blitzo.

I mentioned this in my third One Hell of an Unpopular Opinion series but if you want to stick loosely to HB's canon then you'd probably be better off with making Stella a surrogate mother as we still haven't seen her interact with Octavia and there was no real point in having Stolas marry Stella if all he needed to do was secure an heir. Besides I'm pretty sure that's what Paimon did in order to get Stolas as we see no signs that he had a mom growing up with how he was raised by a butler. On the contrary, should you wish to keep Stella as Stolas' wife, I'd recommend going the path not taken. By which I mean, have Stella and Stolas marry because, at one point, they did genuinely love each other but over the years that love dwindled and eventually faded out. Even though they'd be better off parting ways they choose to stay together as Great Horned Owls (the owl that the actual Stolas from the actual Ars Goetia seems to be based off of) and Snow Geese (I refuse to believe she's a swan especially since her brother has ice powers and lives in an ice castle) typically mate for life. From here, I'd have Octavia not be born out of the "necessity" of an heir but rather as a last ditch effort to see if their relationship can be rekindled as many couples in real life think that having a child or children will "fix" their relationship. #05.) Sorry for getting somewhat depressing with that last bit. To make up for it, write a fun chapter about I.M.P. having fun by rewriting Episode #05 of Season #01, The Harvest Moon Festival! A lot of people like The Harvest Moon Festival as it is though the majority agrees that it should've been a Millie centric episode. So have her be the reason they go to the Harvest Moon Festival over Stolas, show her competing in the Pain Games, and have her stand up for her husband due to having enough of her family constantly shit talking him. Overall, have Millie excel at being the bad ass girlboss that HB makes her out to be! #06.) Give Octavia some type of found family or friend group. Have her attend a prestigious private school (I doubt Stella will have her daughter attend a regular public high school) and have her become friends with the school's outcasts. The reason this group could be outcasts is because they actually earned their right to be there by getting good grades while most of the students are probably the offspring of Hell's high ranking officials. But seriously, this girl needs (and deserves) a support system STAT! #07.) Properly explain what it takes to get a soul into Heaven. I don't care if you explain this via The Ten Commandments, trusting that Jesus died for humanity's sins, or by using another set of rules from a different religion that isn't Christianity just be certain that your explanation is clear and concise and makes sense for what you have already pre-established for your rewrite. Don't do what the HH series did by saying, "Yeah, we don't know," because that is genuinely how you lose an audience. You can't have the ENTIRE premise of the show being about wanting Sinners to get into Heaven when HEAVEN doesn't even know what gets a soul there in the first place! ______ Well, those are all of the ideas I've got for now! See ya guys!

[action-index]

This post will be completely different from the rest of my posts, mainly because it will be an analysis of a movie, rather than fanart. I really love Matt Johnson's work so I wanted to give The Dirties appreciation by mentioning something that I noticed about the ending scene that I don't think anyone else has talked about.

Warning: LE SPOILAZ, mentions of death

THE DIRTIES and The Symbolism in the Ending Scene, Whether Intended or Not Intended

(aka Symbolism when Matt finds Owen at the end of the movie and how it connects to the rest of the film.)

Something that never really gets noticed in the ending scene that I feel is given not enough credit is the symbolism found in what both Matt and Owen wear at the end. This could be poking at straws but even if it wasn't intended, it adds so much to the movie and just wouldn't feel the same if Matt and Owen were wearing different clothes for this scene. It mainly connects to the colors of the shirts they wear and how they connect to the general conflict between Matt and Owen within the story.

First, let us look at Matt's "WE'RE ONLY HERE FOR THE BAD GUYS" shirt.

Even when glossing over the very massive warning sign stitched in bold font, this shirt does provide some symbolism alluding to Matt's character throughout the film. Obviously a warm color, a bright, unavoidable orange.

Warm colors, more specifically in this case, orange, often provide symbolism of say, enthusiasm or energy, which Matt definitely showcases in the movie, to when he's excitedly and innocently boasting about his idea for his film project to even when he hauntingly plans to kill his own classmates. They also provide symbolism of frustration and immaturity, which Matt also showcases.

This reflects his actions in the shooting scene, where he enthusiastically ends two people's lives, his own taunting words as he kills them reflecting the frustration he felt from the words they said to him. The color reflects his actions perfectly.

Now secondly, let us show Owen's shirt:

Now the symbolism may be more weaker on this one compared to Matt's obvious warning sign of a shirt, but do bear with me here.

Obviously Owen's plain light sky blue shirt is a cool color, showcasing a passiveness and honesty, and reflects Owen's more preserved character and his preference to stay away from confrontation, compared to Matt's more enthusiastic drive.

However, the trait that seems to shine more when he wore this blue shirt in the shooting scene, is his preference to not be confronted. He actively tries to avoid Matt and runs away, fearing for his own life. He did not want confrontation because he feared for his life.

Now that I've explained the symbolism found in both shirts, I would now like to get to the point of the whole essay, is how Owen and Matt wearing these shirts near the end says so much about their character when in the same room, especially in such a tense seen as this.

The main thing I got from these outfits is that it reflects not only their personalities, but how Matt and Owen are almost complete opposites to each other.

Of course they do rub off on each other in the movie, but that's a regular thing that happens when hanging with friends; their traits start to rub off on you and influence you.

But without that, Owen is a much more unconfrontational, passive, and shy character, passionate but not wanting to exactly be the center of attention. Meanwhile, Matt is the most likely to make himself known, to share his want to be respected, show his ambition. Very much social opposites, an introvert vs. an extravert.

Blue and orange are ALSO directly opposite colors too.

I feel the best way to fully end this off and end this long rambling session is: take the shirt colors and then the concept of yin-yang and try to relate it to the, intended or not, symbolism found in the shooting scene and the outfits worn, and how it reflects Owen and Matt's characters and overall relationship.

The yin and yang are meant to be representations of direct opposites, that balance each other out. When Owen, the more passive, begins to separate himself from Matt, the enthusiastic, Matt falls apart, mainly because Owen was his only friend. The balance no longer exists. He begins to wallow in his self-isolation and ends up committing the massacre that soon takes the lives of two people. The shirt colors, both clearly oppositional, reflect the yin-yang relationship, their own personalities, and the balance they had and how it all circled back around to this very moment.

Thank you for listening.

If anyone would be down to tell their thoughts on this analysis, do let me know! This is my first time doing something like this, and I'm not usually much of a writer, so I REALLY WANT YOUR FEEDBACK. Have an amazing day :)

[neon-witch-ritual]

Okay so my thoughts so far

Mell - she being psychologically profiled by Black rose and not having a good time at all, also she truly has some magicky bullshit/awareness going on I like it

Cait - she started fucking fast holy shit, trained by Ambessa both physically and in leadership but still disagrees on some points, fucking schemes behind her back I love my dictator lite

Vi - wtf is her friend at ? After that montage I don't think we see him again right?, also jinx following her and throwing a bomb on her that vander is back baby, but in general she seems to be healing especially after reuniting with W/V

Jinx - she be going through it , doesn't want to be a symbol just play with her little sister/daughter and ignore the world , when she decides to do smth, she encounters the fucking beast that is her father , has to inform Vi of this and she does not believe her at all, risk Ishas life and her sisters to prove it, go to a commune with no weapons to try and heal him and in the end has to see the kid she sees like Powder fucking sacrifice herself at the tf

Isha - love the kid, how dare you Fortiche fucking kill her off, esp in a way that will add even more trauma and irony to Jinx

Warwick - I love what they did for him, from the design to the behaviour, but what fucking punched me in the gut is that goddamn flashback -Silco is fucking hot and sane, oh no , Vander has known Vi and Jinx mother , they both did , they were basically uncles(or at least vander was) omg the heartstrings were fucking cut with a rusted knife

Ambessa - she's being a bad bitch that's slowly trying to gain ground against Black rose, while a complication is brewing under her nose and then it implodes, killing her good aid/friend (have no other notes I'm just excited what will happen next with her)

Jayce - my boi is fucking goin through it, killing Salo Bc he knows something we don't, he's definitely seen some shit / is being corrupted, bc seeing shit and it being really painful is not a good sign at all - also seeing the people in the commune as a fucked up void being???, hearing himself, repeating a mantra ( Yeah Jayce really isn't in his right mind) AND even more if what he's seeing the peopl like void beings WHAT is Viktor like to him??? (Also also the hammer? Corrupted in the shape of a butterfly, the magic crystal embedded in his flesh?? The fuck did he experience when he was gone)

Viktor - my guy has a peaceful commune, talks with Singed, understands his soul, says the fucking line, tries to heal Warwick/vander, succeeds but then gets fucking offed by Jayce and is all like well shit the things we do for love is truly sometimes the path to hell / destruction

NO HEIMERDINGER OR EKKO??? - the crowning crime arcane has done so far

[waywardstation]

Pardon us Boss, but we've been thinking about the Phione Ingo branch off of your Phione!Akari AU- are we permitted to write a wee bit of angst concerning it? Nothing solid at the moment because too many ideas, and we wished to ask for permission first.

In fact on that same note- may we know angst limitations? So if we are permitted to write what we're thinking, we can commit to all safety checks and stay behind the yellow line.

We know that the main au is preferred, but can't help but be curious- do you have any stray thoughts about this branch off? Random things that have come to mind? We enjoy hearing about all of it really, your mind is truly exemplary. We do not want this message to be terribly long, otherwise we would write down some thoughts we've had ourselves. Perhaps in the next one.

A pleasure, as always, Boss!

- The Zoroark Skulk

Hello!! Thank you for asking!!

It would certainly be allowed and I’m honored you want to write something about it ;w; as for angst limitations, I’m unsure what you’re thinking about doing so I can’t say for sure, but just in general for reference, I’m uncomfortable with heavy/detailed/prolonged gore or death, or bad endings that imply it only continues or gets worse. I can’t think of anything else that bothers me at the moment in regards to angst, so if it’s not those, it’s good!!

I admit this variation of the AU is not nearly as fleshed out haha. But I’ve had some thoughts on it before, and I just thought on it a little more to add some details:

- the incident happens when, opposite of the Phione Akari AU, Ingo does go with Akari to find Manaphy.

-Akari is unable to catch Manaphy, who flees from the cavern. Manaphy bumps into Ingo, who is waiting outside the cavern. Surprises Manaphy into a heart attack, and gets heartswapped.

-Akari finds both of them (she thought they had all left, but at least a Phione is still here to catch!). She doesn’t know they heartswapped, they’re just both unconscious. FREAKS OUT. She has Braviary take them to Galaxy Hall to get Ingo(Phione) to Pesselle while she tends to Phione(Ingo).

-She brings Ingo back to consciousness, who is rightfully confused and horrified. By the time she goes to check back on ‘Ingo’, Pesselle says he woke up and left in a hurry before she could calm him down; he was freaked out.

-now Akari is stuck with this Phione that is all over the place, and is SO LOUD, always making noises at her and constantly looking distressed. And it refuses to be caught in a pokeball; it dodges every time she tries.

-Akari thinks Ingo ran off because he was concerned that she was still at the sea cavern; he was unconscious at the time anyways, he didn’t know! He probably ran back to find her! She goes looking for him (and while she’s not too worried at first, as the days go by she will become terrified something happened).

-Seeing him as only a tiny, squishy sea creature who’s defenseless, Akari treats Ingo like a baby and shows him off like one to people, as she does with all of her small, cute pokemon. Ingo loathes it. SHE DOES NOT KNOW AND SHE’S ABSOLUTELY MORTIFIED WHEN SHE FINDS OUT LATER.

-Also, as a Phione, the gem on Ingo’s chest is his up triangle symbol to distinguish him.

I hope that’s a good amount of detail for you!! Thank you so much for asking and being interested!! ^^

[foxes-that-run]

Paper rings

Paper Rings is about love over wealth and luxury. Paper rings are simple and unglamorous, but also can be fragile. Paper being temporary and disposable. The song mixes good and bad to say that Taylor choses an imperfect life with this person. Taylor described it as not having modern influences when it does and being punk, a word that fits this song better than reputation but Taylor used in Time. It's was hinted at on Reputation which makes me wonder if it was a Reputation vault track. It copies the sound of Hilary Duff's 2015 Breathe In Breath Out which Taylor mentioned on Tumblr:

Paper Rings was hinted at in the Me! Lyric Video with a Paper Ring with two polaroids (it mentions photo frames) and has a Spotify Story:

"I wrote "Paper Rings' with this idea of throwback sounds. We didn't want to use any sounds that were very modern on this song. This song talks about true love, and if you really find true love, you probably don't really care what the symbolism of that love is. Material things wouldn't matter to you anymore if you found someone that you just wanted to live your life with. "

In the iHeartRadio Secret Session (Audio in the video above) Taylor said:

[...]"imagining that I was a wedding band at a reception, playing the love songs that the bride and groom wanted to hear in, like, 1978 or something. It's called 'Paper Rings.' The whole song is just basically reminiscing on fun memories. [...] there's some fun, kind of, punk, like inspired by punk girl groups and the way they used to sing, shouting them in a really unapologetic way. [...]

A 1978 Wedding Band is a very specific reference. So thinking of songs from 1978... This wedding blog lists a few like Just What I Needed – The Cars, released in 1978 and one (H tweet) and was also in The Wedding Singer. Blondie is a clear reference for the Lover aesthetic and the song. Blondie released One Way or Another in 1978. (Before the 1D cover). The Ramones Blitzkrieg Bop is an earlier influence for it.

...also did she say Punk? as in the 2023 Time Magazine:

When was it written

Like all of Lover it is copyright 2019 for its release. It was Easter egged in the Call It What You Want Lyric video on 2 November 2016 and in the Reputation magazine hinting pretty strongly that it was at least partly written with Reputation.

It was recorded at Conway, LA, & Metropolis in London. London Boy was also recorded in both. Taylor didn’t record reputation at Metropolis but KOMH and a few lover songs were at Conway.

Live performances

Paper Rings was a surprise song in Minneapolis on 23 June, 2023, the other surprise song was If this was a movie. Taylor also performed it as a mash up with Stay Stay Stay on 21 July, 2024. It was not played the few Lover promo shows.

Rings

The Spotify Visual features a huge ring, pearls and beehive. When talking about the song Taylor talked about not caring about a ring if you truly loved someone, and the lyrics 'I like shiny things, but I would marry you with paper rings'. So why this visual with a huge ring and perfect life? To me this is about giving those things up, which fits the 'unapologetic' punk feel. This idea is also in the LAWYMMD video. Maybe rejecting a proposal with a shiny ring for a more youthful love.

Lyrics

The moon is high Like your friends were the night that we first met Went home and tried to stalk you on the internet Now I've read all of the books beside your bed

In the iHeartRadio intro Taylor said the song was reminiscing on fun memories which these first verses are. These are the sections which match Breathe in Breathe out. which has lines that start with “I remember..” while Hilary was looking back on a lost love Taylor is reminiscing on a current love, it sounds both nostalgic and new.

Some fans do gymnastics to make them about a specific muse but they are very generic but I’ll add that Joe was not with friends at the Met Gala, he was with a costar that knew Taylor better.

The wine is cold Like the shoulder that I gave you in the street Cat and mouse for a month or two or three Now I wake up in the night and watch you breathe

This verse continues the reminiscing, I like the use of cold shoulder and street compared to the intimacy of watching someone breathe. Also this line reminds me of the Hilary Duff song title.

Kiss me once 'cause you know I had a long night (Oh) Kiss me twice 'cause it's gonna be alright Three times 'cause I've waited my whole life (One, two, one, two, three, four)

This verse is the most like a wedding band, and one Taylor mentioned when talking about the song that Jack does the count in. Taylor has not used ‘be alright’ very much:

22 - Everything will be alright, if you keep me next to you

Shake it off - Saying, "It's gonna be alright."

Call it what you want - They took the crown, but it's alright

The Archer - But what if I'm alright, right, right, right here?

Death by a Thousand Cuts - I ask the traffic lights if it'll be alright

The 1 - And it's alright now

Fresh Out the Slammer - But it's gonna be alright, I did my time

I look through people's windows - Does it feel alright to not know me?

I like shiny things, but I'd marry you with paper rings Uh huh, that's right Darling, you're the one I want, and I hate accidents except when we went from friends to this

The refrain is where Taylor would chose a simple paper ring over a fancy ring or wedding. When talking about the song Taylor described this as the ring not mattering, but to me paper is more temporary, it’s not a wedding but a tentative commitment of sorts. Taylor also describes the relationship as non traditional with “this” an ill defined situationship.

Uh huh, that's right Darling, you're the one I want In paper rings, in picture frames, in dirty dreams Oh, you're the one I want

The one I want implies again there is someone Taylor is choosing this person over, she’s forgoing something shiny for this relationship. Yet the theme of reminiscing implies this is not a new relationship. Darling is not used a lot.

Picture frames are also uncommon in Taylor’s work, only HYGTG, Run and this song have a framed picture to mean a relationship. The Me! Lyric video had 2 Polaroids with the paper ring, very 1989/reputation-esque, one of her holding a cat and one with friends.

How You Get The Girl: With pictures in frames of kisses on cheeks

In the winter, in the icy outdoor pool When you jumped in first, I went in too I'm with you even if it makes me blue Which takes me back To the color that we painted your brother's wall

Taylor will follow this partner anywhere even when it’s not always easy or pleasant. More on the wall and icy pool below.

Honey, without all the exes, fights, and flaws We wouldn't be standing here so tall, so

In this verse their relationship has some history of "exes, fights, and flaws" they’ve overcome. Similar to “one I want” this is not a simple we met and went from friends to this, they have history.

Icy outdoor pool

I have a post on the icy pool. Which is something Harry has been known for (also in Hampstead Heath Pond) long before Joe did handy exposition for this. Taylor said on 2 June 2018 in Chicago ( Harry was in the City) "2 New Years Eve's ago I found myself in the midst of a very like incredible 3am moment where you think you are invincible and you end up like jumping in a pool in the winter and you feel super untouchable in that moment" Taylor Nation cut this part out.

The house Taylor rented in Hampstead in December 2016 has a pool and she included photos in the Rep Magazine. A post on that.

Blue Walls

I have a post on this blue wall line and that it is a metaphor for being emotionally isolated. She also referred to blue painted walls in:

Everything Has Changed - And all my walls stood tall, painted blue

The Lover photoshoot hints that it is metaphorical:

If you think these rep book photos are of Taylor actually painting a wall and not a photoshoot I have some ice to sell you.

I want to drive away with you I want your complications too I want your dreary Mondays Wrap your arms around me, baby boy

In the bridge Taylor tells how she wants good and bad, a similar idea to on New Years Day about wanting someone to clean up bottles after the party, or dreary Monday’s here. Again with complications, this is not a fresh relationship between 2 single people.

Drive is a Haylor theme also and this line reminds me of Style’s “let’s get out of the town” and finally taylor calls the muse “baby boy” .. perhaps she is singing about someone who’s ‘younger than her ex’s but acts like such a man, so.

[legobiwan]

34. “ Are you testing me? “

With Dimentio and Mr.L

Not 100% happy with this one, but I'm trying to bang these out!

Also, what it tense consistency, I never knew her hahahahaha

I do so love Dimentio, though.

SPM, takes place pre-Whoa Zone.

~~~~~~~~

He needs to know who he’s working with. 

He needs to know what he’s working against. 

The enemy is the hero, at least on paper. The one in red and his band of misfit friends, more story than person, a man tireless in his quest to collect the so-called Pure Hearts and forestall a future already foretold in the Dark Prognosticus.

He’d meet them soon enough.

~~~~~

Perfect worlds. That was the prize for serving the Count’s destructive whims.

Quite the incentive. Who wouldn’t want a reality to shape for themselves, to create an existence tailor-made for one’s own hopes, wants, and dreams?

The thing was, L thought, securing an instrument panel cover with a hard twist of his wrench. 

The thing was, deals too good to be true were usually too good for a reason. (He knew this from experience. What experience exactly, he couldn’t quite articulate, the majority of his memories still floating around his brain like soggy cereal bits, misshapen and bloated past all recognition).

Perfect worlds didn’t manifest from nothing.

It was a law. The first law, in fact.

He must have missed something in translation. Again. This whole dimension, it seemed, communicated in metaphor, in meanings and symbolism that everyone could parse but him. 

And maybe Bleck’s “perfect worlds” were just that. An ideal to strive after, a motivation, an existence excised of bad actors who threatened the fabrics of reality.

Or maybe he had landed himself in a cult.

It didn’t matter. Not really. There was a job to do, and he would do it. 

He pulled on one of two large red levers, initiating a set of thrusters on their lowest setting. The reaction time was good, better than good.

But it wasn’t enough. 

He might have to switch to a hypergolic bipropellant. It would be longer-lasting and eliminate the need for an ignition source. But it also would eat through its storage container faster, would heighten the risk of an all-systems implosion, if the engagement got protracted out in the field.

L wasn’t planning on letting the “hero” last more than five minutes forget fifty.

It would be fine.

There had to be more to Bleck’s offer. The stick to the carrot he hung over all their heads. People didn’t just hand out perfect realities, metaphorical or not. Same as they wouldn’t give away a bridge or even a mansion without some reason.

The real question was where the other shoe was hiding. 

And when it was going to drop.

~~~~~~

He decides to start with O’Chunks. 

In truth, he tried to start with Nastasia, but had received a stony refusal in response to the lightest of entreaties. Unsurprising, but a disappointment. She, along with the other one, had the most to plumb, to pick apart and piece back together. 

Despite this, he had been able to gather some tidbits here and there. How her methods of persuasion were more about rearranging the furniture of the mind, of optimizing rather than overwriting. (After all, why should you keep the pans in the lower cupboard, if someone taller did the lion's share of the cooking?)

Maybe that wasn't the best explanation.

He thinks of the other analogy he had concocted, that of an audio engineer standing over a mixing board, Nastasia looming over some piece of equipment with large headphones over her perfectly coiffed hair. Lower inhibition. Fade memory. Add distortion to schemas.

The important thing was that it wasn't magic. Not really. Nastasia's brainwashing abilities, as the others so gleefully called it, was just another path for science to manifest, an evolutionary quirk of biology that allowed someone to tamper with neurology from across a crowded room. 

Odd, yes, but ultimately understandable. Something he could wrap his head around and fit into the neat schematics he had started to draw out for this world.

~~~~~

L was a curious man. He knew that much about himself. 

He wasn’t curious enough to approach the Count.

~~~~~

Of all of them, O’Chunks had provided the least amount of useful information. A typical enforcer-type, his preternatural levels of strength combined with a literal combustion engine of a stomach, the latter of which probably merited some form of investigation, if not for the fact its byproduct was a vile organic concoction that treaded just above the definition of “biological weapon.”

His arms, however, were a point of interest. Not for the heavy-packed layers of muscle (anyone could cultivate that, with enough work and steroids), but rather the way his upper limbs lacked visible continuity, flesh presenting in accordion-like chunks that stretched from bulky shoulders to large, gloved hands.

“There are weapons,” O’Chunks had said in his usual grumbling lilt, gazing at some distant point on the violent black-and-violet horizon. “That can deal far worse damage than etching a wee pretty picture on your skin.”

L would like to see those weapons some day, but he doesn’t push for more information. He still needs these people on his side. 

For now.

~~~~~

Unlike O’Chunks and Nastasia, Mimi is more than happy to show off her shapeshifting abilities, morphing between bodies like a caffeine-poisoned chameleon. It’s weird to be faced with himself. Not the flat, mirror image he's already familiar with, but a true three-dimensional replication, one that breathes and moves just as he would - or at least as he thinks he would. 

He (the other he that’s him and damn if that’s not confusing as all get-out) looks tired, dark circles digging under bright, intelligent blue eyes. If Mimi’s copy is accurate, it means he hasn’t shaved in a few days, although he has no recollection of that amount of time passing. L rubs at his mouth. The bit of stubble forming around his chin and cheeks does nothing to add years to his youthful appearance. He wonders if a mask might help to obscure his age, or at least minimize the fatigue that seems baked into his features. 

If nothing else, he could look menacing, less mad scientist and more like those bad guys in movies set in the Old West. (The Old West of what, he asks himself, shaking the thought away). 

He asks if she can shift into someone else based on a description or a drawing. Mimi shrugs, flitting through a series of outfits before landing on a bright fuchsia dress with ruby-red bowties on either shoulder. “Maybe,” she says, rearranging her two green pigtails, tying them off with matching ribbons. “But I’ve never really tried. I think I'd have to see the person for a proper shift. And you know, I don’t get their abilities or anything, just the looks.” She gives a high, piercing laugh. “Could you imagine? That’d be so gross.”

So gross and so powerful. But she’s right. If Mimi had been able to inherit the abilities of the people she shifted into, she would be the one calling the shots right now, not Count Bleck. L takes a moment to be grateful for that fact. As surly and unapproachable as the Count is, he seems to know what he is doing, even if L is certain he hasn’t shared even half of his plan with his subordinates. A world, or part of a world, ruled by Bleck might not be so bad, at least in comparison to Mimi, who would probably try to bury continents in glitter only to demand an army of hot boyfriends on day two.

L shrugs off visions of muscled, tight-shirted men carrying Mimi on a palanquin through a rainbow-colored apocalypse. He considers asking her to shift into the hero, the man in red he knows she’s already faced, and that he’ll be facing (and beating) soon. 

Something stops him.

He tells himself he doesn’t want to ruin the surprise. 

~~~~~

“But what if you were stripped of your magic? If you had to rely on physical combat alone?”

Dimentio’s mask splits into an uneven smile. 

“Are you testing me, my cantankerous friend?”

He's put off this conversation for days. 

A good scientist explores all avenues, he had told himself, building up the resolve to go through with his plan.

It was an essential step. Was maybe the keystone to understanding what was going on around him. 

Unfortunately, it meant being one-on-one with a man (if he was a man at all) who more often than not regarded L like he was a prime cut of meat about to be served on a cheap plastic lunch tray.

It was unnerving. 

And completely bewildering.

Obviously, I’m testing you, asshole, L frowns, throwing his arms across his chest. “Let’s just say as a hypothetical that some day," a day which I hope will never come, "we have to combine forces. I want to know what I’m getting into.”

Dimentio crosses his legs, allowing himself to float upwards. 

“Combine forces?” The jester takes his chin in his hand, rictus etched into his dual-colored mask. “What a delightful turn of phrase! Such a sculptor of language you are, Mr. L.”

L rolls his eyes with a violent moan. This was why he hated conversations with the jester.

“Just answer the question, Dimentio! If your magic gets taken out by this so-called hero, am I going to be on my own here?” 

So far, all he had been able to glean from his annoying co-worker was that he had terrible suggestions for robotic weaponry (magic missiles? really?) and an aversion to standing on the ground so severe that - if it had been anyone else but Dimentio - he might have called it a phobia. 

He breaks every law of physics with a smile and snap of his fingers. 

The others, he could figure out, could create some kind of link to reality that matched with his understanding of how the universe worked, of the rules and laws that governed the physical realm. Sure, maybe it all sat on the far boundaries of what was possible, but the fact remained that it was possible, that he could justify the existence of this reality and these people within it by expanding his understanding by a few hundred-thousand square meters.

Dimentio existed wholly outside his paradigm.

“If my magic is taken out,” Dimentio echoes, biting on the tip of a gloved finger in an obviously affected pose. “What a catastrophe that would be! Like an asteroid whose path is fixed on a four-footed, doomed civilization.”

“What are you talking about, Dimentio?”

In one smooth movement, the jester comes to land near his feet, the bells dangling from his motley headdress giving a dull tinkle as he curls his hand around L’s shoulder.

“For my magic to be nullified,” Dimentio whispers, the words shimmering with a dangerous edge, “it would require quite the cataclysmic event.”

L wills himself to not pull away from Dimentio’s creeping grasp. “What kind of cataclysmic event?”

The jester stares at him, his mask devoid of any writ emotion, yellow and black twin crescents peering into him with an unquestionable, nearly palpable intensity. A moment later, his sharp fingers dig even further into L’s shoulder, voice lowering to the edge of audibility. “You know what they say about curiosity, Mr. L.”

“Yeah, I do,” L growls, ripping himself from Dimentio’s claw-like grasp. “It killed the cat. But what they don’t like to tell you is that satisfaction brought it back.”

“Oh, Mr. L!” Dimentio cackles, a loud, jagged sound like two knives being dragged over a ceramic plate.  The jester makes a backwards somersault in the air before wiping an invisible tear from his yellowed eye. “You truly are the right man for this job. Fortune has smiled wide upon us with your arrival.”

L tugs at his shirt, trying to wipe away for cloying feeling of Dimentio's touch. This conversation is going nowhere. He should have known the creepy jester was just going to waste his time. L ignores the still-giggling figure, heading towards the door. “Next time you don’t have your magic, don’t come running to me for help.”

“Au contraire, my friend," Dimentio sits up, eyes bright. "I imagine if I don’t have my magic, you would be the first I would call on for help.”

L pauses, his hand hovering above an geometric-engraved ebony doorknob.

“What is that supposed to mean?”

The only response he receives is a wide grin.

“What are you, Dimentio?” L asks after a moment, the question bubbling past his lips in a low, urgent hiss.

Dimentio floats towards him, head tilted. “The better question is what are you, my dear? And what will you become when satisfaction brings you back?”

“I…” L stutters, edging towards the door, hands groping for the knob. Abstract images fly across the canvas of his mind, too fast grab onto, a whirlwind of muted tones and undefinable emotion.

“Mr. L!” a high voice commands from the other side of the room. L gasps, peering around Dimentio's looming form, his heart beating a trail up his throat. It's Nastasia. Clipboard in hand, her pen tapping an impatient rhythm, the Count's second-in-command frowning at the scene laid out before her. 

“It’s time, Mr. L,” she says simply.

Dimentio floats to the side, allowing L a path of egress. “Do enjoy your little reunion, Mr. L," he says, words soft enough only he and L can hear. "I hope it may prove fruitful. And do give the hero my most sincere regards.”

L shivers, slipping past the jester, giving one more look over his shoulder as Dimentio reclines, hands joined together behind his head, one leg crossed over the other like he's enjoying a day at the beach. 

It's nothing. He’ll unravel Dimentio’s game later on, will get to the bottom of Bleck's true intentions, will piece together this world and his place in it.

But for now, he has a hero to destroy.

[whispering-radiance]

[Rc9gn OC] Goddess of Amber, creator of the Eye of Eternity |

Ladies, gentlemen and nonbinary folks, I’ve finally finished this introduction card for this gorgeous lady — Some of you might’ve already seen her on some of my drawings, but she didn’t have a proper introduction. As usual, you can read more in the section below : D

————————————————————————

Actually, the idea for this character popped to my head when I was rewatching some episodes, and I focused all my attention on the Eye of eternities. Like—woah! That’s a cool and important item, but … where did it come from? Like— it’s always “and the ninja had this magical stone and used it to do this and this” so he just had a powerful artifact in his back pocket? I didn’t question it 10 years ago, but now I have a power of imagination and ability to draw — So I played around with this concept

————————————————————————

As it’s written on the card, she’s the goddess of amber. Even though she’s one of the divine, she’s not really considered to be very powerful— and so she doesn’t really have lost of recognition anywhere.

As for her character— She has her own system and ways of doing things, she’s harsh and rarely accepts change. Things rarely catch her attention, only when something extraordinary happens, she will get interested.— And I get her, she’s old, very old— at some point you simply loose interest in the mundane, especially if you have seen it happen for thousands of years. Amber spends her days in solitude, away from noisy people and other gods — she prefers to focus all her energy on her craft rather than social interactions.

What she crafts? Well, mainly enchanted amber. With it she’s able to capture almost everything— but I’m not talking only about organic things— many essences can be kept in such form— Feeling, music, memories, spirit— It helps her relive the moments even from hundreds of years ago.

She’s also found of making jewelry— In the picture she’s holding a string of amber that will eventually become a necklace like this:

(My grandma has this bad boy— I have many found memories of playing with it)

————————————————————————

Amber met First Ninja on accident— After he was defeated by Tengu, he was badly injured and casted down from its mountain — Luckily his agonizing tumble ended in Amber’s garden— At first she was annoyed with the intruder, but seeing how he somehow survived all the suffering, sparked some attention towards him.

She patched him up and listened to his stories — Probably the tails of the sorcerer and the threat he posed, stirred something inside her— If chaos destroyed the land, she would lose her peaceful life.

So she helped him recover, and even taught him a few new moves. After defeating the Tengu she decided that she wants to preserve peace across whole land — finally she has found a new calling in her life.

—————————-

- I’ve tried looking into it, but I didn’t really find anything about the symbolism of the carp in the series— Seeing how it’s always connected with the Eye of Eternities— I might as well make a silly connection, that Carp is her symbol — Also, let me add this stupid fun fact — The sea in my country (Poland 🗣️‼️‼️)is known for its amber — So fish equals sea and that reminds me of amber.

- She probably looked less elegant while traveling and fighting with the Ninja, but I haven’t designed that yet

- When I’m referring to “Gods” or “Heavenly” I don’t have any of my characters in mind — I usually think about Japanese pantheon

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There are three words that might need some clarification, so here it goes:

- 古樹の女神 (Koju no Megami) - It roughly translates to “Goddess of Ancient trees” Amber starts as a sap from a tree, and takes some sweet time to form into its solid gem form. So this title is quite fitting

- 樹液 (Jueki) - It literally means sap — It’s kind of a pet name for her? Or a name you’d call your sweetheart— To be honest it’s only used by some of her closest friends— Others call her Amber or just refer to her as Lady.

- Naginata - is a polearm and one of several varieties of traditionally made Japanese blades (Wikipedia)

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“You’re putting a lot of work into characters for a teen show from 10 years ago”

Yeah— but it’s nothing compared to what I did for Generator Rex — Making characters and stories helps me enjoy the show 3x more!!

[aspoonofsugar]

you wrote such a beautiful rwby analysis but unfortunately I think you put more thought into the plot than the entire writers room

Hi!

Thank you, I am happy you found my analysis beautiful!

That said, I am sorry, but I disagree with your statement. It is fine if you dislike the series and even if you criticize it, but as for me, I think the writing is rather strong.

Here are some thoughts, which aren't really directed at you, but rather are born by me seeing a tendency going around where it is somehow "cool" to outloud state RWBY is badly written. I even saw people like... "apologizing" because they enjoy the series. Newsflash...RWBY is good.

RWBY is a series with a writing that goes from decent to very good depending on the moment. I would give it from 7 to 8.5 or even 9 in some scenes. More importantly, it is a story the writers are clearly enjoying writing, as for now. This is why I like watching it. It is genuine, upfront in what it wants to say and it takes risks. Ironically, a series with limited resources shows much more freedom in execution than many other stories, which are economically backed up.

I would also add people keep talking about good writing, but never really elaborate on it... And like, trust me, I do think there is good writing and bad writing. The problem is that people just take examples of "well written series" and decide a series written differently must be bad. This isn't really the case.

First of all, let's focus only on a specific type of story, which is the kind most modern movies, books and series are. This type of story is built on 3 (4) factors:

Plot

Characters

Themes

(Worldbuilding)

I would say the first 3 are more important usually, but there are some stories where the worldbuilding is so strong it becomes its own selling point.

Now, a good story is usually strong in all these departments. The perfect story is top notch in all 3 (4). That is because a good plot usually lets you develop the characters better, which in turns helps exploring the theme.

However, here comes the amazing truth... even the most incredible stories. Even the masterpieces loved by everybody... even them... end up choosing only 1 or 2 of these aspects and sacrifice a little bit of the 3rd (and 4th) one.

Naoki Urasawa's Monster? Its focus is themes. He chooses to go all out on this department, which is why the story is so powerful and resonates so much with people. Still, to do so, he chooses to sacrifice some parts of the plot to the point... some mysteries are not really solved. Some people may be annoyed by it, but I would not call it a flaw. It is a choice. Leaving some things open enriches the themes.

Death Note? If the story has to choose between characters, themes and plot, it goes for plot. This is why despite having so many well liked characters, it is difficult to think of outstanding character arcs in it. The same goes for the themes, which are only touched superficially. This is why btw Death Note is not a fave of mine, really.

Now obviously, many examples can be done and we could discuss forever on some because there is always always always a subjective component. What I am trying to say is... there are different ways to write a story. Not all people would like the same. Luckily, we have tons of stories.

Back to RWBY. I would say RWBY shines when it comes to themes. Characters and plot are good and interesting, but what keeps the story together, despite it playing so much with genre is that it has a very strong thematic core. You can't invent it or fake it btw. See, Death Note's author tries to do it in later works (Platinum End cough cough), but fails. At the same time, there is another department RWBY is top notch and that is symbolism. RWBY has a very rich symbolic system. Again... surely there are coincidences, but like this is a little bit too much...imho.

Now, does it mean, the writers came up with all the patterns I and others find? Probably not, but here is the thing... writing has an unconscious component. If you go earnestly at it, you are bound to unconsciously create patterns. A good writer is able to recognize them (either consciously or unconciously) and to capitalize on them. So far, I think CRWBY has capitalized on the patterns they created. I also think it is clear they are very good at researching and at playing with different sources by going deep into them. Again, you can't come up with the Ever After if you have not read and even studied Alice in Wonderland. It is just impossible. You would end up with a shallow and uninteresting copy cat. The Ever After isn't that because it is used to explore themes, characters and lore in an interesting way. Hence... ladies and gentlemen... it is a fruit of... good writing.

But really, since people are not commenting on it... I would like to point out that in 5 episodes of less than 20 minutes, they have managed to introduce a whole world, with its own lore, set of characters and main story (Alyx's) and to tie it to the protagonists' predicament in a way that hits really hard thematically and psychologically... To do that you need exceptionally thight writing... it is not that simple to do...

Anyway, have a nice day anon and consider watching something else. Thanks God the world is full of stories!