#And every person can have a unique reading of any story

[fragilefirstchance]

I actually have thoughts about this! I think Ford is a specific type of character.

First of all: Let's talk about fanon!

Something I think that a lot of us forget when we're doing fan analysis is just how caricaturized all blorbos are in canon. This is true of any work of media: the characters aren't real people, they're figments who only exist as we see them on-screen.

Fanon is kind of like those AI image sharpeners that take a blurred photo and make it look like a person's face: yeah, technically that is an accurate way you can interpret the blur, but there are hundreds of faces that would be just as accurate, and not only are they all very different from each other, they don't even agree on the most basic and obvious traits. The same blurry headshot could be a scowling white woman with a square jaw or a smiling black man with sharp features. In a similar way, when we see a character become stressed because they just saw a mouse in a cage, we could say they're scared of mice, or morally opposed to pets, or that they have cage-based trauma - any option that works is plausible.

I think that there are characters who are good characters, characters who are uniquely good subjects for fanon, and a ven diagram between the two. For example, a lot of kids' shows from the nineties are bad, but they managed to produce a really fun and rich fandom. Meanwhile, some really beautiful and culturally important stories don't leave a lot of room for fan works because they've already said what they need to say. I think the absolute best works for fandom are the ones that are objectively good stories, but have really simplified characters: Undertale might be the best example of this, because every single character suggests a rich and beautiful personality while only being on screen for a relatively short time.

So that leads me to part two: Ford!

I think Ford fills a particular fandom niche that was empty for a lot of us.

He's extremely traumatized, and the more we learn about him, the more traumatized he is. He's kind of pushing the limits of what's acceptable from a kids' show, to be honest.

He canonically has a lot of difficulty making friends; this is partly because he's quirky and seemingly neurodivergent, but partly because he has poor social skills. He's not a cartoony, Eeyore-style "has trouble making friends but we love him anyway" character, either; there are tangible, in-story examples of him failing to make friends.

He behaves badly sometimes. This is actually my favorite trait of his - anyone who reads my fanfiction knows how much I love giving people with real flaws a chance to find love and be treated with respect. Most characters have a flaw to overcome, but in his worst moments, Ford actually lashes out and hurts others in a tangible way and not just a child-friendly way. Showrunners don't always like to show that sort of thing.

It is very, very easy to read some severe mental health symptoms into his behavior. Bill is a literal character, but he's also a pretty good metaphor: you can use him to explain hallucinations, dissociative fugues, sudden mood swings, manic episodes, severe depression, paranoia - the list goes on and on.

(That last one is really important. There's a pretty damn big difference between a good metaphor for mental illness and a thoughtful portrayal of that mental illness in a story. It's kind of like how many of us were so starved for queer representation growing up that we read queer metaphors into everything. Well, there still isn't good mental illness representation in most media, so we'll take the metaphors we can get. Ford is a really good metaphor even as he's presented, and there are a lot of holes in his narrative where personality disorder symptoms, manic episodes, delusions, etc. can slot in easily.)

None of those traits make a good Disney character. They only really work because he spends so little time on-screen; the books were only possible because of Gravity Falls's massive commercial success. So, he's a very rare example of a character who's from a light-hearted, positive, optimistic show aimed at children, but who has all of the template features necessary for us to read him as deeply broken in some ways that aren't sanitized or socially acceptable.

So, there are dozens and dozens of Ford AUs in which we project very specific experiences, traumas, and symptom sets into this one man.

How many Ford AUs out there are reflections of our own insecurities, traumas, and just general unresolved issues? Is that, like, his whole purpose in the wider multiverse of alternate Gravity Falls characters? 'Cause I KNOW it isn't just me

[6esiree]

𝟐.𝟑𝐊 𝐅𝐨𝐥𝐥𝐨𝐰𝐞𝐫 𝐂𝐨𝐧𝐭𝐞𝐬𝐭 𝐖𝐢𝐧𝐧𝐞𝐫!

Before I set up this contest, I knew that deciding to pick a winner would not come so easily, especially considering that the people in this lovely community are skilled writers with creative minds that I admittedly envy. Still, I never anticipated the amount of time I’d spend going back and forth between the two stories I eventually narrowed it down to, rereading them, jotting down what I loved about them, and all while trying to stave off the idea of disappointing anybody. Sorry, I’m an overthinker.

Again, I really enjoyed each and every story that was submitted. I don’t care if I’m doing too much by adding this next part, but I’ve been in this community for quite some time already, and though I have not formed any deep connections, I can say with an overwhelming amount of confidence that everyone here is amazing. Seriously. Mutuals or not, your kindness, your passion, your dedication, and many more wonderfully admirable and unique traits you hold, they—you—are the reason why I’m still here.

I don’t think I’ll ever summon up the courage to befriend anybody. It’s intimidating starting something new, but that’s okay. The mere knowledge that I’ve positively interacted with such wonderful people through likes, comments, and reblogs is enough to satisfy me. I wasn’t that confident about my writing—and I’m still not—yet I decided to give tumblr a try, to distract myself, to make me feel better, and it was the best decision I had ever made. Life is tough again, but it’s okay. I’ll push through, like I always do.

Anyway, let me push the sappy shit aside and finally say that I decided that @xalygatorx’s fic has ensnared my heart. When I reread it, I found myself just as absorbed and profoundly affected by her writing style, the personally flawless manner in which she executed a prompt I had admittedly forgotten about, like the first time I read it. It’s always satisfying when a character is captured so well, especially one as complicated as Alastor, but God, the entire story was just phenomenal.

Unfortunately, my poor brain is spent from all the energy I’ve put in as of late in researching and writing my final projects for two different classes, so I don’t have the ability to delve into or outline each and every little detail I enjoyed. It would take me a while to do that. Nevertheless, I hope with even the simplicity of my statement that anybody who reads this understands that this decision did not come easily. There’s too much talent in one place—it’s overwhelming, but in a good way. That just means that the Hazbin community is blessed!

[bonefall]

Hi Bones!! Thank you for you hard work on this project and for sharing it with us!

I've seen your posts about weird representation of society (regarding the "natural order of things") in xenofiction, especially in lion king, so I wanted to ask:

could you recommend any xenofiction media that has all (or most of the) animal species sapient? Or is the only solution to make just one or two species sapient while the others (especially prey) are plain animals?

Really sorry if you've seen this ask from me before - my account had a weird laggy period when I couldn't send or receive messages and asks, so I don't know if you got the previous one! I just know that now it's fixed so I double all the asks sent haha

Honestly I'm not totally sure! If any 3rd person has some good recommendations for "every being is alive" xenofiction types, feel free to weigh in.

If you want to jump in with me though, I am following the webcomic Africa. It updates every Wednesday. Africa is about a mother Leopard on the verge of a great ecological disaster, the relationship between her children and the animals around her, and the strength of both instinct and choice as the characters face an uncertain future.

Since it's ongoing, I still don't know how it's going to end and can't judge it as a full work! But it's absolutely fascinating and I think the author is doing a fantastic job so far. Bonus points for the way it portrays humans, btw.

No more spoilers though, if you're interested, it's on Webtoons.

(I'm also planning to read Oren's Forge soon. Ask me about it again in a few months over on Bonebabbles and I'll give you my thoughts)

As an aside though, funny you mention it because like... ever since I was a kid I've had a story I want to tell with the premise. It's a scintilla I've kept close to me for well over a decade but haven't done anything official with. So this is actually a theme I've thought about a lot.

It's rare to see it done well though because like... its very premise butts heads with reality. The "natural order" that an animal follows is not something it moralizes. A tiger doesn't have the capacity to think about how fucked up it is to kill to stay alive, the deer doesn't know that if its population isn't controlled it will destroy the forest.

They're animals. They don't HAVE that agency. Your dog does not care about being sterilized. A snake doesn't differentiate between a pinky and an adult mouse except in terms of if it will fit in its mouth. But the minute you put human morality in there... they have the ability to reason, create and agree on the rules of a society, make choices about MORALITY.

If nothing is going to change about their world, you just end up putting human arguments about "natural order" in their mouths and, well... start telling a parable justifying this "natural order."

(Genuine) Does what I'm saying make sense? Animals DON'T rationalize or negotiate. HUMANS do.

So the minute you're approaching a world with that logic, like it or not, you are invoking those "arguments from nature." And you're putting them in a being that is not fully an animal or a human, but an anthropomorphic mix which CAN rationalize but WON'T make an effort to change their world.

(Which is why tbh the best examples i know of are works with a theme of "change.")

OH WAIT I also remember another that's interesting!! Leafy: Hen into the Wild actually has a fascinating take on it. It's not interested in "moralizing" or really being about an animal society. It's a very emotional sort of movie, and it's about joys in adversity, the freedom that choice gives you, how bad things are going to happen and you can never completely prevent them.

INTENSE movie emotionally, the ending will wreck you (especially in the English translation which leaves out a really important theme making it feel abrupt x_x) but it's really good. Check that one out.

OH and also You Are Umasou. That one has more pitfalls imo (it does try to moralize a bit) but it's super unique as a movie. And is about dinosaurs.

[emeryleewho]

I used to work for a trade book reviewer where I got paid to review people's books, and one of the rules of that review company is one that I think is just super useful to media analysis as a whole, and that is, we were told never to critique media for what it didn't do but only for what it did.

So, for instance, I couldn't say "this book didn't give its characters strong agency or goals". I instead had to say, "the characters in this book acted in ways that often felt misaligned with their characterization as if they were being pulled by the plot."

I think this is really important because a lot of "critiques" people give, if subverted to address what the book does instead of what it doesn't do, actually read pretty nonsensical. For instance, "none of the characters were unique" becomes "all of the characters read like other characters that exist in other media", which like... okay? That's not really a critique. It's just how fiction works. Or "none of the characters were likeable" becomes "all of the characters, at some point or another, did things that I found disagreeable or annoying" which is literally how every book works?

It also keeps you from holding a book to a standard it never sought to meet. "The world building in this book simply wasn't complex enough" becomes "The world building in this book was very simple", which, yes, good, that can actually be a good thing. Many books aspire to this. It's not actually a negative critique. Or "The stakes weren't very high and the climax didn't really offer any major plot twists or turns" becomes "The stakes were low and and the ending was quite predictable", which, if this is a cute romcom is exactly what I'm looking for.

Not to mention, I think this really helps to deconstruct a lot of the biases we carry into fiction. Characters not having strong agency isn't inherently bad. Characters who react to their surroundings can make a good story, so saying "the characters didn't have enough agency" is kind of weak, but when you flip it to say "the characters acted misaligned from their characterization" we can now see that the *real* problem here isn't that they lacked agency but that this lack of agency is inconsistent with the type of character that they are. a character this strong-willed *should* have more agency even if a weak-willed character might not.

So it's just a really simple way of framing the way I critique books that I think has really helped to show the difference between "this book is bad" and "this book didn't meet my personal preferences", but also, as someone talking about books, I think it helps give other people a clearer idea of what the book actually looks like so they can decide for themselves if it's worth their time.

Update: This is literally just a thought exercise to help you be more intentional with how you critique media. I'm not enforcing this as some divine rule that must be followed any time you have an opinion on fiction, and I'm definitely not saying that you have to structure every single sentence in a review to contain zero negative phrases. I'm just saying that I repurposed a rule we had at that specific reviewer to be a helpful tool to check myself when writing critiques now. If you don't want to use the tool, literally no one (especially not me) can or wants to force you to use it. As with all advice, it is a totally reasonable and normal thing to not have use for every piece of it that exists from random strangers on the internet. Use it to whatever extent it helps you or not at all.

[vaspider]

I am begging everybody, fucking begging them, to slow the fuck down and fucking look things up. Right now, there are a lot of people who are making money off of creating headlines that are meant to make you mad, and it's going to get worse as we get closer to the election.

If someone tells you that there's a secret conspiracy to [do a thing you don't like] and that it's unique to Biden, you better fucking look that thing up, because chances are you're going to find that it's been happening under every administration for the last 50 years. Is that good? No! Should you want to change it? Probably! Is it a unique crime to Biden? Nope!

"Biden said [bad thing] [X] years ago." Well, this bad thing he said happens to be true, but it looks like it was 45 years ago, and he changed his stance 40 years ago. "Biden said [other bad thing] [Y] years ago." What's the source on that? So there's one person who says he said it? And nobody else who was there has corroborated that account? Who posted the story?

These are all random examples of things I've seen over the last couple of weeks, with the details slightly changed from the Tumblr posts and news articles I've seen, because the point isn't the details of the particular story, so I don't want to get bogged down in particulars that don't matter to the point I'm making.

The point of this post isn't the specific things I'm referencing but the fact that in each of these cases, the reality was not what was initially presented. Either the reality was wildly different, or this story can't be corroborated and was told by someone with a clear and very well-known agenda of their own, which means that at the very least, the story should be treated with extreme suspicion.

And on that note, please don't believe that because you're a leftist that you can't be radicalized in the same way that right-wingers are. You aren't immune to propaganda either. I'm not saying you have to like, or should like, any particular politician or political entity. I am saying, however, that you should view a lot of the news with a gimlet eye, and that goes double for anything that makes you real fucking mad.

You need - need - to stop and read the whole article and ask yourself if you can verify the claims and who benefits from this making you mad.

Please. For the sake of the people around you who have to patiently explain to you that you've gotten fucking bamboozled again by propaganda if for no other reason. We're all very tired of you thinking that leftists can't be propagandized.

[inkskinned]

okay if you're really cool about things, i can be honest with you. before you read further, decide if you're a girl's girl. if you're cool and actually cool or like not cool.

men don't talk in my book because i was fuckken tired of the way they're the center of every fucking story. i was tired of how every story takes a moment to let them talk. men can shut up for literally one fucking book.

unfortunately not everyone is cool. professionally what i usually say is i didn't want to add violence to the world. the only men in my book are abusers, so they don't get to talk. they don't get to take up space. they ruined my life, they don't get to have their words echo anymore.

because like, yeah! you find practically any story about a person surviving trauma and... there's a man at the center. men are often rescuing us from these things. a "good man" is always standing around, being a good man, proving to the victim that good men are the real men. that her experience was unique rather than universal.

the redacted text has not been taken well by all of my early readers. there is this weird, crouching growl that keeps occurring with men-of-a-certain-age. why don't we hear his side of the story?

when i sat down to write everything that happened to me, i couldn't look at the frank brutality of my abuser's words on a page and think to myself: i actually let him speak like that. i had to redact his words from the manuscript. i then left it redacted. no victim is going to read this book and hear the person who hurt them. it is a book for the victims to speak. abusers shut up challenge, forever. for eternity.

my father once told me, chuckling, i should just have a page of redaction where i let the man just finally talk. it is funny to joke about how we should make a whole page in my book about a man that hurt me. this was not the only time someone commented - it feels like you're hiding things. how do i know you're actually a victim if he doesn't get to speak?

there are books where women aren't even present. i even genuinely like some of those books. like, who doesn't like the hobbit?

i keep running into people defending this imaginary man. the default narrative is so true to some people that they will defend any man, just by virtue of the assumption - "if he's acting like that, you had to push him." certain people need definitive proof that you didn't accidentally make your partner into an abuser. they need to decide if you deserved it, because they want to be able to judge you.

which makes sense, i guess, from a hind brain perspective. if you can figure out "why" someone was cruel, you can protect yourself against it. if you defend the bully, the bully might side with you. i don't really know their explanation for feeling this about a character in a book. trust me, i wrote the guy. he is not going to protect you.

i guess i just - there was a time in my life where i desperately wanted anyone to defend me. where i could have really used someone saying holy shit are you okay instead of what did you say to make him act like that to you.

instead, over dinner, a friend-of-a-friend i just met is pouring herself wine. i heard you wrote a book, she says. she gives me the kind of chilly smile i associate with knives. i heard it's unfair to men.

[slayingfiction]

Mastering the Art of Dialogue

Dialogue is the lifeline of any narrative. It brings characters to life, propels the plot, and creates depth in the story. However, writing dialogue that feels real and engaging can be challenging. Here are some tips to help you refine your dialogue-writing skills:

1. Listen to Real Conversations

The foundation of great dialogue is authenticity. Spend time listening to how people speak in real life. Notice the flow of conversation, the interruptions, the ums and ahs, and the unfinished thoughts. Real speech is rarely grammatically perfect or fully articulated. Incorporating these nuances can make your dialogue more relatable.

2. Each Character Should Have a Unique Voice

Your characters should be distinguishable by their dialogue alone. A teenager will speak differently from an elderly person; a doctor will use different terminology than a street artist. Think about their background, education, and personality. These factors should influence their speech patterns, vocabulary, and even the rhythm of their dialogue.

3. Use Dialogue to Show, Not Tell

Dialogue is a powerful tool for showing the reader what’s happening without explicitly telling them. Through conversations, you can reveal your characters' thoughts, feelings, and intentions. For example, instead of narrating that a character is nervous, you could show it through their stammering dialogue or their avoidance of direct answers.

4. Keep It Concise

In real conversations, people often meander through their thoughts. In written dialogue, however, it's important to be concise. Every line of dialogue should serve a purpose, whether it’s moving the plot forward, revealing character, or creating tension. If a piece of dialogue doesn’t add value to your story, consider cutting it.

5. Read Your Dialogue Aloud

One of the best ways to test your dialogue is to hear it. Reading your dialogue aloud can help you catch awkward phrasings or unnatural speech patterns. Better yet, have someone else read it to you. This can provide insight into how your dialogue will sound to your readers.

6. Use Subtext to Your Advantage

Not everything needs to be said explicitly. Subtext—the underlying meaning behind the spoken words—can add depth and complexity to your dialogue. Characters might say one thing but mean another, based on their emotions, relationships, or situations. This layering of meaning can make your dialogue more engaging and thought-provoking.

7. Balance Dialogue with Action and Description

While dialogue is critical, it should be balanced with narrative description and action. This balance helps maintain the pacing of your story and ensures that your scenes are visually and emotionally compelling. Action and description can also provide context that enhances the meaning and impact of your dialogue.

Conclusion

Great dialogue can transform a good story into an unforgettable one. By applying these tips, you can craft dialogue that captures the essence of your characters and engages your readers on a deeper level. Remember, writing is a craft that improves with practice. Keep experimenting with your dialogue, and don't be afraid to rewrite until it sounds just right.

Writing dialogue is a skill that can be honed over time. The more you practice and read, the better you'll become at capturing the essence of conversation on the page.

[ihavetoomanyocsdealwithit]

Yuu has the audacity to ask a question. It leads to some interesting moments  

Jade Leech, Rook Hunt, Vil Schoenheit, Floyd Leech

Jade Leech 

“Jade, can I ask you a question?” It’s not often that the library is so packed that you end up sharing a table but if it had to be with anybody, at least it was Jade.  

Jade wasn’t naturally academically smart. He took a lot of notes and studied in order to come out in the middle. There were folks that thought he was simply keeping his head down, but Yuu found out by accident. She knew Jade was incredibly street smart and people savvy though, no matter what grades he got. It worked in her favor though, as Jade let them copy notes from last year in exchange for not sharing the information anywhere. Not that Yuu planned too, but they weren’t going to pass up such an opportunity either.  

“Of course, I will assist in anyway I can.”  

“Do you have any books that you would recommend for scavenging for local flora and fauna in the woods back at Ramshackle? I’ve tried searching through the library but it’s a bit too vague for what I need.”

If Yuu had blinked, they would have missed the brief surprise and delight on his face.  

“Well,” he sets his pen down, “As the president of the Mountain Lovers club, I’m sure we could discuss that during our meetings. If only you were a member.” he sighed  

“If only Crowley would allow me to join any clubs.” Yuu muttered, “I know it's a requirement for first and second years to be involved in at least one, but he says I have far more to offer as his unofficial assistant. Unpaid is more accurate but what do I know.”  

Jade smiles, the one that matches his brothers. Wide and full of teeth.  

“Leave Crowley to me, dear Prefect. You just meet me in the morning behind Ramshackle. Bring a basket and your camera, oh, and dress warm. It'll be cold for you.”  

He writes some extra instructions on a slip of paper and collects his things, turning left at the library doors. Damn, that was straight to the headmasters’ office too. Jade really doesn't play around when it comes to the Mountain Lover's club.

While Yuu isn’t able to attend every meeting, the Mountain Lover’s club apparently includes trips to other countries, recipes cooked in the Ramshackle kitchen as well as appreciating cultures and crafts made by various peoples which slowly starts to decorate the rickety dorm into something interesting and unique. Jade becomes a different person as a traveler and seems to find joy in just exploring and discovering all the different ways that people create and eat and live.  

After he graduates, Yuu gifts him the book that the two of them created, with pictures and descriptions of all the Night Raven College fauna and flora, their uses, if they are edible, and different recipe and potion ingredients, the regions it comes from, and even snippets of stories and memories they share.  

Jade is not an emotional man, but when he asks you to come with him on his next expedition, his smile is full of joy.  

Rook Hunt

“Rook, can I ask you a question?”  

Rook looks down from his spot in the tree, a camera perched in his hands. “Amazing eyesight, Mon Trickster! I did not anticipate being found. Ask away, but be quick, less Roi de Lion suspects me.”  

“Are there any plays or poetry books that would be good for a beginner? I read a lot back home but I know there is cultural and historical context I'm going to be missing-” 

“I am so happy!” he practically drops the tree, taking both of her hands to kiss the knuckles, “I would be happy to help you. Come, come!”  

Oh, they are going to the library now. Right now. Ok, Yuu should have expected that.  

Rook is always excitable, but he’s mindful as well. Picking out smaller volumes at first, and adding some reference materials, putting a few back as he asks questions about what she has already read or what she typically enjoys. He also writes out a list for audio books and radio performances. Thank the Seven that Crowley finally got them a phone and they could excuse the data usage for school.  

“I have the films I would be willing to lend, but I would ask you be incredibly careful.”  

“Oh, I don’t have a TV or any type of DVD player at Ramshackle. We try and keep the places as authentic as possible. It helps when the ghosts come to visit on Hallow’s eve.” They don’t have wifi either and their electricity runs off a backup generator, but Yuu doesn’t mention that. They are distinctly aware of how rundown Ramshackle is, but they try not to advertise how badly.  

“What dedication you have to your dorm and the history of Night Raven College. We may do so in Pomefiore!”  

And that’s how they end up having movie night basically every Wednesday night, sometimes with other Pomefiore members or even Vil himself refreshing on the classics. Rook would sit close by, quietly explaining certain contexts and even joining Yuu on reading through some of the poetry books. His passion comes out more with his knowledge than his speech in those moments, and it’s...nice. Normally Rook is the most reserved person she knows. He’s family is still a mystery, but she’s learned more about his beliefs and insights into how he perceives life in general. 

“This is how I met Roi de Poison, you know. He enchanted me at first sight, but his mind...he understood my passion for theater, music and beauty. He respected me, once I proved that I loved him for more than his looks and roles.”  

Crazy fan he might have been in the past, it was definitely more of an equal relationship once you saw past the surface level. Yuu eventually started picking a few habits and fashion tips, slowly becoming a bit more refined. Elegant even, she might say.  

When she hesitantly asks for help with other things, it's easier each time. Help with skincare routines, or experimenting with make-up, what colors work best and how silhouettes come across. It’s never been this fun to experiment with her style. It helps that Rook, while thinking certain things definitely work, will be gentle in the things that aren’t.  

“They do not enhance your beauty,” he says, sounding like Vil, “And you are already magnifique.”  

He is the first person that she shares her book of stories with, the precognitions that she has  

“Do you think fairy tales are fiction?” He asks her, quietly skimming over the passages of Snow White. The Fairest Queen is barely mentioned, but without her, there is no story.  

“Living here feels like a fairy tale, but if it is, you’ve made it a wonderful dream.”  

Rook looks at her, a surprised chuckle slipping out. Before he can hide it, his nose crinkles, a smile wide enough to show his gums, and Yuu thinks it enhances all the best of him.  

Vil Schoenheit 

“Vil, may I ask you a question?” 

“At least somebody paid attention when I went over manners. You may.” Vil says, as he adds in some sort of lilac powder. Normally, they wouldn’t have any classes together, but with Yuu acting as an ‘assistant’ towards the teachers to make extra cash, they got to see the second and third years more than even the other first years in their dorms.  

“How do you make time for it all? Between the acting jobs, getting good grades in school, indulging in potionology and homebrew makeup in your limited free time, it seems like you get so much done with just as much time as the rest of us.”  

“Thank you for noticing.” Vil says, looking up from his potion work. “And yes, I do keep a very organized schedule. Every minute is planned and my down time is spent decompressing efficiently.”  

“Is there any articles or techniques you would recommend? Or a template you used?” 

“You could just ask me for help, you know.” he retorts, huffing a bit.  

“I know I could, but I also want to be respectful of what you have on your plate.”  

“Ah, potato...I have plenty of time, especially in this season. I don’t schedule anything this close to finals. Come sit with me this evening for dinner and we will talk goals and progress markers. There is more to this mentally than most people think.”  

Vil is a bit less than impressed when he sees just how much Yuu accomplishes for Night Raven College with no credit and makes a note to talk to the teachers and Crowley about getting her properly compensated or at least. But overall, it goes well, making time for exercise, hobbies, studies and even some time with him. Telling her about the techniques he used and actually practicing them were two different things, and some things are just easier to show rather than tell.  

“Alright, let’s start here.”  

Mindfulness, ironically for somebody outside Scarabina, is important to Vil. Sinking fully into the experience of his daily life, looking at all the colors, enjoying his foods with no screens, or just enjoying the quiet while he removes makeup. His decompress is like a valve that he releases in minutes throughout the day, not hours at the end of it.

“This takes practice. Don’t discourage yourself if you don’t get it every time, eventually it will come more naturally.”  

And it does. Over the months, Yuu feels more productive than ever, even finding time to wonder about her own style. It is a bit embarrassing when Vil enters Ramshackle to use the Guest Room to study and sees her hastily trying to wash off eyeshadow. 

“Oh, spudling, not your color. No, no, here.” He sits, and teaches, a bit harshly at times, but he wouldn’t be Vil if he wasn’t direct. Much like Riddle, he fully believes that people can reach his level, and sees no reason why they shouldn’t. And while Yuu will never be Vil pretty, she certainly feels more beautiful and confident now than she ever has before.  

It isn’t until Vil is reviewing one of his performances that Yuu makes a comment, some offhand remark about the script not quite matching the vernacular expected for the period, that he invites her to sit and review more.  

Yuu doesn’t think it’s anything spectular, it’s kind of obvious, but apparently it wasn’t to the rest of the audience.  

Vil sits at thier usual tea table in the Night Raven Gardens, and slides a ticket over to her.  

“If you have time. I know you recently picked up a few photography jobs in town that would be a shame to miss. Rapport with clients is key, you know.”  

It’s the red-carpet event to a 5th year anniversary movie he did as a child. All glitz and glam, showing just how much they have grown as actors and people since their debuts. It’s a milestone even for Vil, the first and only role where he was played a supporting role that wasn’t a villain or antagonist.  

“What colors are you wearing? I might have something that compliments.” Yuu asks, already going through their mind for anything suitable in Ramshackle.  

“Well,” Vil preens, opening his laptop. “We will just have to buy something together to ensure we match, won’t we? When are you free?” 

It’s so small Yuu almost misses it, but hidden underneath his painted blush is a heated blush, quiet and pink and delighted.  

Floyd Leech

“Floyd, can I ask you a question?”   

Floyd doesn’t even bother looking up from his spot at the table, “Better not be a boring question Shrimpy, or I’ll squeeze ya~” 

“Where do you go to get your shoes repaired?”  

His head snaps up just a bit, left eye brighter than usual.  

“Ace had mentioned that your sole had torn during practice,” Yuu continues, feeling like they have to explain themselves with how intensely he was staring, “But the next day it had been stitched back on like new. There are some fantastic leather boots from the old NRC uniforms that I'd love to use, but I’m trying to find somebody who won’t butcher them or tell me they aren’t repairable just cause there old or out of style, you know?”  

Floyd nods, eyes still searching before ultimately just shrugging his shoulders. “Hmmm...at least it wasn’t boring. Meet at Monstro Lounge at 6 lil’ Shrimpy, bring the shoes!”  

He walks away before Yuu can even say that they have to meet with somebody else, but that really isn’t a possibility when a Leech brother has demanded your attention. Looks like you’ll have to reschedule with Deuce.  

The Monstro Lounge is fairly steady, though Yuu has never seen it slow. Always some sort of deal or exclusive that sets these rich bastards running through the doors, even if it’s just so they don’t have to deal with the lines in the cafeteria or cook their own food.  

Jade waves you in, taking the box from your hands in a gentlemanly manner, and leading you to the side. Floyd is quick to intercept, mumbling a thank you before his long strides leave you almost jogging.  

“Alright, let’s see what we are working with.”  

The dorm is clearly shared between him and Jade. Crisp white walls, a seashell and sea motif on the desk and headboard and some floating shelves that look vaguely like drift wood, exactly what she expected from Octanvinelle. But that’s about all the two sides have in common. Jade’s is organized, of course, but notable is the terrariums on the shelves and a stack of geology books tucked into the corner, along with photos of places he may have been or plans to go.

Floyd’s half is a mess, yes, but it’s organized chaos, like looking at Ace and Deuce’s dorm. High protein snacks are tucked on the shelves, completed 3D puzzles, and...fashion magazines? Huh, he did say that merpeople didn’t really have a reason to wear clothes so land peoples being so obsessed with it would be interesting, especially in different regions or cultures. And the trends are constantly changing. It actually started fitting, the more Yuu thought about it.  

Floyd set the box on the desk, picking up the shoes and bending them this way and that, pressing on the heel or pinches the toe.  

“You’ve taken good care of them,” He says, “The stitches are loose and the nails need to be hammered back in, but the leather is clean and strong. I’d get some new leather laces though, the wax on these has completely frayed from misuse. How old are these?”  

“They're from back when Ezra and the others went to school, but they don’t have a great concept of time.” Floyd raises an eyebrow. “Oh, the ghosts at Ramshackle.”  

“Huh, no wonder it felt like the place was trying to kick us out.” Floyd walks over to the walk-in closet and Yuu has to double take. She would have mistaken the closet for Jade’s! On the left, the clothes are hung neatly on the rack except for the everyday items like the basketball or school uniform which have their own spots hung neatly on the door itself. Below that are clear boxes that seem to hold all sort of tools. Are these hobbies that Floyd has picked up and gotten bored with?

But the right side of the walk in closet is just racks and racks of shoes. Wing tip dress, loafers, even a few kitten heels and red backed stiletos. All perfectly shined and displayed.  

“Floyd, you repair your own shoes?” Yuu taking the box he hands her.

“When you are as tall as me and Jade, you end up having to customize and fix a lot of your own clothes, unless you wanna pay some stupid prices, and standing there while they pin and stuff is boring. I’d rather just do it myself.” He takes out a wicked looking needle and a stand, securing it to the desk with a flick of a lever. “Which pair is your size?”  

“Oh, these.” she says, picking up a pair of loafers and ankle boots. “I can’t afford for you to do this for me Floyd. I don’t have the funds right now.” 

He just leans against the table with a laugh, “Oh, I aint doin’ it for free. Your gonna pay me by letting me keep a pair, specifically those.”

He points to the bottom of the box, a pair of thigh high riding boots from what she can tell.  

“Those are the ones in the worst shape?”  

“Oh, I won’t be able to get them to their original form, but I can lengthen the sole and toe area a bit, add a heel, and have a wicked pair of thighs high stilettos that’ll have even Betta fish jealous~” 

“With your legs, you’d look really good in a skirt.”  

They both blink.  

“Shit, sorry, my mouth ran-” Floyd laughs, something softer than usual.  

“Your damn right Shrimpy.” He smiles, “I do look damn good in a skirt. I prefer dresses though.”  

He takes a seat, motioning for her to take the other side, sets the shoe inside the stand, and starts explaining the process. It doesn’t always make sense but he’s clearly passionate about it.  

This might be a truer version of him, Yuu thinks, seeing him carefully take out a rusted nail to pull out a fresh silver one from an even smaller box. One that isn’t bored or moody, but just...getting able to do something that actually interests him.  

“Hey Floyd. Do you want to go thrifting with me and Kalim on Sunday? I think you’d have some interesting things to say about some of the finds, especially the clothes mart. They literally have a bin of vintage pieces for a dollar a piece.”  

He leans back, and does that smile again. All teeth but his eyes relax, all boyishly charming.  

“You got all the audacity in the world, don’t you?” He chuckles, “I’ll get my shift covered.”  

[satori-runa]

—Ghost Trap

Summary: Daisuke gets scared after you tease him with a ghost story, and now he seeks protection from you.

Words: 1,2k

Tags: Fluff, OOC

⊹₊ ˚‧︵‿₊୨୧₊‿︵‧ ˚ ₊⊹

Daisuke and you sat in the utility room. He was perched comfortably on Swansea’s desk, reading a thick manual about the safety foam and its “unique properties,” while you sat cross-legged on the floor, screwdriver in hand, prying screws from a broken toaster.

“I don’t think I can memorize all this.” Daisuke mumbled, pouting as he tapped his head with a pencil.

“You have to.” You hummed, tugging out another screw. “Swansea will have your head if you don’t get it right. And if it’s not Swansea who gets you… then it’ll be the ghosts.”

Daisuke froze, glancing up with wide, doe-like eyes, his mouth falling open in shock. “G-Ghosts?”

“You didn’t know?” You asked, stifling a laugh and leaning in to make your voice as eerie as possible. “Late at night, there are… strange sounds. Eerie laughter. And if you’re alone, sometimes you can feel a cold chill crawling up your back. That’s the ship’s ghost.” You said it with a dramatic flair, knowing he’d fall for it—he was just so trusting and genuine.

Daisuke’s eyes grew wide as he clutched the manual like it could save him from the paranormal. “W-Wait, are you serious? But I—I don’t even know how to deal with ghosts! They didn’t cover that in Safety Foam 101!”

You stifled another laugh, watching him inch closer to the edge of Swansea’s desk, still keeping a wide-eyed lookout as if expecting a ghost to swoop in at any moment. “Well, lucky for you, I happen to be a certified ghost deterrent.” You whispered, putting the screwdriver down with a conspiratorial grin. “If you hear any spooky sounds, just call for me.”

Daisuke’s face lit up, a blush creeping up his cheeks. “R-Really? I’ll… I’ll definitely call you then! I’d feel way safer.”

“Good.” You chuckled, adding with a wink, “But just so you know, I don’t work for free. My ghost-busting fee is one chocolate bar per ghost scare.”

Daisuke let out a soft laugh, nodding earnestly as if you’d just made an official deal. “Deal! I’ll keep my stash ready!” He paused, glancing nervously around. “So… um, about the noises… have you… have you heard them a lot?”

“Oh, definitely.” You nodded, trying to keep a straight face. “Last week, I even saw a shadow in the break room! Right near the snack machine.”

Daisuke gasped, then shivered a little, almost instinctively scooting closer to you. “You’re… really brave, you know that?”

You couldn’t help but chuckle, nudging his arm. “What can I say? Just another day on the spaceship for me. Besides, if any ghosts show up, I’ll protect you.”

Daisuke looked down, his blush deepening. “Thanks… you’re, um, kinda the coolest person on this ship.” He looked away quickly, scratching his head with the pencil, pretending to focus on the manual as if he hadn’t just made his crush on you totally obvious.

⊹₊ ˚‧︵‿₊୨୧₊‿︵‧ ˚ ₊⊹

It was late, the spaceship quiet except for the soft hum of the engines. You were half-asleep when you heard a timid knock on your cabin door. Groggily, you shuffled out of bed and opened it to find Daisuke standing there, clutching his pillow with wide, nervous eyes.

“Hey… uh… sorry, were you asleep?” he asked, glancing down, clearly embarrassed.

“A little.” You mumbled, rubbing your eyes with a sleepy smile. “What’s up?”

Daisuke shifted on his feet, looking down the darkened hallway. “I, uh… kept thinking about… you know, the ghost. Every little sound is freaking me out, and I… I was wondering if I could, maybe… sleep here? Just for tonight?” His cheeks were tinged pink, his voice a nervous whisper.

You stifled a laugh, stepping aside to let him in. “Come on, ghost hunter. You’re safe here.”

He visibly relaxed as he stepped in, setting his pillow down next to yours on the bed. You both settled in under the blankets, Daisuke glancing nervously around as he tried to focus on anything but ghostly thoughts.

“Thanks.” He murmured, voice soft in the darkness. “I know it’s silly, but it’s like… every time I close my eyes, I imagine some spooky shadow hovering over me.”

“It’s not silly.” You replied with a grin. “I get it. Plus, I did kinda scare you earlier.”

Daisuke gave a small laugh, looking over at you. “I believed you way too easily, huh?”

You smiled. “Just a little.”

You both fell into a comfortable silence, exchanging soft, sleepy comments, his laugh warming the quiet room. But then, suddenly, a loud metallic clank echoed from somewhere in the ship. Daisuke froze, eyes wide, before he immediately scooted over and clung onto your arm, his grip tight.

“W-What was that?” He whispered, his face practically buried in your shoulder.

You stifled a laugh, feeling his warm breath against your shoulder. “Probably just Jimmy knocking over a toolbox again.”

He relaxed a little but still held on, cheeks flushed. “O-Oh… right.” He hesitated, but his grip didn’t loosen. “I’ll… just stay close in case there is a ghost, you know?”

“Good idea.” You replied, chuckling as you wrapped an arm around him. “Ghost or no ghost, I’ve got you covered.” It was too dark, else he could see the faint blush on your cheeks as you felt his body against yours.

Daisuke snuggled closer, mumbling a quiet, “Thanks… you’re the best,” before his breathing evened out, and he fell asleep with his head resting on your shoulder. You smiled, feeling warm and content as you drifted off too, Daisuke still nestled at your side.

⊹₊ ˚‧︵‿₊୨୧₊‿︵‧ ˚ ₊⊹

Morning light from the big screen filtered softly through the small cabin, and Daisuke stirred, slowly waking up. He blinked, his mind foggy with sleep, and then suddenly became aware of a gentle weight against him. Glancing down, he realized he was completely tangled in your arms, his face inches from yours.

His heart leapt into his throat as his cheeks flushed a deep red. Oh no, oh no, he thought, trying to process the situation. You looked so peaceful, completely at ease, while he was doing his best not to panic. One of his arms was wrapped around your back, his fingers resting against your shoulder, while his other arm was awkwardly pinned beneath you.

How did this even happen?! He tried to pull away slightly, but that only made him feel the warmth of your arm around his waist, pulling him closer in your sleep. For a second, he considered slipping out of your hold, but the thought made him hesitate. Gradually, his heart started to calm down as he watched you, realizing that he didn’t mind this as much as he thought he would.

This… actually feels nice, he admitted to himself, a soft, shy smile forming on his face. His initial embarrassment gave way to a warm, quiet happiness.

Taking a deep breath, Daisuke let himself settle back into the pillows, pulling you a little closer with a gentle, tentative movement. He rested his forehead lightly against yours, his heart fluttering as he closed his eyes and relaxed into the embrace, savoring the quiet moment with you by his side.

For now, he was content just to stay like this, tangled up together, as he waited for you to wake up.

[crimeronan]

i've seen a couple people in the notes of this very good post about fictional polyamory by @thebibliosphere say things along the lines of "oh, i've been doing it wrong :(" or "how do i know if i did this right??" or "i should probably give up and start over, i wrote this badly :(" and. no!!!!

(i AM seeing far MORE people say "oh, this clarified and helped me so much, i think i know how to fix issues i've been having with my own story" which. YES!!!!)

listen. if you're a monogamous person who's writing a polyamorous relationship, and you've been focusing mainly on The Triad and All Three Together All The Time as the endgame, that's literally fine. that's a perfectly acceptable and strong starting point for your plotting, imo. you do not need to give up on a story that you've started like this.

but the things discussed in the post Can and Should improve your execution!

you can keep the same plot beats and overall relationship arc 100%. polyamorous relationships are infinite in their formations, every one is unique. "basically a monogamous romance but with three people" Does exist, as a relationship type. you're not hashtag Misrepresenting (TM) poly people with it

BUT i do think it will help to read up on some poly people talking about how their relationships Differ from monogamous ones.

so i have outlined some basic important concepts about polyamory.

MORE IMPORTANTLY though, i've broken down some questions that you can answer throughout the writing process to strengthen your individual dyad relationships, your individual characterization, & your characters' individual feelings/experiences. this is a writing resource have fun

future kitkat butting in to say i spent over two hours writing this and it definitely needs a readmore. it is also NOT comprehensive. but everything should be pretty simple to follow! feel free to reblog if you find it helpful yourself or just want to reward me for how gotdan long this took KSLDKFJKDL.

i've grabbed quick links for a couple of the important concepts, some have SEO pitches in them but the info largely seems to be good. (if i missed anything Egregiously Gross on these sites i should be able to update the links with better ones later, since they're under the readmore.)

sidenote: this is NOT meant to be overwhelming, despite the length. if you can't read all of this, that's Okay. you do not need to give up on your writing.

here we go:

compersion!

compersion is a BIG thing in a lot of polyamorous relationships. it's joy derived from seeing two (or more) of your partners happy together, or joy derived from seeing your partner happy with someone else.

compersion is really important as a concept because it highlights that every individual relationship within a polycule is different -- and that that's a GOOD thing. it's sort of the inverse of jealousy.

by the "inverse of jealousy," i mean that instead of feeling left out and upset and possessive, you feel happy/joyous/content.

i can use personal experience as an example: it's a Relief for me when my partners receive joy/support/sex/romance/etc that i can't (or prefer not to) give them. and i love seeing my partners make each other laugh and be silly together.

it's 100% okay for a poly triad not to be together 100% of the time, it doesn't mean that the third member is being left out or not treated equally when two people do things alone together.

(i have individual dates with my partners all the time! PLUS larger 3-and-4-person date nights.)

if the third member DOES feel jealous or left out, then the polycule can have a conversation to figure out what needs/wants aren't being met, and solve that. this happens semi-regularly in my polycule, as it will happen in any relationship (including monogamous ones)! it's just part of being an adult, sometimes you have to talk about feelings.

metamours!

a metamour is someone who is dating your partner, but ISN'T dating you. this may not be relevant for people writing closed three-person romantic sexual triads, but it's a super helpful term to know.

the linked article also lists different types of metamour relationships with some fun phrasing i hadn't heard before. the tl;dr is: sometimes you'll be domestic cohabitation friends, sometimes you'll be buddies with your own friendship, sometimes you might not interact much outside of parties, every relationship is different.

there's no one-size-fits-all requirement for metamour relationships. sometimes polyamorous people will end up dating their metamour after a while (has happened to me), sometimes polyamorous people will break up with one partner for normal life reasons, but remain friendly metamours.

the goal of polyamory is NOT for EVERYONE to fall in love. it is 100% okay if this happens in your story, it happens in real life too! but it is also 100% okay for characters to be metamours without ever becoming "more than friends."

(sidenote: try to kill any internalized "more than" that you have when it comes to friendship. friends are just as important and special and vital as partners.)

of course there are a million ways for messiness to occur with metamours within a complex polycule, exactly like with close-knit platonic friend groups. however this post is not about that! there's enough "here's how polyamory can go wrong" stuff out there already, so i'm focusing on the positives here :)

open versus closed polyamorous relationships!

i'm struggling to find an online article that reflects my experience without directly contradicting at least SOME stuff. so i'll give a quick rundown

google has a bunch of conflicting definitions of open relationships and whether open relationships are different from polyamory. the general consensus seems to be that an open relationship prioritizes one partnership (often a marriage), but that each partner can have extraneous flings or long-term commitments (most often sexual in nature).

this is not typically how i use the term wrt polyamory. the poly concept is pretty simple. a closed polyamorous relationship is one with boundaries like a monogamous one. there are multiple partners in the polycule, but they are not interested in having anybody new join said polycule.

an open polyamorous relationship tends to be more flexible -- it just means that IF someone in the polycule develops mutual feelings for a new person, it's fine for them to become part of said polycule if they want to! the relationship/person is open to newcomers.

some groups will need to negotiate this all together, others will just go "haha, you kids have fun." just depends on the individuals!

with open AND closed polyamorous relationships, the most important thing is making sure that there's respectful communication and that everyone is on the same page. but there's no one-size-fits-all way to do that.

i wish i could give you guys a prescriptive "You Must Do It This Way" guide, but that's.... basically the opposite of what polyamory is about, HAHA.

feelings for multiple people!

i was gonna tack this on to the previous section but decided it warranted its own lil bit.

a defining feature (....i'm told?) of monogamous relationships is that a monogamous person only has feelings for One individual at a time. they only want a relationship with one individual at a time. or, if they DO have feelings for multiple people simultaneously, they're still only comfortable dating one person at a time & being exclusive with that one person.

this is perfectly fine!

the poly experience is generally different from this. but once again..... polyamorous people all have different individual perspectives on this.

for me, i have never been able to draw hard boxes around romantic vs sexual vs platonic relationships, & i love many people at once. my personal polycule lacks many strict definitions beyond "these are my chosen people, i want to forge a life with them indefinitely, whatever shape that life takes"

some poly people feel explicit romantic or sexual attraction to multiple people at once, some poly people feel almost no romantic or sexual attraction at all. i'd say that MOST poly people feel different things for different partners, which is not a bad thing!

some poly people are even monogamous-leaning -- they have just chosen one romantic partner who is themselves part of a larger polycule. (so this monogamous-leaning person has at least one metamour!)

or alternatively, they might have one romantic partner AND a qpr, or other ways of defining relationships. (this is a factor in my own polycule!)

i made this its own point because if you're writing a straightforward triad, this is unlikely to come up in the story itself -- but it's worth thinking about how your characters develop/handle feelings outside of their partnerships.

like, is this sort of a soulmateship, 'these are the only ones for me' type deal? in which they won't fall in love with anyone else, and can be fairly certain of that?

that's pretty close to typical monogamous standards but you Can make it work. just be thoughtful with it

alternatively, can you see any of these characters falling in love Again after the happily-ever-after? and how would the triad approach it, if so? what would they all need to talk about beforehand, and what feelings would everybody have about the situation?

it's worth considering these questions even if the hypothetical will never feature in your actual canon, because knowing the answers to these questions will help you understand all of the individuals & their relationship(s) MUCH better.

i've been typing this for nearly two hours and there's a lot more i COULD say because... there's just a lot to say. i'll close out with some quick questions that you can ask yourself when developing the dyad dynamics within your triad

first, take a page and create a separate section for each individual dyad. then answer these questions for every pair:

how does each pair act when alone?

how do they act differently alone compared to when they're with their third partner?

are there any elements of this dyad (romantic, sexual, financial, domestic, etc) that these two people DON'T have with the third partner?

if so, what are they?

are there any boundaries or hard limits within this dyad that aren't shared with the third partner?

if so, what are they?

partner 3 goes out of town alone for a few weeks. what are the remaining two doing in their absence?

(doesn't have to be anything special, it's just to get a sense of how the two interact on a day-by-day basis without the third there)

what is something that each partner in the dyad admires about the other -- that they DON'T necessarily see in the third partner?

what problem do These Two Specifically need to solve in the story before their relationship will work?

how is that problem DIFFERENT from the problems being solved within the other two dyads?

doing this for ALL THREE dyads is VITAL imo. that way, you develop complex and nuanced and different relationships that all have unique dynamics.

those questions should be enough to get you started, i hope

then After you've charted the differences in relationships, you can start to jot down similarities in the overarching triad. what does one person admire in Both of their partners? what are activities that all three like to do together? what are boundaries or discussions that all three share?

but the main goal is to figure out how to Differentiate each relationship!

a polycule is only as strong as the individual relationships within it. if two people are struggling with their own relationship, adding a third person won't fix that.

(UNLESS the third person is the catalyst for those two to, like, Actually Communicate And Work Their Shit Out. i just mean that the old adage of "maybe if we just add a third-" works about as well to fix a miserable non-communicative marriage as, uh, "maybe if we have a baby-")

AND FINALLY.

if you're not sure whether your poly romance reads organically to poly people, you can hire a sensitivity reader with poly experience. if you can't afford that, you can read up on polyamorous resources like a glossary of terms & articles actually written by poly people. (and stories written by poly people!)

you can also just.... ask poly people questions, if they're open to it. i like talking about polyamory and my own relationships so you're welcome to send asks if u want, i just can't guarantee i'll answer bc my energy levels fluctuate a lot and i don't always have time.

polyamorous people are in an uphill battle for positive representation right now & so the LAST thing i want to see is authors giving up on their stories bc they're worried about getting things Wrong. well-meaning and positive stories that treat this kind of love as normal, healthy, & aspirational are So So So Needed. even if you guys end up with some funky-feeling details.

seriously, if you're monogamous then you probably don't have a full idea of Just How Nasty a lot of people can get about polyamory. i wish it DIDN'T mean so much for you guys to want to write nice stories about us, but it does mean a lot. and it means a lot that you want to do it WELL.

in conclusion. this is not a prescriptive guide, it's just a way to raise questions. and also, you all are doing FINE.

[aardelea]

Love Languages: How They Show Their Affection

Hey everyone! I'm back with another headcanon post, this time diving into how our favorite characters express their love and affection. Whether it's through subtle gestures, grand displays, or tender moments, each one has their own unique way of showing how much you mean to them. I hope you enjoy reading it as much as I enjoyed putting it together!

Jin • Jin is not a man of many words. That’s why it’s important to understand the language of his gestures in order to feel his affection. • He shows his affection in various situations where you can count on being the only person who gets to experience it. For instance, he often lets you decide what you’ll have for dinner. Believe it or not, you won’t even notice if you pick something he has no appetite for. • When he craves closeness, he’ll send you a message, regardless of the time, calling you to his room. It’s more of a command than a request. But if you comply, you’ll find yourself wrapped in his arms on the couch or bed, simply enjoying his presence. That moment belongs to just the two of you. • Whenever you even think about wanting something special, it will appear in your room the next day. He also likes to surprise you with things you hadn’t even thought of. He catches every little detail from your stories about your dreams and passions, and when the opportunity arises, he brings them to life through small gifts.

Tohma • Both of you have strict schedules, so showing affection is key in this relationship if you want to make the most of the time you have together. Tohma knows this well. • When you see each other amidst the hustle and bustle of the academy, he gives you, and only you, his warmest smile. • He’s not a fan of showing physical affection in public, but when he crosses your path, he’ll always pass close enough for your hands to “accidentally” brush. His hand closes slightly, as if trying to hold yours. • If time and circumstances allow, he’ll quickly and wordlessly pull you into an empty room or hallway when you pass by him. He gives you a brief but passionate kiss, brushes a strand of hair from your face, and looks deeply into your eyes before you both go on your way, as if nothing happened.

Luca • Luca is initially reserved about showing his feelings for two reasons. First, he knows his best friend Kaito has feelings for you and doesn’t want to rub it in his face that you didn’t choose him. Second, Luca is a true gentleman who would never do anything to make you feel uncomfortable. • But he never tires of showering you with compliments, all of which he means sincerely. You can see it in his eyes—no man could look at you with more love. • When you’re alone, and you’re facing away from him, he loves to hug you from behind. You both linger in that position, enjoying each other’s warmth. • When you sleep together, he holds you tightly, as if afraid you could be taken from him at any moment.

Kaito • Kaito knows you love it when he makes you something, so he spoils you with plenty of sweets whenever he has time to bake for you. Missing desserts from your homeland? He’ll surprise you with them as soon as he finds a good recipe. • He’ll take many photos of you and the two of you together. While part of him loves to show off, it’s mostly because he still can’t quite believe you and he are real. Your relationship is still beyond his imagination, so he treasures every photo when you’re not with him. • He remembers every detail about you and is always looking for ways to surprise you. Love ice cream? Prepare to visit every renowned ice cream parlor in Tokyo—he’ll take you to all of them. • And of course, you won’t be able to escape his constant messages. He always wants to know what you’re doing and how you’re feeling, not out of worry or jealousy, but because he genuinely cares (though he’s no stranger to those feelings either).

Alan • Do I even need to mention how often he’ll pat your head? • He always checks how you’re doing and makes sure you have everything you need. He’ll also always offer to let you sleep in his T-shirts when you stay over. He just loves seeing you in his oversized clothes, and though he’d never say it out loud, the smile on his face when he sees you in his sleepwear says it all. • His sweetest way of showing affection is his almost casual request for you to join him in nearly everything he does. He loves having you around. Even if you’re not into physical activities like he is, he doesn���t mind—he just wants to be near you. • Wherever you are, Alan will seek your physical closeness. Sometimes, you’re not even sure if he’s doing it consciously or if his feelings just naturally draw him to you. Whether it’s an arm around your waist, moving closer on the couch, or casually holding your hand, he always seeks contact.

Sho • For Sho, love truly comes through food. So rest assured, you’ll never go hungry if this man is yours. Lucky you. • Though Leo is his best friend, he will never allow anyone, not even him, to badmouth you. Never, ever. No one—absolutely no one—touches his sweet girlfriend. • Sho will often give you small gifts in the form of jewelry. Nothing overly expensive, but always something unique. Seeing you wear it makes him incredibly happy, so you’d better wear it, because it’s also his way of marking you as his own. • Though he’d never admit it, Sho actually enjoys public displays of affection. He’s proud to have you by his side, and when you reach for his hand, he’ll pretend he’s only letting it happen for your sake, to make you more comfortable. In reality, his heart is always racing when you do.

Leo

Leo could only accept a partner who is on equal footing with him. That's why he can actually be very sweet in a relationship when he wants to.

Naturally, the maximum amount of physical affection in public will be displayed, as long as you allow it. After all, the world needs to see what a great relationship you two have. It’s a wonder you haven’t yet shared a French kiss on campus. He definitely enjoys making your admirers jealous.

But of course, he’s only doing this for the show and for the clicks when he films you both. It has nothing to do with the fact that he maximally enjoys your closeness and can’t get enough of you. Never. How could you come up with such silly ideas?

He will shower you with gifts that he "just happened to buy somewhere." Does this have anything to do with the fact that he actually listens to you and explicitly searches for things you like and that he hopes will make you happy? Such nonsense.

Haru

Despite his strict schedule, Haru will never miss the chance to show you how much you mean to him.

Every now and then, you'll get messages from him asking where you are, only for him to show up shortly after with all kinds of stuff. Surely, you've forgotten to drink enough today, right? Don’t worry, he’ll take care of you.

You’ll also receive sweet messages from him every day. At first, he’s a bit overwhelmed with flirting properly, but eventually, he gets the hang of it and showers you with subtle love declarations.

Speaking of love declarations: when he sees you on campus, he won’t miss the chance to greet you with a hug and a kiss on the forehead. He doesn't care if others see you.

Towa

Towa is a true romantic. He understands the language of flowers like no other. So, be prepared to receive numerous flowers from him. He takes the effort to present you with a special one every day, just to emphasize how unique you are to him.

He doesn't care what people around you think. He will hug and kiss you in public whenever the mood strikes.

Towa is a good listener, and even though he's not necessarily good with words, he always knows how you feel and what you need at that moment. If it's peace, he'll leave you alone; if it’s closeness, he'll whisk you away to a quiet spot and hold you in his arms until time forces you back to reality.

Wherever you go together, he'll want to hold your hand. It’s important to him to have you by his side at all times.

Ren

Ren is more the type for subtle expressions of love. So, a keen sense of perception is needed if you don't want to starve from lack of affection in a relationship with him.

The most noticeable thing for an attentive observer is Ren's smile when he's around you. He always seems much more relaxed when you’re there, and you're probably the only person who’s ever made him laugh.

In public, he wouldn’t dare show any affection, but when you're alone, he craves your touch. Even though he'll always claim you're the one who wants it and he’s simply complying with your wishes.

He also loves playing with your hair during your evening movie nights. Not having to ask for head massages definitely has its perks.

Romeo

Usually, it's Romeo who receives affection, but even he sometimes gets overwhelmed by longing, and everyone around can see how much you mean to him — and that no one should mess with you because of that.

Romeo is possessive. It’s no different with his partner. You belong to him alone, and everyone who even thinks about getting too close to you should know that. That’s why you're probably the only person on the planet who’s allowed to touch him in public without getting punched.

He lets you sit on his lap in his office when you're talking, and he makes no effort to let you go when one of his lackeys enters the room. After all, everyone knows you belong to him.

You also don’t need to worry about not being stylish enough for Romeo. He'll make sure your wardrobe is perfectly aligned with his. Expect a complete makeover. You won't recognize yourself — in a good way.

Taiga

Regardless of his moods, Taiga is definitely a physical type. This means that he loves to show his affection through hugs and kisses of all kinds, as long as you let him. His lap is your second home.

He may not be greedy or superficial, but he has taken a liking to showering you with gifts. Though, in most cases, you’d better not know where they came from.

Depending on whether you’re okay with it, he’ll either nibble on your ear and cover your neck with kisses when you two are alone. He just loves it.

He practically lets you move into his room because, as his good luck charm, he always wants to have you near.

Ritsu

The first thing anyone who knows Ritsu even a little would notice is the fact that he doesn’t talk to you like a potential client, but actually like his girlfriend. Even though he would never, ever talk to you in a childish manner or give you pet names in public. That’s simply not his style, love or no love.

Ritsu has good manners and knows from several sources that it’s proper to take a lady out to dinner. So, he regularly dresses up and takes you to the finest restaurants Tokyo has to offer.

Since he wants to be taken seriously as a lawyer, he refrains from physical contact in public. But since he still wants people to recognize you as his love, it’s acceptable to link arms with him.

Though he seems rather stiff, he does enjoy hugging and kissing you. It should just happen in private.

Haku

Haku is an incorrigible charmer and will shower you with compliments anytime, although you often have to read between the lines of his jokes to find them. However, the longer you're together, the more serious he becomes with his compliments.

Physical closeness is something Haku finds very comforting, so he loves holding hands or walking with his arm around you.

He also won’t hesitate to kiss you passionately in public. Of course, he’ll refrain from doing so if it makes you uncomfortable.

Additionally, he regularly invites you on dates, making an effort to keep them as varied as possible. By the way, long walks are not considered actual dates for him but rather a standard activity.

Subaru

Due to his stigma and his rather reserved nature, Subaru will initially refrain from showing affection through physical closeness. Instead, he expresses his feelings in a more subtle way through many small gestures.

Even though he values having enough personal space for both of you, he places great importance on seeing or at least hearing from you every day. If you couldn’t meet during the day, he will call you at night to wish you goodnight.

Another way he shows his affection is by sharing his memories and feelings with you. Normally, he doesn't like talking about himself, but with you, it feels so natural to share his deepest thoughts that he doesn't mind at all.

Whenever there's an event he thinks you might enjoy, he’ll make sure to arrange everything so you can attend together. After all, he wants to make sure you're happy and that you experience lots of things together, helping you grow closer.

Zenji

Zenji is a master of words and will primarily express his affection verbally, especially when there are no other alternatives. This might be in the form of poems or songs that he has written exclusively for you, meant only for your ears.

He’ll also always keep you company whenever you need it. He loves staying up with you late into the night, talking about everything under the sun until you fall asleep. Seeing you so peacefully and safely in bed is the greatest gift for him.

You'll often find little hidden notes from him, wishing you a good day, asking for a smile, reciting a short poem, or revealing his feelings. You usually discover them much later because he hides them so well.

Wherever you go, he will watch over you. Even though he may no longer be able to protect you himself, he’ll make sure you’re safe.

Rui

Rui’s days of physical affection are unfortunately behind him, so he has had to find new ways to express his feelings. His first idea was to gift you a small teddy bear, which you can cuddle whenever you feel the urge to hold Rui instead.

If you’ve managed to convince him to enter a relationship, he will generally want you to have something that shows you're taken. So, he'll gift you some sort of special piece of jewelry — most likely a ring. Although Rui's the one constantly surrounded by admirers, he's the one who is deeply afraid of losing you because he believes you're too good for him.

Rui is incredibly attentive and can literally read your wishes from your eyes. If it's within his power, he’ll fulfill them. This also means he always knows how you’re feeling, as he can read you like a book. So be careful what you're thinking!

When you're out together, he gives his full attention to you alone. Even though he may use his usual charm when approached by others, especially women, he never gives you any reason to worry.

Ed

Usually, Ed is the type who craves attention and affection, but he’s also capable of expressing his own feelings.

Social conventions matter little to him, as he doesn’t see himself as part of society. So, you can expect him to show affection at any time or place — whether through hugs, kisses, or his hands wandering elsewhere on your body. That is, if you allow it.

You’re never quite sure if he actually wants to bite you, but he loves passionately kissing along your neck. The fact that he rarely breathes during this makes the situation just as eerie as it is arousing.

He regularly texts you about how much he misses you and what a cruel person you are for leaving an old man alone. After all, he always wants you by his side, no matter what you’re doing together. It’s more than clear that he finds you far more interesting than he would ever admit.

Lyca

Lyca is known for having no experience with women, let alone relationships. Therefore, he reacts quite shyly to anything you do involving physical contact, making it difficult for him to initiate gestures himself.

If you do anything that even remotely puts you in danger, he’ll call you an "idiot." He worries about you practically every second, so don’t hold it against him.

He’s trying his best to live among humans, so he observes people a lot. On campus, he watches couples and tries to pick up certain behaviors from them. Depending on the couple, this can be more or less awkward. Shy attempts to hold your hand, sharing lunch, or stroking your hair — he’s really doing his best to make things work between you.

Most of all, he shows his affection by wanting you to accompany him everywhere, especially when he’s discovering something new. You’re meant to be part of his journey toward humanity.

If you enjoy his drawings, he’ll be more than happy to paint anything you ask him to.

Yuri

Yuri is a very passionate man when it comes to his work and research. However, when it comes to dealing with women, he lacks much experience. Still, his innate enthusiasm for you is definitely in your favor.

He will gradually involve you more in his work, asking you to help him in the lab whenever possible so you can extend your already-too-short time together. He’ll even send Jiro away more often just so you two can be alone.

Whenever Yuri makes a significant discovery or feels proud of an accomplishment, he becomes filled with energy that he needs to release. He'll pick you up, spin you around, and then give you a passionate kiss before turning back to his work. Only after a few moments does he realize what just happened, as you can see from his blushing cheeks — always an adorable sight.

Despite his tight schedule, he’ll try to regularly take a night off to have dinner with you. He understands that variety is key to keeping a relationship alive.

Jiro

Jiro initially struggles to identify his feelings for you, so you'll need to be patient if you want to feel his affection.

He’s not a man of many words, so you're more likely to experience physical affection from him. Once he’s had a taste of you, he’ll want more of that sweet feeling. Why does his heart beat so fast when you touch him? Why can’t he think clearly when your hands brush his cheek? Why do his knees go weak when he feels your skin touching his own? These are all things he needs to thoroughly experiment with to understand the obvious cause.

The most beautiful thing for him is your smile. He’ll do anything to bring it out — whether through jokes, gestures, or giving you flowers. He quickly learns how to behave in ways that get the desired reaction from you.

He’ll also ask you to do ordinary things with him, such as eating or cleaning or activities that foster a deeper relationship. Very soon into your relationship, he’ll realize that everything is better with you by his side.

[csuitebitches]

Crafting a Personality and Capitalising on it

How do we craft a personality that is socially charming yet true to our roots?

How do we mingle and meet new people without feeling awkward or shy about it?

How do we not lose ourselves while following all these blah blah etiquette rules?

Welcome to part 2 of my Chic Girl Mentality series. 🤍

Today, we will focus on crafting a personality that is still you but better.

First, let’s talk about people in social settings. You’ll meet people who are confident, secure and socially charming. You’ll meet quiet people who may be equally socially charming or just very shy and conscious. You’ll meet the braggers and the doe-eyed followers. There’s a lot of different types of people in the world and knowing how to gracefully navigate most of them is nothing but a learned art.

People, regardless of their bank balance, are insecure of what they do not have yet. This can be looks, money, experience, lifestyle, and so on. How do we capitalise on this without exploiting or manipulating anyone?

By knowing how to tell a story.

That doesn’t mean that you need to become a public speaker or politician, it just means that you need to be able to craft intriguing stories about yourself, using your own life and experiences, to “sell” an interesting version of you socially. We’re all interesting people but only a few of us know how to say that we’re interesting without saying that we’re interesting.

Experience 

People, even those with money, will always be more attracted to those who have experiences, especially, unique ones. Whether it’s travelling to exotic locations or trying new culinary destinations, or wearing unknown designers, knowing obscure artists or writers, or being at the top of your industry… experience is the most important thing to cultivate first.  You already have experience. If you went to school, high school, college, joined clubs, your first job, any travelling, etc - these are all experiences.

Make a list of 5 of the most interesting experiences you think you have.

Hobbies and interests 

Have a couple of lowkey hobbies that you feel enthusiastic about. Whether it’s doing some charity work on Sundays, or cooking, or pottery, whatever it is, keeping a hobby is healthy. 

There should be something to you that an acquaintance can remark about: “CSB? Oh yes, I’ve heard that she’s a great dancer.” 

Vulnerabilities 

Certain vulnerabilities must never, ever be shared. It will 100% be used either as gossip or blackmail. 

However, coming across as someone with no weaknesses is rather untrustworthy- it makes the other person feel that you’re clearly hiding something. 

Make a list of vulnerabilities that are small and you don’t mind sharing. These should be vulnerabilities that will never ruin your reputation in any form but can be used as a form of bonding with empathy. 

And make a list of hard core vulnerabilities you know you should never share with anyone. Keep it memorised rather than written down. 

Experience + Hobbies or Interests + Safe Vulnerabilities = Personality

Storytelling 

Now that you have some experience, hobbies, interests, and your “safe” vulnerabilities sorted even if it’s limited - what will make it stand out is the art of storytelling. Some storytellers can make even the most mundane experiences sound magical - it’s all in the words and delivery. There’s a reason why every Holy Book is a story, packed with lessons and morals - it’s impactful, easy to remember and recall and relatable. Craft your experiences into stories. Use those 5 experiences that you noted down and start writing them down as stories.

Take up an online storytelling class or watch videos. Start honing this skill by writing and reading good literature. 

Refine your 5 experiences further. Run it through chatGPT, say them out loud and most importantly- start testing them out on people. See what makes them chuckle and what doesn’t; what makes them empathise and what doesn’t.

A famous comedian whose name I can’t remember does the same thing. He creates his set. He goes to a small pub and tries it out on the audience there. And the first set is always the first. The audience may not laugh at his jokes, they might boo him or sometimes, he might get a laugh out of them. But every time, he goes home and refines his set further. Once his set is fully refined, and he accomplishes his goal of the audience peeling with laughter at every joke, that’s when he goes on national TV / on tour etc etc.

The most important thing is to craft your stories of your experiences in a way that it delivers the value you want the person to remember about you.

For instance, if I want to be seen as creative and innovative, I won’t tell the person in front of me, “oh, I’m soo innovative and creative!”

Rather I will weave that into a story. “When I was 24, at my first job in the advertising space, we were losing clients left and right. And one weekend, I was on a trek on the mountains - it’s one of my hobbies - this idea hit me, and I suddenly knew exactly how to get our clients back. My team was hesitant about my idea, and we got a lot of pushback, but we went ahead. The night before my launch I was so nervous, I got hardly sleep. And you won’t believe it, but the idea worked! The response was fantastic.”

Let the other person come to the conclusion of you being innovative and creative. Human beings love to deduce things and jump to conclusions and provided you set the context the right way, you should be able to project the version of you that is the best part of you.

Vocabulary 

A sign of a good education- even if you don’t have it - is a diverse vocabulary. I’ve always had a little more respect and awe for those who are articulate, can speak smoothly and speak confidently. I’ve noticed that my American friends, for instance, tend to talk fast with lots of filler words, and sentences tend to end with a pitch up instead of down, which to me indicates hesitation or indecision. Speaking slower, ending your sentences with pitch going down to indicate a full stop rather than up makes you seem like a refined speaker even if your subject is utterly stupid. 

Body language and mannerisms, social interaction 

Watch old classic Hollywood movies to really understand this - especially romantic ones. Choose ones with a femme fatale or siren-like female lead, and watch how she enraptures the male lead or the audience around her. 

A combination of fantastic storytelling and body language will take you places beyond your dreams. Some of the biggest frauds, scammers, politicians, criminals are also some of the best storytellers. Humans are attracted to stories, we pick up body language intuitively, we can sense when someone is nervous or isn’t. Unfortunately the world isn’t a kind place and will not necessarily help you out of your shyness- in fact, that might just make you the best target for exploitation. 

Storytelling + Vocabulary + Body Language = Your Best Personality

[3hks]

How to Write an IMPACTFUL Backstory

Honestly, writing and reading about backstories is probably one of my favorite parts of a character's story! It's a strong foundation for a character's goals, motives, thoughts, and actions! Its most powerful effect, on the other hand, is its ability to change one's view on a character. So, then, how do we write such an impactful past?

For beginners, the more tragic the backstory, the better. While this does hold some truth, let me re-iterate that it's for beginners. The idea behind it is that a pure, devastatingly pitiful backstory is unique and pulls at your reader's heartstrings. Unfortunately, instead, we're left with an origin story that feels superficial, overly-dramatic, unnecessary, and shallow. However in this post, I will give you some tips on how to avoid creating such 2D backgrounds and actually bring your character's past to life!

First, your character's backstory can be made with whatever components you choose, but the key is that you must balance them out correctly. Additionally, the majority of the time, you do want their story to stick out, so I suggest trying to come up with something original! It's much harder than it sounds, but honestly, every other protagonist has dead parents at this point. Be creative, add details, and don't be afraid to let your character go through things if you feel that it's fitting!

Second, don't extend their past for too long. The point of introducing the backstory is to elaborate on a (few) certain event(s) that affected your character the most and forever changed their lives. Keep it centered around one, or at most, a couple events.

Next, most writers tend to use sadness and/or to fuel the character, but it should not be overbearing and excessive. Alternatively, it should feel GENUINE. Not dramatic, but genuine. Different genres do form different types of backstories, yes, but the core concept behind it should be something natural. It should be something that your readers will be able to understand; something authentic. They should feel some sense of relatability, even if it's just a little. This could be like family issues, broken friendships, betrayals, leaving someone, mental struggles, loneliness, etc. Complexity can surround these concepts, but the basic, fundamental ideas should still be present.

Furthermore, be sure that their backstory makes sense. Even if you're introducing it through quick, brief flashbacks, ultimately, you want the reader to have all the pieces to solve the puzzle.

Last but not least, make your backstory feel personal to your character! Build it in a sense that if it were to go to any other character, it wouldn't have an effect that's as severe. Make it targeted to its owner. While this is something that can be difficult to execute, it really provides insight to your character, and is an easy way to add some intricacy to a simple backstory! A good place to start is thinking about the things personal to your character. For instance, this could be their past before the event, people they care about, their morals, etc. Then, add it in said event so that it pushes and/or challenges your character in a way that makes them re-evaluate that value.

There you go! Here are my personal tips on how to upgrade your character's backstory and have it really impact your reader! Be creative, keep it centered around a couple things, make it genuine, and make it targeted to the character!

Happy writing~

3hks <3

[misswynters]

Aemond Targaryen as your husband: headcanon

[a/n: there are some sensual undertones here so if you don’t wanna read that you can skip it. it’s after the seperator

[note | pls don’t just like, reblog & give me feedback. i don’t want to get shadowbanned

similar | jace | aegon | cregan | daeron | gwayne

Aemond is fiercely protective of you. His intense loyalty means he is always by your side, ensuring your safety and well-being. He often places himself between you and any perceived threat, his hand instinctively reaching for his sword.

Aemond isn’t one for grand romantic gestures, but his love for you is evident in the small things. He brushes your hair out of your face, ensures your chambers are always warm, and leaves books he thinks you’d enjoy on your bedside table.

As your husband, Aemond values your opinion on matters of state and politics. He seeks your counsel in private, trusting your judgment and treating you as an equal partner in all decisions.

Aemond admires your intelligence and enjoys engaging in deep conversations with you. Whether it’s discussing the histories of Westeros, strategy, or philosophy, he relishes the intellectual stimulation you provide.

Aemond respects your strength and encourages you to train with him. He enjoys sparring sessions where you both hone your skills, often leading to playful banter and mutual admiration.

You and Aemond have an unspoken bond, sharing secrets that no one else knows. He trusts you implicitly and confides in you about his deepest fears and ambitions.

Despite his stern exterior, Aemond has a soft spot for you. In private, he’s tender and gentle, often holding you close and whispering sweet nothings that contrast sharply with his public demeanor.

Aemond enjoys gifting you rare and precious items, from intricate jewelry to exotic silks. He takes pride in finding unique treasures that reflect your tastes and interests.

One of your favorite pastimes is riding Vhagar together. The thrill of soaring through the skies, feeling the wind in your hair, and the shared experience of dragon riding brings you closer. Aemond often points out landmarks and recounts stories from his childhood as you fly.

Aemond’s loyalty to you is unwavering. He defends your honor fiercely and would go to great lengths to protect you from harm. His love is intense and all-consuming, leaving no room for doubt.

Through your relationship, Aemond learns to open up more emotionally. Your patience and understanding help him grow, allowing him to express his feelings more freely and strengthening your bond.

Aemond is your biggest supporter. Whether you’re pursuing a personal project or navigating court politics, he’s always there to offer encouragement and practical advice.

Aemond is devoted to your future children. He takes an active role in their upbringing, ensuring they are well-educated and trained. He often tells them stories of his own adventures and the legacy of House Targaryen.

Despite the challenges you face, your bond with Aemond is unbreakable. Together, you are a formidable team, facing the world with strength and determination. Your love for each other is a constant source of comfort and inspiration, guiding you through the trials of life in Westeros.

Aemond’s eye always finds you in a room full of people. The way he looks at you, with a mix of desire and admiration, sends shivers down your spine. His gaze alone can make you feel cherished and wanted.

In private, Aemond’s touches are gentle and deliberate. He traces his fingers along your skin, memorizing every curve and line. Whether it’s a light touch on your hand or a caress along your back, he makes you feel treasured.

Aemond’s kisses are a mix of urgency and tenderness. He captures your lips with an intensity that leaves you breathless, his hands cradling your face as if you’re the most precious thing in the world.

Late at night, when the castle is quiet, Aemond whispers sweet and sultry words in your ear. He tells you of his desires, his dreams, and how deeply he loves you. His voice, low and husky, wraps around you like a warm embrace.

Aemond takes his time when you’re having sex. He believes in savoring every moment, exploring your body with a careful and practiced touch. His focus is entirely on your pleasure, ensuring you feel loved and satisfied.

There’s a powerful, unspoken connection between you. A single look from Aemond can communicate a thousand words. In moments of intimacy, you don’t need to speak; your bodies and souls understand each other perfectly.

After a long day, Aemond loves to hold you close. He wraps his arms around you, his body shielding yours. The warmth of his embrace and the steady beat of his heart are the ultimate comfort, making you feel safe and adored. Giving you the love that his mother didn’t give him.

Aemond is particularly affectionate in the mornings. He wakes you with soft kisses on your neck and shoulders, his hands gently exploring your body as he whispers good morning. These moments set a loving tone for the day ahead.

Aemond enjoys sharing baths with you. The intimacy of washing each other, feeling the warm water and his hands on your skin, creates a deep bond. He loves to see you relaxed and content, and he takes his time, making sure every touch is soothing and sensual.

Despite his duties, Aemond finds time for secret sex. Whether it’s a secluded garden or a hidden room in the castle, he ensures you have moments of privacy to express your love and passion freely.

banner by: @cafekitsune

[rambling-at-midnight]

Pros and Cons of Midnight Snacks (Part 3; final part)

Pairing: Jason Todd x Gender Neutral Civilian!Reader

Summary: Just minutes after discovering his secret identity, it’s time for you and Jason to clear the air about how the two of you actually met.

Word count: 3.4k

Your heart is racing a hundred miles a minute when you make it back to your apartment. And not just because of the five sets of stairs you have to walk up, although that's pretty bad.

You make sure that your roommate isn't home, then usher your cat out of your bedroom and open the window. You sit on the edge of your bed, nerves twisting in your stomach.

No, you can't stay still.

Also, your cat's scratching at the door, furious that he's been locked away.

You decide to wait in the living room instead.

His approach is soundless. You don’t hear him come through the window, or when he opens your bedroom door, but your cat meows happily and you turn around to see your six-foot-two lying boyfriend looming in your apartment.

“Is your roommate here?” he growls through the mask. Your cat yowls at his feet, wondering why Jason—the Red Hood—hasn’t begun to lavish him with attention yet.

“No, so you can take that off.”

You’re a little pleased with yourself for figuring out his identity so quickly. Unfortunately, you’re much less pleased with him for messing with you. You’re not mad that he didn’t tell you his vigilante identity; you’ve known each other about a month, which is nothing in the grand span of a lifetime. You’re not a pessimist, but you are realistic, and you’re not sure if your relationship is going to work out yet after a week and a half of dating. Any disgruntled ex-girlfriend could reveal his secret identity to the press—not that you’re that type of person.

No, it’s smart to be cautious with his identity.

So wearing a costume that displays one of his most unique features isn’t the brightest.

Also, now that you think about it, Jason wandered into the library the day after the Red Hood walked you home.

So you’re not exactly worried, but you are a bit cautious. You’ve seen that Netflix show You, where that perfectly charming man kills every woman he’s in a relationship with. If it came down to that, you wouldn’t be able to beat Jason in a fight.

Also, you don’t want to fight in front of the cat.

With a click and a hiss, the mask—more a muzzle—comes off, and there appears your handsome boyfriend, a little disheveled and sweaty from the five-story climb to your window after stowing his bike. He’s still beautiful, and it’s such a shame. He could have been the one, had he not stalked and lied to you.

You think.

You’re going to find out.

Jason’s eyes dart to your dominant hand, which is hidden behind your back with your trusty pepper spray ready to go at the slightest sign of aggression. “I take it I’m in trouble,” he says, light, almost joking, and bends to pick your cat up. The little bastard squirms every time you do that, but he settles right down in Jason's arms and gets to purring.

“Jason—” You start, then falter, because you don’t actually know his last name. Or his middle. “Jason,” you say again through gritted teeth, trying to make it as menacing as possible. “I think we have something to talk about, don’t you?”

“Y/N,” he sighs, running a hand through his hair. “Yes, I am the Red Hood. I couldn’t tell you bec—”

“I don’t give a shit that you’re the Red Hood,” you interrupt.

Jason’s mouth clicks shut. He gives you an odd look.

“Well, that you didn’t tell me,” you amend. “We’ve known each other a month. It would be pretty pathetic if you couldn’t keep the secret that long. Everyone in the city would know by now.”

“Okay,” he says slowly. “So what are you mad about, exactly?”

“That I was right!” You exclaim. “You were stalking me! I thought you just liked coffee and reading, but you were following me the whole time. You even offered to beat yourself up. What else about you is a lie?”

“Okay, whoa,” he says, holding his hand up, and if you weren’t mad before, you’re getting there now. He has no right for you to motion to calm down. “Okay, I’ll admit it. I guess I kind of did start this all out by following you.”

Your hands fall limply to your sides. Now that he’s admitted it, all the wind is out of your sails. You’ve never been so disappointed to be right. Secretly, you were hoping he would write it all off as a freak coincidence so thoroughly that you’d have no choice to believe it, all the way up until he strangled you. “Okay,” you say calmly. You hear your own voice, but it’s from very far away. “Are you going to hurt me now?”

“What?” He looks aghast at the very thought. “No, no, I won’t—why would I—No.” He’s so firm in the reply, so utterly certain, that your grip loosens on the pepper spray. He might be a really good liar… or he might be telling the truth. “No, Y/N, I really like you, which is why I asked you out, and even if I didn’t, I wouldn’t hurt you anyway because you’re my friend. And you’re a good person. The Red Hood punishes criminals; he’s not some crazy serial killer.”

“I mean, you kind of are,” you mumble. You’ve seen the statistics. He ruled through fear for several years. But, like he’d said earlier, he’s reformed himself. He still kills people, though, but you find that it doesn’t bother you as much as it should.

“I am not—” Jason stresses, looking you right in the eyes— “the kind of man that hits women.”

There’s a story there, in the way he says it, but it’s not the time to ask. You’re not sure that your fledging relationship is ready for it, either, but you’re still curious. You’re also curious about why he killed so many people when he started out. You’re curious about everything about him. You think you could listen to him talk for hours about himself and you still would only touch the surface of everything that makes up Jason.

“Okay,” you say. His eyes track your hand as you set the pepper spray down on the counter.

He repeats it like a question. You’re a little surprised, too, but— “Jason, I wouldn’t have agreed to be your girlfriend if I wasn’t sure that you’re a good person. But I need you to tell me about how we met.”

“You mean the robbery?” He looks confused. “That really was just a coincidence. I heard that something was going down and stopped by. I had no idea who you were before that night, I swear.”

“Okay. So why did you follow me to the library?”

“Oh.” Jason coughs. “Yeah. Okay, well, the first day, I actually was following you.”

You slap the counter with an open palm, triumphant. Your cat hisses at the sound. "I knew it!"

"Wait, wait, just hear me out. I was following you to make sure that you didn't die of blood loss. Or sepsis. Or gangrene. Or—"

"So you were stalking me... because you cared?"

"It's how my family shows love," he shrugs.

Your eyes widen. Because you hadn't considered it, but if he's a Bat—and he is, judging by the red shape on his chest—then his family is the Batclan. "Oh, my God. Batman is your dad."

Jason folds his arms over his chest like he's self-conscious about the symbol. "Yeah, and I've got the weird attachment style to show for it."

"Wait," you blurt out. "The brother you were supposed to meet in the coffee shop—were you supposed to meet Red Robin?"

"Um..."

You can't believe you were almost in the same place as the actual Red Robin. "Wow. Is his civilian identity as cool as his superhero one?"

"Please don't tell me you're a Red Robin fan," Jason says, his voice pained. "We might actually need to break up."

"Do you think I could meet him sometime?" you whisper.

"He's a huge loser," Jason tells you. "He's short and scrawny and actually pretty ugly beneath the mask. He looks like a troll. Also, I think he watches Andrew Tate videos and moderates Reddit forums in his free time. You really don't want to meet him."

You can't stop grinning. "There's no need to be jealous, Jason. Red Robin's way too young for me, but I think it's cool that he uses his brain to fight crime."

"What, and I don't?" he scoffs.

"Okay." You hold up a hand, determined to get the conversation back on track. "So you wanted to make sure that I wasn't actively dying. Why'd you keep coming back?"

"Well, then I thought you might be a supervillain," he said casually, like that's a normal thing to spring on someone.

You just gape at him.

"You treated a gunshot wound like it was nothing!" he defended himself shrilly. "Most civilians would be a little more concerned about an open wound in their side."

"I'm a medical student. Doctors make the worst patients."

"Yeah, well, Gotham has a pretty bad track record of doctors becoming supervillains, so excuse me for trying to curb a new one before she had the chance to turn."

You cross your arms. "What did you think would happen, Jason? I'd accidentally take a dip in Gotham River and the bacteria in there would travel from my side to my brain and make me go crazy?"

"I mean, yeah. That's pretty much exactly what happened with Harley Quinn."

Well, shit. He's got you there.

"Okay, well then why approach me at the coffee shop?"

Jason raises his eyebrow. "You were the only one there and I had a spare coffee. Am I not allowed to do nice things?"

"It was right after I told the Red Hood that I thought I was getting stalked. Did you do that on purpose?" you accuse.

"No, I swear. I didn't even know that you liked that place. Red Robin mentioned liking it.” Oh, my God, you and Red Robin like the same coffee shop. “I just… kept showing up after I saw you there the first time." He must be scratching your cat too hard, because he wiggles out of Jason's arms and runs over to his food bowl, looking at you pleadingly like he's been starving for a hundred years, even though your roommate texted you earlier saying that he'd already fed him. "I was planning on disappearing from your life and telling you as Hood that I'd, I don't know, threatened the dude or whatever, but..."

"But what?"

He shrugs. "You're pretty, Y/N. You're smart. And you were funny when I talked to you as Hood. Is it a crime for me to want to make a friend?"

"Just a friend?" You squint at him.

"Yeah. Just a friend." Jason tousles his hair again, and this time you let yourself admire the way the muscles of his shoulders and upper arms flex at the motion. "Believe it or not, I've never been in a relationship before. This wasn't what I was expecting—I never expected anything—but I'm happy. You're happy... aren't you?" He's pleading now, and it tugs on your heartstrings.

You sigh, but take a step closer to him. "Yes, I'm happy, Jason." It's definitely not the most conventional way to start a relationship, and most other people would be running for the hills by now, but this is Gotham. You moved here and stayed here because you fit in with the crazy. "I just need you to tell me one thing." Step. "One honest thing."

"Of course," he says immediately. Big green eyes pleading for you to bridge the gap between your bodies, to forgive him.

"What's your last name? I can't date someone whose last name I don't know."

For some reason, he grimaces. "Uh... my full name is Jason... Peter... Todd." His voice gets quieter with every word, until you're straining to hear his surname.

That rings familiar with something in your memory. You frown. "Jason Todd... not like Jason Todd Memorial Library?" Usually with memorials, the person they're named after is dead, but Jason's real and in front of you. Also, wasn't Jason Todd the kid that Bruce Wayne adopted several years ago?

The corners of Jason's lips turn down. "Yeah, I wasn't thrilled with your choice of study locations at first. But it is quieter than my apartment. B adopted too many fuckin' kids, and they always find my place, even when I move—"

"Does Red Robin hang out at your apartment a lot?" you ask, just to see him scowl.

"No, he's never there, and I'm going to dropkick him off a roof the next time I see him unless you stop talking about him."

"Okay," you say. You're close enough now to put a hand on his forearm, so you do. "I'll stop talking." You have to get on your tiptoes and pull the back of his head a bit, but you kiss him, and somehow it's even better than the first time.

Jason's lips are a little dry, but not chapped, soft and pillowy. He blinks when you rest back on your heels, looking dazed like someone hit him over the head with a frying pan. "Am I forgiven now?"

"Mmm..." You pretend to think it over. His hands snake around your back and pull you flush against him, stomach to stomach. "I think so," you say through a gasp, which might be embarrassing if he didn't bend to kiss you before the words had fully left your lips.

You kiss for a little while after that, shivering when his hands slip beneath your jacket. Not quite up your shirt, but getting there. He's got huge hands, and he grips your waist firmly, using his thumbs to gently rub at your hipbones as he pulls you even closer. That small contact, so gentle yet also a little greedy, heats your body from the inside like an inferno.

You're starting to bend backwards now, and the hand on the back of his neck is less there to pull him down and more there to keep you up. Are you lightheaded? You might be. You breathe in through your nose, but it doesn't help.

Jason may be inexperienced, according to his own testimony, but he doesn't kiss like it. He kisses with his whole body. He keeps leaning forward, moving his lips against yours with the single-minded intensity that took you by pleasant surprise the first time you kissed. Soft but firm, pressing against you, in a way that makes you think he'd really like to crowd you against a wall and cage you in. Not that you want to escape.

When you're bent over, you take Jason's chin in your hand and slowly push his head back. He resists at first, eyes fluttering as he chases after your lips, but you're about to fall over, so you murmur, "What's the plan here, babe?"

"No plan," he says, voice low and gravely in a way you've never heard before. Jason looks at you from beneath his long lashes. A heat flashes in his eyes. Something flutters in your stomach, bigger than butterflies. Maybe birds? Maybe robins.

And then you feel his hands on the bare skin of your back when they slip beneath the hem of your shirt. You gasp and jerk away on instinct because his hands are so warm, so calloused, but he's got a good grip on you; you're not falling anytime soon.

Then your entire world shifts as Jason yanks you upright, at the same time pulling the hem of your jacket and shirt up enough so he can see your wound.

"Oh, my God," you groan, embarrassed and a little amused. "You little pervert, were you doing all that to distract me?"

"No." Jason's voice is still gravely. He looks at your hip, then stares at your mouth like he's making a decision. He kisses you again, a firm press, and nips at your bottom lip before he leans back to squint at the scar. "Is it still bruised?"

"Yes," you sigh, covering your eyes. You're embarrassed for reasons you can't quite explain. Maybe because he's pulling your shirt up and you're not quite as firm everywhere as he is. You're pretty sure champion bodybuilders aren't as firm as he is. "It's gotten much better, though. See? No infections or anything like that."

He measures the scar against his hand: it's about two fingers wide, and one finger long. It scabbed over a while ago, and now that the scab's gone, it's just a shiny pink patch of skin.

"You could have stitched it anyway," he sighs.

"I don't care." You grab him by the chin and force him to meet your eyes. "I don't care about scars. Mine or yours. Most of the time, they're sexy. And apart from me, you're the only one seeing it." His hands clench your waist at the words, then loosen. He sends you an apologetic look. You continue, "So as long as you don't mind it, then nobody does."

"I wish it had never happened to you," he sighs.

"Well, it did. But it wasn't your fault and we can't change the past."

Jason's still mulling over your words when you start to work at his belt. He makes a choked noise and grabs your hands. Doesn't push them away, just holds them still right where they are. "What are you doing?"

"Well, I showed you mine." You grin up at him. "It's only fair that you show me yours."

He snorts. "You don't trust your own handiwork?"

"It's a follow-up appointment," you say. "To make sure everything's healing normally. Now take off your shirt, Mr. Todd. This veterinarian's apartment does, after all, moonlight as a strip club."

He undoes his belt buckle with one hand, and you have to make sure that your mouth isn't open. That was probably the hottest thing you've ever seen in your life. "You ready?" he grins, cocky in the way he only gets when he's flirting with you. "One look at me and you'll forget all about Red Robin. Forever."

"God, don't bring up your little brother while we're making out," you groan.

"Good to know that you plan on kissing me some more tonight," he says casually. Then he peels off the skintight gray shirt, and every thought wipes from your mind.

His muscles have muscles. And, somehow, despite your apartment's shitty lighting, he's glowing. His pants sit low on his hips like he's a model or something.

How has no one ever dated him before? He's actually perfect.

The longer you stare without saying anything, the more uncomfortable he looks. Finally he says, "I know I've got a lotta scars," his native Gotham accent bleeding through a little, but you stop him with a hand on his chest. He's warm and firm and soft, just like you thought he would be.

"My God," you whisper. "You're beautiful."

Jason goes beet red.

"And the one I stitched is healing up nicely," you continue, tracing your fingers lightly over the slightly raised line.

His whole body shudders. He swallows almost violently, eyes clenched tight like they're in pain. Then they fly open, and you gasp, because they're glowing green. Not metaphorically glowing. Like, actually glowing.

Jason kisses you again like he's trying to herd you. You don't know where's all right for you to touch, so you cup his face with both your hands and pour everything that he gives you right back at him. Warmth, affection, something bright that you can't name.

Then you lean back. Your lips disconnect with an audible pop.

"Hang on. Is Bruce Wayne Batman?"

Jason's chin drops down to his chest. He groans, deep, and you pretend that warmth doesn't pool in your stomach at the sound. Voice thready, he says, "You know, talking about my dad really kills the mood."

"Oh, my God, he is." You pump your fist in the air. "I'm two for two. Who's the world's greatest detective now, Batsy?"

"If I kiss you again, will you shut up about Batman?" Jason asks.

You grin. "I don't know. Maybe you'll have to find out."

He does.

And you do.

You've decided that the Red Hood is your favorite superhero, anyway.

~~

Forever taglist:

@lemirabitur @annymcervantes @queenmissfit  @iksey @thehyperactiveteen @luxmoonlight @andreasworlsboring101

DC taglist:

@evalynanne @mismatchsposts

[childofthewolvess]

A masterpost digital grimoire a list of all the educational content on deities, witchcraft, and familiars I've posted!

As a key: if the post is about Loki, it is marked in green, if the post is about Aphrodite, it is marked in pink, if it is about Ares, it is marked in red, if it is about Apollo, it is marked in orange. If it is a post about familiars, it is purple. If it is general witchcraft, deities, spellwork, or religion, or advice, it is marked in blue. If it is marked with a ❗, it is a longer and more educational-based post.

This will be updates each time I post!

DEITY POSTS

Devotional day to Aphrodite

Aphrodite's beauty

Shattered and put back together - a devotional story from Aphrodite❗

Aphrodite's altar

Aphrodite's beauty is in the eye of the beholder

Aphrodite and my service dog

Some simple subtle every-day worship I do as an Aphrodite devotee

Aphrodite and my familiars working together

Loki as a god of storytellers

Loki UPG quote about storytelling

Loki and his glowsticks (UPG)

Loki's altar shot glass and a chaotic job change

Personal associations with Loki (ask)

Interpreting Loki as a nature deity❗

Loki and Sigyn: Lessons on Chaos, Laughter, and Loyalty from the Norse Gods (quotes)

Loki's a little bit like moldavite

Loki's altar

Ares moodboard and aesthetic

To find peace in a war deity ❗

Ares is a woman respector send post

Ares as a protector of women and god of strength

Ares and how his energy feels

Ares altar

Ares is a proud dad, I guess?

I am a daughter of Ares

A prayer to Apollo❗

Apollo werewolf cult curiosity

Deity appreciation post

My god squad's energies and how I see them as a poet

Blending/combining different branches of polytheism

Devotee and Deity Trend

My participation in devotee and deity

Deity interactions in my practice

How my relationships with my deities feels ❗

Worship the gods you are drawn to!

My God Squad + Familiar Moodboards

SPIRIT WORK, RELIGION, GENERAL WITCHCRAFT

What is spiritual psychosis, and how do you recognize the signs in pagan spaces?❗

The danger of Divine Masculinity and Femininity in pagan spaces

What is a spirit worker?❗

A unique perspective on godspousing and the afterlife ❗

The Divine Aurora Borealis

Mundane enchantment ideas

Becoming open and loud about being a pagan & witch is scary. But what makes that any different than a Christian being open and loud about their faith? ❗

Custom tincture and balm making/herbalism

Colored flame candles

Healing from spiritual psychosis—a survivor's journey from delusion and depression, to happiness and purpose as a practicing pagan. ❗

Reminders for the disabled and chronically ill pagans/witches

Wolf encounter in Yellowstone as a wolf spirit worker

Learning about spiritual psychosis saves lives (thread) ❗

Litha wreathes with the coven!

Ecology, nature, and accessibility in neo-paganism

Honk if you worship the old gods

Intersectionality and spiritual psychosis ❗

Spiritual psychosis is not a harmless delusion ❗

Familiar Spirits in Eclectic Paganism and Witchcraft ❗

Life as a wolf spirit worker

Familiar appreciation post

How I work with my familiars❗

Familiar spirit readings (OPEN)

Reasons I think every witch/pagan should have a familiar spirit

A lil wisdom from the wolf spirits :)

Resources and readings for research on familiars & familiar spirits

How are familiar spirits found?

Familiar spirit anon Q&A ❗

Can we tell I never shut my mouth?