#And again the majority of these songs are from the same episode
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The First Part
The Second Part
The Third Part
The Fourth Part
The Fifth Part
The Sixth Part
The Seventh Part
The Eighth Part
The Ninth Part
The Tenth Part
#Elena of Avalor#The Best EoA Song Poll#My polls#And again the majority of these songs are from the same episode#Dang I really chose a very stupid way to make these polls#Alright if I ever make poll contests again I'll try to put more thought into it#But for now choose between the season finale songs#I vote for Never Too Late anyway#I'll start the next round next week#When this last poll stops being active#It probably wouldn't make sense to start the new round when we don't know the exact results yet#But to be fair almost every poll has a clear winner already
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── ˙✧°📷 TORN PICTURES AND FROZEN LENSES 1
────୨ৎ────
College Photography Teacher!Jungkook x Student!Reader
27 year old, stupidly handsome asshole teacher Mr. Jeon has absolutely no human decency, he believes your victim complex is what keeps you from ever achieving anything, letting people use you as a bridge. When something unexpected happens, the ice starts to melt as a foreign word called "empathy" enters his egocentric lense. Maybe he will finally manage to teach you a lesson now, since you keep failing his class.
(Mini series)- Episode one!
Song recommendation: bloodline- ariana grande
Content: Cold, mean, distant, unprofessional Jungkook, hurt, stubborn reader, enemies to lovers, lowkey dramatic, accident happens, mutually beneficial relationship (emotionally), Jk learns a lot from her, Jk is mean but has a soft spot for reader (eventually), 6 year age gap, Reader is from a struggling background, Jk kind of rescues her, happy ending, angst at first, fluff, smut, comedy/crack, bickering, college setting, brief hospital setting
Warnings: swearing, name-calling,mentions of an accident involving a biker, mentions of hospital, really mean Jungkook, i promise he gets sweet, mentions of trauma and abuse (non detailed), mental health struggles (semi detailed), arguments
Notes: Hey lovelies! This is my first time on tumblr. pls be nice! leave a comment if you like, feel free to go to my ask! to request drabbles of this couple
────୨ৎ────
A picture speaks more than a thousand words, so do eyes
At least when 26 pairs of them stare at you for being late, again. To be precise, for the 5th time in a row.
"Miss Y/n? what a surprise" Mr. Jeon stares through his glasses, direct and monotone as usual.
Bowing, you try to sit down at your desk that´s next to the door. "What is it this time? Couldn´t find your pens?" A almost routine like greeting from your teacher when you show up to class late. He tries to guess your reasoning each and every time, while increasingly mocking you. Just last week, when you showed up in a stained Shirt, he asked if you had to wash your clothes first before coming to class. You bet he found that hilarious.
On this day, his creativity seemingly died down, while his sarcasm certainly did not. "No sir, simply could not catch the bus. I apologize" you shake your head. Turning back to the Presentation behind him, wordlessly he resumes the lesson.
So likewise, you sit there. Waiting for it to be over. Photography has never been your strong suit but as a performing arts major, you needed this class to pass.
Not that you ever passed his class before, not in your first semester and certainly not in this second one.
"I will hand back your portfolios for the midterm preparations. I´m far too busy to be disappointed with them, although there are a few that gave me nightmares" his steps are small but powerful as he walks around the classroom, head pointed to the floor, his fluffy brown hair making it hard to read his face. It was blank, no one needed to see it to know. With his arms folded across his chest, he stands still.
If any other teacher had joked about having nightmares from awful projects, the class would have bursted into laughter and groans. In mister Jeon´s class, it remains silent, because for him, it´s not a joke.
Grabbing the pile of folders on his desk, he parades around the classroom, silently throwing folders down on the desk of the student it belongs to. Occasionally, a sigh of relief can be heard from your classmates.
When he reaches your desk, he slams the folder down, scoffing with his belittling smirk. It´s rare to see his face outside of his blank expression or unamused scoff, but when it does change, it is never positive.
Failed, repeatedly.
For one, because you prioritized other classes, far more important ones. Staying up until ungodly hours in the night to research for your English literature class and at the same time, trying to recall the notes for your practical music exam took a lot out of you. On second viewing, because your shitty 3 year old camera is barely holding on and you have no sense of stylistic layout or skill for settings and atmospheres. Not in pictures, at least.
Like you said, photography has never been your strong suit.
The bell finally releases you from the horrible strings of mr. Jeons depressing class, that is until his stern voice stops you from actually leaving.
"I have never had a student as careless as you" his scoff is as belittling as his eyes that look down at you. Without having to say it, they tell you how highly he thinks of himself, how lowly he thinks of you. Mr. Jeon has never been nice, too straight forward, never showing understanding for any misdemeanor. Handed the assignment in 5 minutes late? He would not dare grade it, even touch it. If you had worked tirelessly? , too bad. Ignoring the evidence of eyebags and puffy faces, he believes everyone simply lacks discipline.
"You show up late every time, fail every single exam, barely pass any group participation. Do you need this class for credits? I would drop out and take something that doesn´t require thinking, like theater. You have no chance of passing here" The words fall off his tongue naturally, so do the last footsteps of students leaving the class.
"I do not understand sir, why this concerns you at all. You have no consideration or awareness of my circumstances, I would expect some empathy from someone who´s job it is to interact with people" Honesty is not owned by him, for once, you decide to not let people treat you as if you were below them.
Once again, a scoff paints his lips as he steps closer, his eyebrows furrowing ever so slightly like he is taken by surprise from the sudden change of heart you seemingly underwent. Maybe it is just that no one has ever tried to talk back to him, knowing it leads practically nowhere. You know that as well, but the need to try and scream for the smallest drop of understanding, maybe even reassurance overcomes you with the sudden confrontation.
"Understanding? I think you are the one that needs to understand. Grow up, the world isn´t made to adapt and cradle you" It´s now your turn to scoff, your head shaking with a laugh of disbelief.
"That is exactly what I meant. The way my life is, I am well aware, mr. Jeon, that the world does not give a fuck about its people. Maybe, just maybe you know" you pause, searching his face for reaction as the frustration boils up, begging to be led out. As expected, it reads nothing. "You could try to see things apart from yourself, not everyone lives a life like yours"
"Oh my god, you poor little thing hm? What is it, lost your Phone? Got broken up with? People like you will find anything, anything in order to avert the blame. Its so-" he stops, his eyes darkening, the tattooed hand slips out of his pocket to swipe right through his hair. In a whisper of disgust, he resumes "...pathetic"
As a means to shield yourself from the way he spits out his words, your voice raises.
"Lost my home among other things, that good enough?" The words leave your mouth hurriedly, while wishing to be met with a soft smile. Stupidly enough, you know that´s very far from the reality that will weigh down on you in a matter of seconds. According to him, you are delusional anyways
The secret of yours that you had kept so warmly, so safely deep down in your mind had crept its way out your mouth, betraying you shamelessly. Not as shameless as the blatant lack of sympathy from the male stood in front of you.
" Good enough? Everyone has some shit they went through. You´re simply a loser, a lonely loser who cannot get over themselves. Get some help kid if you can´t do things for yourself but stop expecting people to let everything slide because of your helplessness. This huge victim complex of yours is infuriating. Did you expect me to cry and say oh what a cruel world, you poor little girl, i will let you pass my class?" Relentlessly he rants, with every word the sound of a distant laughter in your mind grows.
Regret.
Every second that passes he manages to give you further proof that you were never to find a spot in people's uselessly stern hearts.
Stammering to leave, the only words you manage to utter are "You´re heartless" mustering the courage to look at him is as far gone as your belief in his existence of ability to care.
Out, you want out of this wall tightening lecture hall that´s suffocating you with the strong hands of his stern voice.
"Good thing I don´t rely on the validation of others. I´m suspending you from this class to save you some work you would not do anyways" he turns sharply, walking back to his desk.
Parallel to him, you storm out of the University. Anywhere, anywhere is better right now.
Clouded by the tears of your resurfacing past you run along the streets. History repeats itself, the cycle of trust and naitivity is your biggest weakness.
Giving a way a piece of you for someone to keep safe, for someone to listen to, to care,
It has never worked before.
Stupid.
On and on unsure at this point if you were running from his words or ones of your own mind. They laugh at you, telling you their "I told you so"
Being powered simply by fear, and really, only fear, is far from enough to keep running, but you can´t stop. You can´t see either. Apparently, neither can the biker that runs into you, knocking you cold to the ground.
-ˋˏ✄┈┈┈┈
"She really did not show up, expected, Good." he mumbles to himself while sorting the material on his desk. The small cubicle like space in the teachers workroom is decorated with photographs of his very own camera. Simple, organized, plain.
"Who did not?" Mrs. Park´s curious voice rings next to him, as his fellow art subject teacher, they share most of their students.
Nosy, he thinks.
"Lee Y/n. I suspended her recently and I-"
"You mean the girl from the accident?" casually she mentions it.
The cut off on the other hand, is sharp and unexpected. Jungkook is shocked for one, because someone interrupted him and two, because of the mention of you in an accident.
"Excuse me, an accident?" mentally cursing at himself for appearing to show interest in the situation, he diverts his attention to the teacher next to him. It must be a misunderstanding.
"Jungkook with all due respect how did you think a girl lying in the hospital for the past three days is going to show up to your class? You and your high expectations" She shakes her head, having completely misjudged the situation. Surprisingly, that is not his priority.
"Three days? How come I have not heard of this? How unreliable" He scoffs, old habits die hard, certainly for Jeon Jungkook.
Mrs. Park hums, reluctantly whispering "Probably because people are.. speculating. She has lots of problems , if you understand what im trying to say" it is subtle, fleeting, but her eyes glance up at him with the raise of an eyebrow
It flashes to Jungkooks as briefly as his coworkers judgemental eyes. His mind goes on to remember his conversation, well, argument with that stupidly helpless student of his.
Three days ago.
Mentally, he shakes his head.
Bullshit.
Even if she tried something, he isn´t to blame.
Right?
"Anyways, I think she is in Incheon hospital now. I might visit her later, she used to be in my literature course" Mrs. Park voice fades out as she stands up to leave.
Doumbfounded he sits there, tied to the chair by the revelation that he might have sent someone to a hospital.
-ˋˏ✄┈┈┈┈
I can not believe I´m driving to the fucking hospital. He curses at himself while punching in the address of Incheon hospital onto his phone. It´s okay Jungkook, you´re doing this for YOUR sanity. Has nothing to do with that idiot. The words keep reassuring him of his selfishness, maybe trying to convince him that what he is feeling is not empathy, no, it is just to soothe his mind.
Why was he anxious in the first place? Not like it would make a change.
And so, 25 minutes of staring blankly at the road commence.
Blankly, because he needed to focus.
Blankly because he was not willing to face the possibilties his thoughts hold at the moment.
When he finally arrives, the huge metal doors welcome him in.
Straight to the receptionist he goes, asking for your room, providing proof of acquaintance with the patient.
What a hassle it was to gather everything, he remembers
And yet it does not stop him from heading up to the second floor.
Having just woken up from your second nap of the day, you audibly groan when the door opens, expecting to see a nurse.
"What the fuck" staring at your asshole photography teacher that is, somehow, in your hospital room.
"Good afternoon to you as well" he replies, as always, far removed from any and all emotion.
"Am I having a nightmare?" Questioning the validity of this surely odd situation, you sit up, combing through your hair. He Sighs, removing his coat and sitting at the chair across from your hospital bed. He would never dare to think he should ask if you even find it tolerable he is there.
He wants to speak to you, so he will.
"No, unfortunately not" Without knowing what to say further, because frankly he does not even know why he came here, he remains silent.
"Did you seriously come here? For what, to tell me to go to school because everyone has accidents and i need to get over myself?" The bitterness of your words match the usual one of his own, tainted ones. However this time, his eyes shift briefly.
Worry.
You think, at least.
"I get it, I was an asshole. Don´t tell me you jumped in front of a biker because of it" the strong, decorated hand of his makes it´s way to rub against his forehead as his voice comes out in a low groan of frustration. No need to sugarcoat, this is all he needed to know from you. Right?
Deciding to use it for a little revenge, you leave his semi question uncommented.
"Came here to apologize? Soothe that non existent conscious of yours, mr. Jeon?" his eyes dart up to meet yours, is it as though he really believes his words may have been the cause.
Regret, maybe. If he is capable of such.
"Fuck seriously? Yes, okay. I came here because" he stops, his tongue pressing the inside of his cheeks as he looks out into the window. The words leave his mouth without him even knowing that prior to hearing it out loud, that is what he felt.
"because I got worried that I made someone try to..." he cannot bring himself to finish that sentence.
"Is that really what people are saying? God that´s awful how am I supposed to go back to College with this being my reputation" small, barely audible you chuckle.
"Ah, no. Well.. partially i guess. I ran out after the hatred you threw at me and unlucky me, your so called cruel world strikes again" At the quoting of his words you make a mockery out of his monotone voice, the absurdity of this conversation still not catching up to you.
"Don´t worry, if that is even possible for you, I will just get over my accident" With an annoyed laugh, Jungkook stands up to stand in front of your hospital bed directly, hands in his slack pockets ever so casually but somehow, dominantly.
"I get it you idiot, I was an awful guy that day, my god give me a break. I came here, all the way here to fucking try and talk to you, give me a chance" his eyes look down at you, bored, plain. His mouth betraying him once more, spilling the unknown truth from his plump pierced lips.
"You sure have a way of asking for things. I want you out quick so, make it fast will you mr, Jeon" your reply makes him tilt his head to the side quickly, muttering a finally under his breath.
"I decided to not suspend you. And I´m deciding that maybe, you should tell me your circumstances. I´m not going to be held accountable if you try some shit"
This is about him, of course.
Just now he's taking an actual look at you, trying to decipher how hurt you really are, he would never bother to ask though.
The bruises on your arms become visibile to him, looking them up and down with tightly pressed eyebrows. They look older, some of them appear fresh.
Is she being hurt? his mind wanders
A snort from you makes him snap out of his thoughts "What? So you can laugh at it?"
He groans in response, "If you stopped being so stubborn and listened to me maybe you would know why. I´m taking your advice god damn it, I´m trying to build understanding" both hands are now running through his longer hair, the frustration of the wall you build up almost making him give up. Deep down, he knows he can´t blame you. The consequences of his own actions are catching up to him slowly, just as the realization of his heart softening ever so slightly does.
Silence fills the room, being the loudest sound to present itself.
"Fine" you roll your eyes at him. Unlike him, you want to show some grace, show him that yeah, it is possible to go through shit and need help. Sometimes people need to be ripped out of their tunnel vision egocentric world to understand their flaws. At the same time, you worry your good heart will once again only lead you too give more than you should be.
"Took you long enough" he remarks snarkily
"Nevermind then"
"Oh my god"
You laugh at his response, making eye contact with him as he laughs too. Small that is, before catching himself doing so. Still, it made a smile try to creep up your lips at the unfamiliar sound.
"That was a first" as if you´d pass up a chance to embarrass him.
"Don´t mention it" returning to his habits as always, the stern teacher voice is perfectly matching his lurking stance. ´´You´re below me´´ practically radiating off of him. What a shame, you had just begun to find him pleasant.
"Okay so, summary: Was admitted into our shitty foster system, got a whole bunch of friendship trauma, had to run away from said foster horror house and am now basically homeless in a women´s shelter. Oh and before you ask, I have a scholarship. I may be poor but I am not a criminal" the hands up in a surrendering pose make up for the awkwardly tense situation after having revealed something so personal to your photography teacher. For the second time. Right now, it´s impossible to tell what he is thinking.
Nodding he starts off his sentence,
"you were right that is a lot. Fuck, now i get why you called me a heartless asshole. Had no idea a twenty-one year old can already live that much shit. I swear, I was convinced you were bullshitting because you just did not care about my class" his rambling turns into muttering when he makes his way back to sit down on the chair, the usually bored eyes of his look softer now, while his words are as insensitive as they have always been.
"You are meaning to tell me that outburst you had on me was because you were pressed i didn´t take your class seriously? I just suck at photography, but i tried" in a subconscious motion your hand clutches your chest melodramatically, a slight smirk tugging on the side of Jungkook´s mouth.
"I know you suck, saw all of those awful collages. I did mean some things I said, someone needs to teach you how to grit your teeth and stand up for yourself, would have taken you seriously much sooner" His deep brown eyes roll with the memory of your conversation, sighing deeply he shakes his head.
Oddly enough, his truthful joke about your inability for photography makes your heart a little warmer. The belittling presence of his turning into a much closer, normal one. While the distance of his emotions is undeniable, the closeness of his growing interest in your life is as well. His mind is occupied with your conversation, unable to focus on his only mission, that is to protect who he is. The mask slips but really, does he still feel like wearing it?
"If that is what you tried to express someone needs to teach you how to empathize and communicate with people, mr. Jeon"
He wants to leave the mask off for just a little longer
"Jungkook" his first name slips out of his lips seamlessly, in the heat of the moment, lost in the fact that for some reason, he wants to understand you. Not in a suggestion, he´s still Jungkook, no is not an option if he set his mind to it. He´s demanding you to adapt to him
"What?"
"Call me Jungkook. We have been far from professional anyways. Calling me mister and all that formal shit makes it weird" his face scrunches up briefly, the embarrassment of acting more like a highschool bully than a teacher is slowly catching up to him.
You can´t help but laugh softly at this whole mess. In a hospital, constantly fighting while simultaneously trauma unpacking with your heartless, maybe not so heartless after all photography teacher who now wants you to call him by his first name.
Cruel world, as he puts it.
"Sure, Jungkook" his name leaves your lips in way so naturally it makes him jump inside.
What the fuck?
"I guess we could learn a lot from each other then, idiot" never failing to remind you of his stance on your personality, the sound echos in the room when his eyes meet yours,
but it is not his eyes that matter in his moment, they have returned to their stern nature long ago,
It is the fact that he softened his voice, as if he was afraid to let you in his mind. As if it was only possible for him to let one small spot of his soften at a time,
While you were just as afraid,
"Yeah. Deal?"
He naturally irritated face showing up to greet you once more
"Seriously? What are you, 12?"
"With the way you're acting i should be asking you that"
Unamused, he manages to mutter out
"Deal"
It's like the nurse had waited for you to be done before entering the room, informing you that visitor time is up and Jungkook needs to leave. Your eyes dart to his as he puts on the coat he had hung up previously, thanking the nurse before shifting his body slightly to hover over your sitting form.
"See you in class then" with that, he leaves you to rethink everything that had happend the past days. More over, he leaves you wondering just how honest he was about the little deal you guys made.
#jungkook x reader#jungkook#jeon jungkook#bts jungkook#bts army#bts fanfic#jungkook fanfic#enemies to lovers#jungkook smut#jungkook fluff#jungkook angst#jeon jungkook fanfic#jungkook au#smut#angst#fluff#bangtan#bangtan sonyeondan#bangtan fanfic#jjk x reader#jungkook x y/n#jungkook x you#jeon jungkook x you#bts fanfction#bts jungguk#bts jk#jeon jungkook x reader#kpop fanfic#kpop smut#redcherrykook
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Gilded Constellations | (wolfstar x reader)
Series Masterlist | Previous episode
Pairing: Wolfstar x Reader Word Count: 10.2 K Warnings: MAJOR ANGST MOMENT Prompt: Alone, desperate, lonely. How did you end up like this? How will you recover? Is recovering even possible? This IS a Wolfstar x reader fic, but it's incredibly slow burn. They won't start all dating each other until we're very deep into the story, but I promise the long wait will be worth it. Proofread by Lovely @aremuslupinsimp
Chapter 56: Who Wants to Live Forever
There's no place for us
What is this thing that builds our dreams,
yet slips away from us
You sighed, it was a game. Your father had designed a game, and if you wanted to get to the other side you’d have to follow his instructions or solve his riddle. The weird thing was, how much it seemed to be targeted to you. As if he knew one day, you’d have to enter the chamber without him, or without the key. It was fishy, but you still wanted to know what was on the other side.
The riddle was way too elaborate for him to have created it since Christmas, so you ruled out the chance of it being a trap. You would have gone as far as to say that he hadn’t even thought about you visiting theVault he’d given you yet, as if he expected that to be way later on. It was true that you’d gotten an obscene amount of pocket money on Christmas, and he did suggest you could save it in your vault. But still, there was something odd about the entire thing.
You read the riddle again “In shadows deep and whispers soft, a secret lies, though hidden oft,” you muttered. “It must be somewhere in here.” You looked around, raptor-like, analytical, and cold. Solving a riddle was a brilliant way to take your mind off everything it was insistent on thinking, and you weren’t going to reject the opportunity. “Whispers soft,” you repeated. In one of the corners stood a long and tall harp. You could barely see it, it was as if it was sucking the light out of the room. You grabbed the star ring you’d seen earlier with a handkerchief and walked closer to it. Nothing seemed to move, but as you walked closer, you could hear it: the faintest sound of the harp, a soft and haunting melody.
You instantly knew what it was, “The Song of Seikilos”. You swallowed, there was no question about it anymore, this riddle had been designed for you. The Song of Seikilos wasn’t the most common song out there, but you knew about it, and Silas knew that you knew. The summer before the trip with the Blacks, your father had taken you and your mother to Denmark for some political business. You’d begged him to let you visit the muggle museum. He said he too was interested in visiting it and told you to wait.
A week later you were all in the museum. They had a special music-related event, and inside one of the showrooms you got to see the marble columns that held the poem. But there was also a man next to it, playing the same song on the violin while a lady dressed in Greek robes sang the song.
You placed the ring closer to the harp, and surely, there were Greek inscriptions on its side. You breathed and took a closer look. You couldn’t read or speak Greek –let alone ancient Greek– but you were familiar enough with the alphabet, and it wasn’t hard to find the “Σεικίλος”.
You were right, it really was The Song of Seikilos.
You tried to remember what the poem was about, the small caption next to the piece said something about it being a dedication for Seikilos’ wife. But this had happened years ago, how the fuck would your father expect you to remember? You went back to the inscriptions on the harp. You looked through the text again, paying attention to each of the letters. Was there anything you could read?
φαίνου? No idea what that might be. λυποῦ? You weren’t even sure how to pronounce that. χρόνος? hronos… Chronos… The titan of time!
“Of course!” You said excitedly. “The song of Seikilos was an epitaph! A poem for his dеad wife.”
It said something about Chronos demanding it’s due. About time demanding his due. Time… time… time… you pondered. “Through twists and turns of mind and fate. Seek the truth, but never late.”
But what could the truth be? Dеath? That was too simple, too obvious.
Silas would never go for something like that. You leaned closer to the harp, the ring held high illuminating as much as possible, the harp still sucked the light out of it. Either way, right in the corner of the room, under a couple of books you saw something that looked interesting. An old journal. But not just any journal, it was a dream journal.
“In echoes of dreams untold, the key awaits, in tales of old,” you whispered and leaned in to take it in between your hands. It was heavy and old. Blue leather cover and silver engravings. You pulled it out and held it to the light of the vault. You checked the clock again. 10 minutes. it had been ten minutes since you took your bag. If only you could slow time or make yourself faster. There were plenty of spells that allowed you to do that, none of which you could perform with her wand.
You took a deep breath before opening the dream journal. Empty. It made sense, after all it said dreams untold. But if they’re not told then… could they be shown?
You looked at the page and placed your hand on it, closed your eyes and waited. The tick-tack of the grandfather clock and the faintest whispers of the harp the only sounds in the room. You waited a little more… tick, tack, tick, tack… nothing… No dream, no visions, nothing.
You turned to the harp again, perhaps you missed something. Maybe on the echos old, instead of in the dreams untold, you thought. But there was nothing on the books either. You grabbed the journal, closed it and started inspecting the cover… there was something odd in some of the patterns. You slid your hand over the spine. and suddenly, something clicked. You frowned and opened the journal again, right there in the middle of the book there were a few hollow pages and inside one of them a small locket.
You grabbed the locket and left the book on the side, on the back, in cursive so small it was almost unreadable, it said:
While you live, shine have no grief at all life exists only for a short while and Time demands his due.
“It’s the poem’s translation,” you whispered. “But why would I need the poem’s translation?” You looked at the book with the poem again. “Through trials dire and trials fair, only the wise shall find it there.”
Echoes old, and dreams untold, you recited. Echos old, could be old books, you’d already seen a few old books, there were very many in that corner behind the harp. You pulled them out towards the centre of the room. The Tales of Beedle the Bard, The Arcanum Codex: Legends of the Ancient Wizards, The Chronicles of Avalon (that one was fae), The Divine Comedy, The Chronicles of Mistwood Manor, The Iliad, Paradise Lost and the Odyssey. So many ancient books: wizard, muggle and fae; but how would you know which one to take?
The poem… the poem was Greek. You took the three books. in your hands. The Iliad, The Divine Comedy and the Odyssey. But which one to take?
The Divine Comedy was about hell, but it was also about dеath, which could have a connection to the Seikilos’ poem. On the other hand, The Odyssey perfectly reflected the “trials dire and trials fair, only the wise shall find it there” line of the riddle.
You were hesitant as you picked the book up, you’d read it before. Your mother had given it to you a few years ago as proof of one of the best muggle-wizard collaborations. With the fact that Homer had been a wizard and because of Circe and Odysseus’ collaboration, proved that while wizards were powerful, and could be evil, they could also be benevolent and help humans. But that was before wizards had decided to seclude themselves from the world, and when they were actually trying to integrate themselves into it.
The book was the version you remembered your mother had given you; green cover, and written in verse. You flipped through some of the pages, and right in the middle of one of them, you found a recipe.
“Shut up,” you whispered as you looked at it. It was sleep draught. “Fine then, that’s it,” you said annoyed. You were stuck. Except, what if you weren’t? You took the locket from the table in which you’d place it, and stared. The key awaits, in tales of old.
What if the locket really is a key? But a key to what?
You spun around in your place, paying a closer look at all the things scattered in the room. The harp and the clock jumped at you at once.
You walked towards the clock: χρόνος. Chronos was such an important character in the poem, it made sense for it to be an equally important character in the riddle. In seconds you were right in front of it. It had been 15 minutes since you started. You placed your hand over the clock, there were many intricacies detailed all over. From a wonderfully sculpted story on the cover to details of the moon, stars, and planets on the face. It had not two, but eleven hands, 2 for hours and minutes, and then one for each planet. They were right around the clock, and moved ever so slightly each day, mirroring the real movements of each of them.
And then, right behind the small cristal, there were the winding ports. You took the locket in your hands and cranked it open. Right inside of it, there was a small winding key. You placed it on a spot, and there was a soft chime you took in a breath. Good, now you had to find the rest of the keys.
You grabbed the book and went over some other lines of the riddle: In silence vast and darkness deep, the answer lies, in dreams asleep. but wake ye now, and heed the call, for time is short, and darkness falls. You glanced at the clock, there was something there now that wasn’t there before. The moon phase section was changing every couple of minutes. It went from crescent to quarter in less than 5. “For time is short and darkness falls,” you whispered as you took a deep breath. “Fuck,” you said when you realised that you didn’t have much time.
It felt like you were spinning around and around and yet you didn’t get the result you’d hoped for. You turned to the rest of the books. You frowned and turned to the riddle again. There was something about the wise: only the wise shall find it there.
“The wise,” you repeated as you pondered. Greek, the Illiad, Wise. “Athena! But where?” You thought of looking in the book, but something told you that might not be the solution, you had already found enough things in books, there was no way the rest were in them too.
You looked around the room again, there were so many things it was like looking for Waldo, or worse yet since when you looked for Waldo you knew exactly what you had to find, a small man with glasses and a red striped shirt. Now thought? You had no idea what you were looking for. Still, you looked around and focused.
That’s when you spotted it, right at the top of one of the huge shelves that held piles and piles of things, there was a statue of an owl. You scoffed when you realised what kind of owl it was, a fucking Athene. You used one of the hundreds of piles of books to lift yourself enough to pull the owl from its place.
That had never been an issue before, a small spell would be more than enough to have it float gently towards you, but you had to improvise now. You almost tripped and fell, but you managed to hold your balance and took a deep breath once you were back on solid ground with the owl in your hand. You started to twist it around, looking at all his sides. But there was nothing, not a single thing.
That’s when an idea popped into your head, you took a deep breath and dropped the entire statue into the ground. It burst into hundreds of smaller pieces, and yet they all looked like they had been designed to crack a certain way. You looked at the floor, they had somehow arranged themselves, one line towards the clock, and the other one towards a small cabinet in the far end of the room. You walked there and started opening all the small drawers.
They had ingredients for potions, and jewellery and– bingo! A vial. Clear liquid, a simple, omnibus label: φάρμακο. You suspected what it might be, the horrifying thought sinking in like a doxy’s fangs. You sighed as you unclogged the cork and brought the potion up to your nose.
You took a deep breath. Nothing. You concentrated a little bit more, you used the same technique you had developed lately, and while you didn’t physically turn into Vixen, you called upon her sense of smell. There it was, cleverly cloaked, clearly done by an expert, it must have been worth a small fortune. But it was clear as day: Valerian Root and Sopophorous Bean.
Draught of Living Dеath.
Rather proper, since φάρμακο is old Greek for both poison and cure, you remembered Slughorn had mentioned that once.
If you thought it through, there was no way you were drinking to a different potion. While a simple sleeping draught would have done the trick, like the one in the small note still in your pocket, there was no way time allowed you to brew such a thing, not with the moon already being full, and with half of your time gone.
Now, you knew how dangerous draught of living dеath could be, and this is when the dire trials came back, you could either drink it, do the brave and reckless thing, or you could try and brew the other potion. With no wand, and barely enough time to find all the ingredients.
You took a deep breath, if you took only a drop, really a drop, nothing more than that, and if the potion wasn’t concentrated enough, then perhaps it would be enough for you to fall asleep and wake up before the moon was dark again.
It was now or never, you took a small hairpin from one of the corners and dipped it in the small bottle. Your breath was short, breathing had become harder as you moved the small, poison-filled pin towards your face. It’s what was expected of you, your father knew how reckless you were, if he had left that there it was for a reason. Not many would be brave –or stupid– enough to drink Draught of Living Dеath, except perhaps someone as stubborn as you or him.
You stuck your tongue out and gently brushed the hairpin right on top of it. You placed the bottle on the side and looked around. Nothing, perhaps I should take more, you thought, and then the walls started to change, coating themselves in a black gooey substance before disappearing entirely.
“So I’m dreaming,” you said, there was an echo of your voice, going all the way to the end of the seamingly endless room you were in before coming back to you, in a voice eerie similar to yours but also vastly different.
Deeper, richer, sinister, “So, you are dreaming.”
You swallowed, it was pointless to ask where this was, or anything regarding the nature of the place, you knew you had a limited amount of time and no matter how different time was in dreams, you couldn’t afford to lose any of it, not unless you wanted Chronos to demand his due.
“I’m looking for a key,” you said, your voice echoed again, louder this time, and then, out of nowhere, something, or rather someone appeared right in front of you.
“We know,” the thing said. It was a figure, almost a mirror to you but with no face, all dark and smooth like a mannequin. Only a sunken mouth, awfully reminiscent of a Dementor’s. It didn’t move as it spoke. “Why do you want it?”
“I need to get to the other Vault.”
“The mirror,” a whisper said.
“She wants the mirror,” another whisper returned.
“I just want the key,” you replied. “I need to see what’s on the other side. It may be dangerous.”
“It is dangerous, child,” the voice said.
“It’s a terrible idea to go,” a different one added.
“Perhaps… I still have to do it,” you retorted.
The creature in front of you smiled, a sharp, shark-like grin, “that’s what we wanted to hear,” it said.
“Two paths lay ahead of thee,” one of the voices started.
“One of us always tells the truth.”
“The other one always lies.”
“You may ask one question.”
“To either one of us but not both.”
“Ask away, little sprite.”
“Or stay in the darkness and relent.”
“It is your choice.”
You sighed. You knew this riddle, your dad had given it to you when you were 10, you couldn’t find an answer and you begged him to give it to you. He’d said one day you’d guess it yourself.
“But what if I don’t?” you’d asked, concerned.
“Then you’ll go through the wrong path and something bad would happen.”
“But you could tell me now. Then nothing bad would happen to me.”
“And you wouldn’t learn a thing,” he had answered indifferently.
You held back a resentful groan, as you bit your lip. This stupid game was getting beyond annoying. If this was his way to have you solve his stupid riddle, if he thought you ought to learn something from putting your life at risk, then he might be even worse than you thought. This wasn’t even tough love, this was a reckless gamble of your safety, whatever lesson you were supposed to learn from it was in no way worth it.
And yet, you’d go through with it either way, and he knew you’d go through with it, you were obdurate and determined, and you had to know what was on the other vault. The dream beings had confirmed how dangerous it was, you could not leave it on his hands. Not on the same hands that had cast crucio on your mother. The action that made you react harshly and cause that fire, the action that had caused her demise.
You turned around, you could hear a faint echo of the clock and the sound of the moon phase section changing again, you were running out of time.
“I–” you staggered. How could you trick them? One question, what could you ask?
You turned to one of the paths and pointed at it, “Would the other Omnius voice tell me that this is the way to the key?”
There was silence, and then the voice said, “No.”
If it was lying, then the truth would have said “yes”, and it would have changed it to “no”, which meant it was the right path. If it were telling the truth, then the lying voice would have said “no”, and it still would be the right path.
“Then this is my way,” you said and walked towards the path.
“Are you sure?” one of the voices said.
“You might be wrong,” the other one added.
“Or you might be right.”
“Logic in the dream world can be different than back on earth.”
“What if we switch?”
“What if we both lied?”
“Then the riddle would have always been unsolvable by logic,” you said with a shrug. You were confident in your answer.
“And magic?”
“Potions?”
“Veritaserum?” you asked. “That would be cheating.”
“Isn’t it worth it? To fulfil your task?”
“Would you drink it voluntarily?”
“Of course not!” the voice said, irritated.
“Then it wouldn’t,” you replied. “Unlike Silas, I do not think things can be achieved by any means necessary.”
The voice laughed, a loud, horrifying cackle that resonated and echoed through the entire room. “She really thinks she’s so much better for following her moral compass.”
“Where has that led you, child?”
“Alone.”
“Abandoned.”
“Motherless.”
“Loverless.”
“Straight towards despair.”
You looked at them, their heinous words echoing in your head, each one stronger than the last. All of them ringing truth to your ears. But you weren’t going to put your happiness above the one of those you loved. You were not going to let them suffer at your expense. Not when you tried to help Nina and not when you broke up with Sirius.
“Well then, I’ll walk there gladly, as long as I can still protect the ones I love,” you replied, tears prickled in your eyes as you ventured into the path.
It was dark and it seemed to grow smaller the deeper you were. But you pushed on, after a long walk, you entered a chamber. You looked around, it was empty, except for a deep plunging drop, and a floating slab of concrete in the middle. And right there in the centre of the island, there was a small jewellery box, with the same engravings as the Grandfather clock in the real world. You knew how dangerous of a jump it was, but you had to take it.
You took a few steps back to build momentum and you ran. You crashed chest-first into the side, it knocked your breath out and you barely managed to hold onto one of the raised tiles in the floor. Tears prickled in your eyes as you struggled up. How did it always look so much easier in movies and comics? This was almost impossibly tough to achieve. And you had relatively decent arm strength. There was a wand lying on the side, just within reach.
You hadn’t seen it before but you took it and pointed downwards. “Confringo!” you shouted, the impulse the spell gave you was enough to flip you upside down and have you crash, back first, onto the concrete, your head slamming with an unsettling loud thud. You groaned as you looked up at the nothingness above.
And then you heard it again, like a faraway whisper: Tick, tack, tick, tack… The ever-so-constant reminder that you had no time to rest. You exhaled wearily and groaned your way into a sitting position. You took the small jewellery box in your hands and tried to open it, but it wouldn’t budge You were about to smash it into a wall out of exasperation, a riddle within a riddle within a fucking riddle, it was getting out of hand.
But there was a small glistening thing in the side of the box with some kind of engraving: ᾄδειν Σεικίλος.
Of course, you thought and recalled the poem you had memorised just in case, “While you live, shine,” there was a click inside the box. “Have no grief at all,” another click and then a twist, “life exists only for a short while,” a louder sound came from the box, like a small bell, “and Time demands his due.”
The box opened in a second, surely, there was a key, mirroring the one that had been inside the locket there. You grabbed it, expecting to wake up, but nothing happened. You looked around, there were other trinkets scattered all around, but none of them had anything that could help you wake up on the outside.
There were unlabeled potion bottles, there were other wands like the one you’d used earlier, there were some bones in the corner and there were even a few books– the same ones that had been next to the harp. But there had to be a way to wake up, there had to be a way to get out.
And there was an infallible one, one that you had heard of before and that your father had made sure to drill into your head in the past.
“Darling, our little girl is having nightmares.”
“She is?” he asked as he leaned down to look at you, you must have been four or five.
“There’s dragons, and trolls and big scary dogs that want to eat me.”
“And where are you in the dream?”
“Running through the forest, and then I reach a cliff, I can’t run anymore, they,” you sniffed. Those small child eyes, normally filled with wonder, were filled with tears, “they eat me. It hurts.”
“A cliff you said?”
“Yes!”
“Then jump.”
“Ju-jump?” you staggered. “But it’s dangerous and there are pointy rocks at the bottom, I would diе.”
“Is the best way to wake up from a dream.”
“And if it doesn’t work?”
“Wouldn’t being stabbed by rocks be less painful than being eaten alive?”
“Silas!” your mother chided.
Your father threw her a look and then one at you, a small smile playing on his lips, “Then… You learn how to fly!” he said as he took you in his hands and twirled with you in the sky. Your laughs filled the room, your mom was clapping and he looked at you with the purest of smiles when suddenly, out of nowhere, he let go of you and you plunged into the floor. Of course, you fell into a mattress he had apparated there, but the fall hadn’t been any less jarring.
On the floor, you looked at him with a terrorized expression.
“Silas!” Avis said angrily.
“It’s so she learns it’s not that terrible to fall,” Silas responded as he pointed at you, a dismissive sort of look. “Children like it.”
“She’s horrified!”
“She is not! Look at her!”
Both of them turned to you expectantly. You were small, but you knew if you said the wrong thing, the two of them would fight, and you could never tolerate their fights. With your heart hammering in your chest, you smiled faintly and then started to laugh. The tears that left your eyes, were considered laughter-induced rather than the terrified ones they actually were. “Again,” you managed to say, to sell the idea further.
That’s when you decided you had to become an expert at flying, you couldn’t allow Silas to throw you again.
And yet, here you were, back in a dream and you would not only allow Silas to push you down a cliff, but you were about to plunge into the dark abyss, willingly. “He always gets what he wants, doesn’t he?”
You leaned over the edge, looking down, there was no breeze, nothing that could indicate how far of a fall it might be, if there was an end to it at all. You had learned how to fly so you wouldn’t fear the fall. You hadn’t been afraid when you fell from your broom and you wouldn’t start being fearful now.
You extended one of your legs, your feet dangled over nothingness, you took a deep breath and then you plunged. If you screamed, the hollowness of the place made the sound disappear. The rush of the fall was there, the same plunging sensation you felt sometimes on a broom, it was beautiful and harrowing at the same time.
And then, you woke up. Your breath was short, there was a thin coat of cold sweat over your limbs and the place seemed way brighter than you remembered. The key, was in your hands, it was lighter here than in the dream, but it was there nonetheless.
You opened your palm, it was almost the same as the other one, except for a slightly darker colour. You stared at it as you tried to catch your breath, you wanted to laugh and you wanted to cry, but you glanced at the clock instead. Third quarter, you sprung up from where you lay and ran towards the clock, placing the key straight on its spot. The moon phase went from Third Quarter to Waning Gibbous. It wasn’t much, around 4 more minutes than before, but four minutes were enough to make the difference.
You took the book with the riddle and went through the last lines, the ones that you hadn’t used before Paths diverge, yet all converge to where the truth and secrets surge. Choose wisely, seeker, lest you fail, and in the end, your efforts pale.
“Choose wisely, seeker,” you thought. Could he mean?
You turned around, looking for something, and right there in the middle of one of the bigger shelves, there was a golden snitch. When you stepped closer to her she released her small wings and started to fly around the room.
You had no broom, but you had experience, if she thought you weren’t looking at her she would lean closer to taunt you, that was what they always did. You walked towards the pile of books you had left in the centre of the vault and grabbed one of them, flipping through the pages while keeping an attentive eye on the clock. The moon was back in Third quarter. You were running out of time. You were just looking at the pictures in the book, the Peverell bothers talking to Dеath, Dеath giving them the hallows, you’d heard the story many times before. You waited: one look at the pictures and a short glance at the clock, the tick-tack almost maddening as the small snitch kept buzzing around the room.
And then it happened, the small golden ball flew close to you, right in front of your face. You were as quick as humanly possible and took it with one of your hands. You could feel it melt at your touch, suddenly you no longer had a snitch but a small shiny key. Its colour lighter than the other two.
You turned to the clock: Waning Crescent. The tick, tick of the handles seemed to get thicker as you approached it, louder, so loud it was almost deafening, but you never stopped walking and lodged the key straight into the one remaining hole.
Three paths, three keys, they all converged into one single clock, into a master of time. The bottom door of the clock opened itself, and on the other side you could see nothing but darkness.
You had solved it, and yet the next step was as daunting as some of the trials you’d already accomplished. You took a deep breath and walked inside. Darkness, darkness, darkness, and then… light. Not blinding but enough to make you squint. A vault, twin to the one you had been on, and yet vastly different. All the things had been piled to the side, and in the centre back there was a large something covered by a thin fabric, it draped down the sides of it, allowing you to see a shape, it looked like some kind of door.
You walked outside of a clock, exactly the same as the one in the other room, and towards the large thing at the end. You didn’t hesitate to pull the thin white sheet from it, there was a small cloud of dust that wafted through the air due to the harsh movement and then, once the dust settled, the sheet fell on the floor with a gentle thud. Not a door, but… a mirror.
Except it wasn’t quite that either, you could see your reflection, but there was something odd about it, it was you, but, there was something about it that looked different.
You looked at the mirror, there seemed to be an inscription at the top “riapsed dnaht urt d niflla hsuo yt ini htiwt nemrot ren niruoy tubega sivruo y ton tcel feri ”
It was English text, which surprised you since you assumed it would also be Greek, everything seemed Greek that day. You read it aloud, it didn’t sound like Greek either –you thought it could have been the pronunciation rather than the spelling. You pulled back a little, trying to get the big picture. The mirror was tall, far taller than you, even Remus would have fit inside of it perfectly, and it would have surpassed him. It had a silver frame and it had pointy ends, it reminded you a lot of Hogwarts Architecture.
You wondered if you’d ever seen a mirror like that, and you didn’t quite remember such a thing. Yet, it was oddly familiar as if you had seen it before, perhaps in a dream. You reread the words again, and that’s when you realised what it said. It wasn’t Greek, it wasn’t even a different language, rather, and quite proper of a mirror, it was in English, but spelt backwards.
"I reflect not your visage but your inner torment, within it you shall find truth and despair,” you read aloud. There was a slow chime as if it had come from the clock behind you and not the mirror itself. The reflection in the mirror wobbled as if the screen had turned into a silvery pool instead of glass.
You walked closer again, you knew reading the inscription had activated whatever was inside of it, but the idea of seeing your inner torment was not something you were eager to do, it wasn’t something that you wanted to face. You’d been running from it incessantly since Christmas, and you did not want to stop now.
But you had to.
Whatever was inside the mirror was reason enough for your father to make that dreadful riddle, and if it had been that hard to accomplish, then there was definitely something worthy inside of it. You looked at the mercury-like screen ahead of you and took another step towards it. You placed your hand on it and saw how the entire thing wobbled alongside your small push. It seemed to almost stick to your finger before releasing it and going back to its place.
You remembered what one of the voices in the dream had said, the echo so present in your head, it was as if they were speaking to you again, “Straight towards despair.”
Right in front of you stood a mirror of despair, and you would walk right inside of it. Head high, and breath calm, even as your heart hammered inside your chest. You took a deep breath and took another step, and then another. The metal liquid surrounded you completely, and suddenly you were somewhere else.
You were falling, and then you crashed onto a mattress. Avis and Silas were there.
“Mum,” you said, tears prickling your eyes. “Mom, you’re here!”
“Look what you’ve done!” She said angrily at Silas, “She’s crying.”
“No! No, I’m–” She looked younger, far younger than you remembered, far younger than she’d been when your chimaera swallowed her.
“She can barely speak.”
“She must learn! She must become stronger! If she wants to survive she–”
“Silas!”
You knew what this was, you didn’t want to see it. You stood up in an instant, “It’s fine, I’ll go to my room,” you said before exiting the living room as far as you could. You locked yourself in one of the closets, and things were calm only for a second. The doors opened, your room was different, and you, or another version of you was there, writing something furiously on some parchment, bunching it up and throwing it on the side.
Regulus’ letter was on your bed, you walked towards it and picked it up, you now knew what it said, how much heartache would have been spared if only you had given Reggie a chance. “Read it,” you told her.
She turned to you, tears in her eyes and a scornful smile, “you have no business here,” she replied, snatched the letter from your hands and threw it towards the fire.
She watched it burn with a tear sliding down her cheek and then went back to writing the letter she was working on, you looked over her shoulder “Sirius, This is the last letter I write. I’m sorry for…” you knew exactly what she was writing, what you had written.
You sighed, and walked toward the door, next thing you knew, you were in the shack. Remus had a cloak, and he was panicking, looking at the bIood in his hands, breath sharp and desperately looking at James and Peter.
“Where is she?” He asked, you could hear the desperate crack in his voice.
“She’s okay, she’s with Sirius,” James said with ease. Peter was looking at the broken metal door with a confused face, and trying to place it back into place with a spell.
“Don’t lie to me,” he pressed, there were tears prickling in his eyes, he looked livid and terribly upset. “This is her bIood,” Remus said, his voice breaking near the end. “It smells like her!”
James licked his lips and took a deep breath. “Yes, you accidentally scratched, nothing else. You know,” he said. “You remember.”
“No, I–” Remus breathed, he was entirely forlorn. He frowned, “I lost track of them! She was there and then she wasn’t and then–” Remus shook his head and sat back on the bed “–There was a fox.”
James nodded, “She’s the fox.”
“Moony was trying to bite her!”
“That didn’t happen,” James reassured. “There were no bites.”
“So, she’s okay?”
“She needs to get patched up,” James said, “but she’ll be fine, she’s tough.”
You wanted to walk towards Remus and give him a hug, to tell him that you were all right, that you would be all right. That it wouldn’t even be the hardest thing you’d go through in the past few months, but the scene dissolved into another one. Remus, James and Peter turned into dust, so did the room, and it slowly rearranged into a larger room.
You heard the door close behind you and then turned to the only person remaining in the room. Evan. He stared at the door dumbfounded, a mix of hatred and relief evident on his face. You weren’t sure why you were there, and you were about to follow yourself when you heard a sob. You turned around to look at Evan hesitantly, a small confused frown knitting your eyebrows together. He was crouching down on the floor, face hidden in his hands and a stream of tears leaving his eyes.
You stared at him confused. A part of you wanted to place an arm on his shoulder and tell him things would be all right –not that you could actually interact with him– the other part, the one still sad and angry about what happened in November was almost thrilled he was crying. But the first one won over the second and you approached him cautiously.
He was muttering incoherent things as he spoke, something about Arkalis, about you saving him, about hate and compassion and Merlin knows what else. You swallowed, when you implied to his father that he was straight, when you manipulated Arkalis into thinking you had kissed his son to get him off Evan’s back you were just doing what you considered was right, you never expected for that to mean so much to Evan. Let alone break him down into tears.
It made sense now, that he and Barty had helped, what you’d done there was a lot more than you initially thought, your simple, almost dutiful act of kindness had meant a lot more to them than it had meant to you. You had earned the help they’d given you, simply by being kind.
You stood up, it was not your place to be here, in fact, you assumed Barty would be here soon anyway, for some reason you seemed to be surrounded by tragic love stories. You looked at the clock in the corner, and then you heard a scream.
You were paralysed by it, your breathing caught in your throat, a small sob leaving your lips. You knew what that was, you knew who that scream belonged to.
“No,” you whispered, shaking your head. “No, no, no,” you repeated, breath sharp and chest heaving. “Not this again, I don’t want to go through this again.”
Suddenly Evan wasn’t on the floor anymore, he –or a distorted shadow of him– was right in front of you. Tall and imposing and as terrifying as he seemed that night in the forest. “Go,” he said, although it wasn’t quite his voice.
“I don’t want to,” you replied, voice small, filled with anguish.
The world around dissolved and you were back in the hall. Nina was being held by two wizards while her mom was being tortured on the floor.
“I don’t want to see this!” you insisted. The door from the terrace where you were with Reggie was still closed. You were both still there, this was before you arrived. Nina was crying, and screaming and her mom’s jarring shrieks were even louder. You closed your eyes, but the sounds became even more vivid, louder and overwhelming, you felt like your ears would bleed if you didn’t open your eyes again.
Bellatrix shouted, there was a blinding green light and then Nina’s mother fell on the floor with a hollow thud, eyes shiny and completely defocused.
Nina let out a shrilling cry, something so loud and harrowing that you knew instantly what it was. The one you had heard from the terrace. Bella started saying several things, and you saw yourself leaving Reggie on the chair and speeding to the area, determined to do something, determined to save her. If only you knew that determination would lead you nowhere.
The second you spoke, and Nina turned to you, the entire scene dissolved. Now it was your father looking at your mother after she’d been stepped on by the Chimaera, you gulped, his screams had been swallowed by the commotion that day, but today you were closer to them. In your father’s gaze, there was anger and desperation and he looked both irked and terrified as he held your mother’s charred body.
“I’m so sorry,” you mumbled, tears welling up in your eyes as you saw your father filled with despair. “I’m so sorry, I just wanted to do what was right, all I wanted was to–”
The scene dissolved again, now it was Nina taking your face in her hands and telling you that you had to keep moving. You looked completely appalled, desperate, borderline hysterical; but Nina looked at you with a loving gaze, a calm, lake-like balminess emanated from her celadon eyes as she spoke, loud and clear. It hadn’t felt like that in the moment, but Nina had spoken to you for several sentences before you caught what she was saying before she told you to look at her, to really look at her and then told you how it wasn’t your fault.
The scene dissolved as you and Nina walked towards the window. The scorching heat of the Chimera dwindled and was replaced with an eerie coldness. Your heartbeat paced rapidly, you knew what was coming, and you didn’t want to face it again. You shut your eyes as the scene around you started to darken, “Please,” you begged. “I don’t want to live through this again, please.”
But if there was an architect to this ordeal, he either didn’t hear your pleas or chose to ignore them. You felt something cold graze your cheek, and when you touched it you realised it was snow. You sighed, you were surrounded by hedges, the moon high above you, bright but nonetheless harrowing. You knew that moon, you knew what she’d witnessed, what you were about to witness again.
Suddenly you and Nina passed by, running fast as Lucius appeared, throwing a spell and taunting you over the dеath of Cygnus Black. You fought, fierce and determined and strong. Lucius wasn’t all that great of a duelist, but you were weak, marred and using a stolen wand. Had he been any better you would have lost to him after the first couple of spells. Then he made the hole in the ground you threw a spell on him and started to repair it. Nina saw Lucius get out, she saw him pointing his wand at you, and then she saw something else. Something behind Lucius. Whatever she saw, you hadn’t seen it then and you still weren’t able to see it now.
She nodded and pushed you, the spell hit her and she fell on the floor. You –the other you– instantly crawled towards her with a raw scream, the bright shining light was there again and then from behind Lucius appeared Evan and Barty.
You were crying and pleading and telling her it would be all right even if the two of you knew that wasn’t true. You turned your gaze to the side, trying to avoid looking at it again, but then you turned back, tears streaming down your face as you stared. You wanted to see Nina alive again, you wanted to hear her voice, even if it was her last breath that you’d hear.
Seconds later you were crying and trying to use the wand to revive her, but nothing worked. You knew nothing would and yet you harboured an inch of hope that maybe in this dream, Nina wouldn’t diе, that she would wake up and run the hell away from that hedge with you.
Barty approached you and tried to pry you off Nina’s body for a few minutes before he actually managed to do it. Nina became butterflies and you saw one of them lean closer to you, to the real you, not the dream you crying on the floor; but the spectator of it all.
“Nina,” you whispered, the butterfly batted her wings and flew along the rest of them.
The scene dissolved and you saw Sirius, he was in what you quickly recognised as James’ bathroom. He was on the floor and panicking. He was saying something about it not being a dream and about you being in danger.
“It was real, and she’s alone, in the snow, pretty much passed out, we have to do something. Maybe I can apparate there or–”
“You’ll splinch.”
“Damn it, James!” Sirius snapped. “I can’t just sit here and do nothing!”
He looked absolutely desperate, terrified, you wanted to hug him and tell him things would be all right but then James spoke. “Remus!” he said. The scene dissolved again. Now it was Remus running through the shack, looking at the fence and then at the window you had used to save the butterfly. He ran through the snow, desperate, out of breath until he found you.
You had been too numb to see his reactions, but when he touched you, with that tenderness that he managed to always pull off, you saw how scared he was, as terrified as Sirius as he pressed his hand onto your face and realised how cold you were. He had stuttered several times until he managed to get proper words out, he carried you. And then, just as he apparated away, the scene dissolved.
This time it took longer for the next scene to appear, all of the mist around you changing colour and slowly solidifying into something else. It was you and Sirius, in the Potter’s kitchen. You sucked in a breath. The entire scene passed over, how you asked Sirius if he liked Remus, how you told him you would leave, and how he begged you not to do it.
Sirius’ tears were gut-wrenching, you wanted to run and hug him and hit the person who had made him cry like that. The problem was, it had been you, you had been the one to make his eyes well up in tears, the one to make his voice crumble, and the one to cause him all of that distress.
You held back the tears, “I get it!” you said loud and clear, your voice heavy with emotion you tried to conceal.
“I get it!” you repeated as you turned around. “I cause despair, I’m the source of it on everyone around me, people cry because of me, people diе because of me! Is that what you wanted to hear?”
Nothing, absolute silence. The scene in front of you, of Sirius plopping down on the floor with tears in his eyes, of Sirius crying and in distress, was there, and then it wasn’t. It dissolved, leaving you in an eerie nothingness. It was so vast you weren’t sure where it started and where it ended, there was silence, and it was cold. Not as cold as the snow but cold enough to send a chill down your spine.
It felt like you were not only alone but forsaken.
“You get it,” an echoing voice rang in your head.
“She thinks she does,” another said.
“She’s wrong and she’s right and she’s confused, and so, so alone,” a third voice said, mocking pity on every word.
You looked around, but there was no one, the voices seemed to slam directly onto your head.
“But you don’t have to be,” the first voice said.
You did not like where this was going. You had read plenty of ghost stories, any offer too good to be true was probably laden with some secret evil. This place, the entire trial felt exactly like a horror story. And yet you felt so lonely, that you listened.
“There’s rock,” the second voice said.
“It will help you bring me back, my love,” you froze, it was your mother’s voice. You turned around, tears welled up in your eyes as you saw her. It was not your mum, but the charred remnants of her that the Chimera had left, but it had her voice, and it had her eyes, your eyes.
Your breath hitched in your throat, your heart hammered in your chest as you looked at her. Trying to think of a way to help her. You were walking towards her when there was another voice from behind you.
“You can bring us back.”
You sobbed and turned around, you had recognized her voice, you had missed that voice, a tear rolled down your cheek as you looked at her. She was as you remembered, cheeks pink with the cold and blonde waves stained with crimson. She was looking at you like you were the last hope she had, the one thing that would stop her from despair.
“Nina,” you said, voice so quiet it was almost a whisper, you sniffed as you tried to breathe.
She smiled, the smile you knew so well to be hers. “With this,” she said softly and extended her hand towards you. “Spin the stone three times, and we’ll be back.”
She extended her hand, she was holding a ring in between her fingers. You looked at the ring, you were hesitant, but you took it. Her hands felt like Nina’s, but cold. You looked at the ring, a dubious frown accompanied your sniffing.
“Spin it three times and bring them back,��� one of the voices said.
“Bring us back,” both Nina and your mother said at the same time.
“You will bring me back, won’t you?” Nina asked, her voice soft, hopeful.
A stone that can bring someone back from the dеad if you spin it three times. “It’s a Dеathly Hallow,” you said in a soft, surprised exhale.
“It is, dear,” your mother said. Her charred hand was upon your shoulder. You turned your head to look at her, out of the corner of your eye you could see how burned her entire body was, “you can use it to bring us back,” she added, with a smile that looked so much like her and so much unlike her with all the charred skin that you shivered.
“Mum?” you said, your head cocked to the side, your voice nothing but a whisper.
“Go ahead, pretty girl.”
“Save us,” Nina said.
You tried to hold back the tears, but it was useless, you took a breath that got stuck in your throat. You had read the Tales of Beedle the Bard, you had read other muggle fables, doing it was a bad idea, and bringing someone back from the dеad was about the worst thing you could do to both them, and to yourself. But with your mum being charred and with Nina’s hair turning crimson rather than blonde, both because of you, you wanted nothing more than to fix your mistake.
You desperately yearned to have them back, to hug them again, for their scent to fill your nostrils like it had so many times before, the light wood-like smell of your mother and the blue lily and lavender perfume Nina used to wear. The images in front of you, although faithful to the last time you’d seen them both were nothing other than a brittle and shallow reflection of them.
The imitation was almost perfect, the slight ups and downs from the way they spoke, the colour of their eyes, the way their faces moved, the way the light hit Nina’s freckles. They were so similar it was easy to be fooled by them, but beyond that and if you looked closer, they were nothing more than a mirror of who they really had been, a frail reflection of the women you’d once loved. A projection, beaming at you from the distance, light shining from a dеad star.
You had read that once in a book, and you hadn’t quite grasped the magnificence of it until you too, felt it.
“Darling?” your mother said, cocking her head. “Spin the rock! What are you waiting for?”
“Three times, and then we’re back,” Nina chimed.
“Are you not going to bring us back?” Your mother asked, it sounded angry.
“Why wouldn’t you?” Nina said, her eyes welling up with tears. “I thought we were friends.”
“No,” you said to yourself as you shook your head. “No, no, please don’t do this to me.”
“Darling,” your mum said, her voice was that of a reprimand, cold and stern, she sounded more like Silas than herself. “Spin it now, bring us back!” she urged.
You were taking steps back, away from the two of them but they stepped towards you as you did. Your mother was angry, even beneath the charred skin you could tell she was seething. Nina was sad, crumbling, cheeks red and stained with the track of her tears.
“Please,” you begged.
Nina fell to the floor, knees crashing onto nothingness with a loud thud, “I don’t understand… We were friends. I loved you. I was in love with you, why did you not love me back? If I were Sirius or Remus you would spin that stone in a heartbeat, wouldn’t you? Am I not enough?”
“Nina,” you said.
“I diеd for you!” she screamed. “I’m dеad because of you!”
You stopped cold when she said that. She was right, and she was dеad because of you. You took the stone ring in your hands, held it closer to your face and touched the stone, tentatively, only with the tip of your finger. And then, out of nowhere, a small blue butterfly landed on your finger. You looked at her, it was the same butterfly you had helped enter the shack.
“Have you also diеd because of me?” you asked bitterly. “Do you also want me to bring you back?”
You put your finger back in the stone, but the butterfly got in between, not letting you touch it. You frowned as realisation hit you. That was not Nina, Nina would never say those awful things to you, no matter how many times you had said them to yourself.
The butterfly on the other hand? The one trying to stop you? That was a lot more like the Nina that tried to snap you from your destructive thoughts back at Evan’s manor. Like the Nina that had hexed Bellatrix without hesitation to defend you, like the Nina that had pushed you out of harm’s way, like the real Nina.
Nina whispered your name, and you looked up at her. “Bring me back,” she said. “I want to live again.”
“No,” you said.
“What?” your mother asked, the steady but furious tone you had come to know so well.
“I said no,” you repeated louder this time. “I can’t help you.”
Nina’s face fell to the ground, a tear streaming down her face while your mother stalked towards you angrily. Nina looked up at you, anguish and despair so evident that it was almost heartbreaking. “Is it because I’m not good enough?”
“It’s because you’re not her,” you said simply. “She wouldn’t want me to do it.”
“But I do!” She said distressed. “I do! I want you to bring me back! I want to live again! I want to feel the sun on my face and hear the hollow sound of the wind and taste chocolate on my tongue and see you.”
“I can’t.”
“But you kiIIed me!” she said desperate, her face morphing into an expression that you weren’t sure Nina was capable of making. “You murdеred me, I diеd because of you! Why won’t you bring me back?”
“BECAUSE YOU’RE NOT NINA!” you shrieked, your voice breaking near the end. The figure pulled back. “You don’t know how much I wanted you to be her. How much I wanted to see her again, how much I craved to hear her voice again. But your voice, although similar, is not hers. And your eyes? They might be the exact same colour, but they don’t twinkle in the way hers did. You,” you looked at the charred figure.
“You both are nothing but an illusion of who they both were, of what they were…And you could never be anything but. Because…” you hesitated, you didn’t want to say it. “Because you’re both dеad.”
The figures dissolved in an instant.
You crumbled onto the floor and sobbed. The nothingness embraced you like an old friend and you allowed your tears to stream down your cheeks in a cascade of pent-up emotions. All the denial you had forced through them, all the times you had blinked them away.
You cried and cried and mumbled incoherently how sorry you were over a hundred times. Nina was dеad. Your mother was dеad. They were both gone, and they would never come back. You pulled the ring from your fist, you’d held it so tightly that the shape of the stone had etched itself onto your hand. You held it between your fingers and stared.
Not even this rock would bring them back, even if it was a real Dеathly Hallow, even if it had the power to bring people back from the dеad, you were sure the price you’d pay for it would be far more devastating than the crumbling ghost of the person you knew that it would bring back.
“Truth,” a voice said, echoing in your ears the same way it had done inside the dream.
“She saw past despair and looked at the truth,” the other continued.
“You may go now, child.” A third one said. The reflective-like screen appeared in front of you. You could see the colours of the vault on the outside. You blinked and then turned your eyes back to the ring. You extended it right in front of your chest, holding it in the palm of your hand, before turning your hand upside down and letting it fall to the floor.
“You won’t bring it with you, child?” the second voice asked.
“No,” you said simply. “Something like this shouldn’t exist.”
“Destroy it then.”
“I can’t,” you said, you had felt the power within it. It was dark and dеadly. “You know I can’t.”
“Then someone else might take it. Use it.”
You let out a breathy scoff and then sniffed, your nose was still filled with snot from the tears. “Not if it’s unfindable,” you said and stepped out of the mirror. When you turned back to look at it, Nina and your mother were tapping at the crystal desperately. As if they too wanted to get out as if you were the only one who could help them.
You reached inside your pocket and took Nina’s wand in your hands. You looked at it with a sort of sorrowful look, eyes glassy with tears and then pointed it at the mirror. You took a deep breath, “Reducto!”
A flash of light came from Nina’s wand and crashed onto the face of the mirror, turning it into shreds. The wand had worked better than any wand you had ever used in your life, as if she had been made for you.
Unbeknownst to you, your spell hadn’t trapped the ring in the mirror forever, but rather, transported it back to its original place, Gaunt House. And it would remain there for years, until someone else, someone much weaker to the whispers of the dеad, tried to use it.
There's no chance for us
It's all decided for us
This world has only one sweet moment set aside for us
Who wants to live forever
Who dares to love forever
Oh oo woh, when love must diе
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A/N: I questioned myself for making them suffer so much while revising this chapter. Some of Sirius' words are just heart wrenching to me, I swear <3
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okay saw that you also write for ethan morgan and could you. write a siren!reader thats like SUPER into him and he finds it unnerving (hes not used to girls Actually liking him) and he agrees to go on a date w her?? you can choose where!
"Bright like blue" ~ Ethan Morgan x Siren! Reader
tw! siren
erm idk which episode had the siren i cant find it 😖 i was gonna rewatch it but nvm ig, anyways ik what sirens are so i'll js thug it out. Also this guy is such a geek that he fs does dates at his house and gets his family to leave the house. he's also broke. i hate this.
(backstory: friends w sarah/erica they knew you were a siren, told the group thats how everyone knows)
Ethan kept his distance from her, to the best of his abilities at least. The thought of her luring someone out and killing them just by using her voice was.... frightening to say the least.
Yet, every time she flashed him the smile he remembered the kind of person she was. That she wouldn't make random men fall in love with her and then lure them out to sea and drown them! Right?
He knew you liked him, Sarah told him awhile ago. He didn't know what to do though, a girl hasn't ever liked him before. He's never even been on a date. I mean he's never really been too interested in dating until last year! Except he would be lying if he said you weren't attractive, I mean you're one of the prettiest people he's seen. Like ever.
"Hey, Ethan wait up" You called for him.
You were going to the same class together, he already knew that. It scared him, but he knew. Why was he so terrified of you? He knew you wouldn't actually kill him, but every once in a while he'll catch a glimpse of a scale or gill thats usually well hidden and it freaks him out.
"you wanna walk to class with-" He cut you off before you could finish your sentence.
"Do you wanna go on a date?" He asks looking at you, "wi-with me! i mean... do you want to go on a date with me..."
The last part of that was less of a question and more of anxiety and muttering. Yet, you could only smile at him and his dorky self.
"yeah sure" you respond, contently.
He was confused, why was he more anxious about this than you? You're the one that likes him! He doesn't even know if he likes you! Ok, he does like you a little bit... but why aren't you freaking out? Jesus just answer her!
"okay, uhm uh do you wanna just meet me at my house then..?" He was trying to play cool but there was clear anxiety in his voice. His stutter with every other word.
"yeah, sounds cool. So... do you wanna walk to class together or what?" You say, almost teasingly. With that same smile you always give him. God, you're pretty.
He just nods his head and you guys walk and talk with each other to class. You were doing the majority of talking, but you were so funny and so interesting. He hadn't ever talked to you for this long before. Once you reached the class your shared giggles died down.
After sitting through the hour long class he was thinking about what to wear, he had a good idea of what it would be. In the halls you went with Sarah and Erica while he went with Benny and Rory. You both just happened to be talking about the same thing though.
You came over an hour after school ended, there were no cars in the drive way. It looked as if no one was home, except the lights were on. You knocked on the door.
He answered wearing his and blue collar shirt with his formal pants. He looked at your somewhat formal (dress/suit/etc) attire.
"You look great" he says with a nervous smile.
"Thanks," you say with a genuine voice, "you look... geeky"
You both chuckle and he invites you in, offering his hand to you. You grab his hand and he gets a vision of water and a dock and a song.
You being a siren this freaks him out and he lets go of you instantly. While you just look at him confused, why did he drop your hand so fast? He had finally just stopped acting weird around you, kind of. Is he going to start again?
He leads you to the dining room where he set up candles and music, with food that looks surprisingly edible.
The room looked nice but, you had to poke fun.
"Everything looks great, but." Your voice trailed off at the end, teasing him.
He looked at you nervously, "but?"
"Take off the sweater vest. It's killing the mood." You say, playfully making fun of him. Lightly laughing.
He just rolled his eyes, taking off the vest and throwing it somewhere behind the two of you.
You two were talking and laughing the whole night, besides eating the enormous amounts of food that the two of you happened to finish somehow?
"Hey, I wanna show you something c'mon!" You say excitedly, standing up while wiping your face.
He looked at you confused, was this the thing in his vision? What were you showing him? He got up slowly, following you out.
You finally both arrived, hand-in-hand, walking to a somewhat abandoned dock. It didn't look old and dangerous but there were no boats or any signs of recent human life. You leave him and go to the edge of the dock, sticking your feet over. Humming some olden siren tune.
Same song as in his vision, thus making him panic. He stays off the deck completely, scared of what you might do. You turn around, suggesting him to come over as you scoot over. Making room for him. Kicking your feet in the water. He walks over, slowly, to sit with you. He takes off his shoes and socks and puts his feet in the water. Kicking with your feet in the water.
Maybe some visions aren't bad.
#my babysitters a vampire#mbav#ethan morgan#sarah fox#erica jones#rory keaner#benny weir#ethan morgan x reader#sarah fox x reader#erica jones x reader#rory keaner x reader#benny weir x reader#reader x ethan morgan#my babysitters a vampire x reader#mbav x reader#inside#playlist fics
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so something i dont see much online is how similar hyuna and luka actually are.
When we meet Hyuna, we get introduced to how upbeat and her free spirited personality, both in how she acts and in the song.
This in particular speaks almost in entirely of freedom and the desire for it. She sings about living her life for her and “a bird set free”. As obvious from her being rebel, everything points to how she desires freedom from the aliens and control over how she lives her life. We can also see this in a comic where she says the reason she enjoys singing is because on the stage she’s the one in control.
Already from a young age, control is something she has wanted, over her own life and her performances. And for her saying this, I think its even more interesting if we look back at All In. The majority the song takes place both in a bar where Hyuna is singing or the mission both Hyuna and Mizi are doing.
We already know that Hyuna likes to sing to feel the control over the stage when she’s there but I find it interesting that, yet again, the entirety of the episode was her demonstrating her freedom and control. There were even moments with her on stage remembering Luka and Hyunwoo and continuing to frantically continue singing as if trying to run away from them.
This could mean that rather than her just singing out of enjoyment of her control, she’s on that stage for the control. Almost like she’s desperately clinging onto that feeling to remind herself that she’s not weak, to run away from her helplessness as a child. Another reason for her to be on as many missions as she was shown to be, maybe another way to prove to herself she has the control and power now, not the aliens.
we can continue to see mentions of her trying to escape her memories in the song “Drunk and Party” as she says “I don’t wanna go back, everybody listen.”
Essentially Hyuna uses her own stage as a way to regain her control as well as her missions. Which is where Luka comes in.
In the same comic where Hyuna speaks about control on the stage, we see Luka as an adult on the stage as well, most likely during the 49th season.
It looks almost like hes remembering Hyuna’s words from when they were both children, which indicates that Hyuna’s reponse effected him.
In an interview about round 5, someone asked why Luka imitated Sua, and here is the response that was given.
Its told that Luka does this, not to win, but to feel control and dominance. Unlike Hyuna, who has many ways to feel this way and demonstrates it in almost every way of her lifestyle, this is the only way for him to do so. He is literally a puppet except for when he’s on stage.
The reason for Hyuna’s response being so important to him is likely that Hyuna’s attitude about singing effected his own. In the comic, kid Luka seemed curious about Hyuna finding control on the stage, showing that at that point Luka didn’t view the stage the same, so its likely that after their talk, Luka began to view the stage as a way to control.
This is how the two of them are similar, yet opposites. They both desire control and dominance in their lives and dedicate themselves to it, yet while Hyuna lives a life where she can easily do that, she feels no need to hurt others in order to do so, rather able to choose to help them as a way to feel powerful, but Luka doesn’t have that same choice. He lives life as a puppet, with no other way for control. His only way to feel in control is on the stage, so he takes his chance to and hurts the other contestant, purposely trying to hurt them as much as possible just because he can.
I truly believe that had their situations been reversed, where Luka was instead the purpose who got to leave while Hyuna stayed behind, theres a chance they couldve had completely different lifestyles. I also believe that they also, in a way, represent each path Till could take. If he were to stay in alien stage for the next season, would he turn out like Luka, someone who hurt others to feel in control, or if he was able to run away and become a rebel would he distract himself from his pain and constantly chase after that feeling of finally being free?
idk i just really like hyuna and luka
#alien stage#alnst#alnst till#luka alnst#luka alien stage#alnst hyuna#alnst luka#till alnst#hyuna alnst#i just like these guys#they deserve more attention#hyuluka
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These Songs Hold Major Clues
Connected to Mike’s love for Will…
We are told within this scene the importance of songs that hold a personal meaning, thus we can assume those particular songs do just that.
Remember, every detail within this show is intentional and important!
It’s also important to note that this is all from the episode Dear Billy. The same episode where Mike declares to Will that he felt as though he had lost him. Plus we are first introduced to the song Letter to Willy within this episode, further connecting Will with other plots that don’t involve him (on the surface) through subtext.
So let’s take a look at these songs, shall we?
All these songs have very similar themes. They’re all love songs. One lover separated by the other, dreaming about being reunited. The one singing is longing for the other.
“I stand at your gate”, automatically my thought went to the obvious gates between the real world and the UD. But, let me remind you of another time Mike stood at Will’s gate…
At the airport. The gate at the airport. Notice the little “snack” behind Will in this shot? Well…
Obviously it’s alluding to the “snack-size gate”. Aka “watergate” found at the bottom of Lovers’ Lake! This is another clue connecting Mike and Will with Lovers’ Lake.
The mentions of the sea are interesting here, especially because they are often connected with water (the quarry, Lovers’ Lake, the ocean imagery etc). Again, the singer is missing their lover… hoping for a safe return home. AND the singer described themselves as “blue”.
“Someone took you right out of my arms”! That’s pretty self-explanatory. Will was taken from Mike. He’s describing his lover as a “light” as well here. And once again, the mention of dreams.
This one isn’t explicitly about separated lovers, but it is still very relevant. More mention of dreams! The mention of sunshine following rain. And of course…
“Castles may tumble”. Absolutely no coincidence. An obvious nod towards Castle Byers which did “tumble”…
So umm… yeah. These are carefully chosen songs!
Dreams, separated lovers, light/darkness… are all reoccurring themes here.
The dreams aspect is interesting. What could it mean exactly?
Well… according to The Montauk Project: Experiments in Time (huge inspiration for ST):
“The parallel universes might reach our consciousness through dreams, ESP, meditation or artificially induced mental states.”
So it could be suggesting that Mike was/will be reaching out to Will from another universe through dreams… 🤔
ANYWAY, as always, I’d love to know your thoughts on this. Kind of blew my mind when I looked into these songs.
#this legit kind of blew my mind#it’s so subtle but it’s there and it’s intentional#byler#stranger things#stranger things theory#lovers lake#loverslakegate
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Vivzepop will always be the biggest issue with her own show if she doesn't change. And i'm not saying that because I desperately want to shit on her but rather because it's so clear that her attitude is what made Hazbin Hotel be so dissapointing after the long wait. The pilot released four years ago and Viv had these characters for much longer than that. One could assume that with this much time on her hands she would have a concise plan for how a series of her story would play out (I can imagine that having an own show is a dream for lots of creative people out there). And I get that that plan might get screwed up by a shorter episode count then expected, but she should be the one who knows her story best and who should know what stuff could also be cut out. The first season of Hazbin Hotel is so incredibly overstuffed with characters and plot that it completely looses the main premise the show was originally pitched with (the idea of a hotel were sinners are redeemed. As it is now the hotel is really not important at all). People have talked endlessly about how Viv can't handle criticism and it really sucks because criticism is one of the best ways to improve your writing, drawings, music etc. Without criticism you won't refine the thing you're working on in a meaningful way. Of course it feels bad when you put something out there you wanted to share and then people critique it, but that's part of pretty much every creative journey, or atleast it should be and Vivzepop shouldn't get a pass from this just because she doesn't like it. And there are great shows, movies or books that are rarely or almost never criticised. But the artists behind these works probably went trough years of honing what they do by being criticised for the stuff they put out. And I don't want to say that Vivzepop didn't work hard to make Hazbin Hotel, but it is hard to claim that she improves in her craft, when everytime someone says they don't like her show she throws a hissy fit. She wants the same reactions that these other amazing pieces of media get without ever listening to criticism. Which she sees as a personal attack rather than a tool that could help her to achieve the same level of writing prowess the creators behind media like that have. She believes she is already on the same level as them, just because she basically shuts anyone out who disagrees with her. There's this clip at the end of a Drew Gooden Video which I think sums up the situation with Viv pretty good (the Video is called "Leaving the YouTube Bubble"). He is talking about Lily Singh and her talk show but I feel like a lot of the stuff he says about handling criticism applies to Vivzepop as well.
(you might have to turn up the audio).
Unprofessional behaviour like that might be excusable when the creator is pretty young or they are interacting with publicity for the first time really. But neither of that applies to Viv. And Hazbin Hotel isn't just an indie animation pilot on youtube anymore. It's now a fully realized show created with a pretty prominent studio on a major streaming network and it should be held to the same standards as other shows or movies alike (not saying indie animation or animation on youtube doesn't have a standard but with more budget and support, there's obviously going to be different expectations for the show now). There have been issues in Helluva Boss and the Hazbin Hotel pilot ever since their release which could've been handled with more time and the new show. But Vivzepop shows time and time again that she isn't willing to listen to people who criticise her, which could actually lead to her show getting better. I don't like Viv or her work a lot. I think she is incredibly unprofessional and she has done her fair share of questionable or problematic stuff, which often leads to issues in her shows. There have been some characters I like, some songs or scenes that were pretty well done, very cool animation and an actually interesting premise on paper in HH and HB. There are things that make me come back to these shows to watch the next episode. And i'm obviously passionate enough about these shows to make whole posts about what I think was done badly and what could be changed. But for the aspects of HH or HB I enjoy, there are soo many more problems I have with it. Problems that won't go away unless Viv stops seeing every criticism as a personal attack. Because if Vivzepop doesn't stop acting like her writing is some unreachable stuff that needs no changes I don't really see a point in assuming that these shows will ever get better.
#vivzepop critical#hazbin hotel critical#hazbin hotel criticism#hazbin hotel critique#helluva boss critical#helluva boss critique#helluva boss criticism#i dont support vivziepop
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I visited the WGA library to read Yellowjackets scripts and wanted to share some of my findings! (Pt. 3)
Here are my notes for 1x04! Quotation marks indicate direct lines from the script, whereas everything else is me paraphrasing.
Note: You can find an early version of 1x04 on Script Slug, but this must have been a very early version because many things are different. The notes I have here are not on that version of the script, rather they are on the final version of the script that ended up being used for the episode, so there will just be some new details and deleted scenes but no major plot differences between the script here and what we saw in the episode.
1x04 “Bear Down”
A lot of this is going to be about Nat because this is kind of her episode!
•During Nat’s plane crash nightmare in the opening scene, the script says that Adult Nat briefly appears in the seat next to her father before being replaced by Teen Nat again. I thought this was interesting, I wonder what the writers are trying to say by having a flash of Adult Nat here, does it contribute to the whole “We’ve been here for years” line when Nat dies? A representation of how Nat is essentially stuck in this place even 25 years later?
But also, the dream is Teen Nat’s dream, not Adult Nat’s, so is this would mean the dream is prophetic in a sense because Nat is seeing her future self for a moment. Maybe that’s why they cut it out? Or was it just because Juliette wasn’t available for such a small scene?
•Also in the dream sequence, the rifle Nat sees on her lap is noted by the script to be the same one she eventually uses to hunt in the wilderness. Another prophetic piece to Nat’s dream.
All of that combined with Nat’s dad’s line of “It’s been waiting for us” shows that, even though Nat is the biggest skeptic in the wilderness, she is one of the first people the wilderness speaks to and gives prophetic visions to.
•Nat is said to be 14 years-old when her father dies. The script says she and Kevyn are 14 in that scene and the year is specified as 1993. I have always wondered how old she was supposed to be in that scene!
(But it’s worth noting that they might have aged her up a year in the final product because, in the script, the cassette she pops into her boom box when her and Kevyn enter her room is the album Where You Been by Dinosaur Jr., which came out in 1993. However, in the actual episode, Nat puts in the song “Feel the Pain” by Dinosaur Jr. instead, which came out in 1994. So this scene might actually be in 1994 in the final product despite what the script says.)
•Teen Kevyn Tan is absolutely hopelessly in love with Nat in the flashback scene. He’s described as “clearly nervous to be in the bedroom of his crush” and starts coloring his nails with Sharpie just to distract himself from his anxiety.
Then Nat pats the bed for him to sit next to her and Kevyn is “thrumming with hormones and anxiety.” When Nat takes Kevyn’s hand to start painting his nails, we get this description:
“For Kevyn, her gentle touch, her careful attention…he’s in heaven. And simultaneously deep inside the hell of his own desire. Should he kiss her? Would she hate that?”
Nat is described as “oblivious” to Kevyn’s feelings in this moment.
I think these descriptions help us understand how much Kevyn idealizes Natalie in his head. He has this unrealistic, romanticized view of her even 25 years later when they meet again as adults. He likes the idea of her, but when he actually sees her trauma (and sees her as an actual person) he distances himself.
•There are some…interesting descriptions of Shauna and Adam getting freaky in the script. This girl is scratching him hard enough to draw blood, choking him, putting her fingers in his mouth, etc. This shows how Shauna is using Adam to relive the adrenaline she felt in the wilderness.
•When Travis points the gun at Nat, the rest of the girls scatter and run away in fear, but Nat stays perfectly still, staring him down.
•While Taissa is talking to Diane about her political campaign and Diane asks her what “really happened out there,” Tai hears wolves howling in the distance. Poor Tai is more traumatized by Van’s wolf attack than Van is.
•When Kevyn and Nat meet for dinner as adults, they reminisce about breaking into the chem lab at school and stealing equipment to make bongs. My fun little headcanon is that Nat got caught during this incident and the principal put her on the soccer team to set her on the right path.
•Also in this scene, Kevyn notes that he last saw Nat “twenty-two years ago,” which means he and Nat were in contact for a year or two after the rescue. I’m thinking Nat probably stayed in Wiskayok for a year after they were rescued and just decided to cut all ties at some point and leave town, ghosting everyone she knew there.
There’s this line as well:
“Kevyn: You were my best friend and you just…
You fucking ghosted me.”
•There’s another deleted scene (which they did film and we actually got to briefly see it in the trailer for the episode but they took it out of the final product for some reason!) where Adult Nat is looking in the mirror after her date with Kevyn, having mixed feelings about her grief over Travis and her new feelings for Kevyn, and she sees her Teen self behind her in the mirror imitating her movements. A little trauma regression moment and I’m not sure why it was cut. I’m just salty because I love when Sophie Thatcher and Juliette Lewis are in a room together. But here’s a photo of it:
•There’s an interesting part where Shauna finds Javi’s journal and looks through it. The journal has a bunch of drawings in it (wildlife sketches, comic book characters, etc.) that are described as really good; Javi’s talent as an artist is emphasized by the script.
I think this some subtle proof that the writers initially intended for Adam to be Adult Javi, with the obvious nod to the artist talent and I feel like the scripts for these early episodes highlight the closeness between Javi and Shauna in the wilderness more. The writers did confirm that they originally wanted Javi to be Adam, so I think you can see some details that support that in the scripts.
•Before Nat pulls the trigger on her dad, she feels “years of humiliation and thwarted rage” and she automatically “stiffens” when he steps towards her. Just a reminder of how much this man traumatized her!
•When Shauna butchers the deer for the first time, she is described as feeling a “thrill she’s never felt before.” This goes back to her sexual relationship with Adam in the adult timeline, that adrenaline from her role as the butcher that she misses and is trying to recreate.
•When Shauna returns home from her antics with Adam, Jeff asks, “How was book club?” and Shauna immediately vomits all over the floor🫢
#yellowjackets#natalie scatorccio#shauna shipman#misty quigley#taissa turner#van palmer#travis martinez#yj#Yellowjackets scripts
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how much of his experiences with Caro does Johnny remember rn in SD? Is he getting them back at all?
Spoileryish stuff under the cut for his memories
TL;DR: Initially he remembered almost nothing about it. But now, he remembers that they were a cheerleader and they were friends and he had feelings for them. He remembers the supernatural things. He remembers Caros family was horrible and he wanted to help them, and that he couldnt. He doesnt remember finer details. kisses or hand holding or that they dated. he knows these things because hes been told but the memories arent his right now. but things are coming back.
Long story long RIGHT now at this moment in SD, it still vague for him but he is slowly getting things back. He remembers a cheerleader (he makes reference to a 'cute little cheerleader' in the Creaky chapter that Caro confirms was in fact them.) PTSD, Trauma and brain damage from both abuse and actually physically dying for a short period all contribute to Johnny having a lot of blank spots and fuzzy details in his memories of childhood/teenagehood. He remembers Caro was his neighbor after he puts together that Caro and Carrie are the same person (which takes a bit longer for him since they look and sound a little different these days and his memory of them is distorted, he has no pictures or anything to remind him. There is a scene in Mil-Liminal where Maddie shows him a yearbook photo and at least the part that he knows them QUITE WELL comes crashing back.) He does not remember they did have a chance to become 'official,' and actually dated, it happened so close to his major injuries/brush with death, but he does know it happened at this point, cuz Caro's told him. Things do come back to him, if he's reminded, for instance, Caro being trans now reminds him they told him about it once when they were kids, that it was something he knew about. Caro having their attack the night he hangs out with them reminds him they've ALWAYS experienced the supernatural. he falls into patterns with them that he did when he was younger, such as the way he sings to them or held them because of habit and familiarity even if he doesnt exactly remember. He's slowly putting the pieces back together as they are presented to him. i was asked while writing this reply if he has sense memory, and yes, caros scent, the feel of them, songs they liked together, if he ever gets into the Datsun again, all those things play into it. He does NOT remember the pendant Caro wears. Or that he gave it to them. Or that it was even his. When Caro speaks of him in the podcast, and he listens to it, he does not realize its him they are talking about. When they tell him it was about him, he actually still has a hard time believing that someone could speak about HIM in such a poetic and yearning way. Theres many things he remembers, and many things he knows because hes been told, but he does still have a hard time distinguishing which is which. I do want to note that there is inconsistencies in SD when it comes to these two, mostly because their relationship wasnt actually supposed to be canon, and Caro wasnt supposed to be in SD at all, its been a fun challenge to tie things back together with it, when i first started making the comic, I decided I'd leave room in my narratives for me to be creative and change up original concepts and even the way i draw if i wanted too as long as the Main Story was consistent, which helps keep things fun to create for me, especially for something ive been working on for 6 years! I'm actually touching on Johns memories in i think next months episode of SD, (it can be read early on Tapas's Early access with ink right now) so theres definitely more about it coming up <3
-RJ
#ask box things#poor sweet johnny#childhood trauma#ptsd recovery#relationships#seemingly dark#trans#i always write WAY TOO MUCH for these but i find it really inspiring#memory
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Lenore’s shot through the head theory.
OKAY. Thank you to that ONE PERSON that asked me for this theory (I love you please don’t leave) because I was literally vibrating trying to hold it in.
For this one, we have one major piece of evidence.
THIS PANEL
So here’s where the theory comes into play. This is from the very first episode, where Annabel gaslight gatekeep girlboss Lee meets Lenore ignore instigate ignite Vandernacht (if I spelled it wrong please correct me) meet each other. This panel is exactly from when Annabel and Lenore first enter the academy.
The question is…
Why is the line through Lenore’s head?
We know that it’s common for art or anything of the kind to have a line resembling a heartbeat around the heart when dealing with a stressful and/or important situation. So why is it through her head? Wouldn’t it be through her heart?
Before I answer that, we have another piece of evidence. When Annabel manifested, the deans and professor maid doll informed the audience that she was a lady in white. This specter is a result of a bride being killed/betrayed on her wedding day. And we also know that Annabel, provided with context clues as well, was shot through the heart on her wedding day. Her cause of death, a heart shaped hole literally in her chest with a red crystal to symbolise her heart if it was there. Lenore also killed her past self (see my previous theory for that explanation) and began a new life as Leo, and use this identity to be with and marry Annabel. We see this intention when Lenore puts the sheet music for Annabel’s song she had requested, and the ring(box).
Lenore had a gun in her suitcase, her belongings when she arrived. BUT I am NOT saying that Lenore killed Annabel, but suggesting that Annabel was assassinated on their wedding day by someone close to them, either causing Lenore to shoot herself through the head out of grief from her dead fiancé, or spending her last moments desperately trying to save Annabel, after she was shot, from bleeding out and dying, then being shot in the head herself by the same person. This would be Lenore’s cause of death, and perhaps her specter may relate to this instead.
This would also have the symbolism of the saying/metaphor that heart and mind go hand in hand. As we see in many many episodes, Lenore mainly acts on impulse and emotion, heart. While Annabel thinks more things through and usually has a plan, mind, however this can be visa versa and switch between the both of them, seeing as they both have a sort of trading in controlling and hiding their emotions. While they are both sorta mentally ill while they were alive, Annabel has the heart while Lenore has the mind. This would trace back to Annabel being shot through the heart, and Lenore being shot through the head. Both of them dying on their wedding day, and living on together in the afterlife and possibly rebirth.
We love some poetic gays.
Lastly, I am not a fast pass user so I do not know what’s going on after the hiatus and I’m crying about have to wait for a month. If I spelled anything differently it’s because I’m australian and use aus english. Again, I love responding to you all, please leave an ask even if it’s just the smallest thing you want me to see. Don’t be afraid, it makes my day. Till we meet again.
#nevermore webtoon#lenore nevermore#annabel lee nevermore#annabel lee x lenore#white raven#theory#nevermore webcomic#i love them#theyre gay your honor#theyre in love your honor#theyre idiots your honor
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I've seen people mention Verosika's song in the background "Don't touch the pretty thing" right when Blitz is about to touch Stolas and chickens out (I noticed that immediately! Watching the first time! I loved it!) But there is so much background stuff for framing in this episode, I haven't seen any posts mentioning anything else.
I'm just going to do another obvious one from the exact same scene because it is my other favorite (so fucking heavy handed)
The cupid's heart between them. Especially in this shot. I will never bot be confident they are still in love with each other and will reconcile Stolas still loves Blitz but he's drunk and needs space and he's been begging Blitz to go away/give him space all episode and the first step for them is Blitz fucking listening and giving him space.
What I want most out of this show (as an author, as an appreciatior of plot and character development) is for Stolas to experiment and experience the world outside of Stella and Blitz (two ends of the spectrum for him, one whose relationship was horrible for him and one whom he truly loves and is absolutely end game for him, he needs the middle) and HAVE FRIENDS I am completely neutral toward Vassago at the moment I don't know anything about the guy but I really really don't want them to be romantically involved because I want Stolas to have friends so so so badly.
Also, from a story telling perspective, I also really really want them to not get back together at the very last second. This show does so amazing at showing relationships in ways other shows are honestly too cowardly to do. Messy, clean, loving, etc. I once saw a post on here complaining that Ozzie and Fizz are boring/leaving the show because they're in a healthy loving relationship and I eas so upset because that's good! We can have that depicted in a show and it be a wonderful addition! Not everything needs to be angst and drama and will-they-wont-they! You can have plot-driving conflict and drama with a healthy loving couple too!
But back to Stolitz, this show is so unapologetically gay that they have 0 reason to do the dumb "they can only getting ogether at the very end of the show because we don't want to depict a loving gay relationship" thing other shows do. And yes, they're end game, they will be together by the end, but from a storytelling perspective, I really want to see them work it out and be casual for a while before the end. That's something we don't get in other shows, and as much as this show does things others don't, I want that too. Romance is not the end-all-be-all, it is something these tow need, but it doesn't need to be the end-fulfillment of the show. Yes, the show is kind of about them, but it isn't JUST about them, and I want to see them table the other conflicts driving the show onward together.
Despite what other people on here say, the writers are not cowards. I genuinely have faith they can follow through on all the background imagery and foreshadowing and shit they put in for these two. With as much emphasis has been on Stolitz in season 2, and with the fact we know there will be more seasons after, I would love the majority of this Stolitz angst to be resolved so we can see a new arc for the next season. Not completely resolved, maybe, because again, this show does great at showing more realistic relationship dynamics and only in a cartoon could you unpack all their trauma and bullshit and resolve it in 3 more episodes.
I'm just so excited still and I am procrastinating working on my Childhood Friends third installment. I'm at the Hard Part of the first chapter and was rewatching Apology Tour for 100% completely related reasons.
#stolitz#what i want from the story as a Stolitz enjoyer and as a writer/plot development enjoyer aren't that different#those two things are so very very connected#one of the reasons ive become obsessed with this show and Stolitz is because i personally thing the writing on the show is good#and the writing for Stolitz is also very good#i love all the foreshadowing and the way this couple is written it all fits like a beautiful puzzle to me#and id be more disappointed in the puzzle suddenly changing how it's fitting than the picture on top being exactly what i want#i want Stolitz to continue down the path of angst and hard communication than instantly work it all out and be happy
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Something something about Zoe admitting that she used to lie to make a friend's and end up losing them because of it.
Where do I ever hear of it?
Oh, right! Lila!
Before Chameleon Lila is just simply a liar, even Adrien(?) reasoned maybe it's because she want to fit in.
Funny how Marinette end up antagonize her while welcoming Zoe heartily and the only difference between them is only one of them has a crush on Adrien. Guess which one that Marinette made enemies of?
I agree that Zoe's backstory is similar to Lila's canon story, but you haven't given a fair assessment of the differences in their introductory episodes. It's not even necessarily fair to call them the same character. Zoe's lying is presented as her acting different to try to fit in. She's not telling major lies about her life to make herself stand out. The worst we get is stuff like this:
Chloé: (closes the door) Since your father isn't here, you'll use mine! If you become my sister, of course. Rule number two: you need a minion. Where's yours? Zoé: Uhhh, I left them…in New York!
Which is still enough to understandably turn someone off to Zoe, but it doesn't make her a Lila clone. Let's look at why that is.
Lila's intro has her actively coming up with very extreme lies that aren't about fitting it. They're about making her stand out! She doesn't want to be part of the crowd. She wants to be worshiped. Here are some quotes from the start of Volpina to give the flavor of lies we see from Lila:
Rose: Can you believe Lila knows Prince Ali? She even flew in his private jet with him! Chloé: Why did Jagged Stone write a song about Lila when he could've written it about me? Nino: Lila knows all of the Hollywood directors. She promised she'd mention me to Steven Basielberg himself! Marinette: (rushes back to Alya's side) Lila? Alya: Yeah, she just started at our school! (points to Lila, who's on the second floor of the school with Adrien) She even gave me an exclusive interview for the Ladyblog, 'cause Ladybug saved her life once! Watch! (shows Marinette the video of Lila on her blog)
It's worth noting that this exchange makes Marinette feel jealous and threatened, but she doesn't hate Lila. She's just afraid that Adrien will fall for the cool new girl. This leads her to follow Lila and Adrien into the school library where we get this:
Lila: So you've got a little soft spot for the bug, huh? Adrien: Me? Oh, no! Not at all! (The book cart moves closer to them, but is unnoticed.) Lila: You know I actually happen to be very close friends with Ladybug. (Adrien and Marinette both gasp.) Adrien: Really?!
This is where Marinette's hatred comes from and it's justified. This scene would play the exact same way no matter who Lila was talking to. Someone is using Marinette's name to get close to people. That would upset most of us. We also get this moment at the end of that same scene:
Adrien:(gets an alert from his phone) I gotta go! I've got a lesson in 58 seconds. (Lila causes Adrien to drop his bag on the floor) Lila: So, the park? (pushes the superhero book on the floor away from Adrien's bag with her foot) Adrien: Uh sure! (runs out) Lila:(picks up the book) A vixen superheroine? Hmm, interesting... (leaves the library) Tikki: Marinette! Marinette: I know. I gotta talk to Adrien before he meets up with Lila in the park. He needs to know that she's a total thief.
Once again, Marinette's feelings are extremely justified. Lila stole Adrien's book and will go on to toss it in the trash, showing that she never meant to return it, probably to avoid the risk of him thinking that she took it. These are two incredibly negative things for someone to witness and they're basically Marinette's first impression of Lila! Meanwhile, this was Marinette and Zoe's first interaction:
Marinette: Sorry I got held up here! (bumps into Zoé) Sabine: Is everyone all right? Marinette: Sorry, sorry, sorry! Zoé: It's totally okay, but maybe I should be asking if you're okay. That was quite a fall!
Very different. Not enough to justify Marinette trusting Zoe, but Marinette's hatred of Chloe combined with this initial good first impression are arguably enough for Marinette to be willing to hear Zoe out and give her a chance to prove herself. It's easy to be rude to service workers and Zoe wasn't, so I can see why Marinette would believe that Zoe isn't a manipulative monster especially since Zoe does apologize and promise to explain herself pretty quickly after the scene where she's rude to Marinette and Co:
(Zoé, sitting at the end of Chloé's bed, gets a text message as Chloé continues to search for shoes. She sees it is a message from Marinette, and reads.) Marinette: (voiceover) I can tell something is keeping you from being yourself. If it's Chloé, we can talk about it tonight, if you want. You're still welcome to come to the Barge. (Zoé texts Marinette back.) Zoé: (internal voiceover as she types) Sorry. I'll explain tonight. (sends the message, Marinette's picture and name pops up as she does)
It would be better if Zoe instigated this text exchange, but I don't hate this scene. I just think it's rushed and that Marinette should come across as more cautious about Zoe after everything that happened at the end of the last season. Marinette's actions here and conviction about her initial judgement of Zoe would make a lot more sense if they came in an earlier season, but this is a formula show, so that's probably playing a part in the awkwardness. Marinette isn't allowed to become more guarded, I guess...
If we go back to looking at Volpina, we find a very different type of story. After Marinette's terrible first impression of Lila, she watches the aforementioned Ladyblog interview off screen and gains even more reasons for her to be justifiably pissed at Lila, further cementing that bad first impression:
Ladybug: (sarcastically) Well hey Lila! How's it going? Long time no see. I saw your interview on the Ladyblog, awesome job. (puts her foot on the bench between Lila and Adrien, and leans closer to Lila) Oh sure! I remember our instant connection when I saved your life and we've been really good friends ever since! Practically BFF's! Uh actually, when did I save your life again, Lila? I don't recall. Oh yes! Of course, now I remember. Never! And we're not friends either! (to Adrien) Miss Show-Off here was trying to impress you and everyone around her.
We learn here that Lila didn't just claim that she was saved by Ladybug, which is honestly a pretty minor lie. Instead, she's once again claiming that they're close friends! Take out the Adrien complication and Marinette would still quickly start to hate Lila because Lila is using her name left and right and that's not okay! It's also not a minor thing.
The show is a little unclear about how seriously society takes the Ladyblog, but it's serious enough for Alya to be treated as an authority who is invited on talk shows as we saw in Prime Queen
Nadja: Don't be bemused, it's just the news! Hi, I'm Nadja Chamack, and this is Side by Side. Today, I'm joined by Alya Césiare, who created the Ladyblog! Together, we'll be looking back over Cat Noir and Ladybug's greatest feats.
The Ladyblog is also the resource that Felix uses to research the miraculous. So it's fair to say that the Ladyblog is not an unknown news source. At the very least, it's being treated as a true authority on all things Ladybug and Alya is getting serious public attention, which means that Lila's little interview is probably going to be treated seriously by a significant portion of society since it's coming from the Ladyblog.
Ladybug would be well within her rights to have Alya publish a retraction. In fact, it's super weird that Ladybug didn't do that and is one of the many reasons why I hate Volpina. The episode completely justifies almost everything Marinette does and then tries to present her actions as being in the wrong by having Adrien chastise her:
Adrien:(to Lila, who is crying) So I guess you aren't the descendant of a superhero either? Ladybug: She's more like a super liar. Lila: How dare you?! Adrien: Wait! Lila! (Lila runs away) Hey, what was that all about? Uh, I mean, weren't you kinda harsh with her? Ladybug: I...I don't put up with lies, especially when they're about me. (yo-yos away)
Which does eventually lead to Ladybug apologizing to Lila:
Ladybug: I... totally overreacted and... never should've spoken to you like that. I'm sorry.
No you didn't overreact! Writers, why are you telling kids that it's wrong to confront people who are lying about you? How should the Lila problem have been addressed if confronting her is wrong? It's not like she stops lying after this or like the show treats her as a minor threat. She's literally the new main villain and her eventual outing to the class is way more dramatic than this, so how was Marinette in the wrong here? Why did the writers have Adrien chastise her?
I've seen people justify Adrien's reaction here as him viewing Lila like a gossip rag spreading lies. To be fair, that's a valid way to make his actions make sense. The best course of action for the lies in those things IS to ignore them because no one with a brain is going to treat a gossip rag as a credible source.
However, the Ladyblog is not treated like a gossip rag and Lila wasn't just spreading rumors for quick cash. She was actively manipulating Adrien and has claimed authority via a reputable news outlet. The appropriate response to that kind of misinformation IS a retraction. It IS appropriate for Ladybug to do something here. If anything, Ladybug was being quite tame! She had a mostly private confrontation with Lila and then let the matter died for some reason. If it were me, I'd be telling the world that I don't know this woman and to not believe a word she says!
If anyone should have learned a lesson in this episode, it's Adrien. He needed to learn the difference between gossip rag lies and lies that you actually need to address, which is frankly a good lesson for a sheltered teen celebrity to learn! It makes sense that he wouldn't know what to do here, but the show treats this as him being in the right and I hate it! Him guilting Ladybug into staying quiet is why Lila is able to maintain her power for 4 more seasons.
Alya could also stand to learn a lesson on checking her sources. It's not like she never runs into Ladybug. Just hold off on posting the interview for a few days.
Circling back to the original ask: if Lila was telling the kind of minor lies that we see from Zoe, then I'd agree that this was a case of hypocrisy, but that's not what we see. It's also why I never really bought the whole, "Lila is just tying to fit in" excuse. Those are not the sort of lies you tell if you're trying to fit in! They're way too extreme!
While I'm not a fan of Zoe's character, her initial lies match the story she tells about wanting to fit in. Lila, on the other hand, feels like someone with an agenda. What that agenda is I do not know, but she clearly has one and she's had it from day one. It's really not weird that Marinette came to hate Lila while she was willing to give Zoe a second chance. The characters were set up in a way where that is an understandable response for her character even if you remove Adrien from the equation.
There are many episodes that make Marinette look terrible. Neither of these make that list. The only questionable thing Marinette does is follow Adrien and Lila into a public library and listen in on their conversation. I'm not going to call that good behavior, but it's hard to be too critical when it's clearly only there because the writers needed Marinette to overhear the lies to kick off the rest of the episode. I personally would have just had Marinette be in the library already and accidentally overhear her alter ego's name, leading her to listen in, but that's not drastically different than what we actually got so it's hard for me to get too worked up over the writers going the dramatic route. That's what they always do. The show relies heavily on absurdity so it make sense for Marinette overhearing the conversation to be done in the most absurd way possible.
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The Legend of Vox Machina: Cloak and Dagger (3x07)
My heart hurts! I've been waiting to get here!
Cons:
Small thing: I feel like I haven't heard anyone calling Keyleth by her full name all season! It's like... always Kiki. I liked that better when it was an occasional thing.
Big thing: What was that song at the end, when Vex is running to Percy? Like... that is the first time the music on this show has missed hard, and it's such a bummer that it happened over such an intense moment. I was scratching my head wondering how they could have ended up with such a tonally awkward and lyrically basic song here. They've always been so good about the music in the past! The song felt symptomatic of something I was noticing throughout this episode, that the dialogue was a little too on the nose and didn't allow for the audience to come to its own conclusions. Everything with Ripley and her motivations, and Percy choosing mercy over vengeance, it just felt a little more one-note than I would have expected, and that song was the capstone to it all in the worst possible way. It may be the single thing in this entire show so far that I've liked the least. A big, big miss in my opinion.
So like, there's this category of "criticisms" that I think everyone has about this show that isn't actually "this was bad" but more like "there was a very specific vibe or moment from the campaign that I loved, and this new version means I won't get to see it." And it's all a personal preference thing. There are a million little moments that weren't particularly precious to me, and so seeing them get altered didn't faze me in the slightest. But to someone else, that particular character beat might have been one of their favorite moments. For me, I think the big thing about Percy's death that they changed isn't a bad narrative difference for this particular show, but I do have to shout it out. I miss this being more of a group vibe, a group grieving, a group effort against Ripley. I will always remember the "Vox Machina, how do you want to do this?" the solemnity of Matt's voice, the way the group took on that mantle of vengeance from Percy in order to avenge him, because he was their friend and they loved him.
Now, we may still get that in some way, seeing as Anna is still alive? But the entire vibe of Glintshore, the stakes and the combat with the area of effect spells and the entire group unable to take her down in time to stop her from going after Percy... it's really just one of my favorite combats that the campaign ever did, and I'll never forget the way it made me feel to watch it! So again, this isn't a "what the show did was bad" complaint, it's a "this was one of those episodes in the campaign that I would have loved to see play out the way it always is in my head, from back in the day, and I don't get to have that. Oh well."
Pros:
But honestly, setting aside that weird as fuck song choice, I did still think this episode kicked some major ass. These people know how to make good TV and I cannot deny that.
Anna Ripley's backstory to start things off was I think a really smart move. Not just in the sense that giving villains a tragic backstory is the only way to make them more complex, but specifically as a way to underline the Percy and Ripley parallels. This could have been Percy. This was the life path Percy was on. His family dead at the hands of mages, and a burning desire to make the people who hurt him pay for what they've done. Orthax, the invention of fire arms, all of that: it comes from a place of deep bitterness and resentment. How is it fair that some people get to have all the power in this world? Why not make the playing field a little more even? It's not a good idea, but the perspective is totally reasonable and you understand why Anna would be seduced by this life, and why Percy, if he hadn't met Vox Machina when he did, might have become the same thing. Also! Was that a Trent cameo?? Man, I'm excited for the Mighty Nein show.
This season has been so focused on the romances, which I love, but I'm glad that we still get little beats of friendship and other relationships tossed in here. Since there's not a lot of time in each episode to cover the extensive plot and all the character beats, the show leans on very small indicators of this group and how their banter and friendship operates. We have Pike being a little dork about the investigation stuff, and Vax saying how cool it sounded. We have Vax with the nicknames, always. And then we have the more angst-y stuff. I really liked that even in the midst of a Percy/Vex focused episode, when Vex was first influenced by the mind-altering gas, she's hearing her mother, and she's calling out for Vax. Vax is her person, and has been for a long time. We get these hints of sad twin backstory here that I think are important setup for what's to come with the dragons, but also continue Vex's thread of being afraid that her love is dangerous. And then more angst when Pike wakes Grog up from his hallucinations and she's weakened by using her magic, and Grog says "Pike? Did I hurt you again?" Like... rip my heart out, my dude! That was so sad!
What is going on with Pike, though? It's so interesting to have this new plot thread just completely added to the story and weaving in with all these moments. She's got her Vestige, but now when she reaches for the Everlight, it's... something else, coming forward within her. She ends up using some sort of... devilish red spell to wake her friends up, something we're meant to understand in contrast to her usual Everlight healing magic. Also, got to see Zerxus being a sinister reminder of all that we do not yet know about Pike, so that was really cool!
But let's talk about the Percy and the Vex of it all. I love how just utterly and completely down bad he is for her, and how much he wants to find a way to make both of them happy. It's so interesting, because you'd think Percy would be just as angst-y and avoidant about love as Vax has proven to be this season, but on the other hand, this trajectory gels more with what we saw in the campaign. Percy knows his darkest inclinations, he knows the kind of man he has been and might become again. But he also knows he wants to be better, he wants to be happy, and he's not afraid to lean into the things that are helping, the things that make him grounded and successful at keeping that darkness at bay. It's refreshing for such a character type not to go ten rounds being too miserable to allow themselves to be happy. That's what we have Vex's insecurities for, in the end!
That "I'm in love with you" scene, with the sunlight washing over Vex's face? Contrasted with her broken cry of "No!" as she runs to Percy and cradles him in her arms... I mean, some A+ acting from Laura Bailey and some A+ work from the animators. They really sold me on Vex's whole messy avoidant deal. Every word out of her mouth in this episode was such delicious irony for those of us who knew what was coming, as she's talking about how Scanlan will tease her, Keyleth will call her a hypocrite, and Vax will... well, the implication is that Vax will beat up Percy for being with Vex, which is SUCH a fascinating little detail. Because, well, Vex has to know that's not true! She's banking on an earlier and incomplete version of their sibling relationship, this idea that her protective brother Vax will always stand in the way of other people's interference in their lives. But Vax has grown past that, and Vex is well aware. And then Percy is probably just sitting there going... "but in that very awkward hot tub scene, Vax basically gave me his blessing!" I loved the beat where the rest of the gang is looking on at Percy and Vex and rolling their eyes about how obvious it is that the two of them have been hooking up. Even Grog has not been fooled in the slightest.
Percy really gets to complete a journey of self-actualization here as he rejects Ripley's offer and then refuses to kill her, really cementing his turn away from vengeance. He wants to do the right thing. He wants to prove to himself and to the world that recovery and redemption is possible, even after terrible harm. It's so beautiful because in the last episode Percy was talking about how all he wants is to have a life in Whitestone, and then Whitestone is razed to the ground. And then here he just wants a chance to keep growing and changing and getting better, and that is seemingly stolen from him as well. But Percy is a good man and he's brave and he'll keep fighting for what's right, even when everything goes wrong around him. We love him for that!
Combat-wise, we have to talk about what a COOL battle sequence the Ripley (and Orthax) vs. Percy showdown was. I love the steam-punk-y vibes of these characters, I loved the red and black, I loved seeing Orthax taking over Anna the way we saw him taking over Percy in season one. I loved Percy jumping and tumbling around to escape from things and saying "Vax makes that look so easy." I loved him using his gauntlet "Diplomacy" to turn a handshake into an attack - that's the most Percy thing I can think of. And I love that he gets to be a bad-ass, he does the trick with the black powder, and then... No Mercy Percy does just the opposite of what his name implies, and he tries to offer Anna another chance.
It's such a tragic and poignant moment, and despite my personal mourning for certain aspects of Glintshore that didn't play out like they did in the campaign, I thought this was a wonderful moment of storytelling, and a truly tragic ending to the episode! Percy combines his true genius and cunning with a radical type of openness and hope. He truly is a Character of All Time for me.
So... yeah, this might be an episode that has some polarizing feelings from fans. I can imagine a lot of people a tiny bit outraged that Anna Ripley is alive and gets away again here at the end of the episode, which was frankly very much not what I was expecting. As for me, I had a great time watching this episode, and I will just do my best to forget that weird song at the end ever existed.
8/10
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Hi! First, I must say I'm a big fan of your ramblings, they're always so interesting!
And also I found out something today and I needed to share it :
Okay so, I was watching Despicable Me 3 and the minions performed a song (Minions Idol - Papa Mama Loca Pipa) and it sounded... familiar? And yes, it was, because it had the exact same tune as the song in Rottmnt season 1 episode 17 : The Evil League of Mutants. And I thought, "Huh, this is too big to be a coincidence"
So I started looking it up. Despicable me 3 was released in June 2017, while Rottmnt ep.17 was shown in November 2018, but this is obviously a dead end.
After a little searching I found that the original song was actually named "I am the very Model of Modern Major General" by W.S. Gilbert and Arthur Sullivan in The Pirates of Penzance (1879) which is a comic opera.
I find it quite clever and hilarious that they would use a song from a comic opera to introduce Draxum, proving once again that he's a big drama queen.
That's it, I know it's not as interesting as your ramblings but I couldn't keep this for myself and I really wanted to share it. Thank you for reading my little rambling!
Keep up the good work and have a great day, or night !
Thank you so much! I'm so glad you like my silly little rambles. 😌💜 Yes! You are absolutely correct, but I'm even more impressed with your research!!!! Fantastic deduction work! (You've cooked and served a delicious dish. Well done! 🍛) Ok, so this song has been around for a long time and has shown up in many a cartoon/cultural reference. The one that people my age may remember is: "I Am The Very Model Of A Cartoon Individual" from the show, "Animaniacs," which aired in 1993.
youtube
The character that sings this song is Yakko, voiced by Rob Paulsen... The same Rob Paulsen who was Voice Director for Rise of the TMNT.
Thanks for the ask!!! 💜💜💜
#answered asks#rottmnt#tmnt#teenage mutant ninja turtles#rise of the teenage mutant ninja turtles#rise of the tmnt#tmnt2018#tmnt 2k18#tmnt 2018#save rottmnt#unpause rottmnt#unpause rise of the tmnt#save rise of the tmnt#save rise of the teenage mutant ninja turtles
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can you plz hate rant about the deadpool & wolverine movie… saw it last week and i didn’t like it all… very refreshing to see that someone shares my opinion lmao
i got u man👍 most of this was in my drafts from after the movie came out, but i just never got around to posting it. i added some other opinions ive had since then, tho theres still a lot ive said over the past month that ive totally forgotten about lol
the intro sequence was fucking HYPE‼️ but then, part way thru the movie, u realize....it doesnt ever hit that same mark again. WHERE TF WAS THE HUGH JACKMAN SONG THEY PROMISED? the trailers showed 95% xmen origins clips. the movie didnt mention it once. no the brothers line doesnt count. false fucking advertising. deadpools sexuality has been confirmed since 2014. and now, 10 years later, its still being reduced to gay jokes. and people still eat it up like its genuine rep.
that guy at the tva who’s whole punchline was that he likes men. why. in 2024. why is that allowed. his whole character was a gay joke. i mean so was deadpool, but this guys whole thing was. That. can i say homophobia? can i say i felt that? is that reasonable? this movie felt like a fundraiser for the future avengers movies to make up for all the recent flops.
i watched this shit twice and yea. i was right. the plot was half assed. once u watch it once, thats it. thats the fun. its all just cameos. the jokes didnt even make me laugh again, since it was majority shock based humor. my second watch thru i was trying not to fall asleep in my chair. the way it lacks plot isnt in the Not Coherent kind of way, but rather 'this couldve been a 40 minute monster of the week episode'....or maybe even a 2 episodes if they wanted to get freaky with it it just felt so separate from the rest of the movies, like it wasnt even a sequel.
literally, the movie begins with them abandoning the previous timeline and wade moving to a new ‘better’ one.....almost like hes moving over to a more sacred timeline.........separate from fox.........which is dumb af cuz the movie couldve been him accepting that whatever happens in ur life u cant go back and change, and u have to make due with the good u already have. the previous movie ended with him having a family, he didnt need a new one. i mean, they did that for logans 'learning moment', why wouldnt that also apply to wade? paradox literally says ‘hey we brought u in cuz the mcu is dying, so u should come over to the sacred timeline’ and then after he changes into his costume THEY CHANGE THE PLOT. THEY THROW THAT OUT. WITHIN MINUTES. now paradox is like ‘actually just your timeline is dying, and i wont elaborate on how that works. and also u dont get to go to the sacred timeline. and i hate you.’ WHY BRING HIM THERE AT ALL THEN IF THATS THE PLOT U CHANGED IT TO? ITS DOESNT MAKE SENSE. even if the plot was that he had to go to the sacred timeline cuz his own was dying, WHY WOULDNT HE BE ABLE TO BRING HIS FRIENDS?
what was the vanessa plot? they never explain why she broke up with him? theres like a tiny flashback where she says hes been distracted ever since he got rejected, rejected from what? clearly not the avengers, since that happens after she leaves him. so wtf was the motive here????? the cameos felt like props. especially the deadpool corps, which i feel like they didnt even skim a wiki article for. they just went off google images. which hurt me. cuz i reallyyyyy like those guys....in the comics, theyre a group of deadpools(consisting of lady deadpool, kidpool, headpool, dogpool, and deadpool), who in their first series save the multiverse from being destroyed(sound familiar?). theyre the GOOD GUYS. why tf would they hear cassandra nova say ‘hey im gonna kill the entire multiverse’ and go ‘alright sure whatever’. why were they in the void to begin with? how’d they get there? isnt the void just for movie continuities anyway? why was cassandra also there? how does the void work? why does the void exist? will someone please explain literally anything in this movie? why not have them come in later to save the fucking day instead??
oh lady deadpool...how they massacred ur character... OH KIDPOOL.....HOW THEY MASSACRED UR CHARACTER...... god speaking of that. cassandra nova had literally so much potential and they watered her down to just Evil Villain. she hasnt done much in the comics, but one the things she did in one them was using her powers for therapy on the xmen(which deadpool also made a cameo in). she sort of does this briefly in that one scene, but it was just so.....basic. bland. why was there no b plot with the rest of the main cast. did they think the audience doesnt watch these movies for them? cuz i sure fucking do. i was waiting for the continuation of colossus and wades epic romance arc. side note, the gay jokes in the previous movies felt even less queerbaity then these ones. this movies queerbaiting was just....sad. marketing queerbaiting. this movie WISHES it couldve been deadpool 2 levels of queerbait(shoutout to the extended sex mimicking scene set to In Your Eyes by Peter Gabriel)
did anyone catch at the end when deadpool was narrating and when he said ‘friends’ yukio and negasonic teenage warhead were on screen. did anyone see that. they disney gal paled them.
i know wade is supposed to be the Funny Guy but man. thats literally all he was this movie. the other ones has ANGST they had him be HUMAN while this one was like 'logan was mean to me one time ):' bro. what happened. where'd the writers go.
this wolverine was like. the wolverine 2014 wolverine. which is when fox wolverine started to lose character and just become grumpy and mean. hes also like that in Logan 2017, but the reason why this kinda attitude works in that one is bcuz hes old, hes fucked up, hes tired, and every fuck that comes outta his mouth he means it. and yet....still manages to experience other emotions. what a concept. ive read literal satire comics that understood his character more(shoutout to the What The--?! series). it just had me waiting for the 'gotcha! this wolverine is actually 3 dimensional!' but it never fucking got there. it was amusing in the beginning, but by like half way in, i did not give a single fuck about this guy. they tried to give him some emotional moment(like. the only emotional moment in the entire film) but it just...lacked the emotion. just 'heres my sad backstory. are u sad now?' and then they did the SAME THING AGAIN no we get it man u were at the bar instead of with ur friends and u went on a classic wolverine style berserker rage. why should we care tho?
i mean, sure, they could use the excuse of being in the type of depressive state where ur emotions numb out(speaking as a mfer with the came curse), and yea hes not the kinda guy to open up about his emotions unless he really trusts someone(which he would likely distance himself from forming connections with others after that kind of trauma), but with cassandra nova right there there was a missed opportunity for elaborating on that. for digging deep into his brain and telling why this fucked him up so bad. imo, if i were to write it, with everyone he gets close to he puts upon the expectation for himself that hes at fault for anything that happens to them. that he needs to be the savior, even in a friendship. to prove himself to be worth something. especially after a life of being convinced hes a burden by just existing as himself, he needs to have use in order to make up for the fact that hes Logan.
but whos going to save him? isnt he struggling too? whos gonna help you? looking at all the other logans across the multiverse, who is the wolverine? why do you keep falling for the same patterns no matter where you are and who you are? deadpool called sabretooth queen and she/her'd logan within like 5 seconds of eachother. that was pretty good ig
final verdict:
yknow. i think i get now the way fans reacted the way they did tho.
the other night i was rewatching the movie Hackers with my mom, saying that it was obvious the creators mustve known a lot about hacking in order to do such a good parody of it, out of love for the craft….but my knowledge of hacking is pretty minimal, so i have no actual fucking clue if that assumption is accurate or not. im just going off of a ton of references to hacking. for all i know, real hackers couldve hated this movie.
and thats how the average non comic fan saw this movie. they saw a buncha characters and references and thought ‘damn, they must really love the source material’ without knowing how much of a kick in the face it felt like to watch them get used and butchered like that.
#asks#deadpool and wolverine#well. here it finally is.#wade wilson#deadpool#wolverine#logan howlett#fuck it im putting it in their tags too HATERS RISE UP
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Despite only appearing in fifteen episodes over the show's more than 60 year history, Alex Kingston left an indelible mark on Doctor Who, bringing to life one of the most beloved characters in the entire franchise: River Song. Along with being the woman the Doctor married, River was a captivating character with a complicated history. She danced up and down the Doctor's life as their love story, which transcended time, saw the two constantly meeting out of order. Kingston's last on-screen apperance as River took place over eight years ago in the Christmas special, "The Husbands of River Song." The episode seemingly served as an end to her story, as she and the Doctor spent one last (twenty-four year long) night on Darillium together. However, that hasn't stopped audiences from hoping to see River again — and maybe fans just might get their wish.
Kingston stopped by MegaCon in Orlando, FL this weekend to speak on the "Women of Sci-Fi" panel. When asked which Doctor she would like to see River team up with that we haven't seen her with yet, Kingston enthusiastically named Ncuti Gatwa, calling him "a twinkly badass too," referring to a description she'd given her own character earlier in the panel. While there hasn't been any announcement made indicating a return for Kingston, she did indicate that perhaps we haven't seen the last of River Song: "It was such a wonderful journey and the journey may still continue," she said. "Who knows? I mean can you imagine just flying the Tardis and going to all those incredible different dimensions in time and space. I mean, it's been an amazing journey and I fly the Tardis better than he does."
Luckily, Kingston is no stranger to playing this character opposite a range of Doctors. Though the majority of her episodes were with Matt Smith's Eleventh Doctor, the ER actress also appeared opposite David Tennant's Tenth Doctor and Peter Capaldi's Twelfth Doctor. When asked if she felt that her character changed at all from Doctor to Doctor, Kingston said:
"No, I don't think my character differed, actually. She just sort of adapted to the personalities of each new Doctor. I mean, essentially, it's the same spirit but in a new body a little bit like when a snake sheds its skin. So it was sort of more like, oh hello. This is another facet of the person that I love that suddenly kind of opened up to me. And so I always found it's actually super exciting working then with a new incarnation of the doctor." [X] 📸Gerardo Morera
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