#And I don't do everything right but I don't get people who get mad when you point out the OBVIOUS dangers of having an outdoor cat

[jessilynallendilla]

dear god we're steadily heading into Fahrenheit 451

“Picture it. Nineteenth-century man with his horses, dogs, carts, slow motion. Then, in the twentieth century, speed up your camera. Books cut shorter. Condensations. Digests, Tabloids. Everything boils down to the gag, the snap ending.” “Snap ending.” Mildred nodded. “Classics cut to fit fifteen-minute radio shows, then cut again to fill a two-minute book column, winding up at last as a ten- or twelve-line dictionary resume. I exaggerate, of course. The dictionaries were for reference. But many were those whose sole knowledge of Hamlet (you know the title certainly, Montag; it is probably only a faint rumor of a title to you, Mrs. Montag), whose sole knowledge, as I say, of Hamlet was a one-page digest in a book that claimed: now at last you can read all the classics; keep up with your neighbors. Do you see? Out of the nursery into the college and back to the nursery; there’s your intellectual pattern for the past five centuries or more.” Mildred arose and began to move around the room, picking things up and putting them down. Beatty ignored her and continued: “Speed up the film, Montag, quick. Click, Pic, Look, Eye, Now, Flick, Here, There, Swift, Pace, Up, Down, In, Out, Why, How, Who, What, Where, Eh? Uh! Bang! Smack! Wallop, Bing, Bong, Boom! Digest-digests, digest-digest-digests. Politics? One column, two sentences, a headline! Then, in mid-air, all vanishes! Whirl man’s mind around about so fast under the pumping hands of publishers, exploiters, broadcasters that the centrifuge flings off all unnecessary, time-wasting thought!” Mildred smoothed the bedclothes. Montag felt his heart jump and jump again as she patted his pillow. Right now she was pulling at his shoulder to try to get him to move so she could take the pillow out and fix it nicely and put it back. And perhaps cry out and stare or simply reach down her hand and say, “What’s this?” and hold up the hidden book with touching innocence. “School is shortened, discipline relaxed, philosophies, histories, languages dropped, English and spelling gradually gradually neglected, finally almost completely ignored. Life is immediate, the job counts, pleasure lies all about after work. Why learn anything save pressing buttons, pulling switches, fitting nuts and bolts?”

remember

“You don't have to burn books, do you, if the world starts to fill up with nonreaders, nonlearners, non-knowers?” 

“The problem in our country isn't with books being banned, but with people no longer reading. You don't have to burn books to destroy a culture. Just get people to stop reading them.” 

“Coloured people don't like Little Black Sambo. Burn it. White people don't feel good about Uncle Tom's Cabin. Burn it. Someone's written a book on tobacco and cancer of the lungs? The cigarette people are weeping? Burn the book.”  (remember a few years ago when classic books were being "sensitivity read" for editing to a "modern audience")

keep in mind

“If you don't want a man unhappy politically, don't give him two sides to a question to worry him; give him one. Better yet, give him none. Let him forget there is such a thing as war. If the government is inefficient, top-heavy, and tax-mad, better it be all those than that people worry over it. Peace, Montag. Give the people contests they win by remembering the words to more popular songs or the names of state capitals or how much corn Iowa grew last year. Cram them full of noncombustible data, chock them so damned full of 'facts' they feel stuffed, but absolutely 'brilliant' with information. Then they'll feel they're thinking, they'll get a sense of motion without moving. And they'll be happy, because facts of that sort don't change.” 

“A book is a loaded gun in the house next door...Who knows who might be the target of the well-read man?” 

what is HAPPENING

[ravenstargames]

✦ LOST IN LIMBO — 2024 WRAP-UP + 2025 MILESTONES

And here we are, after the holidays! Another year has come to an end and this one was simply incredible. You can anticipate what our most important milestone was for 2024, but there has been a lot going on this past year that maybe we all have forgotten. So let's see what these four friends have accomplished this year, and what's coming for a 2025 that already looks promising!

Good news is that we achieved every goal we set up for this year! Isn't that awesome?! We published our first demo, hosted our very first casting call (and it was nuts!) and so much more! Let's see it :3

✦ OUR STUDIO, RAVENSTAR GAMES, WAS OFFICIALLY FOUNDED ON JULY!

Let me tell y'all that when you finish college, keep studying because it turns out the job market is absolutely devastated and cannibalized, and then have an existential crisis, the last thing you think about is saying "fuck it we ball" and open a studio. I mean, we are literally four people with no stable jobs (well, Kayden is an exception) and with no previous experience making a game entirely by ourselves.

So this was a huge step for us. A scary one. A terrifying one, and still is. But we've survived so far, so let's hope we can still do just that—survive at least long enough to start living. Calling this our job would be a dream come true, but there's still a long road ahead until that!

✦ WE SUCCESSFULLY FUNDED LOST IN LIMBO ON KICKSTARTER!

And you were right if you thought this was our most important milestone of the year!

Honestly, I low-key thought we weren't gonna make it. As I said—four people with no budget, paying for what we couldn't do ourselves with what our grandmas give us on Christmas—what were the chances anyone would be interested in helping us fund our game?

But we still had to do it, because making it this far and not risking not being funded would be madness. So there we were, opening Photoshop with tears in our eyes, watching our mediocre bank accounts get obliterated and working on the Kickstarter graphics with nothing but glitter and Jesus.

Also, we were asking for a lot of money and it was our first project. We've seen firsthand a lot of projects fail, a lot of people being scammed, and a lot of projects not going like the audience and devs wanted. So I thought we were a bit doomed.

Well, turns out there are people who believe in us and our project, so I was proved wrong. Maybe our graphics were really cool in the end, huh? I worked my ass off on those! /silly

So 980 people donated almost 60k euros and on September 27th, Lost in Limbo became officially a thing. Which is wild. I don't think I believe it still, honestly.

Of course, not everything went smoothly! As first timers we made a lot of mistakes, but we knew we were going to mess up something. Sometimes it was us, sometimes it was Backerkit or Kickstarter...Truth is watching a million YouTube tutorials, reading articles or learning about other devs' journeys doesn't make you ready to run a Kickstarter. There's some stuff you can only learn while running it!

So we ordered our merch, had our 🎉first delay🎉 because we made a mistake with our pins, and managed to deliver our digital goodies to our backers without blowing up (almost) anything.

✦ WE FUNDED OUR VERY OWN SOUNDTRACK!

And it'll consist of 19 original tracks by our wonderful composer Tomás Palazzi! 💜

✦ WE RELEASED OUR FIRST DEMO!

And overall, people seem to enjoy it! In fact, we recently reached +10k downloads and +71k views on itch! T^T

Of course, getting our demo out there was nerve-wracking, but we received a lot of love, and that includes wonderful and constructive feedback from a lot of folks who love our project and want it to succeed in its best form. Incredible content creators played our demo, reviewed it—and we've met amazing and stunningly creative people in the process!

However, as with anything you publish for others to see, not everyone is going to like it, and I think as a team we needed to also be exposed to that. There have been negative reviews that have helped us improve, and some others that have made us realize that our game, just like any other, isn't for everyone, and that's okay—our game isn't perfect and it won't ever be, and that's okay. As creators and creatives, accepting the critiques that help us improve is as important as letting go of the ones that contribute nothing, and to accept there are some things we don't want to change.

Of course there have been nasty or rude reviews, (most of them private) and albeit there were very few of them, but that was guaranteed. We try to have a few laughs at those!

✦ WE CREATED OUR OWN DISCORD SERVER!

And it's brimming with life!? We are almost 400 members and I may be biased, but it's full of amazing, supportive, and incredibly creative people. It feels so strange to see people talk daily about your game, about your characters—theorize, laugh, ask stuff...I can only hope our members feel at home as much as we do, because even if we can't interact with everyone all the time, just reading y'all makes us extremely happy :')

✦ WE STARTED WORKING ON OUR EXTENDED DEMO!

And it's going great! The script is doing better than expected, even if I'm editing more stuff than I originally planned. Implementing feedback we received during our survey is helping me improve the pace, storytelling and dynamism of the script. I'm an overthinker so I know I'm most likely editing / adding more stuff than I planned, but so is the way of the west.

Raquel has (as you all know) been working on the reworked sprites, and for now there's 4/7 done! 💜 We also have finished one of the new backgrounds and one is close to being done. That's 2/3!

Also, thanks to y'all buying extra stuff via Backerkit, we've managed to raise a bit more money and have been able to commission Airyn for help on the extended demo, as well as Allie (our editor) and the wonderful, the Ren'py Jesus, Feniks, to help us with our programming adventures! So technically we didn't reach our second stretch goal (outsourcing) but the extra coins have allowed us to hire some help!

That's all for 2024! Phew! Now, our plans for 2025 are quite simple (me when I lie).

First of all we want to ship our Kickstarter merch (more on that on a Kickstarter update coming soon!)

Finish production for our Kickstarter artbook

Release our Extended Demo

For now, we are aiming for a June 2025 release of the prologue, and the first chapter of every route will follow soon after.

Open our Patreon!

We have to think about this thoroughly, plan it, and make sure we can offer quality stuff worthy of your support. Some of you have asked a lot about a Patreon but we want to make sure we make it right!

On a personal note—this year I have been working on my OCD, as last year, and booked with two therapists. My therapist (the one who diagnosed me last year), and a different one specialized in OCD. This year has been full of highs and lows, but I'm in a much better headspace than I was last year, to the point of my meds being lowered! ✌️

I also enrolled for my PhD program like a month ago, and I got accepted after a lot of college shenanigans that almost became my villain arc. So this year is going to be funny for me!

Every member of the team has had their personal issues to deal with this year. Mental health, family, etc. It hasn't been an easy year for us, but I'm happy to say we've been there for each other.

And I think that's all! Overall it has been an insane year. Very productive, very nerve-wracking, and incredibly awesome. We can only hope this year is as good as 2024 if not even better, both for us as people and for our game. We hope your 2024 has been good, and we also hope you are excited to make 2025 a year you can be proud of; but most importantly, a year in which you can take care of yourself, be at peace with who you are, discover new things about yourself, and crave a path to the future you want to live!

Talk to you all soon! 💜

[bloopitynoot]

Reading TGCF: Chapter Nine

For those who don't know, I am reading TGCF for the first time and sharing my thoughts!

If you have not read it, there will be spoilers! Consider this a warning.

Also- if you want to follow along, I am aiming to post updates daily. You can find all the posts in the tag Bloopitynoot reads TGCF. You can also check out the intro post for context on my read BUT if you followed along with my SVSSS read, the rules and vibe are the same.

I was debating aloud today which tea I should have when my partner stopped me. She looked me dead in the eye and said, "you know which tea you want" and ofc she was correct. We both had masala chai with milk and sugar.

I will drink all of it until my pot of spices run out. I stand that this is peak winter tea.

Tea aside- let's go chapter nine!

(first off- ignore all of my penmanship in this photo, I had to refill my pen partway through this page so it's looking a little bit rough LOL).

And we have the ship name in the title! I hope cute things happen this chapter :'3 p279

I am absolutely NOT into this garden face's tongue!!! What the fuck p279

My guy, a secondary location is really never a good sign. Those soldiers of Banyue are intense! p281

Why am I over here feeling bad for the garden face. Poor guy has been sort-of-dead for so long, seeing his own body now is causing him body dysmorphia. pp282-283

This pit is actually horrific. They definitely get tossed in here, no question about this chapter's plot, but OMG it's built so terribly- hanging corpse and all. p286

ofc Xie Lian is over here sacrificing himself without a thought first. p288

Well shit. The traitor wasn't A-zhao. Based on the sound they made, this kid is probably super dead t the bottom of this pit. p289

My heart! oh no, sweet baby. Xie Lian's reaction to San Lang jumping into the pit :((((((((((((( p292

I am assuming San Lang has left the building and Hua Cheng is here now. The way he caught Xie Lian- SO CUTE. p296

Xie Lian: Hey san lang, can you put me down? "San Lang": no. Xie Lian: ?? "San Lang": it's dirty. p298

"It's not important whether you are human or not" :'3 my heeeaaaart p299

oof. okay and then after these sweet words he immediately hits him with a "friendship shouldn't be determined by..." my guy. This man wants you as his husband. p300

ooo! The intrigue! Who actually are the two wandering the streets of Banyue if the Preceptor of Banyue is with them rn. p302

I love Hualian and the Banyue General trauma bonding over the preceptor of Banyue right now. Both of them united by the same enemy. p305

This is what I absolutely love about MXTX. She makes such interesting morally grey stories and characters. I love how she so often makes the "villain" of the story, in this case right now general Kemo, feel straight forward until they really aren't. Once you get to the "villain's" side of the story you're like- huh I see what you did, why you did it, and how it makes sense. Like this guy was really just protecting his family the only way he new how to, or was even able to. pp310-311. I just love how complicated everyone is and how rounded each character- even if they are the grossest garden face man- are.

omg. I thought the situation with the "General's tomb" was just a coincidental story not that it actually was Xie Lian LOL oh no. p318

Not the Hua Xie! Meanwhile San Lang is probably swooning that this guy took his name. p319

Xie Lian: I was so embarrassed that I felt the need to fake my own death. like same bro XD been there. p321

Okay but now I'm curious as to why the snakes no longer obey her. As a side but also on this page, I do hope Fu Yao has some character growth. This kid takes everything at face value when there is clearly a fuck ton more going on. pp325-326 I do not think this girl is evil!

NO THANK YOU! :((((((((( The highly poisonous snake rain!!!!!!!!!!!!! NOPE. p327

Fu Yao my boy, please think things through

This guy is getting mad at the wrong people and about to narc on Hua Cheng.

I am not ready for the next two chapters. They are the last two in the book and I have a sneaking suspicion shit is about to get fucked.

[phoenixcatch7]

Reading loz/lu fics and it's just so interesting how wide the spectrum is of their personalities.

Sometimes it's got an in universe reason (different past (usually gender or species change), recent or ongoing traumatic events, a spectacularly bad first meeting), but sometimes (often) the characters are just... Weirdly angsty or peppy, there's no in between!

And I'm beginning to think less people have played more than one game than I thought XD.

Not that it's anyone's fault! One game is more than enough to be part of it all, and loz is exclusive to Nintendo consoles - and all the older stuff is frustratingly hard to get hold of. Heck, I'm still looking for wind waker, and that was really popular! And then you have to play it! They're not small games!!

But could people writing wild please ease off just a tiiiiiny bit so he can be a semi functional member of society pretty please XD? He's just as much a polite boy as any other member of the chain! He won't even run in shops! He can't attack npcs! He talks to every single person he's ever seen and remembers every single name. Yes, he's three quarters woodland creature with a hefty amount of trauma but he's also a fashionista who managed to avoid accidentally taking sides in a mayoral election and that's not easy!

[butchnavi]

you know as a neurodivergent person I only have two fucking requests of anyone I consider a friend: 1) do not cold shoulder or get aggressively angry with me for something you didn't bother to communicate you had a problem with and 2) do not fucking infantalize me and treat me like a naive fragile broken child who is a burden on everyone in my life. shouldn't be too hard right??? insane how many neurotypicals are fucking incapable of doing the bare fucking minimum

[thedreadvampy]

btw about Neil Gaiman I periodically agree with the 'Neil Gaiman is annoying' stuff bc I feel like both he and Amanda Palmer seem like people who I would go insane stuck in a room with bc we have very different ideas about art and suchlike. and I also do think that the career trajectory he's on lately is cynically redoing his greatest hits and pretending that was the dream all along when it clearly was not. which is at best meh.

having said which

as far as I can tell by far the most common complaint about Neil Gaiman is "Snow, Glass, Apples is problematic/gross/it's got incest and rape and frames the child as the aggressor"

which strikes me as a weird complaint to pull out of a 40 year body of work tbh when that short story is pretty clearly coming from a place of 'how far can I push this'. like you don't have to like the story. I don't really like the story. but it is. a horror story.

like and this is the thing with particularly 90s alt horror right? a lot of the interest is in transgression and sitting in the worst possible perspective and seeing what happens if you pull those strings. like I really like Clive Barker for example but there's a good chunk of his short stories that I'm like I'm not picking up what you're putting down Clive this seems Kinda Off. but that willingness to write some trite or Bad Message horror fiction that doesn't land is imo a side effect of being willing to try writing uncomfortable and unpleasant fiction at all. which is what horror is for, among other things, it's for creating discomfort as a form of catharsis or engagement.

like I am not a huge fan of the type of sex-horror that pops up in a lot of Gaiman's work and other contemporary horror writers - to me I don't find it upsetting or horny it just ends up feeling kind of edgy and tryhard - but I'm also a bit like. it does seem like a lot of people's beef with Neil Gaiman is that In The 90s He Was A Horror Writer

and this approach to Problematic Horror in Snow, Glass, Apples I find kind of microcosmic of how The Discourse often approaches art in this kind of 1:1 way. if you write a story which seems to line up with rape apologia it can only be because you agree with it. if you write a story about transphobia you're a transphobe. if you write a story that makes me genuinely uncomfortable you're attacking me.

but artwork, especially art like horror that's not necessarily trying to provoke enjoyment as its main response, is necessarily hit and miss. and if what you're shooting for is discomfort then whether it works, falls flat or goes too far incredibly depends on your audience. and making good art - as in art that makes its audience think, art that opens the audience up to discomfort and catharsis and sticks with them and changes them - requires the space to experiment and tbh the space to fuck up. like they aren't all going to be winners and they certainly aren't all going to work for you as a singular audience.

personally I don't see the appeal of Snow, Glass, Apples, less cause it's nasty and more cause it's hack. ooh an edgy monstrous version of a fairy tale where there's lots of rape and cannibalism? you're soooo original Neil. but like. that's fine. I don't really vibe with like 70% of Neil Gaiman stuff I've read but I still like Neil Gaiman because the stuff that works for me really works for me.

idk I think there's a lot of folk on this website who shouldn't interact with horror cause they clearly aren't interested in being horrified. that's not everyone who dislikes Snow, Glass, Apples, but it's a real undercurrent to a lot of the criticism and tbh this kinda vibe is shit for art. making standout art What Is Good also requires being ready to make art which stands out for the wrong reasons. sometimes they'll be the same art to different people.

[agnesandhilda]

my father is an olympic gold medalist in the sport of emotionally tormenting women

[horsemage]

I think we should bring back basic etiquette lessons such as shutting the fuck up when you’re watching a movie in a group that is not exclusively your friend group 🙂

[photomatt]

You gonna do anything or make any statement about the rampant transmisogyny on this hellsite, especially in cases like predstrogen recently? Or yall gonna stay silent and keep letting/making us get pushed off of it.

I have a number of asks about this, so this is to address all of them, I won't do each individually.

We generally do not comment on individual cases, but because there seems to be mass misinformation around this, I will make an exception and comment on predstrogen.

First, Tumblr has a number of LGBT+ including trans people on staff, and they see things from the inside fully, and they're not protesting this case.

Why do we wrongly have a transphobe reputation? We did have an external contract moderator last year that was making transphobic moderation (and also selling moderation, criminally). As soon as we were aware that person was fired, and we later terminated the entire relationship with that contracting firm and have brought almost everything in-house (at great cost). I have previously commented on this publicly, several times.

I am not aware of any Automattician (people who work at Automattic and Tumblr) who has made any transphobic moderation actions. If it's reported it is investigated immediately, if anything were found that person would be terminated for cause immediately.

Predstrogen's account was suspended for:

Repeated mis-tagging of adult content against Tumblr's community guidelines. This has nothing to do with clothed transition photos, she had 20+ other blogs and multiple accounts with names so explicit I can't post them here without a mature tag.

Multiple cases of harassment of other Tumblr users, not just me.

Multiple threats of violence, not just the one I share below.

These represent a breach of our Terms of Service, and we've exercised our right to refuse service.

Threats of violence are never okay. Threats of violence are not protected speech. We will work with police and FBI where appropriate, though to be clear prestrogen's case hasn't warranted that so far. I'm referring to what we may potentially do for other threats. I just got a death threat yesterday from someone mad about predstrogen, and that account was immediately terminated.

So regardless of whether you still think Tumblr staff is somehow a bunch of transphobes, know that threats of violence or death are still not acceptable and will result in immediate and serious action. Know that when you rile people up, they can do dumb things with possibly permanent consequences.

(2 hours later update: I have changed instances of the pronoun "they" or "their" to "the account" because I am unaware of pronoun preference in this instance and don't want to misgender anyone. Thank you for the people who reported this as an issue. Update 2: "She" is apparently better, the post now says that. Sorry for the mistake.)

Here's one (of many!) examples of the harassment violations, this one targets me but there are others targeting other users on the site.

The second part seems to indicate she wanted to be suspended, I'm unaware of why, perhaps to create this sort of uproar. I agree the hammers feel silly, but the start, "i hope photomatt dies forever a painful death" is a violation of Tumblr's community guidelines and terms of service.

The car part did hit close to home as I have almost died twice in car accidents.

Update 2: Added this text to the adult content part: This has nothing to do with clothed transition photos, she had 20+ other blogs and multiple accounts with names so explicit I can't post them here without a mature tag.

[some-other-number]

you have 'be gay do crime' in your bio but are you normal about poor people, especially poor people who have a different environment to you, doing things you deem unethical because that is the only available option

[corkinavoid]

Hey, @confused-they, this is for you and for everyone else who wanted more of this AU. Merry Christmas.

DPxDC Ring of Rage? More Like Ring of Engage [pt. 4]

[<- part 3]

[Written to 'Tantrum' by Ashnikko]

TW: mentioned mild gore (some inside parts become outside ones, nothing graphic)

Tim can't breathe.

Joker's mad laughter is ringing through the darkness of the warehouse, echoing in his head, the screeching sound straight out of nightmares. Hood should be nearby - as in, somewhere in this darkness along with him - but Tim can't think about that, his own maniacal giggles bubbling in the back of his throat, a grin tugging at his lips.

He has to get up. He has to stand, he has to fight, and it really shouldn't be this hard.

But he can't breathe.

Tim clutches his fingers on the fabric of his suit on the chest, distantly wondering if this is how Danny feels when he is more human than ghost. Probably not, he mentioned that breathing is only optional.

He really wants his boyfriend right now. His fiance. Whatever, he wants Danny, he wants his cold hands on his cheeks and the faint, humming purr of his core that Tim finds nice to fall asleep to, and-

Maybe later. He can't exactly summon him now, not in the middle of a fight, especially not in the middle of a fight with Joker of all people.

There's an angry growl somewhere to Tim's left, staticky through the voice-modulator. Then several sounds of gunshots and a gleeful, taunting yell of the madman.

Hold on.

Tim snaps his eyes open - not that anything changes, everything is still pitch-black around him - and blinks.

Why not?..

It's not like Danny is a civilian. Tim tends to pay little attention to the fact since the King of Infinite Realms doesn't hang out with the whole superhero convention on principle. But Tim is pretty sure he won't mind it this once.

Besides, Tim is so done with Joker that it's not even funny.

A few breathy chuckles escape his throat as he lets his body fully slump back on the floor and brings his left hand to his face, placing a quick kiss on the Ring through his glove. He doesn't need to do that, not really, but it's kind of a ritual at this point, and the gesture somehow makes him feel better.

"Danny," he whispers.

For a long moment, nothing happens.

Then, there's a soft, popping sound, and his beautiful boyfriend is floating right over him, faintly glowing and a little sleepy. Tim is momentarily distracted by his bare feet and pj pants with tiny rockets on them.

Danny yawns and tugs the hem of his t-shirt down as it starts to float. "Whas'sup," he mutters, rubbing his eyes and clearly not fully awake, and Tim's heart melts instantly. He loves Danny. He just... He loves him, okay? He loves that Danny didn't question his summons for a moment, he loves that he came even though he was obviously sleeping, and he loves that Danny is wearing a tee he stole from Tim.

Unfortunately, before he is able to get his shit back together, another sound of gunshot ripples through the air, and Danny startles, blinking himself awake and looking in the direction of it. Then, his eyebrows shoot up, and his mouth makes a soft 'O' shape before he turns back to Tim and tilts his head in question.

"You want me to deal with him? The clown, I mean, not your brother," he asks, and it's so casual and off-handed that Tim actually huffs a laugh.

"Sorry, I was just- I'm really tired of his ass," Tim should probably sit up, this is not a talk they should have while he is lying on the ground. On the other hand, Jason is somewhere out there, and he has guns and doesn't have a clear visual around him, so maybe Tim shouldn't sit up.

Danny hums, "Is that a yes?"

Tim just nods. He is pretty sure Danny can see him despite the darkness. "I promise it's a one-time thing, I don't plan on calling you every time one of local lunatics acts up. I just... I fucking can't with him," he admits with a defeated sigh. But, before he can spiral any further into the abyss of unworthiness, Danny's cold hands are cupping his cheeks, and his icy eyes are looking right into Tim's sky blue.

"Love, I don't mind getting rid of each and every one of your Rogues. Granted, it would probably fuck up the timeline, and Clocky would be mad, but I'd do it if you want me to, no questions asked." His voice is quiet, and Tim has never been more grateful for his domino mask, because he can feel his cheeks heating up and he doesn't want Danny to see the exact effect his words are causing.

"I- Okay," he quietly agrees, and then blinks, backtracking, "Wait, no, don't fuck up the timeline. Just deal with the laughing bitch this once, and that's it. We can handle the rest."

Danny is smiling at him in that adoring way Tim recognizes as 'I really want to kiss you, but it's not the time or place'. Then, he nods and lets go of Tim's cheeks, straightening up in the air, and his clothes shift all at once, like a magic trick.

Gone are the stretched out t-shirt and the pants with rocket ships. In their place, Danny's body is head to toe covered in stars and galaxies that hold the vague shape of armor, and there's a slightly shimmering, blueish-green translucent cape over one of his shoulders.

The Crown over his head, the sentient artifact much like the Ring on Tim's finger, appears from nowhere, and, after a brief pause - Tim swears it was debating on whether or not the situation is worth the effort - promptly sets itself on fire. Blue flames cast long shadows on Danny's, no, King's face, making him look older and his cheekbones sharper.

Before, the boy was only faintly glowing, and, evidently, the others present in the warehouse were too distracted to notice him.

But now, with the flaming Crown casting dancing shadows on the walls of the warehouse, it's really hard not to see the otherworldly being making an appearance.

"Holy fuck," Tim hears Hood's quiet, astonished voice, and almost cracks a grin.

Yeah, he wants to say, that's my boyfriend. Although he suspects he and Jason are having vastly different reactions to Danny's presence. Because Tim kind of wants to take all his words about dealing with Joker back and take Danny home, straight to bed.

...He is going to have to strangle Jason in his sleep if his reaction is similar. No, that's a wrong thought, this is so not the time for it.

"Who are you, flying glowstick?" Joker sounds rightfully pissed off by the interruption, "Does Batsy employ alien kids now?"

Danny chuckles, the starry freckles on his cheeks glowing brighter, "Okay, just because you compared me to an alien, I'm not going to completely erase you from this plane of existence."

Tim snaps his head up.

"Wait, no killing," he reminds, not because he actually cares but because B would throw a fit. Danny brushes him off with a wave of his hand.

"No worries, he'll stay alive," he smiles at Tim, and to everyone else, it probably looks like stuff of nightmares, sharp, pointy teeth and lips stretched out far beyond human capabilities. But Tim sees it for what it is: a face of mischief.

"Do I get a vote in this?" Jason's deadpan voice comes from somewhere on the other side of the warehouse at the same moment as Joker screeches in rage, "Who the fuck do you think-"

"Nope," Danny pops the 'p', and Tim is not sure if he is answering to Hood or refusing to listen to the clown's monolog by it. Maybe it's both. It's probably both.

The next moment, Danny is gone, disappeared from the place he was floating at, and Tim hears a wet, very unpleasant sound followed by Joker's scream of pain.

"You see this?" He hears Danny's nonchalant, unfazed voice above the clown's pained cries, "This is your rib, bitch- Hey, quit whining and listen to me, it's important."

There's a slap, a rustle, and a sound of ripping fabric, and Joker's voice becomes muffled, like someone put a gag in his mouth.

"You're like Adam now, you know, lacking one rib," Danny continues, "Only I'm not making you a girl out of this one, I'm pretty sure you don't deserve to reproduce. Anyway, going further down that metaphor, I'm the God almighty in this situation, so if you want to keep the rest of your ribs - and the rest of other things that are supposed to stay inside of you - to yourself, you gotta do a thing for me, okay?"

There's some muffled groans that Joker makes in response, then an enraged growl, a sound of a struggle, another slap, and then that same wet, disgusting squelch.

"Two ribs, wow, okay, you're really being difficult about this!" Danny sounds so innocently dumbstruck about it that Tim suppresses a laugh. "Are you listening now?" There's a quiet, choking wheeze that answers him, and Danny sounds quite pleased when he says, "Great."

Tim debates if he should look. He doesn't exactly want to since the sounds provide enough context, but it might be somewhat cathartic for him.

And then the air around him inexplicably shifts, becoming cold and oppressive, weighting Tim down like a heavy blanket and pushing him into the floor. The dancing shadows and the blue light of flames on the walls twist and churn, like taking aim, and Tim doesn't know what Danny looks like right now but he knows he is as far from human as possible, his voice coming with a staticky, echoing whisper, a threatening hiss slithering inside Tim's ears.

"Play your little games all you want, Fallen Jester, but know that you can not win. The punchline to your joke is long overdue, and your soul has belonged to me for quite some time now," his words are cold and uncaring, and in all the time Tim has known his boyfriend, he has never heard him speak like this: with a sense of lazy power, like he is only humoring the people around him.

Like they mean nothing to him.

"I will not kill you, or at least not here and now. My Guiding Star doesn't want to see my hands dirty with your filthy remains. Besides, death is only a moment, and you don't deserve only a moment of suffering," he huffs a short, humorless chuckle, "But, luckily, I am the Eyes of the Universe, the Titan's Bane, the King of the Dead, and everyone will meet me once their eyes fall shut for the last time," there's a smile in his voice now, full of cold and merciless anticipation. Tim feels a shiver run down his spine.

"So just you wait, Jester, and I will meet you on the other side. Then we'll see how whatever is left of your soul is going to spend an eternity."

Tim's ears are ringing with the pure, somehow gleeful hatred that laces those last words. He didn't know he could literally taste the disgust and the promise of pain, and yet, here he is, with a hint of something sour on his tongue.

And then, the heavy, weighted air that has been charged with power is lifted, the shadows and bright blue lights are all gone, and Danny, wearing his pj's and smiling, is standing over him. His feet are planted on the ground for once, and the Crown is gone without a trace, but his t-shirt is still trying to float up. The boy tugs it down again, offering a hand to Tim.

"Wanna go out for a burger since I'm already here in Gotham?"

Tim had never breathed easier in his life. He laughs a little and reaches up, taking his beautifully unhinged boyfriend's hand and standing up.

"I thought you'd never ask."

[girlivealwaysbean]

.

[evanhereonearth]

The Insidious Cycle of the Abuser Who Says They Love You: Mythal and Solas

Likely goes without saying, but Veilguard spoilers all under the jump.

I have been absolutely wrecked by the end scenes in Veilguard for weeks now, and I want to do a deep dive into Solas's relationship with Mythal and how it absolutely reeks of abuse. Long post incoming!

CW for heavy discussion of cycles of abuse, trauma response, and abuse tactics.

When I finished my first playthrough, this moment hit me like an absolute freight train. His visceral response to her presence and the way he instinctively retreats and flinches back/puts out a hand to protect himself is a full-blown trauma response.

And then she starts talking and moving towards him, and it gets worse.

Solas curls in on himself; his body goes even further into self-protection mode. His face is downcast, not the way he bowed to his vhenan moments before with a straight back and open posture, but shrinking.

And then as she advances, he cowers.

He completely folds inward. He crumples; he shakes, he hyperventilates, and the moment she reaches for him, he fumblingly offers her the lyrium dagger to kill him with.

Is this shame? Yes, of course, but it's far, far more than that.

For the sake of brevity, I'm going to limit this list to the four most widely recognised trauma responses:

Fight

Flight

Freeze

Fawn

As someone whose primary trauma response is fawn (wooo CPTSD), which is intensely common among people who experience complex trauma, especially through emotional and prolonged physical/mental abuse where their needs are discarded, pushed aside, or otherwise steamrolled, I felt this right alongside Solas. My own body responded to seeing it. This is, quite frankly, one of the most visceral and realistic (and extreme) fawn responses I've seen depicted in media.

Mythal in this scene is...phew, something else.

"She was the best of them," Solas tells us in Trespasser.

But she was not good, everything tells us in Veilguard.

Let's look at his regrets in chronological order.

Through Solas's memories of regret, we see this germinate in his foundational regret: leaving the Fade to take a physical form.

He does not want to do this. He tells her he does not want to do this. From the conversation, it's clear it's not the first time she's asked.

And the way she asks? Outright coercion.

"You have so long observed the world. Why not consider joining it?" [I want you to do this thing, so I will frame it as logical for you to make the choice I want you to make.]

"But I have no desire to live as humans. Besides, this talk of taking on a solid form. I think you underestimate the danger." [I don't want to do that. It does not feel safe to me.] "When you took the glowing stone to build your body, did the earth not shake?" [This is dangerous and selfish.]

"The lyrium gives us the strength we had when we were of the Fade; we are the best of both physical and Fade." [It makes us powerful, so I don't care about the risks.] "I need your wisdom, Solas, to withstand the louder voices like Elgar'nan's who would go too far." [If you do not come with me, a tyrant you abhor will make others suffer.] "I need you."

"This is madness. You must know that." [I don't want to do this at all. This will hurt me. I don't want this.] "I will always follow where you go." [Because I love you and trust you.]

Mythal's words in this part are classic abusive framing. When appealing to his natural curiosity does not work and he expresses strong rejection of her logical thought process (just because I have observed this place does not mean I want to go there, echoing his comments to the Inquisitor in DAI: "Many Orlesian peasants dream of travelling to exotic Rivain. But not everyone wants to go to Rivain!") and expresses that there is significant danger to continue to build bodies out of lyrium, she changes tactics.

Her second tactic is that it gives them power--she implies that he is limited and not enough for being only of the Fade. If he follows her, he will be the best of both, like she is. She clearly already sees herself as above him.

Her third tactic is pure emotional blackmail: "I need you. I will give in to the tyrants without your wisdom, and having your counsel in the Fade is not enough. If you don't go against your own nature and desires, people will suffer...and it will be your fault for not being by my side."

She doesn't say those things outright, but they are implied by everything she is saying. He says again he doesn't want it--that it is madness and that she must be aware of that despite her ignoring any suggestion that she actually is. All she is seeing is power and her desires: for Solas to do what she wants him to do.

So he agrees. Because she is his friend, and she says she needs him.

As far as core wounds go, this one is a doozy. It's absolutely brutal, because it's irrevocable. It's a point of no return. It's the first in what will become millennia of regret, of her ignoring the Wisdom she coerced out of the Fade to do what she wants regardless, to continue to push him to twist his nature under the guise of the greater good, to continue to cede to Elgar'nan and enable the very tyrants she promised him to balance.

This regret was deeply painful for me to watch. The nuance here is easily lost if people don't understand abuse tactics and how this sort of manipulation is used. It also serves to bind Solas to Mythal, an enormous sunk cost fallacy in the making--once he has made this choice, there is no going back.

And you see Solas curled in on himself in anguish and regret from the trauma of taking a physical form. It is in deep, painful contrast to his open, free wingspan as a spirit of Wisdom; he will never be the same.

"Have you created what we need?" From the outset Mythal is framing this as his idea as much as hers, when from everything he says, that is not true.

"With this, the proper ritual will sunder every Titan from its spirit. But you must know, those severed dreams will certainly be driven mad, a disembodied blight of pain and anger. It--is--awful what we are doing."

"And the only way to end this war."

Again, Solas offers the wisdom she claimed she took him from the Fade to listen to. He warns her, again, of the danger. He does not want to do this. Just like he warned her of the earth quaking when they made their bodies--they, the Evanuris, started this war by taking what they wanted regardless of who it hurt. He never wanted to participate in it, but now he is in the middle of that war. Mythal was one of the initial perpetrators of this war; she brought Solas into it against his will because he loved her, and now he's stuck. He is past his point of no return. And she is still using his heart against him. She has isolated him from everyone he knew in the Fade; he has no one to support him. He. Only. Has. Her.

This is another classic abuse tactic; if the person being abused has no one else, they will continue to enable that abuse even if it harms others, because they cannot see a way out. If you don't do what I say, it will destroy our children, our family. If you don't do what I say, this war will consume all you have, and you no longer have a home to return to. If you don't do what I say and hurt yourself and the Other, more will suffer, and it will be your fault.

Again, his posture, curled up and broken, appearing to cradle a now-tranquil Titan beneath him--and be embraced in return. This is an interesting artistic choice here, one that aches. It speaks to the depth of his own wound and how much it rent his own spirit to follow through with Mythal's wants here; that it sundered him from his spirit as much as it did the Titans.

"You cannot do this, Elgar'nan! You swore we would give up our commands when this war was over!"

"Our people need our leadership. If you are unwilling, leave."

From Elgar'nan, this is expected. From Mythal?

"Our people must rebuild. And we must help unite them."

Solas, once again, betrayed. He put his trust in Mythal and in the other Evanuris to follow through with their promise. Everything he has done thus far is poisoned in this moment; had the Evanuris indeed stepped back rather than stepped on necks, perhaps Solas could have healed, found a way to live with what he had done, maybe even to make amends. But this starts his war anew--and Mythal is standing with his enemy despite her promises, despite every wheedling word she's used to get what she wants from him over the centuries and longer, despite him turning from everything, everything, he loved to love her. This is the moment where he understands that he has only been a tool to her all along.

"So we did not fight for freedom, but to conquer this land and our own."

Let's pick apart Solas's words.

So we did not fight for freedom: He truly believed that he was fighting for freedom, that no matter how bad it got, that he could bear it for freedom.

But to conquer this land: Literally the land, I think, because of the Titans. To subdue them at all costs. This was not what he came for, but he believed Mythal.

And our own: Our own, our people, more spirits we gave bodies for this war, more who may not have wanted to leave the Fade. Our own, our people. To Solas, he is one of them. In this moment, he realises how much Mythal holds herself above all of them.

Elgar'nan's words are all too telling: "We fought to win. And now the Evanuris are as gods. I do not answer to Mythal's annoying lapdog."

They all--all--see him thus. As her pet.

Because he is. She has, until now, controlled him utterly with her manipulation and "need" for him.

"The people are afraid. They must believe in something." Mythal does not even stand up for Solas here; she does not reject Elgar'nan's perception of him. All she does is further distance herself.

The people are afraid: The Evanuris made them. They are as controlled as Solas and more.

Elgar'nan asserts, "They need strength."

"And wisdom." Mythal has the absolute gall to attribute this to herself, when Solas is the source of the wisdom she "needed" for so long. (Belated addition: And another level here: she may also be saying again that she needs him, but doing so in a way that doesn't require her to stand up for him directly. Honestly, fucking gross.)

"They need gods who can protect them," Elgar'nan continues.

"We are not gods. You will learn that." Solas's voice here is pure defeat. The scales are falling from his eyes.

"Every lapdog holds a wolf inside," says Elgar'nan.

Solas knows that Elgar'nan's "protection" is hollow, based on subjugation. And I think in this moment, he learns that Mythal's is based only in her belief that she is better than those beneath her, who cannot possibly handle themselves.

So her lapdog becomes the Wolf.

"I was not certain you would come."

Solas's opening words in this regret show the distance between them already and how much he has realised he does not know this woman who called herself his friend.

And her response is to instantly blame him.

"You are the one who walked away. I never turn my back when my friend needs me."

In putting this post together, this line absolutely sucker punched me. I've watched these several times already, but the absolute audacity to blame him for standing up for his principles for the first time against all her manipulation? Hoo.

She blames him for doing just that, "turning his back when his friend needed him." She needed her enabler, and when he stopped, she turned bitter. Just like any abuser.

That he goes straight into "The Evanuris seek the magic of the Blight" instead of engaging, honestly shows that he's still Wisdom. That is one battle that is unwinnable, trying to stand up against an abuser's bullshit like that.

"Impossible," she says. "The Blight is safely sealed away forever."

Gaslight, girl boss, gatekeep.

"Though I wish I could believe you." [You have lied to me so many times.] "I have sensed the breaking of the wards."

And her answer is patronising. "I will investigate your claims." [I don't believe you.] "If they forget the danger of the Blight, I will endeavour to remind them."

Solas knows this is futile. "What if, instead, you left the Evanuris and remained with me? Do you not wish for freedom from this struggle?"

He asks her, again, to veer from the dangerous path. He desperately wants to believe he was not completely wrong about her, I think. If she were to leave, he could heal somewhat, for not having so thoroughly misjudged her character.

Am I enough for you? Was I ever enough? is the unspoken question here when he asks if she will remain with him.

And in return, he gets back even more patronising bullshit and hubris. "Be at peace, love. I will stop them."

(Can you tell Mythal pisses me off?)

She calls him love. What an unbearable insult after everything, to go on telling him she cares for him whilst ignoring his wisdom--the very wisdom she coerced him into leaving the Fade so she would have by her side--and consolidating her own power at the expense of his people.

"As you must," he says. "The Blight is our mistake."

Might be unpopular, but I do not think Solas bears a split fifty-fifty custody for whose fault the Blight is. Could he have said no about the dagger? Could he have pushed then? Maybe. But by this point, he'd already had probable millennia of complex trauma and a deeply abusive codependent relationship, probably also a level of magical bond. Like, sorry, Trick and BioWare, if you want to retcon everything you shared with us in Inquisition about being in service to the Evanuris ("You have given yourself into the service of an ancient elven god! You are Mythal's creature now. Everything you do, whether you know it or not, will be for her.") AND Mythal casually overriding her servants' will and Solas burning her vallaslin off his face and leaving a scar and devoting himself to freeing the elven people from the Evanuris's domination, fine, but I don't buy it. Even if there was no magical compulsion on him all this time, that is immaterial.

Complex trauma literally rewires the brain to survive. She spent lifetimes programming him, isolating him, stripping from him every bit of agency he had. This man did not have the capacity to say no.

When our no is trampled even for a few months or years, we stop trying to use it. We comply. We, as mortal humans, cannot begin to comprehend the compounded trauma of millennia of this happening with the stakes of worlds in the balance. Solas, quite simply, has lost the entire ability to consent. No one of us can even imagine.

Yet he managed to walk away from her somehow, when she chose Elgar'nan. This man is stronger than anyone gives him credit for.

The dagger was clearly Mythal's idea. The plan to sever the Titans from their dreams, clearly her idea. To end the war. For there to be "peace". For there to be "freedom". Except that never came.

His loyalty was to her and to their people; hers was only ever to herself.

And again, she walks away and lets Solas suffer.

What a good friend.

[screaming from the general direction of Scotland]

She put her trust in monsters instead of her oldest friend, and the monsters ate her face.

Anyone surprised? I'm surprised. (I'm not surprised.)

And on top of this, Mythal finally, finally giving Solas one tiny breadcrumb that she had any principles remaining? I think that cemented his bindings to her forever. Not just that the Evanuris killed her, but why they killed her: because after millennia, she listened to him.

For someone that deep into trauma and abuse? Well. We know what happened.

It cannot be overstated that with his imprisonment of the Evanuris and the Blight, Solas saved the entire world. The entire world. Every living being in Thedas had a chance at life because of him. Only because of him.

Morrigan says it early on in the game, that for all the consequences of the veil (which, it also must be said, was not supposed to be global!), "his imprisonment of the Evanuris was just. Had he not done so, all of Thedas would have fallen to the Blight."

And the world has hated him for it.

He woke after sleeping for millennia, exhausted by this immense act of magic, to discover that not only had it gone horribly wrong, but that it had cost his people everything. That Tevinter had come in and enslaved them, released a trickle of the Blight after breaking into the Black City, used so much blood magic that the veil itself all over Thedas has been in tatters--not least because in releasing the Blight, the survivors had had to face down and kill the dragon thralls (archdemons) of the Evanuris, rendering five out of seven of them mortal, and with their deaths over the intervening centuries, the veil had grown threadbare with only two Evanuris sustaining it.

The risks were catastrophic, the price unbearable.

Everything he'd ever done to protect the world could still come crashing down...and in a sick twist of fate, he would be alive to see it.

And, shockingly, so would Mythal.

Mythal, whose fragment has just been chilling in a swamp for centuries in human form. Mythal, whose abuse of him lasted through the entirety of the world's history. Mythal, who, due to the Evanuris's betrayal and her abusee's abandonment, has become little more than retribution.

Mythal, who could have set him free at any point in all this time and didn't, because he was hers.

Mythal, who is the only remaining person with the power to do what he feels must be done.

I find it interesting that they chose not to use the post-Inquisition dialogue at all. Interesting also that they used Mythal's voice actor and not Flemeth's. This feels like a retcon, but we'll go with it. Whatevs.

"I knew that you would find me soon enough. You need the power of a god, the strength that I alone still carry."

She's still asserting her own godhood.

He's not having it. "The blighted Evanuris will soon break free from their prison. I must make a stronger one that can contain them."

He's not wrong. Not even a little bit wrong. And he's also right that she won't help him. Why would she? She never has.

"While the prison is important, it is not the only goal you seek."

"Why should I not tear down the veil? And bring back immortality to all the elven people? They deserve it."

And this is where I get even more raging, because Mythal's answer is this: "The elven people of today do not deserve to see the world they love torn apart to salve your conscience."

I'm sorry, what?

The world they love? The world that has offered them nowt but literal genocide for thousands of years? The world where in Tevinter, they're chattel slaves and worse, fuel for blood magic without a thought? The world where in the "civilised", slaveless nations to the south, they're either confined to alienages and subjected to repeated genocide (that's what a "purge" is, if anyone isn't clear on that) or the remnants of the Dales, who are the descendents of another enormous genocide? The world where elven magic has been pillaged but elven mages in human settlements are confined to Circles and abused or made tranquil or also genocided by Templars invoking the Rite of Annulment? The world where they're called "elf savage" and "rabbit" and "knife ear" and cannot participate in Thedosian religious life because the Chantry erases every instance of elves from even the Chant of Light? The world where it took the Inquisitor installing a perpetrator of genocide on the Orlesian throne (both Celene AND Gaspard fit this bill) and either having Celene reconcile with Briala (Briala and Celene's relationship could be a whole other post. Boak.) and blackmailing them to give a single elf lands and a title? That world????

What the fuck, Mythal, die faster.

I got real mad there for a second. I'm fine. I'm fine!

Solas, once more, simply says, "I must fix what I have broken. I am sorry."

More than she deserves, frankly. Man's a mess, but at least he tries. She's been chilling in a swamp and pulling puppet strings for ages and abusing her kids. Nudging history like it's some sort of hobby, because it has always just been pieces on a board to her. They have never been people in her eyes like they are in his.

"As am I, old friend."

Aye, get tae fuck. Friends don't treat friends the way you treated Solas. The closest thing to an apology Solas will ever get from her is that she pretty much just lies down and dies when he comes to kill her. And she still won't set him free before he does. Has to continue to twist her own knife.

This scene has me riled.

And this takes us back to the beginning of this post.

To her essence showing up to release him from her service.

In what is, to me, the least accountable, bare minimum non-apology (she never actually says she's sorry) I've had the displeasure to witness in a videogame, with Solas literally cowering before her and offering her a knife to kill him with since this is the first time he's seen her actual, non-Flemythal face since she died.

This was never a friendship of equals. Ever.

She got one thing right. She did break him. But she knew it all this time, and she never took a single step to put it right until pushed. Her corner of the Crossroads, which he built for her in the desperate hope that she would show a glimmer of the friend he believed she was, notably has a pair of wolf statues. Both beheaded.

She's spent all this time punishing him further.

He never went to visit her? I wouldn't either. I could not blame him.

This has gone to an angry place. So let's conclude with what is, I think, the entire point.

Grace.

"I lied. I betrayed you."

"I forgive you."

Has anyone--anyone--in all his long life, ever said those words to him?

I'll say that again: has anyone--ANYONE--in all his millennia of existence, EVER said those words to him?

I forgive you.

Mythal certainly didn't.

The world certainly didn't.

He has shouldered all the blame of an entire pantheon, a war that broke the world, a blight, everything, always, and while people have come alongside him to help him, I am not sure anyone (certainly not anyone he cares about) has given him the grace of forgiveness.

The beauty of this final scene for me wasn't just Ilaana, wasn't just Ilaana reuniting with the man she has loved for a decade who has spent all that time pushing her away so he couldn't--in his mind--inevitably poison the love of the only person who has seen his spirit and cherished it without twisting him.

It was the slow realisation that Rook trusted his love enough to try.

It was Morrigan, who carries all Mythal's memories and her own of Flemythal's abuse and machinations, who responds to Rook's question about her views of Solas with: "Or do you mean to discover if I would stand directly against the Dread Wolf, were there a need? I shall aid you in any way but that. What has passed between Solas and Mythal...I beg you: do not ask this of me again."

Morrigan knows. She will not raise a hand against him. She will not try to stop him. She will let the veil fall. She will not fight with Rook. Because she knows this being whose memories she holds has harmed him enough.

Solas, in these final moments, even before Mythal shows up to gut punch him, realises all these people have somehow, somehow, banded together to help him.

Not work for him.

Not be his agents.

Not worship him.

Not follow him blindly.

To help him. To help Solas. To help him, after all this time, take the first steps towards himself. Towards his own essence, so long twisted into something he never sought or wanted.

The Inquisitor and Morrigan certainly understand what it's like to be seen only as the symbol others raise in your image. Rook will learn that someday, but is still naive.

But even with that naivete, willing. Present. Able to put aside being a chess piece on his board. Able to see that they would never have succeeded without his help. Able to trust two people who know him better than they ever will.

Able to offer him grace.

And when they produce Mythal's essence, how that must brutalise him; to think that perhaps all this has been to let his abuser kill him back. He clearly thinks that's what's happening. He breaks. He fawns. He offers her the blade that has caused so much pain.

Her release of him is the bare minimum she owes him. I've already railed about that.

What is transcendent here, transformative--it is the mortals.

The mortals offering grace to a god who never wanted to be a god.

It's them together showing him a way out of an endless cycle of trauma and abuse. No one of them alone is enough. Without Rook, they wouldn't have Mythal's essence; Morrigan can't go get it, and she can't do what is needed because she's not actually Mythal, only has her memories. Without Morrigan, who can stand there with those memories but from the compassionate perspective of someone who has watched them in horror from the outside. She's far from objective, but she can do this one thing to help.

Without the Inquisitor (romanced or not, still someone he let know him as he most desperately wanted to be known--the Fade-walker, the Dreamer, the humble mage who desperately needed a friend). The Inquisitor, who kneels before him to comfort him. Who sees his hurt and responds.

If romanced, without Lavellan, who kneels to repeat back words he once shouted at the Nightmare in the Fade after Adamant.

"Dirth ma, harellan. Ma banal enasalin. Mar solas ema mar din." (Speak, traitor. Your victory was fruitless. Your pride gives way only to your death.)

To which Solas replied, "Banal nadas."

On the surface, nothing is inevitable, but can also be taken to mean that nothingness is inevitable, entropy, the final void. (Thanks to Dumped, Drunk, and Dalish for this excellent long post on this scene.)

And here is Lavellan, kneeling beside him with those words. "Banal nadas ar lath, ma vhenan."

Nothing is inevitable but the love we share, my heart.

I see everything you are, all you have done, and I love you. I forgive you for the pain you have caused me. I understand, see, and forgive.

No one has ever shown him grace like this.

Ever.

And Solas, this shattered man, sobs.

He sobs.

Someone has taken the trouble to isolate his voice in the video. This man has nothing left. And, after millennia of this trauma cycle repeating over and over, he is finally free to make the choice he wants to make. It's not the outcome he wants; that has to be said. He doesn't want to leave the veil up. He doesn't want to be bound into prison forever with no hope of seeing the world he fought for ever return.

But he is done.

In the Fade after Adamant, there is a cemetery with the worst fears of every companion scriven on shrines and stones. Solas's is dying alone.

After all of this, he is willing to face just that--and would, if not for her.

She knows his deepest fears. She has faced the demon Mythal made of the man she loves. She has given unwitting comfort to the spirit of Wisdom still within. She has seen his sweetest self. Nurtured him, cherished him, and has been nurtured and cherished in return.

Does she want to leave the world behind and spend eternity in a Fade prison? Probably not her first choice. It's not my Ilaana's; she has been on his side all this time, dreaming of a world where the spirits she loves can be reunited with the world in peace and ready to make that happen.

But it was not supposed to happen this way. It did happen this way anyway.

He has sacrificed everything--everything--including his own spirit self, his soul, his life. How could she not offer him what no one ever has? A friend forever, a lover willing to walk the din'an shiral by his side, a companion to ward off the forever alone.

Together, the two of them can begin to heal, with their counterpart who has always seen through the burdens of the world to the soul within.

This is the only thing I've ever had any faith in. Grace I know you carry us Grace And it was such a mess Grace I don't say it enough Grace You are so loved

[no-one-hears-me]

can't tell if this is a true bros before hoes moment or if I'm being unreasonable

[hopefullhearts]

Sickeningly Sweet [Scott Miller x Reader - Twisters]

summary: You are Tyler Owens' childhood best friend and member of his storm chasing crew. A storm outbreak means you and the gang cross paths with Storm Par on more than one occasion, and your sweet southern charm drives Scott crazy (in more than one way).

content warnings: somewhat heated kissing, no use of y/n, light name-calling/teasing, not proofread/bad writing (I have not written a fanfic in forever), bad taste in candy, & i think that is all!

word count: 3.5k

a/n: I have not written or posted on tumblr in SO long but I saw Twisters for the glenn powell craze and left with a scott/david corenswet obsession and these thoughts must come out of my head.

Shoutout to @hederasgarden and @sailor-aviator for leading the charge for the Scott girlies. All of their writings and drabbles inspired me to write this one, so check them out!

If people like this I might do a smutty part 2! I don't mind writing smut I just feel like it's not very good hahaha but let me know what you think!

--

You heavily resented the idea that guys and girls could not just be friends, because you'd be damned if Tyler Owens wasn't the best friend you ever had.

You met on the playground in Kindergarten. A boy pushed you off a swing, Tyler defended your honor, and the rest was history.

Tyler's overprotective streak made you view him like the brother you never had, and that's how your relationship remained. He was family, and that was that.

Tyler had always been interested in tornadoes, more specifically, how to track and predict them. You, on the other hand, hated science, including weather, but you loved the thrill of the chase.

In college, you studied marketing while Tyler studied meteorology. So, when Tyler had the idea to start streaming his storm chases, you were right there with him to help grow his brand.

Tyler knows he would be stupid not to credit you with all his success. You set up his streaming account, you edited all the clips and drone footage to post to his social media after the fact, and you even gave him the idea for the "Tornado Wrangler" nickname.

Now that everything was off the ground, you mostly put together streaming highlights and designed the merch, but you were right there in the backseat for every single chase, soaking up all the thrills.

This particular storm outbreak was expected to be a big one, so the whole crew strapped in for a week of bad weather, cheap motel rooms, and of course, a few run-ins with other chasers, including the guys from Storm Par.

"Storm Par's here." You said, gesturing to the fleet of white vans parked at the gas station you had just pulled up to.

"Of course they are." Tyler sighed. "There's probably going to be a lot of damage done by these storms for them to swoop in on. Just ignore them."

"No, we should be polite." You chastised him. "I'm gonna go say hi. Will you get me a cherry coke please?"

Tyler fought back an eye-roll, but nodded with a smile as you both got out of the car. "Of course."

Like everyone else in the crew, the Storm Par guys got on your last nerve. They were all a bunch of Ivy League grads who thought a more expensive degree made them better than everyone else.

However, being raised by your Mama, the epitome of Southern grace and charm, you always put a smile on your face and treated them with kindness. You even occasionally brought them food or coffee if you ran into them in the aftermath of a storm.

And even though you were blissfully unaware of the fact, this drove Scott absolutely mad.

"Hi Scott, Javi." You said cheerfully to the two boys in charge.

Scott replied with a grunt, but Javi was quick to greet you with genuine enthusiasm. "Hey! How are you?"

"I'm doing well." You nodded, smoothing your hands over your athleisure skirt. "Excited for a good chase today. How about you guys?"

"Us too." Javi nodded. "We're hoping to finally get some solid data collection today."

"Ah." You nodded, unsure what to say. You hated the idea of what they were collecting data for, but Javi seemed like a nice enough guy, and Tyler ripped on them enough for the both of you.

"Something on your mind there, princess?" Scott finally spoke, glancing away from his tablet to look down on you (literally and figuratively).

You rolled your eyes. While you would normally love to be called a princess, it always sounded like an insult coming from Scott, his voice always laced with a touch of venom.

"No, nothing at all." You smiled. "Just wondering if we'll see you guys in the aftermath if there's any damage done?"

"Why? Are you looking to increase your t-shirt sales?"

You bit your tongue, doing your best to hold your composure and not let him get to you.

"Nope, just trying to figure out if we need to make some extra to-go boxes for you guys." You decided to focus your gaze on Javi instead, finding him less intimidating.

Javi opened his mouth to speak, but Scott beat him to the punch. "I think we can find food on our own, thanks."

You took a deep breath, choosing your next words carefully. "Okay, well, the offer always stands if you change your mind."

Javi smiled and nodded. "As much as I want to see a good storm today, let's hope we don't have a ton of damage clean up."

You smiled. You knew he had a heart.

"That's something we both can agree on." You grinned. "Stay safe out there you guys!"

With that, you turned and walked away. Scott watched you go, your hair and skirt blowing side to side in the wind.

"Stay safe out there you guys." Scott mocked you under his breath.

"Yo, you don't always have to be a jerk to her, you know."

Scott gave him an unamused look. "She comes out here with her little boyfriend, selling his t-shirts and shit, and then skips over here like we're the best of friends with her thick southern accent. It's all fake."

"For one, I don't think Owens is her boyfriend." Javi corrected. "And two, I think she's just a genuinely nice person. She always says hello, even when everyone else in their crew ignores us like the plague."

"Whatever." Scott mumbled.

As you reached the truck, you took the ice-cold Coca-Cola bottle from Tyler's outstretched hand.

"Thank you!" You said excitedly, twisting the cap off to take a sip.

"How are dumb and dumber?" Tyler teased.

"Javi was nice." You informed him. "Scott was... there."

"Ah, yes." Tyler laughed. "Word on the street is he's a man of many words."

"Right." You agreed sarcastically. "But, when he does speak to me, he always calls me princess, and it drives me crazy."

"In what way?" Tyler said, failing to hold back a smirk.

It took you a moment to realize what he was implying, but when you did, you were mortified,

"Tyler Owens!" You gasped, your face flushing red with embarrassment.

""I'm just teasing you! You make it too easy." He laughed loudly. "In my defense, he looks like exactly like every boyfriend you've ever had."

Your face got even warmer, because he was exactly right. You had a weakness for tall, muscular, dark-haired men, and you especially loved a man who was a challenge.

"That is...irrelevant." You said, covering your face in your hands out of pure embarrassment.

Tyler held his hands up in surrender, as you rushed to talk about anything but Scott. "Let's just figure out what storm we're going after, you jerk." You insulted Tyler, but the smile on your face was ear to ear.

Scott watched the interaction from afar, and his chest twisted at your sickeningly sweet smile. Even if you weren't Owens' girlfriend, your closeness was evident. He ignored the burning feeling that was rising within him, not wanting to question why it was there in the first place.

Tornadoes were scary, but trying to understand how he felt about you? Terrifying.

"Alright, boss man, which storm are we chasing?" Javi pulled him out of his thoughts with a hand clapped on his shoulder, and he finally pulled his gaze away from your smile, the sound of your laughter fading into the background.

--

The storm was bad.

It hit a small town of about 3,000 people, and you estimated based on the initial damage scene that it was an EF3 at best, maybe even an EF4.

You were currently handing out anything that might be helpful to families who had been impacted by the tornado - blankets, water, heat lamps. pre-made sandwiches and cookies. You tried to offer them any comfort you could with a smile and hug, but you understood the devastation they felt all too well.

In the early days, you would try to help with the damage cleanup, but Tyler insisted that you stay back at the camper and talk to the families.

At first, you were insulted, and you thought that Tyler was insinuating you weren't strong enough to move heavy tree limbs or pieces of drywall. You finally asked him about it one day, and he laughed.

"Absolutely not!" He insisted. "You just have this energy around you that's calming, and these families need that. Your empathy and kindness are doing much more for them right now than cleaning up a bunch of rubble would."

You had never thought of it like that, but once Tyler pointed it out, it became your mission to be the solace that these families in crisis needed.

"Is there anything else we can do for you, Mrs. Smith?" You asked, rubbing the arms of a middle-aged woman who you had been speaking to for a few minutes now.

"No, thank you." She sniffled. "I really appreciate you guys being here. God bless you."

You smiled, giving her another hug. "Please let us know if there's anything more we can do to help."

She nodded, walking away to join her family, who were staring at the remains of their house.

You pushed back tears, feeling silly that this never got any easier for you, but also focused on being the anchor that these folks needed.

Scott saw you before you saw him. He watched you from afar as you did your work. He watched you force a smile and hold these people as they cried. He also watched you look up to blink back the tears before taking a deep breath and moving on to the next.

And damn if it didn't drive him nuts.

This job is easier when he doesn't get involved with the people impacted. It's easier to pretend not to care. But watching you pour your heart out to strangers, just because it's the right thing to do? It made his heart jump, and that scared him.

Ignoring the people involved and ignoring his feelings for you had become increasingly more difficult with every chase.

"Scott!" You called, approaching him with a styrofoam container in your hand.

He sighed, mentally preparing himself as you literally bounced over to him.

How the hell does someone look this good after taking on a tornado?

"Here." You offered him the container. "It's just a ham and cheese sandwich and a cookie."

"I'm really not hungry." He responded.

"Seriously?" You asked, not buying it. "We've all been chasing since 10 AM and it's nearly 8, you have to be hungry."

Scott shrugged, trying to hold back the things he really wanted to say.

"Fine." You sighed. "We're right over here if you change your mind."

"Yeah, I know princess. It's hard to miss you being the town's savior over there."

Scott watched you visibly retract and he internally screamed as his heart dropped. You probably hated him, but it didn't matter anyway. You were far too sweet for him, so putting a wedge between the two of you seemed to be the smartest way to outrun his feelings.

"Wow." You spoke, your voice much smaller and shakier than usual. "I knew you were sarcastic and maybe even a little mean, but I never thought you were actually cruel. So, thanks, for enlightening me."

And with that, you turned and strutted off. This time, you failed to fight back the tears as you returned to the camper.

And to your horror, Tyler was there, taking a break from clean up for some water.

When Tyler sees you cry, his overprotective streak comes out instantly, and right now you didn't want to be protected, because you were so embarrassed that he finally got to you. You were even more embarrassed that you thought that just maybe, he might be a good person under that scowl and hard facade.

"Hey, hey, hey, are you okay?" Tyler rushed up to meet you.

You nodded, trying to stop sniffling. "I'm fine."

Tyler looked behind you to see Scott watching you closely, with a look that almost mimicked longing, and he quickly put two and two together.

"Let me handle this." He insisted.

You shook your head in protest. "No, Tyler, please, he thinks I'm a waste of time anyways, it's not worth it."

"Trust me, he doesn't," Tyler reassured you. "Let me handle this, and if it goes badly, I'll edit all the stream highlights for the next two weeks, okay?"

"Deal." You nodded.

You truly did trust him more than anyone in your life, so you opted to go inside the camper and dry up your tears while he went to speak to Scott. You would let Tyler handle it, but no way were you going to stand there and watch, looking like a puppy who just got kicked.

"Coming to defend your girlfriend's honor?" Scott said sarcastically, trying to mask any emotion he was feeling.

"Dude, seriously." Tyler glared at him. "If you want her attention being a complete and total asshole is not the way you get it."

"Is that what you think? That I want her 'attention'?" He said, framing the last word in air quotes.

"Yeah, I do." Tyler nodded. "I saw the look you gave her as she walked away."

"Okay, so what?" Scott shrugged. "You might be surprised to know I am human and I didn't mean to make her cry."

"Sure." Tyler nodded. "So, what about all the other times I've caught you staring at her, hm?"

Scott stayed silent, stunned speechless.

"Ah, you thought you were better at hiding it, didn't you?" Tyler said with a smug grin. "Every time we end up at the same gas station, restaurant, bar, or motel, your eyes follow her nearly the whole time. And don't even get me started on the holes you burn into my head when I'm talking to her."

"Alright, fine." Scott snapped angrily. "Here to rub it in my face then?"

Tyler sighed in frustration. "No."

"Then what?"

"I'm going to give you a piece of advice."

"Why?" Scott scoffed. "It's no secret that we aren't friends."

"I know her better than anyone else, do you want my help or not?" Tyler asked, his patience nearing its limit.

Scott didn't protest this time.

"Look, no matter what I think about you, you're pretty much exactly her type," Tyler said, much to Scott's surprise. "So if you want her, apologize and tell her how you feel."

"She's not going to feel the same, and she deserves much better than me." Scott retorted. "C'mon Owens, you know what we do. When she comes floating into these broken towns like a heaven-sent angel, I'm collecting data for the devil."

"That doesn't have to be a permanent problem." Tyler pointed out. "Plus, she likes a challenge, and she's definitely brave enough to think she can fix you."

That cracked a smile from both of them, followed by a moment of silence.

"218." Tyler said.

"What?"

"That's the room she's staying in tonight." Tyler said, starting to walk away. "Apologize."

Scott nodded, beginning to formulate a plan on how the hell he was going to get you to forgive him.

--

You were snug under your blanket in the motel room watching reruns of Modern Family when the knock came.

You sighed and got up, not bothering to check the peephole as you assumed it was just Tyler coming to talk about the day's events.

So when you opened the door to see Scott standing there, you couldn't be more surprised.

"What are you doing here?" You said quietly, nearly breathless at the sight of him.

It wasn't the first time you had seen him outside of that stupid Storm Par white jumpsuit, but it was the first time you had seen him in gray sweatpants and a tight black long-sleeve shirt that clung to his muscles in a way that you could only describe as sinful.

He towered over you, leaning against the frame of the doorway, and you nearly shuddered when you looked up to meet the intense gaze in his eyes.

"I brought you something. As an apology for being an ass earlier today."

"Oh, and what did you bring for all the other times?" You spat back, no longer in the mood to play nice with him.

"I deserve that." He sighed. "Can I come in?"

"Depends." You responded, and he raised an eyebrow. "What did you bring me?"

He handed you a plastic bag, and you opened it to find a Cherry Coke, Sour Patch Kids, and a Honey Bun.

All of your favorites.

"How did you know what I like?" You asked, curious to know if Tyler was behind this.

"You always get some combination of the three at any local gas station." He shrugged.

He remembered because the first time he saw you buy all three he physically rolled his eyes, because, of course, you would buy snacks just as sickeningly sweet as you.

"I didn't know you paid this much attention to me." You said softly.

"Yeah." Scott inhaled a sharp breath. "That's what I wanted to talk to you about. Can I please come in?"

You opened the door, inviting him in with the gesture. The door shut behind you, and there was a brief moment of silence between you two.

"I'm sorry, for being a jerk today and every other time I'm around you." Scott started, visibly nervous as he ran a hand through his hair. "I wish I had a better explanation for why I've been such an ass."

"Yeah, so let's hear it." You said, hands on your hips. "Because I have been nothing but nice to you, even though I don't like who you work for and what they stand for."

"I know." He nodded. "At first, I thought you were being fake or sarcastic because it was unfathomable to me that you would be nice to us when you have absolutely no reason to be."

You nodded, encouraging him to continue.

"But once I learned more about you, and I realized you were being genuinely nice," Scott took a deep breath, building up all his courage. "It knocked me off my feet."

"What do you mean?" You asked, confused at what he was getting at

"I spend most of my time pretending that I don't care about the people that are devastated by all of this, because it's easier that way. But watching you bear your heart and soul to all of these people, just because you can?" Scott scoffed. "It makes it hard to pretend like I don't care about them, or more importantly, about you."

"You care about me?"

"I do." He nodded. "And I was a jerk to you because I thought it would be easier to make you hate me than it would be to admit that I have feelings for you, when you're far too good for me."

His admission stunned you. You can feel your heart thumping out of your chest as you look into his eyes, which look painstakingly vulnerable.

"I completely understand if you don't feel the same way, but I couldn't outrun these feelings anymore, and I wanted to at least let you know that I'm sorry."

The room fell silent as you processed everything he just told you. Scott was panicking inside, waiting for what felt like years for you to say something, anything.

"Do you know why I was always nice to you?" You asked him. "Because I was hoping that somewhere in there you had a good side. I needed to know that you had a heart before I could admit to myself that I felt drawn to you."

"Do you still? Feel drawn to me?"

You nodded. Stepping closer to him so that you were nearly face to face.

"Can I kiss you?"

"Please." You nodded desperately, your words barely above a whisper.

His lips were on yours in a flash, and the pure intensity of the kiss nearly knocked you off your feet. It was heated and rough, but somehow gentle and passionate at the same time. His thumb grazed your cheek as he pulled you closer, and every spot his fingers touched made your skin feel like it was on fire. You couldn't get enough of him.

Once he knew you were comfortable, he took the liberty of exploring you more. His tongue slipped into your mouth gently and his teeth caught your bottom lip, causing a small whimper to come from the back of your throat.

Scott groaned at the sound, letting his mind imagine (not for the first time) all of the sounds he could pull from you.

When the two of you finally pulled away for air, he kept you close, his hands ghosting under your chin around your neck, forcing you to meet his eyes.

"You taste just as sweet as I thought you would," Scott said with a smirk.

"Shut up and kiss me again."

[evilminji]

You knooooowwww... >.>

The only difference, technically, between a school in the Zone? And on Earth? Is the American government won't recognize your Zone diploma...

Not accredited. But like..... I'm JUST SAYING? If you didn't try to pass your school off as some Big Ivy League type? Pulled the "oh yeah, you'd never have heard of it, it's local." And the COMPUTERS say it's legit?

How many people will dig deeper?

If you legitimately have the knowledge, you legitimately have the knowledge. Not YOUR fault you left out the whole "extra-dimensional" part. It makes folk nervous! And nervous folks get stabby.

So like? If you were ALREADY planning to "Move" as you euphemistically put it? Talked it over with your VERY concerned folks and friends? Who do NOT like the look of the steady but concerning rise of Anti-Ghost Powers That Be? Who finally put their foot down and reminded you that you are a TEENAGER and it's NOT your responsibility to fix the world?

Well...

Fuck those guys, I guess. You'll miss the old house, but Team "Taking our ball and going literally anywhere else" makes some good points. Why ARE you putting up with this?

And honestly, you've never SEEN your dad have so much fun. Him and the Reality Realtor just sorta... Vibe. Himbo to Himbo communications. Smatters of advanced physics. Fudge. It's great.

They move the portal. Collapse the old one in a way that makes it impossible to recover or recreate. You... kinda don't want to ask. They had that "mad scientist glint" in their eyes.

And while everyone's checking out brochures to different realities? You? Head off to the nearest College. It's the Zone, so technically you could go to any of endless billions. But you'd like your education some time this century.

Cue! Danny Fenton! Entering?

Academia's wet dream. A sprawling CITY of a college. Where the classes are on EVERYTHING and the price is FREE. People have Obsessions okay?? They NEED to teach. Debate and discuss! Study! Right papers and read them! It's been going on a while! And what happens when you find a subject that's NOT covered?

YOU COVER IT!

It's like if New York was a College. Good fucking luck find the dorms. Sleep on the floor like the rest of us, you casual.

Danny was Not Prepared ™.

He loves it though.

Classes on aeronautics next making the perfect sandwich, shoved next to historical basketry, stacked above alien slam poetry. But only on Tuesdays! Ever shifting. Breaking his Fenton Born Adhd in to a fine PASTE to be smeared upon bread. Happy mental stimulation chemicals go Brrrrrrrr

If it wasn't wildly inappropriate, he would LICK IT to claim it as his then wrap around it and gaurd like a territorial cat. He thought he HATED school! Turns out he just hated high-school. College though? College, or at least ZONE College, is fuckin AWESOME.

He's sit in SO MANY random classes just cause.

Picked up and dropped them at a whim. When they no longer sparked joy. He's been a flighty bitch and for once? No one CARES. No one says "you HAVE to commit and stick with this FOREVER once you choose this" and? It just? It's so FREEING! He's learned so MUCH!

He's probably gonna come back!

Which? Is how a deeply, DEEPLY weird aerospace engineer from supposedly bumfuck NOWHERE, end up working at Wayne Industries. He's.... a lil crazy behind the eyes. Ha ha... CONCERNING ™!

Dude sleeps on the lab floor. Has weirdly spotty knowledge. Can be an unprecedented genius one second and not know who the current president is the next. Doesn't know what DAY it is. Forgets to eat. Tried to make a fusion reactor out of the break room toaster before Sandra from accounting distracted him with pictures of her cat.

It's like he wanders through life blissfully unaware that he is both terrifying and about three seconds from killing them all. Then FUCKING TRIPS because he forgot to tie his shoelaces again.

Who hired this man?

WHY!?

I mean, we KNOW why. Probably to put him on a watch list. But? He's like a terrifying murder puppy! Built like a tank! That's stoned out of its mind half the time. And have you HEARD his college stories? That CAN'T be legal. Was this guy raised in a cult!? Aaaaaaaaaaa!!!!!????

@hdgnj @legitimatesatanspawn @babbling-babull @dcxdpdabbles @hypewinter