#American dog
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Cutting Room Throwdown - Series Prelim. - Disney Films/Misc. (FIXED)
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Propaganda below:
Propaganda:
Miguelito Maracas - oh yes the lost fourth member of the Three Caballeros: A cuban rooster who owned a tobacco plantation. Also he was supposed to be the smallest of the group.
Carlos Madrigal - hes so silly ur honor :) EMO BOY EMO BOY EMO BOY
Bastion - LOOK AT HIM!!! HE'S SO KIND AND HANDSOME!! It's not that I don't love canon Eugene, and they *did* recycle aspects of Bastion's character design for Kristoff later on, but just think about what might have been if he'd made it into the final film as he is in these early concepts. Big gentle giant bear disney prince, my beloved.
Yzma - Have you listened to Snuff Out the Light. Also I like Emporer's New Groove bur I want so badly to have had the old version released
Henry - Original version of the movie Bolt that was scrapped.
King Magnifico and Queen Amaya - Instead of repeating the movie's mistake and separating this amazing power couple into two, we need to keep them together! Imagine how amazing the movie could have been if they were colluding all along to take wishes! Amazing power couple for the ages! Let evil people deserve true love too!!!!
The top 2 will move on to the proper bracket alongside the Star/Starboy from Wish, Queen Elsa from Frozen, and Jack Savage from Zootopia.
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kylesvariouslistsandstuff · 11 months ago
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Long post and hyperfixation/infodump session incoming:
It's reminiscence time again... A) Life hasn't been great as of now, and B) I saw something pretty cool the other day...
So, there's a free book online called DRAWING FOR NOTHING, which was compiled by an individual named Ziggy Cashmere. It is a book chronicling unmade animated movies, or animated movies that got - more or less - cooked into something else...
The book, so far, has a treasure trove of concept art and stories for ME AND MY SHADOW, FOODFIGHT!, B.O.O.: BUREAU OF OTHERWORLDLY OPERATIONS, THE INCREDIBLE MR. LIMPET, JOE JUMP, DREAMING MACHINE, DRAGON'S LAIR: THE LEGEND, JACK AND BEN, CAPTAIN FANTASTIC AND THE BROWN DIRT COWBOY, and HUCK'S LANDING...
All kinds of animated films from different eras, some that weren't made, some that were re-imagined as something else entirely...
And their work isn't over yet!
The Drawing For Nothing's twitter account is posting all kinds of cool, unearthed stuff...
And the other day, they found some conceptual work for an unmade Disney animated movie called AMERICAN DOG...
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Actually, AMERICAN DOG kind of... Was... Made?
This film was to be directed by Chris Sanders for Walt Disney Feature Animation, his sophomore directorial outing following the success of LILO & STITCH. If all had gone according to the plan, this movie would've likely debuted around fall/Thanksgiving 2007-ish, maybe a little earlier. Things were a little more fluid back then, when it seemed like The Walt Disney Company were to lose Pixar after their contract was up. Either way, it was aiming for 2007.
Of course, a lot had changed at Disney Animation after Michael Eisner was essentially ousted as CEO of the wider company. After Bob Iger succeeded Eisner, one of his first big moves was acquiring Pixar for over $7b, in early 2006... And then that move lead to the studio's veterans and founding fathers John Lasseter and Ed Catmull becoming the heads of that studio, on the heels of critically lambasted films like HOME ON THE RANGE and CHICKEN LITTLE.
And they took their way of doing things at Pixar with them, infamously. Chris Sanders was given lots of notes on AMERICAN DOG throughout 2006, until Lasseter took him off the movie at the end of the year. Lasseter had "reasoned" that the movie was "too quirky for its own good", and that Sanders wasn't getting it to where it needed to be. This was a shocking blow to animation fans everywhere, that not only was Sanders removed from his next movie, but that he was also leaving Disney Animation for DreamWorks. (Where he currently is at the moment, in twenty-twenty three!) Yet some suggested, "They're from Pixar, maybe we should trust them?"
Lasseter then had AMERICAN DOG completely re-imagined, working only off of the core concept of a dog TV star going on a cross-country trip with some animal friends, into an entirely new movie called BOLT.
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Directors Byron Howard and Chris Williams, both first-timers at the helm of something, brought the film to the finish line for Thanksgiving of 2008 to critical acclaim and even an Oscar nod, but a low final gross at the box office... While it was generally liked, there was a sort-of lingering feeling of what kind of movie AMERICAN DOG would've been. BOLT has often been compared to it, negatively, because visually it's just sort of... There? It looks nice, it's cute, the animal character design is pretty appealing, while WDAS was still working out CG human designs pre-TANGLED. Some of the extras in BOLT are little strange-looking to these eyes, to go off on a tangent.
Anyways, the short version: BOLT's fine, but what could've been... AMERICAN DOG...
There have been other pieces of concept art for AMERICAN DOG that have available to view for years, especially pieces from when the movie was still in development...
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So, now... I want to talk about the days when I first came across this project... Around November/December 2004...
At the time, 12-year-old Kyle was beginning to look up upcoming movie slates and such on various movie news websites. Stuff like ComingSoon-dot-net and stuff like that. Box office was reported in many places, not just the usual suspects...
I had already seen THE INCREDIBLES maybe three times in theaters by this point (I saw it *five* times on a big screen total, during its one and only theatrical release), and that movie really rocked my world. It still does. I'm a huge fan of THE INCREDIBLES, and its sequel too. I was endlessly influenced by the movie, and it actually legit excited me at the possibilities of what CG animation could... Even though this was an era of hand-drawn animation being ushered out...
Still, I saw a lot of potential CGI before we got glomped with a ton of kiddie talking animal movies and such within a few years, that kinda cast CG in a more negative light online. It already got so much blame for ending 2D, for merely existing, so the kinds of movies that came out - like a dam burst - around late 2005-2007 certainly didn't help...
Anyways, I wanted to know... What was next???
For Pixar, since it seemed like they were splitting with the Disney Co. at the time, the future was a little less definite. A teaser for CARS was running before THE INCREDIBLES, and after that the plan was for RATATOUILLE to be next... Which it ultimately was. This was back when Jan Pinkava was still directing the movie, before he got taken off of it in early 2005 and replaced by INCREDIBLES director Brad Bird... And a lot of it was changed after that. Back in late 2004, it was simply a movie about a rat "living with" an eccentric famous chef.
Of course, per the original contract that Pixar signed with DizCo (to borrow from Steve Hulett, to save syllables), Pixar couldn't make any sequels to their hit movies. DizCo had those under lock and key if Pixar were to split with them, and they planned on taking advantage of that... DizCo opened up a CG animation studio called Circle 7 Animation, and tasked them to make TOY STORY 3, MONSTERS INC. 2, and FINDING NEMO 2... Quite different ones from the movies we ended up getting. At this stage, TOY STORY 3 might've still been about the whodunit story set at Andy's grandmother's house... Or, it had become the infamous "Buzz Lightyear recalled" story that got the green light.
Other studios had slates of sorts. DreamWorks, in addition to having MADAGASCAR and Aardman's WALLACE & GROMIT movie lined up for 2005, had OVER THE HEDGE and RATROPOLIS (changed to FLUSHED AWAY) on the horizon. They also had multiple SHREK movies lined up, up to five and a direct-to-video origin movie about Puss In Boots. KUNG FU PANDA was entering development at this time, but it wouldn't be announced officially until about a year later, ditto a few other pictures. Donkey made an appearance on the studio's CG animated primetime NBC sitcom FATHER OF THE PRIDE (a real trip of a show), in an episode that aired 9/21/2004, and remarked "But let your kid know that SHREK 3 is coming out in 2006!"
Other stuff was coming, too. Sony was getting OPEN SEASON fired up, I think Imagi was getting started on CAT TALE, there were a bunch of other random movies here and there... Most of them not made, I reckon...
Then there was Disney Animation's future stuff...
CHICKEN LITTLE already had a teaser that I first saw on the spring 2004 BROTHER BEAR DVD, and there was a much faster-paced trailer playing before THE INCREDIBLES (set to R.E.M.'s 'It's The End of the World as We Know It (And I Feel Fine)'). Next up were likes of A DAY WITH WILBUR ROBINSON, AMERICAN DOG, RAPUNZEL UNBRAIDED, and FRAIDY CAT I believe was announced as well.
I caught glimpses of AMERICAN DOG, and saw this particular action-packed image:
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And I was draaaawn in. I was already hyped about how THE INCREDIBLES did such dynamic action, and this piece was reminding me of the scene where the Parr family use a news trailer to weave through Municiberg traffic to find the Omnidroid. I like a good car chase, so this was exciting.
At the time, I was already writing lots of stories about dogs, cats, stuff like that, dogs running away from dogcatchers and such. I was literally writing and picturing all these action sequences because THE INCREDIBLES really lit up my imagination on how action scenes could be done, especially in animation. All the wild angles and camera pans and swoops, it's like I was Incrediblizing everything I was writing at the time, my 12-year-old brain was just sooooo influenced by it. It was a formative film for me, m'kay?
Moving on... I was kind of in-and-out on what was happening with AMERICAN DOG once Chris Sanders was fired from the movie. I had found out that it become BOLT a little before the first trailer debuted, and I remember being down on it. Not to mention, I was going through a lot of other things at the time and I was kind of out of the loop on what was going on. There were some bad vibes going around in the circles too, that BOLT was sure to be bad because it wasn't AMERICAN DOG. It created a sense of "this is what we got instead", like we see a lot nowadays... And I saw the trailer before WALL-E in theaters, and just was not impressed.
The marketing for this movie was so weird. The posters, which pushed a lot of heavy reds, seemed to pass this picture off as "Dog INCREDIBLES". Anyone who has seen BOLT knows that the superhero stuff is literally a TV show he stars in, but the posters and covers really make it seem like it's a super-pets movie or something. And Disney had already done that live-action UNDERDOG movie a year prior. We were kind of at the tail-end of that weird period of Disney's movie output, the remains of the Eisner years and some very strange greenlights... I was starting to see movies in theaters again, following a depressive period where I didn't really go out in public much. And I was kinda softening on BOLT, but I missed it in theaters. I would later get the Blu-ray, as a blind present, around the end of 2009 I wanna say? And I finally gave it a watch, and I really dug it! I still do, actually, even if it is rather standard and workmanlike. Part of me assumes that Disney Animation, after years of critical and/or commercial bombs, were intentionally making something very familiar. Something cute and Disney-like and digestible, a fun little dog movie, as a way to ease back into the swing of things and get audiences to see their movies again.
After all, their last string of movies were... MEET THE ROBINSONS (lost money), CHICKEN LITTLE (made over $100m domestically but barely doubled its budget worldwide, got terrible reception), HOME ON THE RANGE (critical/commercial dud), BROTHER BEAR (critical flop but made its small budget back), and TREASURE PLANET (infamous massive bomb)... Maybe the rationale was, "Let's just make a classically Disney dog movie, but with some stuff that people like about the movies we make at Pixar!" It does feel a little assembled, it does feel like Lasseter using stuff from the movies he directed/oversaw at Pixar, mixing them with some "Disney" elements. The light satire of Hollywood and network television was an extra touch that gives it a little bit more flavor. In a way, I get it... Disney Animation hadn't had a genuine big hit in *years*, and maybe the thought process was "let's just make a straight-up family movie about a dog". Not something a little weirder or wilder, certainly not the utterly gonzo stuff Sanders was coming up with... But maybe, if they had taken a chance on it and kept the budget reasonable, they could've had a bigger hit on their hands? Who the heck knows...
BOLT ended up making around $309m worldwide against its $150m budget (I wonder how much of that came from the thrown-out AMERICAN DOG, since that got *very* far in pre-production), and managed to have spectacular legs in North America after such a blah opening weekend. I guess it's kind of a flop? Underperformer? The Hollywood math changes for each and every movie, it seems. But I think the positive critical reception and Oscar nod were taken into consideration, and so the movie was probably viewed as a stepping stone to the likes of THE PRINCESS AND THE FROG, TANGLED, WINNIE THE POOH, and WRECK-IT RALPH. The so-called "Revival"...
But I would loooooove to visit an alternate universe where AMERICAN DOG *did* happen. And that it was the unhinged Chris Sanders movie it was looking to be. Maybe not an alternate universe where David Stainton is running Disney Animation, by all means he really had to go. Lasseter was not exactly an exemplary replacement, as we'd learn in later years, but someone should've let the movie happen. I think a second Sanders WDAS movie could've not only been a major hit, but it could've down as one of Disney Animation's most interesting and experimental films... Much like his own LILO & STITCH was! And to think John Lasseter despised that movie... It's no wonder Sanders left the dog movie and left the studio, though he did negotiate with Lasseter to keep at least one of the characters from his concept and use it elsewhere... Namely the one-eyed cat who became the main character of his comic, KISKALOO.
Sanders made some really cool movies at DreamWorks. HOW TO TRAIN YOUR DRAGON is good stuff, and THE CROODS is a lot of fun. I even enjoyed that live-action CALL OF THE WILD movie he did for 20th Century Studios, with the CG'ed dog... And I'm excited as heck for THE WILD ROBOT, his third DreamWorks movie... But, part of me feels like AMERICAN DOG would've been Chris Sanders at his most Chris Sanders. Something totally uncorked and wild and unlike anything else... Whereas, two of his DreamWorks movies are based on books, and the other was someone else's movie first. He had expressed interest in turning KISKALOO into a feature, and if he gets to do that after WILD ROBOT... At DreamWorks... That would be pretty amazing, honestly. It'd probably be the closest thing we get to what AMERICAN DOG was shaping up to be...
Anyways, I wanted to talk about where I was at with upcoming animation in 2004 as a young, weirdo enthusiast... And just talk about an unmade movie and the director's stuff in general and such. Hope you're having a great holiday!
(And go read DRAWING FOR NOTHING!)
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doghowto · 5 months ago
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Man unintentionally teaches his Corgi sign language! 😊 Follow me for more smart puppers!
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weepingwidar · 2 months ago
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Lydia Pettit (American, 1991) - Dog Woman (After Rego) (2024)
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bluejayscrying · 5 months ago
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JASON GETS AN EMOTIONAL SUPPORT DOG
i get there have been a few dogs in the batman years, but i feel like Jason deserves his own.
He names it something pretty basic like Rusty or Max but the best bit is that like Jason, a streak of the dog's shaggy hair is white and he has his own red jumper to keep him warm because Jason might be a murderer but he's not a villain goddamnit!
Jason completely forgets to mention he got a dog, so the entire batfam is under the impression Jason either got a very clingy boyfriend, or it was a codeword for something else. Either way, they were too baffled to question it.
Jason, after patrol: sorry guys, I can't go back to the cave...yeah Max is waiting for me and I don't think I can resist his cute face
Tim and Duke: ahahaha yeah...*what the fuckkkk*
Or
Jason, on the phone to Stephanie: That's cool, anyways- MAX NO!! get away Jesus he keeps getting his face in my crotch so annoying...anyways-
Steph, slightly traumatised: uhm..haha
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disney-is-mylife · 4 months ago
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THIS IS NOT A COMPREHENSIVE LIST. I just wanted to highlight some beloved and underrated nostalgic classics.
I am NOT counting: Studio Ghibli, DC, Marvel, Scooby-Doo, sequels/prequels, and most other franchises. I made an exception with MLP and Care Bears because both films were produced at the beginning of their franchises, as opposed to the G.I. Joe series, Transformers, etc. There's a LOT to cover in the 80s-90s, hence why I split the two polls. This is basically Don Bluth's Era lol.
90's Poll
Happy voting! ❤
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losthavenmine · 21 days ago
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"I am what they say I am... I'm a monster."
Van Helsing (2004); The Howling (1981); Bad Moon (1996); The Wolf Man (1941); An American Werewolf in London (1981); Penny Dreadful (2014-2016); Underworld (2003); Skinwalkers (2006); The Wolfman (2010); Dog Soldiers (2002)
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goryhorroor · 7 months ago
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horror sub-genres: werewolf
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beardedmrbean · 5 months ago
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good doggy
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euqinim0dart · 3 months ago
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Dog days of August Day 9 - American Foxhound
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chirrups · 3 months ago
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doggone it!
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marejadilla · 1 month ago
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Allison Reimold, "Protector Of The Small", 2024, oil on Gessobord. American, b. 1987, L.A. native, pop surrealist painter and illustrator.
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drawnfamiliarfaces · 2 months ago
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Some (official this time lol) Extra Art for both Act 1 Omakes, character refs and promo ideas for funsies ;)
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weepingwidar · 5 months ago
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Justin Liam O'Brien (American, 1991) - Hungry Borzoi (2024)
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sparrowlucero · 1 month ago
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this is the iconic dinosaur horror jurassic park wishes it was
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#so there's this person on twitter who is like an infamous drama starter and got a whole forum shut down once#and they wrote this (different) book that's one of the greatest so bad it's good things i've ever read#a few great things that happen in that:#characters get in a car crash and flee on foot. later it's casually mentioned one character had both her legs amputated 'due to fractures'#the character pretending to be american by wearing maga hats that have spy gear built into them#the spy gear in question is an alarm that blares if someone lies in their vicinity#'stuff protocol ' said the queen. 'i'm getting hammered tonight'#the chapter where the prime minister is trying to watch the news so she keeps wandering into bars and tv shops and getting kicked out#the dragon that's casually described as 'about the size of 1000 elephants'#the dragon that's a 'dog dragon hybrid with a chihuahua body and a giant dragon head'#the dragon that's owner punched it in the face and only lets people approach if they 'do the iconic royal wave'#the characters being described as 'the short one' 'the guy with the beard' etc#but there being a lengthy detailed description of the characters in harry potter#'apparently a dragon had burnt essex to cinders in a matter of minutes'#anyways i found out they also wrote (a political parody of indiana jones???) for this book of kids short stories years ago#and you know. we needed to know#so it took me like 4 months to track this precious lost media down#which was very worth it because it turns out it's full of many other iconic gems like CELLAR HELL by Elizabeth Elgie (12)
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haichengtual · 7 months ago
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capitalism is really truly the death of everything
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