#Also sorta helping me with character design

[cozymochi]

Okay gen question, how are you so good at anatomy? like I know its a mix of years of practice and experience. Mayhaps you can spare some tips on how ppl can improve theirs? Always looking forward to your works btw! Even the scribbles you think aren't decent are always such a nice treat to see <3

It being drilled into my system years ago in a drawing class specifically for that 😭 Then a character design class the next semester that added on top of it. BUT FOR CARTOONSSSSS (I have not accomplished anything in my life to utilize any of this.)

My main point of knowledge reference is this book though (OMG FREE INTERNET ARCHIVE PDF? Yes. Though I personally have a physical copy.) We didn’t really read the walls of text so much as just practiced the proportion stuff in the early pages ad-nauseam and some skeletons (not hyper detailed ones just making sure bones were where they should be). Tho admittedly I’ve been neglecting any studying. (This book came out in 1943 brrgh) DO YOU KNOW HOW MUCH I HAD TO DRAW THIS DIAGRAM? MORE THAN ANY PERSON SHOULD.

But hey, it works. I still sometimes end up referring back to it if I think I’m sucking (disclaimer: i think this often )

As far as I’ve come to know, how something looks visually doesn’t matter so much long as basic proportions are correct. Cuz even people without trained eyes for this sorta thing can recognize when something is proportionately wrong. Like, I guess on you know where everything is supposed to go, you can kinda do anything from there?? I think. It translated well when we were drawing real people who were not the “ideal” presented, and when moving to more stylized stuff with their own rules in a completely different course. So what if that leg doesnt look exactly like u think a leg looks anatomically— IS THE KNEE IN THE CORRECT SPOT? Yes? Then u did it.

Also that eyes are in the center of the face. Not the nose. JUMPSCARE!!!

Aaaa, this isn’t really an interesting answer. If I ever figured out better streaming outside if private discords I could probably make my points better rather than pulling a “here’s a textbook, figure it out” CUZ ITS LIKE. ITS OVERWHELMING WITHOUT A GUIDE AND 😭😭😭

I don’t know. I don’t think I have “anatomy” correct, just “proportions.” Cuz I wouldn’t be able to tell you what something is, just where something goes. Which… I think is a little more important and also a distinction I don’t really see anyone making in drawing.

Though, as much as I wanna be helpful in a more effective way, it’s really really really hard for me to articulate how anyone could improve theirs if I don’t know what the alleged problem areas are 😭 I find all this stuff to be case by case. I kind of do better if i can directly point things out and offer info from there instead of blank slate tips. If I ever figure out streaming outside of private discords it would probably be easier (literally doesnt own a functional up to date enough computer)

I guess focus less on “anatomy” and focus more on proportions since that does more of the heavy lifting? Unless ur a med student, then you probably should focus on anatomy

someone could die because you couldnt identify their coccyx

OKAY THATS IT THANKS AND SORRY

[coldgoldlazarus]

This is also why I'll always prefer the stylized Miramax approach to portraying the characters. It keeps that visual language from the pieces, but isn't bound by them, and it winds up feeling so much more authentic to me. I can sorta understand the people who prefer the stuff that looks more like the sets, like the Ghost Animations and TLR, or at least respect their right to their opinion, but that just feels so reductive to me in a way.

(I will say that my one gripe with the Miramax stuff is the way eyes are melded into the masks rather than visibly set beneath them, making it harder to see them as masks a lot of the time, and I do wish they had the same level of... crispness, as Ghost's rendering style, but that's neither here nor there.)

I also really love seeing the set prototypes and how it shows how kitbashed chunks of older parts evolved into newer ones, helping keep that consistent visual language going forward even as the style of the builds evolved and new aesthetic ideas were added on top. (The mix of industrial structural kludge and refined angular art deco influence of the Metru-era sets, the Piraka/Inika piston overdose and use of blocky, chunkier textured design elements, the Barraki/Phantoka organic sleekness, and the Glatorian emphasis on elemental aesthetics.) That so much of this got cut up and remixed into new molds also really helps maintain a certain level of consistency among the variety, a perfect balancing act that really makes the universe work.

I also feel like this is what people were kind of trying to get at when criticizing G2's aesthetic, but couldn't quite articulate effectively. We wanted to see new shells and addons that also carried forward the design languages G1 had established, but that thought just came out as "moar pistons!" which is how we wound up with the minor travesty that is the Uniter Torso armor piece. Maybe calling it a minor travesty is a bit much, since I respect the intent at least, but I still don't like it; whether due to the fandom's badly-communicated complaints, or failure to understand on the design team's part, it feels like it's trying to be a compromise between the new and old aesthetics but doesn't really manage to fulfill either all that well.

But yeah, I really like how much distinctiveness and personality the original run had; it's a unique and difficult to replicate set of design ideas, that evolved interestingly across Slizers and Roboriders, G1's decade lifespan, and even the first year of Hero Factory. Sometimes I feel like even the modern fandom's 3D modelers sometimes fail to capture it in an authentic way, but at the same time I do love some of the newer spins I've seen put on it. It's just a really incredible visual identity.

so, random little tangent that came from looking at the old bionicle pens

there’s something about that white bead in the middle, the piece that’s essentially two bohrol limbs smushed together, and it kind of makes me think like… bionicle was never just about the parts the toys were made of

like, all across secondary media and even just firsthand media, you can sometimes see combinations of parts that never existed. the toa hordika’s arms in wos, for one, the way those worked they were clearly pulling from different parts but blending them together to create the look they wanted, some of that happens in the bionicle heroes console game too, they’re not bound to just what appears in the sets

and then you open up the rahi and dark hunter books, and you see these creations that sometimes use things that aren’t lego to hold themselves together, rubber bands and illegal connections, some stuff you’ve never seen in a bionicle set before (probably because it came from a roborider or a slizer but that’s besides the point)

and you see the way that giant parts are strewn about on the surface of bara magna, or making up sculptures in po-metru, and maybe they’re split in strange ways, or they’re overlapping, but you get the sense that, unlike in the toys, these shapes are mutable, they aren’t just static parts that you make the robots out of, they’re almost ideas, visions of anatomy from a world foreign to you

with all of this, it feels like bionicle was always more than just toys. it was more than something you could hold in your hand, there were ideas that you can see and understand but that were beyond your reality, things that didnt exist but could, and that’s how you knew it was more than a toy. the toys were glimpses into a bigger world, representations of living characters, not just plastic playthings but something greater than that

so yeah, there’s more to this silly little customizable pen than i think they intended, and i think that’s great

[eyesthecolorofarson]

It’s a meme, Batman

Bruce never thought he would say this, but he regrets pushing Damian to make friends.

If he’d known all those years ago it would result in a media scandal that was practically a cosmic watergate, he would have kept Damian confined to the cave for the rest of his life. The worst part was that it was all harmless, just teenagers having fun on an improve show.

He’d gotten the link to the livestream through Oracle, who’d been laughing so hard he was worried she’d been injected with Joker venom. He got more worried when her laughter increased at the knowledge the whole family was in the cave. She insisted he play the livestream on the main computer, and like a fool, he’d trusted her and did just that.

It looked to be….the improve show Whose line is it, anyway? But the usual comedians, Ryan Stiles, Colin Morchie and Wayne Brady were sitting next to host Drew Carey and—Damian in his Robin uniform, Phantom, Superboy, Royal, Fireworks, and Wendigo. He heard the others laugh and ask the appropriate question ‘what the fuck is he doing??’ A question he himself was asking.

He took a step back to asses the situation; Royal, Dove Elopeman, was a metahuman born in Lapa, Rio Di Janiero who was apart of the new batch of superheroes. Royal had bronze skin a similar shade to Damian’s, with black wavy hair just below her shoulders and purple eyes. Royal was brought in fairly quickly after Martian Manhunter realized just how powerful her mind-control ability was, after he’d spent three months under her control, during which she found and took control of Khloé Kardashian and not only robbed her but blew up her house. She had a surprisingly pronounced figure for her age, 14, and used her body to get close to people and then take them down, usually incredibly violently. Royal showed no remorse for her incredible viciousness, due to her usual targets being sex traffickers and pedophiles.

Fireworks, Lydia Lippet, was a metahuman born in Perth, Scotland who has the odd ability to bring anything she draws to life. Fireworks was African with curly hair dyed baby blue styled in a side-parted bob, with metallic gold eyes. This ability was realized at a young age, but thankfully her parents didn’t use it for their own gain. Her parents raised her as if it was perfectly normal, and Fireworks did nothing too extreme with her powers until she was 13, when she brought a Pokémon into existence, the first time she brought something to life with her powers. This immediately made the Justice League aware of her existence, and once the JLD looked into her and went ballistic at the implications of what she was capable of, essentially forced them to bring her in as a new hero. Thankfully she was open to the idea, but unfortunately also expressed no remorse or sympathy for her actions.

Wendigo is the newest, and most unfortunate case. She had silver skin and was tall, about 6’9, and usually her hair was white but now for some reason it was hot pink. It was still incredibly long, almost touching her ankles, and her eyes were ultramarine blue. Research shows that before she was born the Native American tribe she was apart of went through a famine, in which many of her tribe resorted to cannibalism in order to survive. The reason her parents abandoned her deep in the Canadian forests is largely unknown, as is her parents location and names, but it is abundantly obvious they had committed cannibalism, which apparently caused a spirit of winter to latch onto her as a fetus and merge with her body and soul. That’s what the LJD concluded after a three-day long ‘study’ of her. This ‘study’ was concluded after Wendigo was rescued from Lexcorp, having mutilated and eaten over thirty of his men and injured Luthor himself. She didn’t speak, and only communicated with sounds and birdcalls, and, like the others, was violent without remorse.

Phantom was somehow the easiest to understand. He had light blue grey skin and pure white hair, as well as Lazarus green eyes, tongue, and blood. An Ohio resident, Danny Fenton was recruited after the Justice League investigated the Ghost Investigation Ward and the Anti-Ecto Acts, after it was found he was not only partially undead but also the only person capable of fighting against these world-ending threats without rascist-like judgement. Phantom was nervous about joining, mostly because of Deadman’s constant harassment about being ‘twinzies’ but agreed on the notion that his sister would get a full ride into any college she wanted. Phantom isn’t violent on purpose, but ends up being so due to him not knowing how to hold back.

Phantom was one stage with Damian, while the girls and Superboy were sitting with the host and other comedians. Everyone was laughing, and even Damian had a slight smirk on his face. Royal reached into the hat and pulled out a slip of paper, snorting and covering her mouth as she read the slip. “Batman….interrogating the Joker.” “Roll for an image!” Fireworks called, her accent thick as she pressed a button that caused the projector to roll through a variety of images before stopping on a very odd one that caused Tim to choke and Stephanie to begin roaring with laughter.

It was two over-sexualized wolf woman wearing skimpy clothes with different game logos with the words ‘Face it, you’d play with both of them’. Phantom leaned back and hovered in the air, laughing as Damian turned to fireworks with a raised eyebrow. “I didn’t choose it, it’s just from the internet.” Fireworks drawled, taking a hit from her vape and blowing pink smoke out through her nose. Damian and Phantom stared at each other for a second before they both smirked, Phantom cracking his knuckles before leaning forward. At Drew Carey’s mark, the bit began.

Phantom and Damian stared at each other in silence for a second before Damian, in a perfect impression of Bruces voice, said “What is this.” Phantom, in the Jokers voice, replied “It’s a meme, Batman.” Immediately the crowd, and his children, were roaring with laughter. He could already feel the building dread. “I don’t understand.” Damian said in his voice. “What do you not understand?” Phantom replied in Jokers, somehow sounding tired of him at the same time.

“I don’t get the joke.” God, how was Damian making him sound exactly like him but also so pathetic at the same time? “Well, you see, people only usually play on one console.” Phantom held up a finger as he levitated in the air in a casual position, making the room(and his children)laugh again. He motioned to the picture. “But both these woman are so attractive, you’d wanna to play with both.” Phantom playfully stuck his tongue out at the end, to the humor of everyone.

“But they aren’t consouls.” Damian said in his voice. Phantom pulled out his phone and began pretending to text. The crowd and his kids laughed again. “The shirts their wearing have the consul logos on the—“ “What are you, some kind of furry?” Oh god how did he learn that? Another part of his brain knew that realistically it wasn’t that outlandish, but it felt like just yesterday he was eight and had brought home a cat he’d named after Alfred.

“You’re the one here wearing an animal costume.” Phantom still sounded judgmental, and for a second it was silent before Damian grabbed him and slammed his head into the wall. The crowd and his kids laughed again, and Drew Carey called scene. He looked back at his kids. Dick, Tim, Duke and Stephanie were sitting and roaring with laughter. Cass was kneeling down and trying to help Jason, who was curled into a ball on the ground and crying with laughter.

“I think the best part about this….” Drew started, but stopped to laugh again before continuing, “I think the best part about this is the implication that Batman knows enough about internet lingo to know what a furry is, but not enough to understand memes.” Damian nodded at him. “That is a true statement.” The crowd, and his kids, laughed again. He felt the dread grow at Phantoms motion for silence.

“I’ve had this one saved in my note app the day the interview was shared.” He grinned, before clearing his throat and speaking in Jokers voice. “You know, my father….”

Jason gasped and sat up, whispering in joyful disbelief, “oh my god.”

“…..was a gamer.”

Everyone began laughing so hard he almost couldn’t hear his brain imploding. Jason was choking on his tears, Colin Mochrie had his head on the table, Wendigo was looking around from her seat like a confused puppy. “….And a weeb.” Jason fell back and Cass was hovering, unsure if he was actually in pain or not. Dick dropped down to help, but he was also laughing so hard he was falling over.

“And one night….he got gassed up on his G-fuel CRAZIER than usual….” Fireworks began slamming her fist on the table, wheezing with excitement and leaning again Superboy, who was coughing on his laughter. “Mommy grabs the Wi-Fi to defend herself. He doesn’t like that….” He leans forward, grinning like a Cheshire Cat. “Not…..one……bit.”

“So….” Phantom almost broke character at Wayne Brady saying ‘I’m crying’ in a choked voice. “He takes out his phone and turns on his 4G.” Phantom was leaning forward so much Damian had to lean back. “He turns off the Wi-Fi on his PC and connects to his phone….” He leaned forward again, making Damian lean back even more. “….laughing while he does it.”

“My mother can’t stand the sight of him!” Jason and Dick were now laying next to each other, Cass making very worried hand motions. Stephanie was making calls and spreading the word of this live-stream. Duke looked dead. Tim was calling Conner to inform him of his little brothers whereabouts, also crying.

“She just wants to have dinner….TOGETHER….and not have him have KFC in his room anymore!” The crowd is roaring with laughter. Wendigo was chirping worryingly at Superboy, who was crying like Royal and Fireworks. Phantom watches the crowd laugh. “They eventually get a divorce.” This causes everyone to begin laughing again. Bruce felt like dying as his phone begins to ring, the caller ID telling him it was Barry Allen.

[tittysuckersworld]

y'know what? love love love designing disabled characters. love chronicly ill characters. love characters with invisible disabilities. love characters that dont technically have a disability but are not fully abled(if that makes sence). love characters that choose to not wear prostetics. love characters that choose to wear prostetics. love designers that think about how the things would affect the characters actions personality story and in general affect them as a person. love you all aids. love you aids designed for characters and their settings. love you customized aids. and especially love people that try to show this representation right

[9spoons9]

Hooks the Scarecrow, sentry of the cornfield.

This is another instance of “I made this oc for school and then I got attached”

I think it’s neat. A funky creechur.

[plumipal]

AAAAAOMG UR TWST OC IS SO ADORABLE?? i'm absolutely in love with eden sm (+ his design?? the star eyes and the wings are my favorite,, i wanna smooch all his tattoos!) and i hope it's okay to ask a few questions about him... (I KNOW U SAID IT WAS OKAY BUT I JUST WANTED TO MAKE SURE 😭 i'm genuinely interested in knowing more!)

1) does he have anyone in the twst cast that he tolerates/likes? i know he's part of the whole harem thing but is there anyone he doesn't necessarily mind being around (or even sharing with the prefect?)

2) do grim and eden have a good relationship? i would assume so since they're living both with one another but do they just get along with each other for the prefect's sake or are they actually best buds? (๑ > ᴗ < ๑)

(little dumb idea but i think it would be so cute if the prefect treated the two as if they were all like a little family! eden and prefect being the two parents and grim their rambunctious kid lmao,, i would imagine the others not being so happy about it (っ‘ω`c))

3) is he okay with physical affection/pda? is he totally chill about it or would he rather shy about the whole thing? is he open to having the prefect touch his wings or his tattoos?

4) oooo any funfacts that you have about the new ramshackle resident?? just in general really if that's okay with u ofc!! ☆

aa okay that's it!! i hope my questions weren't annoying or anything! (っ‘ω`c)

Had to get one of those wheels ive seen going around where you put the oc and how they feel about the character and how the characters feel back about them, but with a twist lol (most of them are haters).

The ones he are most tolerant with are grim, ace, deuce, jack and kalim. Only one he could possible share with would either be kalim, jack or deuce, because of how he sorta is annoyed by ace.

Of course cant forget how he feels about you :) he thinks you are very very very special and he loves you a lot <3

He likes grim a lot, seeing as grim isn't one of the students that is oh so annoying. He warms up to the monster, seeing how gently you take care of grim, wanting to do the same. It feels, domestic, in his opinion.

Grim likes Eden a lot too, he has never belittled him, he has always made sure to feed grim along with Eden being very warm (and therefore very nice to sleep on). In grims opinion, he thinks you should go with Eden, cuz he is a good candidate for marriage (grim has been bribed with love, affection, and tuna).

He takes good care of the cat son, making sure he is healthy and happy.

Now onto pda. Eden are only okay with you touching the wings, the tattoo and the core, being as they are quite sensitive. The scar is still off limits, but maybe if you make him warm up to you even more you might be able to-

He loves when you help him with his wings, it's one of the best feelings out there. Fo mind that only you (and grim) can touch the wings, anyone else is off limits, ESPECIALLY ROOK HE IS FORBIDDEN TO TOUCH THEM.

Eden facts!! He has lil "ear-holes" like birds, just behind the feathers. Be careful around that part when you help him with his feathers, otherwise you might have a pouty and angry Eden on tour hands.

His eyes also glow in the dark! It's the scariest during the nightly snack runs down to the kitchen, seeing him suddenly stare at you, but you slowly get used to it!

You don't know where the extra eyes sometimes come from tho...

Also some general facts about Eden!

Dorm: Ramshackle

Birthday: 1/1

Age: ???

Height: 185cm

Fav subject: alchemy

Hobby: cleaning in ramshackle, birdwatching

Likes: you

Dislikes: Loud noises, blond 3rd year hunters named rook hunt, people trying to grab onto his wings that aren't you

Fav food: he don't need to eat to gain sustenance, bur he likes mashed potatoes with gravy

Least fav food: soup, any soup, he hates it

Btw if anyone were to write for Eden I would explode it would mean the world to me

[sallowsarchives]

War of Hearts

Part I | Part II | Part III

Pairing: Arthur Morgan x Fem!Reader Summary: Nothing says "believable" like two people who can't stand each other pretending to be in love—or is this just the push you two need to realize there might be more to your relationship than either of you is willing to admit? Word Count: 7.9k  Warnings/Tags: no use of y/n, fake relationships, sorta enemies to lovers, alcohol consumption, angst, pining, original side character, sort of a not so happy ending, arthur thinking he’s not good enough. I also tried fitting the story with canon whenever I could. Not Proofread!! A/N: Hey everyone! Just wanted to mention that this is my first time writing and posting, so I'm bit nervous but really excited to finally share it! This piece was heavily inspired by and made as a result from a conversation I had with my Arthur cAI hehe Credits: dividers used for this fic are by @enchanthings & all pictures used are taken from pinterest and were slightly edited by me.

Read on AO3

"I can't believe I have to attend this ridiculous party pretending to be married to him, of all people."  

Your voice is edged with annoyance as you smooth down the fabric of your dress, trying to channel your irritation into the task at hand. "It's bad enough we have to work together, but this charade is beyond absurd."

Tilly chuckles. "Oh, come on. It's just one night. How bad can it be?"

You give her an unamused look. "We can hardly tolerate being around each other, and now Dutch expects us to pretend we're madly in love, all while dealing with a crowd of high-society snobs."

"It ain’t like y’all have spent much time together. Maybe going on this would do you both some good. Who knows, you might actually find some common ground," Abigail suggests as she takes the glove Jack was playing with, causing him to pout, before handing it over to you.

Sadie snorts. "The only common ground those two have is their mutual hatred. Let’s just hope neither of ‘em ends up killing the other tonight. Knowin’ those two, it'll be a miracle if they make it through the evening without a scratch."

Mary-Beth chuckles as she adjusts your updo. "Oh, don’t be so dramatic. They’re not going to kill each other—at least not tonight. Dutch will probably come up with some harebrained scheme to keep things under control." She flashes a playful grin as she puts the final touches on your hairstyle.

You chuckle before taking a moment to admire yourself in the mirror. 

The gown, a deep shade of burgundy satin, flows gracefully to the floor with an off-the-shoulder design and a low neckline, elegantly framed by a ruffled collar. The rich fabric drapes beautifully, enhancing your silhouette.

The black lace gloves, covering your hands and forearms, add a sophisticated touch with their delicate floral patterns. Your fingers are adorned with a few rings, and your dangling earrings catch the light with every movement.

You bought the dress earlier this morning in Saint Denis with the cash from your last robbery. The job had been straightforward: Hosea had scouted the place, found out the homeowners were away for vacation, and given your expertise at picking locks and sleight of hand, he brought you along. You managed to secure a tidy sum of cash and a few valuable heirlooms without any trouble.

Knowing the dress would be perfect for tonight’s high-society affair, you spent a good amount of your previous earnings on it. The gown fits as if it were made just for you, and you can't help but feel a surge of confidence as you admire your reflection.

Karen pipes up with a smirk. “Well, I’ll be! With you lookin’ like that, Arthur won’t be able to keep his eyes off you.”

She looks at you mischievously, “might even give him a nudge in the right direction. Maybe it’ll help you two finally work out all that tension between you.”

Her comment draws an abashed look from you followed by giggles from the other women.

After receiving some last words of encouragement and reassuring nods from the girls, you thank them for their help and make your way downstairs to join the men outside.

Stepping out, you're greeted by the warm, humid night air of the swamp. Dutch, Hosea, Arthur, and Bill were already gathered near the horse hitches, all dressed in their suits.

You make your way over, trying to muster every ounce of grace and composure you can. 

As you get closer, Arthur's gaze lands on you and you catch a fleeting look of surprise along with a hint of a softer look in his eyes before his expression is quickly masked with his usual frown.

His eyebrows furrow slightly as he takes in your refined appearance, the rough edges of his demeanor softened by an elusive flicker of something you can't quite place.

Dutch notices your entrance and offers a nod of approval. “Well, look at you, Miss,” he says with a wide smile, clearly pleased with how things are shaping up. “You look absolutely perfect for this evening.”

You smile and nod at the men before your gaze drifts to Arthur. The contrast between his usual rugged attire and his current appearance is stark, and you can't help but notice how well he pulls off the look. Despite his irritating nature, there's no denying he has a certain charm. You give him a cheeky smile and offer a sly compliment.

"Well, well, look what we have here, I never thought I'd see the day. Maybe you should ditch the jeans for a while."

Arthur gives you a flat look, irritation flickering in his eyes. “Oh, real funny, darlin’,” he drawls, his voice dripping with sarcasm. “Don’t you worry, I’ll be back to my ol’ self I know you’re so fond of before you know it.”

You roll your eyes at him and smirk, taking joy in having gotten under his skin. 

Dutch chuckles at the exchange, clapping Arthur on the back. “Now play nice, you two. We’ve got a job to do tonight, and looking the part is only half the battle.” 

His tone is light, but there’s a hint of seriousness as he continues, “let’s keep the bickering to a minimum and focus on what needs to be done. We don’t want any more distractions than we already have.” 

Next to Arthur, Bill chuckles and gives him a playful nudge. “Arthur, reckon you ain’t gonna give your dear wife a compliment?” he teases, the humor in his voice evident as he refers to the charade you both must uphold for the party.

He shifts uncomfortably and glares at Bill, his expression a mix of irritation and reluctance. 

Dutch leans in with a smirk, “come on, Arthur, show a bit of charm. It’s not every day you get to pretend to be in love.”

“Yeah, yeah, let’s get this over with before one of us runs outta patience.”

The clatter of wheels catches your ear as Lenny finally arrives driving a stagecoach. The vehicle comes to a smooth stop, and Lenny leans over with a broad grin, his eyes brightening as he sees you. He offers a warm compliment, his cheerful demeanor a welcome contrast to the evening’s tension.

You return his smile and thank him before Dutch and Hosea get into the stagecoach, followed by you and Arthur. Bill hops into the seat next to Lenny.

As you settle into your seat, the atmosphere in the coach becomes thick with anticipation. The weight of the evening's expectations hangs heavily between you and Arthur, both of you making an effort to avoid each other's gaze while mentally bracing yourselves for the night ahead as the stagecoach begins to roll forward.

The rhythmic clatter of the horse’s hooves against the large wooden bridge serves as a reminder of your close arrival in Saint Denis, the city’s lights blurring past as you mentally prepare for the evening’s masquerade.

Inside the stagecoach, the atmosphere had gradually lightened earlier on during the ride. The gang cracked jokes and shared stories as Dutch opened a bottle of champagne for everyone, the laughter providing a welcome distraction from the evening’s tension.

Everyone reminisced about their past escapades, with most admitting they had never been to a ball before. Hosea, however, regaled everyone with tales of his numerous experiences at such events—not for the socializing, but for the chance to lift a few purses from oblivious rich folks. His anecdotes were met with a mixture of awe and amusement, shifting the mood to one of camaraderie.

Soon, the coach slowed to a stop right in front of a mansion and the group peers out the window, taking in the grandeur of the estate. 

Dutch let out a low whistle. “Well, if that ain’t something. Remember, folks, we’re here to blend in. Keep your eyes sharp and your wits sharper.”

Hosea, always the calm voice of reason, looks between you and Arthur. “Now let’s keep this simple. We’re here to make a good impression, Bronte may already know of our reputation but we should keep the high society folks none the wiser. Let's keep our cool, play our parts, and try to score some valuable intel.”

You and Arthur exchange looks, eyes meeting one another with a sharp, challenging edge before he turns his gaze away. You take a steadying breath, silently hoping the night unfolds smoothly and without incident. 

Lenny steps down and opens the coach door which was followed by the men exiting one by one, with you last. 

As Arthur starts to walk ahead, Hosea nudges him and gestures toward you, earning an exasperated sigh from Arthur.

Reluctantly, Arthur falls into step beside you and extends his arm. Despite the lingering tension, you accept it, slipping your arm through his.

He glances at you, his expression of slight irritation. “This should be a real treat.” 

You raise an eyebrow, barely masking your annoyance. “It’s not like I’m thrilled about it either. But here we are.”

He gives you a smug look. “Just remember, we’re supposed to be playin’ nice. Don’t go makin’ it harder than it needs to be. I’d hate for you to accidentally blow our cover.”

“Oh, I’m sure you’ll manage to keep things under control. After all, you’re the expert at charm, aren’t you?”

“Well, if you’d quit making things so damn difficult, I might actually get a chance to show it. But I reckon you’re used to makin’ everything more complicated.”

You step closer, your voice low and biting. “And I suppose you’re used to being an insufferable brute. Maybe if you stopped acting like a complete pain in the ass, we’d both get through things a little easier.”

Arthur’s smile fades, his expression turning serious. “Now I’m just tryin’ to do my part tonight. If you could manage to do the same without stirrin’ up trouble, that’d be mighty appreciated.”

The two of you share a final, heated look, the air between you crackling with palpable tension, as you both brace for the evening’s inevitable strain.

Dutch, who had walked ahead to present the invitation to the guards, cast a sharp glance at you and Arthur, not having missed your whispered barbs, making you shift away from each other.

Turning back to the guards, they direct everyone to surrender their firearms with the men reluctantly handing over their pistols.

Once that was settled, an escort named Luca stepped forward to guide you inside.

The doors opened with a soft creak, revealing the splendor of the grand staircase beyond. As you made your way through the space, Luca engaged the group in light conversation, primarily highlighting Bronte’s reputation before you are all guided to the left through an archway.

“Hosea, Bill, you join the party. We’ll meet you out back after we pay our respects to Signor Bronte.” Dutch instructs before signaling you and Arthur to follow as Hosea and Bill part ways from you.

The three of you were led upstairs and directed to a door on the left that opens onto a balcony. 

The balcony was expansive, overlooking the lush garden below. A group of men stood gathered around the railing, laughing at a recently shared joke. The space featured a few armchairs and you noted the few guards stationed nearby, armed with rifles.

An accented voice cut through the laughter. “Ah, the angry cowboys, you’ve arrived… And you’ve washed!” 

From the way the man held himself, you could only assume that this was Angelo Bronte. 

Bronte made a remark, presumably in Italian, to the men beside him. They glanced at Arthur and Dutch before laughing slyly, and you couldn’t shake the suspicion that his comment was a crude jibe about the cowboys.

You had to struggle to maintain a friendly expression when Bronte's gaze landed on you.

The smirk on his face grew as his eyes swept over you, lingering with an unsettling leer. “And who might this be?” he drawled, his voice thick with barely concealed appraisal. “Aren’t you quite the sight. I didn’t realize these men kept such delightful company as you. It seems they have more refined tastes than I imagined.”

His gaze was invasive, making you feel as though he was sizing you up with an unnerving familiarity. The overt sexual undertone in his words was palpable, and it took every ounce of your composure to not react. The air around him felt thick with condescension and unwanted attention, making it clear that this meeting was going to be far more uncomfortable than you had anticipated.

“A pleasure to meet you, Mister Bronte,” you replied evenly. “Thank you for the invitation. I’m here simply to accompany my husband.” You cast a steady glance at Arthur as you spoke.

Bronte’s eyes flicker to Arthur, a look of surprise momentarily crossing his face before he returns his attention to you. He takes your hand, pressing it to his lips and holding it just a moment too long, his gaze never waver. “Ah, I see,” he says, his tone smooth and almost mocking. “Pleased to meet your acquaintance. I must say, it’s quite surprising to see such a charming companion alongside your husband. A fortunate man, indeed.”

Arthur’s expression hardens momentarily before he quickly masks it, stepping forward. “Seems I’m full of surprises tonight,” he says, his tone unexpectedly calm. “Just as I’m sure this evening will be.” He holds a steady, unwavering gaze at Bronte.

Bronte’s lips curl into a knowing smile as he studies Arthur’s unyielding gaze. “Ah, such a spirited response,” he says with a playful glint in his eye. “I do appreciate a bit of unpredictability. It seems we’re in for an interesting evening indeed.” He gestured grandly towards the gathering, his tone dripping with feigned charm.

Arthur nods curtly before stepping back, positioning himself in a way that subtly yet clearly marks him as your protector, despite the dynamic between you. Bronte’s gaze lingers on Arthur for a moment longer, his amusement giving way to a more calculating expression.

Dutch stepped in, resuming his conversation with Bronte in an effort to ease the tension while you and Arthur stood off to the side. 

The men were offered cigars, and Arthur quickly placed one in his mouth. Before he was even offered a cutter, he bit down and tore the end off with his teeth, spitting the excess over the balcony in a manner that left your jaw hanging open in disbelief.

He smirks at you, clearly enjoying the reaction he’s provoked. You roll your eyes at his display, a mix of irritation and slight amusement etched across your face.

“You know,” you whisper to him with a hint of exasperation, “you could at least pretend to have some manners.”

Arthur’s smirk widened into a cocky grin. “Right, forgot we’re here to put on a show,” he shot back, his voice dripping with playful insolence, making you roll your eyes.

When the attendant extended a match towards Dutch but pulled back before reaching Arthur, the gunslinger seized the attendant’s arm and held it in place, lowering his cigar to the flame. The boldness of his actions flustered you, leaving you a mix of irritation and an unexpected flurry of emotions that left you feeling perplexed.

Arthur dismissed the attendant with a nonchalant nod, his eyes fixed on you the entire time. The attendant, evidently accustomed to such brusque behavior, retreated without protest.

You found yourself both exasperated and oddly captivated by the ease with which Arthur commanded the attention. His effortless defiance was infuriating, yet there was something compelling about his blatant refusal to conform to expectations, making it hard to ignore the allure behind his brazen demeanor. 

You quickly push those thoughts aside, refocusing on the conversation between Dutch and Bronte, doing your best to ignore the flush in your cheeks and the rapid beating of your heart.

After several exchanges between Dutch and Bronte, including another jibe from Bronte about cowboy lifestyle, which had elicited subtle pointed looks from you and the men you were with. 

“Those sure were the days,” Dutch simpered, his gaze on Bronte now more intense and focused. “Good day, gentlemen.”

Just as you were about to leave, Bronte turned to you, offering a slight bow.  “And you, Miss,” he said with a smirk, “do return if you the crowd down there becomes too dull.” His gaze shifted to Arthur. “‘Course you could bring your husband along, but I wouldn’t mind if you came alone.”

He held his gaze on you, lingering with a glint of amusement. You gave him a polite nod despite the discomfort you felt and turned to follow Dutch and Arthur. Even as you walked away, you could feel Bronte’s eyes on your back. 

The encounter left you with a sharp sense of irritation and a strong resolve to avoid any further interactions with him.

You glanced at Arthur, who had been waiting with Dutch by the door. Though his face showed no sign of emotion, you couldn’t miss the subtle clench of his jaw. You felt his hand gently place on your lower back, guiding you away.

The unexpected touch had caught you off guard, making you stiffen slightly as you struggled to process the unfamiliar gesture. It felt protective and oddly comforting, coming from someone who had been nothing but a source of irritation and friction.

You chanced another glance at Arthur, but his face remained expressionless. His hand lingered on your back for a moment before he withdrew it as quickly as he had placed it, his demeanor swiftly reverting to its usual hardness. 

The fleeting moment of unexpected closeness left you feeling unsettled, a mix of confusion and reluctant curiosity stirring within you.

You quickly reminded yourself that you were both still maintaining a façade, and this brief intimacy was likely just another part of the act. You focused on the task at hand, trying to push away the feelings and maintain the necessary distance between you.

Luca led the three of you back downstairs to rejoin the party, bidding you farewell before you head off with Dutch to meet Bill and Hosea outside.

“Gentlemen… and lady, let’s go ingratiate ourselves,” Dutch began before outlining the plan and giving everyone the freedom to mingle. “And steal nothing… unless it’s information,” Dutch added with a final nod before everyone dispersed.

With that, you follow closely behind Arthur as you both make your way down into the crowd, the murmur of conversations and clinking glasses filling the air. The curious glances of other partygoers followed you both, their eyes lingering with a mix of intrigue and scrutiny. 

He noticed a few men’s eyes drifting from him to you, their stares lingering with evident interest.

Arthur made a conscious effort to ignore the unwanted attention, though his irritation was palpable. 

Pushing down an unfamiliar urge stirring within him, Arthur quickly reminded himself to keep up with the act you two must play tonight.

He shifted to stand beside you, offering his arm with a practiced ease, his expression carefully neutral as he guided you through the crowd.

The absurdity of it all made him grumble under his breath about the ridiculous situation. With a sigh, he steered you toward a less crowded corner of the garden, seeking a quieter spot away from the throng of guests.

As you settled into a less conspicuous spot, you could feel the weight of Arthur’s tension. “I suppose this is where we’re supposed to make our mark,” you said, trying to break the silence. 

You watched as Arthur scanned the crowd, his eyes darting from one group to another, searching for anything useful.

His gaze met yours for a brief moment before he spoke, “Keep your eyes open for now,” he said quietly, his voice low and focused. “I’ll try to track down the mayor and speak with him. See if you can strike up a conversation with some of these folks and gather any useful information about where they’re stashin’ all their riches.”

"Alright, I’ll work the room while you schmooze with the mayor. Just don’t take too long—this place is already starting to wear me thin after that meeting with Bronte. I'm not keen on diving into more talk about the latest fashions and whatnot."

Arthur’s lips twitched in what might have been a small smirk. He inclined his head slightly before turning away and heading off.

You spent the better part of an hour making conversation with various guests, each interaction aimed at uncovering valuable intel on potential robbery targets. 

Maneuvering through the crowd, you engaged in light, seemingly innocuous chit-chat while discreetly probing for any mentions of high-value items or vulnerable security.

Despite your best efforts, luck seemed to evade you. Although, you did manage to uncover information about a stagecoach arriving next month, supposedly laden with valuable jewels. That was at least something.

You took a small sip from the glass of champagne you've snatched earlier in the evening, surveying the crowd. The sound of giggles and lively chatter drew your gaze, and you looked over to see Arthur deep in conversation with a group of women. You couldn't help but feel a wry amusement at the sight.

One of the women, with a clearly flirtatious gesture, placed her hand on Arthur’s arm and leaned in, her laughter echoing. The simple touch and her proximity sparked an uncomfortable feeling within you. 

You observed how Arthur subtly stepped back, skillfully deflecting her advances. Despite his efforts, the woman seemed oblivious to the fact that her attentions were being rebuffed. It was a masterful display of charm and diplomacy, leaving you with a mix of admiration and lingering discomfort. You took another sip of your drink, trying to shake off the unexpected unease.

At that moment, Arthur glanced up and locked eyes with you. He gave you a wink, likely meant to provoke or tease, but instead, his gesture caused a reaction you hadn't anticipated. Your heart skipped a beat, and a sudden rush of warmth flooded your cheeks. The playful glint in his eyes seemed to pierce through the crowd, stirring something deep inside you.

Muttering a curse under your breath, you narrowed your eyes at him and quickly turned away, trying to conceal the flush that had crept up on you.

You dashed to the nearest table, grabbing a bottle of champagne and quickly pouring yourself another glass. You downed it in one swift motion, hoping the crisp bubbles would offer a fleeting distraction from the swirl of emotions inside you.

As you pour yourself another glass, you hear someone speak up beside you, her voice tinged with curiosity. 

"Well, I must say, I’ve seen many ways to cope with a dull party, but this might be the most... efficient.”

You glanced at the voice and saw a woman smirking at you. She appeared slightly older than you and was dressed in a lavish blue gown that sparkled with every movement, her necklace glinting from the lamps. Her expression conveyed amusement. 

Feeling embarrassed to have been caught in your moment of inner turmoil, you attempted to regain your composure and replied with a hint of forced levity. “It’s quite the dull affair, isn’t it?”

The woman laughed softly, her eyes twinkling with mischief. “Thank goodness, someone who gets it.”

“You seem to be surviving it better than most. I imagine you’ve been through a few parties like these before?”

She nodded, her gaze shifting to a distant corner of the room where a group of guests were deeply engrossed in animated conversation. “Too many, I’m afraid. After a while, it all becomes a blur of extravagant gowns and polite small talk. One learns to navigate these events with a certain... detachment.”

You chuckled, raising an eyebrow. “Sounds like you’ve mastered the art of it. I could use a guide through this maze of high society myself. Any tips on surviving the evening without losing one’s sanity—or dignity?”

She grinned, leaning in conspiratorially. “Well, first off, always have a backup plan for when the conversation turns to the latest trends in hat feathers or the merits of various imported cheeses. For instance, I’ve found that nodding vigorously while muttering phrases like ‘absolutely fascinating’ works wonders.

You laughed, shaking your head. “I’ll keep that in mind. Though I suspect I might still need a crash course in how to look like I’m genuinely interested in ‘the most enchanting new fabric designs’.”

She chuckled. “Well, when in doubt, fake it till you make it. Nothing says ‘I’m absolutely fine’ like a perfectly practiced smile and a glass of champagne held just so.”

You chuckle and raise your glass at her before taking a sip. A brief silence follows as you both sip from your glasses. The woman then speaks up, her tone warm and friendly, “I’m Eloise, by the way. It’s rare to find someone who sees through the façade of these high-society gatherings.”

You smile, offering her your name. “It seems we’re both on the same wavelength when it comes to these affairs.”

“So what brought you here tonight?”

“Oh, um… I’m just here to accompany my husband, he’s the one with the business connections, so I’m playing the dutiful spouse for the evening.”

Eloise raises an eyebrow, a knowing smile tugging at her lips. “Ah, the classic role of the ‘plus one.’ Now which one of these overdressed peacocks is your husband?” 

She sweeps her gaze across the crowd with exaggerated curiosity. “Is he the one with the ridiculous bow tie or the chap with the hat that looks like it’s been borrowed from a magic act?”

You raise your brows in amusement as you glance at the men she’s mentioned, finding the whole scene of tonight’s event even more absurd. Your gaze sweeps over the crowd until you spot Arthur. 

“Actually, that would be him right there.”

Eloise’s eyes follow your pointing finger and widen in genuine surprise. 

“Well, I’ll be!” she exclaims, clearly taken aback. “I must say, he’s certainly not what I was expecting. Doesn't look like he belongs here, in a good way of course. He’s quite the rugged type—like one of those big, tough cowboys you’d see in a wild frontier town. You know the sort: strong, stocky, with a weathered charm that comes from living hard and facing rough challenges.”

The irony of her words makes you laugh. “That’s one way to put it.”

“I must say, you two make quite a handsome pair.” 

You flush at her words, a mix of embarrassment and awkwardness coloring your cheeks. Instead, you offer a polite smile and nod, playing along with the pretense. “Thank you,” you say in a steady voice, unsure of what else to say.

Arthur, briefly looking away from another person he was speaking to, catches your eye for the second time tonight. There’s a fleeting moment of connection—his gaze is intense, and the faintest smile plays at his lips—before he turns back to his conversation partner.

“I must admit,” she says, her tone light and teasing, “there’s more than just a bit of magic in the air between you two. It’s not every day you see such a striking balance. I do believe there’s a certain... chemistry here that’s hard to ignore. How delightful!”

You raise an eyebrow, giving her a confused smile. “What do you mean?”

Eloise’s eyes twinkle with a knowing glint as she glances over at Arthur. “Oh, it’s really quite charming, the way he looks at you. There’s just something in his gaze as if he’s captivated by you in a way that could be missed. It’s rare to see someone look at their partner with such intensity and warmth these days.”

For a moment, you almost correct her, eager to clarify that you and Arthur aren’t actually together. But then you remember the need to maintain the ruse. You glance awkwardly at Arthur, trying to downplay the connection Eloise is suggesting.

“Oh, I don’t know about that,” you say clearly flustered, trying to sound casual but failing to hide your unease. “I mean, Arthur and I aren’t exactly... well, he’s just got this intense look, which I’m sure it’s nothing more than... you know, his way of being attentive. It’s just a bit of his nature.”

Her smile softens, eyes warm and genuine. “Oh, it’s clear to see if you look hard enough. Even in a crowded room, he seems to be drawn to you. It’s quite endearing.”

The sound of cracks echoed before you could think of a response, and the woman beside you lit up with genuine excitement.

“Finally, something exciting! It's been lovely chatting with you. I do hope we cross paths again. Now, if you’ll excuse me.” Eloise sends you a warm smile before hurrying off.

You send her a genuine smile before you turn your gaze upward to the sky, where faint glimmers of fireworks begin to light up the night. The display added a splash of color to the darkened sky, creating a stark contrast to the opulence of the garden below. 

As you watched the vibrant bursts, your thoughts drifted back to the conversation you had with Eloise, trying to process her comments. Her words lingered in your mind, stirring a mix of curiosity and confusion. 

The idea that whatever is between you and Arthur might actually convey something deeper, something affectionate, felt almost surreal given the dynamics between you two and your perspective on your relationship with him.

Perhaps Abigail was right; the more you spent time with Arthur, the more you learned about him and saw him in a new light. What had once seemed like mere pretense or forced partnership now hinted at a connection that transcended your initial expectations. 

The way he moved, the way he spoke, the moments of unguarded sincerity—it all started to paint a different picture. The possibility that these moments could be more than just part of the act began to take root, stirring a blend of curiosity and apprehension within you.

You quickly down your drink before setting the empty glass on the table.

Suddenly, a rough hand wrapping around your wrist jolts you out of your thoughts and you turn to see Arthur who all but tugged you along behind him. 

You let out a scowl. “Hey! What the-”

Arthur glanced over his shoulder, a mix of amusement and determination on his face. “Come on, we just caught wind that the Mayor’s gotten somethin’ from Cornwall. Dutch reckons we oughta figure out what it is, make sure we ain’t missin’ nothin’ crucial.”

“And you need me because?” You asked with slight irritation as he continued to pull you along.

Arthur's eyes narrowed slightly, his voice taking on a low, firm tone. “I need you to keep watch, and your lock-pickin’ skills could come in handy… ‘sides, you’re my wife don’t forget.” He added with a teasing smirk. 

“Can’t have you wanderin’ off by yourself lookin’ like I’ve neglected you. That wouldn’t reflect too well on me now, would it?”

You shot him a glare, yanking your wrist free from his grip. “Could’ve just asked me”

Arthur’s lips twitched with a hint of a smirk. “You looked so wrapped up in the fireworks, darlin’, I didn’t want to interrupt you.”

You bit back a retort, your frustration mingling with a begrudging understanding of his point.  “Don’t call me that,” you said, a hint of irritation in your voice at the use of the nickname. 

Arthur raised an eyebrow, his smirk widening slightly. “Alright, sweetheart. Try to keep up now.”

Trailing closely behind Arthur as you followed the servant, you effortlessly weaved through the spectators, who were too engrossed in watching the fireworks to notice you. 

The servant circled around to the side of the house and ascended a small set of steps leading out of the garden. He paused briefly to engage in a conversation with someone before slipping inside through a side door.

The both of you followed cautiously, making sure to stay out of sight. Inside, you overheard the man berating a maid before he made his way up the stairs, retracing your steps to the upper levels where you had previously been.

Just before reaching the landing, Arthur raises his hand, halting you in your tracks. He peers over the edge of the wall, watching as the servant enters the locked room, heads to a desk, and inserts a key into a drawer to place the letter inside. The servant then disappears further into the room, the sound of a door closing signaling that it is time for you and Arthur to make your move.

Arthur moves first, effortlessly slipping inside through the wide-open door left by the servant. You quickly scan the area to ensure it's clear before following him.

He makes his way over to the desk and tugs at the drawer, only to find it locked. Grabbing a letter opener from the table, he attempts to pry it open. You watch with amusement as he grunts in frustration, struggling to get it to budge.

“Honestly, watching you fumble with that is almost painful,” you remarked, making Arthur roll his eyes and throw up his hands in a gesture that clearly invited you to take over. With a sigh, you stepped in, gently nudging him aside before kneeling down to get eye-level with the lock.

Pulling a pin from your updo, your hair falls loosely over your back, leaving your style in a half-up, half-down look. You insert the pin into the lock, and after a few moments of fumbling, a triumphant smile spreads across your face at the satisfying click of the lock opening.

You stand back up and look over at Arthur, giving him a smug smile when you catch him staring. You raise an eyebrow, and he quickly clears his throat, shifting his gaze away as if caught in the act of something he wasn’t supposed to be doing.

"I, uh, never seen you with your hair down before," he comments before he can think twice, his voice trailing off as he leans over the drawer, a hint of color creeping into his cheeks. 

"Nice work," he adds, his eyes momentarily meeting yours before darting away.

You raise an eyebrow at his flustered demeanor, the corner of your mouth twitching in amusement, “I’m glad you approve.” 

You watch as he sifts through the drawer's contents until his hands close around a book with a piece of paper inside. He briefly reads the paper, nods, and then tears it in half, slipping the pieces into his suit pocket.

“You got it?” 

“Yeah, let’s get outta here,” he replies, glancing around making sure no one is watching before heading out the door with you following closely behind

Just as you were about to move down the stairs, the creaking sound of someone coming up halted both of your tracks. Without warning, Arthur grabbed you, pushing you gently but firmly against the wall beside the staircase, his body pressing close to yours. His arms caged around the sides of your head, creating a tight, protective barrier.

The sudden proximity left you acutely aware of his body against yours, his chest nearly brushing yours as his arms trapped you in place.

His gaze locked onto yours with an intensity that made your pulse race even faster. His brow furrowed slightly as if he were struggling to control a rush of emotions.

The closeness had clearly caught both of you off guard, the charged atmosphere between you almost palpable. His breath came in short, controlled bursts, and you could see the way his jaw tightened as he struggled to maintain his composure.

As he held you there, his expression softened just a fraction, revealing a flicker of vulnerability beneath his usually guarded demeanor. His voice, though still firm, carried a hint of concern as he leaned close to whisper, "Just stay still and quiet.”

The proximity of his breath against your ear made the moment feel even more intimate, amplifying the unexpected connection between you. The closeness, once marked by animosity, now seemed charged with a different kind of tension—one that was both electrifying and confusing.

As you stood there, the boundaries between duty and emotion blurred, and the shared space between you felt charged with unspoken understanding and vulnerability.

His eyes, usually hard with resolve or irritation, softened as they locked with yours. There was a softness in his gaze, a flicker of something raw and unguarded.

The emotion he held in his eyes made you reconsider the hostility that had defined your interactions. In that moment, the anger and resentment seemed to fade, replaced by a deeper, more complex understanding of the man standing so close to you.

The sound of footsteps drawing nearer to the top of the stairs heightened the urgency of the moment and Arthur’s gaze shifted to you once more.

One of his arms lowered from the wall behind you, and he placed his hand softly at the back of your neck. His touch lingered without applying too much pressure. You felt a shiver at the contact of his hand on your neck, the warmth of his touch sending an unexpected jolt of emotion through you, bringing a surge of feelings you had been trying to suppress all night.

The gentle warmth of his hand contrasted sharply with the intensity of his gaze, creating a palpable connection that seemed to heighten the gravity of your precarious situation.

Your heart pounded as you met his intense gaze, which held a rare blend of sincerity and vulnerability that was almost disarming.

“You trust me?” he asked, his voice barely above a whisper but filled with a sincerity that cut through the tension of the moment.

You hesitated, the weight of his question hanging between you. The proximity of his body and the depth of his gaze left you momentarily breathless. “Why should I?” you whispered back, your voice betraying a mix of defiance and vulnerability.

Arthur’s eyes never left yours as he leaned in closer. “Because right now, it’s the only way we’re getting out of this,” he replied, his tone resolute but gentle.

In that charged silence, the dynamics of your relationship were shifting. You felt the usual barriers between you—formed by past conflicts and mutual distrust—began to dissolve, replaced by an unspoken understanding that was both electrifying and comforting. The anger and rivalry giving way to a fragile trust and an unexpected tenderness. 

With the footsteps slowly growing nearer, you saw a flicker of sincerity in his eyes that made you question your own doubts. You nodded slightly, trying to steady your breath. “Alright,” you whispered.

Arthur's lips curved into a faint smile, a mixture of relief and determination. “You gotta say it, sweetheart,” he urged softly.

Your mouth curled into a slight smirk as you looked up at him, your heart racing with a blend of anxiety and anticipation. “I trust you,” you said, the words feeling like a pact forged in the heat of the moment.

In a quick, decisive motion, he leans in and presses a firm, purposeful kiss to your lips, filled with urgency. The initial touch is electrifying, but as the kiss deepens, it becomes a release of suppressed feelings, a flood of emotions long held in check.

The kiss is fervent and consuming, each moment stretching out as if to make up for lost time. His lips are warm and insistent against yours, and there’s a raw, desperate quality to the way he kisses you. It feels as though every emotion he’s been holding back is being poured into this single, intense connection.

Your own lips respond with equal fervor, the kiss becoming a mutual surrender to the feelings that have been building between you. The world around you fades into the background, the only reality being the overwhelming sensation of his kiss. 

Arthur’s hand that had been pressed firmly against the wall, now frame your face with a gentleness that contrasts with the intensity of the kiss. His grip is both tender and possessive, as if he’s anchoring you to him, unwilling to let go.

The sound of someone clearing their throat suddenly jolts you back to reality. 

A servant, caught off guard by the intimate display before him, stood at the top of the stairs. His eyes widened in surprise, clearly unprepared for the passionate exchange unfolding before him.

You and Arthur break the kiss, though the intensity of the moment lingers in the charged air between you. With a quick, shared glance, you and Arthur both adjust your demeanor, the brief intimacy giving way to the reality of the mission.

The man, realizing he has intruded on a private and critical moment, clears his throat, clearly flustered at having walked in on the intimate scene before him, face flushing with embarrassment. "I-I’m sorry to interrupt, but this area is restricted to guests unless otherwise accompanied,” he stammers.

Arthur’s eyes narrow slightly, but his expression quickly returns to a more controlled demeanor. He gives the servant a nod of acknowledgment. “Sorry ‘bout that, partner. Seems my wife and I took a wrong turn and found ourselves in the wrong spot. We were just about to head on out.”

You, still caught in the afterglow of the kiss, straighten yourself and try to regain your composure. The abrupt interruption leaves you with a swirl of mixed emotions—embarrassment, irritation, and a lingering sense of affection. You cast a quick glance at Arthur, who responds with a subtle nod, signaling that it's time to move on.

Still visibly flustered, the servant offers a hurried apology, stepping aside with a rigid posture and a face flushed a deep shade of red. He tries to give you both space as you and Arthur hurry down the stairs, the charged atmosphere from the kiss still lingering between you. The abrupt return to reality sharpens your sense of urgency.

Arthur takes a deep breath, stepping back as his gaze meets yours for a moment longer. He opens his mouth to say something but hesitates before speaking again. “We should get a move on and find Dutch and the rest ‘em.”

You noticed his hesitation but decided to brush it off, nodding in agreement. “Sure, let’s see what’s next. The sooner we get this done, the better.”

You find Dutch, Hosea, and Bill on the first-floor balcony. 

“Ah, there you are!” Dutch exclaims, a smile on his face. He then turns to Arthur. “Find anything?”

Arthur gives a nod and taps his chest where he’s tucked the letter. “I think so.”

“Great. I think we’re done here.”

The four of you move to follow Dutch, briefly exchanging information with Hosea and Bill. Hosea mentions a potential robbery job targeting a big city bank, outlining the possible opportunities involved. You share what you’ve gathered earlier about a stagecoach expected to pass through Lemoyne in the next few weeks and the valuable jewels and cash it carries.

Dutch, Hosea, and Bill push past the front entrance, walking ahead. Just before you can follow, Arthur calls your name and gently grabs your arm, pulling you aside.

In the quiet corridor, away from the others, you face him. His eyes are a mixture of resolve and something else you can’t quite place. “Listen, I, uh…,” he trails off, his voice low, seeming to wrestle with his words for a moment before finally meeting your gaze. 

Your heart races, expecting him to address what happened between you earlier and the emotions that followed. 

Instead, Arthur’s tone is hesitant and detached. “‘Bout what happened earlier… I don’t want you thinkin’ it meant more than it did. We can’t afford to get all wrapped up in nothin’ personal.”

His dismissal hits you like a cold wave.

You had hoped for some acknowledgment of the shared moment, perhaps a sign that it meant something to him. Instead, his words feel like a sharp rebuff, making you question everything you thought you understood about what happened tonight.

“What are you talking about?” you demand, trying to mask the hurt in your voice. Your frustration and anger boil over. 

Arthur’s gaze falters for a moment before he regains his composure. He runs a hand over his face, clearly struggling to find the right words. “I just don’t think—” he begins, but his voice trails off as he lets out a frustrated sigh. 

He steps back, clearly distancing himself. “Look–I can’t offer you anything more than what we have. Let’s just focus on ending this job and not let personal feelings complicate things.”

You scoff, feeling the sting of his words. Personal feelings? 

“Right, so all that back there was just for show, was it? Just keeping up appearances?”

Arthur’s expression falters, and he hesitates. He opens his mouth to respond but closes it again, his frustration evident as he struggles to find the right thing to say. 

He turns to you, his expression now seeming emotionless and cold. “I didn’t mean to make it seem like nothin’ mattered. It’s just… I’m not tryin’ to make things too complicated. It’s best to keep things straightforward right now.”

The words and his tone cuts through you like a knife, the brief connection you shared now feels like a cruel tease, an illusion of intimacy shattered by the harsh reality.

His coldness is a stark contrast to the warmth you felt moments before, leaving you grappling with a mix of hurt and frustration. 

What started as mutual disdain had evolved into something more complex, yet now it feels like it's spiraling back into that familiar animosity.

You’d hoped that beneath the hostility and barbed comments, the genuine connection hinted at earlier tonight might bridge the gap between your conflicting dynamic. But now, it feels as if his rejection is pulling you back to square one—a place locked in an endless cycle of arguments and misunderstandings.

The idea that the warmth of those moments might have been nothing more than a strategic move or a fleeting distraction makes you question if there was ever truly a chance for something different between you two.

God, how naive you were to think there could be a sliver of something more between you and Arthur.

You take a deep breath, reminding yourself to focus on the task ahead. You push aside the personal turmoil, resolving to keep your interactions with Arthur as they were before—distant and guarded. 

With a blank expression masking the tumultuous emotions roiling beneath, you reply, “Fine. Let’s just get this night over with and move on. I’ll keep any ‘personal feelings’ out of the way if that makes it better for you.”

You turn away, forcing yourself not to say anything further that might reveal your feelings. As you do, you didn't miss the brief flash of hurt and sadness in Arthur’s expression before he quickly masks it with his usual stoic demeanor.

Finally rejoining the others, you enter the stagecoach and take your seat from before. Arthur takes his place beside you, the space between you charged with unspoken words and lingering hurt. 

The rift between the two of you feels even more pronounced, a painful reminder of what might have been overshadowed by the harsh reality of your circumstances.

Hosea and Dutch, seated across from you, seem to be blissfully unaware of the personal turmoil that has unfolded between you and Arthur, their conversation flowing naturally as they discuss the next steps of the gang’s plans.

The stagecoach rolls forward, and you turn to look out the window, drowning yourself in the passing scenery. The kiss and its aftermath now feel like an unspoken wound, deepening the complexity of your already fraught relationship and leaving you to grapple with the emotional fallout alone.

A/N: Okay so that ending was definitely not a happy one. After exploring where the story might go and experimenting more with the writing, I've decided that I mighttttt just make a Part 2, which might or might not include some smut hehe... So please stay tuned!

Thanks again for reading!

Read Part Two Here

[squidpedia]

okay but how do you draw hair??? The way you draw it looks so good and I can't seem to figure it out

Thank you!!!! I guess a big thing is I pull up references for what kind of hairstyle I’m going for, as well as trying to play as much as possible with shapes, symbols, silhouette, and thinking about the volume of the hair. Like my frisk having super curly hair makes it easy to sneak hearts in sometimes, ive been toying recently with giving my teen clover design a ponytail thats a littleeee shaped like a clover, lilac is similar in the ends of their braids being shaped the exact same as the flowers in their hair, my kris’ ends of their hair on the top of their head sorta looks like horns, etc etc. I try to utilize this as often as possible since i think it helps me differentiate different hairstyle and make them look a bit more unique.

I also tryyyy to utilize shape language (sometimes), so like for more friendly character I sometimes try to make their hair a lot more round shapes, for more agressive characters I try to make their hair a bit more sharp and pointy, and more squares and rectangles for the reliable and more balanced characters. Uhh example, chara’s hair is mostly triangles and rectangles. Clover’s is extremely round and made up of ovals and circles usually

something that also helps me a lot when thinking about the volume of the hair is to divide up the parts of it and like into the bangs, side tufts, underside, and i guess top/back part of the head

[b1asho]

So yeah, how to train your dragon is a big deal to me. I'm not going to watch the live action movie grrghhhhg

Here’s some design stuff? Headcanons?

I my head toothless is literally just that weird anchovie as a dragon. He buzzes around like a bug, and his species intentionally mimics common or gardens as a part of their life cycle on land. The only things that mark him out from the bazillion actual common garden subspecies are the blue wings and webbed feet. He looks all big headed and has no teeth because relative to that 1000 year life span, he’s just a fish fry.

Speaking of common or garden browns, I think it’d be funny if Horrorcow actually *was* herbivorous or mostly-herbivorous because that’s just what subspecies she was and the humans just can’t tell the difference because ’it’s a dragon it must eat meat duh’ and they lump all them together. Honestly it’s prolly for the best she peaces out to the caves for a bit, girl is not built for being in that close proximity to a Main Character.

Fireworm is just a bully, Rottweiler sized and classically dragonish. I tried not to think about making them all super realistic or thinking about how all their species could be related because the books don’t really do that super in depth and that’s part of the fun, so she just looks like a dragon (tm) even though the term dragon also covers things that have fur, or feathers, or produce milk, and look vastly different, Her claws are retractable and her leg spurs help fight off other monstrous nightmares. It’s so funny to me that she just immediately defects to the rebellion, it’s so in character even though she seems to have at least sorta vibed with snot.

I really liked drawing Stormfly as a kid, and the fact that she’s dragon meowth/ can just speak Norse because she can is also fun. She’s not feathery, those are like. Skin flaps or something that can move and change color. Very squirmy.

Windwalker is also one of my faves, I’m sad we didn’t get to see the metamorphosis but the mystery of it is also fun. It was also nice to see him start talking again after meeting hiccup. His ability to out-altitude other dragons is his species’ general hunting strategy and eventually his wings will straighten out (but his are in particularly bad shape because of his time working in the enclosed tunnels of the mines.) (Btw it's still crazy to me that dragon and human slavery is just a thing in the books and we just have to deal with it)

Wodensfang is that classic shriveled Old Man. I think that over time, they molt off their size (through literally freezing up, shrinking a little in a shell of their skin, melting bones and muscle and then coming out smaller, like the reverse of shedding skin to get bigger. Just don't think about it too hard, magic is basically canon here ) over time and leave the ocean to leave more room for the whippersnappers who are just coming in from the land. He’s missing most of his teeth, but the envenomed fangs still work.

I also have the book of dragons, it’d be fun to one day go through and draw all of them (I’ve already done that but those were on notebook paper and lost to time)

[revelingrexan]

made a reference sheet for Lucifer! :) he's wildly inconsistent in the show, so this sheet has helped me a whole bunch

QUICK IMPORTANT NOTE: BECAUSE HE'S SO INCONSISTENT, THERE'S NO "RIGHT" WAY TO DRAW THIS GUY. JUST HAVE FUN, REALLY! AND DON'T MIND MY SHEET AND NOTES IF YOU DON'T WANT TO

(NOTE DONE) the facial expressions in the lower left corner are more inspiration for pushing his expressions since he's SO EXPRESSIVE!! :D ...rather than direct reference since too many features change between screenshots there

(close-ups of sheet at bottom of the post but before the cut)

(his front view hair should actually curve in toward his two hair "sprigs" like it does in every other angle, but the way i drew it is just my own personal preference at times -- it helps me think of him as a bit more 3D)

below is how on earth i laid out that crazy-looking collection. there's a method to the madness! (the dashed line in the middle of the turnarounds is the "front view," and then the images spin Lucifer left and right from there. sometimes the screenshots in the turnarounds are just for body/leg/arm shape reference rather than face reference)

the note at the bottom of the "Hat angles" box says "The hat angles in the center of the ring are usually intended only for animation in-between frames, rather than for longer poses or for illustrations"

"The Ideal Man" in the upper left corner is a partially joking section name and is the Lucifer design i tend to aim for. i think of his face as "very round except for his pointy chin + his eyes are close together and take up almost the whole width of his face (except for in profile view, and except for when it doesn't look good)."

I WANT THIS POST TO STAY SORTA SHORT, SO UNDER THE CUT ARE SOME NOTES ABOUT HIS HAT plus some hat-less screenshots / screenshots where all or almost all his hair is visible

close-ups of reference sheet:

____

SO ABOUT HIS HAT. HIS HAT CAUSED ME SO MUCH CONFUSION UNTIL I THOUGHT OF IT AS A NON-PHYSICAL ENTITY LOL

short explanation: Vivziepop's art style, and especially Lucifer's design, is heavily based on what "looks right," rather than what is physically possible. so, my hat thoughts:

it's a droopy hat that folds down at the sides. so its brim droops in the back

BUT it also curves upward in the front, both to show his facial expression and in a way that sort of matches the curve of the top of his hair--

--so his hair doesn't look awkwardly cut off on the top

examples:

also, the top part of the hat has a smaller base than you might expect and then angles outward, with the front part always being taller and arcing down to the back

not every moment follows these rules, but they help me a lot when drawing him

(i often take liberties especially on the base of the hat and just do what feels right to me, usually based on similar characters i've drawn before -COUGHBLACK HAT FROM VILLAINOUSCOUGH- and based on where i sketched his head under the hat)

NOW SOME BONUS SCREENSHOTS FOR HAIR HELP. GET THAT HAT (MOSTLY) OUT OF THE WAY LOL

[rh3maji]

Lil rant abt Caine

Caine is just a lil guy, despite it all. From a design standpoint I thought I was gonna absolutely fucking hate looking at him because those chattering teeth toys make my skin crawl- but the art direction really helps make him look more appealing and whimsical than a disembodied pair of talking dentures sounds on paper.

The thing with Caine is I didn't initially like him that much after the pilot. While his interactions with Bubble were quite funny, that one episode left me feeling like he'd just end up being kinda one note or at the very least one note in a way that'd get on my nerves. Then everything changed when Pomni Wake Up Time to Go On an Adventure! attacked

The comedic timing throughout that announcement video was so fucking funny and thanks to his line deliveries and animation/model [?] upgrades- CAINE LOOKED AND SOUNDED SO ADORABLE!!

Legit it wasn't until this came out that I realized I actually could be on board with Caine as a character and it's been uphill from there. Episode 2 was better than the pilot not only comedically and visually but also in terms of showcasing just how actually unsettling Caine can be as an antagonist. Not because he's vengeful or malicious, but because he's so oblivious to how people work. His mind's always buzzing with terrible ideas and he's so so eager about these adventures, but at the end of the day he really really doesn't get the circus crew. Try as he might to include them, keep them engaged [ZOOBLE WAIT!], or even give them what they want [Exit doors] he doesn't realize how traumatic and distressing their current situation can be. The very nature of being trapped in a digital world is bad enough but it's especially rough here bc not only does its god have limited capabilities, you also are very well acquainted with him, and he can't fully understand your pain nor can he truly save you from it. He won't mourn your abstraction. He will not attend your funeral. He will not understand the distress of your arrival, nor the weight of your departure.

This isn't just sad from the pov of the circus gang, it's also very sad for Caine- not because i think he'll ever feel sad about it himself necessarily, but instead because the situation is sad. New members appear over and over, you craft adventures and games and distractions like [i'm assuming] they'd asked you to, but over and over, one by one, they abstract. They stop laughing at your jokes. They don't like you. They want you to leave them alone. It's confusing and maybe even inconvenient.

Where I'm hoping the series takes Caine is that this dissonance between Caine's intentions and the distress of the circus gang gets worse and worse and worse until something's got to give. I'm hoping that maybe at some point a character will try to sit down and talk with him and for it to either sorta get through to him but completely backfire in some form because he misinterprets what the others want from him OR i'd also be down for him to listen, but not understand any of it and proceed as tho nothing happened. I don't want Caine to come around really, it'd be interesting to see how Goose would go about having him come around to being a better host that empathizes more with humans, but personally I do prefer him to keep on keepin' on being this oblivious and eager antagonist.

My favorite Caine lines/line deliveries so far:

"You, my friend, stumbled into an incredible world of wonders, where anything can happen!…e-except for swearing."

"And here we have THE GROUNDS! Drown yourself in the digital lake, or engage in ridery at the digital carnival!"

"What do you think of XDDCC? You're right, terrible, LET'S TRY THAT AGAIN!"

"Kaufmo abstracted? Why didn't anybody tell me?"

"Bubble you can't say that"

"-ZOOBLE WAIT!"

"Why are you all just standing there?! The- The Canyon- C-Candy Canyon Kingdom needs you now!" [according to his VA, this was an actual line flub but hoo boy am i glad they use it bc it's hilarious]

"I know you guys love your NPCs, but if I start losing track of who's a human and who's an NPC, who knows...what. could. happen..."

That last line there specifically surprised me the most because up until he said that I was under the impression Caine was linked to every single NPC. I even thought he could see through their eyes if he so chose thanks to his "hundreds of all seeing eyes" line in the pilot. Him saying this here implies lots of things. Has Caine forgotten before? Is someone in the circus secretly an NPC ooooooooh~

"Who knows what could happen..."

Honestly, when Caine first said this I did immediately theorize Jax as being an NPC but now that it's been *checks calendar* three months since I watched episode 2, I don't think this is the case anymore. Jax being an NPC would be...something. Jax not knowing he's an NPC would be interesting [i like it when ppl's realities get shattered], but honestly I think this line was a way to telegraph to the audience that no Caine isn't actually all knowing. He didn't know Gummigoo was coming through that portal until he saw him with his own two eyes. My theory is that Caine is only able to teleport, create, censor, transform, and destroy the world around him, but isn't able to see all of it at once unless he tries to. I think Caine's default state is one where he only knows what he sees directly in front of him/what he himself has left waiting for someone else. And rather than implying someone in the gang is an NPC, I think that line in episode 2 was mainly implying Caine can be tricked, that it's possible to hide something from him, to surprise him even. Though I'm not opposed to an NPC we haven't met trying to join under the guise of being human, it'd potentially create some fun tension assuming the audience was given enough reason to care about them.

Jax is actually my favorite character in tadc, but i couldn't fill an entire post with things to say abt him. Caine seems to be- at least as of right now- the easiest of all the characters to try and wrap my head around. I'll probably have a lot more to say about Jax as he exists in canon as the episodes come out [EPISODE 6 MY BELOVED]

but uhhhh yeah, that's all the things i had to say abt Caine. Pls go watch/listen to the fansong Digital Land bye!

[magua-vida]

SLAY THE QUEEN THORN

I was inspired by Abby's sketch of a hypothetical Queen version of the Princess, so I tried my hand at it with a few vessels, including this one. I... ended up drawing something akin to a fashion design concept art rather than a practical design that won't be tiring to draw over and over after a handful of sprites later. I also had to use a bit more artistic license growing unnatural poppies on the dress and the thick twirly prickly noodles.

some explanations behind the process

For the "mended" Thorn, I pretty much just removed the foreground thorns and added the dirt.

rambling/fangirling/screenshots below:

The Thorn is one of my favorites. If I had to choose only five vessels to offer to Shifty and there's no replayable feature, she'll definitely be one of them. I'm one of those suckers who's into Hurt/Comfort stories. Almost like a masochist for those fics, you could say. If the climax to an Action-heavy story is the defeat of one party, then the catharsis of Hurt/Comfort is when the two characters... well, comfort each other- either due to hurt from each other or someone else. In The Thorn's case, she started off rather innocently, Damsel-like, but not quite. She still had caution. It was until she was literally stabbed in the back that she learned that it was a mistake. And when Long Quiet offered sincere regret and admission of fault, she stabbed him... but she didn't feel the relief she thought she'd get from it. I think many relate to having been betrayed and/or betraying someone they trusted, and the scratches are felt by many players.

The thorns curve inward, as if it's more painful to leave her than it is to approach her.

Poppies grow around along the bramble. Many mistook them for roses because they're red and there are brambles (tbh, I actually dunno if they're brambles or briars, I looked them up and I got confused, forgive me, plant enthusiasts ;.;) that grow around the patches of those poppies. Death and romance~

This brings back to Chapter 1 where Hero was kinda-sorta-maybe-definitely crushing on the Princess and wants to give her the benefit of the doubt, not only because of feelings, but for a reasonable cause of wanting to rescue someone who possibly may actually be a victim of circumstance.

Look, I have reasons why Thorn route is one of my favorites and it definitely doesn't have anything to do with both characters having massive trust issues and the capability to change themselves for better or worse and the emotional moments hitting me like a lovely diamond-dusted dagger. Both of them are rather cat-like with pointy ears too.

I appreciate that you're still given the options to leave or stab Thorn, as if the situation isn't pitiable enough. Even her tiara looks like a crown of thorns. It's as if she views the thorns as both a form of penance and a defence mechanism to protect herself from being hurt again, even though she's hurt by her own making this time.

I chose for the Long Quiet to save her and leave the cabin together.

This part stabbed me the most. Even when shown genuine help, she shrinks back.

This part burns a bit of the jadedness away. Trust is a scary thing, so is love. How can you be so sure that you won't be hurt by the one you love again? But just like what The Prisoner says, it's about trust- blind trust. Thorn looks more human than her previous self- less animalistic, softer. A part of The Damsel returns, even in the music.

I recall weighing on whether I prefer the version with the Voice of the Cheated or Voice of the Smitten. I vaguely remember wondering if there was an option to ask her if it's okay to kiss her. I guess the ideal would be is to have that choice, but I suppose the climactic moment calls for it and she doesn't mind it, at least. It's like the option to hug Astarion from BG3, but you're not sure whether he'd be comfy with it after being hurt so much. He gave approval for it too~

As much as Thorn is one of my favorites, I'm not attracted to her and any of the vessels. Instead, I ship her with the Long Quiet- the character himself. I don't really see myself AS the Long Quiet, more like choosing what actions on what he does and I separate myself from him a lot for many reasons. It's a bit like the Harry situation from Disco Elysium in terms of seemingly blank-slate protagonists.

Instead, I kinda put myself into her situation to feel how she felt in this route. The poppies not only felt symbolic of her nature as part of the Shifting Mound, but also specifically the end of the mutual treachery you've inflicted on each other, potentially beginning anew on a path of healing.

==============ramble-bramble over===================

[writingwithcolor]

Afro-Latine Jewish woman maintaining cultural connection in an isekai comic

Anonymous asked:

Hello! Mixed Latin American nonbinary Jew here. I'm working on a, relatively light-hearted, isekai-style fantasy comic concept of an afro-latine Jewish lady who gets sent through a portal to a colorful scifi/fantasy land, inhabitated by various imaginary creatures sorta like in Alice in Wonderland. She gains magic powers and goes on adventures, working as a scientist researching the land's magical energy. (some of the local creatures she befriends are entirely original species, and some are inspired by my local folklore, but otherwise I try to avoid culturally coding the creatures since they're mostly nonhuman looking). The story isn't supposed to touch any heavy topics like antisemitism or racism, but I've read about the cultural problems in ""normie protagonist finds a new home in a funky fantasy world"" stories, f.ex. how Harry Potter's narrative basically implies that Muggleborns have to abandon their original cultures in order to successfully integrate into the very prejudiced but ""cooler"" Wizarding World. My original goal was to break the mold that escapism fantasy usually revolves around white protagonists adventuring in heavily Western-inspired fantasy worlds, and poc-coded characters are usually nonhuman creatures or racial stereotypes. However the protagonist girl in my story comes from a loving, latine-jewish human family, and while she regularly visits them on Earth instead of just staying in the fantasy land 24/7, I'm afraid that making her story be about being happy adventuring in a separate imaginary land filled with nonhuman characters might turn into an ""abandon your family and culture"" narrative. Are there any ways how I could avoid this? Maybe making the fantasy land's worldbuilding and designs more Latin American or Jewish inspired and thus resonate more with her cultural background, or making it clear that the land is not ""perfect"" and she still loves her family?

One of the first things that stands out to me is that you haven’t set her up to need to abandon her culture in order to make a life in another place. She has the ability to go home and visit her family, but I also don’t see any reason why, if she lives primarily in the fantasy land, she couldn’t be portrayed as practicing Judaism actively in her new home. It’s true that Judaism isn’t solely defined by religious/cultural practices, but it’s also true that religious/cultural practices are one of the most recognizable and most uniting elements of Jewish identity.

I think it might help in this case to think about Jewish practices in terms of communal versus personal: that is, what are practices she would need to seek out a Jewish community for, and what are practices she can do independently?

Does she control when she is able to visit her family? If so, visiting for Jewish holidays so that she can be at a family meal or holiday services seems like a way to highlight that she is just as connected to her family as someone who moved to a different city might be. If she experiences/has experienced the death of a family member or partner, going home to be with a Jewish community for shiva or to say kaddish on a yahrzeit is another touch (for readers who may be unfamiliar, Jewish mourning practices are intensely communal and are intentional about bringing the mourner into an active support system and slowly reintroducing them to the world, and as such a mourner is likely to spend this time somewhere where they can access and be supported by a Jewish community).

As far as practices she can engage with on her own in the fantasy setting, it would be nice to see her observing Shabbat, either in a traditional way by refraining from adventuring and instead engaging in hospitality and prayer between dusk Friday and sundown Saturday, or in a less-halakhic way if she comes from a Reform or comparatively-assimilated background, by marking Friday sunset with candles, blessings, and a good meal, even if she is intending to continue her research through the next day. She would hardly be the first Jewish person to live in a place without an established Jewish community, and a festive meal can be shared just as happily with non-Jewish friends if they’re griffons and fauns as if they’re Christians and Muslims.

Here’s one idea that I think would be hugely meaningful as a way of establishing both that she intends to make her home long-term in Fantasy World and that she intends to carry Jewish traditions with her into her new life: hang a mezuzah.

Think about it: a mezuzah is the visual marker of a Jewish home, as much to the resident as to a guest. When she is home from her adventures, in her garden cottage or enchanted tower or wherever she returns to between adventures to record and categorize her research, simply showing a mezuzah in the background instantly makes the point both that she is intending to stay, and that this is a Jewish space. If as time goes on she adds other Judaica items to her space, it can add to the sense that her Jewishness is present and alive in this world, simply because she is present and alive in it.

If she doesn’t have a settled space or if you’re not planning on setting any scenes there, having Jewish visual markers on and around her can help, too. For low-hanging fruit, maybe she has a silver Jewish Star or chai necklace that catches the light now and then, but since you’re going for a light, fun vibe, maybe she’s packing her adventuring supplies in a bright-blue vinyl backpack emblazoned with “Temple Shaarei Tzedek Junior Youth Retreat 1998” (am I old? I’m pretty sure there are adults reading this who were in Junior Youth groups in 2003, but I’m willing to bet retreat swag hasn’t changed that much).

I do like the idea of including Latin American and Jewish elements in the worldbuilding, especially as an intentional way to combat the cultural dominance of Western European folklore over fantasy writing, but because your character is from and has access to our world, you have the beautiful opportunity to carry real-world markers of Jewishness with her as well.

-Meir

I adore Meir’s answer, but then, I’m the kind of person to whom “enchanted tower with a mezuzah” as an aesthetic is so near and dear to my heart that I wrote a whole fantasy series about it. Couple of random suggestions: one thing I really enjoy is exposing my gentile friends to Jewish food—I love watching the absolute shock of delirium hit someone’s face the first time they taste my charoseth. Imagine this little bowl of chopped apples and walnuts, looking vaguely dirty because they’re soaked in cinnamon-infused wine, so it’s basically dingy beige slop….so that first bite of sensuous, deep sweetness is a huge surprise. Pick your favorite equivalent and imagine the first time a centaur or a winged princess or whatever other fantasy character tries it at your MC’s behest! (Feeding brisket to dragons would make a great name for…something…)

I don’t think you’re likely to do this anyway but since these are public answers: “fantasy world fun, Jewish upbringing a chore” is a narrative I would not feel at home in or care to read. But that’s a rather predictable remark from me anyway ;)

And of course I support the “the secondary fantasy world is actually Jewish” solution too, having one of my own.

–Shira

[katiekatdragon27]

Sometimes I forget that Flatland is something I can interpret as my own thing so I'ma do that now.

Ik these look very inspired by Flatland 2007, cuz they lowkey are, but I just really like how A. Sphere looks I'm sorry (ik the creator is bad but I can't help the brainworms). I wanted to add quirks tho so it's better imo. My versions of the characters if you will. More fun to draw for me and less ugly (on A. Square's end).

They have actual names and design purposes for each thing. Abel's glove to prevent contamination into himself from Flatland, Anthony's glasses and front hairs being makeshift arms, all that has a reason lol.

More explanations of stuff below cut:

The Flatland parts of Flatland the book stay the same mostly. I'm not changing much there. I do want to flesh out Spaceland tho, so I'ma do that cuz I'm super self-indulgent.

In my version of Flatland, I think it would've been fuunier if out of frustration, Abel Spherious ("A Sphere"), grabbed Anthony Squaur ("A Square") out of Flatland and yoinked him out without thinking about the consequences. He realizes shortly after that he probably shouldn't have done that, and it will probably have horrendous consequences later down the line.

Abel almost kills Anthony on accident, so uh, yikes. But then after bringing him out of Flatland, he decides to work with it, taking him back to his office to do his report on Flatland. He sorta keeps him hidden, but on the last day Anthony gets leaked to the public and the war starts over it rip. However, the span that this is like 3 days, so they get time to chat and develop communication skills n stuff.

Also, since the gravity is so harsh on Anthony's body, he struggles with talking, only emerging little squeaks. Eventually he's able to use a device to get his thoughts across (probably like a telegraph or smth), so the first day or so of being out of Flatland was a terrible time for communication. Especially when you're so entranced with the idea of seeing your "god's" insides.

Also, Abel just kinda finds Anthony gross in general (cuz he looks like a bacteria) and rejects all advances until Anthony learn to properly yap though morse code. When Anthony writes the Flatland novel, Abel translates it for the world of Spaceland to read and not want to obliterate Flatland. However, that is after his misadventures in the fourth dimension (boo a Heightlander's Escape reference tomato tomato).

These are some studies of the two. I really like the hairs on Anthony, it makes him so much more expressive. Also, Abel is a slaying king, I love him sm.

Also, Abel is like the last person who should be in charge of a company. That shit goin down the drain in a week I swear (he came to work high every day his first month of being CEO). I'll probably change the name a lil I just have to cook.

Also, silly joke of how Anthony and Abel met lol.

Have a good one broskies :)))

[knight-a3]

Heavenbound AU Masterpost

Alastor Redesign

I've spent an absurd amount of time researching deer, microphones, and 1920s-30s fashion for this. I'm by no means an expert of any of it, but I'm decently confident enough for some fictional depictions.

I'll include some notes under the cut, which does get a little long. I doubt other characters will get this detailed, but Alastor has a lot of design themes and motifs that were a bit too ingrained to remove. Everyone else is either simple in comparison, or much easier to simplify.

Alastor also just catches my interest in ways the others don't.

Design notes (I'll add edits notes as they come, should it be necessary)

My goal was to design him in a way that still felt like the same character, just altering the aspects I thought could be better. So a radical change wasn't what I was going for. That said, I had a logical reason for most of the changes I made.

--Deer-- Quickly, there's some regional terminology to clear up. In Europe, elk often refers to what North Americans call moose. And the NA Elk is sometimes called by an alternate name, "wapiti". I had never heard the term wapiti before researching this. And since I live where NA Elk are native (Rocky Mountain region), I think my terminology takes priority. Alastor would call them elk too. Before anyone says Elk aren't deer; yes they are. The word 'elk' basically means "big deer." They look similar to the Red Deer (Similar looking antlers, but elk are bigger, second only to moose, which are also a species of deer). It used to be believed that elk was a subspecies of Red Deer, but that's apparently been proven false. In NA, there are five main species in the deer/cervid family(listed from smallest to largest): Whitetail, mule deer, caribou/reindeer, elk, and moose.

Deer Sounds If you haven't heard deer sounds, I promise they aren't what you'd expect. Fanfics authors like to describe him making deer noises, but I'm not sure they realize what the sounds are actually like. I'll describe some noises, but search for them on Youtube, for both males and females separately. Using these terms will help you find specific examples. I listened to so many just trying to figure out how to describe them. Snort-They make a huffy blowing sound when alerted or alarmed. Often sounds like a bark. It's basically sounding the alarm. Does often make it when they're being harassed by bucks. Grunts- sounds like a croaky or clicky groan. Sorta like a frog or a pig. Sometimes sounds like cattle's moo. There are casual grunts, curious grunts, frustrated grunts, submissive grunts, low-drawn-out dominance grunts. Bleat- sounds more whiny, sheep-like, and higher pitched than a grunt. But it doesn't sound like a goat or sheep. It's used more by does and fawns. The younger it is, the higher the pitch. Really young fawns will sound like a little meep or maa. Snort Wheeze- sounds like a sniffy huff, followed by extended "F" sound. "sniff sniff Fffffff" There's a lot of air to it. It's basically an insult or challenge. Elk Bugle- much higher pitched than you'd expect from such a large animal. More so than a deer. It's an eerie, high pitched screech. They're basically broadcasting their location, looking for cows. Bulls will bugle back and forth, competing for attention. Elk chuckles and grunts- shorter versions of the bugle. Sounds kinda like monkey hoots. Elk Bark- alarmed or irritated. Sounds like a small dog's bark. Elk Chirps and mews- It reminds me of the curious sounds the dilophosaurus from Jurassic Park made. Or seagulls. They're just chatting.

What deer is he? Based on what I've observed, I don't think he was designed with any specific species in mind. I've seen others say his antler growth is most like elk, but I've found it inconsistent at best. Elk noises are used in the show, but that's because they make a distinct and eerie sound. More impressive than a deer's grunt or snort and wheeze. Personally, I think whitetail makes the most sense for him, since that's the species that would be most prevalent in Louisiana. While I'm basing him primarily off whitetail deer, he is a fictional deer-looking demon man, and doesn't have to perfectly resemble any single species of deer. His bright red color is clearly not realistic, for example. So I will incorporate some aspects of whitetail, mule deer, and elk, since those are the prevalent species in North America. I've given him a whitetail deer tail, but with the white swapped to black. That doesn't make him a blacktail deer, because that is supposedly a subspecies of Mule deer, and the tail does not look like what I am going for. Mule deer have proportionately large ears, and so does Alastor. Fans like to think they're soft and fluffy, but they aren't. I have felt deer hide, and it is NOT soft. I doubt it would be significantly different on live deer. Especially if it's anything like goats or cows(not even sheep are as soft as you'd expect). Deer ears are not positioned as low on the head as domestic livestock, but they aren't directly on top either. I wanted to maintain the upright position, because he didn't quite look right otherwise. I think I managed to get a decent balance. When he's particularly relaxed, his ears aren't as upright, but he rarely lets himself put his guard down like that. So it's basically just when he sleeps that they relax. His antler growth will vary based on a few different factors. When he is feeling confident and composed, the growth will be more typical to either of the three species. Whitetail or mule deer antlers will be more elegant, while elk antlers will be more intimidating due to the sheer size. But the more emotionally/mentally unhinged he gets(anger, fear, desperation, etc), the more nontypical his antlers will become. Which means there will be extra points in abnormal patterns. It's basically an indicator that he's not quite in control. He hates how it basically announces that, but very few people know that detail.

Anyway, here are a few references

--Life and Death-- For simplicity and easy math, I'm putting his birthday around 1900, give or take a year. He died 1933, which means he was around 32-34. Not very old, but not super young either. Lots of fans headcanon that he's biracial. Usually with a black Creole mom and white dad. His dad is often portrayed as abusive. Alastor is often thought to be fluent in French(Creole French). I want to propose an alternative. His mom is half-black half-white, his dad is white, and Alastor is consequently a quarter black. He is distinctly white-passing. He knows some Creole French, but is not fluent. I just think this could make for some interesting dynamics. Just to shake things up, his parents cared about each other and his dad wasn't abusive. But his father died in WW1, when Alastor was a teen. Instead, his uncle(father's brother) was racist and abusive towards them. Without his dad around to fend off the abuse, Alastor ended up killing his uncle in self defense and dumped the body in the woods/swamp/bayou. He had no remorse, and was rather enamored by the experience. Alastor always struggled with empathy. He was the type of kid to kill animals out of curiosity, and was fascinated by it. He felt more alive when watching the life fade from their eyes. His dad taught him to hunt, and he enjoyed the thrill of catching prey. A big part of hunting is understanding the prey's behavior and manipulating them. His parents taught him not to hurt other people, but after killing his uncle that went out the window. He justified it by "hunting" people he decided deserved it, in some twisted sense of vigilante justice. Really, he was just looking for an excuse. He primarily used guns(rifles for a clean kill, shotgun for efficiency, pistols "just in case" an unexpected opportunity presents itself) and knives for a real hands on experience. But in the end, if it got the job done, it could be used. He dabbled in magic and demonic deals while he was alive. He has a pop-culture-voodoo aesthetic, such as dolls that are connected to people and such. But I won't refer to it as voodoo, because I don't want to misrepresent actual voodoo. I will just call it shadow magic and be making up my own rules. More on it later. Radio was a comparatively mundane part of his life. It was his more relaxing pastime. He'd broadcast anything he liked. News, gossip, music, jokes, whatever. He could talk for hours, and his charisma was captivating to listeners. He did live shows too. An open mic was free game. While not aiming to be a musician, he was a decent pianist. He liked saxophone too. He preferred to dance though, and not many could keep up with him, even after some whiskey or rye. He died after being attacked by a rabid dog. He survived the attack, but contracted rabies, which there is no cure for. It attacks the central nervous system and fries the brain. Once symptoms appear, it's a death sentence. He went mad, and a fellow hunter put him out of his misery by shooting him in the head. He thinks it's an embarrassing way to die, so he's told a few alternate stories, sometimes with a grain of truth. He's amused by the gossip and speculation. Nobody knows the true story. These stories include the usual headcanons floating around. Let me explain why I don't like the usual death headcanons Mauled by hunting dogs- Hunting dogs are not supposed to kill the prey, just help the hunter find and catch them. A hunting dog that bites the prey might spoil the meat. To have a whole pack do that means those are horribly trained dogs. I don't buy it. Mistaken for a deer and shot by a hunter- Hunters should not shoot anything if they aren't certain of what it is. Otherwise they risk shooting something they don't have a permit for. At minimum, they should be checking to be sure they are aiming at a buck or a doe. To mistakenly kill a person is absurd. Also, to hit perfectly in the center of the forehead?? That had to have been intentional.

He started killing overlords partly because he could, and partly because they meet his criteria for "deserving it". He remained anonymous about it at first for a few reasons: 1. it was how he worked as a serial killer in life. 2. He enjoyed the thrill of the hunt and getting away without getting caught. 3. Watching everyone panic about the mysterious overlord killer while totally unaware it was him(seemingly unassuming) was amusing. Eventually, the novelty of anonymity wore off(partly because there weren't many consequences to getting caught like there would be in life) and he revealed himself as the mystery killer. Then he enjoyed the reputation and Overlord status. Eventually, being feared bored him too. So now he has to find some new games to play, which is where the Hazbin Hotel comes in.

--Fashion:1920s-30s-- Clothes: Men's outfits typically consisted of a shirt, waistcoat/vest, jacket, trousers with belt or suspenders, and potentially an overcoat if weather permits. If it was cold, I think he'd wear a black overcoat, to reference his earlier designs. I had to shorten the jacket a smidge, because they usually wouldn't be as long as in canon. Unless that's supposed to be his overcoat(in which case it shouldn't be so form fitting) The jacket lapels would generally be pretty wide. The pant legs would also be wide. Some of the pant styles could get rather absurd by todays standards. The basic idea was loose and boxy. The jacket, vest, and pants would be the same color if it could be afforded. But for the sake of visual interest, I've decided to ignore that. Neckties were more common than bowties. But that's more just an excuse for me to reduce the ridiculous number of bowties the show has. Belts were starting to become prevalent, especially in America. Since my research indicated that hunting clothes would use belts, never suspenders, I figured Alastor would favor belts. While hunting, he'd were a buffalo plaid shirt, a hunting cap, and some silly looking pants that were wide at the thighs, reinforcement around the seat and knees, and tight from the knee down, with either boots, gaiters(a shoe/calf cover to help keep clothes clean, similar to spats), or puttees(leg wraps that do the same thing, as well as provide support).

Monocles were used as a portable option for reading glasses, and not worn constantly. They were used to correct farsightedness, not nearsightedness. But they were fading in popularity, in part due to the association with prominent German leaders during WW1. Basically, I don't think the monocle suited Alastor.

Hair: I headcanon that his hair is actually fur. And as I said earlier, deer fur is not soft. It's pretty coarse and wiry. He probably sheds a lot too. His canon haircut is atrocious, so I had to fix it. The look of the time was short sides, long top, and slicked with styling wax. I've styled his hair in what I think would be the closest approximation to 1920s-30s fashion he could manage. Since it's fur, I don't think the wax would do a whole lot for him. He makes do with an approximation of a tousle top, which is basically minimal wax and slightly disheveled. Facial hair was not really in style in the 20s, due to the availability of razors. Cleanshaven was the ideal, especially in America. If a man did sport a mustache, it would be something neatly trimmed, like a pencil mustache. (I'm not totally sold on how I've done his hair in the below image. I may add some wave to it later. Also, don't mind his gun, I just didn't feel like drawing it properly.)

--Microphones-- I think Alastor would actually stay pretty up to date with a lot of things. But most people don't really realize it because he commits to his aesthetic. In regards to technology, if it has improved functionality, and fits his vintage style, he'll go for it. For microphones, he can summon whatever kind he wants. There are a variety of styles and types to choose from. I don't have any practical experience, but I did try to figure it out to a degree. There are three basic types he'd use, and they can look vintage just fine. Dynamic/moving coil: these are durable and less sensitive to background noise. It's the only one you can trust to survive a mic drop. Good for stage. Probably what he'd take out and about, because of the durability. Condenser: sensitive to sounds and capturing detail. Good for recording. Requires some extra equipment to prevent self-noise. Ribbon: Produces natural, smooth, warm sounds. Common in vintage mics. Probably Alastor's favorite, but they're fragile. Pop filters and wind guards help protect it from pressure changes.

--Color-- I tweaked the colors so he wasn't so overwhelmingly bright red. Overall just darkened his palette. His hair is a warmer shade of red than his suit. I also didn't think the green magic suited him. So his magic is more in the red to yellow range, because it matches his eyes and teeth(which glow, btw). Green will be an indication of either something poisoning his magic, or it's a borrowed power. I haven't fully committed to just one, and it might depend on what direction canon takes with his soul owner.

--Magic-- His stitching is an indicator that he's not really as composed as he seems. He's always a few threads away from tearing apart, but when he does he can always pull himself together again. He's in constant pain, but has also become so accustomed to it that he hardly notices anymore. I think he stitched his smile on himself. He wants to be smiling, and sewing it in place is how he can assure it never slips. It's part of his pseudo-voodoo aesthetic. Alastor was known to make overlords disappear, which shouldn't be possible without angelic weapons. But few people knew about angelic weapons before the show(himself included, I'm pretty sure). So I was left to ponder what he could have done to make victims disappear. I'm thinking the little shadow puppet gremlin creatures are the tattered remains of souls he's torn apart. I don't want to refer to them as voodoo dolls, so they will either be called variations of shadow puppets or gremlins. He usually offers fair deals, with or without a soul contract. Souls he owns--like Husk and Niffty--are added to his collection of minions, each minion has a gremlin that represents their contracts with him. But there are some that Alastor feels don't deserve fair treatment, so he tears those souls apart to broadcast their screams of eternal torment, then claims the remains of the tattered souls(whether he had a contract with them or not) and stitches them up into the shadow puppets. That way, they don't regenerate. Husk was lucky Alastor liked him, and offered a deal instead of just tearing him apart. Again, I don't want to misrepresent actual voodoo. So at most, it would be a corrupt version mixed with various pagan witchcrafts. It will just be referred to as either generic magic or shadow magic. If I need spooky symbols, I'll just make up my own. It will probably involve X shapes, to match his death mark. He became a powerful demon so quickly because he's clever, ruthless, and dabbled in magic in life, and was making demonic deals in life. Already having deals and practicing shadow magic gave him a significant boost once he died.

Some examples of his shadow puppet gremlins, plus his personal shadow buddy, which may or may not be the gremlin that represents himself:

--Wendigo-- No, I don't think he'd a wendigo. I personally don't think he was a cannibal while he was alive. He was a hunter who enjoyed the thrill of the hunt and liked venison(deer meat). The people he killed would be those he found disgusting, so I doubt he would have wanted to eat them even if he was so inclined. After death, he became venison himself, which can be perceived as cannibalism, I guess. He was cursed with insatiable hunger, which prompted him to branch out to more cannibalism from desperation. He still favors venison, which gets the closest to satisfying his hunger. Being dead has made him less concerned about cleanliness and hygiene, except when it affects the image he wants to portray. Then he became acquainted with Rosie, who was a cannibal in life. None of this makes him a wendigo. The concept of a man-eating monster or cannibalism isn't exactly unique, and I don't see a reason to apply that specific term to him. The original mythology of the wendigo does not include an antlered creature. I'm pretty sure that was more of a pop-culture addition during the 1900s. They're also more common further north where there are colder winters. Most descriptions say they are essentially ashen-skinned, emaciated-looking people(look at the game Until Dawn for a good example of that). Coincidentally more similar to the people of Cannibal Town. I doubt that was intentional, but the resemblance is still there. If any character was a wendigo, it would be Rosie. But I don't intend to explicitly make her one either.

[freuleinanna]

actually you know what? i've just finished the 13 era rewatch and it's hitting me because i wasn't ready to let 13 go. again. the writing did her dirty on multiple occasions, no doubt, but i'm sorta glad it was done that way.

when we meet 13, it's a lot of gibberish and adventures and being a human version of a puppy, and that's fun and games but creates a sense of waiting for serious staff to begin. right? so then it does. and you see that little sunshine thingy grow darker and darker. enduring more and more trauma. more losses. you see her desperately trying to stay fun because what if people leave her otherwise. she can't bear being alone with herself. she can't bear sharing any of her worries or pain. tangled in her emotions, unable to really face her affections. and so it worsens until she has to relieve her worst nightmares with endless attacks on earth, total rewrite of her sense of personality, catastrophic events designed specifically to get rid of her and wouldn've happened otherwise, split consciousness, all the consequences and ramifications, until ultimately, her own murder too. she's got so much added trauma my boy 12 would break another fucking wall for her (as would i)

and all that time she kept smiling. forced smiles, fake-happy smiles, nervous smiles - yes. but also sincere smiles. bright like sunshine, warm like memories. after ALL THIS, she had the character to go with a smile. she's truly remarkable, 13. making up for every mistake, shattering herself over helping someone. accumulating grief enough for a hundred runs and leaving with acceptance, soaking up the beauty of the world.

was she everything people wanted? of course not, not a single incarnation is. but she's everything she needed to be.

she's everything 12 wished her to be. laughing hard, running fast, being kind - and letting go.