#Also how appropriate is the original art

[dunhoof]

thinkin abt how dragons are represented onsite recently vs in the past what with regards to anthropomorphism and

yknow what that's what polls are for innit

*that's counting all moderns + abbys, gaolers, veilspun - simplifying a bit so that i don't have to think abt whether stuff like coatl tail wings technically count. basically i mean those with one pair of forelimbs, hindlimbs, & wings & nothing else that would rly affect locomotion

[claitea]

whoa guys did you see the new cards i really want alto's full art!!

made with this site! art without the text under the cut :D

[absolutefilthimsosorry]

Happy 33rd Dan!

Hope it’s a good one x

[bigbrainbiology]

Love letter to my past self <3

I want to tell her that everything is great in 2023 and I love being me

[commanderfreddy]

sometimes u need to redesign a fursona you had at age 12

good for the soul

[bogleech]

Little things to know for artists just now coming to (or returning to) tumblr:

Remember that “liking” a post doesn’t add it to anybody else’s dash or spread it around; only reblogs do that!

Even if you have no followers, your art will be seen if you tag it appropriately. #art #original #oc are common basic ones but you should also tag any relevant themes and content like #animals #horror #fantasy #mermaids and so on. People following or checking those tags will see them!

Unlike tiktok, instagram and twitter it is considered normal (and should be) to interact with posts no matter how old they are. There’s no expiration on reblogging or commenting, including re-reblogging your own posts or adding new thoughts to them.

They only added this in recent years, but you can click on your own post in your dash to see all the comments and tags.

Tumblr is the only social media I know of where a lot of people routinely use the tag field to add personal thoughts and opinions, so don’t miss out on that as another source of feedback and commentary on your work!

Unconstructive negativity or unsolicited criticism is much rarer and more frowned upon here, so the likelihood of a comment that really amounts to just “this sucks” is a lot lower. People who do that just get ripped to shreds, really.

[the-alarm-system]

SYSTEMPUNK

Systempunk: A term or Subculture surrounding the liberation of plurals and the critique of psychiatry. We're outspoken on how the psych community mistreats us and how we will force the breaking of the chains that continuously fakeclaim or harm us whenever we do something singlets/psychiatrist do not like. We have been silenced and told that if we are open, it is a sign of us lying. We have been forced to follow the strict guidelines of the dsm5 in order to avoid being told that our experiences are false. We have been forced into psychiatric wards and abused because we are not singlet. We have been the face of the liars for too long, plural liberation is something we must push. The future is plural.

ANTI ENDOS AND RADQUEERS DO NOT TOUCH.

Meaning of the flag:

Brown and Black: The POC-bodied systems who are put down by both the community and the society around them. POC-bodied systems who have had their diagnosis's rejected due to their race. POC-bodied systems who have a cultural origin or connection and are hurt because of it. POC-bodied systems who are appropriated by other systems and are not listened to. POC-bodied systems who are hurt by the white dominated psychiatric system. POC-bodied systems who deserve to be heard and understood.

Purple stripe: Endogenic Solidarity, allyship, love, liberation. Endogenic systems are continuously harmed by antis who remain uncritical of psychiatry, are against the liberation of plurals, and deny a plural future in order to push singlethood onto others. Endogenic systems are also used in a lot of fakeclaiming content made by singlets and psychiatrist despite the research that supports their existence. It's because singlet society hates plurals and hates any form of existence we have. Love your endogenic siblings. They are the diverse experiences of plurality, they have helped us through so much.

Yellow Stripe: Disordered and traumagenic system solidarity and liberation. Disordered systems are horribly abused by the psych system, we make up most of those hospitalized and we are put down as too crazy to make our own decisions. Even if our existence is from trauma or a disorder, we shouldn't be forced into a singlet cure, we deserve autonomy.

Pink stripe: Abolition of psychiatric wards used to abuse us, hide us away, and silence us. Our autonomy is stolen from them, we deserve resources that help us instead of force us into a place that fucking hates us.

White stripe: Psych-critical beliefs or Anti-psych beliefs, despite their differences we still stand together against the harms of the psychiatric system. ACAB included in this.

Barbed wire: Anti-fakeclaim culture, systems deserve to be believed. Pro-plural protection. Protect another no matter your beliefs, cops and psych wards fucking hate us and want us dead, protect those you love. protect the closeted, protect all systems.

Fangs: Fight for your existence, be loud about it, write essays, make art, do whatever you can. Force plural liberation down the throats of singlets. Force the future to be plural.

Ampersand: PLURAL PRIDE, PLURAL ACCEPTANCE, PLURAL LIBERATION, PLURAL HISTORY, PLURAL FUTURE

[whompthatsucker1981]

you said you think gay sex cats is the new duchamp's fountain. i dont disagree and i kinda see what you mean already but please elaborate

it was a silly and tongue in cheek way to say that a lot of people are getting mad about it in a way that implies reactionary views on art, and that there's no way to say gay sex cats isn't art that wouldn't also imply that the fountain isn't art. a funny meme image is a funny meme image, but it is also funny to overthink and recontextualize them as art.

and the reaction makes the comparison even more apt. neural net generated artworks are anonymized mass produced images, vast majority having no artistic pretension or meaningful content such as a thomas kinkade painting. gay sex cats was made with no intent to be art, but the discourse it has with audience reaction and its appropriation in derivative works make it so. why is gay sex cats not art if people talking about it negatively allow it to be called art? is art only things you find beautiful and valuable? if so, what is value and beauty, and how do you draw the line? if gay sex cats was still ai generated but had more "aesthetic qualities" would it be art? if someone copies the original image by hand with all its ai generated faults where is the value generated? does the original still have no merit of its own, even after appropriation as a digital ready-made?

but the main reason as to why gay sex cats is comparable to the fountain still is because it made a lot of people with bad takes on art really really mad. and that the pissed off tags wouldn't look out of place as reaction to modern art in the 1920s. art is a flat circle

EDIT: well. putting an addendum because in retrospect more people took either or both the op and image in face value and much more self serious than ever intended. a lot of people understood the tone i was getting at, and i still stand by the questionings i added on, but still for clarification. the original comparison is not serious. it's self evidently ridiculous to compare a meme image to a historically significant artwork, the comparison was only drawn because they were both controversial to an audience, who reacted denying their status as respectively as an image and as art, and that it was funny that the negative reaction people had to the original image explicitly denied its status as art, even if the meme never had pretension to be art, so it was funny to draw a comparison and iterate on that.

i did think it was valid to bring in questionings about art and meaning because that's the reaction i saw most and wanted to make people think about the whys, and that also i do not think it's valid to base your dislike on ai art on either grounds of questioning its position and value as artwork, or even as a question of ip theft. regular degular handmade art can be soulless, repetitive, thoughtless, derivative, unethical, open and blatant theft, and much more, and that does not make it any less of an artwork. neural nets are tools that generate images by statistic correlation through human input.

the unambiguous issue with neural nets in art is its use as a tool by capital, to threaten already underpaid and overworked working artists and to keep their labor hostage under threat of total automation. in hindsight i regretted not adding the paragraph above as it was a way in which people could either misinterpret or assume things about me, but hindsight is hindsight and there's no way to predict how posts would blow up. so shrugs. i had written more posts in my blog that elaborated on that because asks would bot stop coming. and i think my takeaway is that people will reblog anything with a funny image without reading the words around it, or even closely looking at the image.

[10yrratiolover]

giving my thoughts and ideas on Ratio's character stories

I wouldn't call this much of an analysis but we'll see how it goes

Starting out with his first character story, most of it is Professor Rond's recommendation letter.

I'd like to start by sharing my thoughts about Ratio and Rond first before actually getting into dissecting the letter itself.

So, firstly, I'd like to mention that (to my knowledge) we have never heard of or from Ratio's parents. I find that ironic considering what a big shot he is, I doubt that his parents would ever willingly shut up about their son.

Reading that Rond had a 'significant influence on Ratio's upbringing' particularly stands out to me because, at least at the time of the original letter being written, Ratio was in secondary school (Grade 9-12, though some of the wording in the letter lead me to believe he was likely on the lower end of that range).

Now, a high school teacher having a 'significant influence' on someone's upbringing isn't necessarily uncommon, nor are old teachers proud of their past students becoming extremely successful. However these points, alongside the fact that Ratio's parents are nowhere to be seen in canon, lead me to believe that there was some sort of familial relationship between them, especially seeing Rond's reaction to being asked about Ratio as well as how he had kept the original letter.

Moving on to the actual letter.

Grade skipping is a pretty common practice where I'm from, as it allows learning at the appropriate/needed level (ignoring the fact that the school system is in shambles).

However, the way this is phrased is as if Rond were trying to convince him to be able to skip grades. If he were in grade 11 or 12 I feel like it would not have been phrased this way, which is what leads me to believe he was likely younger, possibly fresh out of middle school.

The highlight on creativity is just because it makes me smile honestly, also it ties into one of my earlier posts about how I think Ratio would adore the subject of art.

I would like to return to my point of Rond being a potential parental figure to Ratio, seeing as he seems to know his daily routine well enough to confidently write about it in his letter of recommendation.

On to his second character story, which is mostly online posts in a thread-like format.

It wasn't until his eighth doctoral degree that he was awarded with First Class Honors, also since he is the first person to receive such in two amber eras it means he was likely the only one on stage at that time.

It also states that at the time he was already a prominent figure in society, which doesn't surprise me given the accomplishments listed by Rond in the letter despite him being in high school at the time it was written. However, he would most likely be an adult by the time he finished his eighth doctorate.

No real comment on this I found it funny that they put etc instead of continuing to list fields.

I also just find these funny and wanted to share them, but the disagreement on the last comment shows how much people admire him. I feel like that's a topic that's rather watered down in the fandom, but people genuinely admire Ratio a lot and there's plenty of reason for them to.

full-time university teachers tend to teach about 5 courses per academic year, meaning Ratio has been teaching for about 10 years.

Moving onto the third story, which is a statement from a former assistant of his about his desire to join the genius society.

I find this to be an interesting point, it seems like joining the Genius Society would be an obvious next step for a man with so many accomplishments but it's stated not once, but twice that he has never spoken about the subject (to the public at least).

I am a believer in the theory that Ratio hasn't been allowed into the Genius Society due to his humanity/compassion and his desire to spread knowledge to everyone, and I feel like this specification that he's never spoken about the topic could add to this theory.

This paragraph never fails to break my heart, but I do want to talk about the mention of an anti-planetary weapon. I feel like this Anti-planetary weapon that he spent years perfecting was a final attempt at proving to Nous that he wasn't too compassionate or too humane to receive their gaze. I remember reading about this idea more in detail elsewhere and if I can find the analyzation then I'll link it here.

Also, I feel like deep down he always knew that he wouldn't be accepted into the Genius Society, but this day, as Margaret states, was the day he finally realized it, or, fully swallowed that pill.

I find these comments to be interesting as well since they specify the narrow-mindedness of the society however, there is this comment from the Data Bank;

This comment I admittedly stumbled across when looking for something else, but I feel like it perfectly encapsulates Ratio's entire dilemma with the Genius Society, maybe not to Ratio himself but it certainly applies to everyone who comments on his achievements being worthy of Nous' approval.

I am also quite curious about who exactly wrote the 'Decoding Dr. Ratio' that we have read from in all of his character stories. They seem to have a lot of connections for someone who would typically be seen as just another paparazzi or media interviewer, I'm surprised the people listed in his stories would agree to an interview.

Onto his final story, which is about his personality and methods of sharing knowledge.

I mentioned this comment in my character notes post but I find it extremely charming that Ratio remains the same and refuses to change himself or his personality to satisfy those around him.

It is also commented in his second character story by a previous professor of his that his honesty and straightforwardness were a 'Breath of fresh air' at the University.

I love the implication that either; nobody in the entire room had any questions (unlikely), or that they were simply too scared to ask them.

I also find the comment that 'Whenever someone agrees with me, I feel like I must be wrong.' Perhaps he's gotten used to being the only one thinking the way he is or the possibility that people only agree with him so they sound intelligent themselves and weren't truly listening or understanding.

I find these comments interesting as well, a majority of the fandom mischaracterizes Ratio as mean or rude although he literally explains his viewpoints where anyone can access it (which does honestly prove his point about how knowledge is not for everyone.)

[petermorwood]

Interesting post about costume here.

This paragraph in particular caught my attention...

What we think of as “peasant garb” is actually the product of a game of telephone that travels back from Romantic Revival art, and many of those (urban) artists got their idea of what rural peasants wore from opera costumes. The costumers working at the opera were not going out to the country side to take notes on what farmers actually wore, nor did they want to. Opera is show biz, you want it to be evocative, but not ordinary. Their costumes would have been based on what urban folks were wearing, with extra little touches like a shepherds crook to make it look “rural”.

... because it was Wagner's Ring Cycle that gave us horned helmets.

They didn't originate with the Vikings. They originated with the 1876 costume designs for a bunch of operas, and those designs by Carl Emil Doepler still exist.

For reference, all the horny characters are mortals.

Those helmets were probably based on archaeological finds, even though all Northern European examples are, AFAIK and depending on context, either religious headgear equivalent to a bishop's mitre, or ceremonial headgear equivalent to a crown.

In addition, every single one predates the Viking Age by a period ranging from a couple of centuries to a couple of millennia so - makes vague handwave gesture - they're more appropriate for the sorta-kinda mythic Migration Era setting of the Ring than any Vik who ever inged..

Doepler's designs also feature WINGED helmets, worn by immortals like Wotan...

... and the Valkyries.

Something else I encountered when looking for pics to illustrate this was that other clichéd armour error, the boob-plate.

Here's dramatic soprano Karin Branzell wearing one...

...while here's heroic tenor Fritz Vogelstrom also wearing one.

He's singing the role of Siegfried but wearing the costume of Brunnhilde, at least that's how it looks to an operatic Philistine like me.

Anyway...

Winged helmets are even more historically dodgy - no archaeological evidence at all - yet are actually more feasible as working combat helmets.

The difference is that horns, being heavy, need sturdy mountings so a horned helmet both provides catch-points for incoming blows and handles for an enemy to grapple, while a winged helmet does neither. The wings, being light, wouldn't need solid fixtures so would just shear off under a weapon or come off in an enemy's hands.

I'm well aware that other times, places and cultures - Indo-Persia, Poland, Japan etc. - had helmets with wings, horns and all sorts of other stuff, but this is about how the popular image of Vikings that headgear came from opera.

And went all over the place... :->

[love-takes-work]

Highlights from the stream:

Here are the anecdotes shared during the epic draw-fest. Nearly all of them have been shared elsewhere at least once, but the new ones for me were about Greg Universe's orientation and the prototypical name for what Steven and Pearl's Fusion was going to be.

Rebecca Sugar loved Peridot's floating fingers and wanted to do all kinds of fun things with them before they would be gone forever. That's why we see her making arrows with them and biting them nervously in the episode right before she loses them.

When selecting clips for promotional use, they tried to be super careful about not picking anything that would show Peridot's real hands before the reveal had been aired. They didn't want a promo to accidentally ruin that surprise.

While doing the show they had an "eye theory" where the three main Gems would always have a different number of eyes showing. Pearl had both her eyes visible; Amethyst usually had one covered; and Garnet had either no eyes showing or three eyes showing.

With Rebecca and Ian's decision to get married and the characters Ruby and Sapphire being based on them, they figured well, of course now they have to get married too. (Though Rebecca and Ian got to do so AFTER their characters did!)

One of Rebecca's "post-Future theories" is that Steven gets a Gibson Hummingbird guitar.

Cookie Cat was originally based off of Cookie Puss, a very strange Carvell ice cream cake. It had a complicated backstory, which was appropriate for working with their own characters' complicated backstory. The branding and packaging of the Cookie Cat is important within the show.

Jeff Liu composed the Cookie Cat theme on a Game Boy and pitched it.

Rebecca has a "theory" regarding how Steven and Connie's faces kind of "fit together" with Connie's face sticking out at the top and Steven's face sticking out at the bottom.

Rebecca used to do a lot of fan comics, and learned a lot about storytelling while practicing with others' worlds and characters. They love when people make things based on these characters.

The original appearance of Rainbow Quartz was inspired by a music video from the Cars that Rebecca loved when they were younger. The Cars are referenced a lot throughout the show because their videos were a huge inspiration to Rebecca.

Lapis is very much based on a character from one of Rebecca's comics from the art school days.

Everybody on the Crew had different ideas of how Steven's head connected to his body and how his hair worked; Rebecca felt that they learned from everyone's various ideas.

If you've heard that Rebecca was against Finn being in a relationship while working on Adventure Time, that is not true. Rebecca worked on lots of the Flame Princess episodes. Finn and Flame Princess were still together when Rebecca left the show (last episode "Simon and Marcy").

Greg Universe's sexuality was never explicitly stated on the show, but Rebecca thinks of him as sexually fluid. Regarding him as bisexual is also completely valid--and appreciated by Rebecca as a bisexual creator who puts lots of their own personal traits into characters and feels that bisexual characters are pretty rare. Greg's gender on the show is pretty solidly established as male, so Ian says he is probably not gender fluid, but Rebecca is fine with alternate headcanons about that too.

Some of the earliest concept art from "Mr. Greg" was everybody in suits. Getting everyone in a suit was a primary agenda.

Everyone also wanted Connie to have a Space Camp outfit in the earliest concepts for her design in the movie.

Rebecca used to love doing signings while doing the show because it was like a chance to come up for air and go back to work energized by knowing how many people were touched by the show.

Rebecca Sugar wanted Pink Diamond to feel a bit influenced/inspired, design-wise, by the work of Iwao Takamoto. Rebecca loved his work in the Hanna-Barbera Alice in Wonderland and on Sleeping Beauty.

Rebecca drew the rough of the poster's art and Danny Hynes did the colors. Rebecca loves that they got to do this poster because they didn't get to do the final Comic Con with any art depicting Future or beyond (the finale of Future coincided with the emergence of Covid, so everything was closed down), so this is their way of "going rogue" and doing it!

An early prototype of a Steven/Pearl Fusion was called Coral. Rebecca said maybe they could share some drawings of this Fusion sometime. Rebecca shared this factoid with the viewers while drawing Rainbow Quartz 2.0, and mentioned that Ian boarded the scenes including their introduction.

Rebecca would often draw Garnet with a huge smile on her face whenever Garnet was the requested character--even before Garnet had made an expression like that on any aired episode. They had to be careful not to drop any Garnet lore before viewers knew what her center was about. For the short period before "Alone Together" had aired that they were doing conventions, some people were getting mysteriously grinning Garnets and not being familiar with that expression, but once the episodes aired, they understood for sure.

Shelby Rabara, Peridot's voice actor, is a professional dancer, and she choreographed the tap-dancing in "Mr. Greg" as well as provided the foot-taps that you actually hear in the show during the dancing.

Rebecca thinks of art and writing as just two different ways of expressing what you mean--they're not exactly as different from each other as most people think.

Everyone on the Crew was so excited about Steven's neck as an older teen. Mainly because figuring out how Steven's head joins to his body was an issue in original SU.

Unfortunately, while it was also kinda nice to see so many people enjoying Rebecca's drawings and commentary, there was a lot of rudeness and obnoxiousness in the chat. I know, I know, it's expected; I too live on the internet. But I'm disappointed to say the chat was full of people demanding Black Diamond, or repeating their own name and what character they want every 3 seconds (like, literally, pasting it over and over again for a long period of time), or harassing them about "weird Ed Edd and Eddy art," or spamming "REBECCA WHAT WAS IN THE CHEST," or wanting constantly for them to say hi to them personally, or repeatedly asking if Rebecca has read Homestuck. Or even writing snotty things like "maybe you should stop drawing and get up and give us a new season." Holy shit. can u not

(I didn't want to get a live-signed one, but I did get one of these to be sketched later! Mine is supposed to get Lion on it. I love Rebecca and the SU crew for bringing us new art and fun discussions in 2024.)

[aclassitag]

Announcing Krem Week!

#kremweek2024 — 22-28 July 2024

background art credit: @xfreischutz [link to original post]

*text prompt list under the readmore

This year will mark 10 years since the release of Dragon Age: Inquisition! In celebration of that anniversary and the game that gave us our first trans character, here is a prompt list - and dates - for any who would like to participate! All sorts of creative content is accepted so long as they are not A/I generated. (See examples below)

*If you want to portray Maevaris Tilani instead, that is also fine!

Please read the guidelines!

If you have any questions, reply to this post and I will do my best to answer :)

Prompt list:

1 — Anniversary 2 — Euphoria / Expression 3 — Casual / Formal 4 — Family / Love 5 — Respite / Fight 6 — Play / Satiate 7 — (Free space!)

Guidelines:

Use the tag: #kremweek2024 (@ this blog is fine too) — If you want to portray Maevaris Tilani instead of Krem, that is also welcome! Please @ me so I can rb :) For non-Tumblr folks that somehow got here: You may post submissions, please link your socials. You may choose one of two prompts in a day or do both. You may also combine as many prompts as you want from any or all of the days into a single work, just mention it somewhere.

Types of content allowed:

Illustration and writing are the most obvious forms of art allowed, but they're not the only ones! Literary arts fanfics, drabbles, poetry, plays, lengthy headcanon/meta posts (for headcanon and meta posts, minimum of 100 words+) Visual arts doodles, paintings, graphic design, photoshop memes, photography, animation, tiktok skits, abstract, fiber arts (embroidery, knitting, etc), ceramics Audio art fanmixes(curated playlists), original or cover songs Other crafts are also welcome! e.g. culinary, resin, woodworking, etc etc ..essentially, whatever type of art it is, I'll accept it so long as it falls within rules and is related to Krem or Maevaris :) For things that are more abstract, do include an explanation of your thought process on how it relates to Krem. E.g. you made Krem's Seheron Fish Wrap or Rice Pudding, take photos of your cooking, and post that (with the explanation that it is Krem's recipes) - that's an acceptable submission! You're allowed to explore different mediums everyday! You don't have to stick to one form of art for the whole week. I will be attempting to schedule reblogs in the 'prime time' for engagement, and in the interest of fairness, things like headcanon posts, fanmixes, and WIPs will not take priority in that time slot over fully rendered illustrations or complete fanfics. They will still be reblogged, but scheduled for other time slots.

Content Rules:

No A/I generated content. (Specifically GenAI content) As above, any and all forms of art is welcome. It must be human made, and by you. The whole point of working off a prompt is to explore a creative process, anyway - do yourself a favour and just enjoy making something! It doesn't have to be pretty! No reposting of other people's works. This must be your own creation. Obviously, no transphobic content. No harrassing others over their specific headcanons - be it in regards to any trait or quirks that come with being a person. People come in all sorts of wonderful variety, please respect that. In addition to above: No whitewashing, racism etc. Please note that Krem is not pale-skinned in canon, and I will not be reblogging content of him being portrayed as pale. 18+ works need to be labelled. On this blog, its tagged as "#adult art". Please add content warnings as appropriate. (E.g. portrayal of binding with bandages should have a warning label of "cw: unsafe binding", etc.) If your post/submission is lengthy, please insert a read more. This helps readability on the dashboard. Progress / WIPs are fine too!

General tips:

First and foremost, do what you are able to! Don't feel pressured to complete a full week if you need to take care of yourself first. Some people work on the prompts before the week even begins, and only post it day of. You are not required to do this, but if you really want to fill something for each day, this helps reduce stress day of.

Mod things:

The mod isn't from the Americas, so due to timezone differences, there may be a delay in reblogging people's works. Either way I will not reblog the moment that it's posted in order to screen properly. Posts will be queued between 30mins-1hr apart, if there are multiple entries being submitted at the same time. All submissions will also be requeued after a week for later perusal :)

[jovial-thunder]

Lancer Tactics devlog

I'm gonna try out posting my ~monthly devlog roundup here as well. These suckers are glorified changelogs with anecdotes and gifs galore. Let me know if this is something you like seeing show up on your dash?

Map Editor

Got units able to be placed/deleted/moved in the mission editor

Can paint/remove command zones in the editor

Can paint minecraft-like terrain blocks in the editor

Can paint/rotate multi-tile props in the editor

Can edit unit character sheets and portrait via the editor

3D maps

Did a bunch of art tests with 3D mech models, provided by GeneralChaos, which we ended up deciding not to go with to keep things simple.

To avoid the can of worms that is animation, we'd have to lean into a static "tabletop minatures" aesthetic which we decided is not a style we want to be stuck with. By sticking with 2D sprites, we avoid falling into a sort of uncanny valley; it's easier to get away with not animating a 2D sprite than it is for a 3D model.

 We also experimented with 3D terrain. We decided to make a rule that the visual style for a piece of terrain should match its mechanical effect: obstructing terrain that you can't move through, such as rocks or buildings, will be in 3D, while non-obstructing terrain like trees will stick with 2D sprites.

Hooking up the 3D camera to follow events like movement and attacks did a LOT for making it starting to feel like it's cohering into an Actual Game™

Implemented cover! And an attack preview! Cover works by aiming a ray from the target to the originator (technically to and from each voxel of each, respectively, to handle size 2s shooting above size 1 cover) and tracking all the terrain blocks it hits (how we'll handle non-terrain hard cover TBD). I think I have it working according to Perijove's cover rules manual, but I'm sure there'll be edge cases to work out. This is a case where things are significantly simplified by working in squares instead of hexes; hexes have a lot more possible weird angles you have to deal with.

Re-added what I'm stubbornly calling Combat Popcorn; little bits of text that pop out when you use abilities and attacks.

UI & game screens

Added ability for the engine to show UI that's anchored to the game world via a little word bubble line but also stay on screen as the camera moves around.

Got word bubbles working; you can now write dialogue in the mission editor, hit playtest, and see it work in a mission! (it does actually translate correctly now; this gif is just from a bug I thought was funny)

Got ability effects mostly behaving appropriately again, including muzzle flashes. The easiest way to handle them ended up being NOT billboarding them so they always face the camera (like all other 2D sprites in the game); instead, I put them on a plane parallel with the ground and just spin them around the unit to point at wherever their target is.

Did some work ironing out our tooltip system. The standard in CRPGs these days is this kind of nested labyrinth of tooltops that you see in Baldur's Gate 3:

I Did Not Want to try and figure out how to wrangle that much UI, so we're instead opting to cap the nested tooltips at the second layer. You can lock a general tooltip for e.g. an action and then mouseover various items within that tooltip to get glossary definitions...

...and then instead of having those glossary tips be lockable/mouse-overable themselves, I collect all related terms to that glossary definition and let you tab through them.

Added skin overlay functionality to the portrait maker, enabling textures like scars, tattoos, stubble, and vitiligo to be applied to just the skin and not extend off into space.

Midway through writing this update, Carpenter sent me this gif of the randomization button working! There's a still a bunch of skintones/assets missing and a few are a bit janky, but it was exciting to start seeing the range of these lil freaks (affectionate) that this editor can create.

Mourning cloak license!

This is the one I'm probably most excited about: I did a bit of a content dive and implemented a basic character sheet + all Mourning Cloak traits and equipment. They don't have fancy graphics yet, but the weapons and systems can be added via the character sheet and used in-game.

It took a little under a day, including adding soon-to-be common mechanisms like bonus damage. This is great news in that it means the engine we've been building for so long in the abstract seems to do a great job in handling comprehensive actual game content, and that it looks like we've set ourselves up for success when it comes time to buckle down on churning that out.

I'm sure other licenses will come with unique difficulties (I fear the day it comes time to do the Mule Harness // Goblin CP) but I'm feeling good about it!

Vertical slice?

Taking a step back, the pressing question on my mind has been "when will we have a playable early access build?"

I was originally hoping for Feb/March, but what we've internally been referring to as the "3D cataclysm" has pushed everything back by at least three months, so the target for the first alpha build is now in May. So, ah, thanks for your patience! Seeing things come together, I've become more and more convinced that moving to 3D was the right call.

[nixmori]

Astarion x Wren

The Lovers Tarot: upright

A fun pass time for me is always thinking which tarot card fits the characters at different parts of the story, and the primary themes that govern them.

Wren (my primary Tav) is the reversed lovers card for much of her early story/game. She longs for connection but is met with a cold, detached world, resulting in mental imbalance and the absence of self-love. She’s lonely and insecure, fearing rejection. Her closest relationship up until the events of the game was with her patron—the capricious (but not malicious) Archfey Kol. He offered her power and the pretense of connection, but never anything real.

For Astarion, while I think another card represents himself (I’m keeping that to myself because I have another art planned around it!) I feel his struggle aligns well with the devil card. He is, of course, more than figuratively shackled to Cazador, but also to the years of abuse, trauma, and his own demons born of that time. The shackles depicted in that card are loose—showing they can be broken should the person choose to be free of their demons.

The lovers and the devil cards are mirrors of one another. The lovers shows security and balance, but also the temptation of the fruit and the snake that could lead to back down the road to self destruction. Alternatively, they are a reminder of what it took to come back from that to a harmonious state.

In my interpretation of The Lovers here, I’ve retained the shackles from Astarion’s devil card. He’s chosen a new path—one where he can be true to himself. The scars will always be there, but the chains are broken. I’ve retained the forbidden fruit as Wren’s crown, with the leaves too represent the personal growth of both characters while the berries (fruit) represent the temptations that would have lead them down a very different path (which I will leave out due to spoilers!)

Fun fact, the Angel in the original card art is Raphael! Very different from everyone’s favorite demon in the game. This Raphael represents physical and emotional healing. I didn’t think an Angel would fit the aesthetics of what I wanted so I replaced him with the moon and Polaris. The first reason has to do with Astarion’s spawn ending so I won’t go into it. The second is taken from the moon card itself, where the moon reveals one’s true self. Paired with Polaris, it represents the moon’s light as a guide, as both embark on their long journey of healing. It won’t be an overnight venture—something that can be fixed by a single entity, so the moon as a guide works better in this context, I believe.

As a personal addition, Wren holds a few nerine lilies—a flower that has been associated with freedom since Ancient Greece. They also symbolize unity, and feelings straight from the heart, which felt appropriate for a relationship where both characters started as strangers to emotional intimacy. (I used to be a florist, I HAVE to have my flower symbolism)

Finally, the clouds at the bottom started life as flames, which in the og tarot card represent passion. As the art took form though, they took on the appearance of smoke/clouds. I could have made it more flame-like but I really liked how this looked, but I also think it fits the slow burn the story ended up taking. There’s a fire, somewhere—but it isn’t the most important thing here.

If you made it this far, thanks for reading my essay. I hope it was coherent!

[sinnabum45]

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[inbarfink]

It is actually super thematically important that the Gumlee Subplot is, like, the Fluffiest Fluffy Coffeeshop AU in existence.

Because the whole universe-ending danger Fionnaworld faces is, like, to me it reads very much as a metaphor for the value of art and creative works that are self-indulgent?

Like, the whole Problem is that Prismo is not supposed to use his powers of Creation for his own personal enjoyment - he’s only supposed to use it to grant Ironic Wishes for others. Metaphorically, I think this is like a Creative making art for a studio or some other kind or employer, or for the sake of some specific audience or something. 

And while Prismo found some creative fulfillment in his job, he also wanted to make something for himself, something private, something self-indulgent. And thus Fionnaworld was born. A personal creative project made with no other consideration but the artist’s own sense of fun and pleasure.

Which is very appropriate considering how in the real world Fionna and Cake, while it grew into more than that, it was originally just the personal lil’ creative doodles of Natasha Allegri did for fun while she was working as part of the AT Crew.

In the eyes of the Scarab, and apparently the greater cosmological laws that he enforces - the existence of Fionnaworld is an ‘abomination’. Prismo shouldn’t be allowed to use his powers of creation for anything but his designated role of creating for the sake of others. 

And it seems like the resolution of the whole Scarab and Prismo plot thread is going to be on some level a reinforcement of the value and importance of creative projects - or whole universes - that are born out of self-indulgence and a desire to have fun and nothing more. You know, maybe it's not the worst thing in the world for Prismo to do something for fun, Fionnaworld clearly grew into something more than just God's self-indulgent doodles... something like that...

So it seems only appropriate that our main representation of Fionnaworld once the plot kicks into gear, the thing that gives the viewers a face and a personal angle to the unfathomably monumental task of saving a whole universe - is a Fluff-tastic Coffeeshop AU. 

In many ways the icon of silly indulgent fiction that exists just for personal pleasure. 

Especially as it contrasts against the generally much darker and grimmer ‘Authorized Universes’ we’ve seen.

Of course, not everyone creating silly fanfics for just their own sake is gonna create peaceful low-conflict Modern AUs. I bet there’s tons of AT fans creating fanstuff for their own sakes that are going to make stuff that’s just as heavy and dark as Vampireworld or even Extinctworld. Sometimes self-indulgence looks like angst and pain.

Buuuutt, the Fluff-heavy fanfiction and Coffeeshop AUs are still associated with wish-fulfillment and self-indulgent fiction in a way that really feels thematically important.