#Adding more thoughts in the tags tho

[pinkyjulien]

🌈 Queerness in CyberPunk 2077

I wanted to make this post earlier this month but got caught up in modding shenanigans, as per usual~

BUT! It's still June, still pride, so here it is :>

▶ DISCLAIMER

All of this is my analyses, headcanons, of different characters, some of them not confirmed at all in anyway or form! I'm a queer man myself, but I do not claim to know everything about queerness and being queer, everyone experience the game and interpret the characters differently 🤲 This is only my opinions, based off canon game events, clues, hints, as well as developpers's tweets, streams, files datamining etc etc Please do not see this thread as an attack, or as something invalidating! I'm more than curious to heard what you think about my personal analyses, if you agree, if you don't, and why! If you think other characters also display hints of queerness I'd love to hear it too! 💙

This picture is an update I did in 2022 of lil collage I did back in 2021~

I posted the first version on Reddit back in 2021 and it created this whole "what do mean JOHNNY is GAY?" (because a rainbow behind a man automatically means he's Gay and nothing else right) and a lot of biphobia over his character in particular (gasp- THE rockerboy?! Biseggsual?? In my viddy game??)

▶ You can look at the thread here and have a lil laugh

SO, NATURALLY, after doing the 2022 collage, I went and uploaded it to reddit once again! Because triggering bigots and seeing them stumble over their own tongues trying to debunk everything is really funny ✨

However, I instantly muted the thread and let it rot in its own sauce for some days, weeks, only coming back to it later and Oh Boy 👀

I did a thread on Twitter last year exploring everything that was said on the thread and explaining why I put certain characters on it

Thought it'd be cool and fun to re-explore that and share my thoughts with y'all here SO LETS GET BACK TO IT 😌🤙

▶▶▶

I'll mainly paste screenshots of what I already said on my twitter thread, but I might add some things there and there!

Damn I was kinda pissed off back then HGHFHGF but yeah, this is also the reason I won't ever make any straight or super straight flags I do not headcanon Delamain as Asexual, as there isn't any confirmation anywhere that he's interest in that kind of interaction or not, but I'll come back to him later!

Goro being canonly Queer is often missed, and this surprises me, considering he's one of the popular character! He is interested (or not) equally in both Fem and Masc V, giving he's replying to them the exact same ways! This isn't something done randomly by the devs :)

As said in the tweet, there isn't any direct and clear evidence of Mitch and Scorpion being a couple! Their relationship is heavily queer coded and queer people are more easily picking up on it than non-queer peoeple (and that's normal) Gay men have called their male partner Friend, Best friend and Brother through history maaaany many time, and that's part of my interpretation of their relationship too, especially giving they're both veterans who fought in the same war. The poem Mitch wrotes during "I'll Fly Away" (heavily implied) is romantic and gay coded, the gay novel in Mitch's tent (confirmed to be on purpose) is what we call environnemental story telling, it's subtle but adds to a character's backstory and lore! As for the datamining, I found a Mitch awkwardly explaining to V that no, Saul doesn't have any say in whatever he's doing with Scorpion stuff "because.... because... eh, that's just family stuff"

Note on Delamain here because I've heard it even caused some drama here on Tumblr that I said that? He uses He/Him to describe himself, the Main Entity, but multiples of his splites entities uses She/Her, meaning he's literally Non-Binary in how his entity is formed (I find it really cool for an AI ngl ngl) However if my headcanon offended anyone, I apologize! and I'd love to hear others interpretation :3

There isn't any open and visible MLM gay couple in Cyberpunk 2077! Bouncing off ElvenBeard's amazing analyses and thoughts on Kerry's sexuality, he can be seen as Bisexual (confirmed by RTAL themselves) and Homosexual (confirmed by the devs before and after the game released) he can be Both and Both are correct depending on how you view his character and how he grew from his past relationship (Bisexual with a masc preference, Bisexual who have to heal from his marriage, Gay man who realized his sexuality later after a wonky marriage, etc)

The whole "Responsability=Wife" Takemura take angers me to no end, taking its roots in heteronormativity- We see Goro care for his job above all else, to me that's what his "responsability" is and always was; his job

Nothing more to add here- Jackie's only relationship we see in game is with Misty, this doesn't confirm nor deny anything! (However with how he react to V pushing him, lip-bitting and all regardless of gender, I can totally see him as being queer)

AND That's about it!

It was interesting to dig into that thread last year and thought I'd share that here, as a refresher that Johnny is Bi, Takemura too, and smaller characters like Mitch and Evelynn still have clear hints of queerness to them ✨

I really like how CP77 touches on queerness, it feels realistic, it doesn't feel forced; which, sadly, create this problem of "UH?? This is pure LIES" if a character's sexuality is not splattered in your face, which then create the "Ugh why does it have to be forced down our throat" complains

Something something, lesson here is that people will always complain about queerness, be it loud, be it subtle, so fuck it! Scream it, go apeshit over small details, over-analyse everything cause chances are: this is intentional!

More Characters

I later noticed that Regina have a naked lady tattooed on her forearm, and since we know nothing is done randomly in CDPR's video games, makes me think that she might be sapphic in some way ✨

Mateo is also one of my fav "potential queer", how he could be a trans man, but there isn't anything really to support that other than that one interaction with V

▶ Link to the updated collage Reddit Thread

▶ Link to my Twitter breakdown

[kinstein-art]

the vinsmoke siblings 💙❤️💛💚🩷

[1doesnotsimplyhavejust1fandam]

This has most definitely been said before, but we were robbed of the core four quarantining on-screen together at Buck’s place. ROBBED I say

[meamiiikiii]

happy siffrin day / loop plush drop day / loop day!!! :D

[mishy-mashy]

Kudo is actually such a kind, soft-hearted guy that had to toughen up because he cared too much

He looked at AFO's rule, and even though he was weak, he had that glint in his eye that has been referred to as the "will of a hero" to oppose him. A hopeful glint shared with Midoriya, Bakugo, and Hawks

He even parallels Hawks when they talk about that particular look in their eye

From a glimmer in the eye, to which eye is shown, how much of the face, a similar angle of the face, and placement of text questioning the existence of that light,

He stormed to kill Yoichi with Bruce, but couldn't, once he saw the state Yoichi was in. Even knowing he was the enemy, he still reached out his hand and never let go, even when they were running

When Yoichi died, even though they'd only been together for two months, Kudo still cried and froze up.

This is a reaction from a man who repeatedly used lives as a stepping stone for his own goal.

Kudo said himself, that victory was life, and defeat was death. He had killed and seen his friends killed over and over, but still cries when it happens again. And to someone he only knew for two months, at that.

Kudo gathered allies under his cause, and they were loyal enough to die for him. Bruce cries (still smiling tho) facing AFO, tried protecting Kudo when he froze up at Yoichi's death, and we see all Kudo's comrades dead in the end. Maybe Bruce was suicidal when he went to face AFO, knowing he'd die, but most of his comrades (and Kudo) were already gone. Their cause was snuffed out, but the will persisted.

Kudo is a bit like Aizawa.

A bit crass and blunt, doesn't like beating around the bush, but he can clearly see what kind of person you are. He's not openly kind, but you know he cares so much, but has also lost too much once. He's seen his friend(s) die, and shouldn't it have been him in that spot? Shouldn't he have died instead, but was forced to continue living for that dead person's sake?

His speech about why we call Abilities "Quirks", recognizing people's intent over raw power is the real power. (Ch 369)

He's blunt and goes straight to the results rather than beat around the bush, but it doesn't mean his heart is frozen and he doesn't care about you. (Ch 408)

He cares so much, and that's why he has to do so much. (His whole Resistance thing, figuring out how Yoichi's Factor works to make sure Yoichi and his will can live on in some way)

He recognizes that Midoriya isn't driven by duty, but that he genuinely adores Quirks too much. (Ch 414) He could look at Midoriya, read that immediately, and even though he looked through his memories, Midoriya's character was his takeaway. Not that Midoriya is an idiot for letting himself be stepped on, or that this kid was bullied, but that Midoriya could see the goodness in others.

Like how Aizawa saw that Midoriya was relying on the reason [It can't be helped] whenever OFA broke his bones and told him he can't always break himself just because he could be fixed (Midoriya's recklessness that showed itself on the first day of school). He called out something that was an underlying, innate belief to Midoriya, that was so normal to the teen, and no one else had brought up as wrong to him.

The first thing they perceive is a person's character.

When Aizawa tied up Midoriya on the first day of school, he wasn't telling him off over his Quirk destroying him being a PR thing or too gruesome for the public. It was out of the fact that his Quirk shouldn't destroy him, because it's dangerous for Midoriya.

Aizawa came off antagonistic, but he was looking out for Midoriya. He didn't want him to keep breaking his whole arm, he didn't want him to get stuck in the mindset that he had to get hurt to use his Quirk, he was looking out for his wellbeing from the start. A kid he didn't know personally until that day.

Kudo did a similar thing. He turned his back, and refused to help, because they were putting their hopes in a delusional boy who would go too far. When the vestiges realized their gathered Abilities and Quirks were letting Midoriya have the freedom to do as he wished, Kudo already knew, only saying "His path is the right one". He could relate to having to run full-sprint to see your goal realized, even if everything opposed him, but didn't want Midoriya to go through that same path alone.

If he were alone, he'd be like Nagant. He had to have comrades to be like Kudo, able to continue and stand for their beliefs, but having comrades to fall back on, or pull him back when it's too much. That's why he follows up in that moment with, "But, if there's something Midoriya does need..."

Kudo and Aizawa could see themselves or their comrades in others, and knew how to approach those character flaws that were normalized to others and said person.

Kudo could see others for who they were, and I think it's this, and his caring nature, that he gathered so many allies with him. He knew when to be blunt, when to show kindness, that the truth hurts but needs to be seen, was actually very logical and witty, and when to step aside and let people do their thing, even if it wasn't the best move (like saving All Might). Because that was what was best for that person.

It's not like people would join someone so wholeheartedly without conviction and being left unseen by that person. So many people were willing to die with and for Kudo, and Bruce believes in him so much.

When All Might's vestige was fading and becoming more solid, Kudo had to look away. They knew it meant All Might was dying in the real world.

Kudo was telling Midoriya not to intervene with Gearshift there. But once he saw All Might genuinely dying out, he couldn't look at him, and kept quiet. He stopped hanging onto battlefield logic of necessity, shut up, let Midoriya do his thing, and it saved All Might. It saved Midoriya from seeing his idol die in front of him, and Kudo didn't have to see another ally die beside him.

The chapter is literally called [We Love You All Might!!]. Even if it's just meant to focus in Bakugo and Midoriya, and only has 2 exclamation marks, it can't discount the world is watching. The vestiges care about All Might too.

When the vestiges come up with the plan to forcibly transfer themselves to deal damage, Kudo volunteers himself as the test dummy. Sure, he backs it with a lot of reason too, but he didn't want anyone else to go first as a test drive

He, with a Gearshift Ability that resembled a manual car, was the test drive. Ha ha pun- *gets shot*

En tried going first. Kudo rejected him, saying he would go first.

"Part ways with Gearshift [me], and you'll be free of the crippling recoil too."

Too. TOO.

KUDO JUST WANTED TO GO AND BE DESTROYED FIRST. HE PUT THE FREEDOM OF RECOIL DOWN AS AN EXTRA BONUS SO THEY'D AGREE WITH HIS CHOICE.

I'd cut the image so it looks better, and I can use Bruce's words elsewhere, but this is an image limit, so,

- Kudo refused to let anyone else go first. This was before giving reasons to convince them he should leave first

- En gives reason to why it can't be Kudo. Kudo just says, "Listen." and reminds them of now.

- Look at Kudo's face when he says that. The guy knows what he's doing when he cuts off En, and would probably be a horrible liar. He might as well be pulling this out of his ass.

He's said "The world will end" "You have to or else" "Five minutes" "You're going to die" a few times in this fight already. DUDE STOPPP

(Terrible liar and a guy who purposely eggs you to torment? What a great friend he would be [yknow, when u make ur friends freak out by being ominous or reminding them of stuff. Like Toast to Lilypichu in a game of Observation Duty])

- "Too."

- Bruce's trust in him, but knowing when to pull Kudo back from going too far

Also, when he's transferred, he smiles to Midoriya. He knows he's about to die again, but the last thing he does for Midoriya is

1) Take away the recoil of his existence as a Factor on the boy

2) Reassure him that it's okay, so it doesn't weigh on his conscience

Even if only in thought, STILL!

KUDO LOOKED SO PROUD OF MIDORIYA!

I bet Kudo is suuuch a sentimental fool

> [Be me and watch your new friend die]

> [I have Yoichi's Factor]

> [It's like I carry his will now]

> [Have a glint of opposition in my eye that drives the Demon Lord and my comrades (Bruce) crazy]

> [Hey Bruce, let's figure out how it transfers]

> [Bruce's common sense VS my rabid ideas]

> [I win]

> [Bruce was unwilling the whole time and still ends up with the Factor]

> [The Factor is named One For All, after something in Yoichi's favorite comic book series]

> [We pass it on to the future to carry forward]

> [Even as everyone else and me dies, I make sure Yoichi and his will are safe from his Demon Lord brother that locked him up]

> [Decades later, my sweet vaulted friend reminds me of when we met]

> [I turn around and give my whole-hearted support to believe in some 15-year old boy because Yoichi believes in him too]

SEN - TIM - ENT - AL!

When Shinomori was stolen by AFO, Shinomori pushed everyone away before they could really notice the invader. Kudo called out for him.

Everyone is in shock, but I don't think it's a mistake that the text bubble calling out for Shinomori is pointing from Kudo.

All For One made it through and is ready to steal them, but the first thing Kudo did was call out for the one at the very front.

[On the post I made that mentions Shinomori pushing everyone away] What if Kudo wasn't pushed away? What if this was him at the front, realizing the danger and turning around, but being unable to do anything for Shinomori when he saw?

Like Bruce, Kudo communicates. He doesn't expect you to just follow or understand him. He actually lays it out and makes sure you keep up.

He explains

- the transfer of vestiges, and why he should go first

- his Quirk

- why Quirks are Quirks

- reports to Midoriya what's happening and what's next

- to Yoichi why they couldn't trust in a delusional boy. In a way that wasn't Bruce's roundabout "we lived in a terrible era and a leader gathered us"

When En panics, he barks at En to keep up. By barking at him, rather than any other way he could've used his tone, it shuts up En in his frantic babbling. Kudo also lets Vestige Might put in his thoughts to understand better, and uses it.

Eye reflection. Kudo can really see people for who they are, and understands others, and himself.

I can't repeat the pics cuz image limit, but look at previous panels here. For example, Kudo saying Yoichi's will lives in him, and when AFO reflected in his eyes

It's something I learned from Re:Zero. When a person in reflected in one's eye, something something that person can see the true core of you, of what you really are underneath everything. The eyes are the window and mirror [glass] of the soul. I finally see the true you.

AFO never reflected anyone.

But Kudo reflected AFO when the man accidentally killed Yoichi. He saw that AFO wasn't seeing anything, so later, Kudo smiled and mocked AFO at his own death.

"Yoichi?"

"He's gone."

"You killed him, Demon Lord."

And AFO hated that reminder.

Kudo was reminding him of what the truth was. Kudo saw it himself, and AFO blocked it out from the get-go. Kudo already knew what AFO was, what he was seeing, what he was doing to himself by blaming Kudo instead of himself.

And then, Kudo's eyes reflected his own hand when he realized Yoichi's Factor was in him.

Kudo clearly saw himself, and in himself, Yoichi. Nothing distorted it. It really was a clear mirror.

He really perceived Yoichi's will was living on, and was right. Otherwise, his eyes wouldn't have shown it.

Kudo was right about AFO. It's even implied back when he and Bruce had their backs turned; Kudo knew what AFO's real goal was. That was back when AFO preached unity and division under him.

Kudo could always see right through AFO. He really understood people from the start. And he never tried making up truths to justify what he was seeing, facing it head-on.

Kudo's lying about the world being black and white.

Kudo and Bruce saw the world as black and white. This was mentioned in the void.

Kudo also says, "Victory meant life. Defeat meant death."

But it's the Resistance. It's when Japan and the world was at their lowest. The world wasn't black and white; there's lots of gray.

Kudo and Bruce would've seen this. Kudo even admits that there's gray, just not directly.

Kudo says Yoichi knows, how he killed and trampled so many lives, to get back at AFO. He knows it wasn't right, or an amazing choice. Later, he says that when your back is against the wall, you have to make callous judgements. These hint at gray moments.

Kudo and Bruce have faced and been in the gray. But it's too hard to make the right choices, and there are times there is no right answer.

Historically, soldiers would convince themselves the enemy were monsters. They wouldn't be able to fight and kill them otherwise. They wouldn't be able to live with themselves without believing in this so badly.

Kudo and Bruce had to have been the same way. They were Meta Humans [Monsters] in a time they were viewed as diseased humans. The monsters were real. And they had a Demon Lord. Kudo and Bruce literally dressed up as soldiers.

Even if they were monsters to society, being Meta, Kudo and Bruce were still human. They knew this. The ones who tried believing in only black and white were inhabitants of the gray itself.

But they have to protect themselves. Kudo is so adamant that the world is only black and white, because he can't stand the gray. What it makes him do, what it means, that he's too weak to do anything.

Yoichi is an example of that gray area. The mortal enemy's younger brother, was actually locked up and sickly. He's just a comic book nerd. And it humanized the other side Kudo opposed so vehemently.

Kudo says victory is life and defeat is death. And Yoichi asked why he reached out to him then. He reminded Kudo of that gray area, and Kudo opened up.

Kudo might avoid the gray area because it's a matter of the heart and a moral dilemma, but it's what makes him human. When there's no right answer in the battlefield, he decides on his feelings instead.

He wishes the world was black and white, because it'd be so easy. But it's not.

Yoichi reminded him of how entering that gray area led to OFA ("when you reached out your hand to me"), and it had been the best choice in the end. The gray area is real, and Kudo's left a bare man with only his emotions when he's there.

Kudo is actually really kind and understanding. He's too soft for his own good. Thanks if you made it this far, I hope it makes sense (tag and image limit)

[in-study-hell]

TFone doodles that I need out of my system immediately. Airachnid was so cool she stole the show, coolest copter ever… I tried to remember how exactly she looked but there ain’t much refs of it online yet ToT

[sydchan]

I don’t think you all realize how many times I’ve had to hold myself back from going on a long rant about the age gap N and Hilbert allegedly have according to Bulbapedia (just so you all know, I stand on the freak side of things, I genuinely would still ship them if the Pokemon company swore they were 14 and 20). It’s just narratively this is nonsense and does not fit and Word Of God means nothing when compared to source material so 16 and 18 makes way more sense. But again…not worth rambling about. One thing I will say is while I can kind of buy N as 20 (21 would make more sense as the next age milestone after 18 he might have been coronated at, but I guess 20 is from when you’re an adult in Japan?) it’s honestly Hilbert as 14 that grinds my gears more. Like why does Bulbapedia say he’s 14 and then within the trivia section of that very page, mention that interviews say he and Hilda were designed as 16. Like at least list 14-16 as the age range??? Like bruh, why is it not a range????? 16 is clearly one of the correct interpretation of his age. Constantly perplexed by this.

The damage Bulbapedia has done cause fools won’t play the source material and come to their own conclusions….

Like I guess if one wishes to assume Hilbert is younger than the game implies and N is older than the game implies have at it. You do you. But it’s such a bizarre shift to see in how the ship is viewed.

[dxxtruction]

Sooooo, Armand did tamper with Louis memories but my next question is why? I find 'he wanted to manipulate him' a bit crass of a read; lacking. That's not to say he hasn't, or that he'd be so dense to not know that he had, rather that this wouldn't be what motivates him. So, what does, and why did he do it?

Suppose it's easiest to start with the core of it, which is that most anyone typically acts out of a need to cling to (or run from) some sense of self or identity, especially when it's called into question. We have to reckon with how others see us just as much as we have to reckon with how we see ourselves. Grappling with finding relation to the changing and unchanging facts about ourselves - the total amalgamation of what makes us 'us' - comes with an interplay of inner and outer perceptions surrounding everything we do, or seem to do in both these eyes. Armand is called into question by Louis. And from what we know of his character is that his identity is heavily internally clung to two things: A necessity for having control, and a desperate need to be loved.

It's important that how those manifest in him is deeply rooted in the traumas he's faced (Which he wants to run away from in the form of seeking and identifying with said control/love. Even at the expense, knowingly or not, of replicating those cycles). So, it's like he's living in near constant response to it. Leaving him without much else to find identity in.

And loss of identity directly feeds into his traumas as well, it being one of them, done repeatedly. Making the process of having any ambiguity on part of how another views him - particularly from those he cares deeply about the opinions of, especially on matters of love - difficult to accept, and easy to deny. In other words: he needs whatever sustained self image he can hold on to, so struggles identifying with the truth about Louis' feelings about him being so opposed. Upon question, he can't accept what not being loved would do to that image and finds himself seeking the comfort of living in denial.

So, I'd say that then could explain most of it. Being motivated to maintain certain perceptions in the form of tampering with memory: the means through which said perceptions are perceived. Making everyone live in this denial with him also appealing to his controlling. Thus returning this sense of self back to him in both aspects. The emotional wound does explain (not forgive) why he takes to it in the way he does.

But let's go deeper, because there's more to the very situation (1973) as to why. Why would Armand go out of his way to tamper with Louis memory as well, when they'd already reached a kind of conclusion that does appear to keep their companionship? What, to his mind, called for it given the situation?

Harkening back to above, Armand defines himself around Louis in a major way. Louis is his love, is his need to be loved. There's a developed co-dependancy between them. They're at such point both exploiter and exploited in this. His happiness, is Armand's happiness, is reason enough to preserve it in a way that is agreeable. And that agreement is a tricky one to play a balance with, like they honestly shouldn't be together after Paris, but this goes without saying. It's been on Armand, mostly, to make this relationship work. (And even if it was mostly one of a lot of a denial, I like to imagine there are large periods where it has, and they've lived a relatively normal relationship, had this 'dreamy balance' or it simply wouldn't have lasted so long - with or without mind fuckery).

He wants it most too, which is how Louis is able to have some control over Armand. Control in how Louis ability to love him is very conditional and rests a lot on Armand's ability to satisfy, gratify, console, and control Louis for his own protection - despite knowing he'll never make up for Paris he does everything to earn Louis anyway. So could Armand have chosen to do this to be perceived as someone able to earn it still? That's one option. Very plausible.

Louis has a complicated love for Armand, it's there and isn't, but he also can get from Armand whatever he can squeeze out of him, and in this past he takes heavy advantage of it. As Armand is susceptible to his own much greater necessitation to be loved by him, making him go out of his way to do this 'earning'. However, as had been revealed, for Armand this is played up in part to uphold for Louis' perceptions that he really has that much power over him.

Because what we also have to factor in is Armand's other aspect - control. The line, 'Armand preserves my happiness even when I can't or wont. He had a hunch you might prove useful in later times', is rehearsed in much the same way this entire dynamic is one of great rehearsal. It's practiced, or it would be chaos.

There's certainly a part of Armand that likes being in the submissive role too, he likes what comes with it, but he can't be in total service to Louis, and Louis can't be without rules - or there's no control. Rules, roles, scripts, are very important to Armand, they're a way to facilitate a controlled setting, and he's really the one to enforce the parameters of what those are more so than Louis is. See; when Louis breaks from these things of agreement, what Armand normally gives him goes away.

I picture Louis as like the playwright of the relationship - the one facilitating everything - while Armand seems to then stage direct everything about it, sometimes secretly. In this way, Armand places himself as moreso being the one to meet his own satisfaction, gratification, consolation, and control (he has more overall power here in a duel sense) than Louis. Louis own meeting of these things still factor into it, though. Remember; his happiness, is Armands happiness, is his role to maintain so the play will keep writing itself. The curtains would close on their relationship otherwise.

This is the 'balance' of agreement between them, and again, it's entirely likely such balance just could not be maintained were those memories to stay as they were, almost like the jig is up. There's a factor here of Armand probably catching that Louis wouldn’t be comfortable in this relationship knowing more apparently Armand had so much more power over him this whole time. He knew, of course, but in their roles they could forget. This switch up in dynamics over those few days revealed the imbalance of things, a truth about it, and those needed to be masked back up. Theatre.

But let's explore some other ideas too.

I would first repeat myself in more context, Armand tampers with the script for the express purpose of preservation - of its dynamics, its roles, its rules, and of Louis. Nothing has the ability to change if nothing happened and Armand perhaps wanted to go on as if nothing really did - again there's denial. Armand finds reason in preservation to remove those memories. Preservation of Louis is in several ways preservation of himself, is preservation of their companionship. A companionship which is what he defines himself through - his love, his control.

But tacked onto this there's also this protecting Louis from himself - from the knowing of what he did (the arguing, the attempt, and what came after) and why it all happened. This is maybe Armand's way of going about excusing it? But, he probably does think this is to an extent true. He does think he's protecting him with this, preserving his happiness. There's an argument to be made that Louis wouldn't be alive without Armand acting in this way. That, hypothetically, the reminder would be fuel to attempt again, so perhaps there's merit to this excuse. It is ultimately still an excuse though. It's still a fucked up form of protection. One that can't actually allow Louis to move past into healing from the actual causes of things. Or Armand for that matter.

Removing those memories could also be because of a remorse on his part, Armand's regretful role in how he acted during all of it. He doesn't want to be remembered that way. Yet again with identity, and with denial. This isn't the image of who he wants to be. This isn't how he would paint himself.

Armand in this stage director role also just has a tendency to do that - and edit himself out. It'd not be shocking that such a heightened situation would call for heightened dramatics. I don't see Armand taking it to this extreme as being a common thing, this could've been the only time too. That we can't actually say for sure is the terrifying part, the potential is always still there once you know its there. (and the point was never to know it's there).

There's a part of me that wants to say that pairing the 'cut' with Daniel's isn't without it's place in this either. It seems pointed. Armand's jealousy of Daniel over Louis preferring him motivating removing any memory that he ever did have reason to find Daniel so favorable, let alone bond deeper with him over those days. He was making sure further contact was unlikely to happen? Compliant willingness for it now could be a matter of knowing it's a lot safer to do so. Louis seems in a lot better place than he was. Armand can't really say no at this point. And he couldn't tell him why it ever would've been dangerous to begin with, just be extremely on guard about the whole thing.

Really, there's not an easy answer to it that we can point to and say: it's this one. I wouldn't be surprised if it was all these things building to a list of reasons, and more than the one's I've listed. Ends up with more pros than cons? But there could also be hardly calculation at all and it's a purely emotional choice, coming from an emotional place.

A very damaging choice, regardless, among several other damaging choices, and it's one I think can be read with all this nuance without mitigating that. I hope it's been clear I'm not trying to. Intentions don't = impact. Investigation into the intentions doesn't take away from that.

I'm very interested to see how it all plays out, how they handle this on the impact side of things. If they'll actually give more of an answer. Rolin says some interesting things here: x. That alludes to how they're going to address this whole thing about memory - it's monstrous quality - with some of the same nuance I've given. And how a blanket statement on blame, and who did what, isn't where this kind of conversation will end up going.

[yayforocs]

👉👈 so @silverskye13 i saw this and..............

had to make an aron helsmet!!!!!! this was really hecking fun to think about actually like what she'd be like n design (which. is a poke at the rp server she was from actually) and also made me sit down and think more on my other minecraft ocs i have sittin around and why they ended up getting redesigns lkdsfh BUT YEAH i!!!!!!!! aron!!!!!!!!!!!!!!

[the-moon-pal]

Thinking of Snake Actor Mark surprisingly and now I'm thinking of running with an idea HDHDH

[nodominion]

I need Daniel's 'assistant' to be Jesse.

[goatanarchy]

Little Rat

Summary: A spirit wakes up in a body of a mage, to take his place and his name. Notes: Warden/Duncan(implied), Warden is he/they!, AU where Duncan doesn't die and is a companion because I want to, probably very OOC but who cares. I wanted to finish more scenes before I post this one but I have been struggling for months, maybe even a year to write, so here is at least a very short part of it that is done.

The mage was looking at the rat. The rat was looking at the mage.

The deal was made, he is finally free. Both of them.

“Promise me one thing…” - the rat whispered.

“Anything!” - the mage smiled so brightly, the rat felt weird. He could never make this face in the mirror.

“Escape. See the sun, eat some good food.”

“I will. I’ve always wanted to.”

“Good.”

The rat disappeared and the darkness came.

Then gasp of air. The first one! And light, so much light, softness and muscle, the loud beating of heart inside his veins. His veins… filled with warmth and blood and tingling pain inside his head. But even the pain was exciting! It was the first one they felt…

“Are you alright? Say something, please…” - they heard an anxious voice. It welcomed them into the world as they jumped off the bed and looked around abruptly, like a wild animal ready to run.

“Jowan?” - they called out a bit unsure. Lots of memories buzzed in their mind and the mage hid his face in his hands. Cold. Poor blood circulation. Yes it was a friend, they remembered. Not his, but the one before him. Sarikh. He liked that name. He will carry it too.

Sarikh opened his eyes and saw a human… man? Yes. A scrawny one, in heavy dark robes and with sad anxious eyes. Sarikh brought his gaze to other things: walls of stone - cold to the touch, the wooden beds, the closets, big doors, his heavy robes (that he decided he didn’t like) and other people… humans and elves…real ones… Just like him! They were staring at Sarikh from afar with curiosity. Sarikh too was curious, but couldn’t tell what they were thinking about him. He tried to reach for their thoughts but could only catch blurred echoes of their emotions and feelings. Confusion, fear, envy.

“How weird!”, he thought to himself. It used to be so easy to just know.

“They carried you in yesterday and I was so worried… I’ve heard of apprentices who never came back from Harrowing. What was it like?” - Jowan asked.

“It was… harrowing.” - Sarikh answered absently, squeezing the sheets of the bed he was sitting on, wondering at the feel of the rough textures he never was able to feel before.

“And that’s it?” - Jowan asked and Sarikh could see the wrinkles on his forehead come together sculpting his face to look…. sad? Yes. That was the emotion Jowan was feeling. Sarikh smiled apologetically.

“You know I can’t tell you about it.”

“I do. I just wish I knew when they will call me for it already…” - there was frustration in his voice and fear in his mind. Not something Sarikh could fix. He knew Jowan was afraid of becoming a tranquil, as did most mages in this tower. Tranquil or dead - who knew which one was worse?

“Although Irving wanted to see you after you wake up.”- Jowan added after realizing Sarikh wasn’t gonna tell him anything else.

“I should… probably go see him then!” - they said, jumping off the bed and leaving sad Jowan behind. They felt bad for not knowing how to comfort their… new friend.

Sarikh didn't pout for too long and got distracted easily. He touched the cold metal gratings shaped in beautiful spirals and looked through the books in the library. Which he didn’t know had a smell! The knowledge could smell and it made Sarikh giggle. It also made people stare at him but he once again wasn’t sure why.

He looked into every open room and listened to every word. Maker, demons and blood magic - it was all a blur of useless words for Sarikh. The only thing he wanted to find was a window or a crack in the walls that would let him see what the real sun and sky look like.

Instead he found old men arguing. Ah, he knew them. The angry templar, the old Enchanter he was supposed to meet and the hmm… this one was new. Sarikh couldn’t remember him, which meant he was from outside the tower. Exciting! He was a human - clad in shining armor, dark in skin and hair, broad and tall. His eyes were almost black, but bright and determined under the scarce light of the heavy chambers. A knight perhaps?

“Gentlemen, please. Irving, someone is here to see you.” - The man from the outside interrupted and everyone turned to Sarikh. They might have stared at the knight a little too long because the templar, Greagoir, coughed to break the awkward silence so he could leave:

“Well Irving, you are obviously busy. We will discuss this later.”

Irving sighed, tired, but still gave Sarikh a warm smile inviting them to come into the office. Sarikh froze in silence, not knowing what to say. The First Enchanter bore many a memory in the mind of his late friend. Stern and appraising in ways that have made the old Sarikh miserable… He felt a prickle in his heart and had to blink a few times to back down the tears. Another thing he cannot fix.

“H-hello.” - Sarikh pressed out of himself.

“This is?..” - the knight asked. He studied Sarikh with as much interest as they had, maybe just a tinge more dignified in expressing it. Sarikh was an elf, much shorter than most, pale as paper, a poof of dark red hair and red eyes to match, a friendly smile resting on his lips.

“Yes, this is he.” - Irving confirmed, warm and proud. - “Congratulations are in order to our new brother in The Circle.”

“Thank you!” - Sarikh said a lot louder than they anticipated and turned their gaze to the knight to hide the anxiety. The knight only gave a polite smile in return but they could feel his interest spike.

“I see you are much curious about our guest. This is Duncan, of the Grey Wardens. ” - The First Enchanter said.

“A Grey Warden? In the tower?” - Sarikh… vaguely knew of them. In the Fade he has witnessed all kinds of legends and tales from the dreams and the spirits. He couldn’t always understand them but he knew that humans loved heroes and deeds that felt larger than life. And Wardens were one such a thing.

“Grey Wardens go wherever duty sends them.” - Duncan said and it felt like he meant it.

“You’ve heard of the war brewing to the south, I expect? Duncan is recruiting mages to join the king’s army at Ostagar.”

Sarikh’s eyes went wide with excitement, his hair poofed up.

“I want to defend our kingdom!” - he blurted out. That would get him out of the tower, wouldn’t it? Duncan let out a hearty laugh and Sarikh’s cheeks burned red.

“What an eager little fellow, you have here.” - Duncan teased.

“He was always very diligent.” - Irving confirmed more to himself than to anyone else. - “But you mustn't be so hasty Sarikh, you only just passed your Harrowing after all. Have at least a little levity before thinking of war.”

“Yeah-yeah… I will.” - Sarikh mumbled disappointed, looking at the floor. Irving, seemingly satisfied, waved at him to go.

“For now, enjoy your day, rest, and be so kind, show Duncan to the guest quarters… I have some things to discuss with Gregoir.”

“With pleasure!” - Sarikh said, again, way too excited.

—-

“So you wish to be a Warden?” - Duncan asked as they walked through the tower. Sarikh was marching him around every chamber, choosing the longest way to get around. One might think that they were doing this on purpose, but Duncan couldn’t help but notice how confused the young mage looked every time he would open a door and it would be a broom closet or someone else’s quarters entirely…

“I do!” - Sarikh turned to Duncan, his bright red eyes almost sparkling. They didn’t want to sound desperate but - “Would you take someone like me?”

“Someone like you?” - Duncan wondered. Sarikh let out a nervous breath.

“Well, from what I’ve heard about The Wardens…. You are strong and-and… heroic warriors that can take on a legion if you wanted to. And I’m just well… me.”

“A lot of people are just people at the end of the day, Sarikh. Strength doesn’t always come in abundance of muscle or magic power.”

“Oh.”

“Sometimes it’s about being persistent and very very stubborn.”

Duncan watched Sarikh open another door, look inside, blush and close it immediately.

“Well, I hope it doesn't also require a good sense of direction then.” - Sarikh said in a most pathetic tone.

“That’s why you bring the king of Ferelden with you.”

“What?”

“Hm.” - Duncan smiled at something distant in his thoughts.

“Are you going to have the king with you too?” - they asked, not sure if the man was joking or not.

“Hopefully, only for an inspirational speech. Do not worry, though, we have maps if the need arises.”

“Good, good.” - Sarikh nodded satisfied. They opened the last door in the hall and it was an empty and unlived bedroom. - “Ah! These must be the guest quarters.”

“And what if it is not?” - Duncan asked. What little confidence Sarikh had, immediately left them.

“Umm.. finders keepers?” - they said after thinking really hard for a minute. Duncan let out a laugh.

“Well. I can’t argue with that logic.”

[daz4i]

how and why is there discourse about whether or not certain queer identities exist/if people should be allowed(???) to use them. why is "people know their own identity better than you ever could, and they're the only one who get a say on what they are" such a tough concept to grasp

i think if you find yourself offended by the label someone uses (especially if they're a stranger) or think it invalidates your own, it's a good idea to look inside yourself and question why that may be. more often than not, it's a result of insecurity or uncertainty of your own identity (or many other things, but i won't make a whole list here). whatever reason it is, until you resolve it, you shouldn't take it out on people for having an identity you don't understand

many have said it before but it's worth saying over and over. infighting only helps our oppressors. conservatives don't care if you're a cis gay or a xenogender aegosexual aplatonic lesbian, they hate all of us either way. trying to fit in by going for people who are easier targets for them isn't gonna help you, it'll just alienate you from your own community, and you're never gonna please them. the momentary rush you get from hearing you're not like "one of /those/ gay people" is not worth it and is gonna do more harm in the long run, i assure you

also, it is important to me to say this, but having some less than nice kneejerk reaction caused by confusion about an identity you don't understand doesn't mean you're a bad person or anything. as long as you aren't mean to that person, and you take a second to think smth along the lines of "wait a minute, this isn't any of my business" after having said reaction, you're good 👍 a lot of reflexive reactions we have to things are ingrained into us simply by. well. living in a society 🤡 and you're not terrible for having those thoughts. it's your actions that matter, and your second thought (the "wait, why did i just think that?") is more defining of your actual character and morals than your reflex. i know that having thoughts like this, even tho they're unwanted, can very easily make one spiral, so it's important to me that whoever needs to hear this knows this doesn't make you a bad person 🙏 you're good, keep taking actions to be good, accept other people even if you don't understand them, and you're on the right track :)

[ectonurites]

almost 4am can't stop thinking about the meaning of the idiom 'to have blood on [someone's] hands'—to be responsible for a person's death—combined with the fact that Zach is the one we are specifically shown with Daryl's actual blood on his hands (once for real and once in a dream)... Not Josh who had been holding the sword Daryl fell onto, but Zach who took the sword out.

[bahoreal]

i want to make my stand for aro/arospec ted. i truly believe the creators and writers did not intend for this (possibly because they didnt know its a thing lol) but:

doesnt date for three years in richmond, is completely happy and satisfied with his platonic friendships and his fatherhood

sleeps with sassy multiple times before asking her out (needs some kind of connection to someone before he can think about a romantic entanglement)

wasnt actually offended or upset about sassy saying no, was more upset about her calling him a mess

canonically is not good at romance and michelle felt overwhelmed by him (doesnt know what people actually like in romance just goes overboard with romantic gestures. this isnt common to all aros but i know i get this lol)

i think we should think a little deeper about arospec ted who mistakes intense platonic feelings for romantic feelings

[freaky-flawless]

I find it interesting that people don't like that gen 3 Clawdeen has glasses, but not with Clawdia. Maybe it's cause Clawdia's glasses were cute but idk

I think there are a few factors. Whether or not they're valid is kinda up to you.

For one, Clawdia was a pretty irrelevant character so it was kinda easy to ignore, and people for sure made jokes about the logistics of her wearing glasses back in the day. She only got two dolls, only showed up in a single movie, and I think only one webisode, so it wasn't something really worth dwelling on. MH Gen 1 also had a lot of quirky humor that didn't make total sense, but was still funny nonetheless.

But Clawdeen is the "main character" this time around, and not only that but she actually transforms from a human form to a wolf form and vice versa, where the position of her actual ears changes (hence my comic poking fun at it) so it adds a lot more confusion to the logic behind it. The live action didn't help because they couldn't just rely on "cartoon logic" ya know?

And Mattel themselves have been pretty inconsistent with it. Especially compared to Ghoulia, the other glasses wearing character. Her glasses have actual lenses, and her doll comes wearing them, where all of Clawdeen's dolls have them off to the side as though they're accessories, and they're just the frames. Hell, some of her dolls don't come with glasses at all, which brings into question whether she actually needs them. Which wasn't helped by this:

[Image Description: A screenshot of Garrett Sander's Instagram post of him holding a character trading card from Monster High: The Movie. It reads "Clawdeen Wolf Monster Type: Half Were-wolf/Half Human Abilities: Hyper hearing, vision, and agility; Claws, fangs, and an attitude to slay Signature Style: Fierce Animal Print, Faux Fur; Crescent Moons.]

Like this outright states she has amazing vision, which naturally would make one think she does wear them as nothing more than an accessory. (Granted I think most agree the first movie was a mess, not to mention a separate canon. And I'm sure in hindsight this would be retconned)

Lastly I think it was just a result of change. I would say Clawdeen has had the biggest change out of any of the characters (well...aside from Lagoona maybe) and people often have a hard time with change, especially when it comes to a character they love (myself included) Her glasses are probably the least egregious of her changes, but maybe the easiest to kinda poke fun at.