#AWS career advancement

[shannonsketches]

Putting 'geets is a cat' in my own tags has me laughing so hard thinking about how Bulma 'My Dad is an Avid Animal Rescuer' Briefs could probably circumvent Geets getting in the way during his 'I'm quitting fighting forever' phases by giving him his own little tasks to do that mimic hers

look at this little business man

[gaytoddhoward]

they should invent a period that doesnt make me the most miserable person on earth

[benditozorrito]

The head of our Admin Team at work today: How are you doing today Cruz? Doing ok? Everyone seems kind of down today for some reason

Me and everyone else in the office they made come into work on December 26th:

[qwikskills]

SAP on AWS Certification: Advancing Your Career in Cloud Computing

A SAP on AWS certification can be a valuable asset if you are looking to advance your career in cloud computing. This certification validates your expertise in running and managing SAP applications on the AWS cloud platform.

The SAP on AWS Certification Program covers a wide range of topics including SAP HANA deployments, migrations and operations on AWS. You will also learn about AWS services such as Amazon S3, Amazon EC2, Amazon RDS, and best practices for running SAP workloads on AWS.

A SAP on AWS certification can not only improve your skills and knowledge, but can improve your job prospects and earning potential. According to recent research, certified professionals earn an average salary of over $100,000 annually.

Consider enrolling in a training course or using online resources such as AWS white papers and documentation to prepare for your SAP on AWS certification exam. Hands-on experience with SAP applications on the AWS platform is also essential.

Don't miss the opportunity to advance your cloud computing career with a SAP on AWS certification. Start preparing today and take the next step towards achieving your professional goals.

[skittlepopz]

… ramble in tags. dnrb as per usual. just venting :)

[bitchesgetriches]

Everything You Need to Know about How to Increase Your Income

Make more money at the job you have

One of the simplest ways to increase your income is to just make your current employer pay you more. But while it may be simple, it ain’t always easy.

Santa Isn’t Coming and Neither Is Your Promotion: How To Get Promoted

How I Chessmastered Myself Into a Promotion at Work

The First Time I Asked for a Raise

You Need To Ask for a Fucking Raise

Ask the Bitches: “Can I Quit With Unvested Funds? Or Am I Walking Away From Too Much Money?” 

The Ultimate Guide to Growing Your Salary

Make more money at your next job

All that said, you’re statistically more likely to increase your income faster by job hopping! So if your current employer doesn’t want to pay you more, leave that sinking ship behind in pursuit of a higher salary.

Job Hopping vs. Career Loyalty by the Numbers

The Fascinating Results of Our Job Hopping vs. Career Loyalty Poll

How NOT to Determine Your Salary

When It Comes to Salary Negotiations, Are You Asking for Enough?

What To Do When You’re Asked About Your Salary Requirements in a Job Interview

If Your Employer Refuses To Negotiate Salary, Try These 11 Creative Counteroffers

Season 4, Episode 9: “I’m on the Wrong Career Path. How Do I Convince a New Industry To Take a Chance on Me?” 

Invest your way to more money

Of course there are some who say the true path to wealth is passive income: when you stop working for your money and instead let your money work for you. And they’re not wrong! Here’s how we recommend you increase your income passively.

When Money in the Bank Is a Bad Thing: Understanding Inflation and Depreciation

Investing Deathmatch: Investing in the Stock Market vs. Just… Not 

What’s the REAL Rate of Return on the Stock Market?

Dafuq Is a Retirement Plan and Why Do You Need One? 

Procrastinating on Opening a Retirement Account? Here’s 3 Ways That’ll Fuck You Over.

Season 4, Episode 1: “Index Funds Include Unethical Companies. Can I Still Invest in Them, or Does That Make Me a Monster?” 

Small Business Investing: A Kinder, Gentler Alternative to the Stock Market 

The Dark Magic of Financial Horcruxes: How and Why to Diversify Your Assets 

Make more money through side hustles

When it comes to side hustles, we have traditionally advocated caution. The last thing you want to do is burn out in pursuit of a second income stream. But with enough wits and fortitude, a side hustle could help you increase your income by leaps and bounds.

Romanticizing the Side Hustle: When 1 Job Isn’t Enough

Season 2, Episode 9: “I Use My Free Time to Volunteer. Should I Focus on Making Money Instead?”

Stop Undervaluing Your Freelance Work, You Darling Fool

Freelancer, Protect Thyself… With a Fair Contract 

Season 4, Episode 10: “I’m a Freelance Artist. How Do I Price My Work Fairly Without Losing Clients?”

Ask the Bitches: My Boss Won’t Give Me a Contract and I’m Freaking Out 

“Independent Contractor” My Ass: How to Stop Wage Theft Through Worker Misclassification 

Becoming a Millennial Entrepreneur (In the Midst of a Pandemic) With Katelyn Magnuson 

11 Awful Mistakes I Made as a Self-employed Freelancer, and How You Can Avoid Them

The Magic of Unclaimed Property: How I Made $1,900 in 10 Minutes by Being a Disorganized Mess

I Am a Craigslist Samurai and so Can You: How to Sell Used Stuff Online

What to do when you make more money

Once you increase your income, you might find yourself… not quite bored, but finding you have a little more bandwidth to handle the stuff that matters. It can be a jarring transition! Here are our thoughts on the matter.

Season 3, Episode 7: “I’m Finished With the Basic Shit. What Are the Advanced Financial Steps That Only Rich People Know?” 

Season 3, Episode 4: “The More Money I Save, the More I’m Scared To Lose It. Can I Break the Cycle of Financial Anxiety?” 

How to Avoid Lifestyle Inflation … and When to Embrace It

Ask the Bitches: I Know How to Struggle and Fight, but I Don’t Know How to Succeed

Update: I Know How to Struggle and Fight, but I Don’t Know How to Succeed 

The FIRE Movement, Explained 

I Was Happy to Marry a Poor Man. Then Things Changed.

I Have Become the Rich Relative I Always Wanted 

Believing in Miracles: A Conversation with Chris Dane Owens on Money, Creativity, and Self-Funding Art 

I Now Make More Money Than My Husband, and It’s Great for Our Marriage 

Season 2, Episode 1: “I’m Financially Stable, but My Friends Aren’t. The Guilt Is Crushing!”

The Resignation Checklist: 25 Sneaky Ways To Bleed Your Employer Dry Before Quitting

Advocate for systemic change

We don’t endorse an attitude of “I got mine.” So once you increase your income, there are lots of ways to use your newfound financial breathing room for good! Lift as you climb, my friend. Here are a few ways to do so:

Wallet Activism: Using Your Money for Good with Author Tanja Hester 

Woke at Work: How to Inject Your Values into Your Boring, Lame-Ass Job 

Raising the Minimum Wage Would Make All Our Lives Better

Post a Salary Range in the Job Description, You Fucking Cowards

1 Easy Way All Allies Can Help Close the Gender and Racial Pay Gap

The Truth About Unions: What Has Organized Labor Done for You? 

How To Support a Labor Strike with 3 Simple Steps

Everything in moderation

One last thing, my lambs: don’t crush your spirit while chasing the goal of a higher income. Working hard is hard work. If you find these tactics are leaving you exhausted and demoralized, you might be on the road to burnout. And that road leads nowhere good!

That’s why we just released our glorious new Burnout Workshop. Click the button below to take a peek!

Get the Burnout Workshop Here!

[starkeyisthelastname]

you need to write a smut where you see the video of mackayla on her insta account where drew is holding his niece, that makes you watch in awe and you see that he would be a good dad. breeding kink and stuff

(Reader is childhood best friend’s with Drew turned lover. 🥰)

As soon as you watched the video of your handsome man holding his niece it made your heart warm all over again. You had always felt a bit awkward with children, afraid of being a bad mother. Seeing Drew with the baby girl though, acting so natural with her, had you considering starting that chapter of your life with him.

You hadn’t been able to keep your hand’s off of Drew from the minute he walked in the house. You told him you were ready to have a baby, watching as his blue eyes lit up. The two of you weren’t married, but had been together since the end of high school and known each other for years prior. Your relationship was private, the fans not knowing much as he kept you out of the public eye. You knew having a baby was a huge deal for the two of you, especially the further Drew’s career advanced. It was a risk you were willing to take, wanting nothing more than to create a life with the man you loved. Mackayla had your baby fever rising high and there was no stopping it.

He was deep. Your knees touching your chest as his thick length stretched you out. He looked so good, hair freshly cut from filming the fourth season of OBX. You couldn’t help but moan loud, the position a new kind of deep as he talked you through it.

“So fucking beautiful, sweetheart.” Drew groaned, watching you take his cock like a good girl. “Doing so good. You want that baby, don’t you?” He asked, your nod slow as you whimpered from the further stretch.

Drew wasn’t small by any means, his dick penetrating you deep as he knew what the both of you wanted. His breathy groans made you soak around him more, wanting nothing else than for him to fill you up for the first time. “Need it.. so bad.” You cried, curling your toes.

The two of you were riled up, skin slapping hard against one another as he pounded you into oblivion. Your moans echoing off the wall as your orgasm washed over you.

“I’m about to fill this pussy up sweetheart. You ready? Gonna be such a sexy mama all round with my baby.” He grunted, mouth apart as he slowed his thrusts down to hit your cervix.

“Drew!” You yelled, sitting up on your elbows just in time to feel his hot seed paint your walls. For it being the first time, it was a feeling that you never wanted to end. Keeping him close, as he made sure to not let any drop go to waist.

It wasn’t but five weeks later when you shot straight out of bed, rushing to the toilet to throw up. The single word reading pregnant as you took a test that very same day.

[cy-lindric]

bonjour cy-lindric, j'ai une petite question. when I was a young person, I read The Three Musketeers and then eagerly started to read Twenty Years After and was so upset at what had happened to my beloved young heroes that I put the book down and never picked it up. what do you think, should I try again?

Bonjour !

After reading The Three Musketeers, I also wasn't sure I wanted to read Twenty Years After, and I took a break inbetween both to read something entirely different (The Locked Tomb, iirc). I think my reason for that was kind of the opposite of yours ; I enjoyed T3M a lot and loved the characters, flaws and all, but by the end they had somewhat crossed over the line into being Too Awful and the lack of retribution left me a bit frustrated. I didn't see it as a failing of the story - on the contrary, their strong character flaws and downfall in the conflict with Milady is one of the most emotionally intense and compelling parts imo - but I wasn't sure I felt like hanging out with these guys for a few hundred more pages at that point.

If your vision of the characters as a young reader was a very positive and perhaps idealized one, I can imagine why you might not have enjoyed entering into Twenty Years after. The illusion of glory has worn off ; the characters have separated, they live unremarkable lives, and their personalities have evolved drastically with the passing of time. It's almost a brutal return to reality.

For me though, it added layers of characterization to the point where now it's clear to me that this version of the Inseparables is by far the one I prefer.

I hope it's ok if I take the opportunity to talk at length about what I like about TYA below the cut. TL;DR : I love that Twenty Years After is a more realistic look at the big four's personalities and how they evolved while still keeping them thematically coherent, and that TYA makes them confront the reckless and cruel shit they did in their youth.

Spoilers ahead obviously.

We've often talked about how T3M is at its core a story about the end of knighthood. It's a tongue-in-cheek approach at chivalrous initiation, set at edge of the modern world, inbetween the time of ballads about knights in armor and that of adventures about journeying gunmen and soldiers. I think TYA embodies that particularly ; the story of people who have carried the last of these intense, dangerous chivalric ideals in their youths, and who have now grown into middle aged adults who need to find their place in the world.

For a good chunk of the book, the big four are separated into two teams ; that in of itself might discourage some, but imo it's genius. Instead of the natural two-by-pairings, Dumas goes for a d'Artagnan+ Porthos and Athos + Aramis split on opposite sides, which makes for good drama and develops lesser explored dynamics. D'Artagnan and Porthos form a scrappy team of opportunists with money on their minds, and Athos and Aramis a more idealistic duo fighting for a noble lost cause. I think it's a bold choice but also premium sequel writing.

I also love the way the young and wild characters we knew evolve into middle aged men ; at their core, they're still the same, but they've all changed and struggled against the sunset of the golden age in their own ways.

D'Artagnan, after knowing such adventures and subsequent rapid social ascension in his teenage years, has been met in his adult life with the harsh reality that he is, in fact, not a noble knight but a soldier on payroll. His modest origins give him little hope for any further career advancement, and he takes on a new mission in his early 40s for a man he has no devotion for and a cause he doesn't care about, simply because he is bored and broke. D'Artagnan still has his quick wits, his strategic talent, his fencing skills, but he has grown out of the excesses of pride of his teenage years. I loved meeting him again in TYA, and it made so much sense to me that his bouts of anger and aggressivity would be a youthful trait that he'd ended up taming. He also realizes now a lot of what seemed like funny adventures and necessary violence was actually kind of fucked up ; that was a shock to me, as their shenanigans are treated so lightly in T3M, and tbh it healed me a little. Grown up d'Artagnan is cunning, calculating, down to earth and realistic. My foxy little man. I love him.

Porthos, likewise, has been struck by the weight of reality. He has made the sensible choice and got married to the rich widow who sugar mommied him in the first book. Now she's passed, he is rich, but he still fails to earn the respect of the high society he evolves in because he's not high born enough. Like d'Artagnan, he's stagnating and bored and now that he goes back adventuring it has nothing to do with the queen or the kingdom or honour ; it's about getting his damn nobility title.

Athos, on the other hand, is the eternal knight : the only truly high born of the four, and still hopelessly holding on to a time gone by. It's no surprise imo that his storyline brings him into the english civil war, doomed to fail at saving a king who'll end up executed right in front of him. TYA acknowledges more clearly than ever that at 28 yo, Athos was a depressed alcoholic, and an embodiment of what an excess of aristocratic righteousness can do. In TYA, he is sober and moisturized and a DILF, and now he's running around frantically looking for absolution for his numerous crimes. It's delicious.

Aramis is maybe the hardest pill to swallow. TYA confirms the T3M hints that he isn't really the prim and proper romantic boy he acts like he is, and that he's possibly the most hypocritical and ruthless of the four. It might be a harsh one for Aramis fans who like him better as a cute bean, but I love the early onset of remorseless conniving bloodthirsty ambitious Aramis. Another harsh bit might be the evolution of Aramis and d'Artagnan not really liking each other ; they were always the least close combination, and imo it makes sense that their personalities would clash. I think it's clever and compelling conflict.

Now, obviously, if you've cared enough to read all this and if you know me a little, you know that a huge highlight of the book for me was its late-appearing antagonist, Mordaunt. Mordaunt is the son Milady had with her english husband. Because of the Musketeers' intervention, he's grown up in poverty and has been denied his father's inheritance. He's now a Roundhead working for Cromwell, and set on avenging his mother at all costs. Mordaunt, unlike his mother who was this beautiful and dangerous force of nature, is very uncool and pathetic. She was the primordial snake, he's the gutter rat. Obviously, I love that in and of itself, but it's also kind of striking image of the wretchedness of what they've done to her, a fucked up little goblin ghost come back to haunt them as they're trying to make their life worth living again. This time, their enemy is not a cunning political rival with a flamboyance of body and mind akin to their own ; it's a shitty little guy with bad skin who wants to kill the king and punish the murderers. Watch out babes, it's the modern world coming for you.

Of course, they're the Four Musketeers, and they did what they had to do, so they get together again and swear friendship and keep going their way. But they're also old guys with difficult personalities in a world that's never going to be the same. I think it's a cool book.

[dduane]

Salutations and good wishes to you. I am an Indie Author seeking to go Pro. Some good advice and guidance might help minimise the mountain of my anxiety about doing this. I know you got your start with fanfiction, but did you find a publisher/agent through that door? [lots sneer at these days. Still] How many rejections did you suffer before you found your place in the literary world? Thanks for your time and sorry for bothering you <3

Hi there! And don't sweat it: this is no bother.

I have to apologize in advance, because my own career arc isn't likely to serve as much of a good example. In terms of how I got into this business, I'm a serious outlier.

Quickest and easiest to discuss: my agent and I got together after my first book was already bought and published. (Which back in the day was seen as a good enough way to go forward, and then still entirely possible.) He was recommended to me by one of my editors, as—like me—he was just getting started in the business: a likely-looking newcomer then scouting new talent. We met up and chatted, and it seemed to both of us that we'd be a good fit for each other. After forty-odd years of working together, we still are.

About the fanfic: (Adding a cut here so as not to carpet people's dashes with wall-to-wall text...)

What writing all that fic did for me—from about age sixteen onwards—was give me a whole lot of practice in getting the initial garbage associated with a story written and out of the way. Best to admit it here: we all have plenty of crap writing in us. And yeah, even long-term professional writers do. Whether you're at the beginning of your career or right in the middle of it, this is what "zero drafts" are for. You tell yourself the story, first time out... and routinely at this stage a lot of what proves to be unusable stuff emerges, and can be discarded in rewrite. (Of course crap writing can also emerge without warning in the later stages of a project, but there are many reasons for that, all beyond the scope of this discussion.) And you learn even more from reworking the material after you've gotten rid of the dross.

During the period when I was executing what might have been, oh, half a million words of fanfic—Trek originally, and then LoTR—and while reading a whole lot of everything, as I'd been doing since I was first allowed to go raid the town library by myself at age eight—I learned a fair amount about writing without realizing it. Some of it was simply about writing inside a set of rules. (Which I hadn't been doing previously: between eight and sixteen I was writing original fiction, mostly fairy tales.) Naturally in fanfic you have to obey the laws of whatever universe you're working in... or even if you wind up flouting them consciously, you do have to be conscious of them. But this work also led me to something that I hadn't really spent a lot of time thinking about: the concept that fiction writing as a whole had rules. I realized I'd better find out what those were.

The best stuff I found out during this period was what I picked up by direct example from other writers, whom I'd immediately start imitating and then sort of leave by the wayside when I found others I liked better; at which point I'd start imitating them. (This being a great way to learn and hone new skills, and to start getting a sense of what a writer's "voice" is and can come to mean. I think every writer does this, to some extent: because it's really, really tough to learn how to write without reading. And the more extensively the better.)

I have to emphasize here, BTW, that the fanfic that came out of me as I started slogging up this learning curve was all almost uniformly terrible. All of it, mercifully, along with my earliest original fiction, is gone now: long since burnt, shredded, composted under many layers of time. Trust me, it's just as well. Gah was it awful! Nobody else ever saw the stuff, for which I thank great Thoth every time I think about it. ...What's interesting, too, in its way, was that I didn't even know that what I was doing was fan fiction. I had as yet no contact with any kind of organized fandom, and it would be a long time yet before "online" was invented. I was working in utter isolation, unaware that anybody else might have been doing the same thing. (And it's difficult to describe the sense of astonishment and joy that hit me the first time I went to an SF convention, saw fanzines for the first time, and found out that I was not alone. All unsuspecting, I'd stumbled onto one of my tribes.)

But somewhere along the line, as the years went by—as I finished high school and went to college, and then from there to nursing school, and graduated and started working as a psychiatric nurse, and kept on writing—at some point, as I started writing original fiction again, as well as fanfic, the quality of the output began to improve. The combination of constant practice and voracious reading of better writers outside my chosen genre was slowly having an effect. Trusted friends who saw this later material started saying, "This isn't bad, you should try to get it published!" But since none of these folks were writers, I didn't pay too much attention to their opinions.

I did pay attention, though, when my good friend and mentor David Gerrold said something similar on reading my first novel in 1976. And when that was bought by the first publisher who read it, I had to admit he might have had something there.

This too, though, is unfortunately also a way I'm an outlier: I haven't had a lot of rejection. (Even in my TV work, where rejection is pretty much the rule rather than the exception.) Speaking very generally, just about anyone I've pitched something to in the prose market has bought it—or if they didn't like the idea I came in with, they've immediately said "But would you like to do this instead?" And often enough, what they've offered or suggested has been something that sounded like fun. That's how I wound up doing the Star Trek: Rihannsu books, for example: they were "instead of" a Romulan dictionary. Paramount essentially ringfenced an entire AU-area of Trek and gave it to me to play in, which struck me at the time as amazing. And continues to do so.

Now all this may make me sound almost unfairly lucky. But things do tend, slowly or quickly, to balance out. Over time the universe has made up for its relative kindness at the rejection end of things by making sure I knew plenty about the non-rejection forms of writer-career pain: projects from which I was not rejected but which went terribly wrong (wheels come off a huge deal just before signing, promised actors or directors fail to materialize...), projects where I did the work but didn’t get paid, or where I was brought on board and then got fired/ghosted unreasonably or for no reason at all, or sometimes (mortifyingly) for quite good reason. And let's not forget how, as what could seem a very pointed shot across my bow when my career-vessel was just pulling out of port, half the print run of that very-much-buzzed-about debut novel wound up being pulped in the warehouse because another, far better-established writer's new book needed the pallet space that mine had been taking up. (insert rueful smile here) Believe me, entropy is running, and will catch up with you one way or another. So make yourself as ready for it as you can.

I don't mean to increase your anxiety. Yet that said: you're preparing to enter a business in which, for a freelancer, at least some level of anxiety is more or less part of the basic ground of being. You are going to have to develop ways of dealing with the everyday forms of that to keep it from routinely derailing your work.

I find it helps a little if you can come to consider this as a modern form of Going On An Adventure. Good things will happen; bad things will happen; and all of these will be in service of building your career. Think of yourself as being on a quest.

Your job now becomes the business of suiting up with the best equipment and advice you can find (ideally not from outliers like me). The web is full of useful pages on subjects such as how to query and how to find an agent.

Here are links to some.

Compare these resources one against another to see how their different kinds of advice seem to stack up, and which ones are the most congenial for you.

Then use this data to start drawing your personal roadmap across the terrain. Get as clear as you can in your own mind about what you're trying to get out of being in this business: what kind of writing you want to do and what results you want to produce. Then set out, redrawing your road map as necessary as you keep moving forward through the new terrain.

And I wish you good fortune on the journey! (Because luck, as you can see from the above, can definitely be part of this... but fortune favors the prepared.)

Meanwhile, get out there and have a blast. :)

[eretzyisrael]

Every week we are reading about professions that are pushing out Zionist Jews from their fields.

In the field of international law:

...The professor saw a trend among the topics Israeli and Jewish colleagues were pushed to pursue. Those who continued their academic work in international law either wrote about Palestinians as victims or Israel’s violations of humanitarian international law. “Israelis would either write about IP law or business law, or about how Israel is being awful, violating human rights and all of that.”

This stood out because the professor noticed their colleagues from Latin America and China weren’t expected to work on topics that criticize their home countries as a condition for receiving faculty support. Yet when it came to Israelis, it was “clear to us this is what we need to deliver on.”

In the professor’s discussions with the senior faculty, especially the progressive liberal Jewish faculty, it came through clearly that support for Israeli students was conditioned on being the right type of Israeli, “and there were fellowships and scholarships and grants available to students who are willing to do that. In Hebrew we say that a person knows which side of the bread is buttered, right? So it’s pretty clear what pays off is to distance yourself from a mainstream Israeli kind of discourse.”

Understanding who holds the power and influences decisions is important in any profession, the law included. “You need to have the support and the mentors to advance in your career,” the professor explained, “and for that, you look for cues on what should I do, how do I make these people like me. Why would you bother, why would you take the risk of saying something that is controversial or put yourself in the position of protecting Israel or speaking on behalf of Israel when there is only a price to pay for that?”

“For example, there is an institute that gives out scholarships to doctoral students who are writing dissertations about Israel. I was advised not to take their money because then it’s going to be on my CV and people will interpret that as if I don’t have the right kind of politics. So even when there are economic incentives to write different kinds of scholarship,” under the current academic incentives, the professor concludes, scholarships and point-interventions will not work “because it’s more about selection and authority and networks and connections and less about economic incentives.”

Mental health professionals:

The anti-Zionist blacklist is the most extreme example of an anti-Israel wave that has swept the mental health field since the Oct. 7 Hamas terror attacks and the resulting war in Gaza, which has seen the deaths of thousands of Palestinian civilians. More than a dozen Jewish therapists from across the country who spoke to Jewish Insider described a profession ostensibly rooted in compassion, understanding and sensitivity that has too often dropped those values when it comes to Jewish and Israeli providers and clients.

At best, these therapists say their field has been willing to turn a blind eye to the antisemitism that they think is too rampant to avoid. At worst, they worry the mental health profession is becoming inhospitable to Jewish practitioners whose support for Israel puts them outside the prevailing progressive views on the Israeli-Palestinian conflict.

Authors:

Over the past several months, a litmus test has emerged across wide swaths of the literary world effectively excluding Jews from full participation unless they denounce Israel. This phenomenon has been unfolding in progressive spaces (academia, politics, cultural organizations) for quite some time. That it has now hit the rarefied, highbrow realm of publishing — where Jewish Americans have made enormous contributions and the vitality of which depends on intellectual pluralism and free expression — is particularly alarming.

It feels like history is repeating itself.

Jews founded the Jews' Hospital in New York in 1855, now known as Mount Sinai Hospital, partially as a response to the need for a place that Jews could be treated without feeling like outsiders, as every other hospital at the time was aligned with various Christian groups. It followed the founding in 1850 of the Jewish Hospital in Cincinnati. When Mount Moriah Hospital Mount Moriah Hospital opened in New York in 1908, the Forward reported that Jews "can open the door and enter as if to your own home without a racing heart and without fear."

Brandeis University was founded in 1948 "at a time when Jews and other ethnic and racial minorities, and women, faced discrimination in higher education."

Jews who were facing discrimination formed professional associations and schools in the late 19th and early 20th centuries, for physicians, scientists, and trades, like the Hebrew Technical Institute in New York and the Kehillah which attempted to be an umbrella of professional and educational associations in New York (and that the antisemite Henry Ford railed against.)

It appears that it is time for Jews in the professions where they are being blacklisted must start to form Jewish professional organizations, educational networks and institutions anew, where Jews can network and publish as they want without having to please the "progressive" crowds.

But the arc of history is going backwards, and this is only a Band-Aid. The problem is with America and the world itself, and Jews cannot solve this problem alone - the dangers of the progressive bigots are a threat to the free world and that needs to be addressed at the macro level.

[angry-tarot]

a message from your pain

talking about suffering is hard, but ultimately necessary. welcome to this pac, I am here to shed light on your wounds in ways that are helpful. by the way, sorry if the artwork is triggering, I tried to find the perfect ones that really encapsulate what deep pain and despair feel like, but the messages might be more soothing than the pics lol.

welcome to your reading ! just wanted to say thanks in advance for stopping by 🫡

Pile one 🖤

You're putting your sword down. Confrontation is a no no for you, isn't it? You rather die than pick up a fight again. You swallow your words, your boundaries are non existent, you're constantly on edge and anxious. Hear me out, pile one. When you're putting your sword down, you're not actually putting it down. You're shoving it right in your own stomach. I'm not telling you to become angry and start fighting everyone around you. But if you keep quiet, taking it all in, you're going to become sick. You want to keep the peace, but not your peace. You want to keep yourself small, not bothersome, for these people's comfort. If talking to the people around you is so conflict inducing, why bother having these people around at all? If your boundaries aren't heard or even allowed to be set, why bother having these people around you AT ALL? If you must live with them, consider moving somewhere more peaceful, like a family member. Take action if your words aren't welcomed. Leave. Remove yourself. Stop taking in poison, because the longer you do, the longer the healing will take. You're already feeling awful. Your suffering exist because you feel obligated to be around people who hurt you and demand you to be silent. Set yourself free. And don't try to talk to them about it. You will have to unpack all of this on your own, or with other people who will understand and hear you. Process everything you buried deep within you by journaling, speaking out loud, punching a pillow. Just let it all out. Short them you will have to slowly heal from all this crystalized, internalized abuse. Long term, recognize this pattern: whenever you feel the need to be quiet to not bother someone else, leave, and never go back to the people who did this to you.

Pile two 🖤

Oh, your pile actually resonates with the pic you chosen. I see an artist, a creative or someone who does something out of the norm. You could even be a witch, like me. The thing is, you have internalized a lot of criticism, and no longer feel as passionate as you did before. You want to create and be who you were before, but you lost your drive and motivation. It seems a lot of conflict used to exist or still exists because of your hobby, career or spirituality, and you felt like it lost the point. You could've tried to prove something to these people, you could've tried to argue, and nothing worked. Even your own progress wasn't matching to your expectations. So what if they were right? Your spark died, but now that you have worked so hard, it's hard to let go. It became your personality, it used to be your comfort, but now there's only a shadow of what it used to be. I'm not going to tell you whether you keep going or not, this is your decision. But you can regain the spark if you want to. But try to protect it better this time, whatever it is that you do. Hide it, if it is possible. Avoid taking about it to people who are committed to misunderstanding you. And go backwards. Reconnect with it, by understanding what made you so fascinated and entranced by it in the beginning. Maybe, that vision is no longer appealing, and if so, create another one. Restart from scratch, but have a vision, just like you did in the beginning. Say to yourself you are committed to falling in love again with your craft, if that's what you choose. If not, it's always ok to let it go. You can always find another something to be passionate about.

Pile three 🖤

Someone taught you that money was the only thing in life. That it defined your worth and value as a person. That nothing else was as important. That your safety was defined by the amount of money you had, from a young age or a very vulnerable period in your life. So your mind attached to the idea that if you didn't had money, you were in mortal danger, you were worthless and a nobody. Your relationship with money, regardless of how much you have or not, is distorted. You could be stable and still feel like it's not enough, or you could be just starting in adulthood and feeling very scared of the future. Money is important, yes. But it's exactly this fear, this pressure, this feeling like your life depends on it, it's paralyzing you, it's traumatizing and deeply agonizing. What will help you is basically lots of cbt. Ever heard of catastrophizing? Cognitive distortions? These could be playing a large role on your mindset and consequently, the amount of money you're able to make. These tools of cbt can help you relax and see things a bit more rationally. Since it's personal to each of you, I cannot fix your fears, but I can give you some of my tools for you to fix them yourself.

[tyrantisterror]

Your recent train of posts about you-know-who’s book series got me thinking. You once said “The Owl House works as a sort of rebuttal to Harry Potter in a lot of ways”, care to elaborate on that statement? Especially in regards to how The Owl House’s worldbuilding and themes clash with Harry Potter’s?

Oh man... I don't want my blog to be consumed by Harry Potter Hot Takes. I'd prefer to vent most of those feelings through my wizard books instead, it's more productive that way.

So, ok, short version: The Owl House is about a teenager from the mundane world discovering there's a magical world hidden away, goes there to learn magic, and in the process uncovers a plot by an abominable fascist to commit genocide. In very simplistic terms, that is more or less the same plot as Harry Potter.

But the devil's in the details, isn't it? Luz doesn't have any grand inheritance to claim, no prophecy to fulfill, nothing that makes her the most special specialest special person of all time. There's even a whole episode early on where a villain tries to lure her to her doom by claiming she's the chosen one, and the lesson is that NO ONE is "chosen" for greatness - greatness is something you make yourself, not something that's thrust upon you. She is not inherently gifted as a witch - in fact, she struggles harder because she doesn't have a a special bladder true witches are born with, and has to learn an ancient and forgotten method of spellcasting basically from scratch to cast spells at all. She is, emphatically and at times definitely deliberately, the opposite of what Harry Potter is.

So is her academic experience. There's a magic school in this setting, and (at first) it wants nothing to do with Luz because she's human, not a witch, and thus is believed to be incapable of casting spells. So Luz's primary mode of education on magic comes from a private mentor, Eda, who is also a wanted criminal and social outcast because of her disdain for the draconian rules of their society. Eda is an unconventional but magnificent mentor, one who is as willing to try new things and learn new methods as Luz herself, and who helps Luz discover ways to make possible what everyone else claims is impossible. Eventually Luz does convince the magic school to take her in, but in the process she changes how it runs, challenging a lot of its preconceived notions and forcing them to do better.

Which is vital, because the biggest problem facing the society of this magical world is narrow-minded reliance on outdated social categorization. Like HP, people are sorted into categories (covens here instead of houses), which they are then forced to stick to and never dabble in the others. It is explicitly compared to both the concept of tracking in real world education (i.e. forcing kids into a career path early and ONLY giving them education relevant to that one career) and the house system of HP:

And it's wrong. It's both presented as needlessly limiting, terrible for encouraging advancement and growth of both the students and society as a whole, and an immoral system that's only kept alive by the "Well, this is how we've always done it" inertia that keeps so many awful traditions in education alive. And I really do mean it's immoral, because it's the brain child and secretly crucial evil tool of a genocidal fascist.

I kind of cringe at writing those two words since I feel people have been WAY too quick to accuse cartoon villains from children's shows of fascism and genocide - like, Chairface Chippendale writing his name on the moon with a laser would probably kill a shitload of people in real life, but that doesn't mean he's an analogue to Hitler. But Belos, like fellow Disney villain Frollo, is clearly intended to be exactly that: a genocidal fascist. In a world full of magic-fueled absurdist black comedy beats, Emperor Belos stands out as a consistently serious threat, tonally dissonant with his surroundings in a way that makes him chillingly effective as a villain. And like real world powerful bigots, his power primarily comes from the fact that the systems of society favor his mindset over those of outsides like Luz and Eda - all the systems of oppression our heroes chafe against were either created by or worsened by him, with the express purpose of using them to kill everyone and everything in the magical world.

Luz could not be more thematically opposed to her enemy, and the story is incredibly consistent in showing how defeating Belos alone isn't enough, but that the systems that empowered him have to be disproven and dismantled. His enablers must be destroyed or humbled, the prejudices he encouraged must be torn down and fought at every turn, and innovation and progress must be embraced for the good of all. There's so much stuff you could analyze about the themes in that show regarding oppression and the othering of people who are different, and it's all so, SO much more consistent than the discussion of the same themes you'll find in Harry Potter.

[qwikskills]

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[matan4il]

Buddie 617 meta

I’m gonna be honest here, this was one of the funniest 911 eps to me. I loved how this ep showed us both Buck and Eddie completely sucking at dating. It was very obvious in Buck’s case, what with each attempt to have quality time with Natalia being ruined by one of his past decisions, but then when he called out Eddie for also sucking at it, Buck wasn’t wrong. Eddie’s attempts seem half-hearted at best. First off, if he really wanted to date, then Tia Pepa’s help and dating apps are actually not that awful as options. Magic might happen there as well. The right person could even stand out more against a sea of not so great choices, turning the dreary experience into a colorful, magical one. But even when Eddie tries on his own, his attempts are LAME. Seriously, there are pastime activities that offer way more potential to start a conversation, and maybe a romance, than the ones Eddie chose. Not only that, these are not his actual hobbies, where he knows he’ll find someone who likes the same thing he does (the way he shares so much with one tall firefighter that we’re all thinking of right now. Eddie’s also being dumb about wanting it to “just happen” as if that’s not exactly what he got with buck. Also, just a friendly reminder that Buddie have been dating for almost 5 years, and they are GREAT at it when it’s with each other).

On top of that, we for real got a guy checking Eddie out (hi, hello, should I start a collection of him checking and being checked out by guys?) as well as him witnessing a woman he was looking at being embraced by another one. Why the hints at being surrounded by queer people? Your guess is as good as mine, but I’m here for it no matter what. ;D Now, I’ve talked before about the ongoing theme of Buddie’s dating life being intertwined in terms of when they start dating someone, or of why they break up, but now in addition to them dating at the same time, we also see them simultaneously sucking at it? Yeah, that takes the connectedness of their dating life up a notch. ~~

Which brings me to one line that grabbed my attention in this ep. THE line that offers the explicit resolution for the most important romantic plot here is the one from Gina, the insurance lady, to Chimney, about not regretting the attempt. Yes, even when the result is bad. That’s what Madney will embrace. One of the biggest obstacles to Buck and Eddie, besides their obliviousness, is the fear of ruining the good thing they have by attempting to take it to the next level. But here we have Chimney being reminded by Gina that it’s worth it, to try. Because the good thing you can have, if it works out? Is worth it. And you never have to live with the “what if” of it all. Now look at Buck and Eddie being once more adorable morons together on the job! Imagine the moment when they stop running around and let themselves try taking it to the next level, because they realize no matter what the result will be, they would never regret the attempt. ~~

Speaking of Buddie paralleling one of the canon couples on the show who were acting lovey dovey in this ep, the way Bobby described what made him and Athena happen reminded me of Buddie connecting. In both cases, there’s an intense and upsetting call, after which one of our first responders turns to find support (Buddie promising to have each other’s back) and comfort (Eddie wants to go grab something to eat together) in the other one. ~~

I did not miss Taylor Kelly, and true to form, she was back because she’s advancing her career by exploiting her personal connection to Buck and the exposure to the 118 it provided her. I’m pretty sure this basically buries any option of any showrunner ever trying to re-set these two as a romance, since it echoed and reinforced Buck’s decision to break up with her. It WAS funny to see her and Lucy cockblock Buck (I do think Lucy’s tone with which she spoke of their past also closes the door on anyone ever trying to set her and Buck up as a serious couple), but what I found to be funniest is that Buck tells Natalia he was trying to figure out the perfect place for their date, and then he took her to the bar where he kissed Lucy. A bar reminiscent of the one where he hooked up with Taylor. Possibly a spot where he hooked with other women during his Buck 1.0 stage based on how it’s THE hang out place for the 118 and we know Buck had no issues hooking up anywhere back then. Natalia, hon. This is not a good sign for your r/s with him. ~~

Speaking of which, there’s an ex who didn’t come back in this ep, but her spirit loomed large over Buck and Natalia IMO, and that is Ali. The reason why she and Buck broke up after 218 is because at the end of the day, she couldn’t accept the choices he had made in his professional life (hoping he would move on from firefighting). In the same way, Natalia revealed in this ep that she can’t accept Buck’s choices in his personal life. A small reminder the only partner we’ve ever witnessed truly seeing and accepting Buck, in every aspect of his life, has been Eddie. ~~

Another funny thing about this (911 is a comedy, y’all) is how Natalia flees the second she comes across Kameron. I mean, this is in addition to the hilarity of the death doula’s first name connecting her to birth and to all things natal, yet she flees the second that she sees a pregnant lady. Because if this is Natalia’s reaction when it comes to a bio kid that Buck explicitly said he is not going to raise, what would she do once she realizes he co-parents a fully grown kid? (and a very sassy one, too. LBR, Natalia doesn’t stand a chance in a show down with either Diaz boy) ~~

Much like Natalia doesn’t seem like the right fit for Buck based on this ep (or based on 616), neither does Marisol. Can I point out the fact that Eddie’s disapproval in the last ep of Buck dating Natalia applies here, too? They both met these women on calls. Second, Eddie wanted it to happen naturally, which is why it’s so lame he tried through all sorts of activities that he’s not ACTUALLY into and wouldn’t continue doing past the initial stage of meeting someone else. And that holds true for Marisol as well. We saw that her brother and her are very into DYI, which I guess was meant to lay the groundwork for Eddie running into her in a DYI shop. But the thing is, Eddie himself isn’t into this! Sure, he can do it, because as a single dad he’s had to, but it’s not something we’ve ever seen him being passionate about. He’s only at this store because of Christopher’s project. And then once more, just like he steps away from Pepa’s help, dating apps and chooses the wost places for a chance romantic connection, he walks away from Marisol even when the whole scene plays out as if she’s the climax of his search throughout this whole ep. This might all hint that despite initial appearances, just like the people he came across while golfing and hiking wouldn’t be the right fit, Marisol wouldn’t be either. Even more importantly, just like Ana at first appeared like she would be perfect for Eddie in 312, starting out in a “it just happened” sort of way and with supposedly being fated because she happened to guess correctly that Eddie stands for Edmundo, this thing with Marisol might look in the moment like it’s exactly what he was looking for, but it will fizzle out as well.

~~ (my weekly meta posts) (my Buddie gifs) (all of my content)

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~~ Thank you from the bottom of my heart to the incredible @whosoldherout​​, there are no words to describe how much I love your gifs and appreciate you!

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[verosikastrikerstellaexcuser]

It just now clicked how fucking manipulative and gaslighty Stolas is, ESPECIALLY in apology tour

Like, oh my god, Stolas is basically trying ti rewrite their history; aka, GASLIGHT Blitz into thinking he didd all these things-

These episodes are supposed to make us feel sympathy for Stolas, but all I can see is my own abuser saying how they feel in order to undermine the events and others feelings and try to gaslight me/get away scott free, and holy fuck I don't feel good anymore

Oh God yeah theres. So much I could say about this.

I fucking hate this bit, the missing every sign and every turn. Because those "signs" were literally just Blitz saying no leave me alone. They were him expressing discomfort at being demeaned like a toy and at explicit sexual advances, often that occurred in public, further adding to Blitz's humiliation. We know this because this one in the screen cap has Blitz in the harvest moon festival outfit. Remember that episode, and how Blitz was uncomfortable at others knowing he'd been forced to allow St*las' sexual extortion to happen to get the book for his business? Remember how he'd express constant irritation at the fuckass bLiTzIe!!! shit? Yea. Pepperidge farm remembers...

The "did I come on too strong" is so fucked too. So incredibly fucked. Blitz tells St*las "Don't try to fuck me today, I'm not fucking you out of hours, this isn't what we agreed to and I don't want to be propositioned for sex" and he gets laughed at and told hes "so cute when hes serious" in response. Yeah idk about anyone else. But I can't imagine my fury if a guy responded to me saying I'm anxious and hostile at the idea of being propositioned for sex I don't want by him like this. And after this, St*las then goes ahead and mocks Blitz's job and work and makes it about sex with the aim comment etc. Demeaning his career on top of demeaning his anxieties about being hit on and propositioned for sex against his will. Great.

Finally, it cracks me up so bad that we've had so little positive consensual content of these 2 that they had to make up some to be able put it in here.

Like aw geez yeah hes smiling! But. Hes still. Only there. Because. His business goes belly up if hes not there. And the ball gag means this is from right before Harvest Moon I think. So this is around when St*las said and did this demeaning shit to Blitz:

Oh yeah totally this is all Blitz's fault though guys and BLITZ is the one who is a motherfucker yep mhmm! Stolas definitely has the right to see this as a sweet wholesome positive moment between them amongst the bad ones, fuck what Blitz is actually expressing here and all the demeaning actions taken against him while he expresses disgust!

The way the realities of all of these moments are changed in St*las' head to make him a victim makes my skin crawl. The show actively lies to us via St*las and we're supposed to still like him. Hell no.