#ANYWAY. having a moment ignore me

[welcometogrouchland]

I love it when "they should be at the club" is like, an actual character dynamic, with person A looking at person B as they work themselves to the bone/throw their own happiness away for the greater good/take on more responsibility than anyone could ever hope to bear and they're just like. Hey. You should be at the club

[walkerrenee]

sometimes i randomly remember how insane maggie stiefvater was for making ronan lynch—a man that can create reality—a man of god, when he himself is a god of a man. then to take this man and have him be not only in love with, but a literal soulmate of a man named adam. parrish. adam parrish. who, mind you, lives above ronan's very own place of worship. and is the namesake of the first of mankind that the bible says god made from the literal dust of the ground (adam parrish: comes from nothing, hair "dusty" in color) and appoints him to care for the garden of eden (adam parrish: sacrifices himself to ronan's sentient forest). then has adam viewing ronan as a god and ronan saying "maybe he dreamt (created)" adam???? like who just fucking writes that and goes about their life?

[sweetsouldhavernas]

Tony DiNozzo and Ziva David ↳ UNDER COVERS

[anoant-haikyuu-dump]

GIRLKYUUUU

[treasureplcnet]

inverness here they come!!!!

[those-badass-reeds]

I'm begging people to please just learn to enjoy things, genuinely. Like yes, think critically while consuming media and stay alert, but also remember to allow yourself downtime.

I'm tired right now and probably won't be able to articulate this properly, but I just saw someone on Twitter complain that movies like The Menu and Glass Onion are shallow half-critiques that don't actually say anything radical about the rich/class systems, and I mean... Yeah? That's actually ok? They're entertainment products designed for mass appeal. And I'm not saying that something can't be entertaining as well as taking a clear, defined position, but I'm saying that not every piece of media has to be an in-depth takedown of social/political systems.

Both films had something to say, and do a good job of getting people thinking about our current society and it's issues. They aren't documentaries created for a niche group who have thoroughly studied these ideals, nor do they claim to be. Not everyone watching these movies will have the same knowledge of social systems, and most people certainly don't want to be flat out lectured by fictional characters.

Learn to enjoy things for what they are sometimes, without feeling the need to condemn them for every way they didn't live up to your personal standard

[skitskatdacat63]

2011 Italian Grand Prix - Vettonso

[zukosdualdao]

i will never understand when people act like zutara shippers are reaching when we say the crystal catacombs scene is intensely romantically coded because like... ignoring literally all other context (which does have other hallmarks of romantic coding, but literally pretend you don't know anything about the show or scene for a second)... what would you think happened in this picture?

would it .... would it maybe be an interrupted almost-kiss

[vonlipwig]

my favourite genre of period drama love interest is 'most autistic man in England is increasingly and hopelessly obsessed with the one woman in Society who loathes him with such a burning intensity that she can only speak to him by way of scathing riposte, and wants nothing more in life than to trail after her dotingly but cannot work out how to get her to let him do so'

[necrotic-nephilim]

If you want to be bothered. Maybe this for dick and Bruce???

i ALWAYS want to be bothered these are always the highlight of my day tbh you're a delight for letting me just yap <3

Dick. For the canon isn't real square I am Specifically talking about the Tom Taylor Nightwing run. Usually I ignore bad runs but given this one is ongoing (though about to end THANK GOD and get replaced by Dan Watters who i have high hopes for since i adored his Sword of Azrael (2022) run but i digress) so I counted it. Especially since it's so debated if that run is bad or not, for some reason. I'm a 90s Nightwing truther. I love Dick so dearly and tbh recently I've been more enamored with him the more I read his Discowing era, I didn't used to be as big of a Dick stan as I am these days.

Bruce. Honestly where do you even start with Bruce. I want to fist fight him and also patch him up. He got me into comics and superheroes as a whole but I roll my eyes whenever he shows up in a story. He's a bastard and usually not a good father but also complex and should be dissected under a magnifying glass. I love him dearly. He's also just the worst. I think that's why I love him. I'm always a fan of unabashedly Complicated Asshole Bruce who's generally not always the best person, particularly not to the Batfamily and that being the driving force of his relationships with them, especially in shipping.

And for bonus points, Tim. Because know above all else, I'm a Tim Drake kinnie /deg. He's been my number one for a decade and I've yet to uproot him from my brain. He's literally the Worst half the time and I love him for it. And the canon isn't real refers to Tim Drake: Robin because... that sure was a comic. And that's about all I can say about it. Pre-Flashpoint Tim I miss you so dearly. I think it's fun that I want to put him in a blender and drink the juice but also want Nothing Ever to happen to him.

[rainbowr0ses]

In honor of Sherbert’s Lego Stream that happened earlier, I have silly Headcanon that definitely, absolutely, wasn’t created by that stream /hj /silly

I present, Fable not knowing how to bond with children so he just *creates* Lego sets and builds them with Icarus because let’s be honest- aside from manipulating that crap out of that smol child, he doesn’t know how to actually interact with children specifically. /lh but not really cause this is c!fable

[vodkaslyme]

I'm glad Fields of Mistria is at least a little more lenient with how you gain relationship w characters than Stardew was, bc as much as I love March as a character something I don't love about these kinds of games is the way their arcs/behaviour doesn't progress at all unless you're actively giving them gifts and talking to them every day (neither of which March deserves at all btw). Just rubs me the wrong way that the solution to jerk characters in these games is always to placate and rehab thier behaviour instead of the narrative/your accomplishments working towards that instead.

Idk. I think a lot of ppl have no problem kissing up to tsundere types in games but I'm like entirely too autistic and too "it's the principle of the matter" to be able to? If March is supposed to develop from being antagonistic and rude then it feels shitty that it comes from undeserved, infinite olive-branches and not just the natural progression of time/story? So at least I can mostly ignore him, tho as a consequence it takes fucking ages to increase his hearts passively that way. You can rebuff and scold him in the 2 heart event and I hope they carry that "I'm not taking your stupid ass bullshit, March" energy for the future hearts too. Because I'm out here infrastructure/farm-maxing, I'll spoil him w conversation and gifts when he figures his shit out on his own lol and we get on neutral ground.

Also I just generally don't like how abrupt his change towards you is on Friday nights. I get it's supposed to be comedic but when he's randomly only nice to you when he's drunk, and he's the only character who's Friday night interactions don't seem to have any bearing on his disposition or dialogue with you after (yet everyone else references their Friday night interactions w you and each other) it makes it feel almost non-canonical as opposed to a hidden quirk of his.

Also idk, "only nice when drunk" isnt the incentive to befriend him the devs think it is lol

[koka-mi]

Oh my gosh whyyyy am I so obsessed with numbers I don't like it at all this is driving me INSANEEEE😭😭IT'S GETTING WORSE AND WORSE AS THE DAYS GO BY AAAA

[xxplastic-cubexx]

what is your favorite thing about charles and your favorite thing about erik? separately, as in what you like most about their characters :]

a devious question this one is, my friend!!! it's hard enough for me to explain my thoughts cohesively, but having to pick ONE thing i particularly love is difficult. with characters like charles and erik, theres been so much done with their characters over the decades and so they have so many components to them that make them so interesting and fun to observe. BUT I TRY FOR YOU TODAY. under the cut i kinda ramble and the size of this text box makin me anxious

i think if i were to be simple and broad, what i enjoy most about charles is his determination to help others, even if he isn't really thanked and/or if people don't even like him. ofc, this isn't to say he hasn't done wrong- to be honest, the fact he does wrong/questionable things at times is another aspect of him i really enjoy, maybe because- broadly speaking- he's meant to be altruistic (intent vs outcome and all that). i don't know if that's super exciting to most people, but it is for me

as for erik, my reason for liking him is easier to explain tbh. To Be Simple And Broad, his progression from villain to antihero over the decades has been fun to observe (as much as i have so far anyhow) and analyze. i think to be a bit more specific, him using his rage and pain as justifications for his villainous actions is definitely what compels me the most: hurt people hurt and the sort, an idea i've always found interesting (something something vicious cycles and the like). yet now, he recognizes this wasn't really. A Just Thing To Do and is beginning to change that, which i enjoy

[evansbby]

my opinion on the Blake lively situation

[erumai-maadu]

Sakura comes home after the second stage of the chunin exams with her hair short and her face set with grim determination to be stronger.

Her mother is distraught, eyes the choppy bob critically, before letting it go and telling her that it'll grow back quickly. She's young, after all, and her hair has always grown quickly.

But Sakura keeps trimming it, never letting it grow back out to the length that she was so proud of before. She feels freer without it, somehow. Her head is lighter, no longer pulled down by the weight of thick hair and people’s expectations.

It doesn't matter any more when people eye her bruised knuckles, the scars scattered on her body, the eyebags from long shifts at the hospital.

Short hair is more practical for a shinobi, after all. At least, that's what she tells her mother. They've never met the Hyuuga, so it doesn't matter if it isn't necessarily true.

Besides, Sakura isn't Neji, with his impenetrable defenses. She's a brawler with fists that punch through rock and shatter bones, and she cannot afford for someone to grab the hair that would whip around in the devastating blasts left in her wake.

Sometimes, she can still feel the Sound shinobi's hand in her hair, the burning pain in her scalp. Lee and Naruto unconscious on the ground and her weak, useless body trembling in fear.

Other nights, she feels the cold wind, a gentle pinch and a murmured "thank you" on the back of her neck. She sees Naruto's wide smile, a promise to bring him back to her, back to the village. Naruto and Sasuke with their backs to her, always in front, always walking away, leaving her behind.

Sakura trains with a savage ferocity that few can match. She needs to be better, always moving forward, so that some day, she can overtake Naruto and Sasuke.

There are times that she wakes up with a scream caught in her throat, hand reaching for a kunai pouch that isn't there. She gets up and sneaks out, runs to the mountains behind Hokage rock and pummels the rocks until her fists are bloody and her fears are assuaged. The weak little girl died in the Forest of Death, cut out of her along with the long pink locks she discarded.

The weight that was holding her back is gone. She will not be left behind. Never again.