julianbashir

[animationismycomfort]

[serpentface]

What exactly are living gods in the blightseed universe?

Ok here's the (DANGEROUSLY vestigial at this point) Meta Deeplore:

There is a material form of energy that is utilized by biological bodies essentially as an animating force. This IS the vaguely defined, extremely ambiguous magic in the setting. It is what produces the actual experience of Consciousness and can be basically considered 1:1 with conscious experience. All life utilizes this energy (whether actually conscious life in the traditional sense or not).

It cannot be created or destroyed, and rather follows pathways of dispersal between one material plane and a parallel plane. This parallel plane is 'the ether' 'the dreamlands' etc, and has its own matter. Discrete entities from the dreamlands are essentially formed as a byproduct of consciousness and, when interacted with, are deeply susceptible to the influence of conscious Thought (they are essentially matter organized By consciousness and can be reorganized by consciousness)

These are the entities that can become living gods. Dreamlands fauna occasionally slips into prime material reality, at which point they are directly under the influence of consciousness and can be transformed. Dreamlands fauna in of itself is not directly perceivable but produces a sense of Presence, like the feeling of being watched when alone in the wilderness, a 'third man effect', a sense of inexplicable awe or fear, seeing shadows from the corner of your eye, etc. The combination of their tangible effects and their susceptibility to consciousness creates a self-reinforcing cycle that produces living gods.

IE: if one is on a forest and people experience the sensation of its presence, belief that there is some entity there may develop. This will follow the lines of the cultural worldview- say there are already beliefs in spectral hounds that encounter travelers at night, it might be interpreted as a location-specific hound, given a name and identity through stories. This in turn causes the dreamlands fauna to physically embody that form and the assumed qualities, and people will start having absolute materially real encounters with it, thus reinforcing the initial beliefs that created it and generating new elements of the mythology. This is what a living god is.

They need persistent, localized, and coherent beliefs to hold their forms. If a village creates a living god and is then wiped out in a disaster, the god will gradually lose its form and return to its initial state of a sense of Presence. This is also a limiting factor on the 'size' and power of a living god, if an entire religion formed around it and became a widespread phenomena, the living god itself cannot 'keep up'. It is sustained on direct and localized interactions, so belief becoming widely dispersed (especially if the localized belief is lost) will cause it to gradually become less discrete. The effect of this property is that living gods are almost always minor deities or spirits tied to a specific location by a specific nearby culture. A lot of deities in larger religions may have once had a living god component that is now indiscrete.

The living god of the Ur-tree is an unusual exception in that it was created over millennia, basically by the survival instincts of the Plants it interacts with, and has held its form over hundreds of millions of years due to this being ubiquitous and un-susceptible to cultural change. The only thing that could 'kill it' is if its forest was entirely destroyed.

So 99% of living gods can be described as thoughtforms created by the process of folkloric/religious development. They are created BY people and not the other way around, and nothing about their nature confirms or denies the existence of other deities or etc.

And yeah I'm going to be 100% real I am REALLY tempted to dump even this extremely ambiguous magical element like it is soooooooooooooooo fucking NOT important to the setting at this point. I've kind of allowed 'literal god entities created by mortal belief' to be just a tiny part of the world's fabric by their nature, like it works within the worldbuilding for such a hugely significant concept to ultimately be insignificant in the overall framework, so I COULD just Leave It but idk. If it were not for me wanting to still have my big fucking god tree and a talking dog as an actual character it would be out of here soooo fast..........

[shorthaltsjester]

sometimes people will say “going dark” and then what they’re actually talking about is just people no longer presenting a carefully constructed version of their emotions and experiences.

like. emotional turmoil is not the same as darkness. laudna in this Fictional Universe that has tangibly different stakes wrt to death and killing than our own, is at best like . morally neutral for what she just did like. man has been secretly trying to kill you, and then just tried to do so again, killing him back is a fair choice. and even if i was someone who is excited by delilah’s inability to escape from the narrative, this shit isn’t about delilah. laudna made a choice. if delilah is back or whatever it’s a choice that laudna made because something in that grants her more control than her existing conditions did. this isn’t some Delilah Takes Over, it’s Laudna Expressly Makes The Choice To Call Forth Something within Herself to remedy the lack of control that’s been thrust upon her. if y’all want to Continue to limit Laudna’s agency (as the cr fandom is so, so want to do when a female character makes a choice that isn’t Good according to some weird system of virtue ethics) go ahead.

likewise with orym. little guy is not “going dark” because he has finally made direct action about his emotional turmoil in dealing with a situation which has similarly left him without control and has also placed him in a position where his stalwart conviction towards protecting and honouring those he loves and has lost alike is constantly met with other people he cares for going well.. what if they had a point/we are killing other peoples loved ones/etc. which like . yeah that might be frustrating and in fact might lead him to go, actually, i can’t afford to try and maintain some abject morality where I carry a locket that will literally only provide guilt. orym is completely committed to his beliefs, the locket and what it represents has never been a limit to what he will do, only a reminder of the consequences of what he might cause in those actions. but they Are at war and orym has a billion things on his plate. he can put down the locket. especially when bor’dor is the explicit manifestation of that locket’s symbolism. the subtext rapidly became the text and orym doesn’t need a reminder. it’s there in the fact that team issylra is walking away with two friends, not three.

these are character who have at every turn denied their own emotions in various forms while still being acutely aware of what they deny, whether that awareness was/is fully realized or not. many of laudna’s early convos with ashton show us that there is some awareness to the lighthearted spooky goth girl and how that persona fades when she thinks too much about what has led her and maintained that reality. likewise the entirety of orym’s story thus far is defined by his grief in a very literal sense, it Has extended from that grief to also the commitment he had to the purpose of figuring out the assassination attempt on keyleth but as we have seen, that purpose has fallen apart. paired with the quasi-reopening of his grief that was getting to see will again only to have to turn away, i don’t think there’s a lack of awareness in orym of how much he hurts. but between his actions and 4SD, that hurt tends to get buried under guilt or Responsibility.

and now, finally, both of them have admitted to that Not in the safety of small introspection or one-on-one conversations but with actions that they cannot shy away from or deny. laudna killed bor’dor and orym encouraged her to. and it Is a complex situation but truly I don’t really think it’s a “going dark” one. because they’re not giving into some overhanging Darkness of Morality™, they’re admitting that they are hurt and have long been hurting.

or, y’know, tldr for those who continue to deny laudna and orym agency or fully villainise them for whatever weird reasons . you could listen to laudna and ashton’s conversation that pretty much lays it out explicitly. laudna claims she’s weak for having chosen to kill bor’dor. ashton denies that and affirms instead that, no, she’s hurt.

[glimmeringtwilight]

Okay the new trailblaze quest has been VERY juicy with the sunday lore I'm so excited

[ringwraithmd]

had some convos tonight im a little buzzed but here are my takeaways. these might start some fires.

somehow they person I talked with is both Anakin apologist and Anakin critical. Idk how they have that exist at the same time, but I'd like to say this to him: the Jedi were victims, the Jedi were not evil, no Obi-Wan isn't evil, Obi-Wan didn't repress and abuse Anakin, no Qui-Gon Jinn was not the bestest Jedi who did things differently than any other Jedi and if only he lived he would've saved Anakin Skywalker. Anakin Skywalker did not fall because he was sleep deprived and had one bad day, he fell for a number of reasons, including that he made choices, which choice as a theme is something George Lucas very deliberately has chosen to emphasize repeatedly in Star Wars. Also, Jyn Erso is an actually interesting character and I think she does care about rebelling, the problem is the repressive totalitarian regime she lives in. It's understandable she'd be a little cynical and despondent after 20 years of Empire. TLJ is not the best sequel trilogy movie, Kylo Ren's a little bitch and should've died sooner. Dave Filoni can kiss my ass. "within the context of the prequels it's hard to see the jedi as the good guys --" no. absolutely not. get some reading comprehension you moron. that's the whole point. the whole point is the jedi were the victims of a plot designed to force them into a position where all they had were bad choices. Anakin chose to murder men, women, and children long before he ever became Darth Vader which is a fact so many people seem to gloss over. "they killed his mother -" and?? he didn't just kill her torturers, he killed children, too. your boy committed massacres and genocides in canon. im not talking about legends or any recent books in comics, but solely about the movies. I get still liking him as a character, but to say that Anakin has done nothing wrong is a take that I just can't understand.

folk music is different than country music. im sorry but it is. yes there are similarities. no I can't explain the differences. but country music is not necessarily folk music, or "stomp-clap" music as you called it. tell me you don't listen to country without telling me. arguably the best argument you could've made about the push back of country music pop-ification is the rise in popularity of artists like Zach Bryan, but you didn't, you started talking about fucking Mumford & Sons. my good dude. no. google them. they're literally described as a folk rock band.

edited 6/23 bc I realized I was drunker then i thought and this was semi-incoherent. hopefully that clarifies things.

[transfemininomenon]

really fucked up that my most well conceptualized, realized, organic d&d setting ive ever thought up got like. three sessions of play in it. god i miss it wish i couldn't done more

[20w14a]

Do Unto Others by MSI gives me Elquackity vibes while Pt. 2 gives me Quackity vibes.

[dearest-valentine]

.

[transingthoseformers]

TF Surge: Sunstorm propably believes that said higher power saved him (while the others died) so that he could serve it. I haven't decided if he has his powers from other continuities, or if he's just imagining them and thinking the higher power granted them.

The transfomers don't have religions in TFES, at most just folklore and superstitions, so Sunstorm's beliefs are even more abnormal than what they'd be if religions existed.

It would be interesting if he thinks he has his abilities but doesn't, it's gotta lead to interesting results

[balteus]

sometimes i wonder if im reading to much into the political implications of fromsoft games (armored core, dark souls, elden ring) but then i remember miyazaki has an actual degree in sociology so what do i know

[nexus-nebulae]

"unless one is willing to accept the Blessings of the Miracle as punishment" im normal about this sentence

[catch-in-my-peripheral]

i’m gonna open a word document and write down all my thoughts later i think

[joelsgoldrush]

“you can use my skin to bury secrets in” | 6.8k

old man!logan x f!reader

SUMMARY: Saliva floods his mouth as you rise to your feet, looking down at him from above. Gracefully angelic, and yet— “I know what I’m asking for,” you continue, your voice descending to a low murmur that scratches pleasantly against some dark and remote corner of his brain. Then you lower yourself onto his lap, your thighs bracketing his waist. You repeat your question: “Can I help you?” OR Logan had always known your generosity would get him in trouble. WARNINGS/TAGS: mdni smut 18+ cursing, drinking, pining, mentions of alcohol, dirty talk, age gap (reader's in her late 20s), logan’s POV, angst/self-deprecation (he just needs a little loving), religious imagery, feelings, petnames, chauffeur!logan, oral sex (m receiving, tiny bit of f receiving), sort of dom!logan, doggy style, unprotected p in v, creampie. A/N: i could say i'm sorry for this, but i'm not. love love love this old man (#needthat). heavily inspired by the song "i know" by fiona apple. @lubdubology my partner in crime who keeps putting up with me, tysm!!! hope you all enjoy it <3

The line between being a good and bad person is thin. So thin, in fact, that Logan finds himself stepping back and forth across it constantly.

Rescuing a kitten from a tree? Good.

Punching a guy at a bar because he didn’t feel like being acknowledged? Bad.

Saving countless lives from mass destruction? Good—heroic, even.

But killing others to do it? Bad—condemnable, scum of the earth.

Where does that leave him? Which side has laid claim to his soul? He’s long accepted he’ll never see the pearly gates.

When the day comes that his body can no longer take it, and he only grows wearier, he’s pretty sure there’s a special place in hell with his name on it, etched in some grave awaiting to be filled.

Maybe Satan’s already counting down the days until he shows up at his door, who knows?

Yet, the more time passes by, the less afraid he is of what lies beneath the surface. He’s learned to coexist with the darkness, with the kind of pain and loneliness that would crush most men.

He doesn’t know how, but he survives it—the agony, the memories, the solitude that hits him from time to time.

And still, he doesn't lose himself entirely. He’s tempted, of course, to linger in the past—it’s always easier to drown there.

If he could go back, he knows he wouldn’t be alone in choosing that path. Some days, it feels like the only option.

But there’s no you in his past.

Logan inhales sharply when your tongue teases his slit, lapping at the precum pooling there. You hum at the taste, your hand resting on his bare thigh, fingers pressing into his skin. Your other hand lazily strokes the length of him, working the inches your mouth can’t take.

It’s clear you’re enjoying this. He can tell from the way your lashes flutter each time he thrusts a little deeper into your slick warmth. A win-win situation.

Letting a girl like you do this to him? That’s bad. Very bad. Red flags all around.

He meets you when he least expects it.

It’s a night like any other. He’s been driving for God knows how long. His joints ache from being in the same position for hours, and a part of his left knee he didn’t even know could hurt begins to throb.

It takes everything in him not to call it quits for the night, not to turn around and head home like a coward.

When exactly his life fell into this monotonous cycle, he’s not entirely sure, but it happened somewhere along the way. Now, it’s all the same: taking care of Charles during the day, catching an hour or two of sleep, then gripping the steering wheel with white-knuckled intensity, driving through endless stretches of road, resisting any attempts at small talk from the passengers he chauffeurs around.

They all try—every single one of them. They think if they can crack his harsh and bitter exterior, he’ll open up, reveal something, anything to make their eyes go wide.

But why? Why do they insist on breaking through his shell? What do they hope to discover?

No one really cares what’s going on in his mind. They just want to feel good about themselves—like they’ve been kind, amiable, empaths intending to fill some empty and obscure corner of their own lives.

Logan refuses to be the person who grants them that satisfaction.

You slip into the backseat of his limo, closing the door with a soft click. The night clings to you, the scent of the bar still lingering on your clothes. The music is loud enough for him to hear from outside, and he sees the people lined up at the door, willing to cause a fight if it means securing a good time.

There's a slight frown tugging at your features, your lips pulled downward, though your voice is still polite when you blurt out your address.

Five minutes into the drive and you haven’t said a word. Internally, he’s savoring the silence, so happy he could jump on one foot.

This kind of peace is rare. He’d grown unaccustomed to it. The tension in his shoulders eases as the city lights blur past.

But, all good things come to an end, because—

“How’s your night going?” you ask, fiddling with the seatbelt to have something between your fingers. Logan glances at you through the mirror, his eyes catching yours just for a moment, long enough to see the faint, apologetic smile you offer him. He allows himself a heartbeat more to take you in before focusing back on the road.

You click your tongue, a soft sound of disapproval ringing in his ears. “Well, thank you.”

He lets out a quiet huff, grinding his teeth together. “I’d prefer if we stayed like we were before,” he mutters, his voice rough and gravelly. His attention flickers between the passing cars and the occasional glimpses of you that startle him every time he searches for the mirror. Cars. You. Cars. You. You. You. “Y’know, not talking.”

“But that’s no fun at all,” you retort, sliding more to your left, nearly positioning yourself in the middle of the backseat. It gives him a better view of you—whether intentional or not, he can’t say.

The lipstick on your lips is still flawless. A sparkly necklace glints just above the neckline of your dress, and matching earrings dangle from your ears. Wrapped in a leather jacket, you look effortlessly alluring.

This entire sequence is enough to confirm that by no means is he going to heaven. Straight to hell, he thinks, allowing his gaze to trace over each detail of your frame. Straight to hell.

You don’t give up. “Your aura is off.”

That prompts a crooked smirk from him, a shake of his head as he mumbles under his breath: “M’sorry, my what’s off?”

“Your aura,” you clarify, motioning toward him with a light jingle from the many bracelets adorning your wrist. “It’s the energy that surrounds you.”

Logan snorts, amused for a brief second. “Well, you weren’t exactly a beacon of life when you got in either.”

You chuckle softly, leaning back against the seat and looking out the window. “I’m much better now.” A pause before you continue, your tone shifting, losing strength. “My date stood me up. Last-minute cancellation.”

It’s not anger, nor is it disappointment, that laces your words. You seem more resigned than anything else. He’d have expected you to sound at least a bit more conflicted.

“I should’ve seen it coming. He’d been asking to move it forward for a while.”

Does he look like the type of driver who doubles as a therapist? He wishes he could understand why you're telling him all this.

“That sucks,” he still responds, because even though he hasn’t gone out with a woman in what feels like centuries, he understands that sensation all too well. “First time meeting him?”

Listen up, everyone—he’s genuinely engaging in conversation with another soul. This doesn’t happen often.

He hears you hum, eyes still trained on the outside world. You sigh, crossing your arms over your torso. “Would you mind rolling your window up? I’m kind of freezing here.”

“I’d mind that very much,” he says, his voice carrying its usual gruff edge. He fights the urge to grin, but then you unbuckle your seatbelt, leaning in closer to him. Your body is wedged between his seat and the passenger’s, and he perceives your stare boring into his side profile. “Put your seatbelt back on.” 

“You’re fucking with me.” Your finger taps his shoulder once, twice. “First, I get all dolled up for an idiot who bails on me, and now you have the nerve to make fun of me? Give me a break.”

Your eyes stay on him, a smile plastered on your face, anticipating any possible answer.

Crack, crack, crack—you intend to break through his shell, watching him from the front row, waiting for the moment it gives way.

Before you can say more, he cuts you off. “Seatbelt.”

It’s a command, an instruction, and you comply without hesitation.

Warmth pools and stirs low in his gut as he notes how quickly you obey him. 

Would you still look at him like that if you knew the blood he’s scrubbed off his hands? The flesh that his claws have shredded? The names of the lives he’s taken?

Would your warm gaze turn cold, filled with dread instead of curiosity?

Maybe this is hell. Are you the Devil in disguise, tempting him to cross a line he won’t be able to come back from?

A few minutes later, he pulls up to your building. A really nice one, he notes. You announce you live on the sixth floor. He doesn’t need to know that, does he? Why would you tell him that? Why give that piece of information to a complete stranger?

You linger in the backseat, as though you’re expecting him to turn and look at you. And he does, though not for the reason you might expect. “You got everything?”

Eager and full of life, you nod, clutching your purse to your chest. You avert your gaze to read his ID tag, the one that contains his personal details. “James?”

“Glad you can read,” he utters, pulling out a small bottle of liquor from under the seat. He drains it all in one go, savoring the fleeting burn as it slides down his throat, which is enough to keep him going. “C’mon, kid. I already charged you.”

“You drink while you drive?”

“Keeps me entertained,” he says dryly. It’s the only thing he knows how to do. Raising the empty bottle in your direction, he arches a brow. “Goodnight, darlin’. Leave me a good review on your way out.”

You roll your eyes at him, silent as you exit the vehicle, closing the door behind you. While fumbling for your keys, four words escape your mouth. Casual yet devastating, they ruin him: “I’ll see you around.” 

For a couple of days, you don’t bother him again. Bother—notice the implication of the verb in question.

He’d be lying if he said he didn’t think of you after that drive. Each time his phone buzzes, a small, restless part of him hopes it’s you, asking for his services, wanting him to be the one you seek out.

And it happens. The best things seem to occur when the moon hangs high and bright.

You: Hi.

He stares at the message, recognition washing over him. He knows it’s you; he can see the other texts you exchanged that night he took you home.

You: Are you working tonight?

You’ve got to be kidding him.

Logan: Why are you texting me?

He types the words with frustration, his thumb hovering over the screen longer than usual. 

You: Why are you answering me?

Oh, you’re smart. 

Logan: Take my advice. Talk to a guy your own age.

You: Damn. Already jumping to conclusions. I was just going to ask you if you wanted to have a drink with me.

Logan: I’m busy.

You: Well, what time do you get off?

Logan: I work all night.

You: Can’t even make a quick stop? I swear it won’t take you more than twenty minutes.

An impulse to throw his phone out the window surges within him, but he manages to restrain himself.

Then, as if on cue, the device vibrates again—of course, it’s you.

You: The drinks are on me. Let me know if you change your mind.

Do you think he’s going to let you pay for him? Absolutely not. 

What surprises him more than the message is how easily he remembers your address. It appears to be ingrained in his mind.

He cancels his next trip, scheduled for ten minutes from now, his new destination being your building.

Once he pulls up, he does what feels most natural: he honks. Multiple times. Maybe he’s lucky and you’ll tell him to fuck off.

But you don’t. You’re laughing as you make your way over to the limo, sliding into the backseat in the same way you did a week ago. Your plan had succeeded—you had him exactly where you wanted.

Far from hiding it, you make it evident, obvious. Your heartbeat thrums in the air, and Logan can hear it loud and clear, like the bass in one of those funky songs he likes.

There’s no room for mistakes. He won’t deny it. Even if the feeling is mutual, he can’t shake the idea that he’s doing something wrong.

In his eyes, you’re the forbidden fruit—irresistible, the ultimate temptation known to humankind, camouflaged in the fur of a pretty woman.

You, his paradise on earth, could only lead to one thing: a longing for a chance with you, which he should never be granted in the first place.

He’s diving headfirst into disgrace, and the more he realizes it, the worse it feels. If he were to be scolded like a child, maybe he’d feel relieved, but he’s no kid. He’s a grown-ass man who should be able to resist.

Yet, self-restraint is like sand slipping through his fingers—never lasting long enough.

“You came.” Astonishment. Uncertainty. Amusement. Blinking your eyes at him, you sit very upright, and you don't even bother fastening your seatbelt. “Honestly? I thought you were going to block me.”

I can’t, he thinks. I wouldn’t be able to. I’m not that strong.

“What happened this time? Another failed date?” he inquires, still not starting the car. A look of perplexity appears on your features, puzzled about why he’s not moving. “Ain’t you forgetting something?” He tugs on his own seatbelt for emphasis, the fabric snapping back into place against his coat.

Once again, you follow his lead. “I don’t need to get stood up to want to see you,” you say, placing your hand on his shoulder for balance—or so he tells himself. It takes him all his willpower not to collapse right then and there. “Besides, I’m not bad company. I’ve been told I can be pretty funny.” 

“I see…” he trails off, catching your gaze through the rearview mirror, not shocked in the slightest to find you waiting for him to look back. “Where to?”

“I don’t know.”

“Well, you should. You invited me.”

How easy it is to make your chest rumble with laughter, the genuine sound bubbling up, pure and unrestrained. He feels like some amateur comedian who has just realized his real passion is to cause this type of response in others.

Except, it’s not just anyone’s laughter he insists on provoking—it’s yours, and yours alone.

An unsettling sensation envelops him the second you retrieve your hand, not before squeezing his shoulder in a friendly manner. “There’s a bar I go to with my friends sometimes,” you suggest after a beat, shoving your phone in the pocket of your jacket. “We could try that one.”

The moment he steps inside, regret washes over him. Why is everyone here under forty? He feels ancient, like fucking Fred Flintstone.

A fossil out of place, meant to dwell in the shadows, not in a scene like this.

When he freezes in the middle of the bar, your fingers intertwine with his, tugging him along, and he follows after you like a lost puppy. The only thing he’s missing is the leash.

You’re met with his quirked eyebrows as you peer into his eyes over your shoulder, a toothy grin threatening to shake the floor beneath his feet. “You know, people usually sit down before they start getting shit-faced.”

“I’m not getting drunk tonight.” Logan exhales a deep breath, trying to hide his discomfort, his eyes scanning the room. “And neither are you,” he practically yells in your ear trying to make himself heard above the pounding music and incessant chatter. He wonders if you even hear him at all.

The two of you eventually settle at the counter, drinking in silence. Logan half-expects one of your comments to pierce through the quiet, but you delight in proving him wrong.

Instead, your head sways gently to the rhythm of the song playing in the background, and you take a trial sip of your beer.

He’s acutely aware of the stares from the rest of the patrons. He can pretend to be oblivious, but the weight of several pairs of eyes burning holes into the back of his neck doesn’t go unnoticed.

Being watched has never been his favorite pastime, and somehow, it feels even more uncomfortable with you by his side.

He knows what those looks imply, can nearly taste the hidden implications behind each fleeting glance.

What’s a girl like you doing with a man like him? A question that makes no sense.

Does he have money? A well-endowed reputation? Did he recently inherit any properties?

Are you truly that desperate for human contact?

Is your bed so cold that you decide to go for the first guy who can string ten words together?

Logan doubts whether this whole experiment is part of the community service you must be doing. Maybe he should look up your name online to see if any criminal records come to the surface.

Now that he takes a moment to ponder it, you certainly fit the mold of the criminal type. The kind who gets what she wants when she wants it, leaving a trail of intrigue on her wake.

His fingers circle the glass so tightly he fears it might shatter into a million shards. You notice his tension, nudging his arm with yours, aiming to meet his eyes.

When you do (because, as he said, criminals have their own ways), you smile, and he internalizes that gesture as something familiar, something he feels he’s grown used to. Something rankled in his memory.

It’s as if he’s known you for a lifetime.

“Thank you for coming,” you say softly, and he may be going down the path of hallucinations,  but your attention remains a little too long on his lips. Then, just as quickly, it flickers back to the rest of his face, and you lean back to drink from your beer once more.

Straight to hell, he thinks, tasting the remnants of whiskey on his tongue, for ever daring to believe himself worthy of even a moment of your precious time.

You’re probably the first person to have his full, undivided attention. And that’s… well, that’s saying something.

Most days, you’re pretty talkative, a steady stream of conversation, your words pouring out in an endless flow.

You tell him about your family, your career, that pet of yours that died when you were six years old. You mention a friend you no longer speak to, and the events that led to the downfall of your friendship.

There’s also that dish from your all-time favorite restaurant, the one you buy at least once a week because it never fails to comfort you.

Nonstop, you talk and talk, and Logan doesn’t mind one bit. Soon, he finds himself becoming an active listener—asking follow-up questions, chuckling at your jokes, even when they’re not funny at all.

He sincerely cares about what you have to say.

This whole situation with you is beyond his comprehension. Before he realizes it, you start wanting to spend more time with him.

Sometimes, you ride along in the passenger seat while he drives aimlessly through the city.

Sometimes, you invite him over, cook a meal, and he always takes the leftovers with him, as if a part of you goes with him when he leaves.

Sometimes, you come over to his place, and the roles reverse—you’re the one with the mic, asking the questions, fully aware that you’re treading on holy ground. 

Logan’s got a sign on his forehead that reads ‘Stop: do not enter.’ It’s rough around the edges, hardened by the years, all capital letters in stark blank ink. But in the end, you just take the sign and set it aside.

He never goes into too much detail. Not because he doesn’t trust you—it’s just that there’s too much to unpack, and you don’t need to know all of it. You’ll be better off not carrying the garbage he does.

Yet, you’ve got him by the throat, encouraging him to cough up disjoined pieces of his life, bits of his day, his thoughts, his feelings. It sounds stupid to him, but you make him feel alive. 

You never judge him, never flinch when he brings up stories from his past. As he sits at your table one afternoon, you look at his hands, his claws fully extended, and you don’t shy away. You rub the pad of your thumb across the rough skin of his knuckles, right where the adamantium tears through his flesh.

You don’t care that he’s a mutant, that he’s killed people. You don’t try to deny who he is or what he’s done. Oddly enough, you just wish to be by his side, staring off into the void with him. 

“But why?” he asks, partly flattered, partly frustrated. This could be compared to learning a new sport from scratch—he can’t figure you out, can’t understand why you haven’t run the other way yet.

He likes your company, though he’s always bracing himself for the inevitable day you find a better hobby and leave.

Your reasoning defies logic, and he’s afraid that at any moment, you’ll grasp the gravity of your choices.

Almost as if you could feel the turmoil brewing in his mind, you simply say: “You’re nice to be around.”

Nice. Nice. Nice. He’d cackle if he were alone. That word reverberates through him. When was the last time someone called him nice?

Bad-tempered, sure.

A pain in the ass? Definitely.

But nice? Not a term people employed to describe him.

It’s a quality reserved for you, with your endless charisma and kind heart, but not for a man of his kind.

He’s nothing more than a chauffeur, a driver, someone who does and says what’s necessary to survive. Does that make him nice? 

When he tells you he’s probably going to hell, you don’t try to make him feel better. Anyone else in your position might try to soothe him, to offer some hollow reassurance.

Your intention isn’t to change him, for him to pretend to be something he’s not. “Then I’ll meet you there,” you mutter, your shiny eyes searing into his. Under the table, your hand finds his, tender fingers grazing over his knuckles, and for once, he doesn’t pull away.

Could it be that an afterlife catching fire doesn’t sound so bad after all?

As much as he likes to admit how easily you can shift his mood, today is not one of those days.

He’s had a nightmare—nothing new, but this one had been… different. The empty bottle on the nightstand hadn’t been of any help; it never does when they visit him in his sleep.

The ghosts of those who used to be his friends, his family, tiptoe around his dreams in the form of shadows.

Blood. Screams. Shouts of his name. He can’t save them all. Walking through the wreckage, he dodges the bodies of those he couldn’t protect, the knot in his throat tightening with every step, not allowing him to breathe.

Wherever he turns, there’s death, destruction. Sadness. Did he save them all?

It’s always the same routine. He wakes up, screaming, chest aching from the effort. His lungs burn, and he has to remind himself that the limbs attached to him are his own and not the remnants of an immobile corpse.

Sweat clings to his skin, pooling at his temples and nape. He wipes it away with the back of his hand, rubbing at the soreness in his neck.

His phone rings somewhere in the distance, pulling him from his dizzy state. He scrambles to his feet, accepting the call just before it hits voicemail.

It's you. Despite it being late, he swears he feels the gentle kiss of the sun over his brow. Your sweet voice chases away the lingering shadows of his dreams, replacing the bitter taste in his mouth with something real—a reason to get up, to start moving.

He holds onto every second of the brief call, replaying those thirty seconds in his head as he steps into the shower. When the cold water shocks his system, it pulls him fully back to consciousness. He has to get ready.

Even though you insist on getting a taxi, he refuses. He doesn’t mind the drive. His gas tank does, his wallet maybe, but Logan? He just doesn’t.

At the end of the day, he’s protective by nature, and who knows what kind of men are roaming the streets at night?

God forbid they’re anything like him—eager to prompt a smile from you, trying too hard to impress you. He arrives at the conclusion that he’d rather lose fuel and money if it means orbiting around you for longer.

You make him feel better, and tonight, he needs it more than ever. He needs you.

(Now he’s driving. He honks five times when he pulls up to your building. You get on the limo, giggling as you say: “My neighbors must hate you.” He grins. You kiss him on the cheek. Subtle. Not the first time. Still, it doesn’t get old. He feels the faint residue of lip gloss on his skin. He doesn’t wipe it off.)

Not in the mood to cook, you declare as you step into his place. The mouth-watering aroma of the Chinese food you bought fills the air, but when he reaches for the bags, you insist that he sit and relax.

Sure, he can take a seat. But to expect him to relax with you around, playing this intricate game? That’s simply impossible. You’re asking for too much. He’s a player at heart, drawn to the thrill of the chase, and he will play along.

What seems inconceivable is the expectation that he can act as if nothing is happening between these four walls.

His attempts to focus on you are futile, as his mind betrays him tonight. All he hears spilling from your lips is pure and plain gibberish. Your very presence is no longer enough to anchor him.

Already immune to your charm, Logan eats his noodles, occasionally nodding when your voice rises at the end of a sentence, indicating a question.

But he nearly chokes on his drink the moment he registers your serious expression, having never witnessed you like this before.

“Are you even here?” you ask, shoving your food aside with a swift motion of your wrist.

What should he answer? What is it that you want to hear? Of course! I’m here, listening to you. It’s a delightful night. Should I start by telling you about my most recent nightmare? Quite the entertainment!

There’s a shake of his head as he lowers his gaze, escaping your concerned expression. “M’sorry.”

“Don’t be. I’m not trying to make you feel guilty.” You tug your chair forward, claiming a piece of his personal space. You know he doesn’t mind. “Want to talk about it? Did something happen?”

“My brain is just… off today.”

“Many thoughts at the same time.” Not a question. Have you completely figured him out?

“Yeah.”

He remains still, dragging his plastic fork across the now-cold steamed veggies, which have lost their appeal.

How amusing—your knees bump against his, drawing his attention. “Can I help you?” It’s new, the breathy tone you’re using, a whisper of agitation weaving through your calm demeanor. 

“Can you erase my memory?” he shoots back, attempting to smirk through the wave of memories that flash behind his eyelids. When he looks into your eyes, the siren in his head blares.

Your pupils are dilated, blown wide, chest rising and falling rapidly. Sweaty palms that you wipe on your jeans. Tongue darting out to lick your lips. Your heartbeat accelerates, drumming wildly like the fluttering of a hummingbird’s wings.

He hasn’t been with a woman in ages, but he knows how they react when they see something they like—or, in this case, someone.

“Logan.” His name rolls off your tongue once more, tinged with an unmistakable need. The thought of checking his temperature dances through his mind, but the heaviness in his limbs roots him in place. He feels feverish. “I want to help you.”

Oh, no. No, no, no, no—

“What—what are you on, sweetheart?” Get up. Find your keys. Drive her home. “You don’t even know what you’re sayin’.”

Saliva floods his mouth as you rise to your feet, looking down at him from above. Gracefully angelic, and yet— “I know what I’m asking for,” you continue, your voice descending to a low murmur that scratches pleasantly against some dark and remote corner of his head. Then you lower yourself onto his lap, your thighs bracketing his waist. You repeat your question: “Can I help you?”

He’s no longer in control of his actions. His right hand crawls up your knee, palming the fabric of your pants. It’s numbing: a lapful of you, your rich smell, your quickened pulse.

Tempting. So fucking tempted to take you right now, just like this, without the need for words. Your bodies can communicate in a language of their own, one that transcends spoken phrases. 

I want you, he lets you know through the way he gropes your breasts over your shirt, squeezing them together. He’s always been good with his hands. But what the hell am I supposed to do with a sweet thing like you?

His patience teeters on the edge of a precipice. “Tell me what you want.”

“I asked you first.”

“You’re gonna pretend you don’t know the answer?” He thrusts into the air, grinding against your clothed core, and you close your eyes. He’s rock hard beneath you, the bulge in his jeans shockingly obscene, bordering on grotesque. “We both know what I want, but I’m no telepath, baby. Need you to speak up.”

Twisting the locks of hair at his nape, you press your lips to his neck. “I want to make you forget, to focus on this moment. I want you to live in the present, Logan.” A bite on his earlobe sends shivers down his spine, and he grips your hips with a primal growl. “I can do whatever you want. Just tell me. Tell me, and I’ll do it, please.”

Please? He’s spiraling. Please? That’s it—he’s doing it. He’ll grant you your plea, which aligns perfectly with his own desires.

Once his back meets the mattress in his room, you get to work. With delicate precision, you pull down his pants, sliding his boxers off until only his thick thighs and the crown of short curls adorning his cock remain in sight. Your fingers tremble slightly before you wrap them loosely around his length, and it springs to life in your grasp.

Your gaze pierces into his, mirroring the intensity of his own. But something holds you back, prompting you to reach for his hand.

At that moment, it all clicks into place. Logan urges your head down onto him, and he’s welcomed by the slick warmth you provide.

Indeed, he’s very much alive.

“That’s it. That’s—fuck. There you go.” 

His fingers dig into the mattress, clutching the cotton sheets, stopping himself from thrusting into your mouth. It’s not that he doesn’t want to—God, he does��but tonight, he’s on his best behavior.

He wipes the trail of drool from your chin, smearing it gently across your cheek, his thumb lingering as he watches your nostrils flare with a strained, muffled gasp.

Bringing his thumb to his mouth, he tastes the wetness on it the same way you’re sucking him: greedily, without any trace of mercy.

This proves I’m going to hell, he thinks, enraptured by the sight of his cock disappearing between your parted lips. Straight to hell.

You draw him back to the present, nuzzling your face against his thigh, your humid breath teasing his thick shaft, pulling him from a deep reverie. Your glossy eyes roam, exploring until they find his, and you gift him an authentic smile. Wrecked and blissed out, it’s as if the lights are on, but no one’s truly home.

He would’ve never guessed how much you reveled in sucking cock, radiating enthusiasm with each of your movements.

“Am I doing it okay?” you wonder aloud, hovering over the tip, swirling your tongue around the velvety head. He’s no fool, and neither are you; deep down, you know you’re doing more than just okay. Actually, you’re giving him the best blowjob of his long, long life.

Each panting, airy praise he huffs fuels your eagerness, making you even more receptive to his desires as the words slip past his lips.

“Fuckin’ amazing, honey. Got me so hard, y’see?” His tone is heavily charged with carnality, gripping himself and smacking the tip against your mouth, the wet sound echoing like music to his ears.

He pulses against your tongue, and you seize the opportunity to trace the thin veins scattered along his length. Gulping, with his gaze fixed on you, Logan notices how you’re still wearing your clothes, wiggling your hips against the mattress, rubbing your thighs together to get something in return. “Are you wet?”

Humming against him, you suck in shaky breath. 

“Words.”

“I’m—I’m wet,” you rasp, voice hoarse. You try to guide him into your mouth and fail miserably, because his grip only tightens, stroking himself instead. “Logan,” you keen, stretching your neck in a silent plea, “don’t be mean.”

“Not mean. Just enjoyin’ myself,” he replies, pulling the foreskin back to expose the head, arching his eyebrows. His fingers curl around your chin, drawing your face nearer to his girth, fascinated by how your eyes flutter shut the more you surrender to the pleasure. “C’mon. Be polite.”

Blame him for it—he believes he’ll never get tired of this game.

“Please.” You whisper, returning to your begging while tenderly rolling his balls, staring at him through your lashes. And then you say it again: “Please.”

Your gaze burns a hole through his crumpled heart. He lets you have it, eager to give whatever you may ask him for. You dive back into it, engulfing his length and bobbing your head up and down with fervor. Hushed whines escape your lips, savoring another bead of his precum.

Logan almost loses it as you hollow your cheeks, instinctively cradling the back of your head. “Easy, baby. M’not going anywhere. Take your time.”

Whenever he feels himself approaching that long-awaited release, he forces his mind to conjure thoughts that will stall his impending orgasm.

The water stains from flooding on the walls.

The supermarket list.

The rising price of gas.

The—

“Fuck. Slow down,” he groans, utterly captivated by the way you point your tongue to draw imaginary patterns along his cock, seemingly memorizing every detail. “Don’t go too hard on me, remember?”

You mumble something under your breath, and at first, he can’t quite make it out. “What is it?”

“I said I want you to fuck me.”

Under no circumstances is he surviving this night.

“Really, doll?” Logan seeks the reassurance he desperately needs, fearing that this is all a dream from which he’ll awaken the moment he properly touches you. “You sure you want this old man to fuck you?”

You’re a rambling mess, murmuring Yes, Logan, please, until he maneuvers you to lie on his chest, his glistening cock sliding against your clothes, leaving a trail of dark spots. A whimper dies on your tongue as you brush your lips together, your hot breath enveloping him. “Give me a kiss at least.”

Tilting your head up, he connects his mouth to yours, growling as he detects the dull, sour tang of what must be him. He sucks your bottom lip, hardly aware of what his hands are doing until he shifts your positions, pinning you down.

Logan tugs at your clothes, peeling them away with urgency, his fingers dancing over your nipples until you’re grinding against his thigh, quivering beneath him. With a nip at your damp skin, his eyes flutter open as he studies your expression, casting you a glance that seeks your permission.

A ripple of desire courses through him when you dutifully turn over beneath him, pressing your face further into the pillow. He runs his knuckles along the curve of your ass, his throat going dry as you follow after his touch, arching your body in response.

Unable to resist the temptation any longer, he licks a long, slow stripe up your wet folds, keeping his tongue flat against your clit for a brief moment. Your arms give out and you stumble forward, stuttering as you mewl his name, fully consumed by the feeling.

So he does it again, and again, and again, flicking the sensitive bud, even though you’re already beyond soaked. It’s a pleasure he indulges in simply because he can.

Straight to hell, he thinks, coating his length with your arousal, teasing your entrance while pushing in only the tip. That motion alone is enough to make him draw a trembling breath before he continues, gradually feeding you his cock, inch by inch.

Straight to hell, the voice in his head utters as he buries himself to the hilt deep within your body, his heavy balls resting against your ass.

Like an intruder in your territory, he’s free to do as he pleases, and you let him have his way with you.

If only this moment could stretch into infinity—he longs for time to relent and never draw to a close. 

What will happen after? Will you spend the night? Does he—

“L-Logan,” you mumble, having adjusted to his size. You rock back into him, impaling yourself even more on his cock. “Please, move.”

The pace he establishes is brutal. Your warm, inner walls exquisitely massage him, and the earth as he knows it stops spinning. Fire pools low in his abdomen, his hands holding you by the flesh of your hips to keep you anchored, each thrust driving you closer to the headboard with an intoxicating urgency. 

“You wanted it from the very start, didn’t you?” He doesn’t know if a response will ever come, but these kinds of thoughts are impossible to contain. He’s just a simple man, powerless against the allure of a tight cunt. “Just got in my car and knew it would end like this?”

You roll your eyes at him, silent as you exit the vehicle, closing the door behind you. While fumbling for your keys, four words escape your mouth. Casual yet devastating, they ruin him: “I’ll see you around.” 

His next thrust punches a whine out of your lungs. Even as you clench around him, stuffed and filled to the brim, you beg for him to fuck you harder. He would’ve laughed at you were he able to catch his breath.

With a more deliberate rhythm, he rolls his hips, jackhammering your most sensitive spot, pulling you closer as he wraps an arm around you. When his fingers find your clit, drawing slippery circles, a cry escapes you, and your body merges with the mattress under you.

Your release takes him by surprise, urging him to continue as you reach back, encouraging him to chase his own climax. He knows all too well the struggle of bringing you to this point without succumbing to his pleasure too soon. Your nails graze along his thigh, leaving delicate marks in their wake, and somehow, the passion and bliss he’s been nurturing ignites into a fiery crescendo.

Shortly after, he goes completely rigid inside you, pressing his forehead against your back as he bites down on your shoulder to muffle his groans. His hand squeezes your breast tightly, riding out his high, blood buzzing in his ears, continuing to spill into you. You spam around him, milking him until the last drop of his seed, his release painting your insides with his warmth.

Logan tucks you under his chin as his vision returns to clarity. You nose his jaw, your fingers softly tracing the contours of his beard. He pulls you closer into his chest, gliding his hands up and down your back.

Half a minute of dreadful silence, then: “Can I stay?”

Oh, yes—pillow talk. He’s not great at this either. Despite that, his eyes soften, snapping to your face.

Logan pauses for a moment. “Sure,” he retorts, dragging his fingers along your shoulder blades. He’s a one-word kind of guy. Just perfect.

Tell her you like her. Tell her you don’t want this to be a casual fling. Tell her it’s more than just sex for you.

Or maybe don’t. Get ahold of yourself, will you?

“Logan?” you ask, resting your palm against his heart.

“What is it?”

“I know.”

You do?

Try as he might, he can’t deny it. He might care about you more than he ever realized.

dividers by: @/cafekitsune thank you!!! <3

[gilbir-t]

Some Fiddlestan

Now I actually have a lot to say about this ship or at least what my interpretation of it is. Stan and Fiddleford would meet right after Ford gets pushed into the portal. And Stan is looking for answers and Fiddleford helps him. This would be around the time Fiddleford is starting to lose it and is newly traumatized. They could bond over their shared experiences with Ford. Both of them could relate to people having low expectations of them (Stan being the “dumb” twin and Fiddleford being the first McGucket to go to college/generally how he was raised). I personally think their relationship would be healthier than Fiddauthor. Ford is wrapped up with Bill and (in my hc) doesn’t return the feelings. Ford also kinda develops a superiority complex and ends up not treating Fidd very well anyway, so I feel like being with Stan would be a breath of fresh air. The desire is actually mutual. Stan’s probably been in a lot of quick relationships and Fidd (another hc) has been in maybe a few but definitely not with another man. After being married to Emma-May (she divorced him at this point) and having to conform to a heteronormative roles/religious standards of intimacy, being in a relationship where you are heavily desired would be really freeing. Stan being Stan and Fiddleford being desperate, their relationship would probably be mainly physical. They’d care about each other but it’s not a deep love. There would be kinda toxic undertones to the whole thing though, mainly Fidd still being in love with Ford and using Stan as a replacement. And also Stan would struggle to be emotionally vulnerable and use physicality to distract from his emotions. These problems could be why they broke it off and stopped being friends. That or Fidd going crazy and running a cult.

No I don’t know why I wrote a whole paragraph about a Gravity Falls ship

[demi-god77]

BYLER GATES: A GUIDE

(Explaining all the different theories, for anyone who is also lost with how many there are)

THE BIG 4

Flickergate: This theory involves a lot of time shenanigans and is connected to the Will having powers in s5 one (possibly manipulation of time or electricity). Theory claims Will and Mike will kiss in the UD, specifically outside Mike's garage, paralleling 1x01. Will is going to tell the truth at the same time his s1 self is ("it was a seven"), causing the garage light to flicker on Nov. 6th 1983.

Birthdaygate: This theory suggests that the Duffers didn't actually forget Will's birthday is March 22nd (the day of the rink-o-mania incident). It claims that Vecna is actually manipulating the characters' memories (possibly even Will's), making them forget his birthday in the process, maybe in an attempt to make him feel excluded/lonely and making him vulnerable. (Similar to the beginning of Harry Potter and the chamber of secrets, which happened to be on the inspo board for S4)

But also the Creel murders themselves happened on March 22nd.

Churchgate: More UD kiss related theories! This one claims Will is going to get Vecna'd or possessed in the Upside Down church (and that he's going to hurt/choke Mike in the process). With a crazy amount of religious symbolism, Mike would be the one breaking him out of his trance, through a kiss or a confession.

(More thorough explanation here.)

Lettergate: This gate's truthers believe that Mike did actually write to Will in the time period between s3 and s4, but never sent the letters. Said letters (signed "Love, Mike") are going to make an appearance in s5, revealing his true feelings. (Great post that has to do with this gate here)

Also related to:

OTHER GATES

Pocketgate: Very connected to Lettergate™️, this theory has to do with Mike's infamous triangle shaped pocket in S4. It suggests that the letter signed Love, Mike is hidden in said pocket throughout s4, since it very closely resembles an envelope. Triangles have also been used in ST as a queer symbol (with Robin) and Mike's pocket consistently points to Will like an arrow.

Phonegate: Kinda similar to the previous two, this gate claims Mike did actually call the Byers in Lenora. For some reason, the calls didn't go through, either because of Joyce's telemarketer job OR because of Vecna manipulating things again (cough, birthdaygate, cough).

This is backed up by one of Dustin's lines, saying that the Byers' phone line is always busy and Mike won't stop complaining about it. We know he must have been calling WILL, since the whole reason he was communicating with El using letters is that they couldn't talk on the phone.

Loverslakegate: Related to Lovers' lake (obviously). The lake is shaped like a heart, tying into its name, but it was split in two after the gates opened, now resembling a broken one (and Mike is ofc referred to as "the heart" so it could be a reference to him).

According to this theory, Mike and Will are going to kiss/become lovers near said lake/Reefer Rick's house.

Heartgate: To put it simply: Heart reflections EVERYWHERE. This one is better explained through pictures:

Also: Different heartgate but really interesting

Colorgate: I don't think I have to explain this one tbh but anyway

Blue meets yellow in the west.

Mike and Will have been HEAVILY associated with blue and yellow respectively since the beginning of the show (even wearing eachother's colours in both of their arguments). There's an insane amount of evidence that backs this one up.

It's speculated that the Russian code in s3 was foreshadowing for s4 ("The silver cat feeds when Blue meets Yellow in the west") Silver cat: Vecna who started killing when Mike (Blue) met Will (Yellow) in the west (California, literally west of Indiana)

Curtaingate: "They don't spent their lives trying to get a look at what's behind the curtain [...] They like the curtain. It provides them comfort, stability, definition" -Murray 2x05

Mike and El are pretty consistently framed in front of CLOSED (and more often than not, yellow) curtains, or ones that have closed blinds. According to this theory, closed curtains represent not being honest with one's true feeling. So, the truth about Mike's feelings is beyond the curtain and in s5 he will open it (and come out)

Motelgate: This one has to do with the dreaded two day time skip at the end of S4. Theory claims the Cali crew stayed at a motel during that time skip and the scenes were cut for time, but we'll flash back to them in s5. It's based on a photo a production assistant posted from the New Mexico filming, as well as some bts pics of the Cali Crew playing board games in a motel.

Shoegate: In S4, we see a pair of Will's shoes in his bedroom. In s5, Mike seems to be wearing that exact pair. This, in addition to the fact that they wear the same shoe size (a 10 according to their rollerskates from 4x02), lead people to theorize they will share clothes/shoes in s5. More importantly though, this theory suggests Mike is figuratively being put into Will's shoes (maybe pining?). Also, both of them wear the same shoes they wore in s2. Interestingly enough though, even though the design is the same, the colors are reversed (so their roles will be reversed too).

Possessiongate: This one runs DEEP so I'm going to link a bunch of posts

To put it VERY simply: this theory claims Vecna somehow attached himself to Mike (maybe when the vine grabbed him by the leg in the S2 tunnels- right before he started acting weird in s3 and s4) and he has been influenced/possessed for some time now.

He's not the dungeon master anymore, he's not in control. Both in s3 and s4 someone ELSE is the DM when they play D&D (Will and Eddie respectively)

More here and here

Victimgate: Very closely related to the previous one, this one suggests that MIKE was originally supposed to be Vecna's 4th victim instead of Patrick. Since Max escaped the first time, SHE ended up being the last victim but the original plan was for it to be Patrick. However, Patrick's curse doesn't fit the theme of all of the previous ones. We only see one of his visions, he gets cursed for ONE DAY, as opposed to the other 3 that are cursed for almost a week and we also know very little about him, even though we gradually knew more about the previous victims. Chrissy (no relation to main characters) -> Fred (friends w/ Nancy) -> Max (main character who we've known since s2)

More thorough explanation here

Twelvegate: This one is not really Byler related but i wanted to include it anyway

Theory claims Will was one of the lab kids (specifically 012) and him and El are actual twins. There are mentions of Will and El looking similar since s1, and a lot of twin imagery.

This theory obviously ties in with the Will having powers one and some people believe he wasn't 012, but him and El have a deeper connection/may be actually related. It could theoretically explain Henry's connection to Will, as well as things like El seemingly recognizing him in s1.(Alternatively called rainbowshipgate, because of the rainbow ship drawing Joyce mentions in s2 and the rainbow room)

Eightfifteengate: Again, not explicitly Byler but it's quite crazy.

TL;DR: The time 8:15 seems to have great significance in the show and it's mentioned all the time, if not by the characters themselves, (Eg. "It's 8:15, you're late"- El s2) then by small details in the background. There's even a whole track named after it.

Will left the Wheelers' house at 8:15 and it's the EXACT timestamp of his disappearance in 1x01. It's also the time in which most of the UD related weirdness happens and so it's very likely the UD is stuck on 8:15. (Also you know, 15-8=7)

Radiationgate: Related to the previous one! Clocks in Chernobyl are stuck on 8:15 and Hiroshima has been described figuratively as being frozen in time. Henry has burns identical to Chernobyl victims and almost all of his + his victims' symptoms can be explained through radiation exposure. As this post explains, for radiation levels between 8.3-11 Gy (SI unit for absorbed radiation), symptoms start with headaches and disorientation, move on to unconsciousness and bleeding (the exact symptoms of his victims) and finally, death happens at around 7 days (which is about how long Vecna's curse lasts AND how long Will was in the UD for)

Whiterabbitgate: The song "White Rabbit" is the first song in the show and it plays when we first get a sense of El's powers. Theory suggests it will also be the last song in the show (coming full circle) with either Will using his powers, or Willel using their powers together.

In general though, ST has a lot of similarities/parallels to Alice in Wonderland. The white rabbit constantly being late (Mike is late to something at the start of every season), great significance to clocks/ticking/time, a lot of hallucinations/visions, the overall similarities between the Upside Down and Wonderland. Henry's sister was literally named Alice Creel and there is SO much rabbit imagery throughout the show. There are also direct references to AIW with set pieces and paintings.

Soundtrackgate: This one has to do with the Stranger Things OST and the overall insane musical symbolism throughout the show. A lot of different theories talk about the show's soundtrack, but this one talks about 3 tracks in particular: Being Different, The First Lie, The First I love You

To put it briefly: "The First I love You" plays in both Robin's coming out scene and El's kiss with Mike at the end of s3 (Already a weird parallel). The three tracks not only share the same melody, but they also sync up perfectly. "Being Different" (s4 van scene) and "The First Lie" (Nancy and Jonathan's kiss in s2) especially, match up together to create an entirely new track, completing eachother. The scenes featuring those three tracks also share very similar themes at their core. (This post goes into a lot of detail!)

Playlistgate: Character playlists! At a certain point, every character's official playlist on Spotify was deleted, except for three: Mike's, Will's and Billy's. Songs were seemingly being added/deleted for no reason to the Mike and Will ones and people were struggling to make sense of it all.

Also, Mike's character playlist in particular is VERY interesting (so many byler coded songs, as well as "Smalltown Boy" a gay anthem, about a young gay boy forced to leave his home town to escape from their disapproval and homophobia.) There are three playlists on Finn's spotify that are very incriminating. "Love songs" (That has "BOYS DON'T CRY" on it, a song that Will literally has a poster of in his room), "drive" and the most recent one "STurn". These playlists feature songs like "Let her go", "Angst in my pants", "Me and Michael", "Gay thoughts" just to name a few. Basically a lot of the songs on all four playlists seem very relevant to some complicated feelings about Mike's relationship with El/Will but also with himself and his sexuality.

Scriptgate: Oh boy. Here we go.

On August 5th 2022, the byler fandom got #bylerscript trending worldwide on Twitter while waiting for the 8flix account (run by Nick Runyeard) to release some supposed s4 scripts (that people PAID for, mind you). These scripts dropped on August 8th, featuring lines like: "I hate who I am" from Will in the van scene, "His mouth dry, like a California summer" from the bedroom apology scene and also, Will seemingly recognizing Brenner at NINA, despite never meeting him in canon.

These turned out to be fake and the community was in shambles. Nick started calling people psychos, the Stranger Writers tweeted that everyone got scammed, Nick privated his account and the authenticity of some released s2-s3 scripts was questioned. This post explains the entire situation in detail.

Breathgate: This one is also script related and specifically about a Mike/Max parallel.

In the official van scene script, when Mike sees Will's painting "his breath catches." Then, when Lucas asks Max to the Friday movie date, "(her) breath catches" as well. People caught on that parallel very fast and since the latter is obviously a romantic moment, it boosted their confidence for both Byler and Lumax endgame.

Piggybackgate: This one refers to two different situations/theories.

One, the seemingly deliberate framing of Mike and Will inside the little bubble in El's piggyback drawing (and it referening to Byler). The framing is especially suspicious, because the bubble drawing was drawn two separate times (it's different from one shot to the other). In the second shot, they're framed directly inside of it.

Two, Mike in his monologue essentially piggybacking off of Will's van confession. His monologue was going off of El's feelings, but since they weren't actually El's, the speech was based on Will's feelings. It also ties in with the parallel/foreshadowing between the monologue and Suzie's house, with Will being paralleled to the "director" kid, directing a "choking" Tabitha and their dad (more thorough explanation here).

THE SILLIES

(aka the joke-theories/memes)

Miniongate: Mike and Will are secretly minions. (Because you know, minions are primarily blue and yellow)

This information will be revealed to us in s5 and they will have a magical girl-esque transformation where we see their true minion form. (Original post here)

Localvillagegate: Related to the leaked Mike and El rooftop scene.

Basically, a mlvn used AI to lip read the scene and try to figure out what Mike is saying (and then posted the video on Twitter).

According to them, Mike was telling El they were going to leave the local village (AKA Hawkins) together and travel to a beautiful faraway land with "like, three waterfalls or something" (and also that she has to "improve her motivation", whatever that means).

People thought it was hilarious and started making a ton of memes based on it.

Parrotgate: This is directly connected to localvillagegate™️ and it was created by @cloudycleric in one of his streams.

Basically, the parrots are gay and represent Will and Mike, who in s5 will kiss under the three waterfalls depicted on the image.

Backgroundguygate: People making headcanons and creating backstories for random extras. The star of this gate is Barrett, an extra from the Lenora high school, who wears a barrette, bright red pants and a shirt that says "Hell".

According to this gate, he's actually gay and in love with Will. He has a goth best friend named Claire who is a lesbian and in love with El.

Chancegate: The theme of shipping Will with random extras continues on strong

Chance is one of Jason's friends and part of the basketball team. People thought he was attractive and somewhere along the line started making headcanons for him and shipping him with Will (Bychance). Basically, they're gonna date and Mike will be jealous.

Mikhailgate: More shipping Will with randoms! (I'm beginning to see a pattern here)

Originally created by @paladin-n-cleric

Enzo in S4 mentions his son, Mikhail Antonov. Mikhail is the Russian name for Micheal.

People started making jokes that Mikhail would arrive to Hawkins from Russia in s5 and shipped him with Will (Willhail), since he's like Mike but Russian and cooler. They made fanart, edits and posted pictures of Finn as Boris in "The Goldfinch" claiming it's Mikhail.

@will80sbyers then begun to ship Mikhail with El and thus the ship "Jail" was born.

Baldmikegate: Did you know Mike is actually bald and is bullied for it? Well, now you do.

In 2022, a cult was born and the byler tag was filled with edited pictures of Bald!Mike. Terrifying honestly.

Some people made posts about how the rest of the party feels about Mike's secret baldness and some even wrote FANFICS.

Gridgate/whiteboardgate/pixelgate: The Stranger Writers posted a picture of a pixelated/blurred whiteboard that had the entirety of s5 mapped out. People were desperately trying to decode it and figure out what was written on it.

On the space for episode 7, there was a "big black hole" that people went crazy trying to make sense of, only for it to be revealed as a pen holder.

Babygirlgate: The babygirlification of Mike Wheeler. That's it. That's the gate.

I think pretty much every line Will has ever said to Mike has been posted with the word "babygirl" replacing his name (it's hilarious and I love it)

Some examples here and here

Mattduffersbasementgate: Finn and Joe made up a third Duffer brother named Pete, who has no hair for some reason and is the actual writer of Stranger Things, while Matt and Ross are just the faces of it. Pete lives in a shed/Matt's basement and that's where he writes all of the scripts.

Finn and Noah are both also being held in Matt's basement however, and they're not allowed to leave so that they don't spoil byler endgame.

I definitely missed some gates, but omg this took SO LONG

(this post is for you @felix-fathoms @bibylers)

[lafamilledelioncourt]

The heartbreaking thing about a lot of viewers who haven't consumed the books is they don't completely see is WHY Lestat is near sobbing when he asks "Did you hurt yourself?"

Yes, for general reasons like he loves him and what not. But, don't forget, he also said, "I gave you to Armand. You tell me if that is saving."

In TVL, you get ALOT more of the Lestat/Nicky relationship. You see them bond, fall in love, and then Lestat have to contend with that love once he's kidnapped and turned.

Nicky does not take the vampirism very well. Nicky is a very desolate sort of character. Religious trauma to the max, and then throw in family trauma, gay repression, and then vampirism.

When Lestat leaves Paris with Gabrielle in TVL, he essentially leaves Nicky with Armand. He entrusts him into his care in a way, and Nicky chooses the fire. He can't endure as they call it. Naturally, it breaks Lestat's heart.

One of Armand's jobs as coven leader was to cull weak vampires who can't survive on their own or endure. So there is definitely room for S3 for them to show Armand pushing for Nicky to accept the flame.

With Louis, Lestat doesn't fight back in Paris and lets Louis go with Armand. Once again, he's entrusting someone he loves to Armand. Even if it's very much unwilling, but I'll give it to him for once for respecting a choice.

When Armand calls out to him in San Francisco, it's Lestat's worst nightmare. Louis is hurt, Lestat can't get to him. Armand either has allowed him to be hurt, hurt him himself, or did not protect him as Lestat wants him protected.

It is heavily implied Lestat thinks Louis died in San Francisco. In the books, Armand tells both of them the other died to keep them apart. Once again, the person Lestat loves is dead because of Armand.

Lestat, in his mind, has ultimately failed Louis, and so he falls apart as we see him do in 2x08. When Louis shows up, he cannot believe he's there initially. It's very clear he's only half there mentally. He has to ask him if it was all real and if he'd really been hurt because he has to know if it is really Louis. It's a question you'd ask the ghost of the person you love, but Louis CAN answer him.

Needless to say, please read the books if you're up for it. They are a riot.